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RAJ NANDY Oct 2014
Dear Friends, kindly read the Foot Notes at the end for
better appreciation. I tried to convey some interesting
information in my verses for my few interested readers!
Thanks, -Raj

THE STORY OF ALPHABETS:
PART ONE

INTRODUCTION
Alphabets are the noblest and the greatest of
inventions of our civilization,
For transmitting human thoughts and concepts
through visible notations!
In the olden days those magical symbols and
signs,
Could be written and understood only by the
priests and scribes !
But with the invention of printing, literacy began
to spread, * (see notes below.)
When people began to read and write with standard
Alphabets!
The 26 English letters with which we read and express
ourselves so easily and well,
Has a legendary and checkered past, and an unique
Story to tell !

FROM PICTOGRAM TO WRITTEN SCRIPTS :
The story of writing can be traced back to over
thousands of years you see ,
From pictogram to ideograms and various cuneiform
scripts!
From the ancient Sumerians and the Egyptians, to
the Semitic tribes;
Up to the Phoenicians, the Greeks, right up to the
Roman times !
Till the Latin script got refined into modern alphabets,
And with 26 letters our literary aspirations were met !

PICTOGRAM & IDEOGRAMS :

Ancient pictogram and symbols were painted and
carved on rock walls and caves, -
But speech sounds and letters remained unrelated !
Followed by the ideographic, logographic, and the
syllabic stages ,
Evolving into written alphabets through these different
phases!
Ideograms expressed an idea through visual or graphic
symbols,
Giving rise to Chinese script without alphabets, but
with only ideographic symbols! @(notes below)
The Sumerian cuneiform and Egyptian hieroglyphs
were the oldest of these,
Let me now tell you something about the Sumerian
script !

CUNEIFORM WRITING :
On that land between the two rivers the Tigris and
the Euphrates,
Which the Greek’s called ‘Mesopotamia’,
Rose the earliest of ancient civilizations called
Sumeria!
Those Sumerians used a stylus, - the head of a
squared-off reed ,
To inscribe wedge shaped angular symbols on
clay tablets - for their accounting needs!
These tablets could be dried in the sun to form
hardened scripts ,
And also recycled if necessary, giving birth to the
Cuneiform Script!
The earliest clay tablets date back to 3500 BC ;
While archeologists and linguists could detect
and see ,
That with modifications over the centuries this
script was also used, -
By the Akkadians , Elamites , the Hittites and the
Uratians ;
And scholars say that it was the forerunner of the
hieroglyphs of those ancient Egyptians!
The earliest clay tablets found in Mesopotamia,
Indicate accounting of barley crops by the Sangu
of Sumeria!
Sangu was the Chief Official of their Holy Temples ,
Who recorded all temple wealth on clay tablets, –
with cuneiform symbols !
Herodotus the Greek historian tells us a story ,
About a letter sent by the Scythians to the Persian King
during the days of Scythian glory!
This letter contained symbols of a bird, a mouse,
a frog, and five arrows;
When translated it read: “Can you fly like a bird, hide
in the ground like a mouse, leap through the swamps
like a frog? If not, do not go to war with us, -
We shall overwhelm you with our arrows!”

EGYPTIAN HIEROGLYPHS :
Hieroglyph comes from a Greek word meaning
‘sacred inscriptions’ ,
Consisting of a large variety of images representing
sounds, as well as ideas and actions !
The images were depicted in rows or columns , -
oriented from right to left ,
And the signs were positioned as if looking towards
the beginning of the text!
They were used from end of Prehistory to 396 AD,
And the last text was written on the walls of the
Temple of Isis, on the Island of Philae !
The oldest one dates back to 3100 BC, - inside the
Temple of Ramesses II at Abydos ,
Where Thoth the ibis-headed God, - patron Deity
of Writing and Scribes is seen ,
Holding a scribal palette in one hand and in the
other a stylus of reed ;
And King Ramesses II holding up a water *** , -
To assist the great Thoth, their Writing God !

