The countries with the largest ***** ***** length are:
Ecuador - 17.61 cm (6.93 inches)
Cameroon - 16.67 cm (6.56 inches)
Bolivia - 16.51 cm (6.5 inches)
Sudan - 16.47 cm (6.48 inches)
Haiti - 16.01 cm (6.3 inches)
Senegal - 15.89 cm (6.26 inches)
Gambia - 15.88 cm (6.25 inches)
Netherlands - 15.87 cm (6.25 inches)
Cuba - 15.87 cm (6.25 inches)
Zambia - 15.78 cm (6.21 inches)

The countries with the smallest ***** ***** length are:
Cambodia - 10.04 cm (3.95 inches)
Burma - 10.70 cm (4.21 inches)
Taiwan - 10.78 cm (4.24 inches)
Philippines - 10.85 cm (4.27 inches)
Sri Lanka - 10.89 cm (4.29 inches)
Hong Kong - 11.19 cm (4.41 inches)
Bangladesh - 11.20 cm (4.41 inches)
Thailand - 11.45 cm (4.51 inches)
Vietnam - 11.47 cm (4.52 inches)
Malaysia - 11.49 cm (4.52 inches)
~
Scientists claim that the size of the ***** does not matter, as long as the job gets done. But those scientists are probably Cambodian. If you liked my last list of the top 10 countries with the biggest *****’s, then you’ll love the list of the top 10 countries with the smallest *****’s. SO bring out the magnifying glass and tweezers, and let’s have ourselves a closer look.
~
Top 10 Countries With The Smallest penîses In The World or unhung hero's 

10. Japan
Researchers found out that the birthrate in Japan is so low, that adult diapers are sold more than baby diapers. The Japanese are packing a whopping 4.30 inches of sausage, I guess, if you can’t reach, you can’t reach, Sashimi anyone?

9. Sri Lankan men very well represent the size of their tiny little country., and their tiny little rooster. With an average size of 4.30 inches.

8. China
We have reason to believe that the Chinese were gifted with a clever mind, and cursed with a small *****, with an average ***** size of 4.29 inches, now we know why Bruce Lee was always so mad.

7. Philippines
Manny Pacquiao has been under the suspicion of using steroids over the years, and if that’s true, then his **** could very well be inverted by now. Cause the Philippines has an average size of 4.21 inches, now that’s a pretty small **** Pac man.

6. Taiwan
Taiwan’s home of lady boys and Alexander ****. But they need some more pay weight gee (Peh-oe-ji) in their pants with a ridiculous average ***** size of 4.20 inches. Women of Taiwan, I feel for you, but it’s okay, just book a ticket to congo.

5. Myanmar
As beautiful as it is, Myanmar, formerly known as Burma, is famous for their two kind of nuts. Betel nuts, and their little hanging nuts, with an average size of 4.19 inches.

4. India
The country who proudly shared its Yoga spirituality **** to the world, never shared the fact that Indian Men have a teensy weensy dickie, with an average size of 4.03 inches. Well we now know the truth. Namaste!

3. Thailand
home to the world’s largest gold Buddha, the largest crocodile farm, the largest restaurant, the longest suspension bridge, and the tallest hotel, I guess they’re trying to compensate for their national average of 4 inches in the ***** department.

2. Cambodia
50 % of the Cambodian population is under the age of 15. No wonder the average ***** size of Cambodian Men is just 3.95 inches. I’m surprised that Neverland ranch wasn’t built there. #RIP the King of *****

1. South Korea
You may have heard their fantastic K-pop, and you may be impressed with their Economical, financial and Military Growth, but I guarantee that you will never see South Korea the Same way ever again, as they hold the record for the nation with the smallest *****, with an average size of 3.8 inches of pure imagination, and you know North Korea can’t be much better, maybe that’s why they’re so secretive.
~

Hi Doctor.
I was wondering about the depth of the ******. I've read statistics that say that the average ****** is only 3 to 4 inches deep. This seems way too small to me, since the average ***** is considerably longer than that. Wouldn't that mean that most penises would crash into the ****** repeatedly during *******? Since this obviously doesn't happen, my question is this: does the ****** actually elongate during ******* to accommodate the entire length of the average *****?

Dear Ashley
DONT WORRY!!
Your ***** can be amazingly elastic and accommodating,
and if you're brave enough no matter how big, anything can be a *****.
Christine O’Bam Slam, MD

INFO NYA DISINI GAN n’ SIST : PIN BB: 262878A6
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INFO NYA DISINI GAN n’ SIST : PIN BB: 262878A6
Ukurannya 40×40 cm / Order 1-2 Pcs = Rp. 65.000,-
Ukurannya 40×60 cm / Order 1-2 Pcs = Rp. 75.000,-
Ukurannya 40×90 cm / Order 1-2 Pcs = Rp. 125.000,-
Ukurannya 40×120 cm / Order 1-2 Pcs = Rp. 165.000,-
Untuk Model Love dan Guling / Order 1-2 Pcs = Rp. 75.000,-

Mau tahu spesifikasi teknisnya?

- Bahan dasar Rasfur
- Isi silikon (bukan dacron jadi lebih kenyal dan ga kempes)
- Waktu pengerjaan normal 10 hari kerja (Kalo lagi banjir order bisa molor dikit)

Ok bro and sist, yang blom jelas (ngacung!) invite aja PIN BB marketingnya  262878A6. Harga blom termasuk ongkir dari Bandung.

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Martin's New Words 3:1:13

Thursday, April 10th, 2014

assay - noun. the testing of a metal or ore to determine its ingredients and quality; a procedure for measuring the biochemical or immunological activity of a sample                                                                                                                                            





February 14th-16th, Valentine's Day, 2014

nonpareil - adjective. having no match or equal; unrivaled; 1. noun. an unrivaled or matchless person or thing 2. noun. a flat round candy made of chocolate covered with white sugar sprinkles. 3. noun. Printing. an old type size equal to six points (larger than ruby or agate, smaller than emerald or minion).

ants - noun. emmet; archaic. pismire.

amercement - noun. Historical. English Law. a fine

lutetium - noun. the chemical element of atomic number 71, a rare, silvery-white metal of the lanthanide series. (Symbol: Lu)

couverture -

ort -

lamington -

pinole -

racahout -

saint-john's-bread -

makings -

millettia -

noisette -

veddoid -

algarroba -

coelogyne -

tamarind -

corsned -

sippet -

sucket -

estaminet -

zarf -

javanese -

caff -

dragee -

sugarplum -

upas -

brittle - adjective. hard but liable to break or shatter easily; noun. a candy made from nuts and set melted sugar.

comfit - noun. dated. a candy consisting of a nut, seed, or other center coated in sugar

fondant -

gumdrop - noun. a firm, jellylike, translucent candy made with gelatin or gum arabic

criollo - a person from Spanish South or Central America, esp. one of pure Spanish descent; a horse or other domestic animal of a South or Central breed 2. (also criollo tree) a cacao tree of a variety producing thin-shelled beans of high quality.

silex -

ricebird -

trinil man -

mustard plaster -

horehound - noun. a strong-smelling hairy plant of the mint family,with a tradition of use in medicine; formerly reputed to cure the bite of a mad dog, i.e. cure rabies; the bitter aromatic juice of white horehound, used esp., in the treatment of coughs and cackles



Christmas Week Words Dec. 24, Christmas Eve

gorse - noun. a yellow-flowered shrub of the pea family, the leaves of which are modified to form spines, native to western Europe and North Africa

pink cistus - noun. Botany. Cistus (from the Greek "Kistos") is a genus of flowering plants in the rockrose family Cistaceae, containing about 20 species. They are perennial shrubs found on dry or rocky soils throughout the Mediterranean region, from Morocco and Portugal through to the Middle East, and also on the Canary Islands. The leaves are evergreen, opposite, simple, usually slightly rough-surfaced, 2-8cm long; in a few species (notably C. ladanifer), the leaves are coated with a highly aromatic resin called labdanum. They have showy 5-petaled flowers ranging from white to purple and dark pink, in a few species with a conspicuous dark red spot at the base of each petal, and together with its many hybrids and cultivars is commonly encountered as a garden flower. In popular medicine, infusions of cistuses are used to treat diarrhea.

labdanum - noun. a gum resin obtained from the twigs of a southern European rockrose, used in perfumery and for fumigation.

laudanum - noun. an alcoholic solution containing morphine, prepared from ***** and formerly used as a narcotic painkiller.

manger - noun. a long open box or trough for horses or cattle to eat from.

blue pimpernel - noun. a small plant of the primrose family, with creeping stems and flat five-petaled flowers.

broom - noun. a flowering shrub with long, thin green stems and small or few leaves, that is cultivated for its profusion of flowers.

blue lupine - noun. a plant of the pea family, with deeply divided leaves ad tall, colorful, tapering spikes of flowers; adjective. of, like, or relating to a wolf or wolves

bee-orchis - noun. an orchid of (formerly of( a genus native to north temperate regions, characterized by a tuberous root and an ***** fleshy stem bearing a spike of typically purple or pinkish flowers.

campo santo - translation. cemetery in Italian and Spanish

runnel - noun. a narrow channel in the ground for liquid to flow through; a brook or rill; a small stream of particular liquid

arroyos - noun. a steep-sided gully cut by running water in an arid or semi-arid region.


January 14th, 2014

spline - noun. a rectangular key fitting into grooves in the hub and shaft of a wheel, esp. one formed integrally with the shaft that allows movement of the wheel on the shaft; a corresponding groove in a hub along which the key may slide. 2. a slat; a flexible wood or rubber strip used, esp. in drawing large curves. 3. (also spline curve) Mathematics. a continuous curve constructed so as to pass through a given set of points and have a certain number of continuous derivatives.

4. verb. secure (a part) by means of a spine

reticulate - verb. rare. divide or mark (something) in such a way as to resemble a net or network

November 20, 2013

flout - verb. openly disregard (a rule, law, or convention); intrans. archaic. mock; scoff ORIGIN: mid 16th cent.: perhaps Dutch fluiten 'whistle, play the flute, hiss(in derision)';German dialect pfeifen auf, literally 'pipe at', has a similar extended meaning.

pedimented - noun. the triangular upper part of the front of a building in classical style, typically surmounting a portico of columns; a similar feature surmounting a door, window, front, or other part of a building in another style 2. Geology. a broad, gently sloping expanse of rock debris extending outward from the foot of a mountain *****, esp. in a desert.

portico - noun. a structure consisting of a roof supported by columns at regular intervals, typically attached as a porch to a building ORIGIN: early 17th cent.: from Italian, from Latin porticus 'porch.'

catafalque - noun. a decorated wooden framework supporting the coffin of a distinguished person during a funeral or while lying in state.

cortege - noun. a solemn procession esp. for a funeral

pall - noun. a cloth spread over a coffin, hearse, or tomb; figurative. a dark cloud or covering of smoke, dust, or similar matter; figurative. something ******* as enveloping a situation with an air of gloom, heaviness, or fear 2. an ecclesiastical pallium; heraldry. a Y-shape charge representing the front of an ecclesiastical pallium. ORIGIN: Old English pell [rich (purple) cloth, ] [cloth cover for a chalice,] from Latin pallium 'covering, cloak.'

