The songwriter.
Hit it dead on button.
When he spoke of love.
He wrote about the girl being the object of attraction.

Even if it was about heartbreak.
She still was the one he spoke of trying to love.
Now that's love.

The songwriter.
She wrote about all his wrongs.
Not once about the time he was strong.

Like when he did wrong to keep her.
Like when he was their to support her.
Now that's love.

Maybe her vision is different from his.
Or maybe his was different than hers.
But love was in volved.
It's just how the story was reported.
By him.
By her.
The songwriter.

The 9.6 million followers who tune in to watch Miranda Kerr having her hair done on Instagram — for this is how models spend most of their time — were treated to a rather more interesting sight last Thursday: a black and white photograph of a whacking great diamond ring.

Across it was the caption “Marry me!” and a twee animation of the tech mogul Evan Spiegel on bended knee. Underneath Kerr had typed “I said yes!!!” and an explosion of heart emojis.

A spokesman for Spiegel, founder of the Snapchat mobile app, who is 26 to Kerr’s 33 and worth $US 2.1 billion to her $US 42.5 million , revealed “they are very happy”.

At first, the marriage seems an unlikely combination: a man so bright he founded Snapchat while still at Stanford University, becoming one of the world’s youngest self-made billionaires by 22, and a Victoria’s Secret model who was previously married to the Pirates of the Caribbean star Orlando Bloom (she allegedly had a fling with pop brat Justin Bieber, leading Bloom to punch Beebs in a posh Ibiza restaurant).

Perhaps the union indicates that there is more to Kerr than we thought. More likely, it reveals something about Spiegel — and the way the social status of “geeks” has changed.

Since Steve Jobs made computers cool and Millennials started living online, nerds are king. Even coding is **** enough for the model Karlie Kloss, singer will.i.am and actor Ashton Kutcher to learn it. Silicon Valley has become the new Hollywood, as moguls and social media barons take over from film stars and sportsmen not just on rich lists, but as alpha men.

Being a co-founder of a company is this decade’s equivalent to being a rock star or a chef. And, if their attractiveness to models and actresses proves anything, then being a Twag — tech wife or girlfriend — is a “thing”. Sources tell me Twags are also known as “founder-hounders” because they like to date the creators of start-up companies.

Actress Talulah Riley was an early adopter. She started dating the PayPal founder Elon Musk in 2008. Riley, then fresh from starring in the St Trinian’s film, met Musk in London’s Whisky Mist nightclub after he had delivered a lecture at the Royal Aeronautical Society. I interviewed her shortly afterwards and she told me they had spent the evening talking about “quantum physics”. A month later they were engaged. Their on-again-off-again marriage lasted six years before she filed for divorce again in March. Currently Musk, worth an estimated $US 12.7 billion and focused on Tesla cars, is said to be “spending a lot of time” with Johnny Depp’s estranged wife, Amber Heard.

Model Lily Cole dated the Twitter founder Jack Dorsey in 2013. Later she had a son with Kwame Ferreira, founder of the digital innovation agency Kwamecorp. Actress Emma Watson is going out with William Knight, an “adventurer” who has an incredibly boringly sounding job as a senior manager at Medallia, a software company. Allison Williams, Marnie in the HBO television show Girls, is married to Ricky Van Veen, co-founder of College Humor website.

Could it be that these women are onto something? Dating a bro certainly has its appeal. They are innovative: how else would they invent apps that deliver cheese toasties or match singles based on their haircuts? They are risk-takers who must be charismatic enough to inspire investors and attract crowd-funding. They may not be gym-fit, but they are mathletes who can do your tax bill. They are animal lovers: every start-up is dog friendly. And they are fun: who would not want to date somebody with a ball pool in their office?

There is a saying about dating in Silicon Valley: the odds are good but the goods are odd. Nerds are notorious for peculiar chat-up lines and normcore clothes. Still, if geeks can be awkward, that is part of their charm. Keira Knightley, complaining that Silicon Valley was all men in hoodies and Crocs, described how one gave her his card, saying she should get in touch if she wanted to see a spaceship.

