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 Feb 2019 Ineffable
Lily
Desire
Balanced
On the edge
Of a blade

A well dressed man
*******
An untethered label

A bottle for two
At an uncleared table.

A twist
Of the wrist
To the pouring
Of wine

To dripping lips,
and kissing
between sips.

His hands
to my hips

His tie
To my wrists.

His kiss.
 Feb 2019 Ineffable
A M Ryder
Coke on my gums makes the whiskey go down like water
And so I feel nothing

I'll destroy myself alone so nothing can hold me back
So no one says "Enough."
I won't blame you for not saying something
I won't blame you for not "saving me"
How I can't be happy that you're happy

My ancestors are all angels up way too high and probably disappointed in what and who've I become
But still I don't care, they're all dead
Those lucky *****

Daylight breaks and the dawn has come
So I guess I've been up all night

These words are the very breath of my demons
And I haven't heard from an angel in ages
Through the eyes of the beast in me
I've become friends with the abyss
And it has politely invited me in

So another for the writer
Another bottle all by myself
To soak my soul
And drench any dream or hope of a happy life
I might have had left
Working piece that needs feedback, I found this in an old journal and I really see a gem in it.
 Feb 2019 Ineffable
ryn
Bottled
 Feb 2019 Ineffable
ryn
.
•...mouth
wide  op-
en, glis-
tening...
in the li-
ght•aw-
aiting to
swallow
this lone
piece of parch-
ment•on it i've scribbled
all my heart could write•bea-
ring sweet nothings, sure and si-
lent•now... take this scroll•down
your neck... it'll effortlessly slide...
•to the core of your very soul•my
message would  follow your gui-
de•your opening i'd then gladly
seal •so your contents would...
remain guarded • time is now
to set adrift all i feel...•....now
ride the waves through jour-
ney uncharted•let the curr-
ents take you• let the tides
and winds be your friends
• ...  my quiet well wishes
would see you through •
in hopes that you would
be received by my love's
deserving... and...  open



*hands•
 Feb 2019 Ineffable
JV Beaupre
"So why are you painting a woman in a bottle?"
The challenge. Handling all those quirky reflections and layers of transparency.

"She has phantom arms and legs, what about that?"
Yes, pretty cool. A Vitruvian woman in a bottle.

"I'm looking for Meaning: Don't paintings look under the surface?"
You mean, what does it mean, really mean? It's just a way to test my skill.

"But what are you saying with that?"
It's not feminist nor anti, it's just an exercise. Besides, there's a rope.

"But aren't you, as an artist, exposing reality, presenting emotions and feelings, seeing the soul?"
I'm not on a soapbox-- I'm testing my skill-- I paint and don't think about it too much. After all, 'Sometimes a cigar is just a cigar' or is it 'just a smoke'? *

"I don't like your message."
OK, I'll paint you in a bottle...
As a shrunken head.
On the other hand, I once painted an agricultural scene based on a photo from the 1930s that I thought carried a social message. Most people wanted to know what kind of tractor it was.
let’s live suddenly without thinking

under honest trees,
                        a stream
does.the brain of cleverly-crinkling
-water pursues the angry dream
of the shore. By midnight,
                                a moon
scratches the skin of the organised hills

an edged nothing begins to prune

let’s live like the light that kills
and let’s as silence,
                            because Whirl’s after all:
(after me)love,and after you.
I occasionally feel vague how
vague idon’t know tenuous Now-
spears and The Then-arrows making do
our mouths something red,something tall
i like my body when it is with your
body. It is so quite new a thing.
Muscles better and nerves more.
i like your body.  i like what it does,
i like its hows.  i like to feel the spine
of your body and its bones,and the trembling
-firm-smooth ness and which i will
again and again and again
kiss, i like kissing this and that of you,
i like, slowly stroking the,shocking fuzz
of your electric furr,and what-is-it comes
over parting flesh….And eyes big love-crumbs,

and possibly i like the thrill

of under me you so quite new
 Feb 2019 Ineffable
Maya Angelou
The night has been long,
The wound has been deep,
The pit has been dark,
And the walls have been steep.

Under a dead blue sky on a distant beach,
I was dragged by my braids just beyond your reach.
Your hands were tied, your mouth was bound,
You couldn't even call out my name.
You were helpless and so was I,
But unfortunately throughout history
You've worn a badge of shame.

I say, the night has been long,
The wound has been deep,
The pit has been dark
And the walls have been steep.

But today, voices of old spirit sound
Speak to us in words profound,
Across the years, across the centuries,
Across the oceans, and across the seas.
They say, draw near to one another,
Save your race.
You have been paid for in a distant place,
The old ones remind us that slavery's chains
Have paid for our freedom again and again.

The night has been long,
The pit has been deep,
The night has been dark,
And the walls have been steep.

The hells we have lived through and live through still,
Have sharpened our senses and toughened our will.
The night has been long.
This morning I look through your anguish
Right down to your soul.
I know that with each other we can make ourselves whole.
I look through the posture and past your disguise,
And see your love for family in your big brown eyes.

I say, clap hands and let's come together in this meeting ground,
I say, clap hands and let's deal with each other with love,
I say, clap hands and let us get from the low road of indifference,
Clap hands, let us come together and reveal our hearts,
Let us come together and revise our spirits,
Let us come together and cleanse our souls,
Clap hands, let's leave the preening
And stop impostering our own history.
Clap hands, call the spirits back from the ledge,
Clap hands, let us invite joy into our conversation,
Courtesy into our bedrooms,
Gentleness into our kitchen,
Care into our nursery.

The ancestors remind us, despite the history of pain
We are a going-on people who will rise again.

And still we rise.
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