An early evening gust
broke the back of the day's blaze
Still 90 degrees at eight
in orange haze
Sweat runs down my neck
Through the gorge between my *******
The wind lifts my linen shirt
runs its hands along my sides
reviving memory
of Forest Park
of a blanket in the grass

Where the pines trace
so many faces
Crackling popping kids
stolen matches, running
screaming victorious!
Blowing tin cans up with fire crackers
Bicycles, sparklers, fireworks at dusk
That whole afternoon
I spent hammering caps

Noise really makes us kids
really
especially
annoying

Mom wants us out!
Gone! All of us!
No needs. No excuses!
No cookies! No slices of bologna!
“No more Kool Aid!
Out now!
Out!”

That evening I tried
to dismiss the itchy sweat
of stupid-sister-Suzy-matching-sun-suits
at Gino's family picnic
When some kid
(I don't know?)
between the rigatoni and the sweet corn
Some kid
tosses a sparkler
into box of fireworks
I don't know?
whether to cry or laugh
I was pretty scared
Rockets going off across the lawn
and onto porch
Craze of colors through the trees
Some at eye-level horror!
But the sight of Aunt Nedda
diving under picnic table
Stockings, garter belt upended
Capsized beyond her caring
of uplifted dress

Some images just stay with you, ya know?

July 4th always lands for me
on a firework's ***

For my cousin, Chris Goldrick

Lacing my skates
after walking two miles
in girl-strictured delight
Mom's stories of Sonja Henie--
No, not ever

Lacing my skates
with  snow-ball pompoms
felt skirt
and nylon tights
Cute little hat with matching scarf
My thighs and fingers
already freezing
icy burn
from miles on foot

to get there
the lake where--

I must get out
I must get OUT!

Knowing what
to expect from my body
the quick-twitch of muscle
Could always sense
specific--
gravity of water    
at 22 degrees

Desiring to feel
the motion between ice and steel
Read speed's vibrations through my body
The brain registers relation
to weather's effect
Tell of velocity
possibility of fall
Feel the slash of the blades beneath me
Throw my weight sideways, sudden
to hear that furious hiss
An object in motion tending, dire
to stay in motion

Threatening to stay there
always
in its heights-- of speed
away--

from the crowds of skaters
swirling distant in the lights

Seeking instead
the farthest reaches of Porter Lake
speed and speed and more
to overcome
inertia
of what it is to become
undone

at the outer edges, of humanity
A force  
centrifugal unto myself

Avoiding

Pregnant and slow
with years and babes....

The best
must be broken and tamed
of what it takes to stay free

catching the edges with every stride
catching my toe in the quick
180
spray of frost
to the sudden still

Listen to the frigid chill

and the heave of my breath
tumbling into evidence

Gliding
Once

Forever--

on, into darkness
of woods on frozen water

The wildness of it all

So infatuated with flight
so full of grace

I forgot Sonja

The moon rose
from her seat in the treetops
and applauded

I cannot pick a color
I love more
Each is thrilling
and some seem
the breath of life to all the rest
I loved my crayons
They became my escape
from misery
the contrast to any given day at school

Any excuse to use them all
or just one
to avoid that lowest reading group
the monstrosities of math
If I couldn't sing it
there were no letters in the alphabet
I could not tell you A from Z

But you see--
That day was
purple!
That was all that mattered
I loved its richness and its depth
its mystery
its royalty
King Midas would have liked it, I was sure
almost a religion
Vestments of the priest
in the times of expectation
It is the explanation for

the last of day

As a five-year-old
I drew my love for purple
Passionate
and outside all the lines-- off onto the desk
I was so proud!
But--

Miss Platt, so horrified
asked,

What is it
I was trying to do?

I didn't know....

I was suddenly ashamed
and frightened too

Pinto?

No, not the wild-spirited, color-splotched mare
with mane streaming like flames-thrown
behind in the wind
Taking desert inclines
with scuffing hooves on rock
catching her balance in mesquite
curbing?
The sage, dust
All
that nature throws in its pathway to knowledge
toward treachery of crosswalks?

“P-l-e-a-s-e  don't slow down!
Stop signs--?
”No!
Just keep going!
Don't slow down now!”

“They'll hear us coming
3 blocks away!”

Pinto?
Clogged carburetor--?
No one much-mentioned
rear-end inferno reputation??
A mere twinge in my signature
Woman-without-a-clue

“Hey, it runs, right?
Gets where we're goin'?”

Kids duck in back seat
so as not to be seen
In the cloud of smoke
We make our approach

Hiss Spitter, Belch, Pop
and--

BANG!

--Like a gunshot

Kids take cover
on street, in backseat
duck down
so not to be noticed...

“Oh Ma!  
MA!!!
Not right here!
Farther down!”

...so not to be seen
...by friends that matter...
in this ride
from hell!
Backfiring Beast--

“Friends”
skitter away
from what will emerge from the smoke and fumes
of high-risk-situation

Kids spill out through jammed door
to unexpected accolades
onto equality's curb
of laughter  
Public school's
wake of exhaust and relief

I drive mercifully away


Start of another school day

Route 84 would not lend me
the light of a star last night
Radio blazing at 75 mph
nonsense noise to chew gum by
Crackling political commentary
Static of distance and thick clouds
Invisible mountains blocking
Memories seeping through the cracks
coating the music in a film
I rub my eyes
watch myself punch alert buttons
But it’s the angels’ jukebox tonight

Roll down the window
Watch the heat escape

Summer again

I am building a castle of ancient stones
pulverized by relentless tides
Dragged across maps by mastodons
and mammoth glaciers
The scouring hiss
the ocean sighs
Time has lulled these smoothly
rolling them in the softest hands of sand
and gels of life’s comings and goings
tenderly tumbling
in the millionth moonrise—
Time deposits them here
wet and glistening

For the girl with the plaid two-piece to gather
Shoulders sun-burnt barely say
one week only,
one week of the fifty two
“It’s the time of the season…”
and daddies on the beach are watching….

She has chosen yet another stone
And the castle continues—
in oblivion to all but her legend…

     The queen will be safe here
     from the rabble
     The disgraced Tristan will surely seek her
     Among these lofty cliffs
     Between the raging circuit of the tide
     Here winds forbid the vengeful mob
     Here lovers learn
     the debt of love’s bad timing
     “Drink ye all of it!”
     --the potion that assigns our sorrow….
     She will not sleep—
     while I chew this gum--  GUM?

Roll down the window!

