I told the doctor
my heart felt like a flip phone
set to vibrate
in the back pocket of my jeans—
buzzing between spine
and tenth-grade desk,
shaking my bones
like a train no one saw coming—
except me.

I could feel my pulse
gathering its coat, like it had somewhere to be.
He said I was within diagnostic range.
He said I was presenting as stable.

I said I felt like a girl
screaming
inside a library.

They said:
What a beautiful metaphor.
I said:
It’s not a metaphor.
It’s a girl.
She’s in there.
She’s still screaming.

And they nodded,
said I seemed self-aware—
like that settles that.

They wrote “no cause for concern”
in my file.
The room was quiet.
The library was loud.

My heart is still vibrating.
I feel it—
right there, between spine and desk.

No one picks up.

We said we’d never stop believing
in fairies,
in kindness,
in return phone calls.

We swore we’d never
become like them.
The adults
with milky eyes
and calendars
and knives
they only use for mail.

You said we’d grow up
but stay soft.
Like peaches.
Like lullabies.

You pulled your own tooth out
in second grade
just to see if the blood felt like something.
It didn’t.
But you didn’t say that out loud.

I held your hand
and told you it meant
you were brave.

You said the tooth fairy would bring you
everything you circled
in The American Girl Catalog.
You got two dollars
and a cavity.
Welcome to Earth.

I still have some of my baby teeth
rattling around in a film canister,
in the same box as my First Communion Dress
and my Princess Diana Beanie Baby.

I thought I was just saving pieces.
I never knew which parts of girlhood
were meant to be disposable.

As if saving them
meant I hadn’t lost
the rest.

no one tells you
that even after the ending,
you still flinch when someone says
his name
or wears his deodorant
or exists
in the same shape.

i told my friends i’m over it.
and they said
we know you’re not
and i said
but i’m trying.
and they said
no, you’re writing
which is not the same thing.

he said
i’m not ready for something real.
and i said
okay
like it wasn’t
the most offensive thing
anyone has ever said to me.

i’m not mad anymore.
just
liminal.

just
inventorying
the damage
like a girl who survived
the softest
apocalypse.

i keep hoping
someone will touch my face
and say
there you are.
like i’ve been missing.

like
i’m not still
missing
myself.

I stopped listening to songs
with bridges—
they always begged.

I shrunk my appetite
until it fit inside
your gaze.

Then I shrunk
my gaze.

I killed the part of me
that expected softness.

She died
like a deer:
slow,
staring,
unconvinced
until the end.

I buried all of it
in poems
and told myself
that was healing.

But I check
the dirt
sometimes.

And things
move.

My stomach does that thing—
you know, when the ghost
rests a hand there.
Not a hit.
Just a hush,
and fingernails.

Like it never left.
Like I’m the one
who forgot to feed it.

It’s always at dawn.
Or mid-laugh.
Or in line at the dollar store—
buying nail polish I’ll chew off by Tuesday
and an eyelash curler,
just in case he sees me
from across a decade.

Then you paraglide in—
a salesman who knew I’d be home.
And the floor remembers
what I worked so hard to forget.

And I gasp—like I tripped.
But I didn’t.
I remembered.

I remembered
the ghost
you left me to raise alone.

Like:
“Hi. Just passing through.
Don’t stress on my behalf.”

I nod.
And I don’t.
I keep chewing the same nail.
My eyelashes are curled.
My stomach still does that thing.

You know the one.

I wasn’t crying.
I was hydrating my grief
from the inside out.

He said, “You’re not dramatic. Just detailed.”
I said, “You’re not cruel. Just consistent.”
We called that a compromise.
(or else a hostage negotiation.)

There’s glitter in my carpet
from a party I threw
to prove I wasn’t waiting on him.
I wore white.
Not bridal,
but still white enough
to make someone feel guilty.

I lit sparklers like sirens,
toasted survival.
Nobody clapped.

I collect apologies I don’t want,
write scripts for confrontations
that end in standing ovations,
then lose the footage
in a hardware crash
I secretly caused.

I take the stairs two at a time,
just to feel something chase me.
I text “I’m fine :)”
like it’s a safe word—
to keep the spiral
polite.

I rehearse the voicemail
he never left
like it’s Chekhov.
Like if I say it right,
the gun goes off
and I disappear
beautifully.

At the end of the dream,
he’s always wearing my hoodie—
saying something tender,
just slightly
too late.

And I wake up
with eyelashes on my wrists,
thinking—
Maybe I am the problem.
But God—
you should’ve seen the poems.

In 3150 BC, you crowned me with lotus.
Then said I made you look too mortal.

In 2500 BC, you swore to build me a
monument. You did.
Then sealed someone else inside.

In 1200 BC, you blamed the gods.
I blamed you.
You said ‘same thing.’

In 44 BC, I warned you not to go.
You wore your laurels anyway.
When they stabbed you,
you mouthed my name.
But you didn’t say it loud enough
to survive.

In 73 AD, I poured wine into your open mouth
while the city burned behind us.
You said you’d die for me.
You meant later.
Much later.
With someone else watching.

In 245, I don’t talk about what happened.

In 810, we met in a monastery library.
You touched my wrist over a psalm
and whispered heretic.
I thought it meant holy.
You watched them exile me
with your hands folded like praise.

In 1207, we shared a bed during famine.
You bit my shoulder in your sleep
and murmured it was dreaming.
When spring came,
you left with the first ripe fruit.
You didn’t even wake me.

In 1258, you said the library was sacred.
I said ‘So am I.’
We hid manuscripts in clay jars
and told each other we’d survive.
When the city fell,
you were seen fleeing with her.
You left the books behind.
You left me behind.
History lost us both—
but only one of us remembered.

In 1462, you pressed a seashell
to my palm like a vow.
You promised to return before the tide turned.
They said your ship shattered
like a wineglass on coral—
I drank the ocean dry waiting.

In 1500, you said I looked like rain
the year the fields drowned.
We laid together in the lotus marsh
until your father summoned you.
I lit paper boats for every lie you told,
watched them drift toward a place
where girls like me
become folklore.

In 1505, you called me the sun’s daughter.
Then vanished before solstice,
left me to climb the mountain
alone, draped in gold I couldn’t eat.

In 1593, I was the widow with ink on my teeth.
You kissed me behind the theatre,
called me muse like it meant yours,
then left a sonnet in someone else’s corset.
I caught the fever,
but it wasn’t the one that killed me.

In 1619, I whispered your name through a veil
as we rode separate carriages to our arranged marriages.
You blinked once.
I spent the next twenty years
treating silence like a sentence.

In 1806, you said we’d run away to Vienna.
I waited at the station for two days.
You sent your regrets
on someone else’s handwriting.

In 1865, you sent me a letter from the battlefield.
It said keep living.
Then you died
with someone else’s locket in your fist.

In 1915, you wrote: ‘I miss you when it rains.’
I read it under a leaking roof.
They found your body days later
with a picture of me
folded into someone else’s letter.

In 1933, we wrote to each other from opposite cities.
You said the distance was killing you.
Then married someone local
so you'd stop dying.

In 1942, I woke up mid-war
and realized we’ve done this before.
You looked surprised.
I wasn’t.

In 1963, we kissed in the back of a Chevrolet
and you said you felt safe with me.
Then you enlisted.
Then your birthday flashed on the TV in color and static,
and I understood the difference between
missing and gone.

In 2024, you told me I still think about you.
I asked in what way?
You said in the way you remember a dream
you can’t explain.
I laughed.
But not because it was funny.
Because I knew I’d spend three more years
trying to wake up from you.

And still—
I keep loving you.
You keep
reinventing new ways
to leave.