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when i'm awake early in the morning
i think of nothing but you
but i know you don't think of me

when i can't sleep at 3 AM beacuse i miss you
and i know you're sleeping peacefully
i hate myself a little bit more

when i finally fall asleep
i dream of you but i know
you don't dream of me

and every living moment of my day
has become a nightmare not worth living
anymore

*(c.m.h)
 Jul 2014 Alexia Côté
Christine
Poets show their naked pain

And this, I think
Pouring yourself onto pages
Is the greatest art of all
We made all possible preparations,
Drew up a list of firms,
Constantly revised our calculations
And allotted the farms,

Issued all the orders expedient
In this kind of case:
Most, as was expected, were obedient,
Though there were murmurs, of course;

Chiefly against our exercising
Our old right to abuse:
Even some sort of attempt at rising,
But these were mere boys.

For never serious misgiving
Occurred to anyone,
Since there could be no question of living
If we did not win.

The generally accepted view teaches
That there was no excuse,
Though in the light of recent researches
Many would find the cause

In a not uncommon form of terror;
Others, still more astute,
Point to possibilities of error
At the very start.

As for ourselves there is left remaining
Our honour at least,
And a reasonable chance of retaining
Our faculties to the last.
My words
to you
are like knots;
an impenetrable,
nonsensical
tangle,
unless you
pick
pick
pick
at them.
I know now
why they call it
‘tongue-tied’.
I have been away
for a while.
Too long, I think.
I was not lost.
No,
never lost.
Maybe
just wandering.
But I was always coming back.
Coming back to me.

And you will see me
and you will wonder
who she is,
this woman
with earthquakes in her bones
and stardust falling from her fingertips
like rain upon the desert.
And I will tell you.
I am me.
Without you.
As I was always
going to be.
The wanderer
has come home.
I believe
it was Neruda
who once said
‘Tonight
I can write the saddest lines’.
Well I guess
tonight,
I can write
books,
encyclopaedias,
libraries
and still never say enough.
You are the words in my sentence
and the poem in my pen,
even now.
What is love?
~
Is it the butterfly in his stomach?
or the upbeat of his pulse?

Is it the attraction of another kind?
or lust of the naked eye?

Is it the stuttering in his words?
or maybe the cracking of his voice?

Is it the poems he wrote?
or perhaps the song he composed?

Is it the countenance of her face?
the curves of her hips?
the scars on her cheeks?

Is it something seductive?
like her buttocks or her *****?

Is it the grace in her movement?
or maybe the way she think?

Is it the way she made him laugh?
or the way she touches him perhaps?
~

None of the above define,
the love he has for her.

The love he has is commitment.
The love he gave was sacrifice.

Love is more than a feeling.
Feeling when gone leads to withdrawing.

That he kept on saying to himself,
now that she is falling,
out of love for him;
because the feeling is fading.

The fading is leading to his undoing.
Third poem of the VP series and third poem released for the night.
If my Valentine you won't be,
I'll hang myself on your Christmas tree.
As she laughed I was aware of becoming involved
in her laughter and being part of it, until her
teeth were only accidental stars with a talent
for squad-drill. I was drawn in by short gasps,
inhaled at each momentary recovery, lost finally
in the dark caverns of her throat, bruised by
the ripple of unseen muscles. An elderly waiter
with trembling hands was hurriedly spreading a
pink and white checked cloth over the rusty
green  iron table, saying: ‘If the lady and
gentleman wish to take their tea in the garden,
if the lady and gentleman wish to take their tea
in the garden…’ I decided that if the shaking
of her ******* could be stopped, some of the
fragments of the afternoon might be collected,
and I concentrated my attention with careful
subtlety to this end.
(To L. L.)

Could we dig up this long-buried treasure,
Were it worth the pleasure,
We never could learn love’s song,
We are parted too long.

Could the passionate past that is fled
Call back its dead,
Could we live it all over again,
Were it worth the pain!

I remember we used to meet
By an ivied seat,
And you warbled each pretty word
With the air of a bird;

And your voice had a quaver in it,
Just like a linnet,
And shook, as the blackbird’s throat
With its last big note;

And your eyes, they were green and grey
Like an April day,
But lit into amethyst
When I stooped and kissed;

And your mouth, it would never smile
For a long, long while,
Then it rippled all over with laughter
Five minutes after.

You were always afraid of a shower,
Just like a flower:
I remember you started and ran
When the rain began.

I remember I never could catch you,
For no one could match you,
You had wonderful, luminous, fleet,
Little wings to your feet.

I remember your hair—did I tie it?
For it always ran riot—
Like a tangled sunbeam of gold:
These things are old.

I remember so well the room,
And the lilac bloom
That beat at the dripping pane
In the warm June rain;

And the colour of your gown,
It was amber-brown,
And two yellow satin bows
From your shoulders rose.

And the handkerchief of French lace
Which you held to your face—
Had a small tear left a stain?
Or was it the rain?

On your hand as it waved adieu
There were veins of blue;
In your voice as it said good-bye
Was a petulant cry,

‘You have only wasted your life.’
(Ah, that was the knife!)
When I rushed through the garden gate
It was all too late.

Could we live it over again,
Were it worth the pain,
Could the passionate past that is fled
Call back its dead!

Well, if my heart must break,
Dear love, for your sake,
It will break in music, I know,
Poets’ hearts break so.

But strange that I was not told
That the brain can hold
In a tiny ivory cell
God’s heaven and hell.
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