Angels escape with the heat
Waking me with the brush of their wings

As that eighteen-wheeler hugs my flank
And leans on the horn
Lights flashing
Rude rumbling under right tires
Tantrum of snow
In the draft of mass and velocity

…and the angels?
They’ve chosen another good one!
They must’ve liked the 80’s
Their wings slapping the windshield madly  
Their hands steady the wheel

Bent
Near to breaking
by her burden
of fruit, swollen with seed
In that thrashing by wind
Bearing down on the sun
in her labor—
of  Need
to bear
the pain
to bring
her yield
to his hands—
her harvest
of warm juicy softness


Gone—
the upright
reach of untouchable spring
When stems, stern and smooth
wore a lace-beaded bodice of bloom
of coral chiffon
First leaves
a scarf
with a fringe of lime green
wrapping her gifted and lean
to the buzzing

She was lighter than dew
to the amateur insects
smeared with her

Her only accessory--
a robin
They had left
as evidence
they had ravaged
its song


Now broken and leaking
more damage endured  
Ripe fruit in rough hands
He leans against limbs
by his weight sternly pressed  
so suffused in the fragrance
of peach intoxicants
which he will have--

He is lost to his lust
He is forcing his need
into another year's beauty

asserting his claim over and over again
of that lost and ancient bounty

Later at the same address
A storm of words reaches flood stage
A couch is bobbing in the currents
towards its mangled ruin-nexus
of matchsticks in cyclonic flow
among the renegade
trash
hanging
from the limbs like tinsel

Meanwhile
chair heaved through her door
Like the river
I am not above my rage
at this stage
of more than enough....
Clever daughter's got my goat
Turns my words on dimes
Lays into me
her score of blame
Each blow to drop me further

presses all my buttons at one time
despite the flashing
Warning! Warning!

“Fine! Fine!”

She blows-out through the afternoon
right past me
in a torrent of curses
A stubborn perfect storm
of words
has taken out parental dam
and blown out toward the Bay of Freedom
to the sorrows of her day

The river may crack its whip
But its got nothing on her

nothing is left standing
in her way

It was the time of my Auntie Bee summers
   I was small then
   She had a parakeet that landed on my head
   and a bathtub too
   with water so deep!
   and legs and claws!
   **** thing nearly chased me down the stairs!

She lived in slumbery Windsor Locks
   where bugs hung-out in the haze
   of teenage August
   I played in the tall weeds
   with a shoeless Italian boy
   who ate tomatoes like apples
   and cucumbers right off the vine!
   He was ***** free and foreign!
   We played— reckless, abandoned
   behind the gas pump, under the tractor, in the barn   
   and through the endless fields
   I didn’t know....
   His name was Tony
   I ate pizza with him—the first time

At Auntie Bee’s I had to go to bed at eight
   but I could watch night flowers
   bloom on wallpaper
   She came in to say good night
   slippered, shadowy, night dress slightly open
   and I peeped her *******!
   like Tony’s cucumbers!
   I had never seen my mother’s wonders....

Night spread its wings from the old fan—
   a bird of tireless exhaustion
   whipped, whipped, whipped to death in its cage
   tireless exhaustion
   tic-tocking in time to a wind-up clock
   stretched out on the whine
   of the overland trucks
   Route Five through the night of an open window

In the grape arbor below—
tremulous incessant
   crickets    crickets    crickets
tremulous incessant—insides of a child
   a summer child
   not yet ready for the fall of answers

Auntie Bee had a daughter—Maureen
   I followed her everywhere I could
   I was small then--    
   do anything for a stick of Juicy Fruit
I followed Maureen through my dreams
   of being sixteen
   and woke to Peggy’s “Fever”
   while she tied her sneakers
   against the mattress by my head

I followed Maureen (in my mind)
   tanned and bandanned
   to work in the fields of shade tobacco
   with all those Puerto Rican boys!
   She knew where she was going!

I was small then
...do anything for a stick of  gum

“Mauney! Mauney! Mauney!”
   ...through the goldenrod of roadside
   through the smell of oil that damped the dust    
I followed Maureen’s white shorts
   and chestnut hair...to the corner store
I followed the way the boys smiled
   the way the screen door slammed
   on her bright behind
   the way her lips taunted and took
   the coke-bottle’s green
I followed Maureen

I swear, I tried for hours to get that right!

Must have been Peggy Lee’s “Fever”

Maureen ties her sneakers in my face
Flaunts her years above my head
She has that look—
“We kids don’t know nothin”
(Little turds” that we be)

…followin’ Maureen
through the goldenrod of roadside
tic-tockin’, beboppin’

“Fever— in the morning
Fever all through the night….”

I don't think about it any more
I take out the trash
noting
Sticks caught in the crotch of a tree
The wind does what the wind does
breaks weaker branches down
does not care where
it leaves
them
on its invisible way

Days do what the days do
they don't count themselves
worthy as they go
to release
the afternoon
to evening—
an artless
emptying
to a low spot
where tears tend to pool
if I'd let them down

“You know,
in that low spot
out there...?”
Where it's hard to see
Where its hard to care?

They take heart
out
divide it by energy
for sadness—
I haven't got

Watched the clock go round
wipe out my little plans
with relentless hands

...and I never got dressed today

I hold your life inside my own
as you hold me
in your sea of seeds and waving reeds
Beach grass on breast of sand

Ripples of wind
Across my dune
drifts...
your hand

Tracing the mark of a high tide
with my wanderings
Will I be the last?
to recall its highest reach upon the land?
I note the smell of dead and ebb
Would change it all on my return
if it were up to me

And once I started running out
“Wait! O, Wait!”

Black breaks
The sand bars
between the tide pool’s
red whispers of you

I now believe
gulls turn time in their wings

I stood in the February snow
the freezing sleet
no boots
no coat
Steam wafting off my fury

My father read the lie
two hundred yards away
and walking toward me

So I owned it
told it
With a snarl
Without a flinch
Both knowing

I held my ground before him
and wore the red of his hand
on my face for a week

He was large as frogs go
Fist-sized happy rotund dweller
of backyard pond
Garter snake large, too large
with his ominous yellow stripes
and jaws to take
a larger than average mouthful
Choked by abdomen's girth
Legs drooling from his glut
Before the victim's even hit his gut's
digestive juices

Kid with hockey stick makes him puck
for his sin
Frog makes  desperate
slim swim for rocks
Where he lies in recovery
from shock and
teeth marks on his belly
Underdog gets defense from phone call-- Eve
150 miles away
intercedes
Frog gets mercy of a transport
to another backwoods pond--
to find his life
forgetting trauma
Suns himself and swims
Eats the bugs
and ***** the froglettes
of another day

Freezing a glance
Wind cuffs down-white heliums
Sweeps contrails
Separates cirrus across the moon

Cresting wave tormented
wind against steel
movement in movement
sprays of hair

Blizzard of petals from the apple
Furious snow
drifts off—  garage roof  
Fog that haunts the river on the coldest nights
___

The walk across the alley
took—
so long—
A lifetime from the doorway
of someone else’s impatience
Prints of motion
record the loss
a single set in snow

But there!
on the icy, shoveled surface of night
lies the snowflake of a bird
impossibly molted
Song of a feather
caught—
Flailing! Helpless!

More than lovely for its lying there!
Lying there!

A beer can, phone book, a grapefruit
and an Advent wreath
with four candles
in its nest of greens
Two weeks
Two lit
Third one's the Pink
a life three quarters spent?

