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Slow sinks, more lovely ere his race be run,
Along Morea’s hills the setting Sun;
Not, as in northern climes, obscurely bright,
But one unclouded blaze of living light;
O’er the hushed deep the yellow beam he throws,
Gilds the green wave that trembles as it glows;
On old ægina’s rock and Hydra’s isle
The God of gladness sheds his parting smile;
O’er his own regions lingering loves to shine,
Though there his altars are no more divine.
Descending fast, the mountain-shadows kiss
Thy glorious Gulf, unconquered Salamis!
Their azure arches through the long expanse,
More deeply purpled, meet his mellowing glance,
And tenderest tints, along their summits driven,
Mark his gay course, and own the hues of Heaven;
Till, darkly shaded from the land and deep,
Behind his Delphian rock he sinks to sleep.

  On such an eve his palest beam he cast
When, Athens! here thy Wisest looked his last.
How watched thy better sons his farewell ray,
That closed their murdered Sage’s latest day!
Not yet—not yet—Sol pauses on the hill,
The precious hour of parting lingers still;
But sad his light to agonizing eyes,
And dark the mountain’s once delightful dyes;
Gloom o’er the lovely land he seemed to pour,
The land where Phoebus never frowned before;
But ere he sunk below Cithaeron’s head,
The cup of Woe was quaffed—the Spirit fled;
The soul of Him that scorned to fear or fly,
Who lived and died as none can live or die.

  But lo! from high Hymettus to the plain
The Queen of Night asserts her silent reign;
No murky vapour, herald of the storm,
Hides her fair face, or girds her glowing form;
With cornice glimmering as the moonbeams play,
There the white column greets her grateful ray,
And bright around, with quivering beams beset,
Her emblem sparkles o’er the Minaret;
The groves of olive scattered dark and wide,
Where meek Cephisus sheds his scanty tide,
The cypress saddening by the sacred mosque,
The gleaming turret of the gay kiosk,
And sad and sombre ’mid the holy calm,
Near Theseus’ fane, yon solitary palm;
All, tinged with varied hues, arrest the eye;
And dull were his that passed them heedless by.
Again the ægean, heard no more afar,
Lulls his chafed breast from elemental war:
Again his waves in milder tints unfold
Their long expanse of sapphire and of gold,
Mixed with the shades of many a distant isle
That frown, where gentler Ocean deigns to smile.

  As thus, within the walls of Pallas’ fane,
I marked the beauties of the land and main,
Alone, and friendless, on the magic shore,
Whose arts and arms but live in poets’ lore;
Oft as the matchless dome I turned to scan,
Sacred to Gods, but not secure from Man,
The Past returned, the Present seemed to cease,
And Glory knew no clime beyond her Greece!

  Hour rolled along, and Dian’******on high
Had gained the centre of her softest sky;
And yet unwearied still my footsteps trod
O’er the vain shrine of many a vanished God:
But chiefly, Pallas! thine, when Hecate’s glare
Checked by thy columns, fell more sadly fair
O’er the chill marble, where the startling tread
Thrills the lone heart like echoes from the dead.
Long had I mused, and treasured every trace
The wreck of Greece recorded of her race,
When, lo! a giant-form before me strode,
And Pallas hailed me in her own Abode!

  Yes,’twas Minerva’s self; but, ah! how changed,
Since o’er the Dardan field in arms she ranged!
Not such as erst, by her divine command,
Her form appeared from Phidias’ plastic hand:
Gone were the terrors of her awful brow,
Her idle ægis bore no Gorgon now;
Her helm was dinted, and the broken lance
Seemed weak and shaftless e’en to mortal glance;
The Olive Branch, which still she deigned to clasp,
Shrunk from her touch, and withered in her grasp;
And, ah! though still the brightest of the sky,
Celestial tears bedimmed her large blue eye;
Round the rent casque her owlet circled slow,
And mourned his mistress with a shriek of woe!

  “Mortal!”—’twas thus she spake—”that blush of shame
Proclaims thee Briton, once a noble name;
First of the mighty, foremost of the free,
Now honoured ‘less’ by all, and ‘least’ by me:
Chief of thy foes shall Pallas still be found.
Seek’st thou the cause of loathing!—look around.
Lo! here, despite of war and wasting fire,
I saw successive Tyrannies expire;
‘Scaped from the ravage of the Turk and Goth,
Thy country sends a spoiler worse than both.
Survey this vacant, violated fane;
Recount the relics torn that yet remain:
‘These’ Cecrops placed, ‘this’ Pericles adorned,
‘That’ Adrian reared when drooping Science mourned.
What more I owe let Gratitude attest—
Know, Alaric and Elgin did the rest.
That all may learn from whence the plunderer came,
The insulted wall sustains his hated name:
For Elgin’s fame thus grateful Pallas pleads,
Below, his name—above, behold his deeds!
Be ever hailed with equal honour here
The Gothic monarch and the Pictish peer:
Arms gave the first his right, the last had none,
But basely stole what less barbarians won.
So when the Lion quits his fell repast,
Next prowls the Wolf, the filthy Jackal last:
Flesh, limbs, and blood the former make their own,
The last poor brute securely gnaws the bone.
Yet still the Gods are just, and crimes are crossed:
See here what Elgin won, and what he lost!
Another name with his pollutes my shrine:
Behold where Dian’s beams disdain to shine!
Some retribution still might Pallas claim,
When Venus half avenged Minerva’s shame.”

  She ceased awhile, and thus I dared reply,
To soothe the vengeance kindling in her eye:
“Daughter of Jove! in Britain’s injured name,
A true-born Briton may the deed disclaim.
Frown not on England; England owns him not:
Athena, no! thy plunderer was a Scot.
Ask’st thou the difference? From fair Phyles’ towers
Survey Boeotia;—Caledonia’s ours.
And well I know within that ******* land
Hath Wisdom’s goddess never held command;
A barren soil, where Nature’s germs, confined
To stern sterility, can stint the mind;
Whose thistle well betrays the niggard earth,
Emblem of all to whom the Land gives birth;
Each genial influence nurtured to resist;
A land of meanness, sophistry, and mist.
Each breeze from foggy mount and marshy plain
Dilutes with drivel every drizzly brain,
Till, burst at length, each wat’ry head o’erflows,
Foul as their soil, and frigid as their snows:
Then thousand schemes of petulance and pride
Despatch her scheming children far and wide;
Some East, some West, some—everywhere but North!
In quest of lawless gain, they issue forth.
And thus—accursed be the day and year!
She sent a Pict to play the felon here.
Yet Caledonia claims some native worth,
As dull Boeotia gave a Pindar birth;
So may her few, the lettered and the brave,
Bound to no clime, and victors of the grave,
Shake off the sordid dust of such a land,
And shine like children of a happier strand;
As once, of yore, in some obnoxious place,
Ten names (if found) had saved a wretched race.”

  “Mortal!” the blue-eyed maid resumed, “once more
Bear back my mandate to thy native shore.
Though fallen, alas! this vengeance yet is mine,
To turn my counsels far from lands like thine.
Hear then in silence Pallas’ stern behest;
Hear and believe, for Time will tell the rest.

  “First on the head of him who did this deed
My curse shall light,—on him and all his seed:
Without one spark of intellectual fire,
Be all the sons as senseless as the sire:
If one with wit the parent brood disgrace,
Believe him ******* of a brighter race:
Still with his hireling artists let him prate,
And Folly’s praise repay for Wisdom’s hate;
Long of their Patron’s gusto let them tell,
Whose noblest, native gusto is—to sell:
To sell, and make—may shame record the day!—
The State—Receiver of his pilfered prey.
Meantime, the flattering, feeble dotard, West,
Europe’s worst dauber, and poor Britain’s best,
With palsied hand shall turn each model o’er,
And own himself an infant of fourscore.
Be all the Bruisers culled from all St. Giles’,
That Art and Nature may compare their styles;
While brawny brutes in stupid wonder stare,
And marvel at his Lordship’s ’stone shop’ there.
Round the thronged gate shall sauntering coxcombs creep
To lounge and lucubrate, to prate and peep;
While many a languid maid, with longing sigh,
On giant statues casts the curious eye;
The room with transient glance appears to skim,
Yet marks the mighty back and length of limb;
Mourns o’er the difference of now and then;
Exclaims, ‘These Greeks indeed were proper men!’
Draws slight comparisons of ‘these’ with ‘those’,
And envies Laïs all her Attic beaux.
When shall a modern maid have swains like these?
Alas! Sir Harry is no Hercules!
And last of all, amidst the gaping crew,
Some calm spectator, as he takes his view,
In silent indignation mixed with grief,
Admires the plunder, but abhors the thief.
Oh, loathed in life, nor pardoned in the dust,
May Hate pursue his sacrilegious lust!
Linked with the fool that fired the Ephesian dome,
Shall vengeance follow far beyond the tomb,
And Eratostratus and Elgin shine
In many a branding page and burning line;
Alike reserved for aye to stand accursed,
Perchance the second blacker than the first.

  “So let him stand, through ages yet unborn,
Fixed statue on the pedestal of Scorn;
Though not for him alone revenge shall wait,
But fits thy country for her coming fate:
Hers were the deeds that taught her lawless son
To do what oft Britannia’s self had done.
Look to the Baltic—blazing from afar,
Your old Ally yet mourns perfidious war.
Not to such deeds did Pallas lend her aid,
Or break the compact which herself had made;
Far from such counsels, from the faithless field
She fled—but left behind her Gorgon shield;
A fatal gift that turned your friends to stone,
And left lost Albion hated and alone.

“Look to the East, where Ganges’ swarthy race
Shall shake your tyrant empire to its base;
Lo! there Rebellion rears her ghastly head,
And glares the Nemesis of native dead;
Till Indus rolls a deep purpureal flood,
And claims his long arrear of northern blood.
So may ye perish!—Pallas, when she gave
Your free-born rights, forbade ye to enslave.

  “Look on your Spain!—she clasps the hand she hates,
But boldly clasps, and thrusts you from her gates.
Bear witness, bright Barossa! thou canst tell
Whose were the sons that bravely fought and fell.
But Lusitania, kind and dear ally,
Can spare a few to fight, and sometimes fly.
Oh glorious field! by Famine fiercely won,
The Gaul retires for once, and all is done!
But when did Pallas teach, that one retreat
Retrieved three long Olympiads of defeat?

  “Look last at home—ye love not to look there
On the grim smile of comfortless despair:
Your city saddens: loud though Revel howls,
Here Famine faints, and yonder Rapine prowls.
See all alike of more or less bereft;
No misers tremble when there’s nothing left.
‘Blest paper credit;’ who shall dare to sing?
It clogs like lead Corruption’s weary wing.
Yet Pallas pluck’d each Premier by the ear,
Who Gods and men alike disdained to hear;
But one, repentant o’er a bankrupt state,
On Pallas calls,—but calls, alas! too late:
Then raves for’——’; to that Mentor bends,
Though he and Pallas never yet were friends.
Him senates hear, whom never yet they heard,
Contemptuous once, and now no less absurd.
So, once of yore, each reasonable frog,
Swore faith and fealty to his sovereign ‘log.’
Thus hailed your rulers their patrician clod,
As Egypt chose an onion for a God.

