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1.

When I
was young
I listened to
Billy the Kid

I galloped
across the
living room floor
giddy upping
in an ecstatic
square dance
with my beloved
America

excitedly
enraptured
boundlessly
enthralled
in youthful
zeal
ebulliently  
yodeling
hymns
whistling
reveries to
America’s
heroic prairie
songs

a precocious
kinder beaming  
moved and illumined
by the broiling fanfare
of trilling trumpets

to uphold the promise
I pledged allegiance
to diligent  work
galloping onward
on ponies of
reverent faith
respectful duty
playful engagement
and guardianship

2.

expectation
never fell short
of resounding
supranaturalistic
optimism

energising
the sweep of
a nation’s
self evident
exceptionalism

our democratic
vista stirred
and steeped

a nation of
wheelwrights
building
wagon trains
to traverse
stratified latitudes
with sturdy ladders
erected with common
sense sensibility
of hands to work
and hearts to God

earthen
yeoman
dancing in
wheat fields
threshing sheaves
of prosperity
their exertions
elevating
families
raising
a glorious chorus,
a peeling crescendo
of horns of plenty
splayed across
landscapes of
an ennobled
nation
placing fruits
of labor upon
ascendent
alters to
to receive
the anointing
of abundance

the lighted grace
of infinite possibilities
shines for a grueling
world listening to the
clamouring drumbeats
sounding in the hearts
of all grace anointed
republicans


3.  

No lullabies
no quiet moonlit nights
we ardently
dance on keys
boasting soul
filled dexterity
the quick self
assuredness
extemporaneously
jazz tapping
across bold
hidden rondos
grasping
transcendence
squarely set
in the minds eye
of unbroken resolve
our cool countenance
an unassailable
righteous destination

any
spare sweeping
plaintive introspection
lends space to
affirm
an
affirmation
beginning
with the individual
unum to e pluribus

solitary dancers
incorporated into
fully enfranchised
troopers

the gyrations
the rhythms and steps
of individuated melodies
join to form a harmonious whole
a beautifully woven consensus

this democratic symphony
perfected in an intelligent
choreography of
separate people
sojourning  
toward
a mutually
constructed
shared destiny

aspirational desires
call forth generations
of spirits boldly engaging
the challenges upholding
the rights and privilege
of all citizens
the celebratory harvest
of a new nations
natural law


4.

As a man
I cruise
along
Main Street
in a joyless
joy ride
gliding by
disassembled
factories
moldering schools
defunct governments

surveying the
demolished ruins
of cities,
the decrepit
wrecking ball
of history
is busy,
rolling through
towns
not worthy
of cast iron
destruction
forged in
foreign kilns

we built palaces
to democracy
in the tiniest hamlets
dotting the granges
wholly assimilated
into a national congress
of freemen

today our
congress
is scattered
dialog seeking
resolution is considered
betrayal to holy
partisanship...

selfish insistence
masquerades as
high ideals

portraiture
of obstinance
is a grotesque
reflection
of virtue

we have
reduced
the peoples
house

to a battlefield
for tribes…..

once freemen
now captives….

soulless ghosts
wandering lost
inside grand
rotundas...

mocked
by murals
and inert
granite statuary
howling
expiration dates
of timeless
psalms

sojourning
the trail of tears
drinking from bowls
of anguish

our only
respite
the silent
ruins we
find impossible
to leave

fear fills our bellies
rust stains our hearts
abiding acrimony
ain’t easily brushed
from dust laden cloths

the deconstruction
of dead cities, mark
expired civilizations
centuries in the making
hammered by the blows
of the mightiest blacksmiths
with precision and deft craft


5.

the spareness of
Martha Graham's set
frame black shadows
of fortitude

it always starts
with the individual

then surely
sure footedness
measured footsteps
boldly dance about
the lily pads
of the keyboard
a resounding ballet
the arms wave
like swaying stalks of wheat
but hurry to respond
opportunity knocks
conditions change
the group awaits
to be joined

my pirouette
remains my solitary mark
on the weaving spindles
crafting the mosaic
of a complex American
complexion

the possibility
the promise
laid before us
wheat fields
of democracy
tilled planted
attended

the wondrous yields of
an Appalachian Spring
the promise
hectare of grace
apportioned to all
citizens

the promise
harvest of liberty
freedom
of opportunity
all anointed
freemen
conferred an
amazing grace

civil discourse
was once spoken
we can learn the
lost languages again
sitting on the porch
with neighbors
sipping ice tea
sharing thoughts on
hot summer evenings
caring too care

but scoundrels
became heroes
we fetishized
idiosyncrasies
of insisted
entitlement

we ******
the whole by
exalting the part

we dare not condemn them
lest we condemn ourselves




6.