Next weekend
Saturday-- The Sabbath
falls in Hanukkah

“Blessed art thou, Lord our God
King of the universe
who dost create lights of fire...”

I'll light that third-- the pink one
like a barbarian wise woman
who traveled too far along life's way
to find a Jewish baby, wrapped in rags

...or, was it the old guy that night
lying in the street
outside a New England bar

“Oh Christ! Ya gotta be kidding me!”

Nope, He was there alright

Wallowing in the freezing slush
amid his helpless drunken cries
No cell phones then
Scrapped my pizza plans

On foot alone
waving in frustration  
in the passing headlights
a turquoise, wind-crazed scarecrow
_

“Someone's gotta stop?
Someone has to help us, don't they?”
_

Now there are two beer cans
a grapefruit, and a phone book
beside the advent wreath

Third candle lit and leaning out
for hope along the way

Yellow is
a high-minded mood
the extravagance of sunlight
to be touched--
before long
by colors of play
___

It is of hair
tendering golden sun
brown pennies for lemonade
__

Yellow is
bumping into the screaming end
of a lit
cigarette
___

Yellow is
dripping from the eaves
onto an empty soup can
___

It is
spindling sparrow song
from highest perch on roof
his pitch can aspire
___

Yellow is
in rattled doorknob
an infant's sweet
voice wanting – in
Reciting menu
above mattress
edges into sleep
two dark eyes
plead
for yellow
waking
Mother into morning--
“juice.... eggs”

Yellow  ___
is
opening a car door
at the shore's
unmistakable!
Smells of life  
warmth and breeze
touching strings
those kites  
of sense
harmonics
above the tone
octaves of excitement
to see to hear to touch to taste
to know
again –

the ocean of my mother
as she calms the waves,
ignores the pouts of us
with stuff to lug out to the beach
the towels, pails and shovels
Picnic basket, cooler
lotion, comic books, her magazines

Mom looks out
She is a good swimmer
Her glasses, dark
Preside  
reflecting beauty –

“Take your sister's hand.”

Yellow are the squeals
Feet thrashing sand
of cannot wait

This woman I know
quite the old hippie
gave me this lovely gift

A softened silk and denim dress
Folded loosely
just handed to me, unwrapped
(We felt the same about the waste of paper)
“This is for you.”
Opening it, I saw its gentle gathers from the shoulders
almost elegant, its drape
and the rough
but soft and dark of it
Real indigo dye
with silk laces from bust to waist

...then the tiny stitching...
NO!
Not by machine!
Knew the labor was – intensive
Every edge
was finished, sewn
by her caring hand!

"Oh, lady of my dream

whom I do not know
I THANK YOU!
From my soul"
I would have made this in another life –
time
of hope and longing

And then I saw that seam!
along the side
that wasn't... really...
just those thicker threads
a silk macrame
of knotted net
so –  bold
to hold that one inch open
to hint at nothing –
and everything –
in between

“Oh hell! Oh ****!
Does it come with an occasion??!!”
She smiled
somewhere between shy and sly

What She Look Like?
  
…Like one
tenderly hushing
water in her lap
Elemental peace
No place to go
No more to be
…Like the ocean
in the background
of a photo on a warm spring day
belying
rage
and the random possible
thrash--

out!

at all guilty ******* in her path
Toss in the next sentient soul
who should happen to pass
within range
who should have seen
who should have known
what a storm could do….

Moody in the aftermath
and sorrier than rain
With the tide in retreat
grumbling excuses
Hiding out waist-deep in dusk’s Merlot
Waiting for night to sleep it off

to heal the rifts
cleanse the shame

Rising
yellow, bright— and

“What the hell happened, here?!”

____


Her hair
a winter’s tragedy of trees
upside down—
No wait— the wind has put her right
to ragged random branches
swaying, wet with intermittent hues
of dark and silver
caught in collar, flying inelegant and free
at the shoulders of the levee
tossed and softening shyly
sagging jaw and nose a stump of tree
All perspective changes…

if you watch a while—

She’ll raise her eyes
into the sunset
to catch an eagle
entering
flight

…and then you might…

___

She looks like—
a pudgy robin
querying grass
mud soaked
that hides the fire of her breast
tugging at a worm
more than half her length
“I will feed them, **** you!
Give it up, you son of a snake!”
_____

...Don’t miss her hour of music though
for anything
Encroaching darkness
from the rooftops
she listens to the hearts she breaks

Remember this in winter
she can give but she will take
it out on February
when you’re longing
for her

It’s there—
in our goodbye
in that last glance back
across the heat reflecting
from the roof
Your car between us
The door is open
and your wounded soul

He’s dead at 21— I know
you loved him

I overdose this moment
Paralyzed
our eyes—

go on forever

Stars
So many!
opened the sky above the ocean
A map
of night's heaven held
with the tailings of day

...and the pink moon
content  
with the toys
left by spring peepers
was playing in the dark woods
across the road

waiting for its mother

The right winter
for dope and ice
for walks along the river route
home

The right winter
for arctic pin-***** wind
holes in boots
turquoise dress coat
far too thin
for walks along the river

But The Merrimack couldn’t find her way
when fabric moguls migrated south
Fascinated by nylon nasties
they traded their silks and cottons
for those petro-polyesterdays

While she—
could no more manufacture life
than mint their money
So, they blamed her
Pronounced her—“Dead”
Decried her “*****”

Now—
She wanders sadly under bridges
stopping to eddy in an overhang of birches
In dank canals, I found her sleeping
angered only at the falls

Poor outcast!
with current edge she splinters light
from cities sadder still
retching her oily stench 
        past Plum Island
into the sea— into me

What’re a few warm tears
falling from someplace on a bridge
to the icy waters of the Merrimack?
Rivers get lost in the ocean don’t they?

Let them find each other there

This is a three-part, longer narrative poem, seen
as old photographs that follow the main character, My Aunt, Lillian Goldrick, across two decades.  It was written 30 years ago*
______

“Hey Kid!”     Part I

Photographs aren’t fair
stopping the soul where it’s not
in rectangular guffaws
surrounded by serrated edges, pickets, teeth?
to fence and stab in yellow, soft-covered booklets
with designated floppy phrase
“Your memories”

Happier than she could ever be...

A black and white day at Salisbury Beach, NH
hung over his hammock
Private pin-up girl
tilts her head against silver sheen of shoulder
Hair, dark chignon
except for a few wispy curls about her face
freed by wind
bleached by sun

Stopped

...for three decades
Legs slightly bent—long extended
that could stop trains, stop traffic

Stopped

Modest bathing suit, probably peach
cannot hide (not that she would)
the undeniable
And if there were question left
you could look at her smile—and love her
posed by he message scrawled in sand:

“Hey Kid!”

What kid? Where?
In the foreground?
In the camera’s eye?

In the background—
a Ferris wheel, a billboard
and  r-i-g-h-t  there—Can’t you see it?
Look again—behind her eyes
You can barely see it, but it’s there.
Remember?