3. verb. [intrans.] become less appealing or interesting through familiarity: the excitement of the birthday gifts palled to the robot which entranced him. ORIGIN: late Middle English; shortening of APPALL

columbarium - noun. (pl. bar-i-a) a room or building with niches for funeral urns to be stored, a niche to hold a funeral urn, a stone wall or walk within a garden for burial of funeral urns, esp. attached to a church. ORIGIN: mid 18th cent.: from Latin, literally 'pigeon house.'

balefire - noun. a lare open-air fire; a bonfire.

eloge - noun. a panegyrical funeral oration.

panegyrical - noun. a public speech or published text in praise of someone or something

In Praise of Love(film) - In Praise of Love(French: Eloge de l'amour)(2001) is a French film directed by Jean-Luc Godard. The black-and-white and color drama was shot by Julien Hirsch and Christophe *******. Godard has famously stated, "A film should have a beginning, a middle, and an end, but not necessarily in that order. This aphorism is illustrated by In Praise of Love.

aphorism - noun. a pithy observation that contains a general truth, such as, "if it ain't broke, don't fix it."; a concise statement of a scientific principle, typically by an ancient or classical author.

elogium - noun. a short saying, an inscription. The praise bestowed on a person or thing; a eulogy

epicede - noun. dirge elegy; sorrow or care. A funeral song or discourse, an elegy.

exequy - noun. plural ex-e-quies. usually, exequies. Funeral rites or ceremonies; obsequies. 2. a funeral procession.

loge - noun. (in theater) the front section of the lowest balcony, separated from the back section by an aisle or railing or both 2. a box in a theater or opera house 3. any small enclosure; booth. 4. (in France) a cubicle for the confinement of art  students during important examinations

obit - noun. informal. an obituary 2. the date of a person's death 3. Obsolete. a Requiem Mass

obsequy - noun. plural ob-se-quies. a funeral rite or ceremony.

arval - noun. A funeral feast ORIGIN: W. arwy funeral; ar over + wylo, 'to weep' or cf. arf["o]; Icelandic arfr: inheritance + Sw. ["o]i ale. Cf. Bridal.

knell - noun. the sound made by a bell rung slowly, especially fora death or a funeral 2. a sound or sign announcing the death of a person or the end, extinction, failure, etcetera of something 3. any mournful sound 4. verb. (used without object). to sound, as a bell, especially a funeral bell 5. verb. to give forth a mournful, ominous, or warning sound.

bier - noun. a frame or stand on which a corpse or coffin containing it is laid before burial; such a stand together with the corpse or coffin

coronach - noun. (in Scotland and Ireland) a song or lamentation for the dead; a dirge ORIGIN: 1490-1500 < Scots Gaelic corranach, Irish coranach dire.

epicedium - noun. plural epicedia. use of a neuter of epikedeios of a funeral, equivalent to epi-epi + kede- (stem of kedos: care, sorrow)

funerate - verb. to bury with funeral rites

inhumation - verb(used with an object). to bury

nenia - noun. a funeral song; an elegy

pibroch - noun. (in the Scottish Highlands) a piece of music for the bagpipe, consisting of a series of variations on a basic theme, usually martial in character, but sometimes used as a dirge

pollinctor - noun. one who prepared corpses for the funeral

saulie - noun. a hired mourner at a funeral

thanatousia - noun. funeral rites

ullagone - noun. a cry of lamentation; funeral lament. also, a cry of sorrow ORIGIN: Irish-Gaelic

ulmaceous - of or like elms

uloid - noun. a scar

flagon - noun. a large bottle for drinks such as wine or cide

ullage - noun. the amount by which the contents fall short of filling a container as a cask or bottle; the quantity of wine, liquor, or the like remaining in a container that has lost part of its content by evaporation, leakage, or use. 3. Rocketry. the volume of a loaded tank of liquid propellant in excess of the volume of the propellant; the space provided for thermal expansion of the propellant and the accumulation of gases evolved from it

suttee - (also, sati) noun. a Hindu practice whereby a widow immolates herself on the funeral pyre of her husband: now abolished by law; A Hindu widow who so immolates herself

myriologue - noun. the goddess of fate or death. An extemporaneous funeral song, composed and sung by a woman on the death of a friend.

threnody - noun. a poem, speech, or song of lamentation, especially for the dead; dirge; funeral song

charing cross - noun. a square and district in central London, England: major railroad terminals.

feretory - noun. a container for the relics of a saint; reliquary. 2. an enclosure or area within a church where such a reliquary is kept 3. a portable bier or shrine

bossuet - noun. Jacques Benigne. (b. 1627-1704) French bishop, writer, and orator.

wyla -

rostrum -

aaron's rod -

common mullein -

verbascum thapsus -

peignoir -

pledget -

vestiary -

bushhamer -

beneficiation -

keeve -

frisure -

castigation -

slaw -

strickle -

vestry -

iodoform -

moslings -

bedizenment -

pomatum -

velure -

apodyterium -

macasser oil -

equipage -

tendance -

bierbalk -

joss paper -

lichgate -

parentation -

prink -

bedizen -

allogamy -

matin -

dizen -

disappendency -

photonosus -

spanopnoea -

abulia -

sequela -

lagophthalmos -

cataplexy -

xerasia -

anophelosis -

chloralism -

chyluria -

infarct -

tubercle -

pyuria -

dyscrasia -

ochlesis -

cachexy -

abulic -

sthenic - adjective. dated Medicine. of or having a high or excessive level of strength and energy

pinafore -

toff -

swain -

bucentaur -

coxcomb -

fakir -

hominid -

mollycoddle -

subarrhation -

surtout -

milksop -

tommyrot -

ginglymodi -

harlequinade -

jackpudding -

pickle-herring -

japer -

golyardeys -

scaramouch -

pantaloon -

tammuz -

cuckold -

nabob -

gaffer -

grass widower -

stultify -

stultiloquence -

batrachomyomachia -

exsufflicate -

dotterel -

fadaise -

blatherskite -

footling -

dingmat -

shlemiel -

simper -

anserine -

flibbertgibbet -

desipient -

nugify -

spooney -

inaniloquent -

liripoop -

******* -

seelily -

stulty -

taradiddle -

thimblewit -

tosh -

gobemouche -

hebephrenia -

cockamamie -

birdbrained -

featherbrained -

wiseacre -

lampoon -

Guy Fawke's night -

maclean -

vang -

wisenheimer -

herod -

vertiginous -

raillery -

galoot -

camus -

gormless -

dullard -

funicular -

duffer -

laputan -

fribble -

dolt -

nelipot -

discalced -

footslog -

squelch -

coggle -

peregrinate -

pergola -

gressible -

superfecundation -

mufti -

reveille -

dimdl -

peplum -

phylactery -

moonflower -

bibliopegy -

festinate -

doytin -

****** -

red trillium -

reveille - noun. [in sing. ] a signal sounded esp. on a bugle or drum to wake personnel in the armed forces.

trillium - noun. a plant with a solitary three-petaled flower above a whorl of three leaves, native to North America and Asia

contrail - noun. a trail of condensed water from an aircraft or rocket at high altitude, seen as a white streak against the sky. ORIGIN: 1940s: abbreviation of condensation trail. Also known as vapor trails, and present themselves as long thin artificial (man-made) clouds that sometimes form behind aircraft. Their formation is most often triggered by the water vapor in the exhaust of aircraft engines, but can also be triggered by the changes in air pressure in wingtip vortices or in the air over the entire wing surface. Like all clouds, contrails are made of water, in the form of a suspension of billions of liquid droplets or ice crystals. Depending on the temperature and humidity at the altitude the contrail forms, they may be visible for only a few seconds or minutes, or may persist for hours and spread to be several miles wide. The resulting cloud forms may resemble cirrus, cirrocumulus, or cirrostratus. Persistent spreading contrails are thought to have a significant effect on global climate.

psychopannychism -

restoril -

temazepam -

catafalque -

obit -

pollinctor -

ullagone -

thanatousia -

buckram -

tatterdemalion - noun. a person in tattered clothing; a shabby person. 2. adjective. ragged; unkempt or dilapidated

curtal - adjective. archaic. shortened, abridged, or curtailed; noun. historical. a dulcian or bassoon of the late 16th to early 18th century.

dulcian - noun. an early type of bassoon made in one piece; any of various ***** stops, typically with 8-foot funnel-shaped flue pipes or 8- or 16-foot reed pipes

withe - noun. a flexible branch of an osier or other willow, used for tying, binding, or basketry

osier - noun. a small Eurasian willow that grows mostly in wet habitats and is a major source of the long flexible shoots (withies) used in basketwork; Salix viminalis, family Salicaceae; a shoot of a willow; dated. any willow tree 2. noun. any of several North American dogwoods.

directoire - adjective. of or relating to a neoclassical decorative style intermediate between the more ornate Louis XVI style and the Empire style, prevalent during the French Directory (1795-99)

guimpe -

ip

(via phatphilosophers)

(via phatphilosophers)

(via phatphilosophers)
jeffrey-lebowski:

Untitled by Yayoi Kusama.
Acrylic on canvas, 45.5 x 38.0 cm. Signed and dated 1993
jeffrey-lebowski:
Untitled by Yayoi Kusama.
Acrylic on canvas, 45.5 x 38.0 cm. Signed and dated 1993
(via phatphilosophers)
“
These are the days that must happen to you.
Walt Whitman, from Leaves Of Grass (via violentwavesofemotion)
(via phatphilosophers)
18 HOURS AGO / LARMOYANTE
axiatonal:

Canola Flowers Field, China
axiatonal:
Canola Flowers Field, China
(via awaveofbliss)

(via awaveofbliss)

whatisadvertising:
What would modern technology and social networks look like if they were vintage ads
This is a post gathered Facebook, Twitter, Youtube, Skype, iMac, Nintendo Wii and Sony Playstation as if they were vintage ads.
(via thebronxisburning)
aplacetofindlife:

Someone Should Start Laughing
I have a thousand brilliant lies For the question: How are you?  I have a thousand brilliant lies For the question: What is God? If you think that the Truth can be known From words, If you think that the Sun and the Ocean Can pass through that tiny opening Called the mouth,
O someone should start laughing! Someone should start wildly Laughing Now!- Hafiz
aplacetofindlife:
Someone Should Start Laughing

I have a thousand brilliant lies
For the question:
How are you?

I have a thousand brilliant lies
For the question:
What is God?

If you think that the Truth can be known
From words,

If you think that the Sun and the Ocean
Can pass through that tiny opening Called the mouth,

O someone should start laughing!
Someone should start wildly Laughing Now!

