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Nat Lipstadt Apr 2020
a woman comes to me at 2:20am,
from across the world, asking if I am that cool jew,
occupant/son of the unholy hours when death and crucifixion,
them two old friends, are waving temptation with both hands,
never mentioning heaven, offering .99 cents of sanitized compliments,
which for a fifth rate amateur writer is revolutionary,
as close as you will ever come to global recognition

that woman says, yes! you’re that insufferable fool whose
suffering keeps us awake when he should be sleeping in the
half-death state, in the unholy hours, only reporting back
what he has seen across the borderline, in these times
when a thousand-die-a-day daily from suffering
that is uniquely human, a wracking medieval torture,
granting those viral messengers, slow extra pleasure

be nice to yourself for a change, write ‘bout what they want,
broken love and suicide, mundane pain, keep it plain, short!
easy stuff that sells records, making you not whisper words
never meant to be shared, the language of the unholy hours,
a dialect unique, that Google can’t quite rightly translate,
for not every vision is substitutable, suitable, rated G for babies, so,
keep it short like a miserable life that needs a prophecy to complete

48 hours ago thought I was infected, a glide path to rocky moon-smooth,
a landing where words unique, taken away, sealing your mouth with
tubed oxygen that inhibits thinking, air that might **** all of you, not just pain, but what makes you unique, your own 10 commandments
of speech, the old testament, the source book of insight into whatever
makes your lungs breath in rhythmic to heart beating, and dying
discordant disrupts the gene sequencing of inhaling and exhaling


the editors and the critics overlooking, that sit on both shoulders,
are already complaining, no más, no más, no más!
suture that incision, close your mouth, the unholy hours
need a special silence, Ruth’s lips that move but go unheard,
make no mistake, we want to listen in, voyeurs of visions
but we need you broken, we need a break, from confronting
the repeatedly delayed, but undeniable, the clockwork orange
second coming of the ungodly hours

4:02am
Sabato
4/11/20twenty
new york city of lips
inspired and spired  completely and totally by a mid-of-night conversation with a Lady From Manila 😉
Nat Lipstadt Apr 2020
making a living (writing poetry) in the time of Pandemic

listening to priest Leonard, while locked in my library-cell,
isolating my body to spare all the rest my very worst,
not forgetting that the heart that needs guarding,^
comes along to make sure I stay within in-sane lane

this poems allegorical title arrives like a hit pop song,
one you firm believing, of course, you know all the words,
no way, you don’t, like make a living writing poetry,
nah, you just make living, writing poetry

every lover found and lost, recorded, every turning point turned
into a lyric stylized, every incident memorized, timed ‘n rhymed,
so total recall even in a disorderly meter still unvarnished survives,
and that’s how my living became such well paid poetry

playing my own life backwards, praying for all life forward,
don’t intubate me if it comes to that, cause I’ll be needing vocals,
them chords vital to record my fellow Jerusalem-bound pilgrims who
appoint a poet-in-residence as recording secretary of the Covid ward,
to make their living, not their dying, poetry, in the time of Pandemic




April 10, Twenty-Twenty
10:53am
Good Friday
Passover, 2nd day, 5780
^ ~ “Above everything else, guard your heart; for it is the source of life's consequences. **Proverbs 4:23)**~
Nat Lipstadt Apr 2020
~for the men and women who fish to feed the soul of others~


this spring we will not walk Central Park.  The cherry blossoms and the new buds will go unobserved, and just like a
felled tree
in the forest, their birthing,  weeping, and silent dying, will go unheard.

but the roses come!

delivered by Whole Foods, red roses included with our food order,
for red roses are a vital staple, a gift of the globalized logistical feat that feeds we eight million prisoners, a red beacon to all currently

held in solitary confinement.

The men who bring them from the Netherlands, and the men from the Caribbean who deliver them, they by virus, as of yet, have not

been felled.

and I turn my mind’s eye to the mountains of heaven asking
“From Where will Come Our Salvation?”^

heaven answers with a wry awry, why Whole Foods, of course!

the cut roses pass in a few days, their heads slumped over, victims of their own virus, the inevitability + cyclicality of time.

but the petals, pose a question,
as they too are
felled and fall,
how is our death different from yours?

neither I, or the quietus of the empty streets,
even heaven,
have a ready reply;
for all of us are
felled, fallen,
by an onerous, hungry
silence.