The Depression
Only ten years before
It was April
Stroke, heart attack
Both of them gone, a year apart!
The priest came
Last Rites for mortally stricken
Candles, crucifix, the Catholic containment
of holy water that dams the tears

Kneeling around the bed
they said the Rosary

——————————

After VJ Day he came
to the house on the corner
of Commonwealth Ave.
She knew he was coming
but she could not be ready today
nor tomorrow
nor next week—or ever...

“Lill! Will ya come to the door?
She’ll be ready in a minute.
Hey Lill! Hurry up, will ya!
They’re waitin’ fer us!”

Upstairs in the dark hallway
her door clicks shut....
________


"Hey Kid"    Part II


The clock at Joe Rianni’s read 20 minutes to 12...

Crowd from the Phillip’s Theater—gone
though laughter lingers
in a Friday mood
in high-backed booths
where only an hour ago swinging free
were high-heeled shoes
legs crossed at knees....

Now on tables abandoned
deserted fields of French
fries lie cold in salt flurries

Only female straws wear lipstick
as do Luckys bent in ashtrays
Males, uniformly flattened
as powder burned, as mortar might
shells, casings—the evidence of war
Among explosions of tickled giggles
one was taken broadside...

listing     toward      stars
_______

...The clock read 20 minutes to 12

when she walked in--
And Rhea stopped swabbing black mica counters
long enough to absorb late-customer hate
and envy that such beauty can arouse
In voice hoarse and weighted like a trucker’s

“Whadaya have, Lill?”

“coffee”

The small answer settled at the soda fountain
and slowly struck a match...
She was falling from the slant
of her black felt hat
dripping off the point of pheasant feather
Gray gabardine suit
tailored from angle of shoulder
to dart diagonally
toward such a waist!
Turned to skirt hips
that arched and dove toward slit—
then seams that run the round of calf

that seem to flow
to ankles of naught—
...and all that seems

Black     high-heeled     above it

Coffee— cold, stale
Gray glassed-in stare
searches air and random walls
of coat hooks, menus, mirrors...
while lips ****** exiled words— replies

Dragging a demon from her Camel
slowly     purposefully
she exhaled a burly arm of smoke
that rose and laid its hand
against the ceiled atmosphere of embossed tin
Then leaning over her shoulder
in roiling emission of shrugs and sneers—

“Lill—There’s no way outa here!”
________


“Hey Kid!”    Part III

After kneeling backwards on their chairs
after nuns, catechism recited
After—
Five of them scuffed through leaves and litter
along the curbing
spotting cars that counted—
Bugs, beach wagons, flying bathtubs
A slower way home of hunting
shiny chestnuts and muddy finds
rare match book covers
and bottle caps that win ya things!

One breaks from bunch
and trials off to where
dimes turn to candies!
...at a dingy luncheonette...Joe Rianni’s
____

Here—behind smeary wall of glass
pleasure leers while holding back
those grimy fingers, lips that long
for jelly fish, gum drops, lollies
holding back the company
of Baby Ruth, and Mary Jane
O Henry or Bazooka Joe!
For less money but the same salivation
there were colored dots to chew and ****
from strips of paper that last forever!
For a little more, plus the sweet struggle
of desire denied
a kid could be proud owner
of a pea shooter or trading cards!
While in the mouth
were golden imaginings—
the chocolate foil of coins
and the candied pretense of cigarette adulthood
_____

Rhea didn’t see her in the line...

Only grownups with wallets and purses
Only grownups get waited on...
...because Rhea was a Gypsy!
Kids could tell!
by her big red lips and hair to match
by the nasty way she chased them out—
“****** kids!”
Only grownups get waited on....
_______

And the clock read 20 minutes to 12

While a child waits—
time stirs in a ceiling fan
   There’s a drift in attention
      along deepening endless walls
         toward a line of sleepy booths
              carved with

“I was here—in such and such a year”

Her aunt—at the last stool—like always
Their names too close
Confused too often

A little girl wonders
about the sight behind the sightless stare
loafers, ankle socks, the ‘40s hair
the gathered skirt that gathers ashes
as they fall from cigarette
held in yellowed fingertips
Tremors crimp the smoke that climbs—

              ...a strobing pillar

“Whataya want, girly?”

              ...the only movement

“Hey! What’s it gonna be!”

              ...in a shot—

“HEY KID!”

              Snapped

Friend one:
Reads "Rotten Tomatoes"
Always early, parks in a handicap zone

Friend two:
quietly disapproves
knows Friend one walked her dog a mile earlier

Friend one:
moves her car
digs out two waters, chocolate
and back pillow
buys peace and tickets

Friend two:
catches sneeze with *** of tissue
aggravated exchange:
about walking too fast ahead.
“Are you not my friend?  Walk with me!”
Buys popcorn

Friend one: 
  wants seats on the end
for handy bathroom runs

Friend two:
does not want “the blow by blow” of reasons
just not in rafters
sneezes, and says so
trips
spills popcorn on the stairs

Friend one:
Sets up “camp”

Friend two:
holds crap

Friend one:  
Settles in, builds her "nest"
opens water bottles
arranges back pillow
half-a-million napkins
“Want your jacket?”

Friend two:
holds popcorn, helps Friend one with jacket

Friend one: 
  pushes button for her seat back
seat sounds like a ****.

Friend two:
says so, both laugh like fools  
Friend two sneezes loudly, rubs her eyes
loses self in movie

Friend one:
starts to snore quietly

Friend two:
nudges her

Friend one:
(Who is never really snoozing)
runs out to restroom
misses best part of movie
Comes back,
“What happened?”
What happened?”

Friend two:
aggravated
hushes her
takes allergy pill

Friend one:
weeping at the end, watches all the credits
starts her review
apologizing to the kids of theater-cleaning-crew
popcorn, napkins, tissues everywhere

Friend two:  
Sneezes yet again

Friend one:
Knows all the stars--
of friendship

being how she is one :)

Katydids and fireflies have the levee tonight
Swat team held the day

There is peace now
and peeping neighbors
emptying horror
among themselves in whispers
left to wonder
‘bout the screaming and the barking
of earlier that day

“Put down your weapon and come out
with your hands up”

Again and again
the demand of surrender
Total
There is no other way

“Let them go!
Come out! come out with your hands up!
It will be okay”

…and he argues in his mind with the shame and loss
…and the shame and "No…it will not be okay"
He had hit her! Hit her with the Gun
again and again…with the gun
Of his demands
The gun of his power
to make her!
The gun of his despair
He had hit her
the dog is barking
His children scream!

“Put down the gun and come out
with your hands up!”

How many more times will they say it!
for all the neighbors to hear
on a loud speaker
Surrender!
in front of his children
Had she cheated?
Had he lost his job?
Could he lose any more to the screaming?
to the "junk"?
to the flashing lights?
to the window's smashing?
Fence run down?
Lobbing
canisters of tear gas
into the room's stinging eyes
where there is no room
where there is no time

"I would never hurt them!
You!
You know!"
"Let them go!"
"You left me!"

