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by
Alexander K Opicho

(Eldoret, Kenya;aopicho@yahoo.com)

When I grow up I will seek permission
From my parents, my mother before my father
To travel to Russia the European land of dystopia
that has never known democracy in any tincture
I will beckon the tsar of Russia to open for me
Their classical cipher that Bogy visoky tsa dalyko
I will ask the daughters of Russia to oblivionize my dark skin
***** skin and make love to me the real pre-democratic love
Love that calls for ambers that will claw the fire of revolution,
I will ask my love from the land of Siberia to show me cradle of Rand
The European manger on which Ayn Rand was born during the Leninist census
I will exhume her umbilical cord plus the placenta to link me up
To her dystopian mind that germinated the vice
For shrugging the atlas for we the living ones,
In a full dint of my ***** libido I will ask her
With my African temerarious manner I will bother her
To show me the bronze statues of Alexander Pushkin
I hear it is at ******* of the city of Moscow; Petersburg
I will talk to my brother Pushkin, my fellow African born in Ethiopia
In the family of Godunov only taken to Europe in a slave raid
Ask the Frenchman Henri Troyat who stood with his ***** erected
As he watched an Ethiopian father fertilizing an Ethiopian mother
And child who was born was Dystopian Alexander Pushkin,
I will carry his remains; the bones, the skull and the skeleton in oily
Sisal threads made bag on my broad African shoulders back to Africa
I will re-bury him in the city of Omurate in southern Ethiopia at the buttocks
Of the fish venting beautiful summer waters of Lake Turkana,
I will ask Alexander Pushkin when in a sag on my back to sing for me
His famous poems in praise of thighs of women;

(I loved you: and, it may be, from my soul
The former love has never gone away,
But let it not recall to you my dole;
I wish not sadden you in any way.

I loved you silently, without hope, fully,
In diffidence, in jealousy, in pain;
I loved you so tenderly and truly,
As let you else be loved by any man.
I loved you because of your smooth thighs
They put my heart on fire like amber in gasoline)

I will leave the bronze statue of Alexander Pushkin in Moscow
For Lenin to look at, he will assign Mayakovski to guard it
Day and night as he sings for it the cacotopian
Poems of a slap in the face of public taste;

(I know the power of words, I know words' tocsin.
They're not the kind applauded by the boxes.
From words like these coffins burst from the earth
and on their own four oaken legs stride forth.
It happens they reject you, unpublished, unprinted.
But saddle-girths tightening words gallop ahead.
See how the centuries ring and trains crawl
to lick poetry's calloused hands.
I know the power of words. Seeming trifles that fall
like petals beneath the heel-taps of dance.
But man with his soul, his lips, his bones.)

I will come along to African city of Omurate
With the pedagogue of the thespic poet
The teacher of the poets, the teacher who taught
Alexander Sergeyvich Pushkin; I know his name
The name is Nikolai Vasileyvitch Gogol
I will caution him to carry only two books
From which he will teach the re-Africanized Pushkin
The first book is the Cloak and second book will be
The voluminous dead souls that have two sharp children of Russian dystopia;
The cactopia of Nosdrezv in his sadistic cult of betrayal
And utopia of Chichikov in his paranoid ownership of dead souls
Of the Russian peasants, muzhiks and serfs,
I will caution him not to carry the government inspector incognito
We don’t want the inspector general in the African city of Omurate
He will leave it behind for Lenin to read because he needs to know
What is to be done.
I don’t like the extreme badness of owning the dead souls
Let me run away to the city of Paris, where romance and poetry
Are utopian commanders of the dystopian orchestra
In which Victor Marie Hugo is haunted by
The ghost of Jean Val Jean; Le Miserable,
I will implore Hugo to take me to the Corsican Island
And chant for me one **** song of the French revolution;


       (  take heed of this small child of earth;
He is great; he hath in him God most high.
Children before their fleshly birth
Are lights alive in the blue sky.
  
In our light bitter world of wrong
They come; God gives us them awhile.
His speech is in their stammering tongue,
And his forgiveness in their smile.
  
Their sweet light rests upon our eyes.
Alas! their right to joy is plain.
If they are hungry Paradise
Weeps, and, if cold, Heaven thrills with pain.
  
The want that saps their sinless flower
Speaks judgment on sin's ministers.
Man holds an angel in his power.
Ah! deep in Heaven what thunder stirs,
  
When God seeks out these tender things
Whom in the shadow where we sleep
He sends us clothed about with wings,
And finds them ragged babes that we)

 From the Corsican I won’t go back to Paris
Because Napoleon Bonaparte and the proletariat
Has already taken over the municipal of Paris
I will dodge this city and maneuver my ways
Through Alsace and Lorraine
The Miginko islands of Europe
And cross the boundaries in to bundeslander
Into Germany, I will go to Berlin and beg the Gestapo
The State police not to shoot me as I climb the Berlin wall
I will balance dramatically on the top of Berlin wall
Like Eshu the Nigerian god of fate
With East Germany on my right; Die ossie
And West Germany on my left; Die wessie
Then like Jesus balancing and walking
On the waters of Lake Galilee
I will balance on Berlin wall
And call one of my faithful followers from Germany
The strong hearted Friedrich von Schiller
To climb the Berlin wall with me
So that we can sing his dystopic Cassandra as a duet
We shall sing and balance on the wall of Berlin
Schiller’s beauteous song of Cassandra;

(Mirth the halls of Troy was filling,
Ere its lofty ramparts fell;
From the golden lute so thrilling
Hymns of joy were heard to swell.
From the sad and tearful slaughter
All had laid their arms aside,
For Pelides Priam's daughter
Claimed then as his own fair bride.

Laurel branches with them bearing,
Troop on troop in bright array
To the temples were repairing,
Owning Thymbrius' sovereign sway.
Through the streets, with frantic measure,
Danced the bacchanal mad round,
And, amid the radiant pleasure,
Only one sad breast was found.

Joyless in the midst of gladness,
None to heed her, none to love,
Roamed Cassandra, plunged in sadness,
To Apollo's laurel grove.
To its dark and deep recesses
Swift the sorrowing priestess hied,
And from off her flowing tresses
Tore the sacred band, and cried:

"All around with joy is beaming,
Ev'ry heart is happy now,
And my sire is fondly dreaming,
Wreathed with flowers my sister's brow
I alone am doomed to wailing,
That sweet vision flies from me;
In my mind, these walls assailing,
Fierce destruction I can see."

"Though a torch I see all-glowing,
Yet 'tis not in *****'s hand;
Smoke across the skies is blowing,
Yet 'tis from no votive brand.
Yonder see I feasts entrancing,
But in my prophetic soul,
Hear I now the God advancing,
Who will steep in tears the bowl!"

"And they blame my lamentation,
And they laugh my grief to scorn;
To the haunts of desolation
I must bear my woes forlorn.
All who happy are, now shun me,
And my tears with laughter see;
Heavy lies thy hand upon me,
Cruel Pythian deity!"

"Thy divine decrees foretelling,
Wherefore hast thou thrown me here,
Where the ever-blind are dwelling,
With a mind, alas, too clear?
Wherefore hast thou power thus given,
What must needs occur to know?
Wrought must be the will of Heaven--
Onward come the hour of woe!"

"When impending fate strikes terror,
Why remove the covering?
Life we have alone in error,
Knowledge with it death must bring.
Take away this prescience tearful,
Take this sight of woe from me;
Of thy truths, alas! how fearful
'Tis the mouthpiece frail to be!"

"Veil my mind once more in slumbers
Let me heedlessly rejoice;
Never have I sung glad numbers
Since I've been thy chosen voice.
Knowledge of the future giving,
Thou hast stolen the present day,
Stolen the moment's joyous living,--
Take thy false gift, then, away!"

"Ne'er with bridal train around me,
Have I wreathed my radiant brow,
Since to serve thy fane I bound me--
Bound me with a solemn vow.
Evermore in grief I languish--
All my youth in tears was spent;
And with thoughts of bitter anguish
My too-feeling heart is rent."

"Joyously my friends are playing,
All around are blest and glad,
In the paths of pleasure straying,--
My poor heart alone is sad.
Spring in vain unfolds each treasure,
Filling all the earth with bliss;
Who in life can e'er take pleasure,
When is seen its dark abyss?"

"With her heart in vision burning,
Truly blest is Polyxene,
As a bride to clasp him yearning.
Him, the noblest, best Hellene!
And her breast with rapture swelling,
All its bliss can scarcely know;
E'en the Gods in heavenly dwelling
Envying not, when dreaming so."

"He to whom my heart is plighted
Stood before my ravished eye,
And his look, by passion lighted,
Toward me turned imploringly.
With the loved one, oh, how gladly
Homeward would I take my flight
But a Stygian shadow sadly
Steps between us every night."

"Cruel Proserpine is sending
All her spectres pale to me;
Ever on my steps attending
Those dread shadowy forms I see.
Though I seek, in mirth and laughter
Refuge from that ghastly train,
Still I see them hastening after,--
Ne'er shall I know joy again."

"And I see the death-steel glancing,
And the eye of ****** glare;
On, with hasty strides advancing,
Terror haunts me everywhere.
Vain I seek alleviation;--
Knowing, seeing, suffering all,
I must wait the consummation,
In a foreign land must fall."

While her solemn words are ringing,
Hark! a dull and wailing tone
From the temple's gate upspringing,--
Dead lies Thetis' mighty son!
Eris shakes her snake-locks hated,
Swiftly flies each deity,
And o'er Ilion's walls ill-fated
Thunder-clouds loom heavily!)

