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egghead Mar 2018
There is no skill in feeling.
Deeply and widely
empty holes of upturned ground
boats at the floor of the sea
mountain peaks and sunshine, impossible sunshine
There is no skill in feeling.

I have felt hurricanes and drowning floods.
Disasters that have shaken bones and frozen veins,
yet
there is a hollowness to the knowing and being and–
being.

With you, I feel the white and gleaming opalescence of stars
bathing in the blue of a waning, navy sky.
I have felt whole.
For once, a beaming speckle in a sea of others
brighter and more beautiful
and I have felt the vastness of everything and not cared.
The world could open up and swallow everything
I might be a dandelion in a garden of daisies
I might be sand between toes, washed away in the fresh water of a summer day
but I have seen days with you…

One day I might cease to make new memories.
but I have felt peace with my heart
and I know what it means to feel deeply
to live unapologetically.

But the host within my head has not felt that.
she likes to bar the windows,
set chairs against door handles
lock me inside.
To feel is not a skill.
to feel– to let go

Sometimes I forget to be.
I forget days like the stars to morning,
Gardens like flowers to ice and sleet,
sometimes I am overcome by the vastness of everything

But I have seen days with you.
and one day, I want to just be.
A speckle of light in the vastness of everything.
egghead Mar 2018
More than my own skin.
you ask me: "How much do you love me?"

Sometimes I wonder how I can love you.
when you leave me so frequently
and break my heart with every passing day.

But I love you.
More than my own skin.

It is not fair.
This is not healthy.
You destroy my soul
with every look into unfamiliar eyes.

Pero,
Te amo.
Más que mi propia piel
.
egghead Mar 2018
I have spent so many of my todays
wrapped up in the notion
of tomorrow.

And the tomorrows that came and went
were all very beautiful.

But they were tomorrows,
and I want to live
Today.
egghead Mar 2018
A while ago, I wrote a poem.
I called it
“The Things that Hold Up Dreams”
I talked about Tennis Shoes and a toy box.
Like I could look back and remember them
with anything other than despair
and spite.

That poem was about a teddy bear
and satin pajamas
and a favorite, old blanket.
It was a poem about all of the wonderful things
my life used to be.

It was a poem about a happy girl in a bunk bed.

It used to be about me.

But I knew it was a dead story
before I ever wrote a word.

I was a doll,
living in a pink house
with nowhere to be.

I was a painted,
Porcelain
Princess
and though my pristine, cold skin shined and glistened
I was so dull.

I dreamt lifeless dreams
my world until him was shallow
and plastic
and pretty
served on a plate without a second thought.

Everything was nice.
It was so nice.
And it was real.
But it hardly meant anything at all.

When I remember my life
defined by the sickly sweet words
of that confused poetry,
I miss it.
Sometimes I would prefer the nausea of ignorance.

Those things that I was before.
Those things that I had before.

They were not
The things that hold up dreams.

They were just dreams.

I asked myself, then…
When I realized that I had written lies,
What are those things?

things that hold up dreams.

I realize now that it is you.
You hold up my dreams.

You, who brings me to my knees with laughter
You, who I have allowed to see me cry
You, who has kindness and heart and will
to be
just to be.  

You are the bones of my hope

The Things that Hold Dreams.
This is the original "The Things that Hold Up Dreams"

I am a pair of tennis shoes with brown bottoms
stained
from days spent
whispering through a raspberry patch
with laces strewn tightly
only to come loose
when haphazard steps inevitably pull the strings
free of confinement.

I am a chest of Toys,
brown and covered in a smooth,
bound material that has begun
to rip at each corner.
Inside I smell distinctly Old
and faintly of dust and plastic.

I am a teddy bear
that was Left out in the rain,
wet and unkempt
fur matted and smelling of molding stuffing.

I am an old pair of pajamas made of Satin,
Soft
robin’s egg blue
worn to the point of Fraying around every seam.

I am a blanket
Comforting,
with knotted pink edges
and a sewn downy Face.

I am a bunk bed,
the kind that isn’t only for sleeping.
a Home for adventures, a fort, a car, a spaceship…
The sprawling structures,
Bones
that Hold up dreams.
  Mar 2018 egghead
Amanda Kay Burke
If I could turn back time
I would hit Backspace all day,
Id put on Caps Lock
and SHOUT what I say.