“Put down your weapon and come out
with your hands up!”

It is all too loud
It is all too much
as you put the gun against your temple and…
pull the trigger

The ocean through an opened window
Frontier between all that's known
of here
and sleep
riding out the waves as they come

A gull cries in passing

Waves sating themselves
in the womb of the earth
kissing the neck of Bride's Brook
Her seaweed streaming hair
in wind of tides
The moon's pull to release
coaxing spent and tender moans--

the farthest reach of sighs

I let you go
to Philadelphia
I let you go
thirteen goin' on “life”
to your momma-- (God rest her-- and keep you
--from wherever she is)
to your father in Philly
outa the picture

Sheepish in the doorway of my classroom
back again
one last time--

Say good-bye, kid, to your short stay in Scranton
a town that can't rhyme
whose name falls over its own misery
No use for outsiders

“Where's your book?
Found your binder in the rain
Soggy protest to school's demands?
Of course it's yours
I checked, ya know”

"No way!"

Desk's been empty, three weeks now
Still, gotta ask
“Whacha doin?
Where ya been?”

“Khmir,
I'm sorry for your loss....”
Thirty seconds shares our grief
Thirty seconds for your future's-- all I got

“Listen to your teachers!
Do your work!
Please-- be okay?”

Khmir
in your wooly black coat-- like a bear
like a dare
shruggin and dancin in the doorway
of the “show”

Homework? Aint happenin'
But one paper, though
on why--
YOU-- should be president

and I almost vote for you

Did I touch you as I left?
That night of beer and music
Almost tipsy,
laughing good-byes

Backing into blindly
I felt an arm... a moment
guide me
before I all but fall
against you
Knew that warmth
of mass was male

You exhale
I sense your being--
behind
Amused
By accidental intimacy
I come unglued
By your flirtatious
catch of eyes
in lowered light
By faint fragrance
of whatever it is
you've drunk or used
to put yourself together

Turning
guarded
Apologize
glancing down


Women always look, though
however briefly

“...Your words were found and I ate them.
They became a joy to my heart. In my mouth—
a sweet delight, but in my belly—bitter...”
                                                ­ --Jeremiah


...But that night
by dim background of next-room light
I could not see your face
just feel your hush of shadow words
on spine of shudders

Seems we dropped this bomb
that would not stop exploding!

...And I was sure?
that it was right?
because...because....!
Their eyes were slanted!
So they could not see—
the “Good Guys”
VANISH—
WIDE-EYED—!
in its TOO-MUCH-LIGHT

Still your voice insists
in pause and fissioned hiss
that I MUST KNOW
in tender half-life
TRUTH
too pure
too deadly white

I swallow lethal glowing dose
HOW CAN YOU SPEAK
SUCH WORDS SO CLOSE!

EXPOSED!

“...in mouth sweet—in belly bitter…”

Stories? and the Grandma Song
rendered tender—lull of voice
Soul’s cabinet cleared of venial sin
Last of all—the tucking in.....

They say you first get sick....*

Seems we dropped this bomb
that would not stop exploding!
And I am invisibly ill—with truth
approaching critical mass

Will angry rads incise their ways?
Will leaden swords of angels drive them back?

In this night—
my bedtime stories fainted at your
whispers...whispers...WHISPERS—

fusing an oblong fear
that I MUST NOT DROP!
but I cannot hold!

Fetal-folded
frail and freezing
under covers— just barely peeking

“Jesus hanging on the cross…Tell me-- was it I?”
Jesus hanging in the cross
TELL ME! IT’S NOT TRUE!

"Tell me, mother
Were you God talking?

I could not see your face
by the next room’s light..."

I hadn’t meant to spy
just an evening’s walk along the beach
knowing that things are sometimes strewn there after storms
between a gust of wind—a break in clouds

Coming upon moonlight
gleaming on wet teenage backs
Two—
by a leaning erosion fence
fondling the last discoveries of childhood
fumbling with the barriers of her bikini
behind the erosion fence
out of sight and forbidding

Breeding like sea grass by rhizomes
prowling that neck, those *******
Gasping! Warring!
for the land of white warmth below their tans
His hands grip, lift, position, insist
By such undertow
mouths and hips pinioned in disbelief...

where they cannot be seen
two half-rounds in rhythm – struggle in the surge of being

as the surf binds them in refrains
about the ankles

Writing,
for you
--is a river
a revelation
a sleepless constant gift-- so out-to-see
in a flimsy boat
you built by mathematic rote and laced with ivy
to hold together ******* boards of crazy
with the ease of breathing
Your giant storehouse
wealth-of-words
Your granary of data
the grist of
Music
You imagine wine
from mind
almost without limits
You command it all!
Dancing
in the grapes of moonlight
with tides of words
Their endless-- almost blind
come-ons and gone
in waves!

(my sullen heart)....
still stays

I am digging here
in a low spot
seeking water
with robins and a sparrow
in the puddles
Awaiting rain
Flipping-off the muddy shallows with our wings
I suppose their songs
will count for something
Tasting happenstance
of bugs in flight
maybe catch a firefly or two
at the edge of day
Tearing half a worm
from weeds...the brown of drying grass
near the small lagoon
collecting
'neath my car
Hiding
in an afternoon
too warm for flight
resorting to a place of shade
to smell the fresh-mown
sweet grass

Riding with my training-wheels
in the parade
Like a fool between those bikers' “Hogs”
Turning down my street
by mistake
laughing at the dead-end
of it all

Pulling poetry out my ***
_

My friend and I talk about it
Neighborhood got decimated this year
One after another the corners of community are gone
We touch the elder memories
as one might touch a head in blessing
as loved ones pass

We linger longest over John

Found dead after ten hot days
by other-worldly hazmat crew
flanked by cruisers
with their special, yellow truck
and zipper bags

...found 'im
glasses folded neatly on the night stand
in his jammies
all tucked into bed

No one thought it strange
that strange young guy would die
already decomposing in his head
Lost
among his personal effects
his fleet of rusting cars
and half-assed projects
Deck tacked to garage
his herds of “pets”

Easy to pretend he wasn't really there
between jail stints or some imagined threat or theft
of crap
haunted by the shadows of his persecutors
caught in motion lights
and cameras' blinding evidence of
jungle-jumble and malfunctioning alarms
going off in the wind
Everyone's out to get his stuff
We could dismiss him--

mostly
sorta

...except for times
he mowed his grass at night
or hand-built “the lunatic tower”
just for mom
from scavenged scraps and
hammered hours
power-sawed
through the housing codes
and horror
of the neighbors...
...Such a special spectacle...

******* crazy-- John!

He was enough for one day at a time
like when

he flung that threatening bolder
on bilco doors
for percussive effect

"Get off my ******' property!”
(not using his “inside voice")
“Next time, that'll be your head!!

He announces his intent
to not get mad, behave himself
to call the cops on me instead
Fake-dialing
While his mother screams in dread
“John is off his meds!”