One Vogue writer recalled a Silicon Valley man messaging her via a dating app, in which he noted: “In 50 per cent of your photos you’re holding an iPhone. It may interest you to find out that I invented the iPhone. More accurately I was an engineer on the original iPhone . . .”

Most promisingly, some guys are astoundingly rich. It is suggested Kerr’s engagement ring is a 2.5-carat diamond worth around dollars 55,000. She has already moved into Spiegel’s dollars 12m LA pad. Between his money and her Victoria’s Secrets bridesmaids, no wonder sources claim they are planning an “extravagant wedding”.

It might rival even the Napster founder Sean Parker’s $US10m performance-art bash. He married songwriter Alexandra Lenas in a canopy among Big Sur’s redwoods decorated to look like an enchanted forest. Some 350 guests wore Tolkienesque costumes created by The Lord of the Rings costume designer Ngila Dickson. They sat on white fur rugs and were given bunnies to pet. Presumably rabbit babysitters were on hand when the disco started.

If such fantasies inspire you to become a Twag, the great news is you do not have to be a supermodel to be in with a chance. Such is the dearth of single women in Silicon Valley that one dating site, Dating Ring, crowdfunded a plane to fly single women to Palo Alto from New York.

Be warned, though: guys are single because they are married to the job.

No wonder most meet their partners at college or work — the Facebook chief executive Mark Zuckerberg met his wife, Priscilla Chan, at Harvard.

The Instagram co-founder Kevin Systrom met girlfriend Nicole Schuetz at Stanford. Melinda met Bill Gates when, in 1987, they sat next to each other at an Expo trade-fair dinner. “He was funnier than I expected him to be,” she said.

Kerr began dating Spiegel in 2014 after meeting him at a Louis Vuitton dinner in New York. You can bet he was networking. Shortly after Louis Vuitton showcased their cruise collection in a Snapchat story. Last season Snapchat went on to become the biggest new name at NY fashion week.

If you want to meet tech guys, you might catch them at Silicon Valley parties, which is how the Uber chief executive Travis Kalanick met his partner, Gabi Holzwarth, a violinist hired to play. Or they might be schmoozing clients downtown in a swanky Noe Valley club in San Francisco or a boring Union Square hotel in New York. In London you find them around Old Street, aka Silicon Roundabout, in bars, at hackathons, or start-up meet-ups. In the day they are coding at Google Campus or practising their pitching in a co-working space.

Some tech boys date the old-fashioned way: on Tinder. Airbnb founder Brian Chesky met his girlfriend of three years, Elissa Patel, through the app. When I interviewed Instagram co-founder Systrom he admitted that when he had been single he had signed up.

Dating agency Linx — presumably a play on operating system Linux — is dedicated to making Silicon Valley matches. Amy Andersen set it up in 2003 after moving to Palo Alto and being “flabbergasted” by the number of eligible men. She claims her clients are “extremely dynamic and successful individuals’’: tech founders, tech chief executives, financier founding partners of large institutions and “tons of entrepreneurs”.

Andersen says tech guys make “fabulous partners”. Romantic and chivalrous, they write love letters, plan dates, “even proposing on Snapchat!” If you want to marry a tech billionaire, she says, “you need to bring your A game.” Her clients look “for women who are equally, if not more, dynamic and interesting than he is!”

There are drawbacks to dating tech guys. Before Google buys your amore’s business, he will be living on *** Noodles waiting for the next round of funding — and workaholics are dull.

Kerr says Spiegel is “25, but he acts like he’s 50. He’s not out partying. He goes to work in Venice [Beach], he comes home. We don’t go out. We’d rather be at home and have dinner, go to bed early.” Which might suit Kerr, but is not my idea of a fun.

You had also better be prepared to share your life. When Priscilla Chan miscarried three times, Mark Zuckerberg wrote about it on Facebook, while Chesky used a romantic trip with his girlfriend to promote Airbnb - uploading a picture of her in bed, with a note saying “f* hotels”. Besides all of which is the notorious issue of Silicon Valley sexism.

