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Adriaan Harms Oct 2014
Terwyl jy hom ignoreer,
Trek iemand anders sy aandag.

Die liefde val weg.
Die hartseer raak minder.
Gevoel van alleen wees is nie meer sleg.

Ja jy voel beter,
Maar ook maak dit seerder.

Jy verloor hom.
Hy verloor jou.

Se my, waar is dit wat gebou was?
Of was dit ook net n las?

Ek weet, jy weet nie wat ek se nie,
Maar nou hoef ek nie weer by jou aan te le nie.
Poetic T  Jan 2015
Zombie Chicken
Poetic T Jan 2015
Farmer Tom,* fell on times hard,
Needing to feed the animals because
Scrawny
Emaciated
Anorexic
Animals wouldn't get much.
So on the black market, cheap feed
"Not For Human Consumption"
That was good enough
For farmer Tom.
He thought he would try it on the
Chickens first,
"Buck, Buck, Buck"
Scratching of fifty little feet,
Breakfast,
Lunch,
Dinner
They looked as before
"Plucky little egg laying machines"
Still hungry
Wait till morning my feathered friends.
Night set upon the surroundings
Farmer Tom
Woke,
Startled,
Confused
What the?? Slippers, dressing gown,
Shotgun loaded,
"Tip toe, tip toe tip toe"
"Bang"
"Mary mother of joseph"
"That dam dog and his toys"
"Ok safety on"
The yard was silent, except for
a noise faint but heard
"Buck, buck Aahhhhh"
Farmer tom curious of this noise
Listening with ears Focused
Came to a sight of horror
Chickens pecking
The eyes out of blue bell
Mooooooooooo,
Then cluck
Mooooooooooooooo,
Then cluck, Aahhhhhhhh,
Then misfortune,
"SNAP, CRUNCH"
As 42 feet turned,
Eyes red as crimson
Feathers matted, and that smell
Decaying cow as bell got up
"Moooooooooooo, Aahhhhhhhh, cluck,"
"Father Jims tunic"
As Bell swayed towards *farmer tom,

Little feet carried in the hole in bells gut,
"MOooooooooo"
"Cluck"
Mooooooooooo
"Cluck"
Fa­rmer Tom ran for his dear life,
Past the chicken coop
Where blood soaked remains
Of those unlucky chickens, parts rancid
As the head of a chicken looks up as I run past,
Doors locked, windows too,
What the hell is that noise??
As a rancid chicken comes though the dogs door
"Kentucky this mother cluck, cluck err"  
The last thing it did before I sent it too hell
Laid an egg,  green and sour,
"What the hell was in that feed"
Out the back he ran, bag in hand
Zombie
Meat
Danger
Incineration is required,
"Zombie meat?? what the blue blazes"
As he runs to the house
Whoosh, above his head
As the house once home, erupts a fiery death ,
Tom see's Bell surrounded
By gents in suits
Moooo, Aahhhh, Cluck,
"Excuse me sirs"
"What the frigging heck is going on"
They fry bell on the spot, Mmm burger
"Snap out of it man"
As the chickens peck upon a suit
As he screams fallen to the ground
Pecked to death, but death just woke up.
Tom runs in slippers as they set upon the pecked man
"Tom keeps on running"
"Tom  keeps on jogging"
"Tom keeps thinking I'm too old for this"
He hides in the old barn five miles away
Waits there for days too scared to come out
Then on the fifth day he treads carefully not to be seen
He sees a house, see's a coop and chickens
Cluck,
Cluck,
Mooooooo
All around is heard, as he runs a round
Bell is that you, you got more spots
"Interesting"
The house as it was beter some how.
Too this day Farmer
Tom tells tales,
To those who listen,
"The Night of the dead Cow and The Zombie Chickens"
And how the government blew his house up
And then built him a better one, hell I wouldn't moan now.
THE PROLOGUE.

