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  Apr 2018 Nat Lipstadt
Ogden Nash
Isabel met an enormous bear,
Isabel, Isabel, didn't care;
The bear was hungry, the bear was ravenous,
The bear's big mouth was cruel and cavernous.
The bear said, Isabel, glad to meet you,
How do, Isabel, now I'll eat you!
Isabel, Isabel, didn't worry.
Isabel didn't scream or scurry.
She washed her hands and she straightened her hair up,
Then Isabel quietly ate the bear up.
Once in a night as black as pitch
Isabel met a wicked old witch.
the witch's face was cross and wrinkled,
The witch's gums with teeth were sprinkled.
**, **, Isabel! the old witch crowed,
I'll turn you into an ugly toad!
Isabel, Isabel, didn't worry,
Isabel didn't scream or scurry,
She showed no rage and she showed no rancor,
But she turned the witch into milk and drank her.
Isabel met a hideous giant,
Isabel continued self reliant.
The giant was hairy, the giant was horrid,
He had one eye in the middle of his forhead.
Good morning, Isabel, the giant said,
I'll grind your bones to make my bread.
Isabel, Isabel, didn't worry,
Isabel didn't scream or scurry.
She nibled the zwieback that she always fed off,
And when it was gone, she cut the giant's head off.
Isabel met a troublesome doctor,
He punched and he poked till he really shocked her.
The doctor's talk was of coughs and chills
And the doctor's satchel bulged with pills.
The doctor said unto Isabel,
Swallow this, it will make you well.
Isabel, Isabel, didn't worry,
Isabel didn't scream or scurry.
She took those pills from the pill concocter,
And Isabel calmly cured the doctor.
”good night, good travels, pitch black”

depending on how one counts,
cause size matters,
do have I
one small blessing


though little do I get, more-less,
in each twenty four measuring cup,
when the sleep gas has come-for-inhaling,
lidded heavy with greatful/tearful anticipation,
it’s less than sixty seconds till
dispatched to where all poems
plead like unborn angels for
good parentage

the spoken good night ritual signaled and completed
with a perfect half turn skating axel onto ones side,
preceded by, a single solid smacking of
an innocent but flaccid, equally tired pillow,
then lost in pitch black galaxy travels
with other sleep-drunk little princes

instead of the wavering, singular word,
a traditional goodnight,
a parting and a haling simultaneous mumbling issuing,
undebated and a wish shot to all within dream-shot, a title,

“good travels”

to places where ferment the aging words under
the winemakers watchful caring eyes opening,
names or titles, same difference, for the newborn babes
  Apr 2018 Nat Lipstadt
Still Crazy
Send or Request Money

a Facebook choice (new?) stumbled upon,
what! no more the check is in the mail stall,
which strikes me funny, cause my preference is
to send offerings before being asked,
which is one of those
items that I list on Linkedin resume as a
serious flaw under honorable man,
listed under miscellaneous skills,
next to
often cranky quirky guy who is
collaterally damaged and has been
taken advantaged of

Send or Request Money  a two way duality

prefer send to request
for me it’s more intriguing to be owed

a tool to uncover honor-enabled humans
that I close upon closer to my heart
nearer to thee, my human god’s creation

and that’s why you and them
even me - even god (get in line)
call me
stillcrazyafteralltheseyears
for he who knows that I call  him,
friend most honorably honored herein
  Apr 2018 Nat Lipstadt
Left Foot Poet
at 11pm in nyc
one sees what
you need to c
what you don’t want to b
what’s c-ing you
all the aleph bets
are ghosting words in your
brown i’s and clear fingernails

then when and why
you are under the
dining room table
cause you don’t want to be
a real person
it’s so oh much easier to be
in the under, the table dark thunder,
so when until you need to be a visibility,
until then a ghost is a fine impossibility

do we believe in ghosts?
girl, you crack me up
W ooooohoooo W you who?

