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Andrea Diaz Sep 2012
Simple questions deserve simple answers.
For that is the way life runs,
The simpleness of a subject is complemented by something much more simpler.
So why is it, 
When this question surfaces in the minds of every writer,
There is nothing simple to it.

The reason for writing is as simple as it can be.
It is like painting on a canvas board,
For every stroke of the paintbrush is a stroke of words
Painting vivid images in the minds of every boy and girl.
We as writers are giving life to the lifeless lines of paper.
For even when it's blank,
There is still an image painted through words.

The greatest invention mankind could ever think of is words.
For without them, 
Nothing could ever exist.
Without the simpleness of screaming out how blue the sky is 
Or how soft those clouds look,
Or even how beautiful a starry night sky can be,
How can we
Ever appreciate the beauty writers create on canvas boards.
For every written word on a blank sheet of paper,
Is a stroke of paint,
Creating magnificence inside a dull mind

My good sir,
When asking a writer their reason for writing should be as simple as this
But
If its too complex for your mind to comprehend,
Then, let me simplify it further.
When you ask an artist their reason for creating art,
You are merely asking their reason for existing
Asking why they are  deluding themselves on such strange fantasies
But you have yet to realize the true nature of us artists
We find many ways to escape harsh realities 
Creating picture perfect paradises
Or even amplifying how gruesome society can be. 

The reason for writing should be as simple as this.
For the simpleness of a subject should be complemented with something much more simpler.
But if it's too complex for you,
The reason why writers write is as simple as this,
Writers are artists and therefore write to create art,
Like taking a single paintbrush and painting on a canvas board
We as writers take a single pencil and write on blank sheets of paper.
Overwhelmed Mar 2011
ah childhood
the beginning of all humanity
and the motherhood of all thought

the wide eyes
on a smiling faces
missing teeth
but lacking shame
in that flaw
look out upon the world
and see only what is
without the haze
of arbitrary thought

each flower is just a flower
and if it is beautiful
it is beautiful
and if it is ugly
it is ugly

but if the flower is a ****
it is still a flower, ugly or beautiful.
and if the flower is a animal
it is still a flower, ugly or beautiful.

and the child accepts this
without a thought or lingering
doubt

the child looks out upon the world
and sees it

the trees and birds
the buildings and cars
the societies and peoples

they see it
and with a crayon in hand
they can recreate it
to the point where they are
satisfied

now can I do that?
no

if the trees are the wrong green
or the buildings not square or leaning
or the societies lopsided and unjust

I cannot stand for it!

but the child can

the child is pleased
only with the creation
not the quality or
quantity of it

and as they take their creation
on pieces of white nine and half
by eleven
they smile that wide smile
missing teeth
and they are truly happy
with what they have

they do not think of their missing teeth
they do not think of their miss-matched clothes
they do not think that their picture is best
they do not think of anything but happiness

that moment for them
is as blissful as one will
ever be

and the tragedy of it all
is that very few seem to
realize it

ah, childhood
looking back now we all remorse
and yet as we look on those who
have your gifts now, we all smile
and think

enjoy it kid
while things are
simple
Thousand minstrels woke within me,
"Our music's in the hills; "—
Gayest pictures rose to win me,
Leopard-colored rills.
Up!—If thou knew'st who calls
To twilight parks of beech and pine,
High over the river intervals,
Above the ploughman's highest line,
Over the owner's farthest walls;—
Up!—where the airy citadel
O'erlooks the purging landscape's swell.
Let not unto the stones the day
Her lily and rose, her sea and land display;
Read the celestial sign!
Lo! the South answers to the North;
Bookworm, break this sloth urbane;
A greater Spirit bids thee forth,
Than the gray dreams which thee detain.

Mark how the climbing Oreads
Beckon thee to their arcades;
Youth, for a moment free as they,
Teach thy feet to feel the ground,
Ere yet arrive the wintry day
When Time thy feet has bound.
Accept the bounty of thy birth;
Taste the lordship of the earth.

I heard and I obeyed,
Assured that he who pressed the claim,
Well-known, but loving not a name,
Was not to be gainsaid.

Ere yet the summoning voice was still,
I turned to Cheshire's haughty hill.
From the fixed cone the cloud-rack flowed
Like ample banner flung abroad
Round about, a hundred miles,
With invitation to the sea, and to the bordering isles.