  “Now fare ye well! enjoy your little hour;
Go, grasp the shadow of your vanished power;
Gloss o’er the failure of each fondest scheme;
Your strength a name, your bloated wealth a dream.
Gone is that Gold, the marvel of mankind.
And Pirates barter all that’s left behind.
No more the hirelings, purchased near and far,
Crowd to the ranks of mercenary war.
The idle merchant on the useless quay
Droops o’er the bales no bark may bear away;
Or, back returning, sees rejected stores
Rot piecemeal on his own encumbered shores:
The starved mechanic breaks his rusting loom,
And desperate mans him ‘gainst the coming doom.
Then in the Senates of your sinking state
Show me the man whose counsels may have weight.
Vain is each voice where tones could once command;
E’en factions cease to charm a factious land:
Yet jarring sects convulse a sister Isle,
And light with maddening hands the mutual pile.

  “’Tis done, ’tis past—since Pallas warns in vain;
The Furies seize her abdicated reign:
Wide o’er the realm they wave their kindling brands,
And wring her vitals with their fiery hands.
But one convulsive struggle still remains,
And Gaul shall weep ere Albion wear her chains,
The bannered pomp of war, the glittering files,
O’er whose gay trappings stern Bellona smiles;
The brazen trump, the spirit-stirring drum,
That bid the foe defiance ere they come;
The hero bounding at his country’s call,
The glorious death that consecrates his fall,
Swell the young heart with visionary charms.
And bid it antedate the joys of arms.
But know, a lesson you may yet be taught,
With death alone are laurels cheaply bought;
Not in the conflict Havoc seeks delight,
His day of mercy is the day of fight.
But when the field is fought, the battle won,
Though drenched with gore, his woes are but begun:
His deeper deeds as yet ye know by name;
The slaughtered peasant and the ravished dame,
The rifled mansion and the foe-reaped field,
Ill suit with souls at home, untaught to yield.
Say with what eye along the distant down
Would flying burghers mark the blazing town?
How view the column of ascending flames
Shake his red shadow o’er the startled Thames?
Nay, frown not, Albion! for the torch was thine
That lit such pyres from Tagus to the Rhine:
Now should they burst on thy devoted coast,
Go, ask thy ***** who deserves them most?
The law of Heaven and Earth is life for life,
And she who raised, in vain regrets, the strife.”
Styles Mar 2017
Slowly unfold,
as you fold into me.
Two explosions that explode
imploding our senses with sensory overload
too intersections that intersect invisible
connected through connectivity
magnetized magnetically
galvanized genetically
when energized
this pleasure is derived
riveting her visibly
I convulse as you implode
Extinguishing our misery
With pleasure beyond measure
Thirst quenched physically
satisfied, apparently.
im·plo·sion
vircapio gale Aug 2012
boasting of the god of love's attentions,
this magicweaver lures her prey--
conjures forth her whim
seeking quench of fickle thirst within
attempting avenues of guile
numerously failed, and baits another heart
to suit her object's mate,
whose favors hail from Shiva
unto dominion everywhere,
  except at forest hut where Rama--
with Sita --honeymoons in exile
having snapped the cosmic dancer's massive bow
to win her for his wife, yet bound
by family word to wilderness
  in elder-shade of mystic eagle
guarded by their builder,
brother Lakshmana, in whose absence Kamavalli comes
to woo the godlike archer for her own.

little bells on anklets ring--
from creeper snagged
as if in venery yearning,
urgent vines would find their way to rest on skin
and squeeze in verdant rooting underform
prancing by, playfully demure
to enter subdued greenery
of Panchvati's gated yard
to catch the stoic Rama's eye
in invitation flashing for his gaze:
a sculptured form of flawless grace
nubile teeth shining from the forest dark,
a smile unassuming of callipygean sway
beneath the flitting lashes of her iris' swell

baffled there he stirs to praise her openly
as perfect--
despite his inner-goddess-for-a-wife he keeps inside--
with tripping words
welcomes and blesses this new girl,
exalting her with blushing queries,
sylvan surging rush to know
interrogate her mystery,
rapt in wide-eyed wonder verging beatific breath--
but learning of her lineage...
begins to plot their deaths.

banter light,
flirtations with a hidden, cosmic weight to pun against,
his praise asserts its hold
pretending bachelorhood;
his kindly, transauthentic voice resists
and in a sympathetic, skillful tone, promulgates
a drama to entice her eager mind--
ironic fancies of domestic bliss
flow from Rama, subtle jests
become her plight obsessing
into darkness embered with her lust
to truly claim him as her love,
her grandiosity defused in simple
entertainment quipping of their castes
and then with sudden burst entranced in luminescent rays of stunning rustic glow
from cottage comes his wife to claim her presence known.

the blow is dealt: Manmatha lays Kamavalli's fate: to self-disintegrate

jealousy to deafen gods, in cave retreat
to nurse her spite, surrounded in a dance
of serpent flails to sate her woe,
and only feed in ouroboros knotslip pulse
a lump-filled throat of gulping incite forward zest salacious
pungent flare of earth identity of fang and blood
the cry to shudder down a wolfine howl
in blast of animal, from screaming womanhood
the swoon precipitate-- vast height, abysmal fall
on being spurned by one who led her on
into delusion wrapped in sham an alter self
she met in bed a thousand cravings razing sanity
into a hate for moon, for elements themselves,
railing at Manmatha's haze infernal globe within and out
projecting Rama's face transfixing her inept
in wracking convulse whine of every cell,
her being sweating out imagined arms,
palms of his to cup her, lift from hellish pit of stifled longing never known 'til volcanically regrown--
in new love's throws an innocence of honest
selfhood found in him, bizarrely enemied in Lila's
killing spree of ego-dolls of lotus costume tracing all
searching through his fresh phantasm for her quelling salve
his diamond ******* targets for her soul
his broadness engirthing her to moan until her last in ecstasy
unknown asura-brew untold invented only now forever lost,
the moment fondled vastly gone,
his chest but gossamer instead of flesh
the emerald shoulder glimmer fake
the boundless confidence exuded in his
tender skin's encapsulated sinew strength
merely thought on causing pelvic quake
repeating there an apparition for her nearly endless letting out
he comes for her a demon double of her making
demi-god creator-demon vision for her writhing,
abandoned to the ambrosia torment he provides
wailing at the cavern sky her prison boudoir den
enscaled with slither pile coat of snakes, masturbatory wake of swooning still again

through to dawn..
in which psychotic break decides:
Soorpanaka births herself anew--
possession of her goal, or suicide.
the dewy spectra shines reflection of the choice;
rave committal forms its mould--
exhaustion hatches colorspray of plots,
braving mutilation to abduct,
lies and bribes surmounting each before
in ****** propositions to her ever widened bed,
else demonic armies loosed,
infatuate Ravana's heart
with illusory snare of golden Sita's rumored wares
to get her man alone and hew derision
with her desperate charm, by cantrip or war
spawned from deeper lairs of a broken,
fallacious heart, toward matrimony
or destruction bent













.
Kalena Leone Oct 2012
“every time i feel my stomach convulse it’s a new wave of tears
take vitamins, she says
you should just eat, she says
you got skinnier, another says
“eat! eat! haven’t you been eating!? and this bandaid! quit cutting yourself, kalena”
and for a moment i think it’s truth
i think it’s honest
i shout “i do eat! they’re just cat scratches”
and if she would have lifted up that bandaid
she would have learned it was honest
it was truth
but it was melted away flesh that she would have found, not torn
but melted
and in the highlight of this moment i see all of my dreams come true
finally, someone notices!
finally, someone cares!
but yet she’s willing to stop eating. to make sure that i do.
my little thing. an entire 98 pounds, not by choice.
so unhealthy, so sick. all the time. so **** tired.
she would stop eating for me.
and though it doesn’t help, the thought is comforting. it should be disturbing.
it is. in the way that if she stopped eating…
she would lose weight.
and then i would fight harder and harder until my rib bones were sticking out so far they were larger than my chest.
emaciated.
bony fingers that boys don’t want to hold and girls don’t want to kiss.
hair that slides out with the slightest tug.
no one wants that.
except me, of course.
i want that.
i want to weigh 85 pounds.
i want to die.
i want to be so high on the emptiness that i die.
i faint. and they cannot wake me up.
eternal sleep. forever peace. and the best part of all?
I would be horrifically tiny in even the smallest coffin. “
I weep for Adonais—he is dead!
O, weep for Adonais! though our tears
Thaw not the frost which binds so dear a head!
And thou, sad Hour, selected from all years
To mourn our loss, rouse thy obscure compeers,
And teach them thine own sorrow, say: “With me
Died Adonais; till the Future dares
Forget the Past, his fate and fame shall be
An echo and a light unto eternity!”

Where wert thou, mighty Mother, when he lay,
When thy Son lay, pierced by the shaft which flies
In darkness? where was lorn Urania
When Adonais died? With veiled eyes,
Mid listening Echoes, in her Paradise
She sate, while one, with soft enamoured breath,
Rekindled all the fading melodies
With which, like flowers that mock the corse beneath,
He had adorned and hid the coming bulk of death.

O, weep for Adonais—he is dead!
Wake, melancholy Mother, wake and weep!
Yet wherefore? Quench within their burning bed
Thy fiery tears, and let thy loud heart keep
Like his, a mute and uncomplaining sleep;
For he is gone, where all things wise and fair
Descend;—oh, dream not that the amorous Deep
Will yet restore him to the vital air;
Death feeds on his mute voice, and laughs at our despair.

Most musical of mourners, weep again!
Lament anew, Urania!—He died,
Who was the Sire of an immortal strain,
Blind, old, and lonely, when his country’s pride,
The priest, the slave, and the liberticide
Trampled and mocked with many a loathed rite
Of lust and blood; he went, unterrified,
Into the gulf of death; but his clear Sprite
Yet reigns o’er earth; the third among the sons of light.

Most musical of mourners, weep anew!
Not all to that bright station dared to climb;
And happier they their happiness who knew,
Whose tapers yet burn through that night of time
In which suns perished; others more sublime,
Struck by the envious wrath of man or god,
Have sunk, extinct in their refulgent prime;
And some yet live, treading the thorny road
Which leads, through toil and hate, to Fame’s serene abode.

But now, thy youngest, dearest one, has perished—
The nursling of thy widowhood, who grew,
Like a pale flower by some sad maiden cherished,
And fed with true-love tears, instead of dew;
Most musical of mourners, weep anew!
Thy extreme hope, the loveliest and the last,
The bloom, whose petals nipped before they blew
Died on the promise of the fruit, is waste;
The broken lily lies—the storm is overpast.

To that high Capital, where kingly Death
Keeps his pale court in beauty and decay,
He came; and bought, with price of purest breath,
A grave among the eternal.—Come away!
Haste, while the vault of blue Italian day
Is yet his fitting charnel-roof! while still
He lies, as if in dewy sleep he lay;
Awake him not! surely he takes his fill
Of deep and liquid rest, forgetful of all ill.

He will awake no more, oh, never more!—
Within the twilight chamber spreads apace
The shadow of white Death, and at the door
Invisible Corruption waits to trace
His extreme way to her dim dwelling-place;
The eternal Hunger sits, but pity and awe
Soothe her pale rage, nor dares she to deface
So fair a prey, till darkness, and the law
Of change, shall o’er his sleep the mortal curtain draw.