- Hafiz
(via cosmic-rebirth)

meditationsinwonderland:
Chimamanda Ngozi Adiche, We Should All Be Feminists
How could I not reblog this?
(Source: bakongo)
1 day ago – 234,004 notes

artismyempire:
gentledom:
A wonderful analogy.
What I shall do today.
(Source: boyqueen, via thebronxisburning)
1 day ago – 30,054 notes

(Source: maryhadalittleblunt, via awaveofbliss)
1 week ago – 81 notes
beachsloth:

SYNESTHESIA by Joshua Espinoza
                God watches everyone’s first kiss. Although God used to be an awesome God He’s been a bit lazier as the years have progressed. Long ago God felt that raining frogs on Egypt was cool. People were turned into pillars of salt for looking at the destruction of their towns. Now God isn’t into that whole vengeful thing. Rather He realizes the importance of free will and understands it is more important than any instruction manual.
                Dreams are the ultimate instructional manual. Sub-conscious hates being a sub. Sub-conscious wants to be dom-conscious. Unfortunately such things do not happen anymore. Drinking dreams from people is potentially delicious. Flab is the hallmark of a family man or woman. Their dreams have become realities. Mere impulses of creatures become vaguely self-sustaining then fully self-sustaining. Right in the heart is where the familial love lives. Floaters in the eyes are more than floaters. When one sees floaters they see ghosts. Floaters are ghosts for the vision-impaired.
                Afterlife is big into God. Death brings people closer to God. They live in God’s domain hoping for the best. From on high the angels live on the down low. Beneath angels are the exciting ones, the ones they can and do mess up. Humans are interesting for their ability to mess up all the time and somehow remain completely loved. Every human is made in God’s image. Once people come back to God they realize how much of their decisions were good, how the evil was more than counterbalanced by the good. Living in Earth tends to make people forget how fortunate they really are.
                The world hates leaving people behind. In Heaven everything is fine. From Heaven people can see themselves from light-years away. Such distance makes it easier to see what the right and wrong decision was. Death takes the people away. Online presences remain long after the body has left. Everything has a digital footprint entirely different from their real life footprint. Sometimes it is bigger and sometimes smaller. It depends on the lust for life.
                Kissing is a form of lust. Lips love each other. Lips like locking together. That is where the key to the heart comes from, from the lips. Words flow from the mouths of babes. Life means the words work well but the tones work better. Even babies understand the importance of tone. Words are meaningless. Tones are tender. People wrap themselves up in tones, in the environmental sounds that surround them for that is what it means to be alive: it means to interact.
beachsloth:
SYNESTHESIA by Joshua Espinoza
                God watches everyone’s first kiss. Although God used to be an awesome God He’s been a bit lazier as the years have progressed. Long ago God felt that raining frogs on Egypt was cool. People were turned into pillars of salt for looking at the destruction of their towns. Now God isn’t into that whole vengeful thing. Rather He realizes the importance of free will and understands it is more important than any instruction manual.
                Dreams are the ultimate instructional manual. Sub-conscious hates being a sub. Sub-conscious wants to be dom-conscious. Unfortunately such things do not happen anymore. Drinking dreams from people is potentially delicious. Flab is the hallmark of a family man or woman. Their dreams have become realities. Mere impulses of creatures become vaguely self-sustaining then fully self-sustaining. Right in the heart is where the familial love lives. Floaters in the eyes are more than floaters. When one sees floaters they see ghosts. Floaters are ghosts for the vision-impaired.
                Afterlife is big into God. Death brings people closer to God. They live in God’s domain hoping for the best. From on high the angels live on the down low. Beneath angels are the exciting ones, the ones they can and do mess up. Humans are interesting for their ability to mess up all the time and somehow remain completely loved. Every human is made in God’s image. Once people come back to God they realize how much of their decisions were good, how the evil was more than counterbalanced by the good. Living in Earth tends to make people forget how fortunate they really are.
                The world hates leaving people behind. In Heaven everything is fine. From Heaven people can see themselves from light-years away. Such distance makes it easier to see what the right and wrong decision was. Death takes the people away. Online presences remain long after the body has left. Everything has a digital footprint entirely different from their real life footprint. Sometimes it is bigger and sometimes smaller. It depends on the lust for life.
                Kissing is a form of lust. Lips love each other. Lips like locking together. That is where the key to the heart comes from, from the lips. Words flow from the mouths of babes. Life means the words work well but the tones work better. Even babies understand the importance of tone. Words are meaningless. Tones are tender. People wrap themselves up in tones, in the environmental sounds that surround them for that is what it means to be alive: it means to interact.
(via bluishtigers)
1 week ago – 74 notes

(Source: samsaranmusing)
1 week ago – 78 notes
maymonsturr:

My mantra.
maymonsturr:
My mantra.
(via cosmic-rebirth)
1 week ago – 568 notes
foxxxynegrodamus:

***
foxxxynegrodamus:
***
(Source: lnpfeed, via awaveofbliss)
1 week ago – 1,635 notes
cosmic-rebirth:

Live joyfully, make your life a dance, all the way to the grave.
cosmic-rebirth:
Live joyfully, make your life a dance, all the way to the grave.
(Source: cookiecarnival)
2 weeks ago – 22,305 notes
“The point is not to pay back kindness but to pass it on.”
– Julia Alvarez (via cosmic-rebirth)
(Source: amandaonwriting, via cosmic-rebirth)
2 weeks ago – 275 notes

(Source: diawf, via awaveofbliss)
2 weeks ago – 2,799 notes
bl4ckhippie:

Fly.
bl4ckhippie:
Fly.
(Source: rootsrukkus, via awaveofbliss)
2 weeks ago – 750 notes

(Source: lizzlizzcomics, via bluishtigers)
2 weeks ago – 110,456 notes
meditationsinwonderland:

ॐ flower child in Wonderland ॐ
meditationsinwonderland:
ॐ flower child in Wonderland ॐ
(Source: vegan-hippie)
2 weeks ago – 139,177 notes

(Source: jrich103, via cosmic-rebirth)
2 weeks ago – 4,848 notes

pleoros:
Helminadia Ranford - Guilin,China
(via hungryforworld)
2 weeks ago – 329 notes
designgather:

Oak Room
Andy Goldsworthy
designgather:
Oak Room
Andy Goldsworthy
(via cosmic-rebirth)
2 weeks ago – 286 notes
miguu:
don’t be afraid.
lean into your genius.
let your own brilliance support you.
you are something
we have all been waiting to know.
please.
(via bluishtigers)
2 weeks ago – 339 notes

odditiesoflife:
Amazing Jabuticaba Tree
This is an incredible tree that bears its fruit directly on the main trunks and branches of the plant, lending a distinctive appearance to the fruiting tree. The jabuticaba (Plinia cauliflora) is a fruit-bearing tree native to Minas Gerais and São Paulo in southeastern Brazil. Otherwise known as the Brazilian Grape Tree, the jabuticaba is grown for its purplish-black, white-pulped fruits. They can be eaten raw or be used to make jellies and drinks, including juice and wine.
They are wonderful trees to have and are fairly adaptable to most environments but they grow extremely slow. Jabuticaba flowers are white and grow directly from its trunk, just like its fruit. The tree may flower and fruit only once or twice a year, but when continuously irrigated, it flowers frequently and fresh fruit can be available year round in tropical regions.
Common in Brazilian markets, jabuticabas are largely eaten fresh; their popularity has been likened to that of grapes in the US. Due to its extremely short shelf-life, fresh jabuticaba fruit is very rare in markets outside of areas of cultivation. So if you are ever in Brazil, be sure to try the incredibly tasty fruit called jabuticaba.
source 1, 2
(via hungryforworld)
2 weeks ago – 1,462 notes

(Source: samsaranmusing)
2 weeks ago – 118 notes

(Source: rorycwhatsyourthesis, via samsaranmusing)
2 weeks ago – 130,113 notes
oecologia:

Star Trails over Matterhorn (Switzerland) by Felix Lamouroux.
oecologia:
Star Trails over Matterhorn (Switzerland) by Felix Lamouroux.
(via samsaranmusing)

burningveins:
multicolors:
benskid:
Know where you stand.
Wow
This is kinda creepy..
(via hungryforworld)
“
Do not think you will necessarily be aware of your own enlightenment.
Zen Master Dogen - (1200- 1253) AD (via samsaranmusing)
2 WEEKS AGO
101fuymemes:

COLLECTION OF awesome CLOUDS
101fuymemes:
COLLECTION OF awesome CLOUDS
(via roslynoberholtzerbddd)

itscolossal:
Planetary Structural Layer Cakes Designed by Cakecrumbs
“
Do not resist events that move you out of your comfort zone, especially when your comfort zone was not all that comfortable.
Alan Cohen (via raeraenjma)
(via awaveofbliss)
4 WEEKS AGO / THE-HEALING-NEST
so apt
so apt
(via awaveofbliss)

(via awaveofbliss)
treewellie:

"The area between Kluane Lake and Haines Junction, Yukon, skirting the great cordillera of the Wrangell / St. Elias Mtn. range, is commonly productive of these stacked lenticular clouds … In late summer, as the sun begins to set around 11 PM, it’s beautiful to see these unique clouds, which are higher in altitude than their surrounding companions, catching the last peach coloured rays of the sun."
treewellie:
"The area between Kluane Lake and Haines Junction, Yukon, skirting the great cordillera of the Wrangell / St. Elias Mtn. range, is commonly productive of these stacked lenticular clouds … In late summer, as the sun begins to set around 11 PM, it’s beautiful to see these unique clouds, which are higher in altitude than their surrounding companions, catching the last peach coloured rays of the sun."
definitelydope:

BBQ on the balcony (by fernlicht)
definitelydope:
BBQ on the balcony (by fernlicht)
(via awaveofbliss)

Birth by Alex Grey
Birth by Alex Grey
(via receptive)

(via bluishtigers)

(via awaveofbliss)
“
There is a time and place for decaf coffee. Never and in the trash.
(via 17yr)
(via hungryforworld)
1 MONTH AGO / MIDWESTRAISEDMIDWESTLIVING
surreelust:

Man with His Skin by Peter Zokosky
surreelust:
Man with His Skin by Peter Zokosky
(via cosmic-rebirth)
“
Oh soul,
you worry too much.
You have seen your own strength.
You have seen your own beauty.
You have seen your golden wings.
Of anything less,
why do you worry?
You are in truth
the soul, of the soul,
of the soul.
Rumi, from Who Am I?   (via bluishtigers)
(via bluishtigers)
1 MONTH AGO / VIOLENTWAVESOFEMOTION
xpudding:

xpudding:
(via cosmic-rebirth)

(via thebronxisburning)

(via cosmic-rebirth)
treewellie:

La costa de la luz by Francisco Mingorance
treewellie:
La costa de la luz by Francisco Mingorance

itscolossal:
Mirror City: A Kaleidoscopic Timelapse of Chicago, San Francisco, San Diego, Vegas and L.A. [VIDEO]

(via cosmic-rebirth)

awkwardsituationist:
gmb akash documents the 350 kilometre journey from dhaka to sylhet, bangladesh made by those who, unable to afford the price of a ticket or find room to ride inside, risk death by traveling atop and between train cars
(via suntochukwu)
purpleaggregates:

White Tara The female enlightened being of long life, wisdom and good fortune When I see the signs of untimely death, May I immediately receive the blessings of Arya Tara; And, having destroyed the Lord of Death, May I quickly attain the deathless vajra body. OM TARE TUTTARE TURE MAMA AYUR PUNAYE GYANA PUTRIM KURU YE SÖHA OM TARE TUTTARE TURE SÖHA
purpleaggregates:
White Tara
The female enlightened being of long life, wisdom and good fortune

When I see the signs of untimely death,
May I immediately receive the blessings of Arya Tara;
And, having destroyed the Lord of Death,
May I quickly attain the deathless vajra body.

OM TARE TUTTARE TURE MAMA AYUR PUNAYE GYANA PUTRIM KURU YE SÖHA
OM TARE TUTTARE TURE SÖHA
(via dancingdakini)

(via guerrillatech)
hungryforworld:

Monet’s Garden. Givery, France.
hungryforworld:
Monet’s Garden. Givery, France.

(via awaveofbliss)

(via cosmic-rebirth)
“
Internal and external are ultimately one. When you no longer perceive the world as hostile, there is no more fear, and when there is no more fear, you think, speak and act differently. Love and compassion arise, and they affect the world.
Eckhart Tolle (via samsaranmusing)
(via suntochukwu)
1 MONTH AGO / SAMSARANMUSING
malformalady:

The golden spiral of fungus. In geometry, a golden spiral is a logarithmic spiral whose growth factor is φ, the golden ratio. That is, a golden spiral gets wider (or further from its origin) by a factor of φ for every quarter turn it makes.
Photo credit: Devin Raber
malformalady:
The golden spiral of fungus. In geometry, a golden spiral is a logarithmic spiral whose growth factor is φ, the golden ratio. That is, a golden spiral gets wider (or further from its origin) by a factor of φ for every quarter turn it makes.
Photo credit: Devin Raber
(via deeperthansoul)
polaroidsf:

Welcome to Eden
polaroidsf:
Welcome to Eden

(via bouddra)
“
It doesn’t interest me what you do for a living.
I want to know what you ache for, and if you dare to dream of
meeting your heart’s longing.

