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Third Eye Candy Oct 2019
toadstool scrimshaw
high ankled inlaws
harlequin anthems
and awkward Templars
acid battalions
of basic
disbelief.

on a sea of inconstant
allure.
Ken Pepiton Nov 2018
so. so rare. such as you who seek some thing everyone knows
so you may share it with those infected with denial.

---

I'll be the fool who risks belief and go on with the story flowing from my belly
before
my very augmented eyes

Wisdom is justified of her children,
said a nubian wizard
named John Joyce.
No relation to James.

Same general era, I met Adam Funmaker. He showed me
an article in Rolling Stone that mentioned me
June 7, 1973, idea of me, not me,
actually,

that was me. the guy with ears that weren't garbage cans,
which had been the liturgical reply to
words deemed too filthy to say or hear,

To this day I don't care for the taste.

This story fiber began with Adam Funmaker being real, and my feeling many folk would never allow a man with such a name to have been,

much less to have been, my friend. who made my silver wedding ring.

A real man, father of many sons and daughters, still
with us
to this day,
This telling
dedicated in my lodge, my strong tower, my kiva,

To Adam Funmaker, I fan this cloud, be magnified magi.
From my desert you blessed with more than water.

A humbler man I've never met. A scrimshaw artist of great renown among collectors of such, for his technique.
It seemed magic, the photo-realism
he could attain to,
pins and hand and ink and string and light, his only tools,

the light was modified to meet the needs of Adam's ageing eyes
He was sixty-two when I thought with him last,

and sixty-two was older then than now,
he used to ask me questions I had not asked myself.

I only knew him for the space
of a tick
with point of pin pricking
ivory,  ttttttttttttt ttttt ttt ttttttt tttt far more
than 300 dpi,
But magic was not allowed to be the reason for
the power of reality in his work.

How do you do this? I asked, from a state of ad-mire

Opaque projector.

Ah, secret, he coulda kept it and been thought
amazing, sender of men in search of hows
denied whys, but he didn't

he told me the trick, as if his hand and eye and mind
were taken for granted, acknowledged by being

right used before my unaugmented eyes.

His gift he had received and owned,
not a thing to boast about, like a boy.

He was looking at me, something I remember
this way, a point, a reflection in the eye
that made images of the ideas of men
past
seem in the wind I go on to claim as my inheritance.
That's the scene from here, much was different,
most likely.

Adam Funmaker's clansmen from the past
breathed, nearly, their blessing, the hope

on ivory etched so nearly fractally real you can see
a reflection in Sitting Bull's eye staring

at a 440 stainless steel, razor-edged blade, never used.

A knife made for the image on the handle,
A magic Adam Funmaker portrait of a noble illiterate
chief among noble illiterates whose stories
have been told ten thousand years.

The Greeks fears were warranted.
Writing did shorten memories.
But it gave stories freedom to wend and find points

upon which they be told, to this day,
for no real reason, same as sunsets and beauty in general.

the knife I was looking at is depicted on the web
https://www.worthpoint.com/worthopedia/adam-funmaker-scrimshaw-native-1835351935
My wife still has her wedding ring, I lost mine,
in the desert or the storm or the fire, I can't remember losing it.
I never wrote an ode. This feels like how they may have wonce been taught when memories were the realm of story and songs
Chris Saitta Jan 2021
The scrimshaw of the air, the long whales-tooth of sunlight
Etched with seafarer’s care and his great wantonness for the sea,
A kiss as light as the bottlenose dolphin cresting from the water,
Then night undressed and falling down like sliding beads of watery stars
From the wet coriaceous porpoise skin and a tail of silver fire.
Coriaceous here means leather-like and rubbery
Carry me off to where daylight begins,to where tears of new morning break into a smile.
Where I can tarry a while.

My eyesight dims as the years rush on in,
I am a sailor no more,
I am bound by these chains to a life by the shore,where I can no longer be,
A part of the ocean
A drop in the sea.

Such freedom is the penance,the price I must pay..for living my life as a night in the day and walking wrecked decks of lives gone before,swearing at Captains as they too once swore.

But the smell hasn't gone..the scent of the wandering albatross lives on..in my nostrils it fills the void of not seeing,
Of not being,
On board.
Third Eye Candy Dec 2018
Nothing is simple now… and nothing ever was.
But i recall the majesty of my naivete’
and linger in the triumphant fog of my illusions
as a young man of almost a Minute.
Be that, as it may.
i am not among the Mockingjays
nor the calendars of arbitrary
Days.
I am the eclipse of insincere Living.
i blot out the None.

with blueberries from an indigo
Genesis: i stain my sky with every unbelievable Promise -
my Calculus can muster. My Love in tow.
I gather at the edgeless mist
of my Identity and etch the core
of my consecrated cacophonies
into the bones of dead whales like Scrimshaw
for deep kids.

And that's It.
Sweet New England;
its where my heart is, and where I belong.
I know,
the day I left I buried it deep
on the western prom of Portland Maine
to call me back someday
though I may be old and frail
when that times comes.
And though I am southern born
it’s scents, moods, colors and cold
have etched themselves like scrimshaw onto my soul.
I now want my bones shattered by frost,
not left to mildew in the humid southern heat.