O, weep for Adonais!—The quick Dreams,
The passion-winged Ministers of thought,
Who were his flocks, whom near the living streams
Of his young spirit he fed, and whom he taught
The love which was its music, wander not,—
Wander no more, from kindling brain to brain,
But droop there, whence they sprung; and mourn their lot
Round the cold heart, where, after their sweet pain,
They ne’er will gather strength, or find a home again.

And one with trembling hands clasps his cold head,
And fans him with her moonlight wings, and cries,
“Our love, our hope, our sorrow, is not dead;
See, on the silken fringe of his faint eyes,
Like dew upon a sleeping flower, there lies
A tear some Dream has loosened from his brain.”
Lost Angel of a ruined Paradise!
She knew not ’twas her own; as with no stain
She faded, like a cloud which had outwept its rain.

One from a lucid urn of starry dew
Washed his light limbs as if embalming them;
Another clipped her profuse locks, and threw
The wreath upon him, like an anadem,
Which frozen tears instead of pearls begem;
Another in her wilful grief would break
Her bow and winged reeds, as if to stem
A greater loss with one which was more weak;
And dull the barbed fire against his frozen cheek.

Another Splendour on his mouth alit,
That mouth, whence it was wont to draw the breath
Which gave it strength to pierce the guarded wit,
And pass into the panting heart beneath
With lightning and with music: the damp death
Quenched its caress upon his icy lips;
And, as a dying meteor stains a wreath
Of moonlight vapour, which the cold night clips,
It flushed through his pale limbs, and passed to its eclipse.

And others came… Desires and Adorations,
Winged Persuasions and veiled Destinies,
Splendours, and Glooms, and glimmering Incarnations
Of hopes and fears, and twilight Phantasies;
And Sorrow, with her family of Sighs,
And Pleasure, blind with tears, led by the gleam
Of her own dying smile instead of eyes,
Came in slow pomp;—the moving pomp might seem
Like pageantry of mist on an autumnal stream.

All he had loved, and moulded into thought,
From shape, and hue, and odour, and sweet sound,
Lamented Adonais. Morning sought
Her eastern watch-tower, and her hair unbound,
Wet with the tears which should adorn the ground,
Dimmed the aereal eyes that kindle day;
Afar the melancholy thunder moaned,
Pale Ocean in unquiet slumber lay,
And the wild Winds flew round, sobbing in their dismay.

Lost Echo sits amid the voiceless mountains,
And feeds her grief with his remembered lay,
And will no more reply to winds or fountains,
Or amorous birds perched on the young green spray,
Or herdsman’s horn, or bell at closing day;
Since she can mimic not his lips, more dear
Than those for whose disdain she pined away
Into a shadow of all sounds:—a drear
Murmur, between their songs, is all the woodmen hear.

Grief made the young Spring wild, and she threw down
Her kindling buds, as if she Autumn were,
Or they dead leaves; since her delight is flown,
For whom should she have waked the sullen year?
To Phoebus was not Hyacinth so dear
Nor to himself Narcissus, as to both
Thou, Adonais: wan they stand and sere
Amid the faint companions of their youth,
With dew all turned to tears; odour, to sighing ruth.

Thy spirit’s sister, the lorn nightingale
Mourns not her mate with such melodious pain;
Not so the eagle, who like thee could scale
Heaven, and could nourish in the sun’s domain
Her mighty youth with morning, doth complain,
Soaring and screaming round her empty nest,
As Albion wails for thee: the curse of Cain
Light on his head who pierced thy innocent breast,
And scared the angel soul that was its earthly guest!

Ah, woe is me! Winter is come and gone,
But grief returns with the revolving year;
The airs and streams renew their joyous tone;
The ants, the bees, the swallows reappear;
Fresh leaves and flowers deck the dead Season’s bier;
The amorous birds now pair in every brake,
And build their mossy homes in field and brere;
And the green lizard, and the golden snake,
Like unimprisoned flames, out of their trance awake.

Through wood and stream and field and hill and Ocean
A quickening life from the Earth’s heart has burst
As it has ever done, with change and motion,
From the great morning of the world when first
God dawned on Chaos; in its stream immersed,
The lamps of Heaven flash with a softer light;
All baser things pant with life’s sacred thirst;
Diffuse themselves; and spend in love’s delight
The beauty and the joy of their renewed might.

The leprous corpse, touched by this spirit tender,
Exhales itself in flowers of gentle breath;
Like incarnations of the stars, when splendour
Is changed to fragrance, they illumine death
And mock the merry worm that wakes beneath;
Nought we know, dies. Shall that alone which knows
Be as a sword consumed before the sheath
By sightless lightning?—the intense atom glows
A moment, then is quenched in a most cold repose.

Alas! that all we loved of him should be,
But for our grief, as if it had not been,
And grief itself be mortal! Woe is me!
Whence are we, and why are we? of what scene
The actors or spectators? Great and mean
Meet massed in death, who lends what life must borrow.
As long as skies are blue, and fields are green,
Evening must usher night, night urge the morrow,
Month follow month with woe, and year wake year to sorrow.

He will awake no more, oh, never more!
“Wake thou,” cried Misery, “childless Mother, rise
Out of thy sleep, and slake, in thy heart’s core,
A wound more fierce than his with tears and sighs.”
And all the Dreams that watched Urania’s eyes,
And all the Echoes whom their sister’s song
Had held in holy silence, cried: “Arise!”
Swift as a Thought by the snake Memory stung,
From her ambrosial rest the fading Splendour sprung.

She rose like an autumnal Night, that springs
Our of the East, and follows wild and drear
The golden Day, which, on eternal wings,
Even as a ghost abandoning a bier,
Had left the Earth a corpse. Sorrow and fear
So struck, so roused, so rapt Urania;
So saddened round her like an atmosphere
Of stormy mist; so swept her on her way
Even to the mournful place where Adonais lay.

Our of her secret Paradise she sped,
Through camps and cities rough with stone, and steel,
And human hearts, which to her aery tread
Yielding not, wounded the invisible
Palms of her tender feet where’er they fell:
And barbed tongues, and thoughts more sharp than they,
Rent the soft Form they never could repel,
Whose sacred blood, like the young tears of May,
Paved with eternal flowers that undeserving way.

In the death-chamber for a moment Death,
Shamed by the presence of that living Might,
Blushed to annihilation, and the breath
Revisited those lips, and Life’s pale light
Flashed through those limbs, so late her dear delight.
“Leave me not wild and drear and comfortless,
As silent lightning leaves the starless night!
Leave me not!” cried Urania: her distress
Roused Death: Death rose and smiled, and met her vain caress.

“‘Stay yet awhile! speak to me once again;
Kiss me, so long but as a kiss may live;
And in my heartless breast and burning brain
That word, that kiss, shall all thoughts else survive,
With food of saddest memory kept alive,
Now thou art dead, as if it were a part
Of thee, my Adonais! I would give
All that I am to be as thou now art!
But I am chained to Time, and cannot thence depart!

“O gentle child, beautiful as thou wert,
Why didst thou leave the trodden paths of men
Too soon, and with weak hands though mighty heart
Dare the unpastured dragon in his den?
Defenceless as thou wert, oh, where was then
Wisdom the mirrored shield, or scorn the spear?
Or hadst thou waited the full cycle, when
Thy spirit should have filled its crescent sphere,
The monsters of life’s waste had fled from thee like deer.

“The herded wolves, bold only to pursue;
The obscene ravens, clamorous o’er the dead;
The vultures to the conqueror’s banner true
Who feed where Desolation first has fed,
And whose wings rain contagion;—how they fled,
When, like Apollo, from his golden bow
The Pythian of the age one arrow sped
And smiled!—The spoilers tempt no second blow,
They fawn on the proud feet that spurn them lying low.

“The sun comes forth, and many reptiles spawn;
He sets, and each ephemeral insect then
Is gathered into death without a dawn,
And the immortal stars awake again;
So is it in the world of living men:
A godlike mind soars forth, in its delight
Making earth bare and veiling heaven, and when
It sinks, the swarms that dimmed or shared its light
Leave to its kindred lamps the spirit’s awful night.”

Thus ceased she: and the mountain shepherds came,
Their garlands sere, their magic mantles rent;
The Pilgrim of Eternity, whose fame
Over his living head like Heaven is bent,
An early but enduring monument,
Came, veiling all the lightnings of his song
In sorrow; from her wilds Irene sent
The sweetest lyrist of her saddest wrong,
And Love taught Grief to fall like music from his tongue.

Midst others of less note, came one frail Form,
A phantom among men; companionless
As the last cloud of an expiring storm
Whose thunder is its knell; he, as I guess,
Had gazed on Nature’s naked loveliness,
Actaeon-like, and now he fled astray
With feeble steps o’er the world’s wilderness,
And his own thoughts, along that rugged way,
Pursued, like raging hounds, their father and their prey.

A pardlike Spirit beautiful and swift—
A Love in desolation masked;—a Power
Girt round with weakness;—it can scarce uplift
The weight of the superincumbent hour;
It is a dying lamp, a falling shower,
A breaking billow;—even whilst we speak
Is it not broken? On the withering flower
The killing sun smiles brightly: on a cheek
The life can burn in blood, even while the heart may break.

His head was bound with pansies overblown,
And faded violets, white, and pied, and blue;
And a light spear topped with a cypress cone,
Round whose rude shaft dark ivy-tresses grew
Yet dripping with the forest’s noonday dew,
Vibrated, as the ever-beating heart
Shook the weak hand that grasped it; of that crew
He came the last, neglected and apart;
A herd-abandoned deer struck by the hunter’s dart.

All stood aloof, and at his partial moan
Smiled through their tears; well knew that gentle band
Who in another’s fate now wept his own,
As in the accents of an unknown land
He sung new sorrow; sad Urania scanned
The Stranger’s mien, and murmured: “Who art thou?”
He answered not, but with a sudden hand
Made bare his branded and ensanguined brow,
Which was like Cain’s or Christ’s—oh! that it should be so!

What softer voice is hushed over the dead?
Athwart what brow is that dark mantle thrown?
What form leans sadly o’er the white death-bed,
In mockery of monumental stone,
The heavy heart heaving without a moan?
If it be He, who, gentlest of the wise,
Taught, soothed, loved, honoured the departed one,
Let me not vex, with inharmonious sighs,
The silence of that heart’s accepted sacrifice.

Our Adonais has drunk poison—oh!
What deaf and viperous murderer could crown
Life’s early cup with such a draught of woe?
The nameless worm would now itself disown:
It felt, yet could escape, the magic tone
Whose prelude held all envy, hate, and wrong,
But what was howling in one breast alone,
Silent with expectation of the song,
Whose master’s hand is cold, whose silver lyre unstrung.

Live thou, whose infamy is not thy fame!
Live! fear no heavier chastisement from me,
Thou noteless blot on a remembered name!
But be thyself, and know thyself to be!
And ever at thy season be thou free
To spill the venom when thy fangs o’erflow:
Remorse and Self-contempt shall cling to thee;
Hot Shame shall burn upon thy secret brow,
And like a beaten hound tremble thou shalt—as now.

Nor let us weep that our delight is fled
Far from these carrion kites that scream below;
He wakes or sleeps with the enduring dead;
Thou canst not soar where he is sitting now—
Dust to the dust! but the pure spirit shall flow
Back to the burning fountain whence it came,
A portion of the Eternal, which must glow
Through time and change, unquenchably the same,
Whilst thy cold embers choke the sordid hearth of shame.