HIERATIC, DEMOTIC & COPTIC SCRIPTS :
The hieroglyphics were used for many varied
situations; -
Written on temple walls, statues , tombs , papyrus ,
and as monumental inscriptions !
Through its 3000 year’s long history it developed
into three other written scripts; -
The Hieratic, the Demotic and the Coptic, as
reformed hieroglyphic scripts !
Hieratic script was simplified with a more cursive
form ,
Could be drawn more quickly as over the years it
also reformed !
Though used in administrative and business text ,
Also found its way into literature and religious texts!
Around 600 BC it was supplanted by the most cursive
of all scripts,
Herodotus called it ‘Popular’ so it became a ‘Demotic’
script, meaning 'popular' !
Unlike the Hieratic, which on papyrus with a stylus
and ink was written ,
This 'popular' one could be engraved, and also hand
written, -
On a hard surface, and on papyrus by the ancient
Egyptians !
This script was found in the middle section of the
famous Rosetta Stone, $ = (see notes below)
Which for centuries held the secrets of the Hieroglyphic
Code alone !
And finally, during the 4th century AD, when Egyptian
was written with Greek alphabets,
We arrive at the last stage of the Egyptian language;
Which came to be know as the Coptic Script, with the
adoption of the Greek alphabets.
During the 2nd and 3rd centuries AD , Coptic became
the pre-Christian Egyptian language.
However, after the conquest of Egypt by the Muslims
in 642 AD,
Arabic became the main language of Egypt gradually.

A PAUSE & A BREAK :
It is interesting to note that all these ancient scripts ,
Inscribed on rocks , or written on papyrus or
engraved on wooden strips ;
Were written from right to left, with only consonants ,
Without any punctuations or any break!
Till centuries later, due to the innovative Greeks, -
Vowels got introduced to shape up the Alphabets!
Here friends I pause to take a break .
In my Part Two I shall tell you about those Semitic
Scripts ,
About those seafaring Phoenicians who preceded
the Romans and the Greeks;
Those worthy forefathers of the Latin alphabets ,
Which gave birth to ‘English’ with its Anglo-Saxon-
Germanic roots ,
Happily blending with some French vocabulary, -
Making English as unique as it possibly could !
-by Raj Nandy

FOOT NOTES : -
Friends, I tried to keep it as simple as possible for my readers;
adding Notes as explanations & for all knowledge seekers!
= Johannes Gutenberg in 1440 set up the first Printing Press in
Europe. William Caxton in 1476 set up the first printing press in
Westminster, England, he was the first English retailer of books!
* = Lascaux cave paintings of animals in SW France are 16,000
years old! Similar types also found in Spain and Africa!
= Pictogram date from the earliest cave paintings; represents
concrete nouns. Some civilizations like the North American Indians never
ventured beyond pictogram stage! Ideograms – the next stage, represents an abstract idea and verb also.
The Egyptian word-sign showing image of an Eye +a Bee+ a leaf = meant ‘I Believe’, i.e. Pictogram & Ideogram combined ! Since they did not write verbs, we do not know how they pronounced it!
Logograph = each written sign represents an actual word & Not sound of the word!
A tree is shown by the image of a single tree. A single logogram could be used by a plurality of languages to represent words with similar meanings.
After 3000 yrs of use, a large no. of symbols & the chasm between oral & written script made the Hieroglyphs obsolete!
The Semitic people tried to improvise a better script with limited consonant signs only!
@ = The Chinese use a combination of pictogram & ideograms along with complex symbols, but with only through association of spoken words; instead of alphabets!
$= Rosetta Stone, discovered by the soldiers of Napoleon in 1799 in Rosetta. The hieroglyphics on the stone was inscribed in 196 BC in the Ptolemaic Era. The French scholar Jean Champollion deciphered the script, and thereby solved the mystery of Egyptian Hieroglyphics for the world! .
*
ALL COPY RIGHTS RESERVED BY RAJ NANDY
INFORMATIVE 'FOOT NOTES' HAVE BEEN ADDED JUST AFTER THE VERSE.
Kiernan Norman Oct 2012
I
There is a 3% chance I'll find you here. But if in each pair of eyes I dip, I find 1/8 of you; I'll be there soon.

II
I didn't crawl here; I took a plane. I spent six hours tracing the Atlantic from my window and you rose from the sea, dry and unsalted, twice each nautical mile. I would say it was my imagination, or the California wine, but I wear glasses now and never lie about what I see. It was you. And you and you and you.


III
Stealing is easier here. Maybe it's the crowds or the way the men smile at me like I'm harmless, but my hands move without question. They don't fumble or miss pockets, my heartbeat doesn't even protest. In prayer beads, silkworm cocoons, oils and sea rings, I am in debt to a city who doesn't know it.