WHEN folk had laughed all at this nice case
Of Absolon and Hendy Nicholas,
Diverse folk diversely they said,
But for the more part they laugh'd and play'd;           *were diverted
And at this tale I saw no man him grieve,
But it were only Osewold the Reeve.
Because he was of carpenteres craft,
A little ire is in his hearte laft
;                               left
He gan to grudge
and blamed it a lite.              murmur *little.
"So the* I,"  quoth he, "full well could I him quite
   thrive match
With blearing
of a proude miller's eye,                    dimming
If that me list to speak of ribaldry.
But I am old; me list not play for age;
Grass time is done, my fodder is now forage.
This white top
writeth mine olde years;                           head
Mine heart is also moulded
as mine hairs;                 grown mouldy
And I do fare as doth an open-erse
;                         medlar
That ilke
fruit is ever longer werse,                             same
Till it be rotten *in mullok or in stre
.    on the ground or in straw
We olde men, I dread, so fare we;
Till we be rotten, can we not be ripe;
We hop* away, while that the world will pipe;                     dance
For in our will there sticketh aye a nail,
To have an hoary head and a green tail,
As hath a leek; for though our might be gone,
Our will desireth folly ever-in-one
:                       continually
For when we may not do, then will we speak,
Yet in our ashes cold does fire reek.
                         smoke
Four gledes
have we, which I shall devise
,         coals * describe
Vaunting, and lying, anger, covetise.                     *covetousness
These foure sparks belongen unto eld.
Our olde limbes well may be unweld
,                           unwieldy
But will shall never fail us, that is sooth.
And yet have I alway a coltes tooth,
As many a year as it is passed and gone
Since that my tap of life began to run;
For sickerly
, when I was born, anon                          certainly
Death drew the tap of life, and let it gon:
And ever since hath so the tap y-run,
Till that almost all empty is the tun.
The stream of life now droppeth on the chimb.
The silly tongue well may ring and chime
Of wretchedness, that passed is full yore
:                        long
With olde folk, save dotage, is no more.

When that our Host had heard this sermoning,
He gan to speak as lordly as a king,
And said; "To what amounteth all this wit?
What? shall we speak all day of holy writ?
The devil made a Reeve for to preach,
As of a souter
a shipman, or a leach.                    cobbler
Say forth thy tale, and tarry not the time:                
surgeon
Lo here is Deptford, and 'tis half past prime:
Lo Greenwich, where many a shrew is in.
It were high time thy tale to begin."

"Now, sirs," quoth then this Osewold the Reeve,
I pray you all that none of you do grieve,
Though I answer, and somewhat set his hove
,                  hood
For lawful is *force off with force to shove.
           to repel force
This drunken miller hath y-told us here                        by force

How that beguiled was a carpentere,
Paraventure* in scorn, for I am one:                            perhaps
And, by your leave, I shall him quite anon.
Right in his churlish termes will I speak,
I pray to God his necke might to-break.
He can well in mine eye see a stalk,
But in his own he cannot see a balk."

Notes to the Prologue to the Reeves Tale.

1. "With blearing of a proude miller's eye": dimming his eye;
playing off a joke on him.

2. "Me list not play for age": age takes away my zest for
drollery.

3. The medlar, the fruit of the mespilus tree, is only edible when
rotten.

4. Yet in our ashes cold does fire reek: "ev'n in our ashes live
their wonted fires."

5. A colt's tooth; a wanton humour, a relish for pleasure.

6. Chimb: The rim of a barrel where the staves project beyond
the head.

7. With olde folk, save dotage, is no more: Dotage is all that is
left them; that is, they can only dwell fondly, dote, on the past.

8. Souter: cobbler; Scottice, "sutor;"' from Latin, "suere," to
sew.

9. "Ex sutore medicus"  (a surgeon from a cobbler) and "ex
sutore nauclerus" (a  ****** or pilot from a cobbler) were both
proverbial expressions in the Middle Ages.

