Blanket city run along soaked in rain. Idiot Boy wastes his time visiting a passing crush at the other end of town. Slips between two houses and a metal sheet, communal refrigerator in the middle of the road filed with half-empty soy bottles.

Dead bell stop, mocking red blink of the operator. Father arrives, a mess of wiry muscles and hair.

“Hey. Is Coffin Cat here?”

“Who?” Father squints at Idiot Boy’s cap. Idiot Boy avoids eye contact.

“Um.”

Recessed in the blackness behind Father, a Figure says, “You looking for Coffin Cat?”

Idiot Boy nods.

The Recessed Figure turns. “I’ll go get her.”

Father returns to his parched body on the couch, content.

Indistinguishable forms move back and forth in the kitchen to the right. They stop their pacing and glance at Idiot Boy as he passes. Idiot Boy avoids eye contact and slips into the left-bound arterial vessel.

“So this is the heart chamber I’ve been living in,” Coffin Cat says as Idiot Boy enters her room. There is music gear. “It’s pretty comfy.”

“Oh, sick mic,” Idiot Boy says, pointing at the mic behind Coffin Cat’s head.

“I feel like a ghost,” Coffin Cat replies, falling on her bed.

Idiot Boy settles next to her. Animal distance. Intensely aware of his rain-soaked right shoe. “Same.”

Nothing comes out right, intersubjectivity a false God to mediate the impossible kernel of being, nobody can find nor express. Idiot Boy searches for connection. He glances around the heart chamber, at the music gear, but nothing grips. Four pears sit on a table by the window, their skins garish green in the harsh grey light.

Coffin Cat moves from the bed to the floor. She opens a virtual aquarium on her computer; fish eat pellets dropped from the sky to **** out coins to buy more fish to **** out coins to buy more fish. Capitalist investment and accumulation. Every few minutes a rocket-spewing robot teleports into the aquarium to attack the fish. Ruthless competition in the global marketplace.

“No! Why would you swim there, you ******* fish?” Coffin Cat yells as one if her fish is eaten by the nomadic war machine. “So dumb. ****. Why did it eat my fish?”

A knock at the door. The Recessed Figure from earlier enters the room. “Hey, mind if I join?” Their arms dangle like fine threads of hair.

“I like your music gear,” Idiot Boy says, pointing at nothing in particular.

“Idiot Boy also makes music,” Coffin Cat adds from the floor.

The Recessed Figure does not respond. They are enthralled by their phone, streak of dead pixels along a digital chessboard, minute reflection of their own gaunt face in the glass. After an extended period, they decide to move none of their pieces. A gaping coffee grinder rises out of the rubble at their feet. They begin filling it with tobacco from broken cigarettes.

“I’m surprised you’re still playing this,” Idiot Boy says to Coffin Cat. “I swear this is one of those games designed to ruin your life. Get addicted, stop going to work, become a hikik weaboo.”

“Already there, man,” Coffin Cat laughs. “Nah, this is my new job. I’m going to be a professional gamer.”

“Stream only PopCap games.”

Another knock at the door. Tired squander in an endless pacing of flesh. Strawman enters and nods at the Recessed Figure. “Hey bro.”

“Good to see you, man.” The Recessed Figure plugs the coffee grinder into the wall. “You got any ciggys?”

Idiot Boy points under the table and says “Ahh” with his mouth.

The Recessed Figure empties it into the coffee grinder. The device whirs into motion, creating a centrifugal blur, a mechanical and headless hypnotic repeat.

Idiot Boy and Coffin Cat look for horror movies to watch. The Recessed Figure empties the contents of the coffee grinder onto a metal tray. Strawman repacks it into a ****. White smoke fills the empty column, moves in slow motion like an oceanic rip a mile off coast, surface seething with quiet, impenetrable violence.

Idiot Boy refuses the first round. It’s never done him any good. Face turned to smoke and the wretched weight of a tongue that refuses to speak. Headless carry-on as time ticks through the clock face.

The door bursts open. Everybody turns as Manic Refusal or the Loud Person saunters in.

“I can’t believe it. I can’t ******* believe it. They’re selling me off!” the Loud Person says in exasperation. “First time back in New Zealand in five years and they do this to me!”

“What? What’s happened?” Strawman asks.

“Some rich ****** in Australia has bought me as his wife. I knew it, I knew if I came back, my parents wouldn’t let me leave again. Whole ******* thing arranged!” the Loud Person laughs bitterly, before hitting the ****.

“Oomph, that’s rough,” Coffin Cat quips from the side.

“No, you don’t even understand. This is the first time back, the first time back in five years, and I’m being sold to off some rich ****** who owns all the banks in Australia.”

“But like, who is this guy?” Strawman asks, pointing.

“And he’s been reading all my profiles. He has access to all my information. I don’t even have control over my Facebook profile. Grand Larson’s logged in as me, posting for me,” the Loud Person continues. “I met him once in Australia, clubbing, and now he’s tracked and bought me.”