When the Gestapoes get impatient
We shall not climb down to walk on earth
Because by this time  of utopia
Thespis and Muse the gods of poetry
Would have given us the wings to fly
To fly high over England, I and schiller
We shall not land any where in London
Nor perch to any of the English tree
Wales, Scotland, Ireland and Thales
We shall not land there in these lands
The waters of river Thames we shall not drink
We shall fly higher over England
The queen of England we shall not commune
For she is my lender; has lend me the language
English language in which I am chanting
My dystopic songs, poor me! What a cacotopia!
If she takes her language away from
I will remain poetically dead
In the Universe of art and culture
I will form a huge palimpsest of African poetry
Friedrich son of schiller please understand me
Let us not land in England lest I loose
My borrowed tools of worker back to the owner,
But instead let us fly higher in to the azure
The zenith of the sky where the eagles never dare
And call the English bard
through  our high shrilled eagle’s contralto
William Shakespeare to come up
In the English sky; to our treat of poetic blitzkrieg
Please dear schiller we shall tell the bard of London
To come up with his three Luftwaffe
These will be; the deer he stole from the rich farmer
Once when he was a lad in the rural house of john the father,
Second in order is the Hamlet the price of Denmark
Thirdly is  his beautiful song of the **** of lucrece,
We shall ask the bard to return back the deer to the owner
Three of ourselves shall enjoy together dystopia in Hamlet
And ask Shakespeare to sing for us his song
In which he saw a man **** Lucrece; the **** of Lucrece;

( From the besieged Ardea all in post,
Borne by the trustless wings of false desire,
Lust-breathed Tarquin leaves the Roman host,
And to Collatium bears the lightless fire
Which, in pale embers hid, lurks to aspire
  And girdle with embracing flames the waist
  Of Collatine's fair love, Lucrece the chaste.

Haply that name of chaste unhapp'ly set
This bateless edge on his keen appetite;
When Collatine unwisely did not let
To praise the clear unmatched red and white
Which triumph'd in that sky of his delight,
  Where mortal stars, as bright as heaven's beauties,
  With pure aspects did him peculiar duties.

For he the night before, in Tarquin's tent,
Unlock'd the treasure of his happy state;
What priceless wealth the heavens had him lent
In the possession of his beauteous mate;
Reckoning his fortune at such high-proud rate,
  That kings might be espoused to more fame,
  But king nor peer to such a peerless dame.

O happiness enjoy'd but of a few!
And, if possess'd, as soon decay'd and done
As is the morning's silver-melting dew
Against the golden splendour of the sun!
An expir'd date, cancell'd ere well begun:
  Honour and beauty, in the owner's arms,
  Are weakly fortress'd from a world of harms.

Beauty itself doth of itself persuade
The eyes of men without an orator;
What needeth then apologies be made,
To set forth that which is so singular?
Or why is Collatine the publisher
  Of that rich jewel he should keep unknown
  From thievish ears, because it is his own?

Perchance his boast of Lucrece' sovereignty
Suggested this proud issue of a king;
For by our ears our hearts oft tainted be:
Perchance that envy of so rich a thing,
Braving compare, disdainfully did sting
  His high-pitch'd thoughts, that meaner men should vaunt
  That golden hap which their superiors want)

  
I and Schiller we shall be the audience
When Shakespeare will echo
The enemies of beauty as
It is weakly protected in the arms of Othello.

I and Schiller we don’t know places in Greece
But Shakespeare’s mother comes from Greece
And Shakespeare’s wife comes from Athens
Shakespeare thus knows Greece like Pericles,
We shall not land anywhere on the way
But straight we shall be let
By Shakespeare to Greece
Into the inner chamber of calypso
Lest the Cyclopes eat us whole meal
We want to redeem Homer from the
Love detention camp of calypso
Where he has dallied nine years in the wilderness
Wilderness of love without reaching home
I will ask Homer to introduce me
To Muse, Clio and Thespis
The three spiritualities of poetry
That gave Homer powers to graft the epics
Of Iliad and Odyssey centerpieces of Greece dystopia
I will ask Homer to chant and sing for us the epical
Songs of love, Grecian cradle of utopia
Where Cyclopes thrive on heavyweight cacotopia
Please dear Homer kindly sing for us;
(Thus through the livelong day to the going down of the sun we
feasted our fill on meat and drink, but when the sun went down and
it came on dark, we camped upon the beach. When the child of
morning, rosy-fingered Dawn, appeared, I bade my men on board and
loose the hawsers. Then they took their places and smote the grey
sea with their oars; so we sailed on with sorrow in our hearts, but
glad to have escaped death though we had lost our comrades)
                                  
From Greece to Africa the short route  is via India
The sub continent of India where humanity
Flocks like the oceans of women and men
The land in which Romesh Tulsi
Grafted Ramayana and Mahabharata
The handbook of slavery and caste prejudice
The land in which Gujarat Indian tongue
In the cheeks of Rabidranathe Tagore
Was awarded a Poetical honour
By Alfred Nobel minus any Nemesis
From the land of Scandinavia,
I will implore Tagore to sing for me
The poem which made Nobel to give him a prize
I will ask Tagore to sing in English
The cacotopia and utopia that made India
An oversized dystopia that man has ever seen,
Tagore sing please Tagore sing for me your beggarly heat;

(When the heart is hard and parched up,
come upon me with a shower of mercy.

When grace is lost from life,
come with a burst of song.

When tumultuous work raises its din on all sides shutting me out from
beyond, come to me, my lord of silence, with thy peace and rest.

When my beggarly heart sits crouched, shut up in a corner,
break open the door, my king, and come with the ceremony of a king.

When desire blinds the mind with delusion and dust, O thou holy one,
thou wakeful, come with thy light and thy thunder)



The heart of beggar must be
A hard heart for it to glorify in the art of begging,

I don’t like begging
This is knot my heart suffered
From my childhood experience
I saw my mother
PERSONIFICATIONS.

Boys.            Girls.
  January.                February.
  March.                  April.
  July.                   May.
  August.                 June.
  October.                September.
  December.               November.

  Robin Redbreasts; Lambs and Sheep; Nightingale and
  Nestlings.

  Various Flowers, Fruits, etc.

  Scene: A Cottage with its Grounds.


[A room in a large comfortable cottage; a fire burning on
the hearth; a table on which the breakfast things have
been left standing. January discovered seated by the
fire.]


          January.

Cold the day and cold the drifted snow,
Dim the day until the cold dark night.

                    [Stirs the fire.

Crackle, sparkle, *****; embers glow:
Some one may be plodding through the snow
Longing for a light,
For the light that you and I can show.
If no one else should come,
Here Robin Redbreast's welcome to a crumb,
And never troublesome:
Robin, why don't you come and fetch your crumb?


  Here's butter for my hunch of bread,
    And sugar for your crumb;
  Here's room upon the hearthrug,
    If you'll only come.

  In your scarlet waistcoat,
    With your keen bright eye,
  Where are you loitering?
    Wings were made to fly!

  Make haste to breakfast,
    Come and fetch your crumb,
  For I'm as glad to see you
    As you are glad to come.


[Two Robin Redbreasts are seen tapping with their beaks at
the lattice, which January opens. The birds flutter in,
hop about the floor, and peck up the crumbs and sugar
thrown to them. They have scarcely finished their meal,
when a knock is heard at the door. January hangs a
guard in front of the fire, and opens to February, who
appears with a bunch of snowdrops in her hand.]

          January.

Good-morrow, sister.

          February.

            Brother, joy to you!
I've brought some snowdrops; only just a few,
But quite enough to prove the world awake,
Cheerful and hopeful in the frosty dew
And for the pale sun's sake.

[She hands a few of her snowdrops to January, who retires
into the background. While February stands arranging
the remaining snowdrops in a glass of water on the
window-sill, a soft butting and bleating are heard outside.
She opens the door, and sees one foremost lamb, with
other sheep and lambs bleating and crowding towards
her.]

          February.

O you, you little wonder, come--come in,
You wonderful, you woolly soft white lamb:
You panting mother ewe, come too,
And lead that tottering twin
Safe in:
Bring all your bleating kith and kin,
Except the ***** ram.

[February opens a second door in the background, and the
little flock files through into a warm and sheltered compartment
out of sight.]

  The lambkin tottering in its walk
    With just a fleece to wear;
  The snowdrop drooping on its stalk
      So slender,--
  Snowdrop and lamb, a pretty pair,
  Braving the cold for our delight,
      Both white,
      Both tender.

[A rattling of doors and windows; branches seen without,
tossing violently to and fro.]

How the doors rattle, and the branches sway!
Here's brother March comes whirling on his way
With winds that eddy and sing.

[She turns the handle of the door, which bursts open, and
discloses March hastening up, both hands full of violets
and anemones.]

          February.

Come, show me what you bring;
For I have said my say, fulfilled my day,
And must away.

          March.

[Stopping short on the threshold.]

    I blow an arouse
    Through the world's wide house
  To quicken the torpid earth:
    Grappling I fling
    Each feeble thing,
  But bring strong life to the birth.
    I wrestle and frown,
    And topple down;
  I wrench, I rend, I uproot;
    Yet the violet
    Is born where I set
  The sole of my flying foot,

[Hands violets and anemones to February, who retires into
the background.]

    And in my wake
    Frail wind-flowers quake,
  And the catkins promise fruit.
    I drive ocean ashore
    With rush and roar,
  And he cannot say me nay:
    My harpstrings all
    Are the forests tall,
  Making music when I play.
    And as others perforce,
    So I on my course
  Run and needs must run,
    With sap on the mount
    And buds past count
  And rivers and clouds and sun,
    With seasons and breath
    And time and death
  And all that has yet begun.

[Before March has done speaking, a voice is heard approaching
accompanied by a twittering of birds. April comes
along singing, and stands outside and out of sight to finish
her song.]

          April.

[Outside.]

  Pretty little three
  Sparrows in a tree,
    Light upon the wing;
    Though you cannot sing
    You can chirp of Spring:
  Chirp of Spring to me,
  Sparrows, from your tree.