IV
I have no ethnicity. Deep in bone coils the apathy and flight of someone's non-heritage. But I am forgiven; in a world of paranoia, brown eyes are always trusted and the way my hair falls reminds them that I'm on their side. Even my name curls within itself, folded flat and dead before it's over. It's better this way; no allegiance, no responsibility.

V
From a curb in district nine, I see your star. It's hanging where you said it would be but I can't see god in it the way you promised.

VI
On the other side of the world you told me about a quad of green. You waxed flowers of every color, the sky I've only ever painted and the people, beautiful and dark, who will save me. I found it. In broken French and broken sandals I found it and the sun was setting and you had just left. So now we both know you won't be the one to save me.

VII
With one foot in the slanting gutter I walk until the city circles and I'm back where I started. In a daydream I found you. I smiled and quoted your book, the part that said 'When we heard the guidance, we believed in it' and you looked at me in a way that scared me. A way that translated your face into thousands of alphabets, ancient and invented. And I knew none of them. Suddenly I'm illiterate to you. Suddenly I'm gone.

VIII
I'm with a man who's made of smoke and each strawberry ring that escapes my lips is dedicated to someone that I’ve laughed with.

IX
With the intensity of archives on fire, I withdraw. You are still a body; a few hundred bones calcified and aging, a mind of words streaming like spider webs, blood you never shed, and  muscles that cross in blinding precision, but you are not who you used to be. You bound to me in a way that's irreversible and now we're both stitching. Awkward and broken we pull at flesh to remove each other. We have scars now, like stickers ripped from wallpaper. The outline of a palm stains my shoulder, a thumb the size of yours in the crook of my elbow. Small, white fingerprints tattoo your neck.


X
I might be free. Over cobble stones with broken sandals I don't trip until I realize that a city where I loved is now part of me. I can get as far away from her as the modern map allows but the red and gold bangles that crowd my wrists are not to be taken off. They're a part of me too. Like blood spilled on a cobble stone, you will walk over us every day of your life.
written January 2008. Seventeen.
Kuzhur Wilson Sep 2013
My poetry, which knew it was
the cry of a lonely bird
on a solitary tree
in my village,
asked Spring its name.

Spring began to speak –

The fruit laden Vayyankatha, her thorny pangs, hijab-wearing  Guf, her minarets, Thondi  blushing red with kisses,  her moist lips, orphaned Adalodakam, Nellippuli in a polka dotted dress, Pulivakawaiting for the breeze, Anjili   head towards the south, yawning Cherupuuna, Pera with the names of grandmas scribbled on her leaves, Ilantha blowing into the hearth, Ilapongu rubbing his eyes, Irippa, Atha laughing noisily,Cholavenga in tattered clothes, Irumbakam, Padappa catching his breath after running, Pattipunna wagging his tail, bare footed Pattuthali, Thekku the noblest among them, Thekkotta, Neervalam  recollecting her last birth, Neeraal, sobbing Neelakkadambu, Pathimukam, lazy thanal murikku, Karimaruthu, Karinkura, Asttumayil, Velladevaram, Kattukadukka, the gluttonous Badam, amnesiac Vazhanna, boredVarachi, Nangmaila, Eucalyptuswith a sprained back, viscous red Rakthachandanam, saffron robed Rudraksham, Vakka, Vanchi,  Parangimaavu nostalgic of his ancestral home, Vari, Nedunaar, Marotti with a hundred offsprings, Malangara, Malampunna ,Nenmeni Vaka trying his luck in a lottery, Nelli with a sour smile.

Kadaplaavu doing sketches with leaves, Kari straying from the queue, Kattuthuvara buying things on credit, Kattutheyila boiling over, Kattupunna with a pus-oozing sore, Kumkumam putting a bindi on her forehead, starving Ventheku, Vellakadambu making a missed call, Kattadi standing aloof, her feeble hands,  flowering Ilanji, her fragrant trunk, sighing Aalmaram, Pachavattil, Pachilamaram  gossiping with the chameleon, Panachi,Pamparakumbil, Kadambu memories adorning her head, Kudamaram carrying provisions for the home,  Punnappa,Poongu, gray hairedChuruli, Chuvannakil  singing a folk song, dark skinned Vattil, Kulaku, Karinjaaval, sozzled Pamparam, Chorappayir, njama, Njaaval  tempting the birds, Njaara, Alasippooscratching his palm, Ashokam  humming a sad song.