“That’s creepy as ****,” Idiot Boy says.

“So he’s not a complete stranger?” Strawman asks.

“I can’t believe it. I can’t ******* believe it. First time back in five years and I’m being sold off!”

Idiot Boy decides one hit from the **** wouldn’t be so bad. He packs the cone with chop, lights and inhales. Smoke rushes through the glass channel, a swirl of white ether, more than he’d expected. He quickly passes the **** to Coffin Cat, before collapsing onto the bed, eyes closed. A suffocating sensation fills his body. He sinks into the chasm of himself, further and further into an impossible, infinite depth.

“Still working at . . . ?”

“Yeah, yeah. Management. Hospital. You?”

“Like, property. Motions.”

“Subcontracting? Intonements?”

“Yeah, yeah.”

“Mmm.”

Idiot Boy doesn’t know what’s going on. He feels sick and tries to get Coffin Cat’s attention, but cannot move his body.

“Come on. Sell me drugs, Strawman.”

“Nah. I don’t deal drugs. I don’t deal drugs.”

A strange silence stretches like an artificial dusk, a liminal duration, the hollow click of a tape set back into place in reverse. The Recessed Figure coughs and the Loud Person whirs back into motion.

“I can’t believe it. I can’t ******* believe it. They’re selling me off! First time back in New Zealand in five years and they do this to me!”

The Recessed Figure makes a noncommittal noise.

“I knew it, I knew if I came back, my parents wouldn’t let me leave again. Whole ******* thing arranged!”

Coffin Cat laughs quietly.

“No, you don’t even understand. This is the first time back, the first time back in five years, and I’m being sold off to some rich ****** who owns all the banks in Australia.”

“How about this fella? He doing okay?” Strawman asks, pointing. Everyone turns to Idiot Boy and laughs affectionately.

“Still working at . . . ?”

“Yeah, yeah. Management. Hospital. You?”

“Like, property. Motions.”

“Subcontracting? Intonements?”

“Yeah, yeah.”

“Mmm.”

“Sell me drugs, Strawman.”

“Nah. I don’t deal drugs. I don’t deal drugs.”

Idiot Boy slowly opens his eyes and stares out the window. The same grey light as before. He moves his arm further towards Coffin Cat, but is still too weak to get her attention. The same strange silence stretches. The Recessed Figure coughs and the Loud Person whirs back into motion.

“I can’t believe it. I can’t ******* believe it. . . .”

As the conversation repeats over and again, Idiot Boy begins to think he has become psychotic, or perhaps entered into a psychotic space. He thinks of computer algorithms, input-output, loops without variables, endless regurgitations of the same result. Human machines trapped in their own stupid loop. Drug-****** neuronal networks incapable of making new connections, forever traversing old ones. Short-term memory loss, every repeat a new conversation of what has already been. The same grey light painted upon four pears by the window.

He’s not sure if Coffin Cat’s laugh is getting weaker with each repeat.

Signal-response. The exterior world oversaturated with variables: roadways, rivers, forests, wildlife — an ever changing scene to respond to — the illusion of depth. Automatic response mechanisms reorient to new stimuli. The soul rises like surfactant, objectified fractal diffusion. A becoming without end.

But within the border of this interior world, the light stays grey. No input, no change; the same dead repeat, over and over, until sundown triggers a hunger response. Lined all along the street, a black box ceremony of repeating machines, trapped in their idiot cults, walls of clay and blood.

Idiot Boy finally gets Coffin Cat’s attention. She helps him through the house’s arteries to reach rain and wet stone, overcast skies. As he shakes in shock, Coffin Cat mumbles, “It’s cold.”

Idiot Boy sits silent on the ride home. Travels through himself. Tunnel through the body or Mariana Trench. Loses his footing before a traumatic void. Leaves the car and pukes.

The city is a grid
of lights projected
by man-made mountains
built of glass and steel;
they reflect, distorted
off the glass surface
of Lake Michigan.

Good morning

The sun rises
with heavy-eyed commuters,
homes filling with
the smell of coffee;
yesterday’s events are
brought inside, rolled
up in a blue plastic bag.

Soon the traffic on the Dan Ryan
will turn the stretch of road
into a temporary parking lot.

Life enters the veins
of downtown;
it heads down Michigan Avenue
to the heart of The Loop.

The ferris wheel at Navy Pier
begins to turn hypnotically,
attracting all walks of life.

A Muslim passes a Christian
on the street;
they smile at each other;
their backgrounds don’t matter.

Someone is calling;
someone is answering.
Today is the best day for one,
the worst day for another.

The day does its job to go on

Chicago fills its lungs,
then exhales life back home.
The sun colors buildings,
traces of day
to be soon replaced
by the form of lit office windows.

From a plane passing over,
the grid is a chessboard
waiting for the next day,
the next game.

