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I.

the emperor
sleeps in a palace of porphyry
which was a million years building
he takes the air in a howdah
of jasper beneath saffron
umbrellas
upon an elephant
twelve foot high
behind whose ear
sits always a crowned
king twir-
ling an
ankus of
ebony
the fountains of the emperor’s
palace run sunlight and
moonlight and the emperor’s
elephant is a thousand years old

the harem of
the emperor
is carpeted with
gold cloth
from the
ceiling(one
diamond timid
with nesting incense)
fifty
marble
pillars
slipped from immeasurable
height,fall,fifty,silent

in the incense is tangled a cool moon
there are thrice-three-hundred
doors carven of chalcedony and
before every door a naked
****** watches
on their heads turbans of a hundred
colours
in their hands scimitars like windy torches
each
is
blacker than oblivion

the ladies
of the emperor’s
harem are queens
of all the earth and the rings
upon their hands are from mines
a mile deep
but the body of
the queen of queens is
more transparent
than water,she is softer than birds

                2.

when the emperor is very
amorous he reclines upon
the couch of couches and
beckons     with
the little
finger of his left
hand
then the
thrice-three-hundredth
door is opened by the tallest
****** and the queen
of queens comes
forth
ankles
musical with large pearls
kingdoms in her ears
at the feet of
the emperor a cithern-
player squats with
quiveringgold
body
behind
the emperor ten
elected warriors with
bodies of lazy jade
and twitching
eyelids
finger
their
unquiet
spears

the queen of queens is dancing

her subtle
body weaving
insinuating upon the gold cloth
incessantly creates patterns of sudden
lust
her
stealing body ex-
pending gathering pouring upon itself     stiffenS
to a
white thorn
of desire

the taut neck of the citharede wags
in the dust the ghastly warriors
amber with lust breathe
together      the emperor,exerting
himself among his pillows throws
jewels at the queen of queens and
white money upon her nakedness
he
nods
          and all
depart through the bruised air aflutter with pearls

                3.

they are
alone
he beckons,she rises she
stands
a moment
in the passion of the fifty
pillars
listening

while the queens of all the
earth writhe upon deep rugs
But some good Triton-god had ruth, and bare
The boy’s drowned body back to Grecian land,
And mermaids combed his dank and dripping hair
And smoothed his brow, and loosed his clenching hand;
Some brought sweet spices from far Araby,
And others bade the halcyon sing her softest lullaby.

And when he neared his old Athenian home,
A mighty billow rose up suddenly
Upon whose oily back the clotted foam
Lay diapered in some strange fantasy,
And clasping him unto its glassy breast
Swept landward, like a white-maned steed upon a venturous quest!

Now where Colonos leans unto the sea
There lies a long and level stretch of lawn;
The rabbit knows it, and the mountain bee
For it deserts Hymettus, and the Faun
Is not afraid, for never through the day
Comes a cry ruder than the shout of shepherd lads at play.

But often from the thorny labyrinth
And tangled branches of the circling wood
The stealthy hunter sees young Hyacinth
Hurling the polished disk, and draws his hood
Over his guilty gaze, and creeps away,
Nor dares to wind his horn, or—else at the first break of day

The Dryads come and throw the leathern ball
Along the reedy shore, and circumvent
Some goat-eared Pan to be their seneschal
For fear of bold Poseidon’s ravishment,
And loose their girdles, with shy timorous eyes,
Lest from the surf his azure arms and purple beard should rise.

On this side and on that a rocky cave,
Hung with the yellow-belled laburnum, stands
Smooth is the beach, save where some ebbing wave
Leaves its faint outline etched upon the sands,
As though it feared to be too soon forgot
By the green rush, its playfellow,—and yet, it is a spot

So small, that the inconstant butterfly
Could steal the hoarded money from each flower
Ere it was noon, and still not satisfy
Its over-greedy love,—within an hour
A sailor boy, were he but rude enow
To land and pluck a garland for his galley’s painted prow,

Would almost leave the little meadow bare,
For it knows nothing of great pageantry,
Only a few narcissi here and there
Stand separate in sweet austerity,
Dotting the unmown grass with silver stars,
And here and there a daffodil waves tiny scimitars.

Hither the billow brought him, and was glad
Of such dear servitude, and where the land
Was ****** of all waters laid the lad
Upon the golden margent of the strand,
And like a lingering lover oft returned
To kiss those pallid limbs which once with intense fire burned,

Ere the wet seas had quenched that holocaust,
That self-fed flame, that passionate lustihead,
Ere grisly death with chill and nipping frost
Had withered up those lilies white and red
Which, while the boy would through the forest range,
Answered each other in a sweet antiphonal counter-change.

And when at dawn the wood-nymphs, hand-in-hand,
Threaded the bosky dell, their satyr spied
The boy’s pale body stretched upon the sand,
And feared Poseidon’s treachery, and cried,
And like bright sunbeams flitting through a glade
Each startled Dryad sought some safe and leafy ambuscade.