the west was once woolly wild
I hear the sweeping sound
of my youth rustle again
the dramatic symphony
of a brilliant people
filled with courage
undeterred optimism
claiming a continent
manifesting a new
Pax Americana
a century
of immigrants  

coming to integrate
coming to assimilate
coming to believe in the promise
coming to make a new promise

I came to hear Copland
when I was young

when America was young
when promises were made
and sworn by a brilliant
fanfare of trumpets

when America was young
Copland composed
when America was young
a promise was made

come forth brothers
come forth sisters
come claim
the promise
of a simple gift


Aaron Copland:
Billy The Kid

11/29/11
Oakland
jbm
pri  Aug 2018
perfect places
pri Aug 2018
somehow, right now,
it’s winter and i’m wrapped in your embrace.
somehow, it’s winter and we’re all wearing brown,
sitting on soft couches and listening,
pretending we’re oh so smart,
when really?
we’re oh,
so
young.

and all our hearts, they’re strewn across the floor,
all our work is forgotten,
as we kiss and touch and watch the snow fall,
and sit down to dinner,
where we slow dance -in the living room,
then wrap our arms around each other,
repeat the same songs on some ancient tape player.

those slow drumbeats, the soft jazz notes,
the growing thrum of this cursed city
-the one we danced to? sank into the sheets with?
this, this is where we got lost in us.
with the snowfall outside and, who would have noticed
that we smell like something other than fall candles.

i grin, and we grab our things off the floor,
and laugh it off. somehow, we know this place,
it’ll always be our home. after all,
sweaters cover our marks in a way sun-clothes can’t,
don’t they darling?

now, soft skin, pearlescent,
seems like some sort of luxury, a wish made during yule,
something i can only share with you,
because truly, i don’t think i’d want to share this cold place,
unless they were you.

and as we waltz to slow music, as we plan, as we laugh,
as we sit down in the candles,
i think i’m falling all over again,
because your eyes look hodded in the light,
your skin inviting, your mouth soft,
and your smile makes me wish you’d swallow me whole.
based on perfect places (lorde), and **** your darlings.

inspired by: https://www.youtube.com/watch?v=NyIEOKbuTaU&index=2&list=RDGMEM6ijAnFTG9nX1G-kbWBUCJAVMuxLz5aWl4Mg
George Cheese  May 2015
Tyrant
George Cheese May 2015
Not all tyrants wear funny clothes.
They stand up in front of masses,
shout a song of lies
to totalitarian drumbeats.
They are monsters wearing crocodile smiles.
It's about time I revised and published this.
Jordan  Aug 2013
TWO LOVERS
Jordan Aug 2013
kisses and moon beams, i found you in my dream.
skateboards and swim shorts, we are care free.
lifes eternal gift, your momentary illusory particles shift.
heart beats and drumbeats, our hair curls.
dancing the night away, entranced in electromagnetic swirls.
Marsha Singh Dec 2010
Stay away from the voodoo, love.

Resist

the swamp music
the bells on her ankles
her feathered fan

and when she sways
at the hip—

goddess of sudden changes
patroness of prostitutes
and abandoned lovers—

chanting Mambo, terrible beauty.

Say nothing

when she leans close
(cinnamon, tree bark and, faintly, smoke)
and breathes

If you have no altar,
I am your altar.