Peace, peace! he is not dead, he doth not sleep—
He hath awakened from the dream of life—
’Tis we, who lost in stormy visions, keep
With phantoms an unprofitable strife,
And in mad trance, strike with our spirit’s knife
Invulnerable nothings.—We decay
Like corpses in a charnel; fear and grief
Convulse us and consume us day by day,
And cold hopes swarm like worms within our living clay.

He has outsoared the shadow of our night;
Envy and calumny and hate and pain,
And that unrest which men miscall delight,
Can touch him not and torture not again;
From the contagion of the world’s slow stain
He is secure, and now can never mourn
A heart grown cold, a head grown grey in vain;
Nor, when the spirit’s self has ceased to burn,
With sparkless ashes load an unlamented urn.

He lives, he wakes—’tis Death is dead, not he;
Mourn not for Adonais.—Thou young Dawn,
Turn all thy dew to splendour, for from thee
The spirit thou lamentest is not gone;
Ye caverns and ye forests, cease to moan!
Cease, ye faint flowers and fountains, and thou Air
Which like a mourning veil
Tyler Maurer Jan 2012
You lie an connive
You make me sick while u spend all your time with that other guy
Im a fool an i do deserve to die
But ill make you pay ill tear you down where you stand
How dare you betray me how dare you ******* deface me
Your nothing but a worthless ***** tearing me apart without asking for more
I hate what youve done an who you have become ill cut my wrists an drown you in my blood
Ill wipe that smile off your face with a handful of distaste i regret it all i was in a worthless fog
I will make you regret playing me an making me weak im sick of you an what youve put me through fall down die in the ground im sick of this pain
That leaves me drained ill watch you convulse while i walk away my back forever turned on you
Valsa George Mar 2018
‘LOVE’ – What mystique power it wields
In what myriad guise it wraps!
At times a sweet ache so coy to reveal
Or a sudden urge, hard to unveil

Sometimes a deep sensation
A strong surge of emotion
Permeating every atom
Pervading from top to bottom

It heightens the pulse
And makes every nerve convulse
It has left kingdoms fall asunder
And many a mighty man - surrender

Often, like dew drops falling from above
Or the warbling notes flowing out from the grove
It leaves the heart go upbeat in prosody
Changing every sensation into rhapsody

As beams of silver cast by the moon
Or the cold touch of spray in the horrid heat of noon
It soothes, embalms and thrills the heart
Filling the void and leaving no dearth

Love sublime, sure like a candle lit
Consumes itself, and never dwindles a bit
It dispels the gloom and dissipates the fright
Invigorating the soul and healing every hurt

As brilliance to stars, fragrance to flowers
Music to flute or shade to bowers
Love is to Man, freeing him from all sores
Bestowing him the strength to meet all throes

Love can neither be beguiled nor disguised
Nor be stifled or be construed
Love puts all other things into place
And hems life with a lovely lace

Love is all we seek and too scarce to find
A magic thread by which hearts are bound
Hark! It is love that makes the world spin around
And cures all the ills that surround

Oh! Love thou virtues I will defend
Jayanta Mar 2015
Nothingness always void,
There is something in vacuum!*

What we called as emptiness
Also having something
Full with energy and matter!

Nothingness always void,
There is something in vacuum!


If it gets the model set it will accelerate
Bloom and illuminate!
Nothingness always void,
There is something in vacuum!

In fact by mining the vacuum’s richness
A theory of everything may emerge!

Nothingness always void,
There is something in vacuum!


Space around everything is virtual
When everyone convulse for existence
Invisible firework display
It is dark energy
Take over the dynamics of creation
and we are dreaming!

Nothingness always void,
There is something in vacuity!


Explore your verve in emptiness
Gain oomph to illuminate everything!
Tiberias Paulk Dec 2014
Oppress depress and rearrange
now disavowed and over strange
reflect object my own ribcage
conceal reveal and act my age
deny imply and storm the gate
repulse convulse I love your hate
Sir Nitro May 2016
Tied with your wrists attached to your ankles, pretty in pink.

Your mind goes numb, as you lay helpless trying to think

Think of what is to become, as your sir hovers ever so near

Holds your head in my hands, looks in your eyes a silent stare



My lips touch your soft lips engaged in a passionate kiss

I move away you reach wanting more, my lips you do miss

Open your mouth wide, the gag is placed inside, now mute

Straddling your head I stare in to your eyes, love is absolute



Between your legs I slide, my tongue in to my wet slit

My mouth ******* and licking your nice engorged ****

Your backside is invaded with a nice cold steel plug

You wiggle in bliss, your heart races as if on a new drug



My soft subtle ***** drips your love on to the ground

My *** I hold in my hands so very nice and round

My tongue deeper in to you, as you convulse and ***

I release your *******, your heart is beating like a drum



You turn over and get on all fours, you are such a good pet

I come behind you and mount you, waiting anxious no fret

Enter you deep, enter you hard, your release a loud moan

My **** invading you ever so deep never again shall we be alone



My **** ready to explode, as I smack my *** with a bare hand

You *** again as I fill you deep, my seed mixing as we planned

Remove your gag hear your words, the words of love I need to hear

Collapse together rest for a moment, eye to eye stuck in a stare
Danielle Jones Mar 2011
the dendrites don't know what's right anymore.
the tipsy balance is falling off the table,
and there's nothing there to stop it.
gravity is such a *****.
but, so are a lot of things,
and i can't seem to grasp onto anything good
anymore by standing
right in front of the doors
that lead to something better.
i knew it when i found my body
still in the second row of the
dark movie theater,
crying at the smiling stars
on the explosion of a projection screen.
i'm pretty sure i was feeling
sorry for myself
lapping up some kind of
enlightenment.

i've been too nice for too long,
but i've been old since the
day i turned eight.

that was when i learned about
the rough bodies
portraying the new style of
***
on a vhs,
and my eyes stung
because i didn't want to watch
and it seems to hormone driven
boys that it's ingrained in my dna.
i have been uncomfortable for ten years now.

but not as winded on the
day it burned a hole in
my solar system,
the milky way
told me to love the metal hearts
and
always be kind.
i can't do that anymore,
there's too much anger
in my stomach
for my body not to
convulse in shame.
it was never my fault,
but everyone else likes to think so
and
i've always held it gently
so no one else would have
to breathe in sawdust
and exhale hurt.
i always had it covered
with my hands lined with
fortunes.

palms,
can you tell what's in store for me now?
© Danielle Jones 2011
Joshua Haines Apr 2014
If I want to die, I'll do it myself
I'll save a kid or some **** and make it look like I died a hero
But nah, I had a death wish.
Didn't any of you know?
I said it probably forty-million times.
It's cool the kid is alive, though.
And it's cool that this all rhymes.

Tell the kid while I convulse, choking on blood that  I said,
"Eat your vegetables. Stay in school. Being in love is really cool.
It's okay to be alone. It's okay to be afraid. Don't make the decision I made."

Then play some surfer music and have him stand in front of a projector,
projecting video waves and dreams, as they start to dance.

Honestly.
If I wanna die, it's by your side.
But you're gone.
Away.
It was too hard, and you're afraid.
I'm afraid, too. I don't wanna die.
But this isn't living, what I'm doing now.
It's survival, and it's just
blood and bone.
Eat and walk.
In a crowded room, alone.
Smile and talk.
I can't feel. I can't feel. Keep saying it: I can't feel.

But I feel it all, and if I want to die then it's by your side.
If I wanna die, then I want to talk to you before I go.
If I'm going to die then it's because it's hard to cope
knowing that I love you, and you love me, but you don't wanna anymore.
So I don't wanna anymore, anything.
I don't wanna be here.
I don't wanna be anywhere.
I don't wanna be.

I dream a lot now, more than before.
Reality has become the compass to a draining nothingness,
and I don't want to stick around.
Either way, I'll dream or think of nothing, and it couldn't be that bad.

"No one is worth taking your life over."
"It gets better."
"What if she wasn't the one?"

How do you know how I feel?
What if it doesn't?
What if she was?

Can I bathe in nihilism or is that too transparent?
Should I shake the salsa in the silver room of the Lisbeth Salander character arch or should I be in the ark, two by two, with Noah?
At least I'll be able to feel, taste, see the shine, relate to another's pain, realize a life, be next to one meant for me in the shelter of doom and eventual hope, and be with a man with as much certainty, perceived as crazy or brilliant as me.

Can you walk home to me?

To know that what I knew is what I may never know is something I don't want to know, and something I'll always know could be something I live for and by, and that's all I knew before and now I know nothing but that.

If I wanna die, then it's knowing you as I walk to you or you walk to me, in depth, in death, in soliloquy.

The crumbling clock is my hoarder as it keeps everthing I don't need like memories, future events, and times and dates for places I don't want to be.

Is it too much to want to be a fly on the wall that is smashed?

I've never been so lost.

"Don't be so dramatic. Don't be so dramatic. Don't be so dramatic."

Okay, thanks. Now I can think of that, and what else is wrong with me while I feel lost. So lost, and unlike ever before if I ever was lost before.

What do I even say on my note?

Ooops?
Whoops?
My bad?
It's never enough, isn't it?

If I could wrap your sorrow around my lungs to where I could only breathe your sadness as I give you my hopes, joys, and everlasting essence to fuse with you as you feel complete, I would, I have, and I lay empty.

Is this enough to say?
Do you get my point?
Stuart Lee Oct 2012
I tremble, I shake, I convulse,
My body is racked with pain.
You have the cure.

Free my body, free my mind
From this anguish. Bring me
Back from oblivion.

Give me Your Medicine.

Your touch, your breath, your body, your soul,
Your mind, your thoughts, your desires, your essence,
Your passion, your love, your ardor, your fervor,
Your fantasies, your tastes, your spirit, your laughter,
Your glances, your voice, your sweetness, your will,
Your warmth, your smile, your curves, your charm,
Your moods, your temper, your hates, your tears,
Your furrows, your frowns, your wrath, your fury.

Your peace.
Your serenity.
Your compassion.
Your surrender.
Please allow me Your Medicine-
You have mine.

Come, let us heal the world with our cure.
Marshal Gebbie Oct 2010
Dedicated to the Steelers who do their hard work so well.

The Pier five superstructure
Looms above the turgid waves,
Gothic cranes do hover close
To service needs of orange knaves
Who swarm to manufacture,
Who work to make complete
This massive bridging edifice,
This mighty engineering feat.

Cathedral like in grey austerity
Freezing zephyrs howl and blow,
Through the maintenance shaft tunnels,
Through the bridge's bowels go.
The catacombs are echoing,
Stark light's reflection deep
In corridors of baleful concrete
Through which angled cause ways sweep.

A forest of reinforcing rods
Stand starkly high and straight,
Atop adjacent pylons
Which arise from deep mud's gate.
Hazard lights are flashing
Amber, green and blue
As north east gales bring pelting rain
To obliterate the view

The tattooed hands of black skinned steeler
Twitch the wire to make the loom,
Lattice works of reinforcing
Blackened mesh of iron entombed.
Hard to fathom steeler's chatter
Bending low to twitch by feel,
Working fast in noisy unison
Twitching reinforcing steel.
Pliers flash in rapid movement
Wrist's convulse in rapid slap
Unintelligible chatter flows
But the job is finished, just like that.