My phone is set to speed dial
911
__

“How did we miss this?
How did we not miss him those quiet days?”

How we miss him now
How quiet

Not the lone glory of an orange
basking in Depression’s dusk—
its fluted bowl of purple glass

Nor the fall ways of amber
Leaves burned by roadside
curling smoke’s sun-lit sash

Not tree-lined streets
rabid leaves’ raspy voices
whirling giddy in the wind—

...in none of these

But in the moments I filled with fixing
a lamp shade
painting this place
to a stern perfection

...I thought of you
ordering the tyranny of me
the glass of me
the concrete conscience
I must be right!  Mustn’t I?

The religion of our lives
Driving through Sundays with Polkas blaring
feeding the ducks
and a roast at noon
Waffles and TV later
Lassie and You Asked For It
Wiping my mouth on a Sunday sleeve

I asked for it, alright

He came and went
to the smell of Ice Blue Aqua Velva

He came and went larger than life and first on the scene
to hurricanes, fires, muggings, and races
and of course—THE SHOP!
in an amazing array of uniforms and vehicles
Ambulances, wreckers, pickups, and police cars

He was terrifying! Wonderful!

We would love at a pained distance

His cabinet in the cellar was always locked
But now, just suppose—

if a kid were to haul on its handles...
supposedly—the sheet metal would heave and roar
with the thunder of him!

And those late nights
those harsh ****** lights
lidded hundred watt cones
in the spotlight of THERE
where I wasn’t
in the odor of oils too noxious to dare
beyond the girlish shadows—

he cleaned his guns

I waited and watched where everything seemed
to be
What...?
It seems—he just pushed her against a wall!
I step from girlhood
with my two-cents worth
and it seems I will not be Queen for a Day!

I take my vows!
I swear I will not scrape wax
from the corner of the kitchen floor with a knife!

I have waited.  I have watched
the routines of his mornings
He’s brushing his teeth; he’s combing his hair
he’s tying his shoes while he chats with the cat
I can tell you the creak of the stairs
and the sound of his footsteps rounding the house

...the routine of his return at supper
the routine of anger
My routine of being late—
and as good as dead
squeezing behind—
HIS CHAIR
Praying he wouldn’t notice the mud
Praying for the epiphany of his good mood
when the TV and me--

wouldn’t be blamed for the downfall of the nation

Andi Balise combined a half page of a short story, “Thanks Going Without Saying” by Liz Balise, with half a page of an essay by Klee, “On Modern Art”, from a book called Modern Artists on Art, 10 Unabridged Essays, edited by Robert L. Herbert. With some small edits and line-breaks comes this miracle of a poem:

Painting a Function Different

I peek out over the railing of reality’s magic
Beyond the porch-floor
Minerva hangs her wash
making the invisible visible
Eighty two and three quarters deaf
she doesn’t notice  
But this is, in fact, reality
Has always been this way—
Bent and bird-like existence  
Balanced on two twigs—always busy—

Her task, is the ******* of space  
Cutting coupons, crushing aluminum cans, ironing
The three phenomena which I must....

Things no one notices—
climbing on the abstract surface of a picture
Switching the curtains  
God! I wish from the infinity of space..she wouldn’t…!

It figures that—
Rusty, her cat, is weaving in fortune or misfortune  
I try to fix them—
Her ankles now
And she curses at accidental quality
from the corner of her mouth
which has only one form
Clothespin or cigarette?  
Long johns and animals and men in heaven
and bureau scarf and sheets—all, non-infinite deities
surround us translucent, contained
  
I decide what to get for her birthday—

We are good friends
through painting a function different

For me?
Predestined necessity.

Minerva?
forgets her manners
and eats like a survivor—

Thanks going without saying.

If that night could remember
it would call him back
to our Chinese restaurant
to fried rice and steaming tea
to our winter refuge of tile and cushions
60s retro black and white
Chrome legs of lacquered tables
with its mural of
our Great Wall

...winding, distant, wonder

If the snow hadn't muffled all
but our voices
we would not be—

so alone

Only I
felt his arm take its chance
around my shoulder
Guiding warmth
as good excuse as any
to touch

Two miles on foot
An arc in time
In lace of white
to hide— what might....

Below my window
“Good Night”
not enough
for troubadour
singing, pleading, stumbling...

(I worry about his long way home)

...and hardly notice...

How gently Time joins Snow
as if they cannot bare
instead, conspire
Decide the crystals
Send the flakes to sift over him

This loss needs snow
to blur his face
to fade from view....

This— tender let-down from the sky
As only snow can do...

Cover with beauty

https://www.youtube.com/watch?v=6o6zMPLcXZ8

Could the sun be
    just
    a hole up there—
    that if I could leap
    would enter that breach of light

Someone!
   Throw me a line!
   Give me a reason
   There’s never enough
   in this life of breathing!

Someone!
   Explain why dreams roll a soul
   toward the cliffs of day
   Wakes to ache
   then stuffs its mouth
   with necessary same
  
Inhale—
   button shirt—brush hair
Exhale—
   necessary glance in the mirror
   (yes, still there)    

A lifetime!
   in a shallow instant’s stiff clear water
   (Yeah— still there)  
   in endless caverns of tired eyes
   above mouth still trying
   to say SOMETHING!  
   from ever smaller eternities
   in the glass-flat empty....

Please! Someone explain!
   this draw of breath
   one forcing itself upon another's
   life
   of beating —
   Violence in my chest!

Why hearts don’t sleep—

and I wind up watching
again and again—till
I am the ******...

...Morning lies
   in the mists of a humid *****
   who moans and sweats
   and boils her hips—
   and I wind up watching!?

“Will someone please…!"

   ...and I wind up watching
   bedspread, bed sore, death bed
   till you’re breathing easy
   when she sits and picks
   her collapsed bouffant
   damning the makeup
   that got crushed in the sheets

…Morning
Lies--

   with no expectancy
   both tired of knowing...

   ...The Devil lost his balance
   in my presence one night

...tired of knowing—

THE WILL!  
THAT WILL!

  ...walk away
   or continue to play

   I could open this screen!
   watch the world STEP BACK!
                                 SLAP FLAT!
   as trees and dwellings flush like quail
   to prop their tottering panic
   against the blue—

You—assume composure...
   compose assumptions
   Await my next—

Move like a spy

Her shoulder rose like the moon
above the black velvet of bolero jacket
She took his arm, his eyes--
An apogee
She took the room
in reverence

So slowly
shed the mountains
shed the light
hand to touch their wonder
Gazing after
her noiseless ascent
which never happened
while they watched....

Pearls—
roll against warmth
luxuriating offspring
cool encircling
contents iridesce
their energies’ warning:
Nothing quite that simple
Nothing quite that still

Nothing like the opulence
on the Proud Eve of catastrophe

Pearls—
caught in the lining
of what never happens the first time....

She heard them before she saw them
rip their orbits!
fission her universe!
in the mezzanine of the symphony hall
Pin ball in the Fun House
Bingo bounce
off—
the hardwoods of space....