10. Half past prime: half-way between prime and tierce; about
half-past seven in the morning.

11. Set his hove; like "set their caps;" as in the description of
the Manciple in the Prologue, who "set their aller cap".  "Hove"
or "houfe," means "hood;" and the phrase signifies to be even
with, outwit.

12. The illustration of the mote and the beam, from Matthew.

THE TALE.

At Trompington, not far from Cantebrig,
                      Cambridge
There goes a brook, and over that a brig,
Upon the whiche brook there stands a mill:
And this is *very sooth
that I you tell.               complete truth
A miller was there dwelling many a day,
As any peacock he was proud and gay:
Pipen he could, and fish, and nettes bete,                     *prepare
And turne cups, and wrestle well, and shete
.                     shoot
Aye by his belt he bare a long pavade
,                         poniard
And of his sword full trenchant was the blade.
A jolly popper
bare he in his pouch;                            dagger
There was no man for peril durst him touch.
A Sheffield whittle
bare he in his hose.                   small knife
Round was his face, and camuse
was his nose.                  flat
As pilled
as an ape's was his skull.                     peeled, bald.
He was a market-beter
at the full.                             brawler
There durste no wight hand upon him legge
,                         lay
That he ne swore anon he should abegge
.             suffer the penalty

A thief he was, for sooth, of corn and meal,
And that a sly, and used well to steal.
His name was *hoten deinous Simekin
        called "Disdainful Simkin"
A wife he hadde, come of noble kin:
The parson of the town her father was.
With her he gave full many a pan of brass,
For that Simkin should in his blood ally.
She was y-foster'd in a nunnery:
For Simkin woulde no wife, as he said,
But she were well y-nourish'd, and a maid,
To saven his estate and yeomanry:
And she was proud, and pert as is a pie.                        magpie
A full fair sight it was to see them two;
On holy days before her would he go
With his tippet* y-bound about his head;                           hood
And she came after in a gite
of red,                          gown
And Simkin hadde hosen of the same.
There durste no wight call her aught but Dame:
None was so hardy, walking by that way,
That with her either durste *rage or play
,                use freedom
But if he would be slain by Simekin                            unless
With pavade, or with knife, or bodekin.
For jealous folk be per'lous evermo':
Algate
they would their wives wende so.           unless *so behave
And eke for she was somewhat smutterlich,                        *****
She was as dign* as water in a ditch,                             nasty
And all so full of hoker
, and bismare*.   *ill-nature *abusive speech
Her thoughte that a lady should her spare,        not judge her hardly
What for her kindred, and her nortelrie           *nurturing, education
That she had learned in the nunnery.

One daughter hadde they betwixt them two
Of twenty year, withouten any mo,
Saving a child that was of half year age,
In cradle it lay, and was a proper page.
                           boy
This wenche thick and well y-growen was,
With camuse
nose, and eyen gray as glass;                         flat
With buttocks broad, and breastes round and high;
But right fair was her hair, I will not lie.
The parson of the town, for she was fair,
In purpose was to make of her his heir
Both of his chattels and his messuage,
And *strange he made it
of her marriage.           he made it a matter
His purpose was for to bestow her high                    of difficulty

Into some worthy blood of ancestry.
For holy Church's good may be dispended                          spent
On holy Church's blood that is descended.
Therefore he would his holy blood honour
Though that he holy Churche should devour.

Great soken* hath this miller, out of doubt,    toll taken for grinding
With wheat and malt, of all the land about;
And namely
there was a great college                        especially
Men call the Soler Hall at Cantebrege,
There was their wheat and eke their malt y-ground.
And on a day it happed in a stound
,                           suddenly
Sick lay the manciple
of a malady,                         steward
Men *weened wisly
that he shoulde die.              thought certainly
For which this miller stole both meal and corn
An hundred times more than beforn.
For theretofore he stole but courteously,
But now he was a thief outrageously.
For which the warden chid and made fare,                          fuss
But thereof set the miller not a tare;           he cared not a rush
He crack'd his boast, and swore it was not so.            talked big