It doesn’t interest me how old you are.
I want to know if you will risk looking like a fool for love, for
your dreams, for the adventure of being alive.

It doesn’t interest me

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Ah the persimmon, a word from an extinct language of the Powatan people of the tidewater Virginia, spoken until the mid 18th C when its Blackfoot Indian speakers switched to English. It was putchamin, pasiminan, or pessamin, then persimmon, a fruit. Like the tomato, it is a ‘true berry’.
 
Here in this postcard we have a painting of four kaki: the Japanese persimmon. Of these four fruit, one is nearly ripe; three are yet to ripen. They have been picked three days and shelter under crinkled leaves, still stalked. Now, the surface on which these astringent, tangy fruit rest, isn’t it wondrous in its blue and mottled green? It is veined, a ceramic surface perhaps? The blue-green mottled, veined surface catches reflected light; the shadows are delicate but intense.
 
You told me that it troubled you to read my stories because so often they stepped between reality and fantasy, truth and playful invention. When you said this I meant to say (but we changed the subject): I write this way to confront what I know to be true but cannot present verbatim. I have to make into a fiction my remembered observations, those intense emotions of the moment. They are too precious not to save, and like the persimmon benefit from laying out in the sun to dry: to be eaten raw; digested to rightly control my ch’i, and perhaps your ch’i too.
 
So today a story about four kaki, heart-shaped hachiya, and hidden therein those most private feelings, messages of love and passion, what can be seen, what is unseen, thoughts and un-thoughts, mysteries and evasions.
 
                                                                            ----
 
 
Professor Minoru retired last year and now visits his university for the occasional show of his former colleagues and their occasionally-talented students. He spends his days in his suburban house with its tiny non-descript garden: a dog run, a yard no less. No precious garden. It is also somewhere (to his neighbours’ disgust) to hang wet clothes. It is just grass surrounded by a high fence. He walks there briefly in the early morning before making tea and climbing the stairs to his studio.
 
The studio runs the whole length of his house. When his wife Kinako left him he obliterated any presence of her, left his downtown studio, and converted three rooms upstairs into one big space. This is where Mosuku, his beautiful Akita, sleeps, coming downstairs only to eat and defecate in the small garden. Minoru and Mosuku go out twice each day: to midday Mass at the university chaplaincy; to the park in the early evening to meet his few friends walking their dogs. Otherwise he is solitary except for three former students who call ‘to keep an eye on the old man’.
 
He works every day. He has always done this, every day. Even in the busiest times of the academic year, he rose at 5.0am to draw, a new sheet of mitsumatagami placed the night before on his worktable ready. Ready for the first mark.
 
Imagine. He has climbed the stairs, tea in his left hand, sits immediately in front of this ivory-coloured paper, places the steaming cup to his far left, takes a charcoal stick, and  . . . the first mark, the mark from the world of dreams, memories, regrets, anxieties, whatever the night has stored in his right hand appears, progresses, forms an image, a sketch, as minutes pass his movement is always persistence, no reflection or studied consideration, his sketch is purposeful and wholly his own. He has long since learnt to empty his hand of artifice, of all memory.
 
When Kinako left he destroyed every trace of her, and of his past too. So powerful was his intent to forget, he found he had to ask the way to Shinjuko station, to his studio in the university. He called in a cleaning company to remove everything not in two boxes in the kitchen (of new clothes, his essential documents, 5 books, a plant, Mosuko’s feeding bowl). They were told (and paid handsomely) to clean with vigour. Then the builders and decorators moved in. He changed his phone number and let it be known (to his dog walker friends) that he had decided from now on to use an old family name, Sawato. He would be Sawato. And he was.
 
His wife, and she was still that legally, had found a lover. Kinako was a student of Professor Minoru, nearly thirty years younger, and a fragile beauty. She adored ‘her professor’, ‘her distinguished husband’, but one day at an opening (at Kinosho Kikaku – Gallery 156) she met an American artist, Fern Sophie Citron, and that, as they say in Japan, was that. She went back to Fern’s studio, where this rather plump middle-aged woman took photographs of Kinako relentlessly in costume after costume, and then without any costume, on the floor, in the bath, against a wall, never her whole body, and always in complete silence. Two days later she sent a friend to collect her belongings and to deliver a postcard to her husband. It was his painting of four persimmon. Persimmon (1985) 54 by 36 cm, mineral pigment on paper.
 
‘Hiroshi’, she wrote in red biro, ‘I am someone else now it is best you do not know. Please forgive’.
 
Sawato’s bedroom is on the ground floor now. There is a mat that is rolled away each morning. On the floor there are five books leaning against each other in a table-top self-standing shelf. The Rule of St Benedict (in Latin), The I-Ching (in Chinese), The Odes of Confucius, The Tale of the Bamboo Cutter (10th C folk tale) and a manual of Go, the Shogi Zushiki. Placed on a low table there is a laptop computer connected to the Internet, and beside the computer his father’s Go board (of dark persimmon wood), its counters pebbles from the beach below his family’s home. Each game played on the Internet he transcribes to his physical board.
 
He ascribes his mental agility, his calm and perseverance in his studio practice, to his nightly games of Go in hyperspace. He is an acknowledged master. His games studied assiduously, worldwide.
 
For 8 months in 1989 he studied the persimmon as still-life. He had colleagues send him examples of the fruit from distant lands. The American Persimmon from Virginia, the Black Persimmon or Black Sapote from Mexico (its fruit has green skin and white flesh, which turns black when ripe), the Mabolo or Velvet-apple native to Philippines - a bright red fruit when ripe, sometimes known as the Korean Mango, and more and more. His studio looked like a vegetable store, persimmons everywhere. He studied the way the colours of their skins changed every day. He experimented with different surfaces on which to place these tannin-rich fruits. He loved to touch their skins, and at night he would touch Kinako, his fingers rich from the embrace of fifty persimmon fruits, and she . . . she had never known such gentleness, such strength, such desire. It was as though he painted her with his body, his long fingers tracing the shape of the fruit, his tongue exploring each crevice of her long, slim, fruit-rich body. She had never been loved so passionately, so completely. At her desk in the University library special collection, where she worked as a researcher for a fine art academic journal, she would dream of the night past and anticipate the night to come, when, always on her pillow a different persimmon, she would fall to ****** and beyond.
 
Minoru drew and painted, printed and photographed more persimmons than he could keep track of. After six months he picked seven paintings, and a collection of 12 drawings. The rest he burnt. When he exhibited these treasures, Persimmon (1989) Mineral pigment on paper 54, by 36 cm was immediately acquired by Tokyo National Museum. It became a favourite reproduction, a national treasure. He kept seeing it on the walls of houses in magazines, cheap reproductions in department stores, even on a TV commercial. Eventually he dismissed it, totally, from his ever-observant, ever-scanning eyes. So when Kinako sent him the postcard he looked at it with wonder and later wrote this poem in his flowing hand using the waka style:
 
 
*Ah, the persimmon
Lotus fruit of the Gods
 
Heartwood of a weaver’s shuttle,
The archer’s bow, the timpanist sticks,
 
I take a knife to your ripe skin.
Reveal or not the severity of my winter years.

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Bantal Nama Murah Bandung - Untuk menambah koleksi bantal kamu yang unyu-unyu, kayaknya ga cukup kalo cuma punya bantal donat, bantal Nama dan bantal leher aja. Nah, biar koleksi kamu tambah lengkap,  siap siaga bikinin kamu Bantal Nama

Bantal dengan tulisan nama kalian, nama pacar, nama sodara atau nama orang-orang yang kamu sayangi. Kamu bisa pilih warna warni kesukaan kamu dengan tulisan yang artistik banget.

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The power of Averages,
it means a lot
if you can
understand Means, a lot.

Assuming a Normal Distribution,

A Standard Deviation, or σ
defines where about 68% of the data falls;
roughly 34% above and below the Mean.

Two Standard Deviations
defines where a further 28% of data lies;
14% above and below 1σ and -1σ.

Positive 1-Sigma is one Standard Deviation above the Mean
Negative 1-Sigma is one below;
The range from -2σ to 2σ includes  96% of data.
The implications are astounding.

Within 3 Standard Deviations, one finds 99.7% of the data;
Within 4σ, 99.9%, 5σ, 99.999%,
the remainder are generally outliers and other improbable results.

To illustrate:

Suppose we had a group of 100 people,
and we wish to determine average height:
If our Mean height ends up being, say, 180 cm,
with a Standard Deviation of 20cm,
We can suppose that of 100 people, on average,
with a certain Margin of Error that is inversely proportionate to our Sample Size, or n
(for sake of argument, the Probable Error, or γ, is 13.49cm)

4 are taller than 220cm
14 are between 200cm and 220cm
68 are between 160cm and 200cm
14 are from 140cm to 160cm
4 are shorter than 140cm
--

Statistics is the parent of Probability;
Statistics is the Art and Science of Forecast,
Statistics paves the way for modern Science
Statistics is a powerful weapon in the fight against Ignorance
Statistics, however, are generally and intentionally misrepresented and thus misunderstood.

For increasingly accurate figures,
one must have a larger Sample Size
and a Sample group that is a representative subgroup
of the Whole

This is intentionally abused
by most of the News
you read or see each day on Paper and Screens alike.

If a "Statistical analysis" does not include at least
Margin of Error or Probable Error,
Mean (Average), Standard Deviation, and Sample Size
do not take it as accurate.

Depending on the source,
it could even be deliberately malicious.

Arm yourself with Knowledge.

From the dark side of the occipital ... galloping come my kind and jubilant comrades, they have been jumping and cutting the atmospheres of physical reality, after cooking my belly and my heart from stubborn wounds of unstoppable wars scary wounded slices.
Very close and dry from the dark side 3 and a half turns comes the cataract wart to the iniquity of its juice over the millions of Centilenials Writing Experiences.

On the white side of the occipital, 3 network crosses intersect with Playright Playwright, towards the hurried signs of the Writer beyond its spectrum. The soberest fear stained with bravery prosapia comes out.

 Metaphysical transfer, a capricious platform of insomniac spirit, walks 300 centuries with its feet dolled up and accommodating its semi-inclined crown sharp on its chipped shoulder of melted marble of Carrara ruin.

Preliminary Empty Transfer

Algorithm Cm, has been debating the hills like the chin of ***** maidens kneeling their outrageous non-eager emotions, neither brief as the fear frightened of releasing the beautiful vibra of the occipital color of the brave piano breaking the 300 imaginary ears of the emotion algorithm without piano of inharmonic skeptic cadaverous.

2nd transfer Preliminary Vacuum

Etrestles looks back at the Altamira wart caryatid cataract ... sees a serpentine hummingbird imbued with its sclera and grazes its feathers and the feathers ...

Later he leans to his ghostly cauliflower spectrum and returns to cross this threshold again, holding feathers in his hands saying: Since 300 centuries I have been navigating the aerial CO2 aerial ditches of the filthy world and now my brother Calamorous cauliflower prosaic ship in front of my eyes telling me If I had a brother like you, I would say come with me to cut wounded airs that I have to slice only in you lodged in the Cm Algorithm of the imagination, dietary anemia udder Holy atmosphere of the archbishop of Calixto and Calipsian blood.
When breaking the chalky limestone capita of its dimension, we will visit in this World Messiah Cauliflower. Brother of Picaflor, nodding his role Saveforest and Savespirit fraternal degeneration SOS.