The Persian Chessboard

as the story goes, it happend in Persia
could have been India, or even in China
the King was bored, so he looked for someone wiser  
the Grand Vizier, being the principle advisor

entertain me the King said, challenge my senses
I need something different, I'm tired of burning fences
the Vizier scratched his chin, and stared straight ahead
how about a new game, where you have to use your head

we'll use moving pieces, on black and white squares
the King will be the major piece, the rest nobody cares
capture the opponents King, to make him surrender
be careful of the others, the ones who are pretender

we can call it 'shahmat', or death to the King
and when this death is proclaimed, everybody sing
the final move is checkmate, there will be no place to run
the game sometimes in real life, the loser had no fun

the pawns and the knights, each one fell to the side
eventually then an added piece, the King's special bride
the Queen was entered in, she also had some power
she was just as deadly, cutthroat behind you in the shower

the King was very pleased, he granted Vizier a treasure
he told him, pick your price, anything you pleasure
the Vizier tried to trick the King, he made mistake instead
the game lived on and on, but the Vizier turned up dead

Gomer LePoet...

I want that chessboard love
Protect me from an army of demons trying to get to me
I want you to be what's left of me
But I'm not sure I'm the best King
You can't be a better Queen
I think you're from heaven
I can now count to eleven
Meet me at seven
We can be together until eleven
Doing whatever chessboard pieces do in their spare time.

it's not the large things that send a man to the madhouse

a woman, a
tire that's flat, a
disease, a
desire: fears in front of you,
fears that hold so still
you can study them
like pieces on a
chessboard...

it's not the large things that
send a man to the
madhouse. death he's ready for, or
******, ******, robbery, fire, flood...
no, it's the continuing series of small tragedies
that send a man to the
madhouse...

not the death of his love
but a shoelace that snaps
with no time left ...

The dread of life
is that swarm of trivialities
that can **** quicker than cancer
and which are always there -
license plates or taxes
or expired driver's license,
or hiring or firing,
doing it or having it done to you, or
roaches or flies or a
broken hook on a
screen, or out of gas
or too much gas,
the sink's stopped-up, the landlord's drunk,
the president doesn't care and the governor's
crazy.

light switch broken, mattress like a
porcupine;
$105 for a tune-up, carburetor and fuel pump at
sears roebuck;
and the phone bill's up and the, market's
down
and the toilet chain is
broken,
and the light has burned out -
the hall light, the front light, the back light,
the inner light; it's
darker than hell
and twice as
expensive.

then there's always ***** and ingrown toenails
and people who insist they're
your friends;
there's always that and worse;
leaky faucet, Christ and Christmas;
blue salami, 9 day rains,
50 cent avocados
and purple
liverwurst.

or making it
as a waitress at norm's on the split shift,
or as an emptier of
bedpans,
or as a car wash or a busboy
or a stealer of old lady's purses
leaving them screaming on the sidewalks
with broken arms at the age of 80.

suddenly
2 red lights in your rear view mirror
and blood in your
underwear;
toothache, and $979 for a bridge
$300 for a gold
tooth,
and China and Russia and America, and
long hair and short hair and no
hair, and beards and no
faces, and plenty of zigzag but no
***, except maybe one to **** in
and the other one around your
gut.

with each broken shoelace
out of one hundred broken shoelaces,
one man, one woman, one
thing
enters a
madhouse.

so be careful
when you
bend over.

we long for what we can't give. (title for now) I long to converse with you without our words turning to anger, but still we find ourselves standing at opposite ends of a verbal battle. I long to spend time with you, without it turning into a confrontation, but we still stand at opposite ends of the chessboard. I have longed to hold you, even close, but you kept me at arms length; both physically and mentally. I try to do right by you but I always seem to fail, like a child blindfolded in a dark room who was asked to distinguish between colors. You ask for passion, almost like that of two star crossed lovers who have stolen a single night for themselves. But the many times I've tried to express it, the passion was unreturned like a lover waiting under the stars for a soul that seems will never arrive. I've waited for the happiness that is supposed to come from two hearts joined as one, and yet I'm filled with a sadness that comes from a pain of a solitary beating vessel. I have asked you for affection, that of a caring mate that says "I love you" without words, and here I find myself unknowing of a speechless love, for when I'm in pain I can't feel you there holding me. I hope for a strong open mind, one that can not only stand up for her beliefs, but also admit to the mistakes that befall all human beings. Yet, for you to see your errors would mean for you to admit your faults and imperfections, which your pride may never accept. I simply ask for a companion that would take the time to understand me and love me for my imperfections; for I know I carry many with me. However that effort and understanding has not been received from you. And even though I've had all these obstacles in the way, I've tried to love you with every drop of blood that pumps through my veins, but no longer can I shed tears for your sorrows, or bleed for your pain, for it is as if my heart has pumped its last drop of my pain.