There’s a boy in Miami
Who’s perfect to the T
And “te quireo mucho baby”
About me.

Coming from afar
Se los lleva el mar
Rostros de arena.

Feeling two instead of one
Sé que pronto llegarán
Ships to use me as an anchor.

Me gritan "súbete aquí!"
But I only float to sea
Mareándome en pudor.

Which sail will catch me?
¿El norte y sur del que salí?
The faces in the sand must know.

I estaba enamorado
No se how
pero one dia, yo fell
yo fell para tu
I vi en your eyes
y vi the world
Yo saw el possibilities
I vi el infinity of stars
hidden en tu eyes
an infinity of stars
Soy now trapped in

Que lenguaje mas hermoso
el que produce palabras de alegria
como es el te amo, te quiero y te adoro.

Dicen que los latinos somos ruidosos,
llenos de energia y poca cordura,
pero es que no entienden que el español
no tiene limites, no tiene volumen, solo frescura.

Grita tus palabras indigenas,
huracan, coqui, fotuto, Boricua,
esas palabras tainas tan bellas
que usamos cada dia.

Porque tienes miedo cuando te sale el "Spanglish"
si los gringos no pueden pronunciar ni "Porto Wico"
asi que curate con un  "bad english"
porque nunca tendras que procuparte por decir RRRRico como un chino.

Mi lenguaje no puede morir
porque dentro de sus palabras
estan las llamas de un Neruda,
la negrura de un Llorens,
la fortaleza de un Albizu.

Oh cuanto te amo, te quiero, te adoro Puerto Rico
por enseñarme el español que uso para enamorar a tus hermosas mujeres.
Oh cuanto te amo, te quiero, te adoro Puerto Rico
por eseñarme el español que uso para luchar contra los que ya no te quieren.

All my life I've paid,
I've paid taxes, dues and sacrifices
I've paid bills, attention and detention
**** I've even paid a visit to the county jails a few too many times, either as son, brother or inmate
Either way I've paid, but
Why Do I Gotta Pay?
Why do I have to pay every time a cop sees me on the streets,
Why do I gotta pay every time they slam me on the concrete,
Why do I gotta pay every time they serve and protect me,
Why I gotta pay taxes to subsidize the incomes of those who disrespect me,
Answer me,
Is it because I came from a broken home, or because my Mama was on drugs and my Pops left us all alone,
Is it because I was baptized into the street life b4 I could even decide between wrong and right,
No, no, no, I know why, it's because I look too Mexican and not enough white, right? Nah, it's probably because all my friends are high school dropouts, washed up or strung out,
Or is it because the Indigenous, Latinos and Africans are worthless, well ****, I didn't get to choose my race but if I did I'd still choose Mex!
Why Do I Gotta Pay?
Is it because I'm a threat to the status quo and looked upon as the states foe, well that's not fair, I pay a bigger percentage of income tax than Mr. Koch, Wait! I think I know! It's because my family's from the other side, **** that border! Daddy, why couldn't you be white? It's like what I told you on the 16th of September, We don't belong here because we have indigenous blood, remember? This is the European man's land, duh! Y'all are just so ignorant huh?
Why Do I Gotta Pay?
Is it because for a little bit of contraband from the Earth I'm a convicted felon while Ray Rice is free after he crushed his wife's skull like a melon, is it because I can't find a job and still I haven't robbed, is it because my school won't give me financial aid so I was forced to sell dope to get paid, but still I don't get paid, I pay taxes or the carnales will have me put in my grave
Wait! I know why I have to pay!
It's because I'm a slave, not to celebrity gossip, consumerism and materialism, but to imperialism of the state, I'm enslaved cuz I got too much soul to behave, my stilo is Zapatista & I'm **** with my head shaved, They made me a slave cuz they know I'd take their wombmen away, not by force though, cuz who could resist a date from this Latin Lover from around the way, they mad cuz I got Spanglish from the barrio, lingo from the hood & an academic vocabulary from the Pecker Woods, they scared cuz they're wombmen wish they could, every time I step out Miralo, I'm lookin good! These cops could never be us, and when I'm thuggin, Man, I wish they would! Im a slave cuz I don't understand, understood? I'm standing over my land, understand? Cuz I don't ever stand under! I only Overstand! That's why I gotta pay! Cuz I'm a slave that won't work for minimum wage, I'm a slave that can't be put in a cage, Im a slave that don't know his place, I'm a slave that just won't go away, I'm a slave that can't behave, I'm a slave that charms sharper than a blade, I'm a slave that steals hearts and makes way, I'm a slave that plays and never gets played,
And that's Why I Pay
Cuz I'm a slave that chose his own fate ✊