It has a chief exec-bro culture that puts pick-up artist/comedian Dapper Laughs to shame. Ninety per cent of women working in the Valley say they have witnessed sexist behaviour, 60 per cent have experienced unwanted ****** advances at work, two thirds of them from their boss. Whitney Wolfe, a co-founder of Tinder, took Justin Mateen to court for ****** harassment. Her lawsuit against the company alleged that Mateen, her former partner, sent text messages calling her a “*****”.

Spiegel has tech bro form. He apologised after emails from his days at Stanford emerged: missives about stripper poles, getting black-out drunk, shooting lasers at “fat chicks”, and promising to “roll a blunt for whoever sees the most **** tonight (Sunday)”. After one fraternity Hawaiian luau party, he signed off emails “f*bitchesgetleid”.

No wonder some women are not inspired to become Twags. Especially when you could be a tech billionaire yourself. Would you not rather be Sheryl Sandberg, chief operating officer of Facebook, than married to the boss?Read more at:http://www.marieaustralia.com/evening-dresses | www.marieaustralia.com/black-formal-dresses

Her smile can break

A lot of hearts

She's left a lot of hurting

But that hourglass

And that pretty as....er angel

She's already glad

You're flirting

If it won't last long

It's all okay

You can find another pasture

But for that much gain

It's worth some pain

So go ahead and ask her

Cause a perfect ten

In the eyes of men

Makes a sweet night to remember

And you can hope

She'll hit high notes

With such a pleasant timbre

That, that whole scene

Arranged perfectly

Will be a memory for the ages

Or with a microphone

You could make a song

To climb high on Billboard's pages

From the BBC today,


Excerpt

Why does Taylor Swift write so many one-note melodies?

"It's easy to get distracted by her celebrity, but Taylor Swift is a once-in-a-generation songwriter. From the very beginning, she's displayed a knack for melody and storytelling that most artists never master.

Take, for example, her first US number one, OUR SONG

Written for a high school talent show, it's a fairly typical tale of teenage romance until the final lines: "I grabbed a pen / And an old napkin / And I wrote down our song."

That's smart, self-assured songwriting for someone who wasn't old enough to vote. Notably, the lyrics insert the musician directly into the narrative - something she developed into a tried and tested trope.

But Our Song also establishes another of Taylor's trademarks: The one-note melody.

Excerpt

Repetitive melodies that centre around a single note are part of that appeal. They emphasise her relatability by mimicking the cadence of speech.

"They emphasise her relatability by mimicking the cadence of speech."

"They emphasise her relatability by mimicking the cadence of speech."

"They emphasise her relatability by mimicking the cadence of speech."

Rebuttal

Rhyme sells because the people you are selling too can remember your lyrics. They can relate to your song but if they cannot sing it themselves putting themselves in the 'first-person perspective narrative' they cannot feel as-if they have BECOME the artist and are living that moment as they remember it. Taylor Swift sings about teenage love and angst something EVERYONE ON EARTH understands.

ALL POETRY BEGAN AS RHYME IN SONG.

Cadences are singing statements that confer a discipline and unity.

Song acts as a catharsis. The artist shares their pain in a way that is universally understood. If you want to sell a rock, literally a pebble, you will not sell it if it doesn't look like a rock. If it doesn't do what rocks do. If it is not what people remember a rock to be like. Nor will it sell if it is just like every other rock they have ever seen. It cannot convey an emotion unless it elicits emotion.

One cannot even begin to feel emotional if one cannot remember easily the past and that includes lyrics one has heard that evoked said emotional state.

It is horrifying to see HOW BADLY EVERYONE INSISTS that rhyme be obliterated in exchange for an intellectual or individual perspective NOT SHARED BY THE MAJORITY OF PEOPLE.

If you want to sell and make money you better start thinking about the 99% of people who are not geniuses.

If your sole goal in life is to attract a genius to give you a great job because of how, "smart," they perceive you to be then fine.

You are not an artist.

You are an employee.



"Rhyme sells because the people you are selling too can remember your lyrics."

"Rhyme sells because the people you are selling too can remember your lyrics."

"Rhyme sells because the people you are selling too can remember your lyrics."

