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  Aug 2019 Nat Lipstadt
Where Shelter
lay this body down, where shelter is..

<>

maybe you’ve been here, HP, awhile,
faintly remember the nook of poetry,
the four old soldier chairs, worn to a gray shade indescribable,
facing the merge of the river and the bay, lookin out southwest,
today, in nearly summer over Sunday best,
wearing a new old navy lime t-shirt,
ancient Champion grey cotton flannel shorts,
summer uniform of the generation that went boom and bust

as the sun escapes through apertures of now and then,
interrupting the partly cloudy forecast,
lazy me risking an end of summer skin reddening chastisement,
but life without danger, no life at all, especially poetry danger

the windy breezes jabbering quite excitedly,
deep in conversation with the waves
that loudly enough are washing the shore,
beneath my feet sitting in the poets nook

the gulls are squeaking their point of view,
at will, saying to me,
who asked you poet?

discussing they, the day, when the humans will be leaving,
they tell day and season by the degree of temperature reductions,
knowing full well it harbors hints that our departure sooner,
till next we poetry nook

the Adirondack chairs, with no cushions, are now described
as “scratchy,” by the Wendy of my life,
two and something granddaughter, who returns next weekend,
with new insights and open to opportunities to “use her words”
to teach me anew how to see the loveliness that is my blessing

sometimes a human takes an inventory of life’s stuff,
the ex and in-terior terrain, wades through the moraine
that his glacier has dragged behind, the coarse detritus of his course,
de icing/deciding what to keep, what stone skip throw into the bay

I could sail from our dock to the Atlantic,
meet you over a pint or a pinot, or head down to the Panama Canal,
north to Portland or Seattle, cruise the Willamette,
go as far as Vancouver,
before the spring winter runoff,
show you my shock, the shock of well past gray,
now the white feather of my head, signifying...old warrior, as it
falls over my forehead, a new signature of my ever changing body,
the city doormen see, shocked, now call me honorifically “abuelo”

read a story from a harvard doctor who believes living past 75,
makes little sense, cause we use up more resources
than we could ever add back

no, not saying go die, but give up the meds,
the artifices to extend life
once you pass past the inflection where you’re nothing but a taker,
which maybe explains why wrote a dozen poems this weekend,
trying to expel what resources I can add to the world before I

lay this body down

the cloud bank covering the southern fork of long island,
thickly viscous like fresh honeybee secretions, after which,
some will

lay their body down

next weekend is labor day, and maybe I’ll labor more,
disgorging poems too long and too varied, perchance you will
enjoy one or two, as we both be closer to the day when labor ceases,
and we can unhurriedly

lay this body down, sheltered at last

from wind waves and gulls jabbering,
the alternating current of cloud and sun



8/25/19

3:40pm
SI
Nat Lipstadt Aug 2019
again, madness!

one eye tears, why must you return to the old familiar,
the poets prescribed, already so well covered?

why?

must. it is the only shade of my voice that persists,
all else vanity.
these are words handily eye-read, given.
all I need do is “repeat after me” somewhat well,
and fill in the blanks.
<>

he writes me, in another place, to another name, describing himself:

“I'm a charming man with a fragile patience.”

no sir, Muses order me to disagree,
you are a fragile man with a charming patience!

your fragility is a royal hallmark, embedded in every scribing,
this human indentation, always well hidden, on the underside of the wine cup, the base of the candlesticks, the inside of the wedding ring of your tying allegiance to the humbled humanity.

the charming patience is the wait time tween your visions of
the excellence of the common, the exquisites of the small,
the delights of loss and pain translated into mercurial milestones,
poems.

here I cease, for overly long praise is a river too long, no end in sight,
making great and wide just another poem.
<>

But!
he writes me, in another place, to another name, describing himself,
yet again:

”A thousand poems I don't write, but they get written
in my heart.


A thousand!
ours is the patience fragile, your innate screen that filters out

these thousand forbidden unwritten,
needs a cleaning, open the tiny apertures and release them, for we are the humans needing, for the breathing of your fragile charm.

<>
the Muses do thee attend.
their patience neither charming or fragile,
reminding me, they too have a thousand.

a thousand other ears into which to whisper that
imperative imperial command,
and they river no delay...
the days has come when I can only write of others, this is the only shade of my voices that survives.
  Aug 2019 Nat Lipstadt
onlylovepoetry
the cherry blossom accord/equation

”perfumers use aromachemicals to recreate a cherry blossom accord...(an accord is a scent made up of individual aromachemicals, that when combined, create a harmonious blend where none of the individual ingredients are able to be detected on their own).”

the odor of our lustful eyes,

the sweat, a unique commingling,
a sheen of salted oils body bathing,

crushed green petals of peaches,
crumbled together with the softy fuzz shavings,
the sediment of aromatic fruit juices drippings

our blending bottled in our brains,
none other would recognize but we,
to too two smell each other through and over
floors, concourses, cities, disparate distances

our ingredients secreted (secret),
our flavors cell secreted (secreting)
the world’s silly tittering aroma inserted,
our sparking fingertips touching
add a bush burning burnt odiferous

we seat across from each other in an airport
plastic restaraunt and everyone asks out loudly,
what is that smell, feed me that, taste me that,
as we are irradiating the atmosphere,
as we renegotiate our cherry blossom accord,
fresh signatures, updated, harmony of harmonies, notarized

she smiles, I joke, winking,
we must continue
to meet like this,
the fireworks of we,
of us,
to-gather to-gether,
a getting of giving,
she answers:

take me home and
bathe me in love,
give our bodies shelter
from the world outside,
beside a new spice
have I uncovered,
this will require some
discussion+exploration,
the quantity to be added,
the when, and the how!