Stay away from the voodoo, love—

her drumbeats and cypress trees,
her hocus pocus
honeylocust.
Madeline Nov 2012
i don't know how to love
two people -
i don't know how
to choose.

the fact is that right now i'm yours,
but i watched him playing today, feeling the music with every part of his soul,
and my heart has never beat that way before.

my breath has never been more taken.

i have a weakness, you see
for people who make beautiful things,
and i could feel the strikes of his drums in my blood -
i could feel it through the floor
straight into my body,
until i couldn't tell you where my heart stopped
and the drumbeats started.

my friends promised me that it's only a phase,
and that you are who i want, truly
because you are who i have
and they're probably right,
but right now there's a part of my heart
that is pumping my blood with drumbeats,
and right now there is a part of my heart
that isn't yours.
Marshall Gass Jul 2014
In the darkness that dispels all hope
we fumble with meaningless insight.
What we said does not relate to what we want
and yet we embrace  boundaries to punish ourselves
with unnecessary hells. Languishing in the thought
that silence will answer these loud questions.

We love because we are created to love
unconditionally.We hate because we don't understand
what vast oceans of meaning lie in love.
Silence may answer  the ascetics
monastic and contemplatives but
rarely an equation for relationships.

When its grey it rains tears of knowing
where we belong and to whom we belong
in the worlds whole people. Love binds us all
in this understanding fabric of contemplation.

Yet in the darkness we find solitude
and hope in the isolation of reason.
The silence between the drumbeats
announces the rhythm of the song.

We walk in silence
yet celebrate without it.

© Marshall Gass. All rights reserved, 19 days ago

- See more at: http://allpoetry.com/poem/11566249-Grey-Skies-by-Marshall-Gass#sthash.8dgLQUr8.dpuf
Steve Page Dec 2019
Kindness is not nice.

Nice is soft and inoffensive.
Nice is easy and effects no change, it's cotton wool - not stuffed tight, but just resting on the surface ready to be blown away or trodden into a muddy disinterest. Nice is a damp whisper, a mouse cowering in the corner, taking up as little space as possible, lest it be noticed, lest it presume too much and cause a whisker of offence.

Kindness isn't like that -

Kindness pushes in, claws out, quick and heavy, uninvited, unexpected, taking pleasure in disturbance, in leaving nothing unsaid and little undone in its pursuit of creating a disruption of difference. Kindness counts everyone a target, anybody a likely candidate for a three act matinee and evening performance of loud Kindness. Surprise is its currency, smiles its language, common humankindness its passport to lands yet to be explored, to vast red territories with drumbeats of gratefulness for the opportunity to march in with regiments of compassion and to leave a signature devastation of brutal Kindness.

Kindness is not 'nice'.
Kindness is loving awe-ful.
I'm grateful for the fierce kindness I've received from friends.  
Be kind. No matter what it takes.
Titus 3:4
4 But when the goodness and loving-kindness of God our Savior appeared, he saved us....
rosey Jul 2013
A thunderstorm rushes in summer making us sheltered and hide away into our barrier.
Under drumbeats from the gloomed sky, we watch streams of rivers flow beneath our feet.
As the wind began howling, I look to see the world being shaken.
Have the rain being thrown all around us, twisting and turning as the wind dances with it.
There were flashes up above us, a symphony of sound,
From the roll of thunder.

We step outside and see the whirly world.
Hearing the claps in the distance,
We raise our heads smelling the sweet new air.
Bright flickering blots shoot across the sky, making a light show for the world and I.

Raindrops came down one by one, perfect diamonds shattering to the ground.
While I hide from the storm, the world opens its arms and sings along.
Where thunderclaps and lightning burst above is a symphony from the angels.
The heavens put on a show just for the both us.

As the final heavy raindrops played the last notes of the song,
The drumbeats rolled away,
The flashing stopped,
A hush of silence crept over the world,
The sun’s warm rays peeked through the clouds,
A new cord struck a note as birds flutter their damp wings while soaring through the painted sky.
The soft decline of sound that comes after the storm.
Sally A Bayan Jan 2016
In one's lifetime, comes a moment or two,
when a sunny day's sky of powder-blue
turns to an utterly gloomy black night
not at all a beautiful twilight
:::just a dark firmament...no homing birds in sight

