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how many times do I have to say
I miss you until it becomes poetry

how many since it mattered

how do I tell you I haven't let
anyone touch me since you
because as long as your hands
remain the last
you still exist here somehow
how do I tell you that doesn't even
begin to describe it
how do I tell you all the places you
touched me still sing
like a phantom limb

how many days did it take
for your mother to ask about me
if I'm ever coming back again
what happened to me
what happened to us
what did you tell her
and how bad did it hurt to say aloud

how do I tell you even the simplest
things are crippling without you
how breathing is wasteful
when there's no other lips to taste it
how badly my body has pined for
yours again

how cruel must you have been
to make me want like a child
to lead me senseless
to the brink of everything
I ever wanted
to lead me giggling and trembling
touching your face
and to leave me here alone
without a warning
heaven was not heaven when I
entered it alone
all this love I have to give
is shot to hell if I can't give it to you

so how many times
do I have to say I miss you
until it becomes poetry?
because I'll do it
I'll do it and do it until it matters
to you
 May 2018 ali brown
S
i dream of silk and black lipstick, leather and ice-burn
i fashion thoughts into clouds of smoke i ghost out of my mouth
into necklaces i will only ever give to you; you
are burnt russet bitten lip bleached bone coalesced into
constellation; you burn brighter
than any constellation i have ever breathed

i dream of your hipbones; stretch marks flicking over them
like lightning glimpsed between fingers; like wishbones silently pulled apart
in promise; you are wishbone you are gold plate you are sunshine
through a stained-glass window; my heart is glass
a cemetery to your footprints a cathedral to your broken
dreams; i can taste the honey in your scattered thoughts
like a prayer on my tongue
i dream of deep purple and yellow and green and
black and fading bruise and blood
at the corner of your lip; i can taste iron in your breath
rotting in my dreams slow-burning ice in my veins; vengeance
is a dish best served cold i know
that if i unfurl my skeleton and tuck you into the spaces between my
ribcage and my lungs you will taste just as sweet

i dream of ruby emerald sapphire in brooches pinned onto black i
think of the bruise-giver of the blood-spiller of cracks in my
ribcage of wishbones of constellations of iron-taste of ice-burn of you of you of you
and i let you in
and i am cathedral i am cemetery i am bonfire i am in l o v e
with constellation
 May 2018 ali brown
Kilie Steel
How could you know
that your smile makes me sad?
I wonder why it is
that something so simple
so insignificant
can hurt me?

But I also wonder
why you wore that shirt today
what color are your socks
and do you like sugar in your tea

These are the questions that rack my brain
every night
every day
until the end of time I'll ask myself
how do you do it?
How do you bear the agony of your heart?

Please.

Please.

Tell me.

I hang on your every word
it's like sunshine dripping from your lips
and I'm so thirsty
i'm dying from a thirst I never knew existed
you fill me up
all warm feeling
sun belly

Please.

Let's just stay this way
 May 2018 ali brown
Ugo Victor
I can't sleep
Everytime I remember your words
They snap and recoil
And hurt me awake
Next time when someone
Promises me forever
I'll just smile
Look them in the eyes and ask
How long is forever to you.
 May 2018 ali brown
Lyda M Sourne
It's 3am

I'm on the phone
No one's awake and I'm alone

It's 3am

The radio's on
Songs are played on lonely station

It's 3am

I'm in my bed
My eyes are open and sleep has fled

It's 3am

I'm on the balcony
The sky is dark and just quite scary

It's 3am

Some windows have lights
Could they also not sleep tonight

It's 3am

I'm still awake
When will life ever give me a break
Insomniac nights are the worst. And it's been going on like this for quite awhile.
 May 2018 ali brown
Jasleen kalra
And if you are to love,
Love as the moon loves.
It doesn't steal the night,
It only unveils the beauty of the dark.

And if you are to love,
Love as the rain loves.
It doesn't wet the bodies,
It only washes the sad dirt of the souls.

