"sickle" poems
we are monsters
from the boutique to the
embroidered throw pillows the
pen dashed around the neck
stage 5 bone cut
sawing ossification to the
hollow core
we are monsters
hooting in tunnels lined
with bats coming out to feast
creation
to scrape the streets
shimmy the walls
bust the coffin and
succckk
we are monsters
who can't enter under the
doorframe
fearful of being burned by
the sun silver stake
rat poison holy water sickle
and windmill ash
we are monsters
sewed stapled dead meat
skin hair plugs ceramic
teeth tested and tasted by
rats
we are monsters
jumping high over white
fences frenzied explosion
running through corn
angrily bled in a field shot and
hunted like embarrassing
waterfowl in the jaws of
mammalia
we are monsters
of flaming brilliance flashing
in your inbox
read us and gnaw
braised
roasted
grilled limbs
watch
as we watch you
be scared and
stab
I promise we don't die.
Oct 1, 2015
Oct 1, 2015 at 2:32 PM UTC
Many have seen it within holy brains.
I've also found Terror on political lanes.
Most have spotted in religious garbs.
I've even seen Terror in Leader's barbs.
In hammer and sickle and in flag red.
Saw Terror when it left believers dead.
It came from skies on land of rising sun.
Horrifying, ugly Terror spared none.
Most have seen Terror in rebellious fire;
But I've even seen it in democratic attire.
In bullet cruel Terror can always be seen;
But I have even espied it in ballot mean.
Each has seen Terror in AK47's shine;
But I have even figured it in M4 carbine.
Things left unsaid may I dare to inform?
At times I have seen Terror in uniform.
Dec 9, 2014
Dec 9, 2014 at 9:48 PM UTC
So sell your daughters
**** your sons
Go break your spoken
Vows in tongues
For from these lungs
I storm the loudest
As my furies
Muse the proudest
Wings endowed with shrouds of Nyx
Baptized within the River Styx
So wage petty crusades
And feel
Titanic wrath’s
Achilles heel
For in this heart
My lust will claim
Entire Gaea’s
Set aflame
By bolts of my creative spark
Be sure, I’ve never missed my mark
So bend your knees
And cross your hearts
And mutilate
Your private parts
For by these hands
The story spun
The sickle swung
And shed my young
And led them to the glory sung
Henceforth until the Fates are done
Aug 23, 2018
Aug 23, 2018 at 5:36 PM UTC
Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove.
O no, it is an ever-fixèd mark
That looks on tempests and is never shaken;
It is the star to every wand’ring bark,
Whose worth’s unknown, although his height be taken.
Love’s not Time’s fool, though rosy lips and cheeks
Within his bending sickle’s compass come;
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
If this be error and upon me proved,
I never writ, nor no man ever loved.
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To outer senses there is peace,
A dreamy peace on either hand
Deep silence in the shadowy land,
Deep silence where the shadows cease.
Save for a cry that echoes shrill
From some lone bird disconsolate;
A corncrake calling to its mate;
The answer from the misty hill.
And suddenly the moon withdraws
Her sickle from the lightening skies,
And to her sombre cavern flies,
Wrapped in a veil of yellow gauze.
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Behold her, single in the field,
Yon solitary Highland Lass!
Reaping and singing by herself;
Stop here, or gently pass!
Alone she cuts and binds the grain,
And sings a melancholy strain;
O listen! for the Vale profound
Is overflowing with the sound.
No Nightingale did ever chaunt
More welcome notes to weary bands
Of travellers in some shady haunt,
Among Arabian sands:
A voice so thrilling ne’er was heard
In spring-time from the Cuckoo-bird,
Breaking the silence of the seas
Among the farthest Hebrides.
Will no one tell me what she sings?—
Perhaps the plaintive numbers flow
For old, unhappy, far-off things,
And battles long ago:
Or is it some more humble lay,
Familiar matter of to-day?
Some natural sorrow, loss, or pain,
That has been, and may be again?
Whate’er the theme, the Maiden sang
As if her song could have no ending;
I saw her singing at her work,
And o’er the sickle bending;—
I listened, motionless and still;
And, as I mounted up the hill,
The music in my heart I bore,
Long after it was heard no more.