In his own loom's garment drest,
By his own bounty blest,
Fast abides this constant giver,
Pouring many a cheerful river;
To far eyes, an aërial isle,
Unploughed, which finer spirits pile,
Which morn and crimson evening paint
For bard, for lover, and for saint;
The country's core,
Inspirer, prophet evermore,
Pillar which God aloft had set
So that men might it not forget,
It should be their life's ornament,
And mix itself with each event;
Their calendar and dial,
Barometer, and chemic phial,
Garden of berries, perch of birds,
Pasture of pool-haunting herds,
Graced by each change of sum untold,
Earth-baking heat, stone-cleaving cold.

The Titan minds his sky-affairs,
Rich rents and wide alliance shares;
Mysteries of color daily laid
By the great sun in light and shade,
And, sweet varieties of chance,
And the mystic seasons' dance,
And thief-like step of liberal hours
Which thawed the snow-drift into flowers.
O wondrous craft of plant and stone
By eldest science done and shown!
Happy, I said, whose home is here,
Fair fortunes to the mountaineer!
Boon nature to his poorest shed
Has royal pleasure-grounds outspread.
Intent I searched the region round,
And in low hut my monarch found.
He was no eagle and no earl,
Alas! my foundling was a churl,
With heart of cat, and eyes of bug,
Dull victim of his pipe and mug;
Woe is me for my hopes' downfall!
Lord! is yon squalid peasant all
That this proud nursery could breed
For God's vicegerency and stead?
Time out of mind this forge of ores,
Quarry of spars in mountain pores,
Old cradle, hunting ground, and bier
Of wolf and otter, bear, and deer;
Well-built abode of many a race;
Tower of observance searching space;
Factory of river, and of rain;
Link in the alps' globe-girding chain;
By million changes skilled to tell
What in the Eternal standeth well,
And what obedient nature can,—
Is this colossal talisman
Kindly to creature, blood, and kind,
And speechless to the master's mind?

I thought to find the patriots
In whom the stock of freedom roots.
To myself I oft recount
Tales of many a famous mount.—
Wales, Scotland, Uri, Hungary's dells,
Roys, and Scanderbegs, and Tells.
Here now shall nature crowd her powers,
Her music, and her meteors,
And, lifting man to the blue deep
Where stars their perfect courses keep,
Like wise preceptor lure his eye
To sound the science of the sky,
And carry learning to its height
Of untried power and sane delight;
The Indian cheer, the frosty skies
Breed purer wits, inventive eyes,
Eyes that frame cities where none be,
And hands that stablish what these see:
And, by the moral of his place,
Hint summits of heroic grace;
Man in these crags a fastness find
To fight pollution of the mind;
In the wide thaw and ooze of wrong,
Adhere like this foundation strong,
The insanity of towns to stem
With simpleness for stratagem.
But if the brave old mould is broke,
And end in clowns the mountain-folk,
In tavern cheer and tavern joke,—
Sink, O mountain! in the swamp,
Hide in thy skies, O sovereign lap!
Perish like leaves the highland breed!
No sire survive, no son succeed!

Soft! let not the offended muse
Toil's hard hap with scorn accuse.
Many hamlets sought I then,
Many farms of mountain men;—
Found I not a minstrel seed,
But men of bone, and good at need.
Rallying round a parish steeple
Nestle warm the highland people,
Coarse and boisterous, yet mild,
Strong as giant, slow as child,
Smoking in a squalid room,
Where yet the westland breezes come.
Close hid in those rough guises lurk
Western magians, here they work;
Sweat and season are their arts,
Their talismans are ploughs and carts;
And well the youngest can command
Honey from the frozen land,
With sweet hay the swamp adorn,
Change the running sand to corn,
For wolves and foxes, lowing herds,
And for cold mosses, cream and curds;
Weave wood to canisters and mats,
Drain sweet maple-juice in vats.
No bird is safe that cuts the air,
From their rifle or their snare;
No fish in river or in lake,
But their long hands it thence will take;
And the country's iron face
Like wax their fashioning skill betrays,
To fill the hollows, sink the hills,
Bridge gulfs, drain swamps, build dams and mills,
And fit the bleak and howling place
For gardens of a finer race,
The world-soul knows his own affair,
Fore-looking when his hands prepare
For the next ages men of mould,
Well embodied, well ensouled,
He cools the present's fiery glow,
Sets the life pulse strong, but slow.
Bitter winds and fasts austere.
His quarantines and grottos, where
He slowly cures decrepit flesh,
And brings it infantile and fresh.
These exercises are the toys
And games with which he breathes his boys.
They bide their time, and well can prove,
If need were, their line from Jove,
Of the same stuff, and so allayed,
As that whereof the sun is made;
And of that fibre quick and strong
Whose throbs are love, whose thrills are song.
Now in sordid weeds they sleep,
Their secret now in dulness keep.
Yet, will you learn our ancient speech,
These the masters who can teach,
Fourscore or a hundred words
All their vocal muse affords,
These they turn in other fashion
Than the writer or the parson.
I can spare the college-bell,
And the learned lecture well.
Spare the clergy and libraries,
Institutes and dictionaries,
For the hardy English root
Thrives here unvalued underfoot.
Rude poets of the tavern hearth,
Squandering your unquoted mirth,
Which keeps the ground and never soars,
While Jake retorts and Reuben roars,
Tough and screaming as birch-bark,
Goes like bullet to its mark,
While the solid curse and jeer
Never balk the waiting ear:
To student ears keen-relished jokes
On truck, and stock, and farming-folks,—
Nought the mountain yields thereof
But savage health and sinews tough.