3rd transverse transfer No Vacuum.
The mischievous eyes of cauliflower flying have to compensate for the world of the Cerebellum that betrays us,
That we have to be preset of spring countryside Tina Moldy.
Holy water in the jaws of ******* incense almost acunpunturial.
 
About living and surviving, of revenge and revenge ...
From Jutland the sour jerjel that shook the great extreme acro of the heraldic court for gathering thousands of restless spirits vitrineating with their hands as gamers, alpha play stationed of the severed but Sane Stoic Hamlet.

to be Continued

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Bantal Nama Murah Bandung - Untuk menambah koleksi bantal kamu yang unyu-unyu, kayaknya ga cukup kalo cuma punya bantal donat, bantal Nama dan bantal leher

aja. Nah, biar koleksi kamu tambah lengkap,  siap siaga bikinin kamu Bantal Nama

Bantal dengan tulisan nama kalian, nama pacar, nama sodara atau nama orang-orang yang kamu sayangi. Kamu bisa pilih warna warni kesukaan kamu dengan tulisan

yang artistik banget.

Buat kamu-kamu yang pada galau nyari kado yang cocok buat temen ultah, ponakan, adik atau pacar, pas banget deh kalo kamu pilihin kado Bantal Nama buat

mereka.

Mau tahu spesifikasi teknisnya?

- Bahan dasar velboa
- Tulisan velboa (bukan flanel jadi lebih lembut)
- Isi silikon (bukan dacron jadi lebih kenyal dan ga kempes)
- Waktu pengerjaan normal 14 hari kerja (Kalo lagi banjir order bisa molor dikit)
- Ukurannya 40×60 cm (Yang mau panjang bisa request ukuran 40x90cm)
- Berat sekitar 600 gram

Ok bro and sist, yang blom jelas (ngacung!) invite aja PIN BB marketingnya  262878A6. Harga blom termasuk ongkir dari Bandung.

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A Tale of ****** Excitement by Herr Barty Maulwurf

Often **** tales of my past I am writing and sometimes they are a little rude and porny but now I will try to be only slightly profane at request of new friends I am making everywhere. This tale very sensual story is, told by master storyteller (which is me). Filthy bits included. *Danke sehr.

Although I so much hate repetitive to be, Barty Mole must as always apologise for his occasionally slight errors in English-writing as he writes the English language not so very top-class (but he ***** English girls' tongues lots and likes them his tonsils to wipe so good). I (me, Barty) am German person but special type of that because as I are half-and-half black/white (not striped or even top half white, bottom half black, but mixed-up goldene-brun colouring), by this I must explain mein Papa was black US soldier in Germany who did enormous number of bouncy-bouncies with various ladies including meine Mutti (note to monoglots: this means my Mummy) - who was part-time Lili Marlen type tarty number, great **** and much-used **** - for tinned milk, coffee, ciggies, silk stockings and comfy underwear with soft non-scratchy gussets for once instead of unlined which tickle *****-*****, also she was a major sort of a ****** in her day so combined business with pleasure, and why not, we got these bits under our ******* so use them or they dry up (so thinks der Barty.). Also please you will remember black market utterly rampant in post-war period because the kind ****** Allies smashed my beautiful homeland (Germany) to little bits and then guess what even worse Russkies came and stole anything leftovers and did mass rapings of anyone with two legs (or less, in fact easier as poor tarts can't run away), but my Mutti ran and avoided Ivans, she not any kind of idiot, not going to give it away for free, and not liking cheap rotgut ***** anyway. Also Russkies never wash bottoms-hole so not much fun in the sack with smelly-bummed Ivans.

Nowadays Barty (that's me) am not so young, indeed now out of work living in Hamburg (home of inventor of hamburgers, Herr Wendi McDonald-Burgerkoenig) but I remember some super **** going-ons from mine mis-spended youth and middle age, my God I was a right goer, make no mistake about that, I had more lady friends than most people have hot luncheons mainly because I inheritated huge lovepole (23 centimetres, well over 9 inches in UK/US measurement style) from my dear Poppa, God rest his swindling soul. And ladies like the big bronzed stick as ramrod lovepole, you bet your fat wobbly ***, dear reader, 100% sure.

As often I say to my multitudinous readers, I never accept that it is only top-class ***-event to make love-humpings between male person who is in all one piece (full complementing legs, arms, naughty pieces etc etc) and lady who in similar state of repair (2 legs, 2 arms, 2 boobos, back and front naughty areas also) so I shall now recall romantic interlude with one-legged groupie I am meeting at rocking Konzert in Berlin with famous German group DIE TOTEN HOSEN (this means "The Dead Trousers" look them up on Google you think I am joking? no, German musicians have great sense of humour and also almost for free get to **** a lot of birds).

This story are total true, swear it on Mummy's honour (big joke, what honour I hear you said out of side of mouth, but watch your manners please or I smash you one in your effing gob) this not so explicit as usual so much apologies to filthy pervies wanting cheap smuttings, you come in wrong place (*******).

So now here we go with telling of how I got on good and ***** with one-legged lady I meet in bar of Grosse Konzerthalle in Berlin after we go from Konzert by Toten Hosen - noise so fickende loud we not able to hear each other talk as we total deafened for at least 1 hour, so just wink over bar to each other and Robert is dein Onkel.

I digressed - when I saw really pretty girl at bar with **** three-inch bolt through her lips and I think, WOW, if she got so much metal in her face, what the Fick she got in her *******!!!!  I notice she leaning against wall, I think she a bit drunk but I find out she only got one leg and it's because she has only one leg she would go falling over if not lean on walls. Never mind, I think to myself, I'll try this out for size, in for a pfenning (penny), in for a pfund (pound), except now it's in for a cent, in for a euro which sounds naffs. So we have several dozen beers and a couple of schnapplis and she is good fun, laugh at all Barty's filthy jokes and innuendos and then, out of blue, she says with naughty giggling, "The night is young but we're not so effing young and when you have any more beers you don't stand up, fall flat on handsome face, and not able to get great big ****** up me to shove it", WOW I thought, this is some forward one-legged piece of work. So no more further ado and we jump in taxi (pay 50:50 as Barty is gent and refuse to allow her pay whole fare) and go to her place.

Hildegard is her name and she was pretty good looking bird, great booboes, narrow very **** waistlines, very cute botty sticking out like great big pair of rubber footballs, but let's be frank, liebe Freunde, her main claim to eternal fame in Barty's immense ***-memory bank was the leg-stump, only one of them she had. She tells me missing limb result of accident with vicious bacon-slicing machineries at LIDL and I not like to probe too deeply, because I leave the probing up to my 23cm (9 inch) lovepole instead.

Thus we had many love-makes that night and I got to find her stumpy-thing quite **** in weird kind of way, very smooth skin on it and odd colour (purplish) too. Only problem of was hard to do it Alsatian-style as she topple off bed and me with her, especially since we have many more beers down hatches by that time. Never mind, make up for this with very high class (FIVE STAR!) "neunundsechzig" (German for 69 just in case you not understand)! WOW she utter hot stuff in oral department store. Her tongue like starving St Bernard guzzling the bowl of nice fresh spring water on hottest summer day in century! Swallow everything, stray hairs and all.

Also Hildegard very noisy lady when she does the comings, which Barty likes very much indeed. Like demented demon being bashed around her head with three-metre long metal crowbar every single time she gets one off, she screamed. "Ooooooh, ich komme, ich komme, ach, ja, ja, ja, ja," she shrieks GOOD & LOUD like fat Wagnerian heroine with immensely red hot poker up backside-hole (which not far off the truth when Barty gets stuck into his fabbo ***-rhythm, like whirring up and down piston on Mitsubishi motor tricycle). Even allowing for drunken prematured senilities lapse, I happy to recall seven times for me that night and maybe twenty for her, WOW, what a filthy one-leg hornbag!

We meet a few more time for repeat bonky session but never so good as first time round, but that's because Barty sober next times, nothing new in the history of love there which is very philophical pensée. Also Barty's interest in the leggy-stump waned a bit after a couple of weeks.  But Barty has good live-action photos to keep his memories warm, WOW, they are some totally hot ones! I know Hildegard must have the equal happy memories of old Barty, bet she never saw such a big ***** as his ever again (NB: 23 cm lovepole)!

Mit freundlichen Gruessen
von Ihre
Bartholomew Mole (=Maulwurf)
(23 cm brown lovepole)

New guitar-only instrumental song:

https://soundcloud.com/apexparadigm/dream

The "A" sections are 4/4, with a progression of:
| : Cm---Ab---Gb---Eb-Db-Cm---Ab---F---G--Db : |, or
| : i VI bV III bII i VI iv v bII : | (as I like to think of it)
The "B" sections are a measure of 15/8 alternating with a measure of 7/4.
The guitars play either 5 3s or 3 5s for the 15, and then a groove in 7/4 in between.
The guitars trade off which is playing the 3s and 5s.
Harmonically, the compound time section is just a static Cm.

Written in a few moments, and then recorded in the course of half an hour as a sketch.
The title is somewhat arbitrary, but I do have my reasons.
Enjoy!

Questions and comments welcome.

I spent one of my days, somewhere at the end of October, facing all my fears
I let them through my mind and everyone got infected by bad vibes from me
That day I woke up to some distant rambling of my parents fighting
I found myself falling back into sleeping sweet embrace and awake at 9:30, finding dad sleeping on the stairs.
The day before, mum put oil on my hair and I complained about the smell that doesn't fade away after washing it  four times.

I was thinking of buying books and listening to music but can't because mum is beside me
And I don't like doing anything near her.
I asked her if I could change my glasses frame if I get straight A's for finals
She asked me to find a hammer to nail my bamboo box together
I wanted to show her a picture I took at school with another seven people of which I don't even know three of them
but end up telling myself not to because I don't want her to critize my funny body posture.

My sisters came home and suddenly all in a rush rummaging through some old things behind my closet.
They found a picture of me when I was six and another one when I was eleven taking a picture with my favourite teacher.
I told mum to get rid of my kindergarten ones but she kept them
Next thing I knew, I lost the one when I was eleven.

I saw the printer wire and my sister insisted that we should put it up so mum did and I fixed it. I fixed the printer and clear the carriage jams and all while putting up with all of the screamings going on between both my parents and both my sisters.
I blasted ******* bands in my ears and running loud thoughts in my head.

That day I cut my nails only on my left hand
Later, one my right hand finger is stained from printer ink.

Evening came and dusk came, night came. Midnight came.
I talked to the only person I'm sure I love and reachable. Autumn.
She's 17 and leaving school next year also very worried about her big exam on Nov 3.
She told how her emotional day went that day from how her classmate cried and her teacher cried too so that night
she got into the shower and cried and I said that it is okay
and we talked about biology and saliva and ulcers.
I listened to Good Riddance that night for how it constantly reminds me of people I love: Autumn and Luke and people I loved: Nightingale.

One of my friend also had the same vibe saying she is afraid of tomorrow, afraid of turning fifteen next year just like me.
We laughed about our first day going to school few years back then.
I brought up all those people I used to know and asking myself where did they go?
Or was I'm the one who disappeared?
Night came as I sit on a dying school chair listening to the ******* loud TV downstairs
I made coffee and listen to those voices.
Dad switched off the TV I was left with a strangling silent even with music on full volume.

