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Jonathan Moya Mar 2020
Many say the last thing the dying see
is the flap of dove wings
or Jesus caressing their hair.
  
Her hallucinations were full of Him
smiling at her, speaking words
she could not understand.
  
And when I draped the
blanket over her cold feet,
crowned with the blue bruise
of all her past complications,
she was convinced I was Him.  

I played the game.  
“Hush, little one.  
I am here for you.  
Do not be afraid.”
  
I left for a moment.
I wept.
She had fallen asleep.

Before I could
return the next day,
she had passed.

Her eyes were closed.
Her mouth was a half smile,
as if she had heard a bell,
had tasted the sweetest thing.

I wondered what was that last
great thing she had heard or seen,
but she had taken her memory with her.
Jonathan Moya Mar 2020
Soldiers patrol Bethlehem now.

The Kaaba hosts no
circumambulating mustati.

The Ganges’ bathes
in its own sin and ash  
releasing no Moksha.

The Vatican quarantines
even  its Cardinals as
The Pope holds mass
to an empty St. Peter’s Square.

In Chicago, a 7-year-old girl named Heaven,
will not die today, not become  
the most expensive candy in the world,
as her mother watches her, the miracle of today,
walk all alone by herself to a closed sweet shop.
Jonathan Moya Mar 2020
the
   devil
         put the
              warmth
                          down south
                                             so man
                can call it
Paradise.
Jonathan Moya Mar 2020
How can I call myself a Boricua when I
barely know the Spanish for earth and sky,    
have no roots in the soil of Moroves,
no sense of San Juan’s flavors,
the warm Atlantic blowing Arecibo  beach,    
Ponce dancing in the Caribbean’s laughter—  
all memories stolen from postcards hastily
bought at the airport along with a  
tin of Florecitas by my mother returning home.

Those little flowers exploded suns on my tongue
and created colors, formed postcard dreams  
of forts, conquistadors, Taino villages burning
in flames rather than submitting to Spain’s sway.
I craved to be an archeologist reverently
dusting off the bones of my ancestors.
I wanted to be an artist, like my uncle Bob,
splashing faceless heads among yellow flares
devoid of black, red, no tint of sad back story.
I settled for being a poet, a painter of words,
a discoverer of the history of hopes.

There is a memory of the Rambler hitting a cow
on the dirt mountain road leading to Moroves.
The bovine sliding down the embankment,
nonchalantly getting up and going his way.
The Rambler’s front end forever stuck with the
impression of an angry bull welded in the grill.
Another of a drive to a carnival, sitting
in the cab of another station wagon,
stargazing the white half moons rising
from under the red halter of my cousin Anna.
A final one of my grandmother praying
the rosary while I stumbled to the outhouse,
spending the night on the swing under the porch
because I didn’t want to break her silence.

Cows, moons, prayers are my Boricua heritage.
I can’t translate the decimas of a jibaro song,
nor dance a merengue, a bomba,  plena.
I have no desire to eat sugarcane from the  stalk,
nor split the soursop for it sweetness.
I am lost in the winds every Boricua knows.
My memories are blown away in the hurricane.
I seek the solace of the first flight out
after the storm, sad knowing  that
I was not born, like every Boricua,  
from the roots up, to study the light of stars.
Jonathan Moya Mar 2020
My wife doesn’t allow me
to watch her when she cooks.
The dog is her silent admirer,
sitting patiently for crumbs.

So much of it is filled with the
aroma of her mother, Geri’s  cooking,
the recipes etched in memory’s stone,
rituals not shared with a family of men.

The scent of garlic and onions,
meat sizzling in a hundred previous
kitchens for fathers waiting at long tables
makes me regret that I am just a man.

My mother, Elsi was a lousy cook,
and my tias knew it, consigning
her to wrap the twine around
pasteles in their banana leafs.

Where Geri passed down her recipes,
Elsi bequeathed me her heart and
compassion sautéed in bitter-sweet
sorrow dusted with ‘Rican seasoning.

I think she saved a pinch for Krissy,
for succor is her strongest flavor,
and I feed off it ravenously when
I need the strength.

The scent of spaghetti squash
roasting in the oven fills
my imagination with the need
to eat, live beyond just sustenance.

I crave to know the secret of her kitchen
but she brings the squash to me
on a plate hot around the edges
and we eat it, contentedly on the bed.

One day, I will sneak into the cocina
and maybe cook a picadillo finer than
her great creations, doing it
like all men, strictly by the recipe.
Jonathan Moya Mar 2020
I wanted to tell the street,
the tar, the grass, the blue,
the morning you died.

The crows, the wasps,
the bees and butterflies
already knew.

The roots of the earth
did not embrace your ashes
nor did the sky,

just the wings that
soared in between the
sweetness, beauty, and grief.

I was wrong to believe this
world to be your only one
or that I would bloom in you.

Your life was a darker fruit
with rains that fell cold
with your sadness and tears.

I could neither make you happy
nor save you— just love where you
rooted and carry you when you fell.

I can neither eat the honey pollinated
in the knot of your stunted tree,
just endure the stings of coming grief,

nor dip my hand into the freezing creek
that floods your lonely roots
without losing my heart.

I just can weep, grieve, try to sleep
on the other side of the bank among
the broken reeds and mud.
Jonathan Moya Mar 2020
A deaf republic can’t afford
to sit on its hands,

killing its sign language
in willful silence,

letting memory erase
the fear and the truth.

The disease existed.  
The shrouds too.

Concrete does not
pave over the blood.

A stroll in the park
does not tamp the pain.

The Punch and Judy show
is but the pantomime
for the forgetful.

The only sound heard
is the singing of
marionette strings

culled from a pile
of burnt violins.

When the air turns
khaki and violent,
the crowd disperses,

their hands in their pockets
signing and forming words.

In a silent closet at home,
the last parents teach
their children to sign.

The children sign
to the doors, windows,
the grass, the trees, the sky

anything with
the shapes of ears
before ears were banned.
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