Thrice Times Great. ⁻ᴴᵉʳᵐᵉˢ



                                           BECOME
                              EVERYONE ON EARTH
               ALL POETRY BEGAN AS RHYME IN SONG
                      HOW BADLY EVERYONE INSISTS
            NOT SHARED BY THE MAJORITY OF PEOPLE
                                         HOW BAD
                    
                 artist?
or employee?

Lined paper,
Staff paper, actually.
Flipping through the blank pages,
Viewing hundreds of songs that have yet to be written.
Homesick for places never visited,
Longing for those never met,
The pen hits the paper,
Unleashing the madness.



*And so it begins.

A songwriter got up one morning and even before dressing for
the day was sitting down and writing a brand new song that
had come in a dream.

The words appeared upon the page like a stream from that
dream…

‘Wow!’ declared the songwriter! ‘To think that God gave
that new song to me! To ME!’

Then the songwriter began to sing a favourite hymn learnt
many years ago, ‘How Great Thou Art!’ And having sung
that song from start to finish, the songwriter paused to pray…

‘What will You do with my new song, Lord?’

Then the Lord spoke to make things clear…

‘It wasn’t your song… It wasn’t My song… It’s OUR song!’

The songwriter smiled. Then these words were spoken in a
delicate whisper…

‘Tell My people… God offers serenity to the world, if you are
blessed by serenity, you are truly blessed indeed.’

Denis Martindale March 2018.

Why?
It's a painful memory that appears to be settling in for life rather than preparing to leave,
It's been heard by countless millions, and none of them can understand how it sounds to me,
I haven’t been as happy since hearing it as I was when I heard it,
It's symbolic of the most significant turning point in my life to date,
The lyrics are so perfectly foreshadowing of a problem that I couldn't fathom that I’d have,
It has a stronger connection to memory than any other song,
It represents the perpetual unhappiness that I refuse to believe controls me.
I'm unhappy.

Where?
A car that I haven’t seen in years,
On a street I barely saw enough of,
In a town I wish I could visit again.
A happier place that I can see but can never return to,
Personified by a face that's disappeared from here.
Somewhere I miss, yet somewhere I hate;
Somewhere that needed the version of me that died in that very place;
A cemetery.

When?
Happier times;
A collection of moments which are infinite from within,
Yet minute from without.
A time when I could define myself,
Through the vice of another person;
Albeit vicariously, it was the last time
I was able to define myself.
I was everything; I was the world.
And then the world ended.
Happier times that I can't and won't return to.

What?
A song;
A memory;
A beautiful beat,
In a story that nobody's telling.
A soundtrack to a movie nobody wants to see,
A composition that will fall on deaf ears;
Yet still be heard by the world at large, call it irony.
Something nobody can take away from me;
Despite how tenaciously I've tried to get rid of it.
A succession of noises that would be meaningless to me,
Were it not for the memory.
The memory.

Who?
She, I, and the drivers of some road in Georgia;
Drivers that didn't notice then and don't notice now.
She, driving, demonstrating, performing;
Has driven on, failing to notice.
Me, her, and the songwriter, I suppose;
Me, a person I don't know,
Replaced by a person I can't.
The songwriter, collecting her checks and trophies,
Probably not a **** to give about the troubles
Of some ******* who heard her song.
Us, a concept foreign to me;
Unbeknownst then, well studied now;
Still as foreign as that state,
That city,
That road,
That car,
That place that I can revisit,
But never go back;
Her.

The Song?
Because I'm unhappy;
In a cemetery,
During happier times that I can't and won't return to;
A memory
With her.
I need more words.

Words
Nevermind, I'll find someone like you.
I wish nothing but the best for you.
Don't forget me, I beg.
I remember you said:
Sometimes it lasts in love,
But sometimes it hurts instead.