what is this new ingredient?
asking puzzled and aroused,
she laughs
(a spice already included),
why it’s called
only love poetry






8/23/19 4:55pm
  Aug 2019 Nat Lipstadt
city of flips
The raindrop whispered to the jasmine,
“Keep me in your heart for ever.”
The jasmine sighed, “Alas,” and dropped to the ground.*

(237 Stray Birds by Rabindranath Tagore.  Rabindranath Tagore was born in Calcutta, India, on May 7, 1861. He is the author of many poetry collections, including Gitanjali: Song Offerings (Macmillan, 1913), which received the Nobel Prize in Literature. He died on August 7, 1941.)

<>

Alas

some words of note get overlooked,
their usage to the wayside,
this is life, forever updating its profile

Alas!

none of us, do not lie,
issue this all encompassing sigh,
this shaded heart rendering, un cri du coeur

this, to remind us:

a single warring word,
falls wounded, forgotten,
telling of impossibilities
lost love, a broken conjunction,
what was that can never be,
what never was and yet not impossible
someday

Alas! Alas!

a single word poem,
that answers so many things,
and still in its regretting
is a niche of untold hopeful perhaps

write me a word like that
your fame, if that’s all you desire,
alas,
is assured...

Alas!
Nat Lipstadt Aug 2019
The Deepest Twist

<>
for my friends who know that when HP says this my 1300th
poem, it’s off the mark by hundreds; nonetheless
1300 is worthy number to celebrate your affections
nat
<>

you return back my older children, fully grown,
my eldest word babies who never ever visit,
blessing them anew, lavishly, with special wishes

I,
take them,
with both hands, a reacquainting occurs,
the old words, deep twist, now hurtful hurt because
reimagining when and how easy they came to be birthed and
how the replication of that process is now a
practiced impossibility

how they burst forth, in purple majesty, wheat waving,
wholly formed, bathed in holy water, leaving no stretch marks,
only just an empty sac inside instantly needing,
needling me into auto-refilling right away

even the twenty four hour, hard deliveries,
long and arduous, were so easy created faust-fast,
that the errors of typography contained,
became lasting hall marks, iconic nomenclatures of
passionate loving-nonpareil

now, well past point of urgent addiction,
unlike then every glance, each sidewalk cracking,
lamppost shadow casting was
a sea story for a deep dive delving asap

I,
supplied answers for the internal badgering incessant
happy ****** need, mine, to go, spill the words,
cab or bus motion nursing them,
now they come slowly strolling,
semi-formed, needy, inconclusive, reused,
and feeling as trite as a cloth coat from an old thrift shop,
so wanting for tender loving care,
which is to provide when you are
four score

wondering how easy it was in prior times when inspiration
fell like a deciduous tree’s fall colorings gifts or
as little children’s nightly multitude variety of dream tales,
when whole worlds uncovered, nay, universes,
hidden between summers green grass blades,
or in unique snowflakes

the semi-forgot love affairs that parented poems
by the score of scarred orchestral scores,
now love circle-turn in holding patters in the
crowded skies above nyc,
awaiting for a trafficked man to give permissions
to “run-away”land that rarely is granted

once, poems in turbulent fluid born, noisy ripping of skin,
****** by the emitting of  constant calming tenderous words,
wonderful drippings, so many multiple births in a moment,
even the OBGYN is complaining,

give other poets a chance at parenthood!

the awesome anger of human tragedy is now so shopworn
from over experience,
even god visits less and less, for it is written,
nothing new under the sun*

though soon his annual visitors day approaches (Day of Atonement) and god will require new
words of human comforting,
a new poem acknowledging that being godlike
is ******* hard work,
for humans are annoyingly capable of incredulous kindness

how can one justify allowing unlacing acts of insane violence to tear
the hand stitched lacing fabric that’s ever ready
to bring us together in an instant elegiac joining

the truth is every one of todays poem are clawed,
shovel dug out from cavities and crevasses,
your new words of recognition of the oldies but goodies,
iron of irony, make it hard, hard, painful to write
without an epidural to numb the painful
dumbing down

when I am breaching my waters, I am hard to spot,
we ancient humpbacks live beneath the deep distanced,
cold waters for many more minutes
than we need surface for breathing,
the show-off fluking, less and less,
and when we birth,
every two years,
must bring the calf-poem to the surface instantly,
to breath, lest it die,
all the while repeating to ourselves:

what was miraculous writing is now nearly invisible,
to blinded fingers that arrhythmically cane tap,
words difficult to recall, recalculate, recalibrate
into a wholly poem

only the **** tears,
that same shameful violin permanent-accompaniment,
they laugh at me when now, they alone
come first quickest, all too easy,


appearing nataurally,

without a formal
written
invitation
“He says, "Son, can you play me a memory
I'm not really sure how it goes
But it's sad and it's sweet and I knew it complete
When I wore a younger man's clothes"

Sing us a song, you're the piano man
Sing us a song tonight
Well, we're all in the mood for a melody
And you've got us feelin' alright”
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