Then were there younge poore scholars two,
That dwelled in the hall of which I say;
Testif* they were, and ***** for to play;                headstrong
And only for their mirth and revelry
Upon the warden busily they cry,
To give them leave for but a *little stound
,               short time
To go to mill, and see their corn y-ground:
And hardily* they durste lay their neck,                         boldly
The miller should not steal them half a peck
Of corn by sleight, nor them by force bereave
                *take away
And at the last the warden give them leave:
John hight the one, and Alein hight the other,
Of one town were they born, that highte Strother,
Far in the North, I cannot tell you where.
This Alein he made ready all his gear,
And on a horse the sack he cast anon:
Forth went Alein the clerk, and also John,
With good sword and with buckler by their side.
John knew the way, him needed not no guide,
And at the mill the sack adown he lay'th.

Alein spake f
Wat skryf die hand?
Wat skryf die pen?
In 'n kunste swyg
wat ek so goed herken.

*** loop die sinne
uit in 'n meesterstuk,
wanneer die muse
aan my stiltes verstik?

*** skep ek weer skrywes
wat mense laat wroeg,
sonder die hartseer
en met al hierdie moeg?

*** laat ek my digters tong
luiters in die oopgraf in
met 'n hand vol liefde
raak my siel weer blind.

Waar kom my ritme en passie vandaan
, maar beter nog, met die koms van geluk
... waar het dit heen gegaan?
lucy winters  Jul 2015
dis ek
lucy winters Jul 2015
ek is deurskykend, transparant, deurmekaar
opsoek na my vrede, my mensweesm my wees
ek voel so secondhand, so op gebruik, so klaar
bid vir verlossing, a trade in vir n nuwe vlees, nuwe gees, beter wees
my oe hoop op vol trane on gehuil
ek slaan lelike kolle uit in my sogenoemde persoonlikheid
maar dis alles ek, ek wat my vervuil
ek wat my eenkant hou, ek wat my uit smyt
ek wat ja se al wil als binne my nee skree
ek wat bly staan terwyl ek moes weg hardloop
ek wat myself wou uitvee
ek wat myself vir cheap thrills verkoop
maar hirdie ek is te oud om te kniel
hierdie ek word te oud om te glo
so ek staan waar ek staan en verniel
en ek bly staan sonder n tree en verloor
kyk dis ek wat hier staan, te sad om te bid
te seer om te huil, versteen deur my toedoen
daar is geen hande vat en aansit
maar ek dra dit met n smile want dis my skoen
Jare terug geskryf.  Al hou ek nie van wat ek gekry het,  dra ek my keuses en die nagevolge
Alexander S  Mar 2010
Orgasmic
Alexander S Mar 2010
Why must my lips speak
A melody my fingers can play
Must I weaken your ear
When I can weaken your knees?
Looks and sounds are nice
But feelings are beter
Why stumble over three words
When I can double your pleasure with
The featherlight touch of my fingertips
Words are so mundane
I would rather profane a moment with the
Unyeilding touch, the gift
Of all I have and have to give
To live with you wrapped, no curled
(my fingers, your toes),
No, gripping my fingers
Gasping the same way you did
When you were first given life
And given again
To arch and release, to obscene
The silence with the tell tale
Whimpering of two and too
Pleasurable
If there were ever such a thing.
I want to bring you to the edge
And hold you there, begging with
Your eyes, your lips, for sweet release
For your hands
To search for comforting firmness
For something to hold
All the while, inexorable circles
Of a lover’s touch, driving the point
Home like words cannot
Your lips and body making an ‘O’
I don’t have to say it, not now
Not that it would register,
I can give it
You can feel it
This is spiritual, this is everything
The apex of physiology, biology,
Of romance
Happiness brought in ways we could only
Previously imagine
Base instincts take over
(yet still only third)
Curling, my fingers, your toes
And it’s so intense, so beautiful
The three words seem so childish
So understated
Compared to this moment
Calling for a deity a thousand times
What else brings such passion?
Certainly not words, sweet as they can be
And it’s everything, Anything
