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The canvas stares back at me,
Blank, unforgiving—
A mirror of my mind,
Its emptiness a cruel reminder.
I pick up the brush with trembling hands,
But every stroke feels like betrayal,
Each color too loud, too bright,
Spilling out in chaotic bursts,
Nothing like the picture in my head.

I paint, I paint,
But nothing comes close.
The reds are too red,
The blues too cold.
Each line, each curve,
A mistake I can't undo.
And still, I push forward,
Hoping for something that feels right—
But nothing feels right.

The shadows of doubt creep in,
Dark, relentless—
They mock every attempt I make,
Every flick of the brush a ghost
That haunts the edge of the canvas.
I try to fix it,
But the more I try,
The more I destroy.

The paint smears,
A bloodied mess under my fingertips.
Each flaw is magnified,
Twisted in the light,
A grotesque reminder of my failure.
The work I once cherished
Now looks like a battlefield,
A war between my vision and reality,
Where nothing wins.

I tear the canvas in half,
The fabric screams in protest,
But I can’t stop.
I rip it apart—
Brutal, raw—
The fibers of my frustration
Fraying in the air.
Nothing feels like it's mine anymore.
The brush trembles in my hand,
A weight too heavy to carry.

I collapse into the mess,
The chaos I’ve made,
And the silence comes,
Not as a void, but as a truth—
The eerie quiet of an artist
Who’s found their shape in the ruins.
In the stillness,
I see the pieces of my soul
Scattered across the floor—
But they’re not broken.
They are just pieces.
I wonder—
Am I the painting,
Or is the painting me?
And perhaps…
We both need this destruction to be whole.

I stand, brush in hand,
Ready to start again—
With the same trembling hands,
The same uncertainty,
But this time with a quieter resolve.
I lay a fresh canvas before me,
The blankness no longer a threat,
But a promise.
A chance to begin anew,
To make something beautiful
From the mess of the past.
And so, I paint—
Not for perfection,
But for the beauty in the trying.
The canvas, once a symbol of endless possibility, now feels like a reminder of the dreams I had as a child to become an artist. Aspirations do change, but the perfectionism that once fueled me has now drained the joy from the process, leaving me in limbo between creation and surrender.
a common enough expression,
lightly spoken, easily surrendered,
wishes become hopes or prayers,
depending on the gravity of urgency,
right, know that wishes are
gravity-resistance,
rising up to the atmosphere, where any
cruel, fate-focused, looking to be
amused, lousy lounging-around gods,
always cruising
for some real entertainment, might
snap
into action,
upending plans, ruining futures,
or tickling your fancy
with a run of fabulous luck,
by, due to, their fanciful footwork

in the near future:
I hope to live to serve tomorrow,
feel the
ingenuity of love’s aroma,
as fresh as a new morn born
fragrant croissant

in the near future :
I hope I hear
Rhaposdy in Blue
being played live
through an open window
and be joined by my fellow
sensualists in a spontaneous
street festival

in the near future:
I’m going to go on a slightly
oh so lightly
planned road trip,
domestic and international
to visit friends I have netted
in my butterfly catcher,
the human kind,
whose flowers of words I have
suckled the nectar thereof,
and thank them properly
with hugs, fresh fruit
and gifts that will
tickle their fancy
fanciful wordswork

and make it home,
a safe return
to those called family
and find them
happy healthy
and never complain ever again
about that
stupid grin
on my face
that just seems impossible to
erase
200am 2/13/25
you awake, and your blood
it’s changed, wrong color,

which color matters not, just,
it isn’t what’s supposed to be,

the wound that wasn’t there yesterday,
won’t/isn't being healed, somethings wrong

you don’t need to admit the admission,
no supposition, the truth, it will out you

wearing the weariness in/on your eyes,
your forehead and anywhere it matters

even strangers double take, cross over the
street to avoid visiting your visage

sometimes it can’t be helped, enormity
seems insufficient to redress overwhelming

gonna give up this wretched writing gig,
recording date & time futile & unimportant

the everything everywhere every day is
well past  the Nevery, but specificity is not

yeah gonna take a breather, a whole season,
put aside the reasons, no more deep cuts

when the portico spaces shout, sorry ,closed,
in spades, but you don’t feel it or care

go off and cater to yourself, knowing in
advance, that work won’t advance you past

the point of return, who, you’re too wounded,
no forward, the past is clout clouded, rough

the word some is a totality, what you got,
is something else, & need another something

taking a break from fools and friends, at now,
ain't any difference, gonna lie down, yeah,

lie down or lie up
because


sometimes it helps
Maybe I’m too simple
or too shallow
but I’m not angry.
What’s wrong with me?

I was trying to think
of someone I hate,
Jews, CIS guys, republicans,
palestinians, blacks, democrats,
the left handed, authority figures,
central americans, parents, vagrants,
the usual suspects, but I’m coming up empty

Things aren’t perfect
don’t get me wrong
I’ve got a pug nose
a flat chest
a giant forehead
and too much work to do
but I’m trying my best—

Worse yet, I’ve no plummeting anxieties
no obvious neurosis
—that one could be a misdiagnosis
no painful hangnails
no sad life tales
no addictions to defend
or hated ex-boyfriends
I have no emo hooks to pin my verse.
no current melodramas to cozen and coerce
between you and me, I think I’m off the rails
It’s really no wonder my poetry pales.