On the summit as I stood,
O'er the wide floor of plain and flood,
Seemed to me the towering hill
Was not altogether still,
But a quiet sense conveyed;
If I err not, thus it said:

Many feet in summer seek
Betimes my far-appearing peak;
In the dreaded winter-time,
None save dappling shadows climb
Under clouds my lonely head,
Old as the sun, old almost as the shade.
And comest thou
To see strange forests and new snow,
And tread uplifted land?
And leavest thou thy lowland race,
Here amid clouds to stand,
And would'st be my companion,
Where I gaze
And shall gaze
When forests fall, and man is gone,
Over tribes and over times
As the burning Lyre
Nearing me,
With its stars of northern fire,
In many a thousand years.

Ah! welcome, if thou bring
My secret in thy brain;
To mountain-top may muse's wing
With good allowance strain.
Gentle pilgrim, if thou know
The gamut old of Pan,
And how the hills began,
The frank blessings of the hill
Fall on thee, as fall they will.
'Tis the law of bush and stone—
Each can only take his own.
Let him heed who can and will,—
Enchantment fixed me here
To stand the hurts of time, until
In mightier chant I disappear.
If thou trowest
How the chemic eddies play
Pole to pole, and what they say,
And that these gray crags
Not on crags are hung,
But beads are of a rosary
On prayer and music strung;
And, credulous, through the granite seeming
Seest the smile of Reason beaming;
Can thy style-discerning eye
The hidden-working Builder spy,
Who builds, yet makes no chips, no din,
With hammer soft as snow-flake's flight;
Knowest thou this?
O pilgrim, wandering not amiss!
Already my rocks lie light,
And soon my cone will spin.
For the world was built in order,
And the atoms march in tune,
Rhyme the pipe, and time the warder,
Cannot forget the sun, the moon.
Orb and atom forth they prance,
When they hear from far the rune,
None so backward in the troop,
When the music and the dance
Reach his place and circumstance,
But knows the sun-creating sound,
And, though a pyramid, will bound.

Monadnoc is a mountain strong,
Tall and good my kind among,
But well I know, no mountain can
Measure with a perfect man;
For it is on Zodiack's writ,
Adamant is soft to wit;
And when the greater comes again,
With my music in his brain,
I shall pass as glides my shadow
Daily over hill and meadow.

Through all time
I hear the approaching feet
Along the flinty pathway beat
Of him that cometh, and shall come,—
Of him who shall as lightly bear
My daily load of woods and streams,
As now the round sky-cleaving boat
Which never strains its rocky beams,
Whose timbers, as they silent float,
Alps and Caucasus uprear,
And the long Alleghanies here,
And all town-sprinkled lands that be,
Sailing through stars with all their history.

Every morn I lift my head,
Gaze o'er New England underspread
South from Saint Lawrence to the Sound,
From Katshill east to the sea-bound.
Anchored fast for many an age,
I await the bard and sage,
Who in large thoughts, like fair pearl-seed,
Shall string Monadnoc like a bead.
Comes that cheerful troubadour,
This mound shall throb his face before,
As when with inward fires and pain
It rose a bubble from the plain.
When he cometh, I shall shed
From this well-spring in my head
Fountain drop of spicier worth
Than all vintage of the earth.
There's fruit upon my barren soil
Costlier far than wine or oil;
There's a berry blue and gold,—
Autumn-ripe its juices hold,
Sparta's stoutness, Bethlehem's heart,
Asia's rancor, Athens' art,
Slowsure Britain's secular might,
And the German's inward sight;
I will give my son to eat
Best of Pan's immortal meat,
Bread to eat and juice to drink,
So the thoughts that he shall think
Shall not be forms of stars, but stars,
Nor pictures pale, but Jove and Mars.