11:16pm
the witching wishing h our
  Apr 2018 Nat Lipstadt
Dead Rose One
3:15am

<•>

unlike a first kiss, a first love,
the premiere awkward first coupling,
which when one recalls it
appears with ever increasing fuzziness (intentionally?)
or not at all, so much so that making it up based on
fleeting hazed glimpses of unmemorized dreams
just to have an “official entry in the cloudy memory,”
is a semi-necessity for regaling...nobody

but you never forget your virginal
projectile vomiting

there is even an emoji for it,
a hurling curling celebration

like a computer reset,
a confessional admission
that includes your own original
original sin,
a purging so complete,
it is a rebirthing of sorts,
a human do over

(c’mon c’mon get on with this, this
no kiss, a most undeserving bizzaring poem title choice)


each and every time I draw forth
the words on the in sides of me
they are ejected with force comparable,
my body rejecting l'étranger,
who’s now escaping

no first kiss, miss, no laughing at one’s first tumbling fumbling,
there is no smiling recollections sweet,
a cover up for your exciting intimation initiations faint revisions

but your first writing!

given up and out in a ejection burst,
a needle in the arm, gunshot
fluids *******, spit out,
without malice aforethought,
and this your last writing

this one, yes, this one.
comes quick, rough and inelegant,
expulsion combustion leaving you
panting on the cold floor you emptied
but
sorta of whole, a clean sheet, so to speak,
swearing you’ll never do this again,
must be an easier way,
to just slow secrete it holy,
or give up the drug of writing
raven forevermore nevermore

nope-u-dope

the vision of a long ago rabbi,
being burned to death slowly
by the Romans, wrapped in
dampened torah scripture scrolls
to lengthen the burnished burning,
a vision burned into a
very youthful boy’s consciousness,
the holy black ink hand drawn letters flowing
from martyr’s mouth, flying heavenward
this fresh within,
a childhood image primal mind,
is ways present
as each letter typed, formulating mathematically,
based on an artificial intelligence theorem,
that updates itself with every missive,
until the new poem is
projectile released in
a single ***** bursting,
purging of the urging

and guess what,

it just happened again

4/27/18

~for Sky, whose poems endearing found me, in her brazen ways,
which is what poets do~
https://hellopoetry.com/sheepskyny/
When Rabbi Hananiah ben Tradyon was caught teaching Torah in public, the Romans decided to make an example of him. Accordingly, Rabbi Hananiah was wrapped in a Torah scroll, which was then set afire. As if this torture were not sufficient, strips of water-soaked wool were placed on his body to prolong his agony. While his distraught students looked on helplessly, Rabbi Hananiah inspired them with his famous utterance, "The parchment is burning but the letters are flying off," meaning that enemies can crush the Jewish body but not the spirit
Nat Lipstadt Apr 2018
I am not the master of my writing

-
my writing masters me,
seizing me when the seizure is a sure thing,
it dictates to its enslaved scribe
what it desires this utensil to reveal and expel -
the contraries
who having battled to a ****** draw leaves the battlefield trembling with indecent indecision; the optimal conditions for its macrobiotic invasion of my brain stem;

the she-muse offers me two choices:
she wants a poem writ forthwith
on the lyrical expression
of depression and refusal is
non optional

so I fantasize escape and that becomes
her property as well;
evidence against me to be used at my trials,
the one where there is no statue of liberty
from the limitations of prior bad acts;

I offer the she-muse two choices:

give me a cabin with WiFi
and self-enforcement of solitary confinement and
tie me up with the rope remainders of broken bonds,

bonds that tied me up worse
when they were broken
and the peaceful withering
that won’t disrupt disturb nobody
from a distance

my other choice is to bury me
forthwith next to my parents
and shutter my constant tearing eyes which are drop-resistant

muse says that’s no choice
I own your voice stilled or not,
will bill your soul’s account for
denial of poetic services

weep; i don’t want the noises that curse this troubled
bodyship don’t want recollections good or bad

the muse-***** cackles with insanity of delight
for she accepts this writ as partial payment
on her commission, whispers I love your
lyrical expressions of depression
that ****** recognition algorithms
alert me that seizing time is nigh

there is no on/off switch for one like you:
father son and holy ghost
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