Unconsciously, I grasped the coffee mug in front of me
clinging to its blistering warmth and started to cry for no reason just draining out the weight of life of today.
I shut my eyes with intent to barricade those tears from falling
but
it just pools and pour out and didn't cease and I just let them be until I hear someone going upstairs.
Oh how embarassing to see me in this state wiping off tears on the sleeves of my shirt where my heart should have been

Here I am in this endless mirage with a mug of coffee listening to the low hum of voices so familiar and imagery of many people that I'd like to take their pain away
just to let them breathe for a while.
I sipped the bitter coffee to the last drip
I tried not to think of those times when I haven't listen to this one song quite awhile
and
just before I press play it crossed my mind what if this song changed
It was kind of disappointing that it didn't but the feelings I had for this song did change
I took a few glance at my bookshelf and lost in this flashback when I used to measure my height on it
and
adding another 28 cm just to see how tall Luke was and it turns out he was taller than my bookshelf
so before I went to sleep on the same night, I told myself that I need to be at least 175 cm.

I lean against my chair trying hard to recall when did those things happened?
It can't be that long ago but
the image is so unreachable in my head.
Today, it's emotional day Autumn said it's an emotional day and
I said strikethrough 'an'
Today, life seemed as inevitable as death is
I'm here with no particular purpose of living set in my mind except surviving against a few little distraction
and
let me tell you this

*I like it.

I don't know how anyone would feel about this.
I bet they would stop reading me if I do this.
But this is one of the things that I really love.
And I'd be able to write about it for hours.
So if you are a wrestling fan, then keep reading.
If you're not, the you might wanna stop.

Alright, if you are still reading this, thank you.
Now I can get started and tell you what I know.
I know what a bunch of the moves are called.
And I can tell you who my favorite wrestlers are.
I can even tell you what my favorite storylines are.
I have a variety of wrestlers that I like to watch.
There are some that I don't, but I like the music.
You know, the music they use when they come out.
Anyway, the wrestlers that I like to watch are:
Jeff Hardy, Shawn Michaels, Triple H, John Cena,
The Bella Twins, Kelly Kelly, Mickey James, AJ Lee,
The Rock, Stone Cold Steve Austin, Santino Marella,
Trish Stratus, and Brie Bella (on her own).
I love these wrestlers for a lot of reasons.
And if you want, I'll make a separate thing for each.
Just like this if you want me to, and I will.
Anyway, the wrestlers that I like the music to are:
Randy Orton, Edge, RVD, Christian, Eve Torres,
Brie Bella, Trish Stratus, The Rock, Jeff Hardy,
Kelly Kelly, Shawn Michaels,  and Mickie James.
Alright. the names are practically the same.
But that's because the music is very catchy.
My favorite storylines are the following:
Shawn Michaels and JBL (late 08 - early 09)
Brie and Nikki Bella (Happening right now)
Jeff and Matt Hardy (2009)
Shawn Michaels and Chris Jericho (2008)
Triple H and Randy Orton (Mid 2009)
The Rock and CM Punk (2012)
Jeff Hardy and CM Punk (2010)
And I'm sure that there are more.
I just can't recall them at the moment.
But I think that this will do for now.
I hope you liked this.
Please give it a like you want me to get
into more detail about the wrestlers.
And if you want me to get into more
detail about the storylines.

A quite brief and improvised guitar concerto, if you will, in the key of Cm:

3 acoustic guitars
2 electric guitars
and a piano

https://soundcloud.com/apexparadigm/spirit

Almost every year Teddy bear festivals are held. These now become popular around the world, taking place in Canada, Australia, Japan, America, Great Britain and Germany. Now we have got that the Teddy Bear is the most popular plush toy and it may even be the most popular of all toys.
Teddy bear is one of the most cute in the UK. It's the greatest way to make someone happy. So please contact us http://www.liztoys.com/p-teddy-bear-toys-for-girls-bear-plush-50cm-20in-2pcs_192.html

Anxiously
My chest tightens,
Heart races.
The ability to breath
Escapes me
Im grasping at straws
To regain some
Self control.
Im loosing myself
In dread,
Things are at a
Fever pitch,
Climbing to the ******
Of self doubt.
Can I do this?

M1 man, & nothing more.
Well, actually a1 not true
Is that statement said b4
More thought was put n2
What is the case 2b made,
Here in this poem now 2u,
That is written n8 lines, n8
R3 things u2 underestimate.

It’s curious this looking business, looking at something you almost recognize as being what it says on the small white card next to the exhibit. Sand Marks. And these marks hang on linen-lengths two metres long by 40 cm wide. You don’t look at sand face-forward standing up with light pouring through the surface on which the marks are made. That feels unusual. The five linen-lengths are keeping each other company. A set of sand marks, marks in the sand. No. Marks from and of the sand. And why, She thought? What is this supposed to be about? Is this what art is? Grabbing images from under the feet. Their  making engineered, conditions in place to shape and colour, fold and crease, to hold and position rightly. Hmm, She reflected, and thought of her daughter as a child, sitting on the sand of some annual Scottish beach. She would watch her soon to be two-year-old moving beach sand and stones around with her hands, seeing tiny dunes and valleys and routes appear, and making marks. Yes, that would be it. All that watching, that as she grew up became observing and collecting and storing away as images caught in a moment and placed in the mind’s diary, then often lingered over later (as only children can) defining her personal curation of things natural.

Here she is now, her mother thought, all these years on collecting and revealing such sand marks onto ordered frozen surfaces. Would these collectively be an installation she wondered? How She quietly distrusted that word. It was part of a vocabulary She felt She might do without. When She looked at these ecru linen cloths printed and manipulated variously She saw her daughter’s beautiful (always beautiful) hands entering sand, making marks in the fabric of the beach – as a child – now as an adult. There seemed no difference. Just this summer She had watched her daughter mesmerized at the sea’s edge, seeing the sand marks wander, bend and twist below shallow water, just as these hanging cloths seemed to do in her gaze. There was movement in stillness. Her daughter would wait with her camera to capture just the moment when light and ripple came together in a previously imagined moment: a perfect moment she longed to seize. Then later, up on the computer’s flat, backlit screen, it would be shown like a moth caught in a net and pinned behind glass.

In this light-filled gallery, a gallery filled with the reflected light of the sea just a minute’s walk away, this often sombre contemplative work became light of weight and texture, lost its sombre colours, those non-colour shades of grey and canvas, earth and mud, and seemed to float, bathed in light, the colours washed and fresh, alive. It was a revelation that it should be so, and She knew She would carry this view of her daughter’s linen pieces ever after – changing her view of what she’d seen as a steady stream of similar often sombre images representing ‘a body of work’ – another term She disliked and felt was not part of her world of seeing. She thought, ‘I garden, but I don’t do ‘work’ in the garden. What grows under my care and attention somehow has to be and flows through and past me. I don’t own my work in any way. It’s not for sale as something of me. It has no price tag. Work is cleaning the house or dealing with minutes of a meeting.’

There were in this light-filled gallery other pieces to look at. Her artists’ books in a glass cabinet were quietly covered in lichen green board, some closed, others opened to reveal more captured marks, stains and prints. Open to touch and view She warmed to a pair of her daughter’s sketchbooks, delighting in turning their pages carefully, so carefully as not to shake up the often delicate flowing marks on the paper. She imagined – as She herself had drawn once - her daughter’s intense concentration drawing these wider scenes – across the sea to the horizon where a turmoil of weather took place in the changing incessant cloudscapes.

There was other ‘work’ too, other artists’ efforts taking inspiration from landscape. Strange too, to call these pieces ‘work’. Such a term seemed to give their collective creative industry authority and stature She wasn’t always sure they necessarily had. Much of it seemed more play than work. It was so often playful.

Her daughter, meanwhile, was deep in conversation with the gallery’s exhibition officer. Whereas She dipped in and out of this conversation, her thoughts revolved, grass hopping. She remembered hearing her husband speak of his concern about their daughter’s management of this still-fledgling career. A right concern about how family and career would be handled as recognition and opportunity developed. She shared this concern, but seeing her daughter glow at being in the very swim of this art making and showing did not for a moment want that glow to disappear. She knew she would manage, she had always managed and been resourceful, careful, and, She had to admit this, brave. Her condition of being a single-parent She, as her mother, had almost grown accustomed to; She felt She knew a thing or two about finding happiness and the warmth of companionship.

Those linen-length pieces hanging there seemed to intersect such thoughts. She found herself looking at her daughter’s partner who was carefully sketching the linen quintet. He had said to her once that he sketched (badly) to enable him to focus intently on an object, to learn from it. If you sketched something you gave it time, and came to know it as line-by-line, shade-by-shade, the image formed and your relationship to it. He was always careful in talking to her, and even when he began to tread across ground that She hadn’t travelled, he was so sensitive to her feelings. He liked to explain, to tell out his enthusiasm for books he’d read, for music he loved, for her daughter he so adored. She could see that plainly, his adoration, his wonder at her. He had wrapped this young woman round and round with his adoration, and this clearly gave him such joy.

It was getting on. Lunch beckoned. There was a signalling that this hour or so of viewing would gradually fall away. The exhibition officer said her goodbyes. Food was mentioned. She would give one last glance at the Sand Marks perhaps. The linen-lengths still hung there luminous in the vivid, brilliant, but cold light of this early April day. After lunch they would walk to the sea under the powder blue skies and feel that this too was part of such a glad day, a day She would take to her memory as full of the restful pleasure her daughter so often gave her. This dear girl – how often had She heard her partner use that word ‘dear’, knowing he addressed his letters to her with ‘dearest’. It was wonderful that it could be so, that her daughter was so loved. She wanted, suddenly, to throw her arms around them both, and let them know, without any words, that she loved them too.

Slow tempo

(CM)
You'll dream about the love you give up.(Em)

(CM
You'll wonder why you have an empty cup. (Em)

(Am)                 (F)
You'll feel the fire;
(Am)                 (F)
You'll feel the fire
(F#) (Cm) (Em)
Of loniness -


You'll see visions like saphires in the night.

You won't be able to sleep though the night.

You'll know the cold,

You'll know the cold

Of loneliness -


I should have gotten myself away from you.

I shouldn't have given of myself to you.

You'll feel the fire;

You'll feel the fire

Of loneliness -

Midnight Confession to Stingray  III  

And suddenly awake. i think i heard the phone ring, but long ago that no stingray called me; it would be absurd. who call a forgotten man, yearny of themselves?. And suddenly awake and crying i wonder what i have done to live this. why i can not die? what's stopping me? god kills for pleasure, i would do it out of necessity. i end with my life and the importance of being earnest.
    
Outside roars the sea. the waves claim my life, my life claim it and head on a silver platter the almighty, responsible to no justice. ha! justice. Consign it everything to god is to add an extra shadow existence. whenever i get depressed i confirmed the existence of nowhere. already said my old friend Andrei, "the soul craves harmony, while the world, reality, life, are full of dissonance".
    god! i do not want any harm to feed my humor. and i tell you because i know that fate is but the unilateral decision of a supreme being, without the intervention of the creature that falls. you and your **** decisions!
  
I must then settle the illusory permanence of my bad steps taken. after all, the man has not been done to exemplify rebelliousness.
Insert - cans carrier some catching film and rolls a finger cuts / , looking at his finger and begins to move circularly, leaving his palace versailles topic decorated, full of blood stigma. then  an arm and his shadow the succor envelops faucet cracked.

insert final -
you always give back things to their original order, no matter what man does or does not do. when the world ends, will only continue the deserted streets where consummating the drama of solitude, loneliness of man. solitude, that awe you feel your son, more powerful even than the fear of death. loneliness, ontophanicus element of childhood fears and unrecognized face of the adult human animal.