He comes, but not of that race bred
Who daily climb my specular head.
Oft as morning wreathes my scarf,
Fled the last plumule of the dark,
Pants up hither the spruce clerk
From South-Cove and City-wharf;
I take him up my rugged sides,
Half-repentant, scant of breath,—
Bead-eyes my granite chaos show,
And my midsummer snow;
Open the daunting map beneath,—
All his county, sea and land,
Dwarfed to measure of his hand;
His day's ride is a furlong space,
His city tops a glimmering haze:
I plant his eyes on the sky-hoop bounding;—
See there the grim gray rounding
Of the bullet of the earth
Whereon ye sail,
Tumbling steep
In the uncontinented deep;—
He looks on that, and he turns pale:
'Tis even so, this treacherous kite,
Farm-furrowed, town-incrusted sphere,
Thoughtless of its anxious freight,
Plunges eyeless on for ever,
And he, poor parasite,—
Cooped in a ship he cannot steer,
Who is the captain he knows not,
Port or pilot trows not,—
Risk or ruin he must share.
I scowl on him with my cloud,
With my north wind chill his blood,
I lame him clattering down the rocks,
And to live he is in fear.
Then, at last, I let him down
Once more into his dapper town,
To chatter frightened to his clan,
And forget me, if he can.
As in the old poetic fame
The gods are blind and lame,
And the simular despite
Betrays the more abounding might,
So call not waste that barren cone
Above the floral zone,
Where forests starve:
It is pure use;
What sheaves like those which here we glean and bind,
Of a celestial Ceres, and the Muse?

Ages are thy days,
Thou grand expressor of the present tense,
And type of permanence,
Firm ensign of the fatal Being,
Amid these coward shapes of joy and grief
That will not bide the seeing.
Hither we bring
Our insect miseries to the rocks,
And the whole flight with pestering wing
Vanish and end their murmuring,
Vanish beside these dedicated blocks,
Which, who can tell what mason laid?
Spoils of a front none need restore,
Replacing frieze and architrave;
Yet flowers each stone rosette and metope brave,
Still is the haughty pile *****
Of the old building Intellect.
Complement of human kind,
Having us at vantage still,
Our sumptuous indigence,
O barren mound! thy plenties fill.
We fool and prate,—
Thou art silent and sedate.
To million kinds and times one sense
The constant mountain doth dispense,
Shedding on all its snows and leaves,
One joy it joys, one grief it grieves.
Thou seest, O watchman tall!
Our towns and races grow and fall,
And imagest the stable Good
For which we all our lifetime *****,
In shifting form the formless mind;
And though the substance us elude,
We in thee the shadow find.
Thou in our astronomy
An opaker star,
Seen, haply, from afar,
Above the horizon's hoop.
A moment by the railway troop,
As o'er some bolder height they speed,—
By circumspect ambition,
By errant Gain,
By feasters, and the frivolous,—
Recallest us,
And makest sane.
Mute orator! well-skilled to plead,
And send conviction without phrase,
Thou dost supply
The shortness of our days,
And promise, on thy Founder's truth,
Long morrow to this mortal youth.
greyweather  May 2014
Attention
greyweather May 2014
'Thats true self harm' she said
proud and self announced
like she could comprehend the universe
and that it left her no challenges

that in her 50 years, she had learnt all people
all feelings
all possibilities
and could now group us all like colours in a jar

i left, because it hurt
to think that after everything i go through to explain
the simpleness of 'some people'
discounts all the effort

there is no wrong and right way to hurt yourself
there is only a future
which we endeavour to make hurt less
went to a friends house, only to hear a woman talking about what she thought constituted 'real' self harm, and what was attention seeking. ****** me off
jeffrey robin  Jul 2014
superhero
jeffrey robin Jul 2014
0
       <       >        
          ><          
                              <                      >                              

            :::::

Embrace

It's all a simpleness

We are truth



In this the ONLY WAR

We MUST win

••

What is love

If no child can be born again ?
Andrew Rymill Jun 2014
For those we love
we daily bless
with the gift of simpleness.

i daily weave
your importance like a wreath.
Hang it on
the door of my ribs.
Sweep the worn
boundaries of my limitations.

For in my veins
your lips touching
floods like cranes
in the empty skies
turning back toward
their homes
as raindrops erupt
the pools
with the
eruptions of rings
and patterns.
Hunter E Sparks Sep 2011
Hundreds of tiny people sit behind their perfect shutter speeds trying to capture love
I guess it could be easy.
A held hand here. A forehead kiss there. Maybe an engagement band or two.
Maybe if you captured a swoony eyed gaze.
That's love, right?
That's love?
That's what a 14 yearold girl makes the wallpaper on her disposable cell phone.
The same one she uses to plan her disposable relationships.
Anyone can capture that.
What about like?
Have you ever seen a photo of the nervous silent smiles, after a simple conversation?
Where's the picture of movie theather wishful yet sweaty unheld hands?
What exposure would be best for the simpleness of sharing a soda?
I dont know, but I'd sure like to see.
Paul Gilhooley Oct 2017
Gentle child sleeping in my chair,
Stay sweet your dreams, free from care,
Rest your head from weary day,
Exhaustion borne from adventurous play.