But that's not right.
I won't find someone like you;
There was no you.
I wish anything but the best for you;
You selfish child.
Please forget me;
I'm nothing worth remembering.
I've forgotten everything you said.
It rarely, if ever, lasts in love.
It always hurts.
Laughable,
The things I tell myself to bandage
A wound that doesn't appear.
The clichés I give meaning to are

******* pitiful.
Just about two years and counting.
Two psychiatrists,
Two half-assed ******* suicide attempts,
Dozens of classes,
Legions of friends,
A handful of people so much like you that they'd failed to notice there is no you,
And you're still talking about this
Pile of ****.
Who's talking about it?
Me? You?
Nobody.
It's white noise;
Habituation at play.
A memory not worth remembering.
Three years of piano lessons,
The lines of my scripts,
The best films throughout history,
Even the Eagles game from last week is

Worth remembering
This,
This moment in time occupied by just another pop song,
Time spent with a person no longer there,
Family member after family member, anecdote after anecdote,
Things not to say or do in front of her hulking ******* of a brother,
Approval of people I wound up discarding.
What now?

I need more words.

Where were we?
Fresh year, fresh start, and the Eagles were still a winning team○;
A dorm, a drunken haze, a bed, a city unparalleled;
Untested grounds for a young idiot
Like me. She certainly did
And wasn't afraid to show it.
Independence, experience, maturity,
And a stunning mutual lack thereof.
Problems, buried like the worst ******* time capsule ever.
Happiness (unsustainable)
Love (attachment)
Future ()
A candle burning down to its last wax can’t relight,
And a pile of wax won't help me see in the dark.

But who needs candles anyway?
I'm better off without candles,
Playing with fire can get me burnt.
And besides, lightbulbs are brighter and more efficient.
I’ll install lightbulbs all over the apartment,
Once I can figure out how to turn the power back on.
Oh, there aren't power lines running to this apartment.
(sure wish I had a candle right about now)
Maybe the light from this cigarette will help.
And I could sure use a cigarette right now
Because they’re playing that song again.
Surely I can find some better music than this.
This station seems nice, let's see what she can offer.
They're playing that song again.
Over and over again.
Is it just me, or are they always playing that song?
It's always that song, no matter what.
It's all I ever hear.
Pop radio sure is terrible these days, right?
Sure is.
Can't walk down the street to class without hearing

That ******* ******* song.*

(
Nobody else is hearing it.
I'm the one singing it.
My life's a ******* joke, isn't it?
)

○The Philadelphia Eagles were 10-6 in 2010, 8-8 in 2011, and 4-12 last year. And during the ‘still friends’ period, we watched the division rival Giants win the Super Bowl together. I ******* hated it.

I've asked to be blessed with your melodious voice,
The look in your eye a fine rendition of feelings kept cryptic.
Composing words sung upon heart strings Under the gleam of street lights in a moving car,
Thinking of the year we were born, the longevity of a face like yours mixed with a face like mine.
Arranging life plans piece by piece in the gentle notes played by the throb of our hearts.
Musician, songwriter. Beautiful queen.
The beauty found when eyes close for a brief moment.
Listening to the song our heart plays at full volume.
Reliving the look in your eye.
Composing another time, another place.
Nothing compares to my favorite song.
To be continued next time we meet,
Musician, songwriter. Beautiful queen.

With each
CLICK
Our breath is held
Will he,won't he
Will he, won't he
The suspense is killing me
And....****
Door left open still
Pestered by the plebeian chill

In this gay little coffee shop
Surrounded by the unrecognised talent of Brighton:sketch artist staring at me, writer on his laptop, songwriter etching vigorously with his pencil.
All of which aren't closing the door.

The eyes roll.
Labouring my body up, hammering my legs across the floor, turning the factory handle.

All is ask is for some carrot cake,filtrate water,polo jumpers, avocado salads,tiger bread, slimmer trousers, slipper sock , a toyger.
Click
And then images of Kim Jong un pass through my head.
If I ruled you'd all be dead
Firing squad for an open door,
Loud music on the train'll be no more.
Stop the screaming misbehaving brats
The rabble of Spanish students
All this PC stuff on the news, train seats filled with cans of *****

Suddenly
The artist strolls up
Let's down his cup.
Closes the door swiftly
And slips back in his chair

Oh, so there is a god.

I guess Jesus didn't lie.

I have a vision of you. Theres excitement in your eyes. Your toes are writhing in ecstasy to rhythmic cadence. The song you sing as I play your instrument makes for a sweet melody. Your back arches like radio waves with each note as I stroke the deepest cords. Playing your song to end, chin deep as I bathe in the applause.. I think it should go something like that.