Skill saw screams in echoed silence
Booming blows of hammers pound,
Pipe work's resonance percussion
Tempered by a sad song's sound.
Great concussions pound the air
As towering cranes do drive,
Enormous pylons into mud
And bedrock's solid hide

The mighty form travellers moving
High above cold estuary waves,
Reaching forth for unbuilt mana
It's red extension arm enclaves
Providing for the next poured section,
Providing for the next steel work,
Reaching out for firm embrace
Where Pier four's form travellers lurk.

The pungency of solvents spread
Across the steel plate, made to last;
Barrier to adherence of
The sticky concrete's surface cast.
The form work archway's wooden shell
Adopts a high cathedral stance,
This bride in waiting nervous for
The concrete pumps lithe serpent dance.

An unyielding environment
A hard surfaced place to be
Where materials of venom
Are handled casually.
Where massive superstructures
Unforgiving in their stance
Lead the busy, ant like steelers
In their lofty, hard days prance.

To look across Pier Five's expanse
And view the surface cant,
And visualize the future motorway
With it's headlong traffic rant;
And look again at what is spread
Across it's surface now,
At the jumbled reinforcing steel,
The cables, tools and how,
Organizationally chaotic
The whole affair appears ???
Whilst in actuality, my friends,
This clockwork sequence has no peers.

With the roar of passing traffic
As the headlights flash on by,
And the Pier's massive cantilever
Looms impossibly to sky.
One must praise the skilled designers
And those engineers of skill
Who summount vast odds of nature
To scale this monumental hill.
As this mostrous concrete edifice
Claws inexorably from tide,
To loom in towering sillouhette
Where estuary mists abide.

Marshalg
onsite@Pier5
Manukau Harbour Crossing
29 June 2009
Rapunzoll Apr 2015
My mind keeps pictures of you up on its walls
                            again
                         ­         and again
I find my thoughts drifting down that river of memory
orbiting around you, like forces of gravity drawn
to the idea of us (if there even is an us)

If I could then I’d lock you outside my brain, leave you out there to rot
in the abyss, where your words couldn't penetrate me
and your lips that work like anesthesia forbidden to numb me again

I won't do you the injustice of romanticizing your imperfections
You're no nebular, you're a black hole, a gaping flaw in creation
Your eyes that held millenniums of history, now hold me no future

You made me forget what it feels to have stability
To not walk out of a room and forget why I left
You make me want to shred the skin you touched
Like a reptile, to become reborn, purified from my past.

There never were any butterflies in your stomach, only parasites
but you fed them to me readily like a disease

So no, I won’t dedicate you another love poem
                 no I want (deserve) better
This isn't what love should be
I’ll write you a poem where the words convulse on the page
and you’ll forget to read it (you always do)
© copyright
Ariel Baptista Jun 2015
**** me quietly in the current of the Caspian
That calloused-caviar undertow
Petroleum-pierced fragmented bone
You whispered things no child should know
And I was no child then
Trembling hands I emerge from the lion’s den
Wearing memory like white lines on the insides of my wrists
Until I forget they’re there
Blue eyes, blonde hair
Painted mouth and vacant stare
Here is who I have become

So kiss me quietly in the white-capped waves of the Caspian
My lips a promise sealed in black oil and blood
Hear the water tank trickle fill and flood
See the volcanoes burst with sacred mud
And feel my skeptical smile
Spectacle-clad you read my file
It’s been a while since I relived all of this

And I’m deciding if it’s far too late or far too soon
To begin to deconstruct our interactions
The repulsion, the attraction
The actions and reactions
That defined that interim allotment of time
I sit here now retracing your lines
On the rickety map in the back of my mind
Memory, so mute, so blind
And ripping down the track so quickly
Thrown back so sickly-bitterly
Like salt-lime-tequila

My memory has been mutilated
Slaughtered, drained and skinned
Treated, chopped and trimmed
And now I place it on a table in the street
Tell me, can you hear the pattern of its late heartbeat
As you grip a fleshy dripping pound of it in your hand
My memories are no-man’s land

So caress me carefully in the cool-calm caves of the Caspian
Recall the strange sounds of the early days
Sacred grounds, hot-garbage haze
Sandy winds, the bazaar maze
That made me acutely aware of the incomplete
Not even joyful summer heat
Could keep me from floating feet-up in the Georgian river
Memory smile, convulse and shiver

I intended this to be a reconciliation
Call me queen of counterproductive apology
Let’s redefine astrology
To gain some favour from the stars
Russian salad and white box cars
Deep *** holes in Badamdar
Truthfully I’ve never known who you really are
And I probably never will

But cut me kindly in the clouds above the Caspian
This is as close as we can get
Ignorant prejudice my one regret
But I have not forgotten all the good
And I will try to love you like I should
But tell me, is it better to have memories that lie
Or have nothing at all?
Shall I embrace the distortions or the abyss?
**** me carefully or give me a kiss
Tell me, what am I to do with this?
Cut me open or caress me
Call me child or undress me
Your impassive smile does not impress me
Tell me, how am I to process this?

I’ve swam your sea, I’ve coughed your air
I let you stroke and steal my sandy hair
I left without once looking back
No pillar of salt
No pile of ash
No blame or fault
Or debt or cash
But still the walls begin to crack
I feel the stitches start to tear
Murky-memory drags me eastward by my fresh-grown hair
Forcing my eyes, so-cold and ever-blue ever deeper into you,
the dark heart of the Caspian
Striving for the fortuity that can never be achieved
and wishing for aristocracy,
they called for open fire upon me
and I see the bullets in every mirror reflecting me.

And with some, I share the care of a creator
who spends all the time they have balancing on a cable
unable to understand how anyone can be frugal as me;
and I ask myself, "Do I need to appreciate all of this?"

They won't let me drown while I'm new and shiny.
They won't let me be a statue in a brochure.
They won't let me sleep in the fog.
They won't let me reclaim my beauty.

I only think about today, not the future.
I only think about the key to the door leading to within my cartilage
that is unable to clench us together.
And so I surrender myself to the promenade.

Everything is a contest.
Everything is a ballad for the Z's.
Everything is a fire bolt.
telling me not to absorb the covers.

I'm not agile anymore
because I just deliver them what they yearn for,
without yearning for anything myself anymore.
But I don't want them to rest absently.

The better bodies walk alone.
The better bodies are lying dead in each other's company.
The better bodies are deteriorating
and heading for the better days.

I used to have faith in something,
but now I live in blasphemy,
repeating "hey," and "yeah" and "sure,"
while never acting honorable.

He only cries for me while he's soaring above me,
shedding tears and calling for bloodshed.
But this isn't war because he's not shedding his own blood,
because he knows how to brand me and string me along.

I signal my phantom friends to join my army,
but they're only a clan of desperate nomads like me.
They're my ghost friends that convulse with me,
giving them strength to drain the vital fluid from my enemies.

I am audacious, I know,
because I am arousing every transmission.
These are the my days extinguished.
Let me show you the couple of claws I have left.

And it's no secret that I have a busted soul.
And it's no secret that I want an acceptable acquaintance.
And it's no secret that I would complete the proper process to be a monarch
if I knew how to drain my body of juice and replace it with a wealthier blood type.  

So move a little closer to me
so I can show you all the days that are deceased.
And I know you think buzzers are bulky and awkward
but time is up and I'm leaving soon.

I wish you could see that we are familiar cats
rather than beardless lumps of charcoal,
and that if we ran this 5, 280 feet it will be a phenomenon.
So drink from this molded mug and forget about it all.

And I'm gripping to growth by the throat, but damaging nothing
because it's made of caramel candy and doesn't know what saltiness is.
Let me take you to the courtyard where the action takes place
and if action takes place, then we'll let the growth be sweet.

I'm seeing framework from my lonely bench made for two,
and I'm throwing timber into a mountain, ready to light a match.
So come to my party and we'll set the place ablaze
and be a beautiful cremation, burning all the better bodies.

I never wanted it all to burn, I just wanted to drive onward with company in the passenger seat,
but this state of the art exhibit will be killer, I promise, even if everyone is dead.
It'll be the first and last stride.
It'll be better than codeine.

But this city is booming and I can't watch the architecture shrivel.
I'm her hostage and though she cares for me through methods of torture,
I can't help but anticipate her friendship in the afterlife
when we're both lonely without another half, because her twin is leaving her soon.

I miss what this country used to be, with it's jewelry on display in Tiffany windows.
I'm not saying I miss the bloodshed, but I miss the sparkle.
I miss the clubs and the parties and the company.
The bustle is gone, and all there is is the hustle of a crowded desolate boulevard.

All that's left behind is the shame
of hanging around someone else.
I wish I was somewhere else…
I wish I was in Stockholm walking uptown on a crowded desolate boulevard.

I wish I didn't live in a cyclone
with arduous people attempting some sort of hawkish raw coolness
asking me about my mood that they don't care about.
I can tell you my mood is not graceful or charming, but I won't.

And if I described my mood in colors it would be a combination of purple, yellow, red, and blue.
A murky brown seeking rehabilitation.
It won't be long until it rehabilitates, just extract all the light from it little by little until it's blind.
Ain't the way it should be?

This is a darling's rebellion.
This is the siren sounding the start of battle.
zebra Jun 2017
how many ways may i undo you ...
each sublime
i crave your vermilion waters
copper gilded plush
falling to my hungry naked mouth
drug euphoria
drooling ***** toy
as i stroke your ankles
with tender fingers
and brush your delicate feet with my lips
before i lift you
floating girl
and you lose yourself
thanking God
for the inconceivable pleasure
of unbearable pain
as you are split and ruptured open
oh pink flowers splashing
in a stained tub
of
blood like a blotter

sanguine perfume
mouth melting kisses
heaping *****'s detonations
adorations petition

am i not vulturous
holding you in my warm arms
while i whisper in the caverns of your hollow breath
that you mean the world to me

i drink rain storming from torrid gates howling
from your cleaved ******* and unfurled belly
your eyes
moons trembling
immersed in your fathomless yawning soul
as you take your last breaths

tell me baby
is it tender cruel
are angels kissing you yet
are you caressed by powder pearlescent clouds
are you butter on the lips of God
while dark curtains flutter and shut
while i weep and convulse
in heaping waves of ecstasy

there is only you
like
heavens  thunder
ryn Sep 2014
I hear your shuffling footsteps right outside my door
I know what you seek with troubled heart and weary feet
Your trip has been long, draining your body sore
Come in, I've been expecting you... Finally we meet

You settle yourself, right there, opposite of me
Let me look at you... Let me observe just a little
I can see through you, read you like a book, almost instantly
You've come with resolve so frail, fragile and brittle

I know why you're here and the questions that plague
I know why you've travelled long, over land so far
I am aware of your dark secrets and truths so vague
You don't have to say... I feel the invisible scars

I shut my eyes as I summon the
powers of my ball
Let me recite my mantra to invite those who would come
I whisper things you may hear or not at all
Ahh... One has arrived, soon... Soon will arrive some

Looking into my orb with concentrated gaze
Breathe easy, Cracked One... Be not afraid of its sinister glow
You can see the energy surging in a torrential blaze
Rest easy, Lost One... Very soon it will all show

In one hand, I have my tarot cards on display
Don't be frightened when I begin to convulse uncontrollably
Of all the cards that fall, one would stubbornly stay
That one will have much to tell, together we'll see

I'm trembling now, remember... Be not wary
The card is now chosen, face down I lay it still
Take it but you may not understand the markings you see
I'll take it in my hand to make sense of it by feel

I have your card, now I must resume my chanting
You hear me speak in a language only known to a few
It may sound raucous, the words I'm mouthing
Be not startled, Broken One... We are almost through

It's time to close the ritual by touching skin with skin
Against your cheeks, you feel my warm touch
Look into my eyes and embrace the connection within
Now I know all, your eyes have revealed much

I have something for you... Now you must go
You look at me with confused eyes but still you must
Take this bundle... It contains all you need to know
Keep it safe, this parting gift to you I entrust

Leave now, don't take my next few words lightly
You must take heed these sacred words from lore
I say, "Do not open till the end of journey"
"Open only when in house, behind closed door"


I see you leave, disheartened by questions unanswered
Clutching the bundle, you slowly disappear in despair
I wish you well, dear Seeker... For all you've endured
Be safe and get home, you will find your answers there...
See 'Dear Mystic'
See 'The Parting Gift'
Joshua Haines Jun 2014
Drinking summer skin,
I hear the voices in the night sky
I'm a slave to the darkness around the stars,
and I can't remember why

One, two, twenty-three percocet in my soul.
Ambulance lights breathing throughout the mist.
Pump my stomach like the sawed-off shotgun
that I was too afraid to use,
because what if I 'miss'?
What spectrum of desolation to be traced with lips;
to kiss away the desire to exist.