For me New England’s like warm light
shining through frost covered windows,
or a cozy, cluttered old room
filled with the bric brac of a life long well lived,
an attic garret maybe,
confined yet comfortable.
The rest of the country’s expansive and open
except parts of the south
where the heat & humidity will smother you in your sleep;
then hide the evidence
in swamps of ancient illusion like southern hospitality,
smiling to your face while sharpening the knife.
Offering another helping
while grandpa finishes the grave.
Ya’ll come back now ya hear.
Give me the hidden heart of New England any day;
chilly and cool outside
but warm as a glowing wood stove.

While memory tends to shade everything
in afternoon’s golden light or midnight blue and gray,
I’d rather hard scrabble times up north
than easy living in a place that says nothing to me
even if this place is home.

I miss Maine so very much,
I taste her like a lover in October air
rich with the season’s smells
of apples, leaves, sea, smoke and pine.

Sweet New England;
where I belong is where my heart is.
And though I wasn’t born there
I’ve walked that land as a pilgrim
singing its songs as my song
until they became my own.
My heart reaches out now
longing to return,
to the place I called home,
until the end of days.
And my bones not left to mildew
in the humid southern heat,
shatter with the frost.
This is perpetually a work in progress in which I try and express what my life in  New England and especially in Maine came to mean to me.

"Spring Comes to Maine", "In the Birches", "Southern Summers and "Yankee Lasses" were all originally part of this much longer piece.- From Poetry Jam (on Toast)
grumpy thumb Sep 2015
Lips trace flowing contours
delicate as scrimshaw on a tusk.
Fingertips trail flesh,
tattoos etched of lust.
Canvas bodies shudder
beneath artists' brush.
Lovers pulse flourish;
calligraphy
with each push and stroke and flush.
Seán Mac Falls Jul 2015
( Sonnet )*

In the drugs of the airs so nearly
By her, deep in delusions of youth,
I followed dry some salt seas soul,
Blinded by a siren, in the sundials,
Of her dark, entangling, dire red hair.

My soul was unmembering and lost,
My body, tided to the moons glows
And pull, she rowed us deep before
Dawn, and a drowning mans shanty
Cut my ears.  Was not all dreamland?

Were the stars merely eyes that sailed
Into a sailors tall tales token etched on
Scrimshaw, of bones gut ghostly white?
Do mermaids in waves, pine for mortals?
Seán Mac Falls Nov 2015
( Sonnet )*

In the drugs of the airs so nearly
By her, deep in delusions of youth,
I followed dry some salt seas soul,
Blinded by a siren, in the sundials,
Of her dark, entangling, dire red hair.

My soul was unmembering and lost,
My body, tided to the moons glows
And pull, she rowed us deep before
Dawn, and a drowning mans shanty
Cut my ears.  Was not all dreamland?

Were the stars merely eyes that sailed
Into a sailors tall tales token etched on
Scrimshaw, of bones gut ghostly white?
Do mermaids in waves, pine for mortals?
Seán Mac Falls May 2016
( Sonnet )*

In the drugs of the airs so nearly
By her, deep in delusions of youth,
I followed dry some salt seas soul,
Blinded by a siren, in the sundials,
Of her dark, entangling, dire red hair.

My soul was unmembering and lost,
My body, tided to the moons glows
And pull, she rowed us deep before
Dawn, and a drowning mans shanty
Cut my ears.  Was not all dreamland?

Were the stars merely eyes that sailed
Into a sailors tall tales token etched on
Scrimshaw, of bones gut ghostly white?
Do mermaids in waves, pine for mortals?
Andrew Rymill Jun 2014
In the lore of leaves always Woman
Moon light  & sorcery combs
Mysterious desire
As transparent cities in my ribs make roots
Scrimshaw jumble the sky and earth with mysterious kiss
Ah, the self-fulfilling prophecy of griffon.

Often i have felt griffon
Within me as i read the curves of Woman
Chanting spells and writing the stars within my kiss
my lips form  letters on your corners and combs
the dark roster of remainder roots
Within the potent growth of uncontainable desire.

Dark is the unspoken desire
That within me shapes  a griffon
Talons and the roar uniform of its roots
Weird talents of Woman
Release the door closed in me as you comb
the tresses & the navel that moon envy in its monthly  kiss

Delicious kiss
Stir desire
Release the magic fur with combs
Transform the inward griffon
Come closer Woman
The tree must spread its roots
Dark are omens of  roots
Within the bedchamber there is only kiss
luminous nefarious Woman
i am appalling in my desire
Transforms me into monstrous word, griffon
no flesh but shadows within  the combs

Unfathomable combs
Intoxicating roots
the midnight eruption of griffon
my beak  kiss
with hybrid desire
such monstrous cage is the comely love of   Woman


She combs and  polymorphs  with a  kiss
now only roots the  shapely diagrams of desire
as a griffon sprouts  feathers   is bound to charms of  sky clad Woman
Evan Stephens Oct 2017
I.
The tattoo needle
feels like
it's sinking
to scrimshaw
bone.

II.
These words
you say
are sinking
to char
marrow.

— The End —