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This poem is dedicated to the fallen of the First World War, and also, to all those we have lost in the years since.
- Somme Harvest -
In the early morning
Dawn of the fiery horizon,
The sea of green caresses the land
And gave it gentle kisses
Of tender sadness.
On this day many an unlived life would find
Life in Death, but first must come Death in Life,
Indeed, a bouquet of barbs grace the
Dark, dank, *****
Halls of Morningstar,
Servants go to and fro preparing the sordid feast
Of unsung heroes.
Babes in arms are they, who shall
Ever sleep till the break of the final day.
Fields of Flanders infertile,
But for the harvest to ripen
The fertilizer of life is
Scattered, battered, tattered,
Sown,
Human manure, nutrient of vitality,
It seeps into earthly soil.
In the year of our Lord,
One thousand, nine hundred and sixteen
Did the farmers collect their greatest bounty,
Not all farmers reaped massive yields,
Farmers Kultur, Sickle and Hammer
Fed their maniacal hunger with rotting corpses,
While famers Lion, Bulldog and Bald Eagle
Wept their hunger with mechanical eyes,
Farmer Scythe, steward of Morningstar,
Laughed dry, dead tears of hungry joy
And sang the golden harvest song
As his blade swam through the harvest thirstily,
For indeed, the harvest was an endless
Smoky sea of blood green
And thousands were sailing.
Twilight gleaming through the sky,
The raging war god vomit’s dry thunderous wrath
And wreaks barbaric, savage, ferocious, ****** carnage below,
As sleeping
Babes in arms fly through the red twilight.
Vultures dressed in human feathers
Gather and crowd around their congealing cold feast,
With hatred sewn on their
Lifeless, lidless
Blind eyes,
They shriek their throaty, ******
Thankless prayers to idle gods.
A multitude of thousands upon thousands
Of souls sour to the heights of Mount Olympus,
Unshed tears,
My child, I saw you in that dusky evening half-light,
Flying, soaring and rising higher with your
Brothers-in-arms.
As I looked up at the darkening sky
My heart wept warm tears of ebbing love,
While my eyes forever dimmed the light,
And my baby,
My body became the Earth,
The phoenix has nested.
Nov 11, 2011
Nov 11, 2011 at 6:04 AM UTC
Dry veins branch the dead gulch
cinder cones set on a marble tan scape
fanning sands sketch ephemeral
fossil plates fold under columns of gray
Mountain back steep at the crevasse
sinkhole spots form on parallel nine
sulfur pipe stems from molten ash
withered shrubs and crumbling spines
silt fields cover the foothills
swayback shed near the Whipple tree barn
tumbledown shacks form the patchwork
from goat canyon ranch to big bison farm
Salt lakes fractured in amber
sickle-bush cut at the bowline knot
a half-moon traced by the viper
oxbow streams and valley grot
Feb 13, 2019
Feb 13, 2019 at 1:43 PM UTC
The root suggests multiples,
a pair of shoes, yours and mine.
The prefix is a verb in motion, a
positive direction; a triumph of gravity
in defiance of its equal and opposite reaction.
He stands by the car in the grey light
with drizzle beading up on his shoulders.
Our life upset, torn at the seam into his and mine.
Turn around,
the coward whispers from my mouth.
I see my face reflected in the glass window
staring back at myself, the coward,
half of a set now rendered unusable, sold as scrap.
Turn around.
Multiples reduced to singular nouns.
My shoes are kicked and left by the door.
Everywhere his shapes are cut out of the dust.
The coward in me grins wide as a sickle
In the bathroom mirror. Our set of ghosts are
making too much noise, all night they keep me
up.
Nov 13, 2012
Nov 13, 2012 at 10:24 AM UTC
In this evil year, autumn comes early...
I walk by night in the field, alone, the rain clatters,
The wind on my hat...And you? And you, my friend?
You are standing--maybe--and seeing the sickle moon
Move in a small arc over the forests
And bivouac fire, red in the black valley.
You are lying--maybe--in a straw field and sleeping
And dew falls cold on your forehead and battle jacket.