Mirrored reflection injection causes the resurrection of my imperfection.
I see me for who I am, who I was, and who I won't be.
It's the collection of
my eyes dilating and my knees speculating their arrival
to the blue and white tiling disguised as neo-survival.
My mind is evaporating. My body begins to convulse.
I am a ghost in a machine. I am without a pulse
Fel Jan 2014
I close the door of the bathroom cabinet, revealing the figure standing in front of it. I tilt my head back, bring my hand up to my mouth, swallow, and feel the slightly farmiliar sensation of the little pill sliding down my throat. Anything that used to be normal is only slightly farmiliar now, an effect of these little pills.
I look up into the ghost in the mirror, the one that slightly resembles my own face. I can barely pick out the individual features, but I'm pretty sure that's me. I bring my hand back up to my face, this time to pull up my cheeks in something that somewhat looked like a smile. Yep, that's me all right. The hand moved to the left, and grabbed my ear, tugging at it. Slowly, it made its way across my whole face, surveying all my features, feeling everything. I'm still here. Wish I wasn't.
I sigh and continue staring at this ghost of a person. She looks tired, and *****. Her dark brown hair ******* in a messy, greasy bun on top of her head. Her once bright green eyes are now a dull brown. Her once flushed cheeks, now completely pale and lifeless, still bear the scars of the crash.
I sigh once more and turn around, almost losing my balance.
I start toward my room, remembering I have to do something today. Not school, nor work, nor anything else in particular. Well, of course there is a reason, but thinking of that reason makes everything clear and painful, so lets just keep things hazy and safe.
I pull my once too small jeans on, which are now extremely baggy on my scarred legs. I try to steady my shaky hands as I attempt the eyeliner, but give up, and remove the waterproof makeup. It's not like he will care, he can't see my face anymore.
A sudden stab of pain envelops within my chest as everything suddenly becomes clear and I can see his face, his beautiful face, laughing. I blackout and end up on the floor.
When my eyes open, they are greeted with the concerned eyes of my sister-in-law. She's holding my face, trying to wake me up. "Woah there, woah. Are you okay?"
I sit there thinking of what just happened and what she said. It takes me a moment, but I reply, "As okay as I ever am."
She rolls her eyes and sighs. "C'mon, get up. We have to do something today."
Another stab of pain as I remember where we're going today and what we're doing. I ***** on her as the pain overcomes me once more, this time not blacking out. Instead the images, the very ones I have countless nightmares about, flit across my mind. Every one bearing pain, bearing a very specific pain. I start to scream and convulse, as I claw the arms of my brother's wife.
My brother comes in to pull me off of her and put me onto my bed, as I continue screaming. I can very clearly feel the very farmiliar pain in the middle of my chest. It's as if 10, no. It's as if a 100, a 1000 knives are being shoved in, turning, breaking bones, slicing organs. And then it feels as if someone is spitting salted lemon juice into my wounds, stinging.
It's all in my head though. Everything I'm feeling is all in my head. And that's the problem right there. Why couldn't I have just died in the crash, why can't I just be gone already.
I blackout again. And when I wake up, both my brother and my sister-in-law are standing there, watching over me. I see that my sister-in-law has changed clothes. Their troubled faces brighten up a little as they watch my eyes open. Unsurprised. This happens every time we plan to go to the hospital to visit him in the ICU. It's happened before, many times, so they know what to do and how to calm me back down.
They help me up from my bed and out into the living room, where there is a tray of fried eggs and bacon sitting on the coffee table. Probably for me.
I disregard it and instead walk to the kitchen to grab the *****.
My sister-in-law was right there to stop me. "No no no, not this early. Besides," she says as she takes the bottle from my shaking hands, "you already took your medication."
I begin to protest, and quit, knowing that it was no use.
Asides from the ***** and my medication, they have baby-proofed the whole house because of me. All knives are locked up somewhere in the garage, any tool that could be used against myself gone. No rope, shoelaces, small appliances, or other things that I may use to **** myself. The ***** was out because they confiscated it from my room. I had shoplifted the liquor the other day, and was trying to start a collection so that I may drink several bottles of alcohol at once and overdose. Not too smart, they search my room all the time. I'm too drugged to even care. And my medication tastes too nasty to overdose on, asides from being nearly impossible to OD from.

In the car on the way to St. Rosemary's hospital, we stop at a florist to get some 'Get Well Soon' stuff. My brother gave me some stronger medication, as he always does whenever we go to the hospital, and it makes thinking better. I'm able to think about what happened, but it makes the images in my head seem like they're from a movie, rather than my own eyes. I'm able to think about the man who lays there in the ICU, day in day out. That man I was once in love with. No, I still love him. And he loved me too. Loved.
I'm brought back to reality by my brother.
"What colour do you want to give him today?"
I don't know why he asks. I always say the same. "Green. His favorite colour."
My brother sighed. "I think he has enough green. But oh well, it's your choice..."
I love my brother very very much. I'm so grateful that he puts up with me. It's kind of a funny thing, when we were much younger and he was a ***** up, I could've sworn that he would have to end up living with me when we were older. Ironically, I ended up having to live with him. Well, 'living with him' isn't what it is. It's more like 'babysitting' or 'mom didnt want her in a mental hospital.' Like I had said before, I'm too drugged to care.

We also stop by SubWay just before we get to the hospital. I get the usual, a footlong ham and Swiss, with three chocolate chip cookies and a large Dr. Pepper. It's not for me, of course. I never eat anymore. This food is for him, if he wakes up. Because if he wakes up while I'm there, I want the satisfaction of being there with his favorite food. I do this every time. It's been a very long time since my brother or his wife has complained, wasting food and such. I don't care whether or not they're mad I waste stuff. I want this, no. I need this, for my fiancé.

Hospitals used to always scare me. As a child, I never had a reason to go to the hospital, except for my mother or grandmother, and even then I never went. I just knew people died there sometimes. I used to be so afraid of death. Now I'm wishing for it daily.
We head up to the ICU. He has his own room to himself, but he wouldn't care whether or not he had other people in there. All the people here know me, since we come around so often. They always look at me with extremely sympathetic looks, and then whisper about me to the people who they're around.
"Poor woman... Was in a terrible car crash... See those scars?... Just about to get married... **** near lost her life..."
They think I don't hear them but I do. It's a complete blessing for this medication, and that it makes me not care anymore, but sometimes I wish I could care. I wish I could turn around to them and tell them to shut the **** up thank you very much. I just literally do not care anymore.
We get to his room. The nurse comes out with the same sympathetic look as the rest of them.
I close my eyes and take a deep breath, trying to remember the last time I heard his voice, seen his eyes, felt his smile, heard him singing, the last time he told me he loved me...
And then the whole scene of when my life basically ended flashed across my mind, like a movie.

We were in the car, driving, listening to the iPod that was hooked up, singing along with whoever the hell was on. It was the middle of April. Nice weather. It was the perfect day.
We were on the way to this favorite place of mine, a 'special date' he had called it. At the time I had no idea what he was going to do.
We went into the place, a rollerskating rink. We got our skates and went into the rink to skate around. The DJ called out a special song for a special someone. As we danced and skated to the song, which was 'our song', the song we used to sing to eachother all the time, when a spotlight shined on him and he stopped what he was doing.
"You know that I love you," he said. "And you know that I want to be with you for the rest of our lives." He got down on one knee. "Will you make me the happiest man alive, and marry me?"
I started to cry. I said yes, if course. It was the happiest moment of my life.

When we were finished with the date, we were driving back home. We were seated very close, holding onto eachother.
We stopped at a stop sign, and I wanted a kiss. So I turned my head toward his, and we kissed. When I opened my eyes, we were in the middle of the intersection, and a car was coming our way from the left. It's headlights were shining in my eyes, and it was too close, going too fast. Right before the hit, I looked at it, knew the danger, and screamed my fiancé's name. He looked into my eyes in alarm, and that was when it hit. The other car smashed right into us, t-boning us on the drivers side, while my husband-to-be was driving. That moment felt like an eternity. We were flown around, and we hit some **** I don't even remember.
The next thing I remember was the sirens. The ambulances came and took us away from the wreckage. He was hurt severely, put into a coma. Me, I had some bad injuries, but not as bad as his. We were rushed to the hospital, and he was flown by helicopter to a bigger hospital that dealt with more serious injuries. Within two days he was considered brain dead.

And now, here I am, walking on this earth, while the love of my life just lays there, brain dead. I don't know whose brilliant idea it was to make it so I have to walk around, wondering whether he will ever wake up. The doctors always say that it's been too long, or that there's no hope now, or that we need to pull the plug. But every time they tell me that, I flip out. I flip out so bad they have to basically tranquilize me and send me back to the mental hospital. It's horrible. I just wish I could die, and that they would finally pull the plug after my death, so that we can both be together, wherever we go when we are finished with this life...

And the picture that always haunts me? The one of his eyes, in alarm, when I screamed his name. That picture is what haunts me day and night. It's what my nightmares are composed of. Every. Single. One.

I think all of this over for about a minute before we walk in. No one urges me to go in faster, they all know what I'm doing. They all know that I'm reliving the moment that pretty much took him away.
I open my eyes, ready to see him at last. I take small, careful steps into the hospital room, watching the floor. I finally looked up to see him lying, like usual, in his bed.

...At least, that what I was expecting.

Instead, he was sitting up, eyes wide, waiting for my reaction to see him awake.