And if you are to love,
Love as the wind loves.
It doesn't drift away,
It only cleanse you to the core by invading through each pore.

And if you are to love,
Love as the sun loves.
It doesn't radiates heat,
It only pours its warmth on you to enlighten your way.

And if you are to love,
Love as the star loves.
It doesn't delightfully twinkles,
It only reminds you that not even death can separate two hearts.

And so forth,
if you are to love
Love as the whole universe
& not just a part of it.
 May 2018 ali brown
BlueBird
It has taken me twenty years to finally understand the beginning of what I am worth.

It is not 2pm boredom that turns into pretending to be different people to strangers on the internet.
It is not bruises on the inside of my thighs.
Its not 4am lines with people I dont know, but insist are my best friends.
It is not selfies meant to entice and draw in whoever likes the shape of me
And wonders what the scent of my skin is.

It is not "If you love me, you would do this for me".
Its not drowning out the inner voice that has been taught to speak by everyone who didn't understand -
How to love.
That I was a human being.
They are weak for needing to hurt me.
 May 2018 ali brown
Cara Anna
Everyone has that place they go to when the world is too much with them. Or at least, near everyone. Mine is dark, like the sea, and it’s full of stars. It’s not quiet. It’s endless and orchestral, swirling with symphonies that I haven’t quite heard yet, symphonies that are always just a galaxy out of reach.

And sometimes it’s full of fields. I’m from the city, but they feel like home. They circle me and the sky is blindingly blue and I count my breaths: One, Two, Three, and so on. Until softly the wind blows and there I can imagine a different sort of song -- it doesn’t elude me; it consumes me. It’s there in the breeze, in the drifting bits of dust and pollen and tiny particles of sunshine. It’s great and beautiful and the first song that anyone ever heard.

And every so often. Only every so often. That song changes. It’s still within reach, but it’s a different tune. The song is light with floating, glowing ash; it’s heavy with a million voices and laughs and other songs; it drips with summer drinks and rushes through my soul. I am not alone in some black, celestial ocean or alone in golden labyrinths; home is no imagined place, nor are others just comforting phantoms. I am with them. It is more breathtaking than the stars, and more blinding than the sky.

It was like this that my summer began. In musical swells of escapism, visions of melodramatic beauty, grander than my true surroundings. It was built up like Fitzgerald crafted the West Egg, and it nearly ended much the same way; a journey homewards marked with disillusionment.

First came the traveling. I had hoped to find something I’d lost, and started out my search in the throbbing streets of Barcelona, saturated with sunlight during the days and at night with the sounds from sports bars as the football games ended, or young lovers’ laughter along the clear, black Mediterranean coast. Even the most hushed, winding alleys were full of something; perhaps this was just some magical element I conjured to make every moment new and original.

In Spain I found sea food and chilled beer and a bright rose to color my cheeks. I found churches crafted with dizzying dedication, art that made my heart stop, that somehow filled the world with its own sort of symphony.

Then came Paris. There was wine, red and deep and romantic, wine that Hemingway might have brooded over, or that Audrey Hepburn could have brought to her lips on some glamorous getaway from her Roman home. I found walls too, covered with Degas, with Monet and Manet alike, with Da Vinci and the rest. I discovered what it feels like to survey the Luxembourg Gardens on a July day, from a high shady point where despite denim shorts and a boulangerie sandwich, you’re aware that you’ve been graced with something that holds a euphoric regality.

And finally came a trip to Maine. On the shores of Bar Harbor I saw the endless pines and clear blue waters that spelled out the promised land for the first explorers. Atop Cadillac Mountain, as I burrowed into my father’s jacket and hid my face from the wind, I found the stars, as endless as I’d dreamt. They danced for me as for Van Gogh and I could have died up there. I found cool mornings to be filled with walks to rocky shores, and tea and berries and books. There was a different quality here than had been in my European travels. It was introspective and quiet aside from the chirps of crickets and birds and the laps of waves on dark cliffs. I loved it.