Universal Theory of Scatter?
Even now I can still hear the clatter
of their round smooth souls
in the doorways of distant relatives

How could I know?
You would condemn me
to find them all?

The snow is thin and pale today
like that girl –
you thought –
from the Home Depot –
the palette of an empty day

I think, instead
to smooth my hand along your arm
extend dominion 'cross your chest
To till the damp ***** of your shoulder
in surging heat
of earthen tones
to find in winter flames
your brow, your cheek, your neck

...your mouth that way...

This is the braille I'm all about
being far-sighted
and just too close
to even focus on you –
your eyes –
and all
the loss
these days

“…Take your place on the Great Mandala as it moves through your brief moment of time…
Win or lose now
You must choose now
and if you lose, you’re only losing your life…”  Peter, Paul, and Mary
___________

Stitching the hem of a prom dress to the
Chicago Convention on TV
Pink brocade, white gloves to the elbow

Night sticks snap skulls

“...and a time on a 27 will always shine a light”

Seven Day War
but neither of us dance

Whispered under weeping willows
“What will become of us?”

“The New Left” scrawled in my yearbook
under Danny’s name
I stared at him puzzled, half-attracted

The New Left came
from Harvard, Radcliffe, Mars?
to the grimy streets of Lowell
to teach us “worker kids”
‘bout our sorry selves

Aloof
from our bad teeth, unplanned pregnancies
stuccoed bungalows
chrome kitchen sets circa ’53
So far beyond

Alienated
by our worn out dens
with proud TV’s
the evening’s beer proclivity

They, weren’t “Right on!”
with the smell of furniture polish and
lifetimes of motor oil on overalls

We were okay to be organized though
before they left—

Because they knew what mattered!
…and “How could WE  know so little!
‘bout Lenin, Marx?
the exploits of profit and endless war?"

How could THEY know so little—
  
about the death down the street
‘bout the conflict caused by *in-house “Pigs”

Husbands in Canada
Brothers in Nam

Dying small-town, piece-work kids
Labor's legacy
Lost bourgeois

Freezing on street corners
Telephone’s tapped
Handing out leaflets

to talk of guns...

“Our people blew up the Bank of America!
You know”

To talk of guns…

While Black Panthers were dying
No ******' around

Hell’s Angels—  graphite ghosts
hover in ****** shadows of shared back yard
Revolutionary panic as
mafia muscle makes an appearance
comes-on to me
sped-up and pulls a pistol!…
_____

Guts ran out the holes in my head

Lonely now
…and not so… ready?

Someone suggested “experience”
to explain for certain
the face on the clock
the of wince of Time
and all the reasons there were to die

Should ‘ave asked why— they called it “acid”

Connecting the dots of despair
I saw it all— for the first time

and lost— everything

They would have given a lot
those paste-skinned kids
with straw for hair
and knobby knees
Not that frail— it seems

Beneath grayish strings
through black rims
one cracked lens screams—
Gets nothing!
Changes nothing!
Ritual words fall—
a rusted refrigerator
shoved over a railing from the second floor

Barking dogs tied to the radiator of misery
fed on rough-house excuses for kindness

Why do people keep children?

Larger than average eyes
huge foreheads of genetic wrong
******* childhood downstairs
while mother is sleeping
I can get used to the smell of cats
Human ***** is not so—
different?
and if I didn’t change my clothes for a week

What do children know?

Jenny cuddles a starving kitten
then releases it to where
they disappear...
one generation after another
Famished eyes
devour anything offered
words...food...***...God

Screams from the mats of string and gray
Scald the frantic instant badly
I watch her bolt beyond explanation
Night gives no reason to let her live....

My faith went the way the kittens go
Hope and a small girl
blend beyond blackness

The Lehigh is chaffing
at the shoulders of her banks
Swollen
with mood of mud
brown and flat and far too fast

She tore those young girls
from their rafts
Decorated the trees
of a midstream island with them
hanging on like the leaves and silt
once did

Their cries swallowed
as she roared past
harvesting souls with clinging hands

Chosen
to be victim
Chosen
for a reason
to be spared

Black, Swiss cheese hulk on horizon
The James Longstreet
immobile old freighter of the bay

Towed to the ignominy
of its last commission
in the curled arm of The Cape
Tides flex their muscles against it
But The Longstreet is steadfast
in its dark purpose

Standing target for practice

A sortie if planes home in on its bulk
Honing their skills
on this  “fish-in-a-barrel”
Thunderhead-etched pyrotechnics
Booming follows the miles over water

Against The Longstreet’s silhouette enduring
even God fixes sights
firing bolts across its bow
taking aim at our futures

Standing targets for practice

Vietnam? Cape Cod?
No difference to teens
before life’s ocean of conscription

Sand is cold beneath dunes
Beach grass rustles
to the pulsing surf
to the wind’s whispers
just below hearing
as if there’s a secret
that must be kept

We are targets for practice
We are meaningless din

Pulling our sweatshirts and blanket closer
The Supremes sing thinly
from transistor
“Stopped for a moment in the name of love—

Thinking it over”

On rising heat, killdeer flush
to decoy enemy--
threat to its young that roams too close
They rush to skim on hayish blur
wailing over wildflowers drying

Fretful twitter in perpetual flight
swifts-- twirl and hurl their bits of bodies--
debris
from a cumulonimbus of a late-day sky
toward a ridge of stag horn sumac
presuming horizon primordial
behind which time and city-- drift and wobble
on rising heat-- after rush hour

Rising Heat
Rising--
to meet my mind
on its way down
from my post behind
the laundromat
where I view it all--
rising--
where I usually go in search of quiet
to almost hear the ocean
     two hundred miles away
to strain words from wind
     in careless conversation
to wonder over
     missed whispers....

But not today
In rising heat, I went down
in search of something better--
     your eyes again
     solvent for my presence of mind
     dissolvers of hours and the order of things
But I need an excuse!
     To turn, to trespass, to disturb the peace!
     For your eyes again!
And still I need more-- being feverish, weak
Or?
Or... should I take the cure?
     To deny ...To deny

To deny what?
Overtones from a sea of years?
I don't know!  Whatever it was!
Nothing explain it...

I melt... I'm gone....

Somehow it wasn’t right to cry
for someone who
no one knew—for years
though everyone knew about Lil
She was the crazy burden
of an orphaned family
whose memories rearrange the winter shadows

“Are we dressed right?
Are our faces adequately sad?”

They loved the skinny, happy kid
Loved—the ones who loved her
knew her from “The Old Neighborhood”

Two sisters approach the body
echoed in black and navy
holding each other’s hand
They look down at her—
They look her over
They overlook—“The Old Neighborhood”
of the Lillian they had hoped for—
took care of as a child....

And in the din of last respects
a comment from an older gentleman—

“The Goldrick girls were all such lookers”

So I was her niece
and not from “The Old Neighborhood”
I have memories of my own....