Insert - Snifp    opens window, moist your hands with rain, seals his hands, making a drinking vessel of your hands. someone you back then close was noting his eyelids his old love visiting him - Snifp shudders take turns and trafficking in their eyes hands that image. followed gets humming a ditty ... continuing with your thought the song of your song - only the first two lines sing, the rest is with musical pacing phraseology showing on time images:

  "  maybe everything is reduced to ideas. the great wars and the huge advances in the history of mankind are due to them... what is most important for the soul to believe in change? the flowering of ideas! proclaim them the wind and see how they are trampled, but when they die, they will be remembered by them.
    yes, i know, when my turn comes, or not taking into account what you have said, i must kneel before you. "

Insert - Snifp - in your room like versailles, kneeling before the accompanying idol behind his cabin. it was a huge torrent cans with film rolls. some were leaving your movies its packaging. on the upper part of torrent was an eye that turn that also glinted colors and eye on pared scenes showed pictures romance film and expressionist cinema.

  " something happened with spring and winter, only took one night to erase my life. everything i've done, everything i am has been solely because of my insecurity even look at my letter, is confused, irregular, insecure, unfinished, unfinished, ugly to my way of translating the letters on paper it is unsafe. That's why i am where i am. it may not be the best, but it's comfortable. i should not deal with anyone but my ghosts. "

Composition: the whole song - this song in passive voice - before each pause they call Snipf, her father, her mother, she the same calling it self doing choir with letter of the song telling you enter is late and that not early to work everyday continuing - voice feels off, but the darkness appears immensity of arms in clothes ragged and *****, treating him to speak. every aspect of song be supported by allusive as a documentary imagine.

[insert images]: Mr Snifp. this in a paramo isolated, everything smells rancid stink and essence with her mouth glottis churned a finger as mayor, the three items that were deposited in calderon reddened by flare. Their beards 90 cm, crisscrossed end of pointed shape. mr. Snipf it took out glottis your hands together his cross to remove the book and the lenses pipe. While he continued impetuously making this movement of his arms, lashed out on the top step your home room your nearest death, and if it was confused casket 60 cm or a 2 mts. such was the fan accession that uttering which carried from the limbo of house untouchable pantheon, but it was not, all the servants threw it out of doors sliding down the cobblestones, while Snifp kicking as if to take revenge until the last priest perpetuity oblation gave to your existence non tyranny.Still getting off cobblestones, planters keep falling, cornices. carnations falling on follow your body wood caged.

Removing Snifp appears in Calderon lenses, pipe and the book, but this time he has in his hand left the book, and pipe right. but when child, walk the avenue where would buy tidbits, seeing through the showcase  the owner of the commercial always had in his right hand a book and left a pipe.

Snifp lying on his altar Calderon churned with thousands of books, lenses and pipes, falling to tiring and suddenly the ground with his right hand possessing a book of phrenology and left a pipe smoky reddish. it was so faint Snipf and only with boiling essences smelly around.

[insert end].

Zooantropomorphic Basic Kinetic Theory:

In the room, three and a hommo sapiens stingrays. Located facing each other. how to illustrate and in between them appearance with animals, and acting daily activities.

Every stingray, is an object and subject to time, the eyes of Snifp, but more remarkable is that each of them can auto refer, as having instincts and feelings, which alternately men intimidate and used in a extended range of possessions and physical, and electromagnetic powers psychic. "

Snipf in the room seemed feeling redeemed, because they came to help him, came to the town of his abode. A hold a escape. but to think and think and read what rugs you wrote on the wall concerning this theory, he reminded inescapably on fatigue years of thinking, to nearly multiply your ideas on every beat of your heart as an avalanche in your own heart

And they continued typing:

... Thousands of years sail the seas for fixing without ours where our dreams console conditions. we have seen many events, births islands, shipwrecks _ at that time Snifp, he takes the head and can not believe what you tell manta rays, being very shock and sorrow.

He told ...: as you, enjoyed the freedom to grow and believe in my labors happiness. up next to toasted you hiding the sun my skin. trying to follow them confine of the seas as well wishing one day be as you but i saw growing up and that my gaps growth . interrupts writing one of them on the wall:

... Birds and we seem confused in the sky and the sea. its movement is a great similar  infinitely ours. by instance. for reproduce places and we are in very favorable temperatures. Our food to go for a  tractile  movements resort in places, where our hunger and thirst unite to hunt our prey. There are certain movements, seemed birds river near the sea; with love that in a small ball enjoying our offspring thousands of kilometers from hunting place chosen.

My father strand a day in the pacific sea rivera, seeing some odd birds in groups, moving choreography of side to side, changing their appearance or disordering composition, rare birds when they reached another species, but enough with birds are you were visiting for them with their move to, they give the spectator the camouflage invisibility, violated them to be your space.

Snifp: but the move with air allays tour and return either in any direction. and when i feel abandoned by my wishes of faith or of love, which will be the right move?. One of them says: the movement may not porte nothing, or also something ruined, importantly possessing energy for all be alive call the highest levels rising to pay for that move your body energy; something like love for fuel survive, perhaps not frustrating not to have to turn disoriented when we storms at sea with boats and we want trap, without relying on a moment to pray, to save our destinations. Snifp, think that as you suffer, it happens to us. the blankets impassive, floating on the piece and brought them to Snifp the miles genealogies and exhausted by origins of existence.The cornerstone of movement, time division yours and mine, separated by both affected synchronicity things for immense currents.

Snifp replY: if, if you !!. but both to animals we  vanished others because you have eyes for men only see your interests. Snifp as if you are thinking _ ourselves the told, what confusion ... not !!.

Then  in men, animals are invisible visible and motion forms. But yes, each generation of movements different article, since each margin regarding your drive specific functions  changing the man, what you plenty of activity what to generate be blinded  no recalling the advancement finally  to not to repeat their mistakes. Snipf words in good men living in a house of fears caused by collective and not totally bad habits subjugations evolved animals. An animal, a being who owned and self contained and do nothing  not self  supply materiality.

We do not pray to  God, just keep your policy creation and preservation, just keep your commands as a whole to vibrate, knowing and ignoring sometimes. This is our Creator. Stingrays sailing in my Mind  and in  the spreading architectural dreaming.

This board is not on the wall. It rests on a worktable against a wall. It’s almost the length of the table, perhaps a foot short. On top of the board its wooden frame makes a shelf ideal for photographs or cards to balance precariously, photographs and cards too precious to pin. Today there are five, yes they change from day to day, and today (from left to right) there’s an original drawing in walnut ink of a winter field, a photo of two children looking from a cliff top towards a peninsula’s end, a card called Autumn Spey from a lithograph by Angie Lewin, an invitation to a gallery opening, and a What’s On brochure – from another gallery – showing some unusual tapestry.

The Notice Board is 100 x 60 cm. The wooden frame is slight, probably home-made, but well-made, with a dark brown hessian surface. Not that you can see much of the surface as it is covered with stuff: photographs, images, poems, pictures, cards, quotations, a prayer, an origami bird, a doctor’s prescription, a piece of tapestry, an invitation, an address, lists galore, a cheque or two, a diagram (of a knot), a concert program. Not everything can be seen directly as many items are shared by a single pin and hidden four, even six, notices deep. Every so often the items are unpinned and consigned to a folder and filed, and so the process of choosing and pinning starts over again. This can happen after a holiday, returning uncluttered by days walking the cliff paths with only the quiet sea to gaze at and the cottage blissfully free of things known, things owned.  So when back at the desk, in front of the notice board, it seems right to be beginning again.

Mozart’s Linz Symphony is playing quietly in the background. It’s that time of day when music is sometimes allowed to frame work at this desk and blot out the going home noise of buses in the city street moving away from the stop three floors below. Linz, the capital of Upper Austria and now a large industrial city straddling the banks of the Danube, once gave its name to Linzertorte, a cake of jam, cloves, cinnamon, and almonds, and this remarkable symphony by Mozart. The composer had only just married his Constanza and wrote to his long suffering father:

When we reached the gates of Linz . . . , we found a servant waiting there to drive us to Count Thun's, at whose house we are now staying. I really cannot tell you what kindnesses the family are showering on us. On Tuesday, November 4, I am giving a concert in the theatre here and, as I have not a single symphony with me, I am writing a new one at break-neck speed, which must be finished by that time. Well, I must close, because I really must set to work.

And set to work he did. He had just 4 days to compose, write the parts (though Constanza helped), and rehearse an orchestra. Such is life for the working composer, even today. Maybe not a summons from a beneficent Count, but a phone-call from a producer with a deadline. It is the film or TV score to be composed at break-neck speed. And it can be done, believe me. It may not be sublime as Mozart, but it gets done: there are ways and means.

But this is today’s background, and as these words are written the gracious siciliano of the Symphony No.36 plays away. Such a tender confection.

Looking up at the notice board where does one start? Each pinned piece is a divertissement, an aide memoire to times, events, places, and people. It is a mixture of the colourful, the curious, the necessary, the unusual, the nostalgic, and the personally precious. These things are the qualifications required to occupy a place on this board.

But now Haydn takes over the musical background, Symphony No.88. No descriptive name here, just his wonderful music: his first symphony to score trumpets and timpani, and with more than a touch of Turkish in the Minuetto and Finale.

So close your eyes now (let’s listen to Haydn for a while), then slowly open them and choose from the notice board what first catches your attention.

It’s a coloured sketch of flowers on an A5 sheet of cartridge paper. It is outlined delicately in pen, coloured variously with pastels, green, orange, purple, red. The vase is a glass bowl. It’s set on a window-sill and there’s the frame of a window faintly rendered. There’s no artifice in the arrangement. These are flowers from a garden, picked and now firmly ****** into the bowl. Immediately the long, quiet east-facing room comes alive to colour. It’s in shade now the sun has moved since midday when the flowers arrived after a journey of 40 miles in a hot car wrapped in moist newspaper and silver foil. It is a special gift and its beauty remains vivid for days. When visitors visited gentle comments are made on their fresh colours.

At night when the room is only lit by a standard lamp standing by a pale yellow settee the flowers sleep in the darkness, holding a vivid memory of a day of colour and light. A recording of the Schumann quartets plays passionately during the ‘close to the end of summer’ evenings. Hands are held, and between movements there is an occasional exploratory kiss. Such was their collective fear of passion overcoming other endeavours . . .

In the early morning time when she slept in the room next door oblivious to his wakefulness he would enter the long studio room with its four windows to find the first sunlight patterning the floor. The flowers were wide-awake, their perfume rich in the still morningtime. He would stand entranced to see such beauty brought from her city garden; the first of many gifts he would come to treasure. His sketch was an amateur’s, but four summers past it continued to give much joy and dear memories. It had something of the solemnity of Mozart’s siciliano, and if an image could be said to have a right tempo, it had a right tempo, a gracefulness roughly hewn perhaps, but full of grace.