Gentle child with breath so soft,
Into deep slumber, you have been lost,
Knowing nothing of years to come,
A dreamy smile, you're rarely glum.

Gentle child resting free,
Cast adrift on your dream filled sea,
I wonder what thoughts fill your head,
Tho' I know your imagination is well fed.

Gentle child I hear you snore,
A man as child, yet only four,
You stir from slumber, look of surprise,
Confusion and beauty I see in your eyes.

Gentle child drifts back to sleep,
Your dreams they call you from the deep,
An uncomplicated life, youthful simpleness,
The greatest time, the age of innocence.

Cinco Espiritus Creation
October 2017
Number 8 Mar 2011
From the other room
I listen as you explain the many, many, many
reasons, things, times, and appointments
that necessarily mean
the end
of us

The otherness and incidentals
of the often forgotten
details and to-dos
of lives
better
and happier lived

From the other room
I listen as you describe your life in words of
painful regret, missed opportunities and hopeless futures
that don’t exist
so very much
for me

The pain and ingratitude
of a poor life
disrespect and disregard
becoming the
ante
of daily living

From the other room
I listen as you check emails and vmails and texts
of agreement, refreshment, and immediate joy
that shower down
from new confidantes
not me

The pleasure of escaping
from the marital mundane
dancing and drinking
re-becoming
the woman
admired

From the other room
I remember the choices we made
when agreement was agreeable and available
that made lives
worth
living well

The simpleness of a look
the knowing confidence
day in and day out
when someone,
You,
cared.

         10.iii.10
Kewayne Wadley  May 2016
Coma
Kewayne Wadley May 2016
I was conscious the moment her hand touched mine.
It felt as if I was sleep waking in a beautiful dream.
I had no insight to anything before that. No remembrance of if I dreamed or not.
There was no grogginess no want to close my eyes.
I felt at peace laying there watching her stare back at me.
The simpleness of it all.
The experience of something so precious shrewd in nature
To be perfectly honest there is no place I'd rather be.
Her voice assured a deep well that cured need for thirst,
the sheer depth of a look shared from eye to eye.
I told myself it was just a dream,
But when she touched me; I refused to wake
She asked: "if your personality was a beverage, what would it be?"

"Well..." I said.
"it'd be smoothe going down. Or at least I like to think so.
It'd be sweet. But,
You know how there's like two types of sweet?

There's like the fruity sour, tangy, bright, sugar sweet?

And there's the malty, caramelly, chocolate, foggy sweet?

It'd be later kind of sweet.

It has a certain childish joy too it.
An optimisim, a simpleness,
like... chocolate milk.

But it has a punch.
And it isn't all, childish, it's also
Responsible,
Protective,
Passionate,
Bold,
Loving,
Hard,
Strong hearted,
Mature, like...

...Whiskey.

I'm like... Whiskey Chocolate Milk."
Aynjul  May 2024
new mexico
Aynjul May 2024
when I was in Japan,
I reached in my bag for yen,
I drew a coin with the Zia on it
given to me by a gem
as I stared at the cold breezy mountains of Japan holding this, I  was reminded of
The deep Roots of cracked hot concrete I would work out on
The smell of albondigas Nana would be making
The bright yellow and blue tile mismatched on the lining of the kitchen
The simpleness of living in a "this'll work" architecture
the tumbleweeds, the dry cacti landscape, vast dirt reaching to the dark amber mountains, painted with fading perfect blend from the sunset, homemade meals, la raza, tias and tios, the stray cats and dogs (and family pet names)

My Arizona desert was so hot that everything did its best to share being in the Cool casted shadows.

yet here I was in the complete opposite wishing for that sun
holding this coin brought be back to when you thought I would Judge where you were from
but your "Land of Enchantment" will always remind me of being one step closer to home...
Arizona > New Mexico > Japan
nostalgia through the lens of another home has never been so touching.

Zia symbol meaning:
North: the 4 directions
West: the 4 seasons
South: the 4 mountains of life: infancy, adolescence, adulthood, elderhood.
East: the 4 aspects of self: Heart, Mind, Body, Spirit.

— The End —