  Never mind the showers,
  Chirp about the flowers
    While you build a nest:
    Straws from east and west,
    Feathers from your breast,
  Make the snuggest bowers
  In a world of flowers.

  You must dart away
  From the chosen spray,
    You intrusive third
    Extra little bird;
    Join the unwedded herd!
  These have done with play,
  And must work to-day.

          April.

[Appearing at the open door.]

Good-morrow and good-bye: if others fly,
Of all the flying months you're the most flying.

          March.

You're hope and sweetness, April.

          April.

            Birth means dying,
As wings and wind mean flying;
So you and I and all things fly or die;
And sometimes I sit sighing to think of dying.
But meanwhile I've a rainbow in my showers,
And a lapful of flowers,
And these dear nestlings aged three hours;
And here's their mother sitting,
Their father's merely flitting
To find their breakfast somewhere in my bowers.

[As she speaks April shows March her apron full of flowers
and nest full of birds. March wanders away into the
grounds. April, without entering the cottage, hangs over
the hungry nestlings watching them.]

          April.

  What beaks you have, you funny things,
    What voices shrill and weak;
  Who'd think that anything that sings
    Could sing through such a beak?
  Yet you'll be nightingales one day,
    And charm the country-side,
  When I'm away and far away
    And May is queen and bride.

[May arrives unperceived by April, and gives her a kiss.
April starts and looks round.]

          April.

Ah May, good-morrow May, and so good-bye.

          May.

That's just your way, sweet April, smile and sigh:
Your sorrow's half in fun,
Begun and done
And turned to joy while twenty seconds run.
I've gathered flowers all as I came along,
At every step a flower
Fed by your last bright shower,--

[She divides an armful of all sorts of flowers with April, who
strolls away through the garden.]

          May.

And gathering flowers I listened to the song
Of every bird in bower.
    The world and I are far too full of bliss
    To think or plan or toil or care;
      The sun is waxing strong,
      The days are waxing long,
        And all that is,
          Is fair.

    Here are my buds of lily and of rose,
    And here's my namesake-blossom, may;
      And from a watery spot
      See here forget-me-not,
        With all that blows
          To-day.

    Hark to my linnets from the hedges green,
    Blackbird and lark and thrush and dove,
      And every nightingale
      And cuckoo tells its tale,
        And all they mean
          Is love.

[June appears at the further end of the garden, coming slowly
towards May, who, seeing her, exclaims]

          May.

Surely you're come too early, sister June.

          June.

Indeed I feel as if I came too soon
To round your young May moon
And set the world a-gasping at my noon.
Yet come I must. So here are strawberries
Sun-flushed and sweet, as many as you please;
And here are full-blown roses by the score,
More roses, and yet more.

[May, eating strawberries, withdraws among the flower beds.]

          June.

The sun does all my long day's work for me,
  Raises and ripens everything;
I need but sit beneath a leafy tree
    And watch and sing.

[Seats herself in the shadow of a laburnum.

Or if I'm lulled by note of bird and bee,
  Or lulled by noontide's silence deep,
I need but nestle down beneath my tree
    And drop asleep.

[June falls asleep; and is not awakened by the voice of July,
who behind the scenes is heard half singing, half calling.]

          July.

     [Behind the scenes.]

Blue flags, yellow flags, flags all freckled,
Which will you take? yellow, blue, speckled!
Take which you will, speckled, blue, yellow,
Each in its way has not a fellow.

[Enter July, a basket of many-colored irises slung upon his
shoulders, a bunch of ripe grass in one hand, and a plate
piled full of peaches balanced upon the other. He steals
up to June, and tickles her with the grass. She wakes.]

          June.

What, here already?

          July.

                  Nay, my tryst is kept;
The longest day slipped by you while you slept.
I've brought you one curved pyramid of bloom,

                        [Hands her the plate.

Not flowers, but peaches, gathered where the bees,
As downy, bask and boom
In sunshine and in gloom of trees.
But get you in, a storm is at my heels;
The whirlwind whistles and wheels,
Lightning flashes and thunder peals,
Flying and following hard upon my heels.

[June takes shelter in a thickly-woven arbor.]

          July.

  The roar of a storm sweeps up
    From the east to the lurid west,
  The darkening sky, like a cup,
    Is filled with rain to the brink;

  The sky is purple and fire,
    Blackness and noise and unrest;
  The earth, parched with desire,
      Opens her mouth to drink.

  Send forth thy thunder and fire,
    Turn over thy brimming cup,
  O sky, appease the desire
    Of earth in her parched unrest;
  Pour out drink to her thirst,
    Her famishing life lift up;
  Make thyself fair as at first,
      With a rainbow for thy crest.

  Have done with thunder and fire,
    O sky with the rainbow crest;
  O earth, have done with desire,
    Drink, and drink deep, and rest.

[Enter August, carrying a sheaf made up of different kinds of
grain.]

          July.

Hail, brother August, flushed and warm
And scatheless from my storm.
Your hands are full of corn, I see,
As full as hands can be:

And earth and air both smell as sweet as balm
In their recovered calm,
And that they owe to me.

[July retires into a shrubbery.]

          August.

  Wheat sways heavy, oats are airy,
    Barley bows a graceful head,
  Short and small shoots up canary,
    Each of these is some one's bread;
  Bread for man or bread for beast,
      Or at very least
      A bird's savory feast.

  Men are brethren of each other,
    One in flesh and one in food;
  And a sort of foster brother
    Is the litter, or the brood,
  Of that folk in fur or feather,
      Who, with men together,
      Breast the wind and weather.

[August descries September toiling across the lawn.]

          August.

My harvest home is ended; and I spy
September drawing nigh
With the first thought of Autumn in her eye,
And the first sigh
Of Autumn wind among her locks that fly.

[September arrives, carrying upon her head a basket heaped
high with fruit]


          September.

Unload me, brother. I have brought a few
Plums and these pears for you,
A dozen kinds of apples, one or two
Melons, some figs all bursting through
Their skins, and pearled with dew
These damsons violet-blue.

[While September is speaking, August lifts the basket to the
ground, selects various fruits, and withdraws slowly along
the gravel walk, eating a pear as he goes.]

      
‘I am…’ 'Or am I’? Who can say?
‘A posteriori’ leads the way
For the extra and the ordinary
Axiomatic sway,
In the gravity of corollary,
‘A priori’ interplay
Ataraxic overlay of anxious automation,
As the innocence of dissonance delay.
Practicing semantic contemplation,
In willfully prevenient interpolation,
Civilly disobedient in expediently seeming disarray,
Forecasts in vague extrapolation
Contrasts the millennial contagion
Already underway,
Filling nihilistic voids with particles in waves,
To interpret dreams of Freud to free Oedipus’s slaves,
A degreeless scholastic who never misbehaves,
Simulated humanoid dramatic in the affect that he craves,
Inflating linguistics in acrobatic raves,
A thespian who plans conation with legacy engraves.
The probabilistic determiner of cosmogenous debates,
An apperceived inquirer of qualitative states,
Inspiring proprietor of dismality abates.
Challenging aporia as epistemic oscillates,
Stoically, heroically, ‘one’ who amalgamates,
Circling the infinite in hermeneutic calibrates.
An escaped prisoner from depressive disillusion,
Of an introspective extrovert who finds solace in confusion,
The personable recluse fighting an illusion
Breaking down the nuances of every institution.
Calculating consequence as time goes to infinity
Revolutionary commonsense of principal utility,
An opinionated adversary,
to the realist without evidence,
Theorizing in futility,
Stipulating every sense leading to the virility of the pretense that dominates community.
Divergently converging all the efforts we’ve personified,
Inadvertently submerging old traditions that unethically were codified,
Hastening the urgency for purging that which cannot be modified through the merging of the certainty that will no longer coincide,
Stationing the levies to finally stem the tide,
Of periodic enmities disguised to be necessities so blatantly deified.
Observing moral sentiments, perched upon eternity,
As consequential regiments are expounded universally,
To unstratify the residents indiscriminately
And identify quantum elements spiritualistically,
Changing collective behavior individually,
Socializing constructs in joint ventured logo therapy.
This is an edited, expanded, expounded, confounded, reverberation of Linguistic Illusions to Probable Solutions written months back.
Frost-locked all the winter,
Seeds, and roots, and stones of fruits,
What shall make their sap ascend
That they may put forth shoots?
Tips of tender green,
Leaf, or blade, or sheath;
Telling of the hidden life
That breaks forth underneath,
Life nursed in its grave by Death.

Blows the thaw-wind pleasantly,
Drips the soaking rain,
By fits looks down the waking sun:
Young grass springs on the plain;
Young leaves clothe early hedgerow trees;
Seeds, and roots, and stones of fruits,
Swollen with sap, put forth their shoots;
Curled-headed ferns sprout in the lane;
Birds sing and pair again.

There is no time like Spring,
When life's alive in everything,
Before new nestlings sing,
Before cleft swallows speed their journey back
Along the trackless track,--
God guides their wing,
He spreads their table that they nothing lack,--
Before the daisy grows a common flower,
Before the sun has power
To scorch the world up in his noontide hour.

