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At lunch I bought a pear,
its shape: a quiet joke.
I cut it clean and slowly,
the blade, the slice, the poke.

It tasted like a breather,
not sweet, just real and right.
Like silence in the stairwell
or breezes late at night.

The afternoon unknotted,
each task a gentler climb.
I fed the cat. I folded shirts.
You’re not here. I’m fine.
Mortgage-bruised pilgrims
linger along Silver Strand,
pop caps against plywood boarding,
edges furred with salt-rust flakes
from storms that chewed the pier.

Seabee retirees
swap tide updates on porch steps;
third-generation surfers
stitch wax into their palms
and still call this south jetty 'church'.

Here my son and I rinsed sand
from our ankles with a garden hose,
him shrieking, laughing, shivering
when cold bit his feet.

I once yelled at him, raging
for dropping keys into surf,
as if that mattered more
than a day of chasing, wrestling in the tide.
He doesn’t remember.
I can’t forget.

Now, he’s taller than me,
vanishing downshore.

I stand outside, voices rise
in the salt-hard wind.
Barbecue smoke drifts
from driveways, tailgates,
settles into dusk-lit lawn chairs.

Boarded bungalows peel to raw board,
splintering porch rails;
nails weep orange along the grain.

A bike frame, chainless,
reddens into memory beside dune grass
still gripping sand.

There is grace in forgetting:
a tide lowers its voice,
sand swallows what was said.
Steel pan in roadside dirt,
just beyond Exit 11: Quartzsite,
sun bouncing off like a flare.

Handle loose, rim dented,
but not ruined;
still whole enough.

It felt like one I swung
at Tomaso’s,
sweating
through the rush,
that night
we plated sixty covers
in under an hour.

Me, this pan,
were used
the way hard things are:
oiled, scrubbed,
flame-kissed and blackened.
Something thick stuck once,
then let go.

I lifted it,
right hand curved
around the handle
as though it never left.
Some things remember you
even when you forget yourself.

I set it in the backseat,
beside the blanket and bag.
thought I’d clean it up,
tighten the handle,
set it on flame,
hang it by a stove again.

I don’t believe in ghosts,
but I believe in steel,
in things that hold the heat
and give it back to you.
Kernel of this poem resurfaced from 2004. Driving the 10 freeway from LA to PHX.
He crawled through seven weeks,
her voicemail still unplayed
burned letters on the stovetop,
and brushed the ash away.

The mattress holds her perfume,
her hair still haunts the sheet.
It lingers just to gut him,
then breaks beneath the heat.

"I gave you what I carried,
a key, a ring, a name.
You marked it as a chapter,
the ending never came."

Streetlights blink and stutter,
pulse yellow, white, then blue.
They gnaw beneath the ribcage
and press on every bruise.

He heard her laughter echo
through gutter sweat and smoke;
coins scatter on the concrete,
a rimshot to the joke.

He cut this trail in whiskey
left dents along the floor,
no battle flag, no anthem,
just shrapnel from the war.

Her glance, a flint and trigger,
still burns behind the eyes.
Not love, not even fury,
just silence split with lies.

The bottle knew its ending;
its glitter salts the ground.
No sirens in the alley,
all bodies have been found.

He slips the lock in shadow
and drifts beneath the gray.
The gospel wilts by morning.
He never meant to stay.
Pulled from a short story, never finished, long ago.
for the one who didn’t

The tomatoes hang eaten.
Some rodent, maybe.
The cayenne doesn't work,
just burns the air I breathe.

Knees swell.
The doctor?
I haven’t called.

This is the small life
we once smirked about.

Summer again.
No mercy.
Too much.
Too bright.

Lately, I forget:
the grigio in the freezer
the last message,
why I opened the drawer.

Lately, I drop things,
envelopes, keys,
my grip softening
with everything.

You said,
“That’s what old looks like.”
But you didn’t get here.

We stay,
we wait,
for mail,
for quiet,
for a name to light the screen.

Oceanside,
in shopfront glass,
I glimpse my portrait
eyes storming, squinted,
shirt caught on wind.
And I ache,
to be so
briefly
here.
Now the cuts
have faded to pale seams,
from the girl
who left her key on the counter,
and took the why with her,
and the friend
you hadn’t seen in years
but still called brother,
his last paintings
hanging quiet on walls
in rooms no longer yours.

like the ghost of an old song,
still in key
you rise again
fingernails dark with soil,
burying sunflower seeds
in morning’s cold fog.

The dog needs feeding.
There’s toast to burn,
and leaves to steep.
You carry your small life
like a cracked bowl
that still holds water.

After years bent in ritual hunger,
knees pressed to rock,
tongue dry from vow,
nights lit like altars,
no revelation came.
No divine telegram.
No trumpet of truth,
just the kitchen humming
and the silence after the call.

Only the widow neighbor,
waving through fogged glass.
Only the pipes in the wall
clunking like an old lung.
Only the light
barging in
without your consent.

You believe in coats
with missing buttons,
safety pins where zippers gave,
old threads that never matched
but held anyway.
You forgive the past
not because it asked
but because you need the room.

It builds in your bones
like wind in an empty house,
constant, uninvited,
and full of old names.
Like a tune half-remembered,
only the hum
remains.
The 101 slopes like a spine bent too long.
Camarillo yawns wide in the morning hush,
valley stretching slow, hills bare-shouldered,
fields glistening, half-asleep, half-prayer.

Lemon trees blink slow, bruised gold in the mist.
Figtrees call a name behind a rusted gate.
Sagebrush whispers gossip through chainlink,
its breath full of stories that outlive the tellers.

To the east, the nursery stirs,
plastic sheeting *****,
row tags flutter in the wind.
A thermos, abandoned, rests by a wheelbarrow.
Mud boots, discarded,
stand like sentinels
against the wood plank wall.
No footsteps follow.
I never asked where they went.

Matilija poppies raise their paper-white heads,
and the raspberries, furred with morning dew,
shiver, just slightly,
as if remembering friends
they were no longer allowed to say.

A coffee roaster hummed somewhere distant,
low and steady, warming the wind.
That scent I never could shake,
burnt and sweet.
I could almost belong here again,
but it’s not mine without them.

I worked inside this valley with my back.
With my knees.
With the same hands,
now soft on the wheel,
muscle memory steering roads
as if nothing ever left,
as if the ghosts still ride along.

I pass a strawberry field, stitched in silence,
no voices rising in laughter today,
no corrido escaping from a shirt pocket radio,
no teasing between the furrows,
no calloused hands tossing tools,
only the soft ticking of irrigation
and the hush of work
that now waits for no one.
This silence has been swept, labeled,
nothing out of place but sadness.

I was here with them,
but only as a pair of eyes,
that never opened wide enough.

The strip mall stands like a broken promise,
painted stucco, faded western wear,
alongside roadside markets
missing the opening crew.
Still, the hills lean in to listen,
velvet green with memory,
quiet as folded hands.

Even now, under this sun,
the dust knows who knelt here.
Who sang into the rows,
who fled before sundown,
their names erased from the ledger
but carved into the earth.

And in soil’s hush,
their names still root and rise.
In the aftermath of the immigration raids, the migrant workers I knew in Southern California, especially in Ventura County, began vanishing overnight. Faces I shared shifts with, broke bread with, waved to across the nursery lots and strawberry rows, disappeared without a word. Their absence is not abstract, it’s in the empty chairs at the diner, the shuttered produce stalls, the silence where songs and stories used to rise. These are the hands we rely on, the hands that shape the harvest, and now they hang suspended in uncertainty. The fields remember them, even when the tourists do not.
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