It's possible tonight you're on horseback,
The farthest outpost, peering along, with a gun in your fist,
Smiling, whispering, to your exhausted horse.
Maybe--I keep imagining--you are spending the night
As a guest in a strange castle with a park
And writing a letter by candlelight, and tapping
On the piano keys by the window,
Groping for a sound...
--And maybe
You are already silent, already dead, and the day
Will shine no longer into your beloved
Serious eyes, and your beloved brown hand hangs wilted,
And your white forehead split open--Oh, if only,
If only, just once, that last day, I had shown you, told you
Something of my love, that was too timid to speak!
But you know me, you know...and, smiling, you nod
Tonight in front of your strange castle,
And you nod to your horse in the drenched forest,
And you nod to your sleep to your harsh clutter of straw,
And think about me, and smile.
And maybe,
Maybe some day you will come back from the war,
and take a walk with me some evening,
And somebody will talk about Longwy, Luttich, Dammerkirch,
And smile gravely, and everything will be as before,
And no one will speak a word of his worry,
Of his worry and tenderness by night in the field,
Of his love. And with a single joke
You will frighten away the worry, the war, the uneasy nights,
The summer lightning of shy human friendship,
Into the cool past that will never come back.
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SPRING
Spring is the king of the seasons
Ugadi is the first of the festivals
We wear new clothes
And eat delicious broths
Mother prepares the customary mango pickle
Father worships the sickle
Nature is in her full bloom
There is no room for any gloom
The cuckoo sings early in the morning
The farmer is ready for harvesting
There are new born leaves
And pleasant breezes
Every tree has a flower
There is flowing water in the river
The wind blows very softly
The birds fly very swiftly
The winter was very cold
But the spring is very beautiful to behold
Ugadi brings in new hopes
The farmer depends on yearly crops
May this new year bring in peace!
I am able to write a poetic piece
by JVL NARASIMHA RAO
Dec 28, 2010
Dec 28, 2010 at 7:38 PM UTC
We live in a cycle
my name is Michael
little kid rides a tricycle
while a grown up rides a bicycle
I have a sickle
to my right ventricle
some kid found a nickle
some grown up is being fickle
the red flood starts as a tickle
and ends at a trickle
little kid believes in a miracle
a grown up only sees an obstacle
my name is Michael
We live in a cycle
Mar 18, 2012
Mar 18, 2012 at 6:41 AM UTC
Yeah it's one shot one ****
Plottin' against my enemies will soon to be killed
Bullets feedin' ya last meal
Dope rhymes sedatin' like pharmacy pills
Since hataz got no chill heads I'll drill now you leakin' out like oil spills
Or a radiator angelic caters none could create a
Flows nasty as mine poppin' a multiplicity of shells I'm one of a kind
Thoughts intertwined
****** into a demons intervention contenders in suspension from the soul lynching
Caught in the realms of heaven and hell & you can smell
The ashes burning fermentin'
time runnin' slower than molasses
My murders be classic enemies dramatic causin' static
Shoot more than Bird combined with Magic
Workin' my Johnson on the tracks tonsils sittin' as a hip hop consul underground magul
**** longer than Repunzels hair follicles
Cookin' up sigils into a *** of gold no rainbow snortin' sir nose
D'void of Funk rattlin' the earth from the bass in my trunk blazin' skunks
Abraxas I'm embracin' one of my goetias when facin' ain't no replacin'
Fools givin' chase
and to tastes of demonic faces
My flows replenish like **** laces
Blunts turn into ashes dump it out on the masses
Epidemic mase deaden your pace hazardous like toxic waste
Adversaries don't wanna face
Off like Nicolas to Travolta livin' in an ultra violent culture
Cleatin' into ya flesh I be the stalkin' Vulture mulchin' ya
'til ya
A dissembled particle blank photo in the article from curvin' emcees with my surgical
lyrical sickle stare into ya eyes as the blood trickles
Down ya body you easily brickled rhymes artificial
My soul sour as a pickle no tickles
Could move me or influence thee my legacy
Lay cinematography like A. Hitchcock in the 50s huh
Ya soon to be a death reel for thrills
Rememeber
All I need is one shot one **** forreal!!!!