Save one white girl, who deemed it would not be
So dread a thing to feel a sea-god’s arms
Crushing her ******* in amorous tyranny,
And longed to listen to those subtle charms
Insidious lovers weave when they would win
Some fenced fortress, and stole back again, nor thought it sin

To yield her treasure unto one so fair,
And lay beside him, thirsty with love’s drouth,
Called him soft names, played with his tangled hair,
And with hot lips made havoc of his mouth
Afraid he might not wake, and then afraid
Lest he might wake too soon, fled back, and then, fond renegade,

Returned to fresh assault, and all day long
Sat at his side, and laughed at her new toy,
And held his hand, and sang her sweetest song,
Then frowned to see how froward was the boy
Who would not with her maidenhood entwine,
Nor knew that three days since his eyes had looked on Proserpine;

Nor knew what sacrilege his lips had done,
But said, ‘He will awake, I know him well,
He will awake at evening when the sun
Hangs his red shield on Corinth’s citadel;
This sleep is but a cruel treachery
To make me love him more, and in some cavern of the sea

Deeper than ever falls the fisher’s line
Already a huge Triton blows his horn,
And weaves a garland from the crystalline
And drifting ocean-tendrils to adorn
The emerald pillars of our bridal bed,
For sphered in foaming silver, and with coral crowned head,

We two will sit upon a throne of pearl,
And a blue wave will be our canopy,
And at our feet the water-snakes will curl
In all their amethystine panoply
Of diamonded mail, and we will mark
The mullets swimming by the mast of some storm-foundered bark,

Vermilion-finned with eyes of bossy gold
Like flakes of crimson light, and the great deep
His glassy-portaled chamber will unfold,
And we will see the painted dolphins sleep
Cradled by murmuring halcyons on the rocks
Where Proteus in quaint suit of green pastures his monstrous
flocks.

And tremulous opal-hued anemones
Will wave their purple fringes where we tread
Upon the mirrored floor, and argosies
Of fishes flecked with tawny scales will thread
The drifting cordage of the shattered wreck,
And honey-coloured amber beads our twining limbs will deck.’

But when that baffled Lord of War the Sun
With gaudy pennon flying passed away
Into his brazen House, and one by one
The little yellow stars began to stray
Across the field of heaven, ah! then indeed
She feared his lips upon her lips would never care to feed,

And cried, ‘Awake, already the pale moon
Washes the trees with silver, and the wave
Creeps grey and chilly up this sandy dune,
The croaking frogs are out, and from the cave
The nightjar shrieks, the fluttering bats repass,
And the brown stoat with hollow flanks creeps through the dusky
grass.

Nay, though thou art a god, be not so coy,
For in yon stream there is a little reed
That often whispers how a lovely boy
Lay with her once upon a grassy mead,
Who when his cruel pleasure he had done
Spread wings of rustling gold and soared aloft into the sun.

Be not so coy, the laurel trembles still
With great Apollo’s kisses, and the fir
Whose clustering sisters fringe the seaward hill
Hath many a tale of that bold ravisher
Whom men call Boreas, and I have seen
The mocking eyes of Hermes through the poplar’s silvery sheen.

Even the jealous Naiads call me fair,
And every morn a young and ruddy swain
Woos me with apples and with locks of hair,
And seeks to soothe my virginal disdain
By all the gifts the gentle wood-nymphs love;
But yesterday he brought to me an iris-plumaged dove

With little crimson feet, which with its store
Of seven spotted eggs the cruel lad
Had stolen from the lofty sycamore
At daybreak, when her amorous comrade had
Flown off in search of berried juniper
Which most they love; the fretful wasp, that earliest vintager

Of the blue grapes, hath not persistency
So constant as this simple shepherd-boy
For my poor lips, his joyous purity
And laughing sunny eyes might well decoy
A Dryad from her oath to Artemis;
For very beautiful is he, his mouth was made to kiss;

His argent forehead, like a rising moon
Over the dusky hills of meeting brows,
Is crescent shaped, the hot and Tyrian noon
Leads from the myrtle-grove no goodlier spouse
For Cytheraea, the first silky down
Fringes his blushing cheeks, and his young limbs are strong and
brown;

And he is rich, and fat and fleecy herds
Of bleating sheep upon his meadows lie,
And many an earthen bowl of yellow curds
Is in his homestead for the thievish fly
To swim and drown in, the pink clover mead
Keeps its sweet store for him, and he can pipe on oaten reed.

And yet I love him not; it was for thee
I kept my love; I knew that thou would’st come
To rid me of this pallid chastity,
Thou fairest flower of the flowerless foam
Of all the wide AEgean, brightest star
Of ocean’s azure heavens where the mirrored planets are!

I knew that thou would’st come, for when at first
The dry wood burgeoned, and the sap of spring
Swelled in my green and tender bark or burst
To myriad multitudinous blossoming
Which mocked the midnight with its mimic moons
That did not dread the dawn, and first the thrushes’ rapturous
tunes

Startled the squirrel from its granary,
And cuckoo flowers fringed the narrow lane,
Through my young leaves a sensuous ecstasy
Crept like new wine, and every mossy vein
Throbbed with the fitful pulse of amorous blood,
And the wild winds of passion shook my slim stem’s maidenhood.

The trooping fawns at evening came and laid
Their cool black noses on my lowest boughs,
And on my topmost branch the blackbird made
A little nest of grasses for his spouse,
And now and then a twittering wren would light
On a thin twig which hardly bare the weight of such delight.

I was the Attic shepherd’s trysting place,
Beneath my shadow Amaryllis lay,
And round my trunk would laughing Daphnis chase
The timorous girl, till tired out with play
She felt his hot breath stir her tangled hair,
And turned, and looked, and fled no more from such delightful
snare.