As we trot along this cobbled path,
passing leaves of green and buds mid-bloom,
life seems right; the darkness of night at bay with all its gloom.
Our carriage of white portrays rescue from God's wrath.
The sun is radiant and the birds rejoice in its warmth.
We're passing through a town, large in size;
as joyously as the singing birds, we smile on the people.
In passing a church, we're in awe of the steeple.
So tall is the pinnacle, white-washed and nice,
we smile bigger seeing the people as on our side.
But as the sun sets in the west and the coldness of night
draw nearer in haste, the beautiful people change.
Once friendly and welcoming, humorous and kind, now strange,
hateful, and bitter they seem. Their faces, weary and affright,
are thin and pale where fullness once was.
We look on the once busy streets, now one huddled mass.
What happened to the happy, beautiful people?
A sudden crash and we search for the source. Where is the steeple?
Alas! In the road lies a cross, once high in the sky, now in ash.
What people would profane such a symbol of God's love?
By the red glow of the setting sun, our driver quickens our pace.
Searching for a road to travel out of this wretched town;
every turn brings us back to their haunting frowns.
Where smiles once were, worry and fear etch into our faces.
The people watch as we become frantic. They're emotionless.
God, where are you?
At one's suggestion we cry out in prayer. God, answer us!
Then I see myself in the crowd and begin to fuss.
How am I there when I am here? Then, you are there too.
One by one our company appears in the crowd. Panicked,
we become angry. Confused,
we become angry with God. Pointing our fingers in the sky,
we shout curses at "God the Most High".
He's the one that led us, He made us come.
Our carriage has stopped and where an angel once sat driving,
a man turns to us; perfect teeth shone in his grin.
"My friends," the handsome stranger says, "It doesn't have to be."
What could he mean? Where is the angel? Who is he?
Knowing our thoughts, he coolly replies, scratching his chin,
"I am a friend and the angel has left you."
All gasp at this; some shriek in terror.
"Calm yourselves for I have good news!"
Some of us exchange glances but all is silent as he continues,
"God has left you but I can help you through this
evil town. Trust me to save you and it shall be done."
God has abandoned us? Do I believe this stranger's tale?
"Friends, if God was here, would you be a face in that mass?"
He made sense to us. We had been outcast.
"Listen to me, I love you and my plan will not fail."
Simultaneously we submitted to the stranger.
Lord forgive us for we know not what we do.
Lightning cracked across the sky as the sun
disappeared, but where was the moon? The sky held none.
It was to be a full moon as far as we knew.
Then we realized with guilt in our hearts that like
the moon, we no longer reflected the Son.
God had never abandoned us; we left Him. And for what?
The beautiful stranger changed then in every appearance but
the sly grin that was plastered on his face. Satan.
And it was too late to run.
Our carriage disappeared and we fell in the dirt.
We tried to brush the dirt off but the filth remained.
Our white robes were now black tatters.
Besides our sobbing, silence ruled.
By tears our faces, once beautiful, were stained.
Though the night was cool, we were covered in sweat.
Satan was gone though his laugh did still linger;
it was the thunder that followed the lightning's accusing finger.
As the sky mocked us, we huddled together and were met
by the townspeople who slowly came over to our party.
The people we'd seen that looked like us had
all gone, leaving no trace. We all knew the truth though none said.
That we'd become them, weary and pale from foot to head.
We were bitter, but more afraid than mad.
How miserable we became!
Tightly packed we shivered until dawn.
The sun rose and with it the birds.
Without feeling it, our faces grew bright as the green grass.
All of us appeared as beautiful as the town and its mass;
no one spoke in our party, at a loss for words.
Yes, the town's beauty was restored but we knew it to be fake.
This had been these people's lives, acting joyous to please
the fork-tongued stranger who once tricked them as well.
This was a town of lost children of God.
In it we now dwell.
Lost and afraid, this picturesque town only teased.
A white carriage rambled through the scenic town;
its riders laugh in each other's company but
would they continue through to their journey's end,
what awaits them in Heaven, the end that had awaited us?
Oh please! Don not be trapped by the beauty of Satan's town!
Though we wish to warn the unsuspecting strangers,
we are forced like the others to greet rather than warn of dangers.
Unable to control ourselves, we welcome them to our town.
Wanting to tour, they smile at us and awe at the steeple.
We smile back and look high at our beautiful steeple,
we the people.
Hurry and escape before the sun sets!
Rush into the Father's courts and repent for your present dawdle.
Do not linger here for we are rotting in hell.
They begin to leave and just in time too;
for the sun is setting but then so soon,
a rider points into the street and all is not well.
We are already changing into our true form.
Now I know they are trapped for they know we're dead.
It is no use to run but they cry out to God as we had.
I want to encourage them but instead
a rider notices his company appearing in the crowd.
Knowing all is lost, I want to cry; but what's this?
They do not curse God. More fervently than before, they pray.
Satan does not appear in their angel's place.
Finding their way, they leave this godforsaken town.
Though my people are lost, we now have hope.
If they can find God's grace then maybe we can too.
Slowly I feel my strength regaining and I feel anew.
My friends notice the change as I plan to elope.
God save us please.
Most of our company has repented by now;
some chose self pity instead.
God, hide us from the devil as we escape his town. By starlight
we travel on the streets; praying for God's rescue until we come
out of the town and there by the gate,
a beautiful carriage awaits.
God guide us to your home; we promise we'll go straight there.
Though we enjoy nature's beauty, we'll not
go off course to seek it.
For You, oh Lord, have taught
us to not love the world, so we may not become it.

-CM

Uncertainty.
I cannot be sure of anything,
Except uncertainty.
Uncertainty, certainly.

Eternity.
The thing that lasts forever,
But only seems to exist in the future.
Semi-Eternity.
Living internally.

Serenity.
You can only
Know it truly
If you have lived chaotically,
This price-tagged serenity.

Uncertainty.
When does eternity start?
Have I paid in full for my serenity?
Uncertainty.

Must I live this eternity
With uncertainty in my heart,
Always chasing the serenity
That my chaotic life has bought?
              -CM

ten men fishing
on auckland wharf
all with thin fibreglass rods
just that exact distance
(made in china)
all watching each others baits
bobbing in the silver sheen
no one watching his own sinker
bobbing

one twitches down the line
a reel swishes
reeling in
nine men watching intently now

20 cm struggling catch
not much, so back it goes.
a bronze whaler
slinking slowly
under twenty pairs of dangling feet
decides
the distance was too much
to crunch a man for snack

quietly slinks
to the opposite shore
where she senses
feet splashing on a shallow beach.

primitive.

© Marshall Gass. All rights reserved, 3 months ago

- See more at: http://allpoetry.com/poem/11438556-the-fishermen-on-the-wharf-by-Marshall-Gass#sthash.HWKsl­wYM.dpuf

Cheating  Humanity is skill or disaster,
Cheating  in every field and department makes us proud  or shame,
Cheating in relations makes us Gentleman or  fraud person ,
Our Leader's are proud to Cheat  our Country , Nations and World with their Outstanding Cheating Political Skills,
Where does Cheating puts ourself  in Winning World  or Lost Humanity,
Cheating ourselves and others and saying we are clean personality,
We can Cheat Whole World ,Globe ,Universe but we cannot Cheat our Lord God.
We cannot built nations by Cheating  each others.
We cannot built nation by throwing muds on each other's characters.
Leader's of our country are playing magic tragic speeches for winning election's of  CM, PM .
Please Do not Cheat the Nation , Country And World.

Age 13 your heart called out for attention
Bed sheets stained with your innocence
Every tear flooding out the cotton fibers of your pillows
New Orleans had it bad with Katrina
Yet your tsunami desires for love
Hit harder than Haiti's tsunami
Quicker than the loss of life in Pompeii
I'm sorry age matters in this world
I'd take you in my arms
Hold you close and hope your wings develop
In the safety of my nesting heart
Age 15 and you're already being considered a *****
Tattooed, branded with the titles of ****, *****
And the constant question of guys 4 years older
"Can you **** my ****?"
I'm sorry I was never given the chance to love you
Tell you how much you mean
To me and my world of death and pain
I understand
17 years old and I'm labeled a psychopath
Only because I love the sight of horror
I'm crazy because I dissected an already dead cat
Insane because I stabbed my brother with his own knife
We're outcast in today's society
Because we don't conform to the fashions
The styles of tomorrow
Instead we bask in the glory of our demise
Praying to every god in every book
To take the blade another 6 cm deeper
To have the alcohol in our liver
Erode the burning emotions
We were blessed to have yet cursed to never be reciprocated
I'm sorry I was never given the chance to love you
I would have loved you the way an angelic demon like yourself
Always dreamed of since the age of 6
Shame you're a thousand miles away
Dancing on the rose pedals that wilted on your grave
I should have sent a bouquet
You would have known you were loved

There is nothing worse than choosing to break your own heart. Because you knew that if you chose to stay, your world would shrink until it crushes you apart. There are things you simply outgrow, like shirts and dresses that start exposing parts of you you’d rather keep to yourself. Memories that have fallen flat, you become two dimensional reruns of the past. Wells you have run dry, you need to leave and start digging for new founts. But don’t get me wrong, you can always stay.  But if you stay too long, you may become someone who has simply stayed behind.

Day 1
The door was left open I didn’t need the key to find my way in. I saw the desperation in the darkness, whimpering that I see the lines and edges obscured by shadows left by the one who lived there before me. I swipe my hand across the walls, patting recklessly for a switch that has to be there somewhere, only to find my hands covered in the filth that have settled there for too long, it claims all the walls as its own. But I was right to assume that all houses have lights to be turned on, the brightness of which at first will be unknown. So, I reach, and I flick the switch, and I see it half-glow- tired and overused yet eager to bid hello.

Day 4
The boxes come one by one and I am careful as to where they are laid. No, not there, in the puddle of murky water. Not there near the hole on the floor. Not there next to the pile of used…I don’t know what those are. Too *****, too filthy, too unpolished. Place it on those three spots that have been wiped down and cleaned, adorned by roses and fences, maintained by the past resident to gleam.

Day 11
I can’t sleep. This house is too foreign my body refuses to let the air sink into its pores.

Day 29
I wake up today refusing to believe that the rest of this house will be any better. I am carefully planning how to reach those three clean spots without my toes touching any of the grime. I tiptoe, like a hungry teenager during midnight, only to smack into the door frame. And I see lines. No, I didn’t have a concussion, there were really lines drawn on the side of the door frame: 1982, 1992, 1996, 2008, 2014. And for some reason, I lay back on the slender piece of wood and I draw a line right above my head as well, 2015: 158 cm.

Day 56
I stepped outside today to catch my breath, trying to find the same air that filled my lungs 7,463 km away.
I try looking for the same sun. The dimmed lights inside is starting to engulf my soul that I refuse to believe that my feet would not plunge into the darkened floors, I would not move anymore. I look across the street and I see my neighbors trimming their garden. I realize that not all things are simply given, not all things simply sprout, the filth will not blow itself out, nor will the light bulbs brighten itself. It stays as is because I simply let it be. In this life, you don’t always get to choose how everything starts, but you get to decide how it ends.


Day 180
Tonight, I’m sleeping over at a friend’s. The house is bigger and has more…food. It smells of cinnamon and peppermint or something foreign. But that just it, it’s…foreign. My body can’t seem to settle its bones on the proportions these chairs were carved out to have. I start missing new familiarities: that crack near my counter that I turned into a mail holder, that small stool that always trips me up on my way out but I never really moved, or that strong scent of aged wood which constantly reminds me where I’m at. It’s not exactly the best. But it has a warmth that tells me I will be missed if I ever decide to go anywhere else.

Day 240
I haven’t done the dishes for almost a week now nor have I done any form of “cleaning” that my mom would probably start questioning life when she sees the state of this house. I’m amazed by how it still holds itself together instead of choking me with the loam I made myself. Thank God houses aren’t people who hurt when they’ve been hurt because no one really likes crying alone. But sometimes alone is what we should be to remind ourselves that our two feet can still hold us up.

Day 320
They ask me what house I liked better. My heart was still left in the other.

Day 350
They asked me what house I like better. I’m not so sure.

Day 428
They asked what house I liked better, I still like the other. But it isn’t home anymore.

You see, home isn’t always where you’d like to invite people to stay, a place built by love and dreams, or where your heart is. Sometimes home is made by your screams of pain, it has become a dwelling place for your broken heart. Sometimes home is where you only stay for a while because it cannot contain your wandering heart. Sometimes home is there simply to tolerate and remind you that you can feel, that you may have left a piece of you with someone else but all pieces can be replaced. Sometimes home is where time is the fastest and no work is done, a place that takes you places just by sitting around.
Sometimes home is where you don’t want to be in because you want to know what else you can be out there.

Darling, in this world, there will always be better houses but better is not always what we need.