I feel for you and you for me
In one moment
One moment
One moment
Slays three words
They’re one and the same
I won’t say it, not with my lips
(maybe later)
But you cannot deny the power of
The feelings
And what we do and have done
And will do
A small part of us
But for a moment, everything
Slayer of words
Crumbler of walls
Screams and moans
Pants and breaths, never to be found
Today two years, and a hundred and six days
All in one moment
Tomorrow should you so choose
One hundred and seven
The words can’t hold it all
Can’t hold what I feel for you
But *******
And many heartbeats can
It’s a gift.
It’s everything I have for you
And I’m giving it to you
For a moment, thirty seconds
However long it takes
For the breaths and the heartbeat
And the moans to rise to a ******
And gradually fall
Reveling in the moment, the Love
We’re not fools
No matter what they call it.
CJ M  Apr 2015
The Colleague
CJ M Apr 2015
I'm sorry, I don't remember you, what was your name? Funny how you can't remember who I am yet you were my world at one point.
An introduction wil sufice, my name is sea, yours must be moon because I'm steady drawn to you while you taunt me with your perfection.
bless me with the smile I'm used to and I may give you the carress of which you've been forgetting so it may jog your memory.
Do you still not recognize me? Perhaps a slight lock of the lips... Welcome back love, I've missed you far too much.
If only life were as simple as the above described, maybe then I might see her. The soul of a butterfly, the heart of a pheonix, yet a love with the strength of a thousand hearts.
She is my counterpart, a taboo to none but I, She.. the... god. My goddess of whom I've been missing. I welcome her with an open heart and a spacious view of her love.
I get on my knees in worship of my goddess, only to thank the lord for her. My personal blessing and I shall pay homage to her every chance I get.
To hold her, you can't imagine. She's the warmth of the sun, the sweetness of a black cherry, the softness of fresh picked cotton, yet ironically as cool as a glass of ice water to one parched and decrepit.
I'm in love, no, yes, no. What's the conflict? Why does it matter?
Am I not a the earth? Is she not a moon to me, or beter yet, an extension of my personal self? She satisfies the need for intimacy better than those before her and yet I can't think straight. Is this supposed to happen?
Mutual love. What I needed, she provided like a mother and child. Yet we're still at a disconnect.
She said we're romeo and juliet, did she not see the ending? or did that tell all I needed to know? I think not. She was a representation of what the heart wants, and the heart wants what it wants.
Sugar brown placid beauty, rest your head once more on my shoulders as we rest in a sunset meant for the long-hall and discuss what is meant to be of our distantly close relationship.
Pray we make it and kiss me goodbye, for when all is said and done no games shall we play but still bet it all against the odds.
Do you remember me? Nevermind colleague, we are in a multi-verse all our own.
I transfered this, eyes and Daja from my page on teenink
http://www.teenink.com/users/ThePoeticJustice check out some of my other works :)
My bed verlang na ewewig
En kantel as ek lê, My arm kweek ń
onwrikbare
Verlange na ń glimlag wat
Daarteen druk en Selfs nou en dan
Speels byt.
Die ysere
Koue wat
Dwing om
In my oop
Arms te
Kom rus.

My kat spin hard op my bors,
Duidelik in haar skik met die
Wete dat sy,
vir nou
Op jou geresserveerde kussing
Kan lê
En met
Daardie
Wete
Verlekker
Sy haarself
In my
Ellende

Die leemte hier is groter as net die Dubbelbed oop spasie op my
Queensize bed en die lieflike geeste wat deur my arms gly
En giggel
Want ek
Wag vir
Iets wat
Dalk nie
Kom nie

Dalk is dit beter so, want as jy my innerlike konflik ook soos ń kakofonie
Van dromme
Teen die mure van jou koglea kon voel dans, was hierdie leemte nog
Meer leeg
As ooit
Tevore
En sou
My contact
List net
Soos my bed
Geraak het...