Then come away unto my ambuscade
Where clustering woodbine weaves a canopy
For amorous pleasaunce, and the rustling shade
Of Paphian myrtles seems to sanctify
The dearest rites of love; there in the cool
And green recesses of its farthest depth there is pool,

The ouzel’s haunt, the wild bee’s pasturage,
For round its rim great creamy lilies float
Through their flat leaves in verdant anchorage,
Each cup a white-sailed golden-laden boat
Steered by a dragon-fly,—be not afraid
To leave this wan and wave-kissed shore, surely the place was made

For lovers such as we; the Cyprian Queen,
One arm around her boyish paramour,
Strays often there at eve, and I have seen
The moon strip off her misty vestiture
For young Endymion’s eyes; be not afraid,
The panther feet of Dian never tread that secret glade.

Nay if thou will’st, back to the beating brine,
Back to the boisterous billow let us go,
And walk all day beneath the hyaline
Huge vault of Neptune’s watery portico,
And watch the purple monsters of the deep
Sport in ungainly play, and from his lair keen Xiphias leap.

For if my mistress find me lying here
She will not ruth or gentle pity show,
But lay her boar-spear down, and with austere
Relentless fingers string the cornel bow,
And draw the feathered notch against her breast,
And loose the arched cord; aye, even now upon the quest

I hear her hurrying feet,—awake, awake,
Thou laggard in love’s battle! once at least
Let me drink deep of passion’s wine, and slake
My parched being with the nectarous feast
Which even gods affect!  O come, Love, come,
Still we have time to reach the cavern of thine azure home.’

Scarce had she spoken when the shuddering trees
Shook, and the leaves divided, and the air
Grew conscious of a god, and the grey seas
Crawled backward, and a long and dismal blare
Blew from some tasselled horn, a sleuth-hound bayed,
And like a flame a barbed reed flew whizzing down the glade.

And where the little flowers of her breast
Just brake into their milky blossoming,
This murderous paramour, this unbidden guest,
Pierced and struck deep in horrid chambering,
And ploughed a ****** furrow with its dart,
And dug a long red road, and cleft with winged death her heart.

Sobbing her life out with a bitter cry
On the boy’s body fell the Dryad maid,
Sobbing for incomplete virginity,
And raptures unenjoyed, and pleasures dead,
And all the pain of things unsatisfied,
And the bright drops of crimson youth crept down her throbbing
side.

Ah! pitiful it was to hear her moan,
And very pitiful to see her die
Ere she had yielded up her sweets, or known
The joy of passion, that dread mystery
Which not to know is not to live at all,
And yet to know is to be held in death’s most deadly thrall.

But as it hapt the Queen of Cythere,
Who with Adonis all night long had lain
Within some shepherd’s hut in Arcady,
On team of silver doves and gilded wain
Was journeying Paphos-ward, high up afar
From mortal ken between the mountains and the morning star,

And when low down she spied the hapless pair,
And heard the Oread’s faint despairing cry,
Whose cadence seemed to play upon the air
As though it were a viol, hastily
She bade her pigeons fold each straining plume,
And dropt to earth, and reached the strand, and saw their dolorous
doom.

For as a gardener turning back his head
To catch the last notes of the linnet, mows
With careless scythe too near some flower bed,
And cuts the thorny pillar of the rose,
And with the flower’s loosened loneliness
Strews the brown mould; or as some shepherd lad in wantonness

Driving his little flock along the mead
Treads down two daffodils, which side by aide
Have lured the lady-bird with yellow brede
And made the gaudy moth forget its pride,
Treads down their brimming golden chalices
Under light feet which were not made for such rude ravages;

Or as a schoolboy tired of his book
Flings himself down upon the reedy grass
And plucks two water-lilies from the brook,
And for a time forgets the hour glass,
Then wearies of their sweets, and goes his way,
And lets the hot sun **** them, even go these lovers lay.

And Venus cried, ‘It is dread Artemis
Whose bitter hand hath wrought this cruelty,
Or else that mightier maid whose care it is
To guard her strong and stainless majesty
Upon the hill Athenian,—alas!
That they who loved so well unloved into Death’s house should
pass.’

So with soft hands she laid the boy and girl
In the great golden waggon tenderly
(Her white throat whiter than a moony pearl
Just threaded with a blue vein’s tapestry
Had not yet ceased to throb, and still her breast
Swayed like a wind-stirred lily in ambiguous unrest)

And then each pigeon spread its milky van,
The bright car soared into the dawning sky,
And like a cloud the aerial caravan
Passed over the AEgean silently,
Till the faint air was troubled with the song
From the wan mouths that call on bleeding Thammuz all night long.

But when the doves had reached their wonted goal
Where the wide stair of orbed marble dips
Its snows into the sea, her fluttering soul
Just shook the trembling petals of her lips
And passed into the void, and Venus knew
That one fair maid the less would walk amid her retinue,

And bade her servants carve a cedar chest
With all the wonder of this history,
Within whose scented womb their limbs should rest
Where olive-trees make tender the blue sky
On the low hills of Paphos, and the Faun
Pipes in the noonday, and the nightingale sings on till dawn.

Nor failed they to obey her hest, and ere
The morning bee had stung the daffodil
With tiny fretful spear, or from its lair
The waking stag had leapt across the rill
And roused the ouzel, or the lizard crept
Athwart the sunny rock, beneath the grass their bodies slept.