And that was when I fainted.
Not my best work, but I felt like writing a full narrative for once.
Last week I was watching the news, and I saw a story about a pregnant woman who is brain dead, and I thought of this idea to write a sort of love story. Meh, enjoy.
I have switched to mechanics
The pen and the paper are morning my bemuse
The organic matter is dying just
Artificial forced relationships
With penetrative remarks

The tiny prism in the back of my mind
Where I can not stake out the feelings
It is forcing me to convulse on this awful thing
Those white walls are suppose to fool you
Repudiating that they are of silence


Do not placate me young sir
I know that’s were things come to a halt
You enlist them into your nihilistic theories
They can not see cyclical processes
The influxes of hysteria
that inevitably ward out the insurgency

No you claim them among the broken
Make them scared of large boxes with no windows
But does it even matter
The black matter had cast them to the seductress anyhow


The very seductress, whose embodiment of good and evil fools even me
Can she not see the rampant fires?
The cages that are cracking
As the mice turn on each other

Or is it calculated
Politically over dramatized to fool even the most sincere
You remind me of my mother
and the United States government

The will call my a conspirator
But ill know you never landed on the moon
And even if you did
You didn’t caress its very surface  

You didn’t risk your life
to just inhale the fumes of a memorial
It was nothing more then capitalist foot hold in outer space to you
No matter how much you sing about it

And what for me?
I could fix you in one splash of a recall  
But that wouldn’t change the fact that the gears are all out of whack
And the turnstiles
can’t see color anymore

I am growing blinder everyday
But I can never find my oracle under all this *******  
He has possessed me that
Flying gingerbread monkey

Before this I liked solidarity
Juggling my own fortunes
My own soggy breath fill up the window signs  

Now I am a menacing
Ravished house beast
Revering for him to make me categories and pie charts
This isn’t the competition that he enlisted for

But maybe will make it just five weeks and completely meaningless topics we will become the foremost informant
Populously used factoids over martinis
God know me and the monkey are socially *******

As this thing of forsaken design
has morphed into a manifestation of everything wrong with my punitive inception
We must talk about the alcohol.
Dwindling alone a poor and empty bottle
no worries it will have friends

Should I be concerned about my physical stability?
Not really I rather like bisecting my liver
and pouring to the brim
No its that I don’t enjoy it ,,,,,alcoholics are suppose to be a jolly breed
Why else would AA be so giggly?

I have tried to reform and it won’t be in vain
I won’t give up the dream
and succumb to a lobotomy
Just cause I Cant hold my liqueur

This is worse then the torah
A bigger degradation then the bible
If only I had cried for the proletariat
Then I would be famous

But even though the trances are fun
And the posterior eradicating
OH dark and shifty friend I have missed You!

And I do mourn in some postulated manner
for the orphans
But they would have made it out of their capsules
if you just gave them time
Zedler Oct 2013
Controversy started over the images this device receives. Hormones control this impulse, she's making each ***** convulse, and I can tell I'm still in love by the palpitations of my pulse.

Thus, proving that her actions indicate the prequel to her return. Her affection distant but still yearn, expressing sentiments, guess I'll never learn, spoken without biting my tongue
and now it's your turn.

Conquer hearts and take over,
**** her off when I'm not sober,
**** her off when thoughts become somber, **** her off when I say I won't be here much longer, **** her off for many reasons, **** her off once during every season and **** her off the most when in myself I stop believing.

Her perfection an extension of accessible recollection, to the woman who despises the notion of wearing articles of clothing.

Not the best at displaying her emotions, so in combination the words she's chosen seem broken, unable to withhold the growth of sentiments cut at the root, and as they now reproduce, sunflowers inhabit her garden and all the revelations of truth.

Lapse of time passes, lasting longer
than activities that involved
me being on her.

Inappropriately timing events perfectly.
Summer seems to have visited me in the fall, her memories now more than ever I recall and wishing I wasn't missing the woman who had it all.

Concluding it's a blessing, for continuing to have your presence present, writing by only depending on your recollection, and since poetry is my obsession, make new memories with me as I practice the act of ceding back to a former possessor, definition of recession.
NDevlin Aug 2012
I

I am Ann, Anna, Annastasia
confined, confounded in her own fantasia

roll over doggie under my car
oh i'm sorry, i meant it
she told me, when she told me
i had to obey
a rubber stamp and electric nodes
shock, convulse and make me sway
oh make the voices go away!

II

Smashy smashy Annie
throw mummy's good flower pots
over the wall into the yard
weee it'll be so much fun
come out and play Annie!

III

You naughty girl, stand in the corner and
think about what you've done
what did I tell you about listening to your mother?
bad girl, strike yourself
iron out the creases in your fingers

but mummy, they told me , I had no choice

IV

Tut-tut Anastasia
what did i tell you about listening to your father?
trickle tears down your face
remind yourself you are a disgrace
with little grasp of good taste

You sickening little troglodite,
shower yourself cold in the dark

V

One would be so wisest of oneself, Anastasia
thereby present yourself as loyalty
pray hildegarde you navigate yourself correctly
i suspect your remuneration would be pitiful
exentuate those dentalized Ts and Ds
and for Julius' sake
mind your Ps and Qs

VI

Cease, desist, Anna
Regard yourself from your heart's eye,
be nice, be humble
lest you want to cry, *****!


VII

I can't I can't
someone help me
she's pulling my hair, ouch!

'Stop squealling for attention!'
her friends sneer,
'Better off talking to yourself Ann!'

VIII

I can't help my impulses, they meticulously
humiliate my ego and my sanity
with crude, latent vulgarity
thrown off course with profanity


'oh clumsy me,' pipped Ann,
I'm a clumsy, heavy strumpet,
I'm a couplet short of a sonnet!'

IX

hush hush hush
the booming voice chides,
'Still, Anastasia, soothe your spirit.
be calm, and play some poker
by your uncle's fireplace
you'll be a good girl,
if you hit your brother.'

X

oh cry cry all for Ann
lost for words at her chamber pan
licking the bowl clean
as her mummy told her
sweet, if not
then she would scold her.

XI

'Annie Annie, long of face
won the Ascot horses race.'

'Heaven forefend Anastasia, straighten up and shoulders back!
you'll get rickets so far gone, you please no man but the crickets!'

'****** off those others Anna and listen to me,
forget about you mummy, daddy and any, all authority.'

'Stupid Ann, drown yourself in turpentine
and stub your nose like the common swine.'

'Now remember Anna dear, no cherry trifle
until you've  boxed your sister's shins.'

'Leave me, please, I'm begging, bereave me!
leave me, please, I'm praying, release me!'

XII

Poor Ann whose been afflicted
by personality, conflicted
of her own thoughts, convicted
a most grievous war of minds
betray her deepest common senses
violate her fidelity by bathing in slop and pig feed
degenerate her innocence through foul revolt and tantrums
lest she cannot restore herself from her inner sanctum

XIII

Setting hard concussions, Anna threw a hammer at her temple,
in all hopes to knock it down.
Running low on cortisol
she burst her fleshy, brunette crown
letting all the fluid spew upon her
agonisingly, she writhed in settling timely
for a brutal death is less sinister
than eternity in sanity
Part I, Lines 7-8: Electroconvulsive Therapy (ECT) Commonly used as treatment on patients with mental disorders.

Part XIII, line 3: Cortisol, low levels of this neurochemical cause severe depression.
Pauline Morris Feb 2016
I was very cautious
I knew if I wasn't what it would cost us
I made sure the bedroom was perfect
I wanted MY romantic affect
I hung the plastic, then the curtains
Bed exactly in the middle, I had to be certain
Lit a few candles
Then sliped on my dress, and my sandals

I cruise the street
For my baby to meet
I pick him up at the corner
My heart beats faster, my body warmer
We go back to my house
Where we start to mess about
I lead you to my bedroom
We'll be making love soon

To my bed you are shackled
You have no idea of my feeling of hackles
Straddling you, and ridding you like a horse
All the wail your loving it of course

With you still in me, I bring out my toys
They are only for my collection of boys

They are bright and shiny
I will not treat you kindly
They are so sharp they can split a hair
And in their refection you just stare
You can't believe what you see
As the look on my face is pure glee

You body starts to convulse and thrash
Then with my blades I start to slash
I plunge my toy in
With the evilest grin
I love the squirting gushing sound
It's all so profound

I have loved all my men
That's why I let no one chase  them
Forever in death they are mine
I'm one of a kind

I slash him to ribbons
It's as fun as the dickens
He's still alive
And feels every vibe
Covered in blood
Our bodies fit like a glove

I slowly climb off top
And lop of his part
Blood sprays the room
Death will be here soon

I'm so happy I made it romantic
And taped up the plastic
I'm the Black Spider
I **** all I desire
Aditya Shankar Jul 2014
It begins innocently, just a twitching
Behind the tip of my nose
I absently rub it away
Still present in our conversation.

The sensation grows into a relentless itching
Unleashed upon the roof of my mouth.
I chastise the insolent itch with my tongue
And return to our earlier discussion.

A sudden complete blank, I can only anticipate in futility
Waiting at the edge of my breath, i wonder
'Is this it?', as I wait for it to take over
But it subsides just as quick, leaving me gasping for air.

Tears come to my eyes, I feel it return again
And the unholy violence held in that second
Makes me heave and convulse momentarily
As my body betrays me to a more primal instinct.

Its over, I look up to see
A grimace and my sneeze plastered across your face
"Excuse me", I mumble shamefully
"Bless you", you mutter behind your tissue.
After a particularly unproductive day, largely spent sneezing, I just had to write a piece on it :P
nichole r Aug 2014
ice water clogs up my veins,
chilling me,
as most rises from my skin at dawn.
cerulean lips that match my eyes
spread over bared diamond teeth,
as I convulse and writhe on the steel table.
ribs crackle and split so suddenly
that not even a sharp gasp
can knive itself
past my throat.
organs fails and shrivel together,
abandoning me,
as gloved hands rip them out
from the incision along my belly.
my once silky tresses
fray and dry
before eventually falling out,
outlining my spasming figure.
grey brain matter numbs and
electrical impulses cease to a halt.
no more thoughts...
no more movements...
just a dead body with a beating heart.
Whether storms are all numbered, counted, and expelled from heaven's manufacture as sensational, furious strands of wind and rain, who can say? As they arrive, however, it is nonetheless clear that they arrive as effects to sets of circumstances.

I sat up straight as an arrow, freshly awakened from a stirring dream of madness as the latest one arrived, watching the black clouds like mighty arms, struggling and arguing against the trees outside my bedroom window. I had been torn by an invisible hand clutching me by the throat, snatching me from the murk of an ephemeral bedroom.

Engulfed in unsatiated fear, powerless to convulse even the tiniest flesh patch or creak a bone, my body was wrapped in only a gray silken **** cloth. As I lay awake, speechless, thunderbolts cracked.

As I was rendered helpless to petrification, I was surrounded by strike after strike, a confounding series of white bolts striking seven times in each place, following a path of concentric circles around my small bed.

I struggled to move, feeling a moving static across my body like jellyfish stings from the top of my head to the soles of my feet, as I felt the cold chill from each bolt setting my face into a freezing strangulation.

