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Martin Narrod Nov 2015
She gives us fevers and wraps us in time. She is the newlywed- our metamorphosis. Death clings to her open grave. Her movements are the executions of precarious and docile prejudice, ganged upon, and drenched in oblique misunderstanding and very indirect confusion.

We are all grocery shopping now. Your weapons of delivery are broadcast in takeout, Chinese or Szechuan Broccoli Scenario #96:

Where your mother finds I have taken the Mercedes for morning lemonade stand gallivanting, early Beach Boys mixtape scenarios fulfilled.
Martin Narrod Nov 2015
There are some pronouns we cannot uncompose. Yellow leathers, blue April tides, and red licorice red, unconsolidated red and blue and yellow first person pronouns. Can it not be favorite contact season again, with the lips touching too. I am evil's ruthless seismatic trepidation.
Martin Narrod Nov 2015
The body of a woman's neutral fineness embraces the chords of my steel guitar; laughing about all the points that I've been chasing after. Or just running away- no more for today. Christ, you slipped but lied too many times before, and while you plunge your wrists into your knives, I thought we had a second chance. But that was before, you throw sticks and stones and store your anger in the three fingers of the drink that clinks against our first date when I bought you a 25¢ ring. It was a children's vending machine, that brought me three years of happy things.

I don't want to be fake with you anymore. So go and find your Milky Way. I'm staying dumb, Britni I'm in trouble. All the stakes are different when you are chasing yesterday's killing.

And even the sound of the gunshots don't overcome the voice of the human tongue, in violence and war and all that's abhorred, even the smallest vesper or prayer a whisper of three little words can always be heard, even the faintest whisper can always be heard, as long as the voice that says it is honest and pure.

I was too tight to drive with your hands over my eyes, even in Inverness valley and South Santa Cruz, the wheelbarrow of berries I brought home for supper, ingested in each little bite we cut in half, was the best of the worst time that we ever had. And always we were. In love. In parking lots, playgrounds, at concerts, on airplanes, in bedrooms, custodian closets, laundry mats, and carrying our nap sacks, while we attempted to sleep and hide all night in the Shedd Aquarium. I just should have known better, it'd wouldn't be easy, with you I'm always wrestling sharks with a mirror, your pink sugar perfume from the chains on my wrists ******* across the room. While you didn't trust me I was always at home. Trust isn't love  unless it's enough, unless it's enough to quit drugs. It's symptoms are the same as that of great madnesses.
Martin Narrod Nov 2015
****.

The poison's me the choice is up to you. Good lord, if they take away all the fashion houses, the rain men won't have anything to wear.

Naked armies, fighting the stories that just someone's grandfather wrote. Is it even real if it goes to sleep at night? Does it wake up to address the evening sky? I don't know....three heroic words the human race can barely say. Isn't the want for pizza an international religion, can we agree on that?

What mind of man gets it in his head that it's his hand that receives death to choose? In what nowhereness did these lonely princes lose everything they knew? Did they hear that killing isn't cool like it was in the 11th Empire- to make light of a situation or just a few lumens too, is pretty rad for any human to do. I may be a vampire but I need a bit of daytime if I want to continue to worship the dark.

It's been 4000 years, and I'm still looking for her, the way she talked to us after the sea we crossed through. The poison is me but the choice to take it is up to you. The rain men may come, but the water dance's for a seldom few. We could starve just for the thrill of wrapping ourselves in pieces of the moon.