And when day brake, within that silver shrine
Fed by the flames of cressets tremulous,
Queen Venus knelt and prayed to Proserpine
That she whose beauty made Death amorous
Should beg a guerdon from her pallid Lord,
And let Desire pass across dread Charon’s icy ford.
ConnectHook Sep 2015
♦   ♦   ♦

She was an earnest devotée.
Her ideals, birthed in Chardonnay
were globally diverse (read: white).
A liberal bark preceded bite.
Her crystal clearer than her vision;
she provoked bemused derision
as she breathed intolerance
toward all who would not dance her dance.
She swooned for distant pagan tribes,
attuned to their exotic vibes –
rapt in multi-culti piety
strangely deaf to her own society,
judged by her as abomination;
unredeemed. The background station
always stuck on N.P.R.
(the soundtrack of her culture war,
Pacifica News and Democracy Nows,
and other progressive holy cows)
Her motherland a shameful mystery:
guilty first, and void of history –
its origins defiled, corrupted…
while she enjoyed uninterrupted
freedom to pursue her whims:
misguided one-world global hymns.
The sisterhood of hu(man) kind
was foremost in her earnest mind –
even should that same sisterhood
be sealed by her well-meaning blood.
Out on a date with global death
she hoped to unify the earth
in solidarity with causes
led by killers, warlord bosses,
thugs she never knew existed
who, if she’d met she’d have resisted.
Her theory landed far from her praxis
spun, by default, on an evil axis.
Hot with zeal she fumed and stormed
quite certain she was well-informed,
at benefits, non-profit functions
rallies, boycotts, left-wing luncheons;
warm with righteous spite for Israel,
aiding and abetting Ishmael
with fellow-travelers, like-minded
similarly hateful, blinded,
rattling sabers, scimitars, axes…
(lunacy never wanes, but waxes
hotter with the passing years
as activists confront their fears).
She finally shilled for the Intifada
(stopping short of reciting Shahada),
reaching out to the terrorist
with righteous raised progressive fist…
offering thus her neck to blade:
collateral to be repaid
by murderers who couldn’t care less
about her open-mindedness.
https://connecthook.wordpress.com/2014/03/19/multicultural-suicide-an-epitaph/
Tom Spencer Jul 2015
Cellophane wings beating
against the heavy summer air,
back and forth, all day long,
the blue dragonflies
chase one another across the pond-
their tails turned up
like neon scimitars
poised for a ******
that never seems to come.
Occasionally, a truce is called,
and they settle into place
on opposite sides of the reeds,
momentarily oblivious to their war.
Twice their size,
the red dragonfly idles in the sun.
From time to time it leaves its perch
to challenge the silhouette
hanging from the iris blade,
its spent skin,
as if it were a bad memory
rising from the green depths of the pond.
Below the surface,
the fish school together- a current of gold
slipping between the lily pads,
each aware of its place in the stream.
My reflection circles them all.
Drawn to the water
that both mirrors and obscures
I lose my place for a moment-
hovering between obligations and idleness
on cellophane wings.


Tom Spencer © 2015
A Tale

“Of Brownyis and of Bogilis full is this Buke.”
                              —Gawin Douglas.

When chapman billies leave the street,
And drouthy neebors neebors meet,
As market-days are wearing late,
An’ folk begin to tak’ the gate;
While we sit bousing at the *****,
An’ getting fou and unco happy,
We think na on the lang Scots miles,
The mosses, waters, slaps, and stiles,
That lie between us and our hame,
Whare sits our sulky, sullen dame,
Gathering her brows like gathering storm,
Nursing her wrath to keep it warm.

This truth fand honest Tam o’Shanter,
As he frae Ayr ae night did canter,
(Auld Ayr, wham ne’er a town surpasses,
For honest men and bonie lasses).

O Tam! hadst thou but been sae wise,
As ta’en thy ain wife Kate’s advice!
She tauld thee weel thou was a skellum,
A blethering, blustering, drunken blellum,
That frae November till October,
Ae market-day thou was nae sober;
That ilka melder, wi’ the miller,
Thou sat as lang as thou had siller;
That ev’ry naig was ca’d a shoe on,
The smith and thee gat roarin fou on;
That at the Lord’s house, ev’n on Sunday,
Thou drank wi’ Kirkton Jean till Monday.
She prophesied that, late or soon,
Thou would be found deep drowned in Doon;
Or catched wi’ warlocks in the mirk,
By Alloway’s auld haunted kirk.

Ah, gentle dames! it gars me greet,
To think how mony counsels sweet,
How mony lengthened sage advices,
The husband frae the wife despises!

But to our tale: Ae market-night,
Tam had got planted unco right;
Fast by an ingle, bleezing finely,
Wi’ reaming swats, that drank divinely;
And at his elbow, Souter Johnny,
His ancient, trusty, drouthy crony;
Tam lo’ed him like a vera brither;
They had been fou for weeks thegither.
The night drave on wi’ sangs an’ clatter;
And aye the ale was growing better:
The landlady and Tam grew gracious,
Wi’ favours, secret, sweet, and precious:
The Souter tauld his queerest stories;
The landlord’s laugh was ready chorus:
The storm without might rair and rustle,
Tam did na mind the storm a whistle.

Care, mad to see a man sae happy,
E’en drowned himself amang the *****;
As bees flee hame wi’ lades o’ treasure,
The minutes winged their way wi’ pleasure:
Kings may be blest, but Tam was glorious,
O’er a’ the ills o’ life victorious!