Ezhilampala chewing on a masala paan, Peenaari wearing a tie, Peelivaka, Pulichakka with a broken leg, Pezhu demanding his wages, Kumbil, Kurangaadi, Kasukka with a dislocated elbow,Valiyakaara, Vallabham, Chavandi, stunning Chinnakil , Chittal with a failed brake, Vidana, Sheemappanji, the loan shark Odukku, Oda  on musth,fatherless Kadakonna, childlessShimshapa, Sindooram with a flushed face, Karinthakara singing the thannaaro, Vellappayir high on grass, Poothilanji showing off her blossoms, sour faced Kudampuli.

Wet in the rain Kulamaavu, Kudamaavu circling around himself, Pari from the netherworld,Poopathiri in a priest’s robe,  Poochakadambu on all fours, Kulappunna covered in a blanket, Kundalappala checking his astro forecast, Pachotti, ******* Perumaram, Perumbal  thinking of the sea, phlegm clogged Anathondi, Anakkotti, Cheruthuvara, Ilavangam, Thanni,naughty Thirukkalli,  Karappongu, embracing Kattadi, Thudali, Thelli, Kara, Malayathi,Malavirinji, shameless Kashumaavu,mud slinging Karuka, Vedinal, suicide prone Attumaruthu,Attuvanchi  who glides on the stream like a fallen shadow.

Mandaram  dressed in white, Vanna, brazen Mahagani, Karivelam doing the accounts,Jakarantha, Koombala, friendless Koovalam, Kattukamuku with his hands around friends, Kolli, Paruva,Krishnanaal with a crooked smile, Cocoa with no one to turn to, Cork,Palakapayyani, Pavizhamalli wearing necklace and bangles, a lonely Mazhamaram, Mangium, Mathalam exposing her *******, Chemmaram, Pashakottamaram, Malavembu, tearful Chamatha, Vatta, Vattakoombitired of running around, smoking Pine, Porippovanam, Kaaluvnthatherakam, Thembaavu, grinningDantaputri, Narivenga, Navathi, grumbling Mazhukkanjiram,Arayanjili,  Arayal playing a game with the wind.

Choola kissing the sizzling wind, Arinelli, Maavu reciting sadly the poem Mampazham,  Chandana vembu, Peraal stretching its back, Pulivaaka, Unnam, Naythanbakam,Karpooram in a slow glow, Naaykumbil, trumpeting Pongu, outcast Pottavaaka, bursting Poriyal, vagabond Ponthavaaka, Plaavu lost in some thought, Pootham  head covered , Ethappana  greening while yellowing, Manjadi, Mullanvenga, Mullilam lifting his dhoti to expose his genitals, Mullilavu hopping around, Moongappezhu, Neermaruthu saying enough is enough, withered Neermathalam ,Moottikkay, Ithi, Ithiyaal, Vella velam, Kalppayir, Kallar, Majakkadambu singing a lullaby, Choondappana wary of fish bones.

Stooping Punna, Matti scared of her big brother, Paarijaatham watching the midnight movie, Paalakal, Paali,Paarakam doing cartwheels, Viri, Athi showing off  her seeds,Ampazhammassaging his chest, Ayani inlove with her son, Manjakkonna, Manjamandaram in search of something, Chullithi with eyes closed, Kallilavu like an oozing rock, Malamandaram eyeing the vultures,Velleetti cursing the thunder, Venga,Veppu, Vraali, Akil, sighing Acacia,Balsa, Blanka, Beedimaram with a rattling cough,  Agasthi, Cherukonna with a sheepish smile, Kambali, woundedNagamaram.

Pathiri, touching his forehead to the ground, his eyes heavenward, Ankolam ruined by debts,Kattumarotti, Kundalappala, Aattumaruthu,Poovam, Erumanaakku, Karingotta, Vediplaavu his salary still unpaid, Venmurikku, Manjanaathi, Manimaruthu jolted awake, Mathagirivembu, Karaanjili  escorting his daughter, Karakongu,Karappongu, Ilippa on her way back, Ooravu half-awake after a dream and with a sucker smile, Ennappana about to immolate himself, fattened  Ennappine,Azhantha waiting for someone, Chorapatri with a cracked head,Sheemappoola,Poovankara, Malampuli, Puli with sharpened stakes.