^ Psalm 121:1
  Apr 2020 Nat Lipstadt
a poet gray
These are the things often only heard in
Dreams, these are the unseen,
These are the songs of those who ride
On waves of wind without wings
I love you,
Love like there were never any stars.
when time was ours,
The tides of eager rushing
Blood pressing its way through
Our veins, oh oh they roar
The great stars name!
Oh what glorious light!
How it's holds the day
Like a beat in its heart.
I hope you know
I wanted you for life
Even though home,
is where, you won't come.
So now the days just die,
And life just falls from the clock,
The clouds grow thicker,
And it is my sickened heart
That withers under the pressure
of its own beating,
the quietus revealing an unfamiliar reasoning,
its pummeling force
tumbling down the vacant isles
behind my souls own cage,
of bones, of flesh,
soaked and staind with
time;
and the deep from the blue ,
wearily sleeps within
the storms womb waiting
to roar apart from the mind,
then it will be done,
i will only be
adrift, among embers and carcasses,
of steel and brick,
a city falling,
it's shattered windows,
awake where the end
goes forward with time,
windows give only
height to the sight of their reach;
a path as jagged and daunting as
its lightning's spine,
the fingertips, as well the vine,
outstretched
Nat Lipstadt Mar 2020
~for Lori Jones McCaffery~

Lori Jones McCaffery commenting on
“a new time (poetry in the time of pandemic)”^
“Tender and brutal at the same time. Like the times.”*

                                                     ­          <>
your observation, a commission, opens an incision,
bleeding out a Noah flood vision:

                                                        ­        <>

when we begin, to compare and contrast the movable tender and the unstoppable brutal, the poetry must rise to equalize the pressure of unbalanced times, the tender, and the brutal in an uneasy peaceful coexistence, at the same time, same place
                                                           ­     
                              
                              
                            
The Brutal                                              The Tender
—————                                             —————
life in the epicenter, the greatest,       in the darkened bedroom,
noisiest city, now landscape               she awakens, her hand quick
painting quiet,                                      comes to rest on my chest,
one lives/writes/eyesights thru       the quality of motion+volume
pink mask + a minimum six              of heartbeats, is it loud enough,
feet of separation,                                steady on, no need to dial 911!
a citified tableau of macro wave       she unaware that I can hear
forces in crashing collision, upon     her loud, tender exhalation
your skin’s cells                                   celebrating surviving day#?

newspaper images of Death’s            many volunteer, food delivery,
ministers applauding the newly        though I am asymptomatic
arrived mobile morgues, for 100        my request tenderly, firmly
died yesterday,                                      denied, for I meet too many
their brutal death rattles                      of the vulnerable criteria,
overwhelmed  the super-surround.   instead, offering food to me,
sound silences of                                   to deliver to me, to deliver me,
brutal emptiness of millions of           tenderly I say, no thanks,
sacrificial                                             ­    my tour of duty, almost done
                              
                                all of us isolate lambs, in day jailed,
                                for we still breathing the maybe tainted,                
                                oxygen molecules of no safe surety      

a consummate perfection,                    the same, taming words I tell  
the holy quietus of                                 my son, young father,
those no longer breathing,                   tender me necessary tasks that
they now rest up above,                        require outside journeys, say I
hid in a white cumulus                         send me into the red hot areas
cloud cover, a noise suppressing         insert me into the front line,
sky coverlet, moving across a               militarized zones, he replies,
bright blue pure background,              ”you’re too old, part and
a train of funeral caissons,                     parcel of the most vulnerable,
brutal noisy hooves clacking             better-write-you tender-poems”

daily, hourly, the statistical alerts,         why so hard, to write tender
brief résumés delivered,                         so easy of the brutal, their
drumbeating, look now!                         curses so readily supplied,
are you up to date?                                  is tenderness short supplied?

catalog the debris, organized with brutal necessary efficacy, quantify, qualify the costs, include even the tender ineffable, countdown and graph the brutal calculus of the curve infection, and you, numbed, past the point of eyes capable of what once was tender droplet tearing

highlight the unknown faraway, the tender hope of a distant apex inflection, while plotting the second derivative, the rate of change of the rate of a brutal yet trending upward *****, the ascending all-inclusive stat, infected, the rate of change of decedents, downed, descending, giving in...gowned in hospital blue, for the funeral pyre

a city of lines, crosswalks, velvet ropes, unused, unemployed, social separators, no one about to need to separate, anymore, only the living and the dead, both staying indoors, so neither in attendance, at the empty funeral services, everybody is on the out list...

the now newly indistinguishable, the irresistible collision of two one-sides polarizing poles of no longer opposites, the tender and the brutal in a single embrace, but no, not kissing, embargoed, as we are stationed from above, far, high up on the watchtower observatory, observing the contrast dye that flies so fast on people denuded grand boulevards, down narrow hospital hallways, body-lined decorated, tales of millions of lives isolatized, and don’t forget the brutalizing discovery of scores of elderly, dying alone, withering in the dark, counted, lumped in to the category of statistically irrelevant, if dead, who cares, matters not now, in the afterworld no one asks how,
                        in a fashion both tenderly and brutal,
                        what was the actual cause?
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