But pleasures are like poppies spread,
You seize the flow’r, its bloom is shed;
Or like the snow falls in the river,
A moment white—then melts for ever;
Or like the borealis race,
That flit ere you can point their place;
Or like the rainbow’s lovely form
Evanishing amid the storm.—
Nae man can tether time or tide;
The hour approaches Tam maun ride;
That hour, o’ night’s black arch the key-stane,
That dreary hour he mounts his beast in;
And sic a night he tak’s the road in,
As ne’er poor sinner was abroad in.

The wind blew as ‘twad blawn its last;
The rattling showers rose on the blast;
The speedy gleams the darkness swallowed;
Loud, deep, and lang the thunder bellowed:
That night, a child might understand,
The De’il had business on his hand.

Weel mounted on his grey mare, Meg,
A better never lifted leg,
Tam skelpit on thro’ dub and mire,
Despising wind, and rain, and fire;
Whiles holding fast his gude blue bonnet;
Whiles crooning o’er some auld Scots sonnet;
Whiles glow’rin round wi’ prudent cares,
Lest bogles catch him unawares;
Kirk-Alloway was drawing nigh,
Whare ghaists and houlets nightly cry.

By this time he was cross the ford,
Whare in the snaw the chapman smoored;
And past the birks and meikle stane,
Whare drunken Charlie brak’s neck-bane;
And thro’ the whins, and by the cairn,
Whare hunters fand the murdered bairn;
And near the thorn, aboon the well,
Whare Mungo’s mither hanged hersel’.
Before him Doon pours all his floods;
The doubling storm roars thro’ the woods;
The lightnings flash from pole to pole;
Near and more near the thunders roll;
When, glimmering thro’ the groaning trees,
Kirk-Alloway seemed in a bleeze;
Thro’ ilka bore the beams were glancing;
And loud resounded mirth and dancing.

Inspiring bold John Barleycorn!
What dangers thou canst mak’ us scorn!
Wi’ tippenny, we fear nae evil;
Wi’ usquabae, we’ll face the devil!
The swats sae reamed in Tammie’s noddle,
Fair play, he cared na deils a boddle.
But Maggie stood right sair astonished,
Till, by the heel and hand admonished,
She ventured forward on the light;
And, wow! Tam saw an unco sight!
Warlocks and witches in a dance;
Nae cotillion, brent new frae France,
But hornpipes, jigs, strathspeys, and reels,
Put life and mettle in their heels.
A winnock-bunker in the east,
There sat auld Nick, in shape o’ beast;
A towzie tyke, black, grim, and large,
To gie them music was his charge:
He ******* the pipes and gart them skirl,
Till roof and rafters a’ did dirl.—
Coffins stood round, like open presses,
That shawed the Dead in their last dresses;
And by some devilish cantraip sleight
Each in its cauld hand held a light,
By which heroic Tam was able
To note upon the haly table,
A murderer’s banes in gibbet-airns;
Twa span-lang, wee, unchristened bairns;
A thief, new-cutted frae a ****,
Wi’ his last gasp his gab did gape;
Five tomahawks, wi’ blude red-rusted;
Five scimitars, wi’ ****** crusted;
A garter, which a babe had strangled;
A knife, a father’s throat had mangled,
Whom his ain son o’ life bereft,
The grey hairs yet stack to the heft;
Wi’ mair of horrible and awfu’,
Which even to name *** be unlawfu’.

As Tammie glowered, amazed and curious,
The mirth and fun grew fast and furious:
The Piper loud and louder blew;
The dancers quick and quicker flew;
They reeled, they set, they crossed, they cleekit,
Till ilka carlin swat and reekit,
And coost her duddies to the wark,
And linket at it in her sark!

Now Tam, O Tam! had they been queans,
A’ plump and strapping in their teens;
Their sarks, instead o’ creeshie flainen,
Been snaw-white seventeen hunder linen!—
Thir breeks o’ mine, my only pair,
That ance were plush, o’ gude blue hair,
I *** hae gi’en them off my hurdies,
For ae blink o’ the bonie burdies!

But withered beldams, auld and droll,
Rigwoodie hags *** spean a foal,
Lowping and flinging on a crummock,
I wonder didna turn thy stomach.

But Tam kenned what was what fu’ brawlie:
‘There was ae winsome ***** and waulie’,
That night enlisted in the core
(Lang after kenned on Carrick shore;
For mony a beast to dead she shot,
And perished mony a bonie boat,
And shook baith meikle corn and bear,
And kept the country-side in fear);
Her cutty sark, o’ Paisley harn,
That while a lassie she had worn,
In longitude tho’ sorely scanty,
It was her best, and she was vauntie.
Ah! little kenned thy reverend grannie,
That sark she coft for her wee Nannie,
Wi’ twa pund Scots (’twas a’ her riches),
*** ever graced a dance of witches!

But here my Muse her wing maun cour,
Sic flights are far beyond her power;
To sing how Nannie lap and flang,
(A souple jade she was and strang),
And how Tam stood, like ane bewitched,
And thought his very een enriched;
Even Satan glowered, and fidged fu’ fain,
And hotched and blew wi’ might and main:
Till first ae caper, syne anither,
Tam tint his reason a’ thegither,
And roars out, “Weel done, Cutty-sark!”
And in an instant all was dark:
And scarcely had he Maggie rallied,
When out the hellish legion sallied.

As bees bizz out wi’ angry fyke,
When plundering herds assail their byke;
As open pussie’s mortal foes,
When, pop! she starts before their nose;
As eager runs the market-crowd,
When “Catch the thief!” resounds aloud;
So Maggie runs, the witches follow,
Wi’ mony an eldritch screech and hollow.