Aug 27, 2018
Aug 27, 2018 at 4:57 PM UTC
And the trees about me,
Let them be dry and leafless; let the rocks
Groan with continual surges; and behind me
Make all a desolation. Look, look, wenches!
Paint me a cavernous waste shore
Cast in the unstilled Cyclades,
Paint me the bold anfractuous rocks
Faced by the snarled and yelping seas.
Display me ****** above
Reviewing the insurgent gales
Which tangle Ariadne’s hair
And swell with haste the perjured sails.
Morning stirs the feet and hands
(Nausicaa and Polypheme).
Gesture of orang-outang
Rises from the sheets in steam.
This withered root of knots of hair
Slitted below and gashed with eyes,
This oval O cropped out with teeth:
The sickle motion from the thighs
Jackknifes upward at the knees
Then straightens out from heel to hip
Pushing the framework of the bed
And clawing at the pillow slip.
Sweeney addressed full length to shave
Broadbottomed, pink from nape to base,
Knows the female temperament
And wipes the suds around his face.
(The lengthened shadow of a man
Is history, said Emerson
Who had not seen the silhouette
Of Sweeney straddled in the sun.)
Tests the razor on his leg
Waiting until the shriek subsides.
The epileptic on the bed
Curves backward, clutching at her sides.
The ladies of the corridor
Find themselves involved, disgraced,
Call witness to their principles
And deprecate the lack of taste
Observing that hysteria
Might easily be misunderstood;
Mrs. Turner intimates
It does the house no sort of good.
But Doris, towelled from the bath,
Enters padding on broad feet,
Bringing sal volatile
And a glass of brandy neat.
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romeo is bleeding but not so as you'd notice
he's over on 18hh street as usual
lookin' so hard
against the hood of his car
and puttin' out a cigarette in his hand
and for all the pachucos at the pumps
at romeros paint and body
they all seein' how far they can spit
well it was just another night
but how they're huddled in the brake lights
of a 58 belair
and listenin' to how romeo killed a sherrif his knife
and they all jump when they hear the sirens
but romeo just laughs
and says all the racket in the world
ain't never gonna save that coppers ***
he'll never see another summertime
for gunnin' down my brother
and leavin' him like a dog beneath a car without his knife
and romeo says hey man gimme a cigarette
and they all reach for their pack
and frankie lights it for him
and pats him on the back
and throws bottle at a milk truck
and as it breaks he grabs his nuts
and they all know they could be just like romeo
if they only had the guts
but romeo is bleeding
but nobody can tell
and he sings along with the radio with a bullet in his chest
and he combs back his fenders and they all agree its clear
that every thing is cool now that romeos here
but romeo is bleeding and he winces now and then
and he leans against the car doors
and feels the blood in his shoes
and someones crying in the phone booth at the 5 points by the store
romeo starts his engine and wipes the blood off the door
and he brodys through the signal
with the radio full blast
leavin' the boys there hikin' up there chinos
and they all try to stand like romeo
beneath the moon cut like a sickle
and they're talkin' now in spanish about there hero
but romeo is bleeding
as he gives the man his ticket
and he climbs to the balcony at the movies
and he'll die without a wimper
like every heros dream
just like an angel with a bullet
and cagney on the screen
Jan 1, 2013
Jan 1, 2013 at 7:16 PM UTC
No sickle bar churns
repetitiously clanging two notes
while grasshoppers and field mice
scurry to survive the blade
Now yellow bulldozers with humongous tires
roar like thunder in a rainstorm and
scrape away black loam leaving
clay as red as fresh beets
There is no funeral for the hay meadow
that is dead and put to rest
without a tombstone
May 22, 2014
May 22, 2014 at 9:24 AM UTC
Cock-a-doodle-do! Cock-a-doodle-do!
Cockcrow! Wake up, you poor humans!
The crazy, heartless sapient-irrationals!
You glug your cocktails in our names,
And slay, roast, and offer us to God,
And atone slyly your un-atonable sins.