Obese Theettipplaavu,Malambongu, Chorimathimurikku, Irippa bailing out his friend, Irumbakamwho lost his job, Kunkumappoo, Karinthaali, Scoot, Rose Kadambu, Aamathali, Aarampuli,Attilippucaught in the crowd, Irul  blessed by the elders, Vellavatti, whistling Mula, Kattukonna in a hat, Kaniiram learning the alphabets, broker Cheru,Kattuchembakam exposing his arm pit,Thandidiyan, Neeroli, Ezhachembakam waiting for her bus, Karimbana in a newly constructed house, Karivenga,Karivali writing a poem, Ungu in a baby frock, Udi, Plasha, Elamaruthupromising to meet later, Chembakam dying to hug.

Vellakil who bathes the kids, Vellavaaka who forgot his umbrella, Attuthekku who failed the exam, lustful Aattunochi,Malanthudali with her legs spread, Malanthengu with chest ****** up,Malamanchadi who is learning to count, Malambarathi exposing her *******, intoxicated Aval, Arana reciting the poem Karuna, insane Alakku who dashes off to the temple, Cheru who cannot stop washing clothes, Kudappana ready to elope, irreligious Jaathi, Silver Oak laughing boisterously, Kattuveppu waiting for the kids, Sumami ******* on a toffee, annoyed Parappoola,frightened Pinar, Ithi stopping her ears at swear words, Ithiyal with lots of smiles, Kovidaram with music in his mind, Ilakkali showing her belly, blossoming Ilavu, Chadachi who ***** sadistically, cool fingered Chandanam.

dominating Charakkonna, office going Cheelanthi, Gulgulu glued to Kochu channel, Gulmohur with dyed hair, Irul with a fuming face, early rising Kanikonna, Kanala who has a sound sleep, Karingali  who pees standing, Kambakam with an ***** *****, Kallavi  beseeching to stuff her up, Karanjili  quivering in lust, calm Karaal, Kaari who hums while *******, Kaavalam who naps after the toil,Thannimaram showing off her petals, Thambakam kissing the ****, Thellipayar savouring a *****,Neerkurunda in post-****** languor, Malaya breastfeeding her kid, bullying Kathi, mad hat Eetti,Cheeni  not remembering his mom,  Kunnivaka showing his gums, Kuppamanja who laughs in sleep, Othalanga swallowing poison, blooming Poovarasu.

Spring went on,
reeling off names to me.
The rain the sun the wind and the cold
Rolled in one after the other.
Spring kept pulling out
names from its memory.

People got scared of
my poetry gone wild.
They stopped passing that way.

A snake goes slithering away.
A hare finds its own path and dashes away.
A poothankiri, from a bush, flies away.



(Trans from Malayalam by Ra Sh)
1.      Mampazham (Ripe Mango) is the title of a famouspoem by Vyloppilli.
2.      Karuna (Compassion) is the title of a long poemby Kumaran Asan.
3.      Poothankiri – A white headed babbler.
4.      Thanaaro - An obscene devotional song.
Without ruing all the lost chance
should I tell her once
or now it's really too late
to say what's unsaid from the first date.

Stopping long at the tongue's tip
they're gone into me hiding deep
breathing in heart as one quiet peace
speaking their voice in the bud of a kiss.

But hasn't died their wish to be told
love's alphabets carved in gold
uttered in silence at the sight of her
till today unsaid till now deferred.

Do they need to be told anymore
what's embedded within fondly secured
or is it so from her first date
she's dying to hear those alphabets!
Patricia Drake Feb 2013
An angel arose
from atomic adventures
all arteries aching
awaiting
another armed attack
awaiting the Antichrist
and His adversaries
aching for his all encompassing alterations
alternative altars
and
apochryphal alphabets…
mk Oct 2016
there must be a place where broken words go
the ones without a limb
not fully formed
not spoken right
not heard

there must be a place where broken words go
the sentences left uncompleted
the trailing words that never left the lips
the "but" and the "and"
that were always left hanging

somewhere between silence and speech
there must be a place where broken words go
full of stutters and writers block sufferers
somewhere between the "i love"
and the "you" that never followed
or the "wait"
that was whispered into the air
the "please come back"
that made peace with dying
on the corners of a turning mouth