There is no time like Spring,
Like Spring that passes by;
There is no life like Spring-life born to die,--
Piercing the sod,
Clothing the uncouth clod,
Hatched in the nest,
Fledged on the windy bough,
Strong on the wing:
There is no time like Spring that passes by,
Now newly born, and now
Hastening to die.
A Rock, A River, A Tree
Hosts to species long since departed,
Mark the mastodon.
The dinosaur, who left dry tokens
Of their sojourn here
On our planet floor,
Any broad alarm of their of their hastening doom
Is lost in the gloom of dust and ages.
But today, the Rock cries out to us, clearly, forcefully,
Come, you may stand upon my
Back and face your distant destiny,
But seek no haven in my shadow.
I will give you no hiding place down here.
You, created only a little lower than
The angels, have crouched too long in
The bruising darkness,
Have lain too long
Face down in ignorance.
Your mouths spelling words
Armed for slaughter.
The rock cries out today, you may stand on me,
But do not hide your face.
Across the wall of the world,
A river sings a beautiful song,
Come rest here by my side.
Each of you a bordered country,
Delicate and strangely made proud,
Yet thrusting perpetually under siege.
Your armed struggles for profit
Have left collars of waste upon
My shore, currents of debris upon my breast.
Yet, today I call you to my riverside,
If you will study war no more.
Come, clad in peace and I will sing the songs
The Creator gave to me when I
And the tree and stone were one.
Before cynicism was a ****** sear across your brow
And when you yet knew you still knew nothing.
The river sings and sings on.
There is a true yearning to respond to
The singing river and the wise rock.
So say the Asian, the Hispanic, the Jew,
The African and Native American, the Sioux,
The Catholic, the Muslim, the French, the Greek,
The Irish, the Rabbi, the Priest, the Sheikh,
The Gay, the Straight, the Preacher,
The privileged, the homeless, the teacher.
They hear. They all hear
The speaking of the tree.
Today, the first and last of every tree
Speaks to humankind. Come to me, here beside the river.
Plant yourself beside me, here beside the river.
Each of you, descendant of some passed on
Traveller, has been paid for.
You, who gave me my first name,
You Pawnee, Apache and Seneca,
You Cherokee Nation, who rested with me,
Then forced on ****** feet,
Left me to the employment of other seekers--
Desperate for gain, starving for gold.
You, the Turk, the Swede, the German, the Scot...
You the Ashanti, the Yoruba, the Kru,
Bought, sold, stolen, arriving on a nightmare
Praying for a dream.
Here, root yourselves beside me.
I am the tree planted by the river,
Which will not be moved.
I, the rock, I the river, I the tree
I am yours--your passages have been paid.
Lift up your faces, you have a piercing need
For this bright morning dawning for you.
History, despite its wrenching pain,
Cannot be unlived, and if faced with courage,
Need not be lived again.
Lift up your eyes upon
The day breaking for you.
Give birth again
To the dream.
Women, children, men,
Take it into the palms of your hands.
Mold it into the shape of your most
Private need. Sculpt it into
The image of your most public self.
Lift up your hearts.
Each new hour holds new chances
For new beginnings.
Do not be wedded forever
To fear, yoked eternally
To brutishness.
The horizon leans forward,
Offering you space to place new steps of change.
Here, on the pulse of this fine day
You may have the courage
To look up and out upon me,
The rock, the river, the tree, your country.
No less to Midas than the mendicant.
No less to you now than the mastodon then.
Here on the pulse of this new day
You may have the grace to look up and out
And into your sister's eyes,
Into your brother's face, your country
And say simply
Very simply
With hope
Good morning.
Lazhar Bouazzi Nov 2016
I took a walk in La Goulette yesterday
From the “Bridge-of-the-Casino” to the port.
The things I saw on my sun-bathing way
So simple they were, here is a report:
II
Sea snakes under a blue bridge did frolic
As hardware stores displayed paint in their windows.
The water snakes performed some dance symbolic
And the paint braved the dark rust from a distance.
III
And I, hastening to my liquid address,
Shot a side look at a man in a dress,
And hoped the blue water in the White Sea*
Would wash the wound bleeding in my memory.

© LazharBouazzi, 16/11/16 (revised Nov. 17)
*The Mediterranean is called in Arabic The White Middle Sea.
Lauren Ashley Jun 2011
must we call for adventure when death lingers
a fear casting a shadow over our every action
so you take action to fight the shadows
hastening the sunset like foolish children
running as fast as they can to watch
the sun pouring down into the water
a flaming yolk cracking upon the surface
the glorious way to die when you were young
but now we know pain and love and hate
and we lose the will to oppose our fates
resigned to live for the material on our plates
all the while admiring the daring heroes
'cause at least they were suffering and better for it
they could so easily break us apart
but to break us would be to mend us again
and again we will stand before judgement
denying the false lenses placed before our eyes
accepting an eternal immortal truth of life given
that must be taken away when the adventure has been won
Gabriel Feb 2014
Shall I call to thee once more, my love?
Thou arrow doth shoot into me from above.
Tangled stings of lover's passion never borrow.
Yet perched on the light of yester morrow,
She hordes my memory justly cloaked, an entrenchment.
Her Meadowlark breast sings of my contentment.
As my voice fails to muster thus.
Her lover's song doth turn to dust.
In the translucent glow of placid regret,
He sees the paleness of a face wet.
So saddening was once the passing rains,
Now forward, a bled heart remains.
Her pointed sharpened attraction once a desire,
Now merely a softened verse within my spire.
Thou stricken surprised; whilst I forthright,
To inform thee of tragedy ending thy night.
I have been reading some Ben Jonson and Christopher Marlowe work lately, and this is kinda the result. I may have pushed it, but it sounds good and felt right. I hope you do so enjoy, thank you for reading!! =)
From pent-up aching rivers,
From that of myself without which I were nothing,
From what I am determin’d to make illustrious, even if I stand sole
   among men,
From my own voice resonant, singing the phallus,
Singing the song of procreation,
Singing the need of superb children and therein superb grown people,
Singing the muscular urge and the blending,
Singing the bedfellow’s song, (O resistless yearning!
O for any and each the body correlative attracting!
O for you whoever you are your correlative body! O it, more than all
   else, you delighting!)
From the hungry gnaw that eats me night and day,
From native moments, from bashful pains, singing them,
Seeking something yet unfound though I have diligently sought it
   many a long year,
Singing the true song of the soul fitful at random,
Renascent with grossest Nature or among animals,
Of that, of them and what goes with them my poems informing,
Of the smell of apples and lemons, of the pairing of birds,
Of the wet of woods, of the lapping of waves,
Of the mad pushes of waves upon the land, I them chanting,
The overture lightly sounding, the strain anticipating,
The welcome nearness, the sight of the perfect body,
The swimmer swimming naked in the bath, or motionless on his back
   lying and floating,
The female form approaching, I pensive, love-flesh tremulous aching,
The divine list for myself or you or for any one making,
The face, the limbs, the index from head to foot, and what it
   arouses,
The mystic deliria, the madness amorous, the utter abandonment,
(Hark close and still what I now whisper to you,
I love you, O you entirely possess me,
O that you and I escape from the rest and go utterly off, free and
   lawless,
Two hawks in the air, two fishes swimming in the sea not more
   lawless than we;)
The furious storm through me careering, I passionately trembling.
The oath of the inseparableness of two together, of the woman that
   loves me and whom I love more than my life, that oath swearing,
(O I willingly stake all for you,
O let me be lost if it must be so!
O you and I! what is it to us what the rest do or think?
What is all else to us? only that we enjoy each other and exhaust
   each other if it must be so;)
From the master, the pilot I yield the vessel to,
The general commanding me, commanding all, from him permission
   taking,
From time the programme hastening, (I have loiter’d too long as it
   is,)
From ***, from the warp and from the woof,
From privacy, from frequent repinings alone,
From plenty of persons near and yet the right person not near,
From the soft sliding of hands over me and thrusting of fingers
   through my hair and beard,
From the long sustain’d kiss upon the mouth or *****,
From the close pressure that makes me or any man drunk, fainting
   with excess,
From what the divine husband knows, from the work of fatherhood,
From exultation, victory and relief, from the bedfellow’s embrace in
   the night,
From the act-poems of eyes, hands, hips and bosoms,
From the cling of the trembling arm,
From the bending curve and the clinch,
From side by side the pliant coverlet off-throwing,
From the one so unwilling to have me leave, and me just as unwilling
   to leave,
(Yet a moment O tender waiter, and I return,)
From the hour of shining stars and dropping dews,
From the night a moment I emerging flitting out,
Celebrate you act divine and you children prepared for,
And you stalwart *****.
LA Hall May 2013
Ulrich finds comfort in knowing
he could seek a lethal dose of medication
to hasten his death.
Ulrich was standing
next to the governor on Monday afternoon,
sun pouring in the oaky office,
as he signed
the bill into law.

Doctors and hospitals
and state officials
are scurrying to prepare.
Soon, the state Health Department
will get forms ready.
The lethal medication
is a liquid that the patient must
self-administer.

Hastening death;
akin to
yanking out feeding tubes
and removing respirators,
is not suicide, they say.
The underlying illness
would be listed
as the cause of death.
The sea is mighty, but a mightier sways
His restless billows. Thou, whose hands have scooped
His boundless gulfs and built his shore, thy breath,
That moved in the beginning o'er his face,
Moves o'er it evermore. The obedient waves
To its strong motion roll, and rise and fall.
Still from that realm of rain thy cloud goes up,
As at the first, to water the great earth,
And keep her valleys green. A hundred realms
Watch its broad shadow warping on the wind,
And in the dropping shower, with gladness hear
Thy promise of the harvest. I look forth
Over the boundless blue, where joyously
The bright crests of innumerable waves
Glance to the sun at once, as when the hands
Of a great multitude are upward flung
In acclamation. I behold the ships
Gliding from cape to cape, from isle to isle,
Or stemming toward far lands, or hastening home
From the old world. It is thy friendly breeze
That bears them, with the riches of the land,
And treasure of dear lives, till, in the port,
The shouting ****** climbs and furls the sail.