I was rich when Lil brought play money
from Misquamicut
She brought whelks and slipper shells too
My ear cupped close
I first heard the sea

Not as beautiful as I expected
nor as beautiful as I would know
She gave them with love—without telling
where and when that I would go....

Her hands were always cool and sweaty
Always trembling
Always a cigarette
and an argument in the background

From the height of three
and hugging knees
I see her face against the ceiling’s
white—with panic

Her eyes are never with me
I know someone is with her

“The Goldrick girls were all such lookers....”

Beleaguered beauty
Frail, with stiff grace
she glances sideways
Checking for my safety?

“Our names too close! Confused too often!”

I was to know her horror— as I know her sea

...Her laughter, too late for the conversation
a smoky hysteria
that will not share with her eyes
She stumbles backward through her childhood
as if she has mislaid something

She wants to go roller skating
with her sister, eight months pregnant
besieged by diapers
with stew on the back burner

...And Lil wants to go back...
to a time at the Rialto
to the *****’s boogie

to the edge—before
The Depression declared WAR—

on someone who
no one knew
for years!

And is it okay yet?
...to let her sea out of me!

It burns so!

Waiting for the storm
to lower its head and charge

In ozone incense of unstable air
Eons of ions ago
horned and heavy negatives
lock prey within vortical-eye
Angelic flutter of electrons struggling on--
in yellowish friction above...

“...Did I tell you?”

Love is lightning hotter than the sun!

Schism--

resolving in the only way it can
a design that cannot save itself!

Clouds roar away--
For a minute-- I think that I will too
-- along with all these words and rain

*“...and did I tell you...

how thunderstorms remind me
...of love...the way it should be

and the worship after?”

Odd color
of trifling light
Flitting petal
blue-purple-gray
emerged from asphalt's
heated slumber
to lead some airy way--

The road forgot

Cold today
but at least
the sun's
in play

Out in it

Wind talking
through mouthfuls of white pine
sweeping, swishing whispers
just enough to let the chimes
sing as bells
without bashing-- themselves
to dissonant trinkets

Music-muttering, free

Leafless shadows of the early spring
cold creeping 'cross
the yards toward noon
where they disappear
into a wood-chipper

What the hell is with my neighbors?

Why do people hate their trees?
Maybe 'cause they are not theirs?
Grown beyond them and their confines?

My tiny yard so feral
They probably hate mine too
But I belong to them  
and mine belong to me
They curve around, protective
my home of wind and bird and sky
swirling
cream 'n coffee
one into another
like  
Music sometimes
falling through itself into...
Sure--
know ******* a morning

I let them live

trees and neighbors

...as my mind smears into afternoon

I’ve seen genius so fixed on itself
as to be monkeys, squealing
wicked-itchy
watching a record whirl
in the same drugged circle
33 and a 1/3—circa 1969

This—their eternal brilliant conclusion
their e=mc2
This—their Final Solution
their inner-spring
Their convoluted complexity
as the hands of their clocks
fly off, striking me in the face

Alas!
—the equation that would solve
the mystery of whistling “Dixie”
that would feed the dogs
and “seize the day”!

This penetrated groove
This—track, eternally diminishing
toward a point on a label
at which two ***** intersect

and then...
...cease to be....

Took this down, but I'm putting it back up after reading a letter by another teacher, deeply questioning his own courage and what has gone wrong In America.
___

Anger, sorrow....
They sometimes converge
in children
The wind explodes them in our hands
and
I hate the world that kills 17 kids
with American Senseless  

Peace--
Impossible possession
The angle of declination
Breath of a moment
  
A violet thread pulled from the hem of day.

Never sure who's boss between us
He comes when called
several minutes later...

Blinking sweetly
smiling as only cats can
Golden, half-moons of sunlit bliss
watch fat yellow-jacket
marginally motivated

The hunt cannot compare
to the soft grass with its tender clover
a  full belly
and the meeter-of-all-needs nearby

But the quick jitter-dance
of an easy moth
sends the tiger
to the jungle of forsythia
Gleaming, stalking stripes
Alternating white of paws in precise approach
The prey?  Too quick
The predator?  Too old and lazy
prefers attention
Lumbers slowly back
lolling against coffee cup
Enough....

On needles of white pine
a secret lion has lain down

waiting only for the lamb

Our houses, spitting-distance close
Feet propped on railing
cold beer with fresh lime
watching robins flung in flocks
to the failing of August

Too close-- Really?
John, on his cell
is fu_king the world again
from his garage
Why not-- squeeze in pool or a dog
Lawn mowers and **** whips tune in to whine
late Friday afternoon 'bout dinner time

Clinking silver, scrapes of plates
Running water for suds
through open windows to the thunk of pots
Doors bang behind on pathway to garbage
or joint in the woods
wafting over all
wordless squeals of delight from autistic child

Meanwhile, the odor of nail polish removes
all doubts of--
--Gawd!
lodging low and toxic
as the sun dissolves orange
in its acetone setting

Kids playing Man Hunt as darkness falls
Leaping hedges, slamming gates
No yards can contain these kinetics
restless legs, furtive minds

Muttering wind chimes
from four different porches
above the drone of highway
a half mile yawns

Pieces of talk
flipping the crickets
over--
Why or who or at what time?

Other-worldly glow from The Mall
dims stars
outlines mountains
brightens the horizon behind

Mosquitoes coming in for a landing

“Disaster Dan” skids into the Center's
Game Room
War Room
Control Room

Fueled by a red T-shirt
proclaiming “Vince the Pizza Prince”
He flips out his cellular...

“IT ISN'T UP TO ME!"
(Where does he get all those broken remotes?)
...flips open his cell
and shouts commands

“TURN THE POWER ON!"

“YA HEARD ME!" (He is totally in control)

“Fsssss    Fssssss   Fsssssss
THE PIPES ARE ABOUT TO BLOW!”

Drives his cruiser around the pool table
Pulls alongside
Fixes me point-blank and cockeyed

“GET THESE KIDS OUTA THE BUILDING!
THERE'S A BOMB ABOUT TA GO OFF!”

An eight-year-old spins iz finger round iz ear
and points a giggle

Dan--
the kind of guy whose life peaked
at Mount Saint Helen
Does a warlock for Halloween
Carries a portable showcase of horror
prized possessions in a dishpan
He explains his treasures

“That is NOT
a plastic scorpion!”

Offended by my ignorance
shoves it in my eyes

“THIS IS A PREDATOR ALIEN, STUPID!"
“CALIFORNIA WILL NOT COME BACK!"

Dan sorta likes me
We talk horror flicks
He forbids the serious of me

"CALIFORNIA WILL FALL OFF INTO THE OCEAN!”
he hisses in a spray of spit
Walks way, laughing, delighted!
Shaking iz head

Then back in my face again (for emphasis)

“DO YOU UNDERSTAND?!"
(He is dead serious)
"THE GUY THAT CAUSED THAT HURRICANE
WAS PAUL MCCARTNEY!"

His counselor fills in my blank
“Dan likes the Beatles
That's the only thing he likes
that isn't heinous”