Yeah, that’s what’s wrong with me.
.
.
Songs for this:
Gee, Doctor by Dimie Cat
Sweet Lovin' (feat. Anna-Luca & Iain Mackenzie) by Club des Belugas
BLT Merriam Webster word of the day challenge 01/11/25:
Cozen = to win over, or coax.
Thoughts can be thin fractures in the order of things.
Sometimes my dorm room seems a sterile sarcophagus, like an accusation, or an interrogation of my romantic choices, with nothing warm or inviting there. Sometimes I’ve just got to get out.

Leong and I decided to go to ‘Toads Place’—a bar right across
the street from campus. Still, it was a 10 minute walk from our
residence.

This night seemed different, not the usual, winter, claustrophobic gray. No, the burning heavens were a canopy of spirals and light events—a show put on by an insecure deity needing to overawe.

It was Charles and Chinthia’s anniversary, so Leong and I went alone. The place was busy, and unsurprisingly, we met up with a few friends, including this guy I’ve been calling soccer-boy. His name is Troy. As the night went on, and the martinis flowed, we kind of hit it off.

I have a boyfriend. He’s far away. Sometimes, his memory’s like a warm beacon broadcasting from that far away. Other times, our connection seems to bleed across that distance, and his questions and concerns seem foreign.

At the end of the night, no, well ok, the start of the morning, a group of us began strolling back to our dorm. It’s safe to say that none of us were feeling any pain. At one point Leong paused to chat with a friend and Troy and I carried on alone.

After a certain amount of Facetiming with the boyfriend, the texture of face-to-face is immediate and mesmerizing. Troy’s eyes are the blue of gas flame and there are a thousand flickery reflections dancing there. When I looked in them, I felt like an astronaut heading out for oblivion

At one point, I realized that we’d left Leong behind and we paused under a streetlamp. After a moment, I leaned back on the pole—it was steadying—and Troy took the opportunity to move in close. Have you ever felt a molasses-feeling of lust that made your legs feel ropey?

I half-began to hum a nonsense song as a distraction from the closeness of him and to regain some mental, objective distance. Then he moved very, very close and I could feel my resolve wavering, like a cardboard construct.

He leaned in and kissed me, quickly and so softly that it was almost a whisper. Then the edge of his fingers brushed against me and faded away. When he really committed to touching me, it was with a coiled restraint, backed by the urgency of a ticking bomb.

He nuzzled my neck as hands moved slowly, with the overflourish of an amateur magician—there was no disguise in it—but there was a kind of magic. The breeze had taken to moaning, or was that me?
It didn’t encompass the full range of my thoughts, but it was a strong, representative sample.

However, something dark was rippling beneath the pleasure, like a shark beneath a sea’s reflective aqua surface—it was common sense, and restraint. At first it felt like I was fighting something that wouldn’t properly show itself. I mean, the pleasures were real, but there was an unreal mechanical overlay to them.

We humans are such blunt instruments. Nature’s given us buttons that can be pushed for its own purposes.

With a quick dart, like a bluebird from a bush, I gained the upper hand on my foggy, lecherous emotions.
“I’m sorry, I’m sorry,” I said, gently pushing him away, “I’m going to have to opt out.” I offered a weak smile.
He was a gentleman, he backed away with a shrug. “Another time,” He said, with a wide devouring smile.
“I have a boyfriend,” I said, kind of late—like it was a matter-of-fact that shouldn’t need repeating.

That’s when Leong arrived, she gave Troy a look like a feral cat. She can have cold, flat, judgmental eyes. For me, she had a frown that I could feel—it was that powerful. She likes Peter—I’d get a talking-to.
“G-night, Troy” she said, her disregard for him made him seem like an outline, not a real person.

As we turned to go on to the dorm, I saw that we’d been under one of those stations they have on campus where you can summon help, and there was a little obsidian surveillance camera.

I wondered how many other 2am noir-romance scenes were playing out on the darkened campus.
.
.
Songs for this:
Beautiful Trash by Lanu & Meg Washington
Princess Crocodile by Gry with FM Einheit and His Orchestra
.
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our cast: A reader once asked, “Who are these people?” (a solid question)
Leong, (roommate) 21, a ‘molecular, cellular, and developmental biology major,’ is from Macau, China - the Las Vegas of Asia - and she’s a proud communist (don’t knock it til you’ve tried it). Growing up, I lived in Shenzhen China (about 30 miles from Macau) we both speak Cantonese (maybe why we were paired?) and we're able to talk a lot of secret trash together.
Troy, (soccer boy) He’s 6 feet tall and fit. His hair's a rich, thick, mahogany "collegiate mop" (Think Hough Grant) and there's an easy, uncomplicated strength about him—something polished and fresh, he's like a shiny new phone. When he crosses a room, he seems to move in slo-mo. He's a environmental studies major - whatever that is.
Charles, a 54-year-old 6'4" retired NYC cop, has been my escort, driver, security and surrogate parent since I was 9 years old. His wife Cynthia is also an ex-cop and the VP of a cyber-security company. My Grandmère hired Charles for me when a classmate was murdered in Year 7 (6th grade).
Your author, a simple country girl from Athens Georgia, is also a molecular biophysics and biochemistry major (pre-med)
.
BLT Merriam Webster word of the day challenge 02/03/25:
Sarcophagus = a stone coffin.

*Ok, this little vignette of mine has a bit of flash fiction thrown in, Troy and I did have a walk and a wait, but there was no fleeting kiss or handsy explorations—other than in my lurid and freaky fantasies.
I showed it to Peter (my bf) last week and he said, “Hey! Are you two-timing me in your ***** little mind?! I’m jealous.” 🙃
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