  But who shall bide thy tempest, who shall face
The blast that wakes the fury of the sea?
Oh God! thy justice makes the world turn pale,
When on the armed fleet, that royally
Bears down the surges, carrying war, to smite
Some city, or invade some thoughtless realm,
Descends the fierce tornado. The vast hulks
Are whirled like chaff upon the waves; the sails
Fly, rent like webs of gossamer; the masts
Are snapped asunder; downward from the decks,
Downward are slung, into the fathomless gulf,
Their cruel engines; and their hosts, arrayed
In trappings of the battle-field, are whelmed
By whirlpools, or dashed dead upon the rocks.
Then stand the nations still with awe, and pause,
A moment, from the ****** work of war.

  These restless surges eat away the shores
Of earth's old continents; the fertile plain
Welters in shallows, headlands crumble down,
And the tide drifts the sea-sand in the streets
Of the drowned city. Thou, meanwhile, afar
In the green chambers of the middle sea,
Where broadest spread the waters and the line
Sinks deepest, while no eye beholds thy work,
Creator! thou dost teach the coral worm
To lay his mighty reefs. From age to age,
He builds beneath the waters, till, at last,
His bulwarks overtop the brine, and check
The long wave rolling from the southern pole
To break upon Japan. Thou bid'st the fires,
That smoulder under ocean, heave on high
The new-made mountains, and uplift their peaks,
A place of refuge for the storm-driven bird.
The birds and wafting billows plant the rifts
With herb and tree; sweet fountains gush; sweet airs
Ripple the living lakes that, fringed with flowers,
Are gathered in the hollows. Thou dost look
On thy creation and pronounce it good.
Its valleys, glorious with their summer green,
Praise thee in silent beauty, and its woods,
Swept by the murmuring winds of ocean, join
The murmuring shores in a perpetual hymn.
35

Nobody knows this little Rose—
It might a pilgrim be
Did I not take it from the ways
And lift it up to thee.
Only a Bee will miss it—
Only a Butterfly,
Hastening from far journey—
On its breast to lie—
Only a Bird will wonder—
Only a Breeze will sigh—
Ah Little Rose—how easy
For such as thee to die!
ChawzzyScript May 2013
Mmmmmm......Good Morning Honey.........

Delightedly awakened by your lingual dexterity
Opening your mouth to engulf its fullness
******* and slurping, hastening its juices
From escaping and running down your chin.

Its tangy nectar making your fingers slick and sticky
A tighter grip you employ when it slips within your grasp
The sound you're making is so ******, the fullness of your lips, so enticing, .....so....so
Ah....ah............ahhh..........................a­ahhhhhh!!!­

I do so love it when you eat sweet peaches in the morning!

Fancy a napkin?

-----ChawzzyScript
Denel Kessler Jun 2016
I can’t help but mourn the frogs, flattened
like Wile E. Coyote after the inevitable boulder
plummets from a great height, leaving him
mashed on the pavement while the Roadrunner
speeds off -  vroom, vroom, beep, beep.

I try to steer around them, but they blanket
the road in biblical numbers during the rain
and it’s like some impossible video game
weaving through masses of randomly hopping life
a certain amount of death is unavoidable.

When I walk the road I can’t stop
counting one, two, five, ten, twenty
cartoon-flat bodies littering the pavement
where I extinguished their glittering
copper and golden-green existence.

Last night, on the panes of every lit window
frogs of all sizes and colors gathered
outside, they covered doors, watering cans
even lined up single file on the coiled garden hose
like they were climbing the ladder to frog heaven.

Through the glass, I admired their rhythmic
throats and soft, creamy, underbellies
one, two, five, ten, twenty
fragile creatures seeking warmth
in the hastening darkness.
Trevor Gates Apr 2013
Sweltering insurgencies of electric power chords
Tribal reverberations of skin-stretched drum boards
Rolling and filling; syncopating the noise
Of the ***-less toys
The ****-less boys
Enraptured in the music
The anthem
Of invidious phantoms
My eyes hurt inside and
I want to pull them out and
Scrape out the gunk and rust
that’s behind my self-indulgent perseverance
so I can cry
for the first time in years…

Wrapping my hands around his slender torso
Licking away the paint, the dripping ooze; more so
Than hastening my ****** and mordant urges
To bite what emerges
And my mouth purges
The obelisk from underneath
The iron-pierced jester
The voracious molester
My hand tightens as I grip
his throat tighter and
I want to squeeze until his eyes pop
from his sockets and
laugh until I puke against the walls,
watching the ****** fluids mix
like an execrable marinara sauce…

I turned thirty while still being sixteen
The vivid beauty of the world was only in dreams
But none of mine, none that I can recall
Many years have passed since I took the oral fall
Where no one saw
Intransigent need to live
For the snake in my veins hungered for more
So many had their way
until I was limp and sore.
Defamatory fingers of mire and strife
Probing and stretching
My insides
And devilishly comforting
With limpid ambrosia
That’s infected by bilious worms and maggots covered in icing
And fruit

Amatory gauntlets fastened and secured over
Handless limbs that retract under matriculated frictions
That fracture, crack, morph, distort
Emphasize, marginalize
Rationalize, desensitize
Acts of *******, evasion, moral drainage;
Pieces, bits, chunks, sections, portions, servings;
Arms, legs, eyes, tongues, fingers, toes,
Love, lust, infatuation
Adoration
Boys, girls, women, men,
Angels, demons, monsters, humans
Creators, gods, titans, divas
All extended and limited from the minds that worship
Sanctify, mesmerize, glorify, rectify
While humans eat more, love more, **** more
Than the angels, demons, monsters, and titans
We ponder and cherish
Nevermore, for me
Ever lore, for all
Crows surround
And chaos found.
Lazhar Bouazzi Jul 2017
I
I took a walk in La Goulette yesterday,
From the “Bridge of the Casino” to the port.
The things I beheld on my shiny way
So simple they were, here is a report:
II
Sea snakes under a blue bridge did frolic
As hardware stores displayed paint in their windows.
The water snakes performed some dance symbolic
And the paint braved the dark rust from a distance.
III
At a green grocer’s cart a lady in jeans
Sought peas, artichokes, & broccoflower;
Two lovers, each tried to explain,
As a cat miaoed, what love was to the other.
VI
And I, hastening to my liquid address,
Shooting a side look at a man in a dress,
Was hoping the glazing port in the White Sea*
Would wash the bleeding wound in my memory.

© LazharBouazzi, Nov.16, 2016, revised Nov. 17, 2016, elongated July 8, 2017
* The Arabic name for the Mediterranean is the "White Middle Sea."
Deep Feb 2021
My life beneath your lies
Your heart in someone's purse,

Sweet days of mine
creating bitter memories...
Edward Coles Apr 2014
World of code;

riddle,
and a brand new
language.
I hold you close my
dear, as you stumble on through the dark night,
this knowledge
is hastening to bring my demise.
You sit within my pentameter,
so where did
I lose my peaceful mind?
I'm still struggling with poetry, in finding art
amongst the burdens of the street. You're applying sunscreen
to your back and shoulders, and then
you're basking in the heat of my astral beach.
I'm stranded here
alone now,
sending my postcards
to nowhere at all, I have grown tired
of this mere existence,
of fading in the city sprawl.
Now Mathematics
is the language of the universe,
and will speak for
centuries to come,
gravity making sense
out of chaos, and will talk forever over
the atomic bomb.
I'm learning
my sums again darling, I'm going back
to a clean state of mind, hoping to discover
an answer, to why I'm

constantly falling
behind. When I find the equation I will
call you, and profess them unto the stars,
a love never lost
in
translation, a love where you'll always be the source.
#pi
Adam Latham Sep 2014
King Neptune sat upon his saline throne
And cried out loud to all the sea drenched sway,
"More sport, more sport" he yelled unto his own,
"That I might ease the boredom brought this day.
You, Dolphin, bring your wisdom unto me
And pray tell of that light, that coastal hue
Which cuts the dark asunder to my sea,
'Cross leaden skies to blind us all we few."

A hastening fin and quickly to his place,
The wise old Dolphin, gripped with fear and awe,
Bowed solemnly, then with a gentle grace
Explained what shone upon his master's shore.
"The glare, those slicing beams that shine at night
Warn pending doom to all who sail to near,
The jagged teeth of rocks are such a sight
To instil e'en the hardest men with fear.

Men's hands, those mortal gems the gods employ,
Have seized upon the danger of it all,
And built a structure warning of the ploy
Of all Sea Lords to bring about their fall.
And so the Lighthouse, named with ample sense,
Can only mean a blasphemy to thee,
So sailors can quite safely trespass hence
From port to port, unto the open sea."

(Neptune)
"No more! My once cool spirit rages hot
And boils a fury charring to the bone,
I see the House of Human has forgot
That they are ours, amusing us alone.
We Gods, we masters of their finite lives
Demand their will, their thoughts, their breathing souls,
To serve without regret our divine hives
With worship, prayer, and swinging incense bowls.

Strange feeling, 'tis the curdling of my blood,
The clotting of my rage to pure disdain,
Revenge is stoked where once pure anger stood,
Enough to charge mankind to think again.
Come trident keeper, serve my thrice pronged arm
And gird my ***** with implements of war,
The time has come to use such lethal charm
That foolish men like these cannot ignore.

A bellowed word, the tide is at my tongue
And wave on wave is mercy to my feet,
Children of the sea rise up in song
And on the Lighthouse moorings thrash and beat.
Seek victory, seize woe upon that hill
And raze in moistened load their pillared sin,
My kingdom shall devour this bitter pill,
'Til it shall be as if it had not been."

On land a Priest, Tiberius by name,
A servant to the Goddess of the Hunt,
Meanwhile had climbed the saturated frame
To view with nonchalance the ocean front.
These seven days had seen Diana's shrine
Find several hundred pilgrims on its plot,
And feeling soon the strains of the divine
Had hoped the walk would ease his troubled lot.