Each place held its own collection. Sand and shells and Spanish fans; metro tickets and corks and long linen dresses lightened on the bottom from the waters of the Seine; sea glass pulled from the harbor and dream catchers and endless dog-eared pages. Physical, tangible, ephemeral things for me to grasp onto. I added them to my character, grafted them to my bones, made them my own.

But what use is imagined significance; I hadn’t grown or changed or even learned what it was I had been looking for. I was several weeks older, I had seen a few more corners of the world, granted meaning to trinkets and decided they added to my worth.

It was August then. Shorter days for fluttering leaves and the understanding that nothing separated me from the person I had been aside from the hours between us. Direction in life can’t be dreamt up, it’s earned. It’s what you’re allowed to have after you’ve fallen down and picked yourself back up. I fell, but chose to imagine a new self in faraway places where my troubles couldn’t find me amidst the breezy, sunny crowds.

The cobblestone Parisian streets, the docks of Barcelona, the coves of Maine; they were only where I fled to when my own world was too much with me. When I couldn’t find any use in continuing as myself, I invented a girl laughing on the edge of l’Arc de Triomphe, wading quietly into the inky mystery of the warm sea, or hiding in pine forests with a copy of Wuthering Heights and a serious demeanor. She was the same girl that lost herself into empty fields and dark oceans of stars.

Only one thing stopped the self-absorption that had claimed me that summer. It was nothing fateful; nothing original. I didn’t traverse the world to see this, and the experience was not mine alone. It didn’t hold any old hollywood glamour, nor was it the topic of any of Hemingway’s books. Or maybe it was. It was true, after all. It was the truest thing I did the entire summer; it wasn’t adorned with portraits or cathedrals or soaring landscapes because it didn’t need to be. Hemingway, I think, might have liked that. What I’m going on about now is that Every-So-Often moment. It doesn’t stand lonely in my memory, like so many of the others might. It’s brimming not with strangers and false romantic visions, but with the company of those souls you’re allowed to feel like you’ve known for your entire life, for more than your entire life. The sounds of empty seas and shapeless symphonies have no part; instead, there’s the strumming of guitars with songs so familiar they place an ache right in the core of you. You ache because that moment, full of bonfire and friends and song, is becoming you in a way that nothing else could have (for all of your efforts). It’s a beautiful ache, the one you get when you’ve come home after a long time spent lost and away.
 May 2018 ali brown
Nigel Morgan
He had sat at his desk with intent to write to her. And he had not. He had sat and let his mind wander. He wanted to write if only to capture something of her he had yet to capture. It was as though by trying to find words to describe her everyday self he discovered it was often extraordinary, and it filled him with more tenderness that he could reasonably deal with. The other day he had written her a letter. It was rather ordinary, full of unplanned thoughts and descriptions, a day-to-day letter, but he had written it by hand, taking care with the curl and mark of his pen on the little sheets of laser-copier paper he felt suited him best. Once he wrote expansively (though never to her) on large sheets of thick, fine paper with a calligraphic pen and Indian ink. Now he felt more comfortable with a fine roller-ball nib and a light touch, on paper of a dimension and quality that seemed appropriate to the size of his script.

Today, as he thought about the letter he might write, he had imagined her finding his most recent letter as she came home, a letter with his careful handwriting on the envelope. It would be lying on the doormat with the brown envelopes, the circulars, the bank statement and one of the many journals she subscribed to. There was a letter too from her ‘pen friend’, someone who had invited her to correspond having been so touched to find a late relative’s letters full of the minutiae of life, but properly described and not the ad hoc jottings of what now passes for communication on social media. So this friend, who was not then a friend but an acquaintance, had set out to recruit a group of like-minded people she might write to properly, in proper sentences – and had, it seemed, fixed on her. He had been a little jealous at first that she should write, and write properly to this ‘friend’ she hardly knew, and since then she had so very rarely written to him. He had so wanted her words, on paper and not just her end-of-the-day thoughts on the telephone. But he had soon got over this jealousy realising how valuable this letter, written once a fortnight, would be for her. An opportunity no less, of the kind and value he could no longer provide.