Ah, Tam! ah, Tam! thou’ll get thy fairin!
In hell they’ll roast thee like a herrin!
In vain thy Kate awaits thy comin!
Kate soon will be a woefu’ woman!
Now, do thy speedy utmost, Meg,
And win the key-stane of the brig;
There at them thou thy tail may toss,
A running stream they dare na cross.
But ere the key-stane she could make,
The fient a tail she had to shake!
For Nannie, far before the rest,
Hard upon noble Maggie prest,
And flew at Tam wi’ furious ettle;
But little wist she Maggie’s mettle—
Ae spring brought off her master hale,
But left behind her ain grey tail:
The carlin claught her by the ****,
And left poor Maggie scarce a stump.

Now, wha this tale o’ truth shall read,
Ilk man and mother’s son, take heed:
Whene’er to drink you are inclined,
Or cutty-sarks run in your mind,
Think, ye may buy the joys o’er dear,
Remember Tam o’Shanter’s mare.
zebra Dec 2018
my eyes
tongues of desire
a soft gauze
upon drenched red silk

stigmata
a river of marrow

flower of blood
creel of moist honey
hold not yourself apart
I kiss your wound
bell moon
crescent ravine, dark tears
like a spay of stars

arched spine
your raised ****
like scrambled eggs
curves to the heavens
a steep canyon aching
weeps blue darkness
legs wide in souls shadowed grove
tattooed pistols and knives
pierced by my autograph
for every letter, scimitars plunge  

jeweled ******* ringed
sweet tarnished petal
gashed mouth; flower de luce
memories that burn
blotted like an eye in ink
to fly winged *******

your face
hieroglyphic of weird
crimson smear; cackle
with feet below hell

wanting to live
like fire in the sky
hot witch riding a broom handle *****
scummed mouth

the world soul destroyed paradise
and your form
hideous kisses
falling red ribbons
i am puddled;
a runny yolk
shameless for your open hollows
the abstraction of desire in the realm of the senses
Sweetly reaching for my hand
A rattlesnake curls up in yours.
Smiling oh-so-carefully
To hide your poison pellet
Delivered with a kiss.

Platitudes and honeyed words
With fishhook barbs inside them.
Lies disguised as candy bars
Offered out with sticky fingers
Mostly crossed behind your back.

Promising that all is peaceful
And there’s no danger to be seen.
Alarms and sirens drown those words
And say my world is burning here,
And sinking in a morass there.

If only words were scimitars
To slash a way to truthfulness
And cut the evil from the hearts
That proclaim love for one and all
And secretly deliver hate.
ljm
Speaks for itself.
Under his helmet, up against his pack,
After so many days of work and waking,
Sleep took him by the brow and laid him back.

There, in the happy no-time of his sleeping,
Death took him by the heart. There heaved a quaking
Of the aborted life within him leaping,
Then chest and sleepy arms once more fell slack.

And soon the slow, stray blood came creeping
From the intruding lead, like ants on track.

Whether his deeper sleep lie shaded by the shaking
Of great wings, and the thoughts that hung the stars,
High-pillowed on calm pillows of God's making,
Above these clouds, these rains, these sleets of lead,
And these winds' scimitars,
-Or whether yet his thin and sodden head
Confuses more and more with the low mould,
His hair being one with the grey grass
Of finished fields, and wire-scrags rusty-old,
Who knows? Who hopes? Who troubles? Let it pass!
He sleeps. He sleeps less tremulous, less cold,
Than we who wake, and waking say Alas!
(C) Wilfred Owen
David Proffitt Oct 2016
As so it was as we put to sea.
The Dark pirate captain and me.
Aboard a ghost ship decorated with bones and skulls.
I listened to hear creaking and the circling gulls.

Twas a dark and dismal day, with a ghost green sky.
Her main mast atop the Skull and Crossbones did fly.
Holes in her jib and Poseidon’s pitch fork on her main.
Our dark and treacherous ship was the high seas bane.

A purple fog hung over her deck, coiling and twisting.
Up the masts and sails dark spirit existing.
Born out of the ancient timbers and the toil.
Born out of heartbreak and roil.

I was first mate on this ship of the dead.
One and thirty nine hands that bled.
On the ropes and the sails.
On the harpoons and whales tails.

I counted 14 cannons on the decks.
I found more on a midnight check.
She had seven eighteen pounders deck under.
She shuddered and rolled from the thunder.

Listing to port or starboard from a volley.
Recoiling on the oaken dolly’s
No cannon ***** would touch her.
The purple fog protected those that were.

Aimed at her masts and broadside.
Swatting them into the deep I watched wide-eyed.
She deep sixed more ships than any other vessel.
Their captains hung from the stern trestle.

We came upon a man adrift in a whaling vessel.
The captain swung the ship around to nestle.
The small boat’s gunwales were shattered and torn.
Her occupant screaming wide eyed did warn.

“Avast your voyage twas Mermaids I fear!”
His face a ghostly pale and his eyes were queer.
The Captain brought him on board.
And he brought with him a fear that roared.

My Captain held him at the point of his sword.
The man’s eyes became as fire and he roared.
Deafening, it was out of his empty mouth it howled.
And with it the very air was fouled.

And the purple fog recoiled from this man.
Round and round on the decks it ran.
We all backed away from this apparition.
A horror straight away from Mariner’s superstition.

And he collapsed on the deck.
His pulse I did check.
And he did not have one.
I listened for his heart beat and there was none.