The world is full of shade and prose
And I don’t know what to do anymore
Audre Lorde said “silence will not protect you”
But I been weaving my silences into a survivor’s quilt
Because I’m tired of surviving
And I’m cold and want to use it as my blanket
Out there in that cold *** world

The world is full of shade and prose
*** workers on boulder highway
Wanna be poets writing in spanglish
White privilege, patriarchy and all
I kinda wish I’d write songs instead of poems
You know, songs about love
But no
Cuz the world is full of shade and prose
Bus stops/stop and frisk
Judgment day enthusiasts/Holocaust deniers
I am tired of “it happened before I was born”
And “I feel guilty but I did not ask to be privileged”
And when I say: Then do something
They ask me “what?”
I reply: NO
The world is full of shade and prose

The chicken never made it across the street
There is so much deconstruction
And so little relief
We will soon end up homeless
And will have to pawn the master’s tools
Or maybe just sell them at the swapmeet
For a dollar or two

I mean who cares as long as we’re in love
If at the end
The world is full of shade and prose.

Blue Hill Avenue

It begins with Spanglish-speaking merchants
conducting business inside of bulletproof stalls,
where the faint scent of dried cod follows you
to the flat fix next door, into the auto body,
a hair shop, and to the steps of a church
for first generation Cape Verdean-Americans,
their offspring and that old lady --
someone’s  grandmother --
who wears a black dress on Fridays
and walks home from the Market Basket
the same time that you get off the bus
who wears a shopping bag full of tropical foods
and memories on her head.

And if you stand at its first **** south,
you will notice how the families disappear
in the African American section.
There are fewer stores here, lots of energy boxes
with epitaphs: “Tiffany Moore Died Here”;
a seatless swing set, a playground gone fallow.
You won’t see any church steeples in this section
that feeds on a neon CITGO sign too small
to illuminate the skyline like the mega one in Copley does.

A few blocks away, a ghost of the Jewish past sits
with pointy stars of David nestled inside its
bulbous steeples that simmer on summer Sundays
where Haitian congregants stew inside,
praying and giving to the building fund
in damp envelopes that will go to the omnipotent one
who will someday replace the stars with crosses.

And as you keep walking, past the temple,
you enter Grove Hall’s Mecca, a strip mall
with a drive-thru Dunkin Donuts,

a Stop & Shop, CVS, Bank of America,
and a Rainbows that sells your teenaged aunt
the sequined one-off shirt she needs for a date
and the fishnets she wears to the carnival
that parades through a sliver of the avenue,
the very next section of our beloved Blue Hill.

Across the street, Check Cashers speak English
as good as the number of dollars and cents
they count when they hand you back your cashed check
or the double win you scratched out of a Gold Rush ticket.

Adjacent to them, a Greek-owned sandwich shop
that feeds you steak bombs as long as your forearm or
Festive Fridays: 20 wing dings, a pound of fries,
a Greek salad, and a gracious gulp of fountain cola --
essentially, a heart-attack meal.  

Next, another ghost of the Jewish past,
a church in the former Franklin Park Theater,
where Yiddish entertainers performed vaudeville acts
which nobody living can remember.

Then a building that resembles an African footstool,
one that will allow you to see over the **** of the hill
and down below at a gospel choir trapped in everlasting song
against the wall of the one-hour cleaners and that store
where a turkey-shaped lady with flour dusted hands
stands behind a window, noticing you,
while guarding her beef patties and cocoa bread
with a bulletproof smile.

As time has passed
I've seen much that is great and vast.
My soul may wander
Up alone in the stars,
And my sight is clear
As xanax bars.
I speak fluid spanglish,
and sing of the sea.
Life is beautiful,
Oh can't you see?

Sleepless and Stupid
Sitting inside of a coffee shop
Sipping on something sweet
Silently screaming to yourself
So loud it sounded like singing
Scalding and stinging your throat
Speaking in spanglish to a stranger
Skulking in the alleys of a shopping mall
Starving for sustenance that isn't for purchase

but
Settling for Starbucks anyway

There was quite a crowd gathered when I reached my apartment building that morning.
Lots of cops and Emergency Medical personnel gathered everyone was just standing around.
I asked Wild Bill what happened?
Not sure, think it came out apartment five.
What?
A blood-curdling scream, and long wailing, unnatural sounds.
Right then I knew it was bad.
The apartment was occupied by cutthroat junkies and their infant daughter.
Tony “The Hulk” came out first, bloodied, bleary eyed, staring at the ground
Rosalie “The Muse” came next, screaming hysterically in Spanglish... muttering broken Catholic novenas
last soaked in solemn silence, Inca “The Baby”,
covered in a sheet, silent, never to speak again, forgotten.