It had changed the way he had continued to write to her. He stopped the hand-written caress of a letter on paper and took up what he called the Ten-Minute Letter composed at the computer. Not an e-mail, but a proper letter as an attachment she could print out. Written each day just before he stopped for lunch, he set an alarm on his phone and wrote for ten minutes only until the sampled chimes of Big Ben struck. It was a challenge, and to meet it he would prepare his ‘daily subject’ in those transient moments between the demands of work and other people’s needs, as he walked to work or cooked supper. He felt that by doing this he would eradicate that falling into passionate contemplation, the downloading of his memory’s thoughts, his often-intense feelings and emotions. He thought she would prefer such brevity, as she now had so little time for reflection, except when travelling.

In imagining that picking up of his letter he sought to imagine further. Would she open it straight away? Would she put it at the bottom of the stairs on a pile of things to take up to her bedroom, and read before bed?  Occasionally there was  a little time stolen during the day when, before the necessity to go at her desk and ‘get on’, she would sit on her bed with her cats and be conscious of her physical self. She would think of him beside her, kneeling on the floor in one of those occasional preludes to their passionate moments she knew he so loved, when he was full of tenderness, and he would kiss and stroke her, their quiet voices caressing each other in the lamplight. He thought of her carefully pulling the envelope flap open without a tear (whereas he could hardly contain himself, when a letter did arrive, from pulling the envelope apart). And she would read his careful writing, his late afternoon thoughts written after a long day’s work, before returning to more time at his desk.

She would read quickly, rather impatiently sometimes. She had to ‘get on’, attack the list, get things done. But just occasionally he surprised her. He would catch her attention. There was some phrase, some reflection that made her feel warm and loved. He would make an observation about her, and she would feel treasured and honoured by his words and be grateful for the time he had put aside to write them. And then the letter would be returned to its envelope, placed on the bookshelf beside her bed, and she would feel secure that she was loved, and could then put all that away for now and ‘get on’. But just once in a while she would recall the pit-in-the-stomach thrill of his first letters, as letter by letter he declared himself, saying what he thought of her, what he felt for her. She was often overcome with his play of words and would touch herself to sustain those rich feelings that would gradually envelop her; that someone could care about her that much. And for a while she was transformed . . .

Today, as he continued to hold his pen away from composing that first sentence, he had wanted to return to writing of her and for her. It was his small gift, his almost once a day gift. With words he knew he was on safer ground. He struggled somewhat in his *******; he worried that he disappointed her with his awkwardness and never being sure if he was doing the right thing at the right time in the right way. Perhaps in reading his thoughts rather than responding to the messages of his physical self, she felt safer too. He wanted her to know something of the intensity that she brought to his ‘being aliveness’. He remembered a recent phone call when for once he seemed able to say pretty much what he meant. ‘I hope I don’t presume in saying,’ he had said, overtly formal as so often, ‘ that one of the reasons I think we are the companions we are is that we have so much in common; we love the same things, we share the same joys and pleasures.’ And she had agreed. He felt this was true, and he wanted to celebrate this somehow; but they were apart, being on the phone, and he could not. There was less and less time for the joy of coming together, of that celebration of being-together that had once seemed beyond magic and the stuff of dreams and fantasy. There was now the ever-present awareness of the clock, of having to do this, needing to do that, and at a certain time. Their life together was changing and he needed to rise to the challenge that this change would bring, no matter how busy and preoccupied she became. He would write, he thought, and tell her that he knew this would be so, that she should never be concerned for him if there wasn’t time. Hadn’t she said she loved him, this young woman who had once been so diffident about speaking such endearments? She had already given him so much that he never imagined he would ever receive. Perhaps not for always, he was so much older than her, but for a long time to come. He must acknowledge the receipt of such gifts, and let her know he loved her all the more for her industry, her ambition, her preoccupation, and the beautiful, gracious person she was.
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