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Gabriel Aug 2020
Let’s talk about my knuckles,
and how scarred they are;
how the callouses seep
into flesh, become part of me,
rubbing circles underneath the hood
of my uvula.

So let’s talk about my knuckles,
and how they’re only the starting point
for throwing up apples,
golden, red, green,
bitter and sweet,
all of them mine, to be choked
back into me.

So let’s talk about Mary-birds,
and the sacrifices they make
for their children,
and in doing that, let’s talk about *****
and how beautiful the sheen
of afterbirth looks in the toilet bowl,
and how often self-destruction
tastes like sacrifice on the way back up.

So let’s talk about my knuckles,
again, and the visceral scraping
against teeth,
and how much it feels like giving up
to not sit by the toilet
waiting for a sign
that this is somehow enough.

So let’s talk about being good enough,
and how I’ll never feel that way
until my knuckles mingle
with milk-white bone,
and how the rows of pews
are pearlescent,
tainted yellow,
with smoke and bile.

So let’s talk about talons,
and vultures, and everything that happens
after death, and let’s talk about
how one day the sea will swallow us whole,
and let’s talk about the belly of the beast,
and let’s talk about Jonah,
and oh - sorry - the sermon is over,
and the priest is taking confessions,
so let’s not talk
anymore.
From a collection of poetry I wrote for a creative writing portfolio in second year of university, titled 'New Rugged Cross'.
Gabriel Aug 2020
I’m feeling the air on the thick of my tongue,
and it’s summertime -
it’s summertime, now, and I think it’s a Sunday,
so I’m going to smoke that Cuban cigar
in the quiet, against the sunlight.

I’m going to wait until the sun comes down,
and then the light is all mine to drink in;
not one, but millions of stars share the glory.
I’m blinking it in, like this will be forever,
and there’s something in me that wonders
why I’ve waited so long to live.
Why I always let the light filter
through stained glass,
and why I believed them when they told me
that staring directly at the sun
would blind me in forgiveness.

Why does forgiveness have to hurt?

I’m wondering if I can ever forgive myself
by kissing switchblades
and licking the flames from votive candles,
or if there must be an easier way
to do all of this.
But if I cling too much to what happiness could be,
then I’ll never know how to forgive myself
for not having it sooner;
they want me to live a good life,
but I am steeped in sin
and waiting to burn.

This - this thing -
is far too much about what they want.
Far too much against
Cuban cigars and Sunday mornings
in bed, and grabbing hold of life
with fists and hair and saying
“take this, all of you,
and roll with it.”

I’m paving my own narrative,
looking at barefoot beachfront walks
like altars, and I know -
I ate the fruit, and now I know,
that a long line of commercialism
will fool you into thinking
that the light at the end of the tunnel
means something.
From a collection of poetry I wrote for a creative writing portfolio in second year of university, titled 'New Rugged Cross'.
Gabriel Aug 2020
First-class lipstick,
like satin,
gently marking into history
sign-offs and signatures,
transcending boundaries
between land and ocean.

Nothing unwritten;
everything perfected
in the sweet subtlety
of marking names
and millions of ways
to say the same sentiment,
sealed up below the deck.

Traversing the sea,
unread letters wait
in the salt and the sediment,
that will soon wash over them;
the timelessness of tragedy –
of waters that lap
over delicate bodies on beachline shores.

These same elements,
clinging to life
within seawater-stained envelopes
find themselves
just a little too much,
almost a second out of time
with the world outside the ocean.

Now, timelessness has moved on,
and many ships have fallen since,
but there remains
a pocket of air,
huddled in the North Atlantic,
where love letters still muse
with writers’ delicate bones
and the sweet serenade of saltwater.
Something I wrote for a first year university creative writing class.
Gabriel Aug 2020
I didn’t get the memo
to evolve -
stop sticking my hands
into the fresh-fire,
as if some part
of my visceral mania
wants to ****** my knuckles
with the ashes of Prometheus.

Every day that I don’t crash my car
is a white-hot remnant
of the suffocation of boredom,
like my life is on pause
until I’m nose down in a gutter
or in a line that I keep trying to cross.

There’s evaporated acid rain
condensing within every hangover,
each time the sun
rises; I rip down my fingernails
climbing to reach it,
gasping down
at the pulsating impulse
to make something terrifying
out of paper maché
and broken bottles
and bruised ego.

In every grave, there’s an I,
subtly watching
for the apotheosis;
a moment of sickly-yellow violence
igniting once more
any excuse for a fight
for fame,
for a feeling.
Something I wrote for a first year university creative writing class.
Gabriel Aug 2020
With every resistance,
remember –
how everything was choked
back into your mouth
when you were a baby bird
and the barricades
were not yet burned.

When you,
with aching gaze
watch the Joan of Arc torches
purge their way
up the winding acres
of stolen wood;
call yourself to Dunsinane
and wait there.

***** up your own feathers
and try to fly –
strip yourself of ash;
pretend that your fragility
is a stepping stone
to becoming a phoenix.

Inhale smoke
and watch the revolution
burn beneath your broken body,
your flightless bones
crushed to mothers’ milk,
countless choking coughs
coming up; down again.

Sing;
drown out the inevitable,
and choke;
with beautiful sounds
of death drawing acid
up your cartilage;
revolutionaries flee
the barricades, the fire,
whilst you beg
for what you have lost
to be choked back into you again.
Something I wrote for a first year university creative writing class.
Gabriel Aug 2020
One:

This is
the white-night
burst
of seven billion
voices singing
requiem dies irae
as mountains fall -
desperately breaking
independently
from the shards.

This is
the collective collapse
of a season of stars -
of Van Goghs and Mozarts,
and all those dug up
graves; bodies
loose in the wind.

This is
lovers’ last request;
worldwide relief
underneath burning wood,
silk moon,
translucent veil.

This is
the eulogy
of the earth.

This;
unwritten.

——————————————————————————————

Two:

H­ere,
the silent universe.

Here,
intergalactic war
halted, planets
bowed with rings
draped in black.

Here,
mourning the loss
of a child
who had merely
taken one shaky
footstep
into the dark.

Here,
solemn species
contemplate
the finality of this;
somewhere
an old-earth radio
creaks its way
into playing
Electric Light Orchestra
and the older ones sigh
remembering the
burned out
blue sky.

Here,
entire constellations
flick themselves
out of place;
an infinitesimal
blip
marked down
in universal history -
and songs echo
in a vacuum
for a brief eternity;
the collective memory
that once
just once
the earth had existed.
Something I wrote for a first year university creative writing class.
Gabriel Aug 2020
Do we want to make it out of this alive?
Was that ever the plan? –
When we called each other beautiful,
and our friends laughed
because we were perfect for each other
but I wasn’t made for you.

Do you want me to live through this?
Even after all of this,
being read, being spoken,
I do not understand the role I seem to play.

Can you shed some light on my purpose?
Right now, it seems,
I’m only good to tell you stories
from another girl
who doesn’t hold a knife to her hair
in the drunken night-time.

Is there still something to cut off?
Look at me, asking you,
shouting up to the pedestal
I built, myself.
What would you like for breakfast?
What sacrifice would you like today?
Don’t say ‘nothing’;
it seems I am only good
to cook you blood-pudding
and pretend that I am talking
to someone singular.

Will you take another hit? –
Or is this one all mine?
It’s another Tuesday afternoon,
again, and we’re in the
limelight milk-light
and you’re somehow every girl
I’ve ever loved
but I don’t want to kiss you
because you, and she, and I
are not as real as the stories
I tell.
Something I wrote for a creative writing portfolio in first year of university.
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