there must be a place where broken words go
the words spoken but never heard
the letters written but never posted
the train of thought that crashed into the clouds
the words in the bottle that traveled the sea
but sunk to the bottom before it could ever reach

there must be a place where my broken words go
the stains on my diary that didn't come from a pen
and the letters on my thighs that don't make sense
the things i could never say
and the things i said that came out all wrong
all the broken alphabets in my song
that cry for salvation
for one more chance

there must be a place where broken words go
there must be a place i can call home.
Cheryl Mukherji Dec 2014
Later that day, I sat with an empty notebook in my lap to write down thoughts: as a child, the routine was to repeat alphabets until I had them straight but I always started to lose my breath by the time I reached L. That day was no different.

A- your arms wrap around me under the moonlight;
B- the only sound I can hear is the rise and fall of your heart beat;
C- you light candles with the same lighter you burn your cigarettes with;
D- and shut the door behind me.
E- I have always loved how your eyes look into mine and so I do, today-
F- as your fingers move through my messy hair-
G- and I give in as prey.
H- Your hands feel cold on my skin;
I- your legs intertwine with mine under the ***** sheets we’re lying in-
J- and your jaded voice calls my name.
K-we kiss;
L- and I hear you stutter when you say that you love me.
A for apple B for ball
You're cute baby beautifully small
C for cat D for doll
You baby is the sweetest of all
E for egg F for fish
Baby you're my fulfilled wish
G for goose H for hen
I look at you baby forget all pain
I for ink J for jar
You're baby my brightest star
K for kite L for leaf
Baby you're my strongest belief
M for milk N for nose
You're baby more fragrant than rose
O for owl P for pea
Baby your smile makes me happy
Q for queen R for rain
You're baby my richest gain
S for sun T for toy
Baby you're precious be girl or boy
U for umbrella V for van
Loving you baby is all I can
W for wool X for xylophone
With you baby I feel never alone
Y for yak Z for zoo
Rule my heart baby only you
A childish poem, for Lady RF, prompted by my comment on her poem Tree House.
derelictmemory Jul 2013
A
is the ache
You leave behind
when you leave

B
is the broken
Person I was
before I had you

C
is the carvings
on my wrist
that you kiss

D
is the sense of defeat
I often felt
when I was alone

E
is the elatedness
that fills me
when we speak to each other

F
is the friends
that I made
because you believed I had to give them
a chance

G
is the good
I can finally see
that's always been around me

H
is the hope
that you give me
that I'll see another day

I
is the imagination
that graces my mind
when I think of you

J
is the joy
that you give me
even when you're gone

K
is the kindness
you showed me
that fixed me

L
is the love
that I feel
because I have you

M
is the time I mourned
when you were gone
for good

N
is the newness
of the empty feeling I get
now that you left

O
is being ostracized
because I'm too depressing
to be around

P
is the pain
I feel when I see
Happy couples everywhere

Q
is the quiet
indifference I feel
towards every **** thing

R
is the refrain
it takes me
not to plunge that knife
into my throbbing heart

S
is the suffering
I feel to get through
every ******* day

T
is the torture
I put myself through
looking at our old photographs

U
is the underwhelming
need to live
dissipitating day by day

V
is the vows
you promised to make
but you didn't make it.

W
is the words
you used to say
to make the pain go away

X
is the mark
on the calender
of the anniversay we didn't have

Y
is the question
I ask everyday
since you died

Z**
is the end
of this poem
of our love
forever

All these alphabets
mean something to me
no amount of morphine
Takes the pain away from me