Filaments of his former self arose.
And Hung over his dead body close.
“Beware of White Cap Bay.”
“Tis where the Mermaids play.”

Came a watery cold voice upon the night air.
And we all stood there and stared.
His tortured soul wailing into oblivion.
And he passed on by aspiration.

Of these tiny stars that surrounded him.
And his likeness became dim.
And then he was gone.
The purple fog again was redrawn.

There was no body from whence this came.
Upon the deck where he laid, a blue flame.
And no man could extinguish it.
The Captain touched it with his sword, it split.

And became two, and ran off the starboard side.
“It’s gone!” the bosun cried.
We all stood there at the Captain we stared.
For the first time ever saw the Captain scared.

“Who’s afraid of some Mermaids Mates?”
“I like Mermaids more than pieces of eight.”
Our Captain said in a falsetto voice.
He did nothing to make our hearts rejoice.

And so we sailed dead ahead into the night.
And the crew held their fear with all their might.
A red litten gibbous moon to steer by.
The wind through the tattered sails sighed.

There came into view a huge rocky bay.
Bathed in the ethereal moon light lay.
To the starboard stood a huge stone monolith.
Surrounded by a ring of small obelisks.

And in its top there stood a giant mirror.
At first I thought its purpose unclear.
The closer we sailed I finally understood.
Twas a warning beacon if you would.

Harken to its brilliance unto its warning.
Listen unto its mourning.
And green sea foam licked round its base.
And the wind howled in its face.

And there were queer holes and vanes upon its top.
The wind sounded through the holes an octave drop.
Which made a strange, deep reverberation?
And it shook the deck and masts with strange gyration.

We dropped anchor in a quiet nook.
The Captain said “Lads let us look!”
And several of the old salts were superstitious.
And mumblings of spells and things malicious.

Ran through the crew like a runaway current.
For reasons of truth and things that weren’t.
Then the Captain became enraged.
Said he’d use his enchanted sword to engage.

Any man not worth his salt.
He’d be locked in the forecastle vault.
With the purple fog and the demons of the ship.
Forever in death’s grip.

So nary a man stayed aboard.
And we all crossed a small tidal ford.
And found ourselves again on dry land.
Our sea legs making it strange to stand.

We came to the monoliths huge door.
Adorned with strange hieroglyphs it bore.
Testament to some earlier time.
To some odd number prime.

I stepped into a gigantic hall that was lit with no light.
And I saw a most impossible sight.
A giant sapphire ball floating over a deep shaft.
It radiated beams of light from this strange craft.

It danced on the walls like a giant kaleidoscope.
The men were about to abandon all hope.
I saw a huge aperture above the ball.
That opened like an iris above the hall.

One of the men found an elevator of sorts.
And its doors had rows of oval ports.
And our Captain stepped inside.
And so the crew filed in wild-eyed.

We found ourselves walking out of a strange mist.
In a room atop the monolith.
A huge mirror affixed to system of lens of strange hue.
And I saw in polar equatorial it would slew.

And our Captain looked upon it with an uneasy eye.
“Tis a light house Capm,” came a wistful cry.
“Not like anyone I seen.. says I.”
The Captain touched one of its wheels, “Aye,.. aye.”

I saw upon the wall an imprint of a hand.
Surrounded by a solid gold band.
And it shown a deep blue.
Its color the same as the orb’s hue.

And the boson’s mate was about to touch the object.
“Hold fast there mate!” the captain checked.
“We dunno what that’ll do?”
A blue halo around his hand flew.

And it pulled his palm unto the wall.
And he could not remove it at all.
There came from under us a rumbling vibration.
The aperture was opening in measured gyration.

Upon the mirrors there came a column of light.
From the orb below a blue-gold blinding sight.
And its countenance you could not behold.
Through the lens and off the mirror it rolled.

And it beamed out upon the sea.
And the men were afraid and began to plea.
And it swung around on its own.
Like some mechanical drone.

Nothing human touched its controls and levers.
For it moved upon its own endeavors.
One of the men was standing above the rest of us.
The beam swung into him and he became dust.

Neither force nor the Captain could stand the men fast.
They ran for the elevator save the Captain for last.
Once again we were in the great hall.
The huge orb was making a strange call.

Calling the Mermaids of White Cap Bay.
Upon the rolling surf they did play.
There were mermaids too numerous to count.
Their passage we could not possibly surmount.

They all began singing as one.
Their mesmerizing melody begun.
These sirens from leagues of the deep.
Soon had us all at the edge of sleep.

The Captains enchanted sword did resist.
Upon our lips it did kiss.
A sharp blue spark awoke us all.
From the lilting Mermaids call.

One of them beckoned to me.
I could not move and I could not flee.
And she came out of the sea.
And was floating in front of me.

Sea-green eyes and golden hair.
A long slender nose and skin so fair.
High cheekbones swept back did blend.
Into her hair unto the end.

And small gold stars within her eyes did move.
In a fathomless green sea did prove.
Their test upon my soul.
Doing their best to take a toll.

On this sailors lost heart.
She weaves her black art.
And her teeth a row of ivory scimitars.
That sparkled in the light of the stars.

She called me by name.
And the gold stars in her eyes danced in green flames.
Her breath smelled like sea breezes and myrrh.
And it reminded me of better times that were.

Then she touched my face her touch wet and cold.
She drew fire out of me and glowed gold.
Upon the night.
As I beheld this wondrous sight.