Upon the coast he'd found this Titan's torch
When from his daily burdens he had fled,
A walk one hour from the lunar porch
Where tithes were paid and healing prayers were said.
And from the top he surveyed all the world
Around about, inland and to the sea,
And marvelled at the way the water curled
Itself onto the shore so constantly.

Though mesmerised, his senses were not dulled,
A sound, a buzz, a percolating hum
Fell on his ears until his eyes were pulled
To ripples forming in the salty ****.
A tremor was the herald he surmised
For one whose habitation was the sea,
But even then what 'rose before his eyes
Was something that he thought would never be.

A giant crowned with royal ornament
And plates of golden armour on his chest,
Reared up out of the depths in quick movement
Which saw the waves removed and pulled abreast.
A thunderclap and lightening bolts galore
Along with all the earthquakes there could be,
Made our heroic priest fear all the more
As Neptune stood astride the choppy sea.

The stature of a God cannot be ruled,
But here Tiberius measured a mile,
From sandalled feet to head and hair bejewelled
With water droplet gems set regal style.
He noticed that this ocean deity
Well placed amongst the swells of his domain,
Now roll his eyes towards him hatefully
And bellow words the skies could not contain.

"Six nights in seven I have seen the light
From this abomination cast a spell,
And give to those that would not have insight,
A knowledge of the coastal rocks that dwell.
Tonight I will destroy it piece by piece
And reclaim once again the water's grave,
The perils of my realm will then increase
And men of ships I once more shall enslave.
I call upon all life of which I rule
And Mother Nature's elemental froth,
Join with me in the use of anger's tool,
Tear down each brick with undiluted wrath!"

Tiberius was quick in his reply,
His nerves suppressed to give a hardened look,
Inside a churning stomach would not lie
Yet somehow courage managed this rebuke,
" I care not for the wars of Gods and Men,
But hearken Neptune, hear this heartfelt pledge,
Strike not your hand against this lighted den
For by that action you would cross the edge.
The earth beneath my feet is holy ground
And sanctioned sacred at the throne of Jove,
I prayed my blessing when I heard the sound,
That ****** of rushing water in your grove."

The Sea God boomed displeasure with a roar
That pierced the cooling air with heated might,
A calmness quickly soothed him to the core
Though whitened knuckles gripped his trident tight.
"How can this be from one whose station's known
To beg the favour of the King of Kings,
Your faith is to one God and one alone
And subject only to the gift she brings.
I do not recognise the swift dictate
You prayed unto my brother in the heights,
Your life is therefore forfeit to The Fates,
As I condemn to death your house of lights."

No more was said but actions stole the words
Before Tiberius could speak again,
This Sea Lord with his head amongst the birds
Now caused the air to turn, the sky to rain.
He strode towards the object of his ills
With nothing but contempt within his eyes,
Incanting as he went the magic frills
Positions such as his can realise.

And so our priest expecting deaths divide
To halt the smooth meander of his life,
Stood firm with very little hope inside
That something could release him from this strife.
With quickened breath he ****** the salty air
To calm a body gripped with cold and fear,
His final thoughts would be in silent prayer,
Preparing for the end that drew so near.

The wind blew stronger and the rain lashed down,
A mix of spray and torrents from the sky,
The wet had found his priestly robes and gown
And now they clung unlike when they were dry.
One footstep, two, three more and then no light,
As all of Neptune's bulk eclipsed the sun,
The Lighthouse trembled in the pseudo night,
Lo Judgment Day for our brave priest had come.

And so the scene, a God engulfed with rage
About to battle mortar, brick, and bone,
Freed from the bonds of his salt water cage
By mortal acts that he could not condone.
With one hand raised and trident poised to strike,
The King of all the Oceans took his aim,
And without pause he loosed the three pronged pike
So that it flew unhindered to the game.
It did not falter, neither did it swerve
Nor did it slow by friction of the air,
But straight and true, devoid of any curve
It sailed towards the Lighthouse that was there.

And all Tiberius could do was watch
And wait the lethal throw by Neptune's hand,
Closer and closer, ready to dispatch
His sorry soul to Pluto's hallowed land.
In seconds all he knew of life on Earth
Would perish at the will of the divine,
And that which had been granted his from birth
Would disappear into the sands of time.
vircapio gale Jun 2012
Birthed from perfect unknown void,
Crescendos of unific silence
And a ****** ear reflecting,
A Gift between Two Brothers discontent
Interweaves them now and evermore
In fraternal ******* to a nondual realm.
A lightning seed of thought between two darks,
One light enough to fade the cosmic frown,
To be reborn in strife eternal,
And set the Cycle hastening to a Muse.
His flickering strands dehiscing essence,
The perfect fracture in a faultless whole,
It brings to bear the Change supernal:
The Triple Sequence timely folding,
Unfolds the Rhapsody of Seasons:
Wind, Sea and Earth alighting
Origins of Fire churning dim:
Clear rippling of finality forgotten,
New pressing through into existence,
Her gaze a creature to its own illumination
Renewed, with steaming boundaries... ragged breath:
Living sparks to contemplate the Stars,
And Satyr forward lustful genesis.
The hidden sun plays throughout the wood
A fragant melody of Light held fast,
Of Shadow pregnant and yearning
Bursting forth in spray of life subdued,
Laid low by Rhythmic pulse
And Timeless sea of tempoed mystery.
The hoard takes form, enraged--
A battle-morning's thralling mist of
Early spirits condensate to cling...
That vast blank anticenter dares to mock
With bated fragile brandishings, the
Violent frame of peace-horizons
Stepping out of step, Undeath whining
For a loss of Truth continual. Yet
Hope is wheeling her neoteric self
Upon that sovereign evanescence
Web-like spinning still, a prior sense,
A transfinite faultline of life yet unborn,
Of death still unwrought and wrought again
In hues of growth, and dreams of change,
Waiting silently for Books of Song.
josh wilbanks May 2014
Do you feel that?
The feverish split second you decide the night is when you feel most alive and creep quickly, quietly, your heart hastening with every faulty step creating a domino effect of blood pumping mistakes that only you notice because only you are looking for them.
Of course you don't.
You grew up.

Lier.
You said you loved me.
Im only playing ninja.
But you are too grown up to play.
I hate it.
2 hours on a bike in snow higher then my thigh with an ice coverd road and nothing but regret.
You told me to do this.
Why did you lie?
I hate liers.
I know you still want to play.
You show it when i kiss you.
Growing up seperated us.
You are just as ****** up as me.
Don't lie.
All of my poems are true story's.
Failure
Too familiar a sensation
One that I could use a vacation
From ASAP
Constantly flooded by thoughts and ways that
I could have done better
But these days that
Go by
In the blink of an eye
It seems that by
The time that I try
To do better I find
That I’ve failed
And if only I could say
that I’ve nailed
Down a way
to rise above that feeling of sadness
If only I could, just once, say I had this
All figured out
If only my actions matched my words in clout
I could, beyond a shadow of a doubt,
Make things right
Take things to new heights
Overcome the petty problems and plights
That plague my every day life
A life rife with strife
Rife with the pain of disappointment
Like a stab in the chest with a butter knife
C’est la vie
Such is life
Mon ami
My friend
But this isn’t the end
No
If you want we can pretend
Though
That it is for just a minute
So let’s stick a pin in it
And come back when we’re done
Because I won’t let it end ‘til I’ve won
At least one time
(Once is better but time rhymes)
Failure
Too familiar a sensation
One I view with indignation
Despite what good can come of failing
Don’t get me wrong though, I’m not hailing
Failure as some great thing
That we should all strive to bring
Into our lives and those around
All I’m saying is that failure is worth its weight in gold
Pound for pound
So I’m told
That failure is experience
Somewhere between godliness and expedience
Hastening our ability to grow
And adapt and come to know
The difference between wrong and right
But even if I know the difference I might
Still **** up and that’s okay
I remind myself every day
That it’s okay to fail
It’s okay that you’re in the part of this tale
Called life that you’ll make mistakes
Like rhyming the above with mushrooms known as shittakes
(Okay that was arguably bad
But sometimes bad rhymes are to be had
When you write at 3am despite needing sleep
But you compulsively keep
Writing; you can’t put down your pen and pad
Oh who am I to kid
Everyone knows that I did
This on my phone
Sitting at home eating garlic hummus alone)
Where was I?
Oh
Failure and success
A state of being best left to be assessed
By the one who seeks to turn his loss into a win
And that’s where we come back to that pin
From before
The one I said we’d later explore
So heed my words carefully
Or suffer more pain unendingly
Life will never treat you fair, fully
So it’s time to start acting comprehendingly
As in: comprehend what your failures will do
When you learn to use them to become a better you
Because life ain’t fair
Accept that and beware
That life may be unbearable
At times
(Just like some of these terrible rhymes)
But you have to find a way
To grin and bear it gleefully
Because as they say
Mon ami
C’est la vie
This is the end
Now
No more pins, rhymes, or lines
Just a bow
And an adieu
And a cow tow
From me to you
So that you take what I have written
And find the thing in life you’ve been smitten
By and do what you love even if you fail
Even if you whine and moan and wail
Until you’re sick and you grow pale
Until you learn to use your failure as a tool
As a unique stepping stool
Onto bigger and better things
Even if your failure stings
Don’t let it hold you down
Don’t let it make you sad and frown
Let it bolster you to try again
And then
When you inevitably succeed
When you’re at the top, when you’re in the lead
You’ll look back and wished you had read
This poem
So if you have sad friends
Show ‘em
This
And they won’t be sad for much more
(Just angry for rhymes made in poor
Taste)
But I promise this isn’t a waste
Of time
I promise this is more than a few words put into rhyme
There’s a point, which is this:
You’re going to try and you’re going to miss
Because failure is an option until it’s not
And when it’s not, there’s your shot
So have a positive attitude
Because life is as good as it’s viewed
—pin removed
Eulalie Nov 2013
The power went out in my house for the first time tonight.
It took only but a moment for everything to run loose from my hold and to leave me empty handed and
sightless.
It was as sudden and unpleasantly startling as the moment I realized I’d
fallen in love with you
and now these vaulted ceilings and smart, leather couches have fallen
victim
to the same darkness that shrouds my breaking heart.
I think you’re really selfish.
But so am I,
and as I hide in the blackness with the amber haze of
candlelight
casting those flickering shadows of
twisted, dancing demons on the walls I am hearing their exaggerated whispers hastening me to resent you for it.
They intoxicate my head about how you’re probably being
more selfish than me.
For god sakes you sent me a short story
laden and sodden and dripping
with all of these beautiful similes and thoughts and they were
horrible.
Not only were they not written for me, but for some
replacement muse
who has beautiful green eyes (are not mine, any longer?) and a beautiful smile (have I stopped grinning at you? I wonder now how it is I lost your love.)
that conquered your heart and blasted past my deafening, mundane
inadequacy.
You say you love me
You say you wish you’d say it more
You say you love me so much.
But the demons scoff at you—they’re telling me you’re lying.
O the lies! Liar! Clever devil, that one! Don’t believe those sweet things! they admonish with a brutality that entices me to scream out loud at you,
to shout and yell and kick and scream out loud because
how dare you do this to me?
Why love me at all
When your muse beckons with her beautiful, superior, faultlessness and tempts and tantalizes and
replaces me?
You say you love me so much.
And I, you, Darling.
But it’s too dark in my house and it’s too dark in my head and it’s too dark in my heart
And you have a new muse.
I'm going to try to move on. Slowly but surely. This was such a fleeting splendor.
Ian Beckett Jul 2015
The verbal diarrhoea of a politician’s promises
Flows over a broken roof of dripping umbrellas
Hustings heckling hastening onset of pneumonia
Voters need every candidate to be seen and heard.