Ne me quitte pas. Ne pas passer la lumière. Je vous attends ici, tout comme je le fais toujours. Il est dommage, je suis passé par là avec vous attends.
All violence is terrorism. It doesn't carry a flag.
Martin Narrod Nov 2015
What if you were poison. This room was a gurney. My parents garage was a time machine. My drawers were a piece of unwritten elementary homework. My bed was a stalemated chess game. Every pair of shoes I've ever worn is one of the beaches I never went swimming at. My laundry were soldier's garbs. I'm living in four minute increments. Two yellow chairs are an empty wine cellar. Two doorknobs an ancient battle field. I have green pants and they might be the entire state of Florida. My book shelf is a poem by Keats, and the books on it are The Village Green. This printer is actually an English love affair. The paper inside of it a pasture, a meadow, and even parts of a rill but not the water in it. I see words scribbled in notebooks and they don't produce melodies. This is a heavy place to use candles. These are the trousers I wear when no one is watching me. Three DVD's tell a story, but no one listens to stories anymore. A carton of cigarettes is a hospital full of people working, a metaphor that doesn't need to be made but should instead be written down. Chocolate bars are all around us, better to keep them quiet. My childhood is drifting off to sleep in a pair of gray sweatpants and a white crew neck t-shirt. Hush Hush. A god hidden inside a scrap of prose that always wanted to hide away but never could. Here are the limbs I'm beating myself to death with. Here are the headaches that I rubbed from your neck; the apple juice and animal crackers that brought both of us back to life, the Wichita suitcase filled with field grains and soy that only made your Grandfather rich. I'm bruise-bent on discussing the never ending. I've filled my head with the status of ritual, I've crossed my legs and enriched my mind with dozens of proverbs, adverbs, and ad lib; nothing that ever once was could be, and nothing that has been could ever be as easy again. Each hill top is a summit worth standing upon. Every picture is a place worth returning to. If every sentence structure and bomb of the mouth was the furnace heating an article at the end of a sentence, or the sentiment with which to generate a sonnet, then mornings could be the clusters to every ache and evolving vowel. Each and every worry would be a giant and the juggernaut which knocked him down. Maybe your ****** is a tooth brush. Maybe mine is just ******. Maybe every inch of my body is made up of locks and caveats. I could retreat to the wilderness, a place where the trees are ornaments to the sky, and the stars are just the songs we don't hear. Heat is a conundrum, the water and the air too. We're longing our way to infinity, chancing ourselves by adhering to dross and sinching our hearts of blood. What if Chicago was the biggest love story of all and I was just not observant enough to notice. I've gone down in three hundred airplanes. What if worry was the tea I declined, heartache the questions I didn't ask and the wishes I never answered. What if your mother was also poison, your sister the true love I unrequitted, your brothers the Roman soldiers which saved us all. I long to be close to the ocean, I retch and thrash, drawing shivers up and down my spine. Here are the shadows aplenty. The heaviest of the hours that save on us like we were up from zero, still and counting on ourselves. These are the lines that I'm petting heavily, washing up and down, left to right, horrific nightmares that come and go as they please. All is left to be said again. Castes are bids meant to be said again. I've been taught to live well even as a quiet mess, to be white while the day's break is still to come. What if leather was the only way I knew how to fly. Bubblebaths the only luxuries I never settled. Your kitchen the last place I felt fully loved. Here is where I reappear. Countries that I've traveled to in languages I taught myself to speak. Wit the wild bunch of berries I crushed into my own craft cocktails. I'm quaffing and I'm trapping. I'm riddled with night and I still can't stand up straight. This is the last place I remember being. Turning over in my gravest stare, and gazing long into the never ending stereotype of my merchant birth and stately hide. This may be the song that sets my tone. This might be the song that describes me best. Never published or punctuated. Always thriving in bated breaths. Always living just an inch from the soon. Here where the moon men trip and fall. Here where the pronouns leave every thing left unsaid.
Martin Narrod Nov 2015
Backwards, like a sign that's hard to read. Like a leather jacket that's too stiff in the arms but 2 years off the rack. And then the heart explodes in the esophagus. Pieces of young trust comes out all over what the eyes can see, and each body part wants to go back to their respective bed nestling areas. Sometimes, even this little me gets nervous about being vulnerable. You can only burn the velveteen rabbit once.

These are the monkeys of my throat and the dinosaurs that tend to my fingertips. My skin gets leathery before it feels like silk. I don't smell like a motorcycle or sound like the fast lane but I'm not sure if I want to yet. I'm happier not waiting to randomly be reminded of the pain, it's much better to chase down those hydrogen bombs while the cattle **** is still hot and fire-red. Two served and five Peanuts left for playtime. I rather enjoy being a vampire.
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