Our lovely sickle tails, you used, once,
To concoct the cocktails you gulped;
And coveted our red comb and wattle,
The bright yellow of our cape and hackle,
The glittering blue of our wing bows,
And the violet-red of the back and saddle.
Oh no! Don’t strip us of our fair plumage
Our sickle, main tail and the lesser sickle,
Our fluff, hock joint, shank and the spur,
To the toes and claws, for you to toil
Hard, to fry--stir-fry—us, **** in your oil,
For your vain cocktail-less cocktail summits.
Dec 23, 2013
Dec 23, 2013 at 8:47 AM UTC
Cock-a-doodle-do! Cock-a-doodle-do!
Cockcrow! Wake up, you poor humans!
The crazy, heartless sapient-irrationals!
You glug your cocktails in our names,
And slay, roast, and offer us to God,
And atone slyly your un-atonable sins.
Our lovely sickle tails, you used, once,
To concoct the cocktails you gulped;
And coveted our red comb and wattle,
The bright yellow of our cape and hackle,
The glittering blue of our wing bows,
And the violet-red of the back and saddle.
Oh no! Don’t strip us of our fair plumage
Our sickle, main tail and the lesser sickle,
Our fluff, hock joint, shank and the spur,
To the toes and claws, for you to toil
Hard, to fry--stir-fry—us, **** in your oil,
For your vain cocktail-less cocktail summits.
Nov 7, 2013
Nov 7, 2013 at 11:00 AM UTC
a waxing crescent grows thicker
every day—a careening sickle
half-hugged and begging
—below, flying flecks
of salt. The
pang-tamed wile—gems wrapped in
foil and heated in
god’s shadow in space. I am
close to those I love. I am
made of molten jewels.
meltingly.
meltingly. bowl of
wisdom—a dish for
old mints and mammalian
eyes. These tears—
they are mine.
Jun 22, 2017
Jun 22, 2017 at 3:49 PM UTC
drowned and round again
in sick little circles
chopping at the bar
a round
and drown again
in little sickle stumbles
chopping wise at the bar
with your wage crunched
in one mitt
and your obscenity
gripped
in the other
Mar 18, 2022
Mar 18, 2022 at 10:18 PM UTC
Tonight, my god, tonight!
I will meet you,
the first and last time.
Your cloak and dagger
existence, your
pallor of decay,
your dark dreams.
I will walk from this
comfort to the hill
by the moon.
Water rushing somewhere
below us.
I will find you there.
Patiently waiting.
Chess board before you,
sickle in hand.
I will meet Death tonight.
I will laugh at him,
turn my nose at him.
I will take the challenge.
I will rise to the occasion.
Tonight, my god Tonight!
I will be immortal.
Dec 15, 2010
Dec 15, 2010 at 5:24 PM UTC
There is a Reaper whose name is Death,
And, with his sickle keen,
He reaps the bearded grain at a breath,
And the flowers that grow between.
“Shall I have nought that is fair?” saith he;
“Have nought but the bearded grain?
Though the breath of these flowers is sweet to me,
I will give them all back again.”
He gazed at the flowers with tearful eyes,
He kissed their drooping leaves;
It was for the Lord of Paradise
He bound them in his sheaves.
“My Lord has need of these flowerets gay,”
The Reaper said, and smiled;
“Dear tokens of the earth are they,
Where he was once a child.
“They shall all bloom in fields of light,
Transplanted by my care,
And saints, upon their garments white,
These sacred blossoms wear.”
And the mother gave, in tears and pain,
The flowers she most did love;
She knew she should find them all again
In the fields of light above.
O, not in cruelty, not in wrath,
The Reaper came that day;
’Twas an angel visited the green earth,
And took the flowers away.
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If the quick spirits in your eye
Now languish, and anon must die;
If every sweet, and every grace
Must fly from that forsaken face;
Then, Celia, let us reap our joys,
Ere Time such goodly fruit destroys.
Or if that golden fleece must grow
Forever, free from agèd snow;
If those bright suns must know no shade,
Nor your fresh beauties ever fade;
Then fear not, Celia, to bestow
What, still being gathered, still must grow.
Thus, either Time his sickle brings
In vain, or else in vain his wings.
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