Un-hygienic kissing of babies and pressing the flesh
Flash avoiding fixed smile like toothpaste commercial
Thinks - one man one vote a bad idea by Election Day
I wonder does every candidate vote for themselves?

Tense wait as political pundits make newsless news
Oscar like performances as the winners are announced
Four-more-years in The Slough of Despond for the loser
The Olympian heights of triumph for the winner.
Chimera melons Mar 2010
fireflies zigzag following pupils pin *****
light mayonaise layers dead flesh and dead seeds
shadows bleed through the cracks
a lone train howls its hastening arrival
Alarming call like an unseen wolf

Flashing lights overhead and a low rumble
a condensed storm
helicopter cradling its dying cargo
bringing a regurgitation for the baby bird
disguised as a hospital with a faltering business plan

mufflers and mosquitoes parry the blows
winded joggers step next to termite eaten trees
Channel surfing seen         a strobe lite
betraying the activities behind the neighboors
curtained windows            scene
rituals carve another day into the known
comfort is routines cage
a worn trail rut that hardly allows
a different direction      roll the stone uphill
demons will haunt your dreams if plagarism even crosses your mind .
all rights  reserved
Was that the landmark? What,—the foolish well
Whose wave, low down, I did not stoop to drink,
But sat and flung the pebbles from its brink
In sport to send its imaged skies pell-mell,
(And mine own image, had I noted well!)
Was that my point of turning?—I had thought
The stations of my course should rise unsought,
As altar-stone or ensigned citadel.

But lo! the path is missed, I must go back,
And thirst to drink when next I reach the spring
Which once I stained, which since may have grown black.
Yet though no light be left nor bird now sing
As here I turn, I’ll thank God, hastening,
That the same goal is still on the same track.
Joshua Adam Jul 2015
You won't believe this, rightfully so, you'll think it’s not true
but a person will do anything, when he starts losing his *****
I didn't feel that any one loved me, so I devised one day
to test out my theory, in the most bizarre type of way

I found a way after considerable thought, to put myself on display
and to be able to stay inconspicuous, from a secure distance away
I watched them attend my eulogy, peculiar as it may sound
enjoying the reception, it was nothing short of spellbound

Who could think, a person as crazy as I might be
going to such extremes, who would ever foresee
to accomplish this great task, of convincing my heart
someone would somehow care, if I really did depart

In the back of the room, with shades covering my eyes
sinking into a chair, surrounded by this chorus of cries
who would ever suspect, that this stranger sitting in the back
was really not far away, from being deemed a quack

When my funeral was about over, I watched those flowers start to bend
they too seemed to be saying, haven't you yet been able to mend
so I pushed myself up front, in order to get a better look
this deaths looks too real, what if I really did pass over that final brook

As I approached my casket, overtaken by this powerful desire
could this really be happening, shaking with a cold perspire
to escape from this nightmare, there was but one thing to do
hastening to relieve myself, running from bed to bathroom, I flew

The lesson here to be learned, after thinking about it, was simple and clear
we often have these fears, and yet are not always aware
what’s important for us, is to truly recognize in ourselves, which is the key
understanding our need to feel loved, and the absurd lengths we go, in order to see
Do You feel loved? Just how far would you go to find out? Read on....
Edward Coles Dec 2014
World of code;

riddle,
and a brand new
language.
I hold you close my
dear, as you stumble on through the dark night.
This knowledge
is hastening to bring my demise.
You sit within my pentameter,
so when did
I lose my peaceful mind?
I'm still struggling in poetry, in finding art
amongst the burdens of the street. You're applying sunscreen
to your back and shoulders, and then
you're basking in the heat of my astral beach.
I'm stranded here
alone now,
sending these postcards
to nowhere at all. I have grown tired
of this mere existence,
of fading in the city sprawl.
Now Mathematics
is the language of the universe,
and will speak for
centuries to come,
gravity making sense
out of chaos, and will talk forever over
the nuclear bomb.
I'm learning
my sums again darling, I'm going back
to a clean state of mind, hoping to discover
an answer, to why I'm

constantly falling
behind. When I find the equation I will
call you, and profess them unto the stars,
a love never lost
in
translation, now witnessing both the sea and the source.
*I wrote the first attempt at this in April 2014. The layout (I hope...) corresponds to pi and it's probably my favourite one I've ever written. I've tweaked a couple of things and (again, I hope...) made it a little better as a result.

Original: http://hellopoetry.com/poem/654045/heaven-is-full-of-angles/

C
He walked on up to the cottage from
The cliff, the long way round,
He didn’t want to be seen or heard,
His footsteps made no sound,
He was wearing the same old overcoat
That he’d worn, those years before,
When he’d sauntered out of the cottage,
To take a walk on the shore.

The weather then had been brisk and cold
In the first few days of Spring,
The clouds had been light and fluffy then
He remembered everything,
The gulls were nested along the cliff
And the tide was on the turn,
A single fisherman cast his line
On the far side of the burn.

The pathway down by the cliff had been
Rock strewn and fairly steep,
His steps back then had been tentative,
He had time enough to keep,
He’d told his wife he’d be back by one
From his walk along the shore,
And she had blown him a kiss for fun
As she swept him out the door.

But now he looked at the garden that
Had been so nicely mown,
The privet hedge, the wisteria
Were all now overgrown,
The cottage needed a coat of paint
And the chimney pots were cracked,
He stopped and mused at the garden gate
For the love the cottage lacked.

Then a face appeared at the window that
Was pale, and sad, and drawn,
And he wished the earth would swallow him
From the day that he was born,
The door flew open and out she flew
Like a shrew, with little grace,
A look of scorn as he stood there, torn
And she slapped him round the face.

‘What do you mean by coming here,
Did you hope to see my tears?
You walked away, not a word to say
And you don’t come back for years.’
She screamed and pounded his overcoat
As he took one pace, and stepped,
Folding his arms around her as
She clung to him, and wept.

‘I think I know how the others felt
But it’s all beyond recall,
I only talked to the fisherman,
And I was held in thrall,
He talked and talked of the things to come
It was most distinctly odd,
The world closed in around me till
I felt I was talking to God.’

‘He said so much, and it sounded wise
But I can’t recall a thing,
I wanted to get back home to you
For time was hastening,
But the sun went down and the Moon came up
Which was when he said it, then,
‘I’m not here looking for fish,’ he said,
‘For I’m a fisher of men.’

‘It’s been three years,’ said his tear-stained wife,
‘It has been three years or more,
Since ever you took your leave of me
To wander down on the shore.’
‘That was the time of his ministry,’
He said, ‘and I was to blame,
He  kept on calling me Judas, though
I said that wasn’t my name.’

‘He said that we needed forgiveness, like
I need forgiveness from you,
I honestly don’t know where I’ve been
But I know I’ve always been true.
He packed up his fishing tackle in
A bag he kept on the sand,
Took thirty pieces of silver
And placed them back in my hand.’

David Lewis Paget
Lazhar Bouazzi Dec 2016
Through the moiré windowpane -
By my leaden writing desk -
I saw a host of dark clouds
Hastening to their somber task
Like a herd of frightened sheep
Shrouded ‘neath the callous mask
Of the night - on the way home.

Through the moiré window pane
A question stood in my way again:
What is a cloud that leaves shut
The flask* of an announced rain?

© LazharBouazzi, 30/12/2016
*The image of the flask is a reworking of the famous cliché in Arabic: "ينزل المطر كأفواه القِرب" "The rain falls like open flasks" (my translation), the equivalent of the cliché in English: "It's raining cats and dogs."
Ahmed Nisham Jul 2012
O' very young!
No Hastening, but just
Listen, watch and feel it!

Soon you're going to be in there
Soon you'll want to be back here
To Listen, watch and feel it.
AGAIN!

O' very young!
No Hastening, but just
Listen, watch and feel it!
Nat Lipstadt Nov 2013
Went to the doc.
Told me I was on my way to
Dying
Way faster than I should be.

