Submit your work, meet writers and drop the ads. Become a member
 
Elizabeth Kelly Oct 2021
This morning
I woke up late like always and there was almost no time To
Comfort your crying
I thought it was a nice weekend and I wasn’t hungover
So I made you breakfast
Of the breakfast you made me when we were feeling so good
Potatoes and cinnamon rolls
You said the alcohol sugar kept you up all night
Hands in your hair.

It’s a poor paraphrase of I think Maya Angelou
that when people show you themselves, you should believe them the first time.
What if all you know, all they show,
Is what they’re not?

Tomorrow morning if you’re crying
It’ll be the same thing
I’ll wake up late
As I wait for you at 2am to join me in our bed
After coming home to an empty bottle and you
Feeling better
Elizabeth Kelly Sep 2021
“I think there’s something wrong with you and that’s okay,” she sings with all her heart
and strums the guitar with my pick.
I’m in charge of the chords,
holding the guitar so
she can reach it where she sits.
We dream it up together, but
I phone it in
I admit.

A, D, E - 1, 4, 5 -
arbitrarily chose.
She keeps it alive with her prose
Just 5 years old
A poet with her eyes closed.

You can be anything you want to be, and that’s okay as long as you’re happy.

Like she knows
The greatest longings of the whole of humanity,

Like she’s peered into the depths of the vast ocean of broken hearts,
And know this is the best place to start…

Like it’s easy.

“It’s okay”, she sings with closed eyes,
and strums the guitar in musical bliss.

And it is. For that moment. For a heartbeat.

It is.
Elizabeth Kelly Sep 2021
My words don’t have arms big enough to hold these great and growing feelings.
They stay in my insides
Crowding out
Grinding down the subtleties
That reside near the edges in the used to be,
that cushiony soft berm.

It was comfortable in here once

The Room for Interpretation,

now lost,
now over-full,
balloon-bright and tumbling one voice and many into and out of supremacy.

These great and growing feelings
and my insufficient words
that fall from me one-by-one into place,
the thudding truth in basic blue.
Elizabeth Kelly Nov 2020
He fancies himself a cowboy
In line at the corner store
Concealed carry snug on his hip
(He secretly hopes someone gives him some lip)
The cashier hands him his change without meeting his gaze
He’s surprised and aroused.
She knows her place.

Selling your soul’s not a deal with the devil
Selling your soul is a deal with yourself
Make the choice over and over
To shake your own hand
And pretend that it’s somebody else

He fancies himself a nonconformist.
A free thinker
The sheep will all do what they’re told
And he’ll be ****** before he goes peacefully to slaughter.
It was easy, he figured it out
Demanding proof is just an excuse to hide behind doubt
A warrior,
he wields the flaming sword of truth
His wife asks a question; he breaks her front tooth.

Selling your soul’s not a deal with the devil
Selling your soul is a deal with yourself
Make the choice over and over
To shake your own hand
And pretend that it’s somebody else

Somewhere a fat man is checking the math as he’s being served lunch
Picking through numbers, looking for nibbles
He dribbles drool onto his chin,
as he dials his guy in The Caymans
His stomach is rumbling, it’s never enough!
To deepen ones pockets, one first must make cuts.

The determinant cause for the silver mine fire
Will read “Accident: faulty electrical wire; Company denies liability
per signed agreement at hire.”
And the cowboy free thinker won’t laugh at the joke,
he’ll just choke
There will be no survivors

But today, The Cowboy nurses his hate,
while Somewhere a fat man is writing the fate of the cowboy in pen,
pleased to be Great Again.

Selling your soul’s not a deal with the devil
Selling your soul is a deal with yourself
Make the choice over and over
To shake your own hand
And pretend that it’s somebody else
Elizabeth Kelly Sep 2020
This place is a wasteland
Wasted potential
Food
Opportunity
Wasted at the bar, looking at your hands
“how could you do this to me?”
What happened to beauty?
And who will be the bad guys in the movie?

If a fascist takes a **** on the floor, will it land in 1984?
We’re at war
We’re at war
If you’re not rich you’re poor

We’re not the ones keeping score.
Elizabeth Kelly Jul 2020
The air is heavy with a million million souls
Parts of wholes that escaped in the breaths of prayers
Whispered at windows of the desperate and the faithful
In the apple-core-rot towns and cities of America.

I’m standing in my driveway
And I can feel them all,
Bearing down like storm clouds in the heat.
Another offering could bring the heavens crashing to my feet.

My forehead is sweating, standing there in my driveway,
And I wipe it with the back of my hand,
Squinting into the haze.
The waves of energy
Their ecstatic mass vibrating, buzzing, clicking
A dog’s toenails on linoleum  
A tiny ear pressed to a mother’s chest as she hums. A heartbeat.

I feel dizzy
and wonder if the entirety of the universe
is made of the hopeful, wasted energy of unanswered prayers

I will dig a deep well inside myself to deposit the seeds of doubt, I say to myself and no one and the universe,
and despairing for the orphaned dreams surrounding me,
I give in to the indulgence of wishing.

The sky sags under the weight of a new plea
As I prepare to forget
Elizabeth Kelly Aug 2019
We sit at right angles in your living room.
You on your couch
Me on my metal folding chair
   (a constant accessory to my new job. Necessary in the unknown of other people's homes).

You're smiling at me,
and then not at me but toward me as your gaze softens into the halcyon flicker of the pink-tinged memories that glow behind it.

I am an archaeologist.
You are the past.

You are hand-laid brick houses with green lawns built for cookouts and cheerleading practices.  
You are "every-kind-of-person-lived-on-our-street-Irish-Italian-Polish-Je­w-Slovak."
You are the American Dream of your Polish parents. 6 kids in Youngstown. An orange and a discarded evergreen were Christmas miracles.

When people talk about the Lost/Yet/Retrievable/Greatness/of/America

They see the memory of your memory.
Of You.

I envy you then.

94-years-old. Oxygen and original teeth and an endearing pleasant forgetfulness that makes answering your repetitive questions feel like giving you a gift and watching you open it over and over.

You absently grab for a comb, a hardwired ritual of vanity, and ask, "How's my hair?"
The pillows under your eyes become pools as you laugh,
and I love you for your wonderful long life and I hate you, too.

Because you're not me, yet I am you.

The American Dream is milky mashed potato flesh and a breathing machine.
Forgetful and habitually vain.
Foggy and sweet and dying alone in a house, surrounded by knick knacks and stink, watching The Game.

"I used to have copies of the Saturday Evening Post. I should have kept them."
Next page