I'd use the whole Alphabet
To tell you hello,
Press seven Numbers
Til you picked up the phone.

I'd Tab through the comments
I didn't want to hear,
And use the Arrow Keys
To drag your body near.

I would Delete the harsh words
I didn't mean to speak,
And Insert the "I love yous"
I before couldn't leak.

I would use Ctrl to
Keep reigns over my heart,
And I would Escape lies
That tore us apart.

I'd Print out your photo
And kiss it goodnight,
Use the Calculator
To check that we were right.

I'd Paint you a picture
of us, you and me,
Then I'd hit Enter
Just so you would see.

Those are the things
I would do in my strife,
If only Backspace
worked in real life.
This is the first poem (that I have a copy of) i wrote that I actually thought was good. I was in seventh grade, twelve years old, and I wrote it for a newspaper competition. I knew it was really great but I didn't think I would beat all other applicants in the state in my age group. So you can imagine my surprise I'm sure when I DID win! That is the first time I was proud of my writing. So this one has a lot of special sentimental value. Thanks for reading.
egghead Mar 2018
What is the point in
Poignancy?

Fragment,
you tell me.
Another one in paragraph three.


What do words matter?

I have spelled love with Lilacs instead of an “L”
I have drawn the curve of my “O” with the chill of a
Sweeping breeze.
A “V” can only appear as the violet of a
sparkling sky, or I will be unable to read it,
and every “E” will amount to nothing more than
emptiness if the voice it has been given
does not epitomize song.

Comma-splice,
Replace it with a semicolon.


I am trying live freely.
I want to breathe in color,
to inhale an orange Savannah sky
And exhale green which
shows through the translucent dew
of grass.

Unnecessary use of description.
Limit it, Lidiah. Limit it.


My fingers itch with the ferocity of
A vengeful army.
They are waiting to trample pages with
The lead of my pencil, the bayonet
of a Revolutionary-War-era rifle.

The word limit sounds like tragedy.
A single word that can somehow act as
a precursor,
To the death of passion.

Your words have put you in a box.

People always say
“Actions speak louder than words.”
In a way that is true.
But I also know it to be
a tremendous piece of fiction.

Lidiah,
Please watch your run-ons.


Why can our words and our actions
not be the same thing?
Isn’t the act of speaking,
the act of raising your voice,
the act of being heard,
isn’t that an action?

Lidiah,
how many times do I have to remind you?
Clarification throughout.


Why have we decided that our words
Mean nothing more than
stepping stones on the road to action?

When did we decide that our voices
which rise like clarion calls,
forever instilling our promises,
are to be left on silent?

Precious jewels set into rings.

Poison in a water tank.

Lidiah,
what you say is irrelevant
if your MLA bibliography isn’t in
alphabetical order.


Our words are our actions.
They mean the same.
Words are the distinctions of our beliefs
Illustrations of our personas
They are not mosquitos to be slapped away
and forgotten.

Lidiah,
paragraph five is too long.
Stop rambling.
Be concise.


Please tell me,
what is the point of being concise?

Lidiah,
stop rambling.


Why do we let justification
equate to useless rambling?

Lidiah,
you have to detach yourself from the narrative.


Feelings mean more
than a couple of sentences.

More than a good or a bad.

A mad or a sad.

Comma-splice

What about ferocity?

Never end with a preposition.

What about passion?

Replace this with a conjunctive adverb.

What about the discernable strife
that follows even indifference?

What about that?

Lidiah,
what is the point of
Poignancy?


What are we without it?
What does the human soul matter
if we have forsaken the parts of ourselves that
remind us of what a soul is for?

Lidiah,
you will never be heard
if you do not learn to follow the rules
.
egghead Mar 2018
It feels like I have been walking down this road
with you
Forever.

We are standing within grasp of one another.
But neither of us will reach out our hand.                                                          

Because we are terrified
of being hurt
of being happy
and perhaps even just
of being heard.

So, we walk on.
Our arms brushing every few steps,
but we will never reach out.

This line we tow…
is more delicate than we could ever know.
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