When in a flurry,
it comes naturally,
to want to sit...on the ground,
on the floor...just somewhere down
with both palms cupping jaws
resting on knees are angled elbows
discontent and stagnation
nag one's  imagination
heartbeats
............are drumbeats
glances are fleeting
unfocused:::::escaping
such are vain attempts, to dismiss
avoided thoughts and scenes:::to release
::::and decide...all must eventually cease
yet.........it's never easy to find peace
can't just forget sounds of voices...and sweet laughter
jokes and conversations that came, before and after...
:::::::::::::::::::::::::::
they are tattooed in the mind
::::::::: they are ::::::::::
::: i n d e l i b l e ::::::::::
:::: e s p e c i a l l y ::::
:::on:::moments:::when:::
:::we struggle the most:::
:::::::::::::::::::::::::::::::::::::::::
::::::::only:::­to:::realize::::::
::::::::::::::::::[[[]]]::::::::::::::::
:::::­:::[[ memories ]]::::::::::
::::are:::a::::[[metal cage]]
::::::::::::: and we :::::::::::::::
::::::::::::::::: are :::::::::::::::::
:::::::[[captured birds]]:::::::
::::::::::::::::::::::::::::::::::::::::::::
it usually takes long:::::::::::
::::::::::::::::::::::::::::
::::::to be freed:::::
:::::::::::::::::::::::::;;;;
::::::from being:::::
:::::::::::::::::::::::::::::
:::::::::::held:::::::::­::
:::::::::::::::::::::::::::::
:::[[ c a p t i v e ]]:::
:::::::::::::::::::::::::::::
(November 2015)


Sally

Copyright January 13, 2016
Rosalia Rosario A. Bayan
st64  Jul 2013
C L A W
st64 Jul 2013
Claw beneath your ribs
Hold down wild you
Just for a little while
Feel the anguished flutter
Begging these gruff hands . . .


1.
Fear takes commotive hold
Makes wooden legs
Delayed dance…..so delayed
Causing silent attendance of synchrony

No use stepping out for flight just yet, if alone
Will meantime practise wing-span
                           iron out brittle energy
                           attempt to fortify links
                           ..

2.
Careless snubs to fragile sapling
Did *absolutely nothing

To the course set out
Only hypocrites squander even half-truths
and wallow in obsequious words
rendering paralysis and decay

I will continue to claw beneath your ribs
Covert trove awaits us
In the tormented form of
Crashing waves on a broken coast
Hacked to near-distraction by potent searching


3.
Loss is not wasted
unseen by its absence:
evocative presence felt …with penniless eyes

I challenge you to visualise our melting:
                 perched on fate’s right shoulder
                 re-sent to this basic arena as buoyant token
                 summoned by that primordial, blue light
                 ..



the sun may well baulk and melt
at the ruddy sight of
such intense clawing beneath your ribs
(like your customary digging into my bristling blades)

To find my foetal place
within the calling drumbeats
of imperative you . . .





S T, sunsday . . . 21 July 2013
What is loss?
Just cos we may not see a person any more, really doesn’t they aren’t there: why, they’ve just assumed a different form, not so.
But we persistently fail to accept that change lies at the heart of progress…letting go.
Why do we battle so… with the inevitable?
Always acquisitive….acquisitive…must own… yet, we own plain SQUAT !!

(just yesterday, I was astounded to read that M. Jackson owns a piece of property ...on the MOON!!
Who the hell sold it to him? Who on earth owns the moon? How's this even possible?? lol
Yeah, we're crazy, really....that's for sure.)

Hey man, I’ll see you …on the other side…if I’m lucky enough to recognise you! Lol
Chillax!  





Sub-entry: You're A Lady  
Songwriter: SKELLERN, PETER

Now the evening has come to a close
And I've had my last dance with you
On to the empty streets we go
And it might be my last chance with you
So I might as well get it over
The things I have to say won't wait until another day

You're a lady, I'm a man, you're supposed to understand
How these things are often planned to be
You're romantic, I'm a fool,
You're the teacher, I've come to school
Here I sit and hope that you'll love me

You're pure magic, unlock my chain
Nothing ventured, nothing gained
And so I say with no restraint, be mine, be mine

Hard to answer, I agree
But then, I've got to know
I'm not asking you to marry me
Just a little love to show
Oh, I know I could make you happy
So the things I have to say
Won't wait until another day

You're a lady I'm a man
You are supposed to understand
How these things are
Often planned to be

You're romantic, I'm a fool
You're the teacher, I've come to school
Here I sit and hope that you'll love me
You're pure magic, unlock my chain
Nothing ventured, nothing gained
And so I say with no restraint, be mine, be mine


http://www.youtube.com/watch?v=

— The End —