I was pulled away. I faded away from the smoking holes surrounding the bed, the sub-zero chill outside and the torturous heat of fear and arrhythmia pumping spews and spurts through my arteries inside, and I was left to wander in my own fantasia as I stared up to the ceiling above me in my real bed, daydreaming of its meaning in epistomological fashion.
Hal Loyd Denton Apr 2013
This great white wolf made for traversing wilderness giving it the most identifiable sound for its
Wild uncompromising soul beautifying the night wind adding an extra chilling effect but giving
Unspeakable comfort too it tells of freedom and possibilities latent in us all but he is reduced to
Confinement in a small enclosure pitifully no larger than a small yard his is a life sentence with
All these noble creatures that is at hand what would be so awful to set him free after five
Years and replace him with a kit a lot of his five years would be in youthful play and when he
Did mature and the wear begins then repeat the action we ourselves have and experience this
Fate we have a great white pure spirit that longs to be masterful but our eyes and the things we
See deface and scar our opportunities that are innumerable but dark bars hold us in pens their
Shadows show on our fleece that is white as snow there is the outward physical blackness but
Of the greatest sadness it burrows into the sacred hidden places of the mind this is a tether
Most cruel but outwardly we convulse with misery but can’t clearly identify why misery and
Sadness hounds us without end we all desire love but we practice selfishness and try by greed
To use others to give us what we think will make us happy what darkness grips us what light
Would be found and we would emerge from deep pits if we understood giving helping others is
Where satisfaction out weighs gold and its benefits are perpetual well being to making the soul
Gleam as white as brightest day and this will not become cankerous and subtly start to shrink
Your heart to bitter ridicule of your own self you can go forth groaning or singing blackness
Befalling you at every turn or your heart will be leaping over fast moving streams that have
Depths of joy they rush over your feet and then swirl upwards from your feet all through your
System until your head is invigorated and swimming bestowing on you pleasure your heart will
Leap like a hart you truly will be the envy and guide to others that you unsuccessfully sought at
Other times in devious ways and you were so misguided you were plagued with a unreachable
Denseness you fight with such fervor but it cost the loss of everything but by simple obedience
And surrender to the much over looked and demeaned golden rule all it asks is love your
Neighbor as yourself what a healthy and wise statement love yourself without restraint now
Just go and double it by giving the same consideration to your fellow man and then vanquish  
The darkest and most powerful restraints by confessing I see deaths grip it has perfected traps
That are mine alone and it is not in our power that we can break free but His power is without
Equal why should I languish in this black dungeon when on white wings as an eagle is my true
Potential I was made to fly in bluest skies and to match the cool moist clouds I was made to
Make a show only to be sky bound not locked in myself and become hidden by my black
Outlook that obscures what love I am capable of

Bonus
Imperfections
The kindest evidence the savior passed was the marks he bestowed in the most gentile articulation in this
His wise choices matched imperfection to our needs. One of the most telling attributes of women can be
Her hands but what if they are slightly marred the grace only flows to a deeper level quickness is
Replaced by deliberate action slower more thoughtful and profound a touch placed with this kind of
Feeling goes to a measure instantly felt it is not just the ordinary but a thing of force that unravels
Trouble mysteriously it finds the hidden knots looses them allows love to flow wide and full. Perhaps a
Man no longer strides with a power that has an assurance maybe he is depended on a stick for support
Where power is diffused it only changes channels it makes the heart stronger the eyes feel it too
Humanity in others is recessed the blunder the self efficiency drains from boisterous streams into calm
Assessment a flow that harnesses possibility not vain bravado that can at times wound those who are
Weaker and that are struggling. If times try men’s souls then imperfection can be a clarion call the
Placement of virtue at the lead where sometimes pride is the driving force this writing came from seeing
A woman walking in a sunny scene and she had a blotchy spot on her arm others could observe this and
Be to one degree or another repulsed but to the man who loves her it is a special calling card it
Touches makes the forces revel in a display that sets her apart from all others an instrument of sound
That separates from the den isolates carries a marker that generates tenderness, esteem, and honor
Thou art the tune and sound of a masterful violin play nothing else in my presence nothing else will do
Your imperfections makes another whole don’t ever fret over your special make up it is the breath and
The visitation of the divine in the human form boldly brushed in the shadow perfected by sun light
Rachel Diane Jun 2012
You think
‘cause I live in
A pretty house I don’t
feel pain and haven’t felt things that
leave scars?

There’s more
than my happy
smile that meets your eye.
Been told “I wish I aborted you”,  
seen her

convulse
on the kitchen
floor. Caught her with men, caught
her with women,  and watched her walk away
without

regrets.
I’ve been lied to,
manipulated, and
abandoned. So don’t cry to me and
tell me

you wish
you had my life.
You don’t know me. I’m not
exempt.
Hal Loyd Denton Nov 2011
Life’s Dismay
Wide River within this great confluence of time and eternity the engine of the skiff pushes it ever so gently forward the water flows to each side of the bow your way marked and bordered on each side by this unending fence line of reeds. Still waters beneath the skin of this water bound traveler come up the length of your being time rolls forward and back along the tunnel where it was set in motion oh so long ago the minutes hours soon counted by centuries to retell the story this maritime log what stories of heroism lays along the linear line. Trafalgar’s glory passes in the viewing ships of timbers and mighty sails ply broad waters the waves climb in great walls glistening and with a roar they fall the master commanded they obeyed peace be still. The ship’s captain born of daring seed no mans word will he heed only the sea his master who can resist ports so fair in mighty England the Union Jack flows with such flair or Portugal no fairer land can be found than the land of the Portuguese. Trust not yourself to the shallows the mighty deep is where glory stands in regal defiance does a cobra bow freedoms head the king a fitting name king cobra it will hold you in its stare then strikes as waves of terror through your body convulse you forgot your place now death will be read in your face. Only the wisest survive in a land shared with scorpions and bleakest dunes of sand Lawrence of Arabia showed the way his sea was the Sahara with her endless wasteland voiding every prospect of mans intrusions only the finest line of life this strung out caravan men here are mere ghost figures they faintly pass leaving no indication of their passing. The sand swallows any marks of their existence but for ever has this been the adventures holy grail test yourself against the Himalayas or here where it seems even God’s voice didn’t reach. The stitches of time that so effectively marks progress and history sewn with deftness not evidenced here. If one was ever to be dispossessed of his inheritance this fits the bill damnation’s warning can be read in all directions. They say God speaks his love in a thousand ways this has to be another valuable expression a veritable object lesson. You have here what is the natural outcome of what the devil works at without end one of his names is even a destroyer how fitting an illustration wasteland if sorrow had a birthplace this would be it the devils rightful place. He works without tiring to make your life miserable as his and the saddest thing the majority of the world walks hand in hand with him. So to keep from doing the most needed thing which is to check your own evil nature because it will cost you eternal death in a place finally even worse than an earthen desert. While all along God says my grace is sufficient for you meaning you never are expected or left to fight the battle yourself no one can beat the devil or self. Look at the contrast God’s part land mast of unequaled wonder seas that will test your metal build you up you truly will become as strong as the ships chosen timber and all the sea does is season it to a greater finer quality. There is a story of a table that was made from one of these ships who can compare it even mahogany was out classed. You could sit and observe the grain darker deeper the evidence of the many storms she endured and kept all afloat and made each trip. Here in a sitting room the glory displayed your glory one day will reside in a mansion that’s What God is trying to do in your life.
Hal Loyd Denton Feb 2013
An effusive elaborate scheme the colors advance to bright spellbinding allure then they achieve
Depth of quality by cutting back to softer hues and then the natural dark green is the bold
Touch that succeeds with total symmetry showcased in a view perfected by glass the prism
Most fitting not only to see but to be captivated by perfected expression it is a metaphor for life
The master designer chooses his subjects well one infuses another then by degree others
Foreshadow and glorify it blends tangible and intangible into intelligent coherent order tasteful
And sublime the hint and the elusive wonder all is needed is the wind to bow and ****** it into
A profusion a veritable concert that stirs with appeal life is in motion the players advance and
Retreat each speaking lines unique to themselves what sensations speak tendrils on a garden
Trellis held and fixed a gesture that plays and portrays intricate details the mystery that plays so
Well the stealing of morning frost then the blaze and then restful dying rays that spell comfort
The field rolls and contorts this brandishes excitement exuberance veers and plunders life
Become exploration trails hidden thickets hide and hold expression that is pent up ready to
Explode what vesture we wear it grips our friend’s astonishment is read on their faces but it is
Like a house of many mirrors because their lives are having the same effect on you some days
Are uneventful others are storm tossed with grandness the riches of an all contained realm
Spasms convulse like waves of the sea we stand forth to puzzle and dream what does it all
Mean the sanctity reveals plumes that are invisible that are far reaching and they have given us
This course of endurance that belies longing we grow soft and an inner glowing surpasses the
Stringent the misfit that moans against conforming we are treasure that exceeds all expectation
Life is rich we are its brightest colors and light night is for brooding the day is for shinning and
Divulging the secrets found in the brooding time we accost others we signify to them not only
Our own worth but there’s also fetching is the spray that magnifies the sky we are the bursting
We are the aliveness that is found each day in our lives that is the dooryard of discovery



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Moriah Harrod Aug 2012
She stares at the floor. She has to be dreaming. She can’t believe it actually happened. She’s in shock, a deep shock vibrating her core and numbing her skin.

She shivers, and looks up at the ceiling, where drops of blood fall into a small puddle on the clean linoleum below.
A small trickle of water seeps in from the laundry room to her left, and the clear veins of water glide around her extended foot, attracted to her self-loathing tension. The water knows what she’s done, knows it can’t fix her and wants to be a part of this torture in her soul.

She kicks the water away, futilely and desperately. This is the most movement she’s taken since she came downstairs, and it is the opening of the reservoir of tears within her. She sobs, huge racking sobs that convulse every fiber of her being.

She hates herself. She hates herself. She takes her fist, and she punches. Anywhere and everywhere she can hit. Her legs, her neck, her stomach, her chest. Anything she can do to herself to make herself feel, to make herself hurt. She needs to be punished.

She knows that she deserves to die, but she isn’t sure if she has the guts or selfish selflessness to do it. The gun lays on the tile across the room, it’s barrel turned toward the wall in cowardice. She scoots over to it and picks it up. In her mind it burns her hand, but she holds on strong. This pain is nothing to her.

She slowly finds the strength to stand up, and squints her puffy eyes to hide herself as she walks past the mirror. She has to crawl up the steps. She didn’t realize she was so weak, but she’d looked at the clock on the way up, and she’d been sitting there bawling for over four hours.

At the top of the steps, she loses her breath. Her lithe, agile body isn’t tired, but she sees his foot, carelessly hanging out into the hallway where he fell. She can’t go on yet. She looks at the gun, still in her hand. It’s her light, her only exit sign.

She walks on, into the bedroom, stepping over his foot. She squats down beside his head and looks at his pale, sunken face. His body is already well into the process of rigor mortis, and it flushes her hopes that he’ll sit up and say, “Boo.”

Tears are streaming down her face, a hurt so intense, so overwhelming, that she is not even aware she is crying once more.

Finally, she’s done looking at him. She cannot grasp that she did this to him, and yet her hands apparently can. They put the barrel of the gun to her head, and she inhales sharply without exhaling. The cold barrel feels hot against her temple, and it slides a centimeter from her perspiration and the pressure she’s applying. Maybe if she just pushes it into her temple hard enough, it will take care of itself, and she won’t have to pull the trigger.

She lets go of all pretenses, and time seems to pause as she pulls the trigger. She drops, falling onto his body before her. Her tears roll down his stomach, the force of gravity in action.
once again I tried to write a novel

— The End —