You made me happy
and now that you're gone
I'm back to the ghost
I once was
Mateuš Conrad Oct 2015
as i once wrote... and i’m not about to change my mind
as to how i managed to spot the two major tools
in language, but for added SHOCK value,
ich kampf... the pronoun takes on an indefinite nature,
as does the complete expression,
it expresses future struggles more than past struggles,
and thus with future struggles there is a process of becoming
rather than being, hence there is no possessiveness
in relation to the past, for a translation into the future;
utilising the definite and indefinite articles within the pronoun
category is my keenest of all observations - the struggle in itself
is as indefinite due to the coupling with the pronoun that allows
dis-possessiveness of concepts, whether they be being at ease
or struggling... as such i know this is incoherent
because the meanings of certain words are so tightly knit that
it is bound to happen, a bit like red and crimson / blue and azure,
but that is as much due to schizoid conditioning of a symptom,
whereby a schizoid conditioning is a complex splintering of
what was once wholly unified, and upon dis-unification the unified is trapped
in a trans-grammatical state of symptom, without any categorical
orientation, whether that’s with nouns, verbs etc.,
primarily stressed by what i can only fathom as pre-nouns
(you know, the vocabulary unit
before new words enter our vocabulary, mostly nouns -
since the quality of things rarely changes -
like sodium and lady gaga, the pre-noun is almost
like a pronoun, although the pre-noun is kept
in a dark room and the pronoun is kept in
a room with a lightbulb),
that which could be uttered and is unnecessarily “thought.”
so through this medley i was only crafting a revision as to whether
call the compound ich kampf within the orientation of:
ich is a definite pronoun or an indefinite pronoun?
and if so... which pronoun orientation in terms of articulation makes
the second aspect of the compound definite or indefinite
for the overall persuasion?
well... anyway... it will make me think rather than read knausgård,
i already read kierkegård - søren
(ø = cut open o for a u, and angstrom = aa, i.e. roll over beethoven):
this is why english is problematic compared
with all the other latinised languages of europe...
due to its diacritical ****** / lack of accent stressors,
ø = u and oo: ***** / luck / pull -
the second use of u is less stressed in the sense that it's short,
a short / dwarfed u (ù), rather than the third example of u,
which is a long / pronounced u (ú)...
or as in the first example the elongated u (ū)
by god,
this is like forging a new linguistic system
in english from all the other languages of europe...
avoiding the linguistic notative system,
characteristic with: /ˈæŋstrʌm; -strəm/;
but obviously that would make spelling words in english
look pretty ugly... but not as ugly as LOL *** ***?!
i never got the hang of the teenage acronym alphabet,
even though i lived as a teenager, and the acronyms were already
in use.
Nat Lipstadt Oct 2017
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


This is not a poem.  This is about a poem.

Poems require words.  This poem does not require words.

This poem requires memories' muscles.
This poem requires what is called colloquially love.

Learn that what we share here is not poetry.

Your poetic senses that produce the words that mark you present
are but surgical tools to extract, release the whole and the parts of you that help shape that single sense borning in your chest that defines you at any particular moment.

Quæ est mater Laureat.

She is the Mother Laureate.

She is the boundary you must learn to cross to be more than a re-arranger of letters and alphabets, but a translator of the human essence and fill our veins with the a sense of awe and wonder felt when we read each other and think aloud,
"yes, exactly, that was and is precisely what I was feeling."

She is the glue that keeps us sticking here, sticking together, each of us sticking to it.  

You do not know her?  
No worries, she will find you when you least expect it, perhaps
when you need it.

This is not a poem.  This is a human who's a poem.

Understand the difference and then you may begin a journey
that has no destination other than weaving the connective tissue that makes us anticipating excited when we log on.

Happy Birthday Mother Poet Laureate!

I do not think I can write a better not poem for you.  
Forgive me then, if going toward, I repost this every
October 24th as long as the chemical composition of
blood, God, spirit, logos or reason runs free within,  
exiting as words encased in tears that formulate into
human poetry.

nattyman

P.S.There are 800 poems here with Sally in the title, and least 700  are about Sally B.   If you like, please  feel to free to add yours, old or new.
andrew juma Aug 2016
Crawling over broken glass for adoration,
Acceptance and fulfilment
The heart beats fraily
Hemorrhaging with disappointment

The world spoke promises that never came back
Occasionally they echo in mocking reverberation
The D man below eager, drinking and licking
Every drop leaking from my sour cuts

The world is beautiful with its facades
Encouraging young roses bloom beautifully
But then they wither sadly
The sky leaks happy showers occasionally
That dissolve in a sea of sourness

I look out from my pensive window
Streets are washed in acidic struggles
Trees suffocated and emaciated
Someone once cared for them
Now they don't

Sadistic eyes stare at me
As i watch the world from my window
I dare not step out, I retreat to my cocoon
Where it is just me and my faithful alphabets

Unconditionally the love
Faithfully they never let go
I roll and twirl them into a bandage for my wounds
So the horned man below does not **** life out of me
Poetic hope

— The End —