Die wind wat deur my hartskrake seifer,
Fluister jou naam
En flankeer met
My gevoelens....
Hiers ń spasie oop
Spesiaal vir jou...
Mnr _.

-ń tipofrafiese voorbeeld
Van digterlike vryheid
Verwar vir menslike
Eensaamheid...
lucy winters  Jul 2015
Verlig
lucy winters Jul 2015
finally na jare se rusteloosheid
jare van verlore wees, rond soek na my
elke avenue na jaag, opskop en my kniee numb pleit
het ek my vrede om jou om my gekry
my en jou se safe place
weg van al die jare s elies en disgrace
ek vat my dae een vir een soos ek kans sien
en dit sal n lieg proe as ek nie se my verlange le diep
het altyd gedink as ek beter was sou ek jou verdien
maar ek was te naief, te jonk, te blind
het myself my gevoelnes verbied
ek was moeg vir wag, die seer, die verwyt
moeg vir die fluister van trane oor my wange en die verlange
ek wou nie die weggeooi meer wees, wou jou weg smyt
bang vir alleen wees, wou nie die faulty een wees, bang
ek het vir ons ons eie soace create
n safe place waar nie ek of jy mekaar ooit weer kan forsake
ek hoef jou nooit weer te soek want ek weet waar jy gaan wees
finally you can help chase away my fears
Vir  my dad geskryf.  Na sy dood het ek 'n tattoo van hom gekry
Forgotten  Jun 2018
Drama
Forgotten Jun 2018
Ik ben bang

Ik ben bang dat als ik het niet doe, niemand het doet
Ik ben te kapitein, ik moet het doen
Als niemand het doet, blijven we stilstaan
en stilstaan is achteruitgang
en voor achteruitgang heb ik geen tijd

En zelfs als zou ik het willen delen
Ik heb mezelf zo ingebouwd dat het niet eens kan
Ik leef van hokje naar hokje
Mijn hele kleurenschema af op één dag
Terwijl er maar één kleur mijn leven beheerst en dat is
Rood

De kleur van falen en het moet beter

Maar het kan niet beter,
het kan alleen maar slechter
De druppel die ooit de emmer liet overlopen is een zee geworden
En ik verdrink
Ik verdrink in alle taken die ik nog moet doen

En dan mag ik ook nog het water opruimen
Sorry, ik doe eens iets in het nederlands
Kyk met horlosie swaai
kom wysheid , op een of ander manier...

Wanneer hardebaard hardehout fyn skuur
en boeta begin skuim pis-
dan is dit mos als goed en wel...

Jy's nou volwasse en verandwoordelik
vir jou kak, vir my kak en sommer die kakbak...

... en dan mag jy mos nou nie bloedkook nie
want daardie potte kom moeilik skoon
en behoed jy kort van dtraad raak
want as iemand nie aan jou been trek nie - wel ja

maar soms kom  daardie klein
snotkoppie gees deur
as ander "volwassenes" vergeet
om die plooie die dag aan te plak.

Dan draai alles terug
en ek wens dat ek weer oud en koud
onder die kuwe kon raak,
want demoer in raak ek gougou
vir grootmens doeke en dommies.

Kyk  ,sommige kak
moet maar net kinderkak bly,
want as my kinderhart weer vlam vat
is ek weer die duiwel se kind.

Dan draai ***** en giggles vinnig om
en wys ek *** snaaks dit kan wees
as mense val en seerkry.

Laat ek nou maar asemhaal
my das regtrek en heut...
ek is nou groot,
moet mos eintlik van beter weet.
AW  Jun 2012
Roekeloos
AW Jun 2012
Tegen beter weten in vergeten
*** de zon haar schaduw werpt
Op paden die zich uitrollen
Als verwachtingsvolle mijnenvelden
Genietend van het onheil
Dat nadert als je erom lacht
Verstandige adviezen sla je
In de wind die door je haren waait

— The End —