Laughed.
Doc, you been telling me that for
Five years
And my poetry is only getting better.


He says,
Ya think?

Look at you,
You live in a watery place,
Talking to god about sports,
Ripping off O.Henry,
Solving equations
On the direction of the
Bubbles you blow into the skies,
Recording your innermost
In public bathrooms,
Ever ask yourself,
Is that normal?

Laughed.
Every now and then,
I take them pills
You gave me.
They come in orange cylinders,
30 at a clip,
Supplied my druggist dealer.
I figure for every pill,
Another day, another poem.

But I won't stick myself no more.
Got enough people- things
Sticking me daily.
Why should I help themselves along?


You right, doc snorted.
You've lived this long,
What ya got to show for it?
Then why do you come
Bothering me,
Annoying me.
You think I like
Spending 90 minutes
With you?
You think I spend
90 minutes of mine
On every poet
That comes thru
My swinging doors?

Well I like how, doc,
You write down everything
I tell you, so when the archaeologists
And the alchemists
Come a-digging,
Looking for the facts of figures,
In your files,
They will find the gritty story
Of a New Yorker,
Who saw poems in sidewalk cracks,
Street signs, young hearts and smiles,
Even you white starch coat,
Your stern disapproving face,
gets utilized, but got stop someday,
Wouldn't be fair
If I used up more than my
Fare-thee-well share
Of words.


The doc,
He didn't laugh,
Nah, don't buy it,
Gotta be a reason
Better than that
Why you keep on
Bothering me,
Ignoring me,
Hastening your mortality?

Doc, done my time,
Sentence served,
Now I'm just coasting,
Waiting for the day,
When I get summoned.


Looking for a new view,
Looking down on the young ones,
Staring down, at them struggling,
For the exact right word,
To place just so on their computer
Screens/screams,
I can be the rustling noise
In their ear,
They call inspiration.


That will be Part II,
That is what I will do,
When your forecasts
Come true.
So what me worry,
I got jobs done and to do,
And I can do 'em well
Just about anywhere,
But I visit you, cause you,
Are a righteous one,
Cause you care.


And I will be watching you too.





5:38am
A companion piece to
Oct 9
"Annual physical"
And
Aug 24
"God took my soul"
ConnectHook Sep 2015
We live in times of innovation.
Winds of change affront the nation;
wind most welcome – by a few
(the masses know not what to do
with engineered progressive change,
their morals slow to rearrange).
And thus, in ornithology
we find an apt analogy…

Phoenix-like the vulture rose
in rainbow raiment, from repose
Its plumage all askew – a freak:
a mutant with a painted beak
borne of winds but lately blown.
This strange new hybrid (yet unflown)
did twitter forth an avian boon.
It preened its plumes and croaked a tune:

“I represent that rarest fowl,
far wiser than outmoded owl…
A dazzling swan of change am I
brought forth to liberate the sky!”

(Yet more appeared a fractured emu;
fair is fowl post-op… they tried to
cross said emu with an ostrich!
(What the hell – the surgeon got rich
changing apples into – mangos;
altering the twos to tangos…)

Fresh from gender suicide
he moulted into she. Beside
herself (itself?) with grief, regarded
previous selves as false: discarded
Sir for Madam overnight;
fixed it, mixed it, made it right.
Since God was wrong the first time ‘round,
Man (or something) thus is bound
hormonally to tweak and mutate,
hastening rebirth’s freakish due-date.

A manly bass – and yet the face
was poorly paired in his/her case
Soprano ought to have resounded –
yet the voice left one confounded.

Rainbow bracelets notwithstanding
this was clearly modern branding
(on the forehead – like a beast?)
well, Jesus said the truth at least:
that angels are of neither gender
(hence no need to check the member.)

Lest we offend endangered species
I commend transgendered theses –
paired with warning and a fable
as they turn the feathered table:

We may nurture fair to foul
while nature shrieks a hideous howl
but foul to fair cannot return;
thus trapped, both Eve and Adam burn.
Amy Grindhouse Mar 2014
She was gorgeous misery framed
in makeshift bandage corsets
cinched with fall from grace
sutured lace to save face
Her battered life rife with strife
covered in the mock elegance of
a broken wing dress as
the frenzies
in her enigmatic
mascara trail of tears glare
soften slow burn devotions  
hastening their hopeless necromantic
insurrection

He was a fatal attractive
midnight black feathered wraith
Modeling trouble need scar heart genes
and a bleedwork tainted warshirt
earned by tethering himself to a mistake on
countless battlefields
his enemies' rancorous fear resonates
in a crippled ripple
across stillbirth waters
With his outspoken outrage accented
by photographic violence
knowledge of immoral history charm and
disguised threat lodge wisdom
luring her into
their surprised allegory demise

In the here and now we find
uncaring torture chamber musicians
singing in the black ground
as these two scar-crossed lovers entangle  
in a shotgun wedding
and machine gun funeral
Knowing from the start
it would always be
the two of them
together as one
against the old world
David Barr Mar 2015
The enchantment of a chase through the damp forests of Celtic mysticism is a treacherous yet beautiful feature of uncertain anticipation.
Just like the bustle of the contemporary metropolis, with her predictable and hypnotic flow of trans-national capitalism, we are caught within the web of paradoxical liberty.
Thank you for igniting my torch, as I travel across spiritual plateaus where the elements reveal the spirits of the dance.
My torch has brought comfort to those stallions who lead me beyond Hungarian kingdoms where Vlad Dracul continues to reign.
Hastening into the Societas Draconistarum, the wheels of my carriage have lodged themselves into the stoney and tragic tracks of seductive ******.
Please do not forget me.
René Mutumé Aug 2013
And the world was never mad,
it simply forgets where it should place it all,
some crave the stone
where it was carved into the top of blood alters,
and can’t find a chisel good enough;
even though the clothes are piling up and there’s dents in the floor boards;
some like it when its saved until the weekend and blown in through the
mouth
whilst it fights for air with liquids costing five pounds per word;
the pitch squeezing up through all walls no matter where you’re sat,
and what you’ve got.

A face looking at you from across the underground train.
A paragraph says nothing, even the rats look for gods in the rain,
cars plummet by caring nothing of your thoughts,
where they centre in wild spins through the air somersaulting;
colliding snakes made from your favourite director.
The world was never mad – and proves it by the chance to place it all,
and take it all in from a smooth place in the grass, or desert,
or black room lit by giant screen.

The room plays with your will, rolling a 6
and a 6
and a 6
and an angel
1.

And the avalanches roar in cascade worthy of your soul and logic,
and you walk out to the street rolling your own numbers,
in your own cup – it grows by giant star -
but is still not mad. It never was.

The splendour of going home in the peace of neon signs,
and the smoke of the city inhaled, by your lungs, once
or twice,
(depending on your vice)
bringing us back to zero -
passing up your thigh bone with all the messages
the basement
locked away
for a while.

The words are clear, fleeing from flashing screen to cortex,
hastening, and flushing away
whatever was lost in the gambling room.
You reply with a smile.
Death cannot.

And madness is a choice of joining, and doing.
Time shines behind a moon made of marbled skin tonight,
a view from your bed that awakens you without you waking fully,
five roman pillars in front of your window,
a floor sprayed with construction work all around you,
a balcony where you thought there was just a wall,
opening on the same plane as the statuesque building on your lawn;
and to your right, a grassy path leading
to a church, enough to wake-
and see it again
knowing that your room has gone back,
no sun, no darkness, no fireflies in your hand
or mind, no silhouettes,
no choke;
no passers by, no question;
just a question of heat
within your body,
timed to the perfect decibel of your hair
or mine

Singing it out in some room made of nothing but the clarity
of our lost bodies, calling to the ceiling and sky
to mount as much as they wish
because our arms are suited and dressed;
we’ve come a long way,
we’ve been bored in the pit of dinner parties
and holiday tables
drank water in patience of the waiter exploding,
opened a steak and a vegetable
spewing its guts to time;

Call it what’s left in our DNA to know,
call it anything but madness,
it was created the same way bad food was,
chipping paint
without someone
to look out for it,
horses flying through the fields,
wind making water fly from their eyes,
as they run,

no riders
upon their backs.
thomas gabriel Dec 2011
The land was veiled
and silence exultant -
                p e r m e a t e d only by
sporadic
bird
calls
resonating from deep within the frozen forest
where life had retreated,
aghast by the glacial wind.


Cowering together,
               dwellings shivered
                             ephemeral oak structures
                             bowed beneath
the freshly shorn lamb’s wool that enveloped all,
hastening,
the shearer continued.


You left this night,
                   without a whisper
of regret
across the interminable,

     n     u      a     i     g      furrows
u     d      l      t    n

that ridicule your lifeless,
even features - pitiless,
your sodden soles penetrated the ****** snow.


Impervious to such inclemency
                       I traipse deep into the thicket,
reminded of how earlier
I collected from this q u i v e r i n g coppice,
                no more, no less
than my meagre allowance dictates.


Your stride is familiar,
for it was once mine
with metronomic ease I trace you,

further
further
further

traversing a promontory, I see you,
stood on a limestone plinth
                     overlooking
        shimmering pasture below.


You turn; we face,
        unwavering symmetry|
as stained crystals fall red with affliction
caressing the firmament I lace your name with my finger
                                   indomitable,
no more.





©*Thomas Gabriel
Millerdeux Mar 2015
Lord, please send to her
Guardian Angel for when I'm not around
Fulfill all her desire because
I sincerely love

Day Night hastening
Chasing time
Just to build a palace for together
Impulsive blinking eyes forced self
But I am more willing to see your smile

I envisage what now I to withstand
All that is destined for my life
Forgive me that you had to come away
I had to step in
Leaving you

Send my longing to her
So she will always be perfect
Bring them love
So they can fly together to heaven

— The End —