And her touch was no longer cold.
The spot she touched me turned to gold.
Then she kissed me and I could not think.
The flames in her eyes danced and winked.

And so I was lost to this siren of the deep.
Then her sea-green eyes began to weep.
Mermaid tears upon my cheeks.
Diamond liquid from her eyes did leak.

All down my face and into my mouth.
Salty and sweet, like some wine from the south.
And I began to see sub-mariner sights.
And I soon forgot my own foolish plight.

“For I cannot stay here with thee.”
“For my life comes to me from within the sea.”
“Fear not for I can change thee if you see.”
And she pulled me into the pounding green sea.

So down we went into this emerald abyss.
And I found myself in some strange bliss.
And I could breathe in the sea.
And I felt a oneness within me.

And she beamed at me with her ivory smile.
And pointed at my legs for a while.
As I looked at my legs I was startled to see.
A large broad fluke attached to me.

I could hear her voice inside my head.
We talk this way underwater instead.
And we swam down to a sunken Galleon.
Its deck littered with gold and a medallion.

She reached down and picked it from the deck.
Submerged in the sea this old Spanish wreck.
I brushed away the barnacles and brine.
Etched into its face within fine lines.

I saw on its face inscribed a name.
A name from long ago clouded in fame.
Ponce De Leon from the Queen of Spain.
Her lost explorer who succeeded no gain.

And I saw all my shipmates swimming towards me.
The Mermaids converted them was easy to see.
The Captain looked odd with a large fluke tail.
And octopus tentacles from his face did flail.

He was still wearing his stupid three cornered hat.
The silliest sight I concluded that.
And my Mermaid swam up to me and took my hand.
“You do not belong here you belong on land.”

So we swam up from the emerald deep.
When we broke surface she began to weep.
“When you get old and turn to gray.”
“Come back to sea and we will play.”

And with that she dove down and swam away.
And I think about this Mermaid to this very day.
And in my hand I still held the medallion.
Taken from the deck of the old Spanish Galleon.

A gift to me from my lady of the sea.
At night the wind brings me her singing plea.
“Return my sailor return to me.”
“Return to your home under the sea.”

Now I’ve grown old and my hair turned gray.
And you doubt this tale from me you say?
And I swear it’s all true.
I’ll swear by my tattoos.

Dave Proffitt 2/7/2012




















.
This is a long poem!
Mateuš Conrad Sep 2016
how sensible it all seems, how crew-cut and with enough
anaesthetic to k.o. an elephant - outside the laboratories
the populists in whatever guise march on - as with any
congregation, atheists also muster up enough social muscle:
they too have their bouncers and other
gob-smackers with knuckle dusters -
as long as science is popularised it pushes
the boundaries of insensible chasms elsewhere -
                             but with so futile popularisation:
shortages in respective sectors: mandatory,
or as suggested: no longer rich bachelors and
         private laboratories - a science of regurgitation -
once they burned heretics, now the subtle
        championing of mingy sedatives - and since
Joan of Arc's heart no longer aspires to passion
and its all consuming fire, it turns into a wet
piece of coal - reining in the crowds of pop culture
zombies - said before, said again - but how
dislodged the feelings not ranging into absurdity
or at least nibbling on the zest of Dionysus;
but how things changed from that year, 2006,
everyone is asking, the poncy pope with glamorous
attire, the stiff-necked scientists - the pendulum
of guilt swinging in both directions - half of
the 20th century prescribed a fear magnanimously:
oddly enough - as implying: we forgive your
puny religious swooning and answering with
the easiest answers possible... here's a bomb -
so who are the sacred ones? they too are human -
the magazine dissected into:
a. what is reality? (can we be sure that the world
  we experience is not just a figment of our
    imagination) by roger penrose
     b. do we have free will? (the more we find
out about the brain works, the less room there
  seems to be for personal choice or responsibility)
     by patricia churchland
c. what is life? (if we encounter alien life,
chances are we wouldn't recognise it - not even
if it was here on earth) by robert hazen
d. is the universe deterministic?
   (however you look at it, the answer seems to be "maybe")
       by vlatko vedral
   e. what is consciousness? ("my soul is a hidden
    orchestra... all i hear is the music" - fernando pessoa)
            by paul brooks
f. will we ever have a theory of everything?
    (2000 years of rational inquiry may be approaching
  their crowning glory. just one more push could
   be enough...)
                            by michio kaku
   g. what happens after you die? (we have all
  wondered if there is an afterlife, but only a few are brave -
or foolish - enough to try and find out)
                                by mary roach
  h. what comes after **** sapiens?
  (all species are fated either to die out or to evolve
  into something else. all except humans, that is)
                   by james hughes -
so there we have it - the respective pillars of science,
whereby science replaces core beliefs into
core questions - to not hold firm, but to constantly
sway - the 8 founding questions - no more,
  no less - but how many people can perpetually sway?
   the supposed 8 universals, i.e. that every human
  being might, might not, will or will not ask -
     and for these 8 universals, exponential functions
of particulars: because that's how it's supposed
to be: chaotically democratic -
thus everyone knows the objectivity standard:
at its core is awe, outside the core pathology and
apathy - or let us say: passions and indifference -
then subdivisions of (+) and (-), and in general:
   however it is you feel: compensated or left starving.
in 2006, they congregated at a round table and
spoke god-this, god-that - no minority report,
  cold evidence never went down with women (or
so i'm told), three questions, question 1:
                 should science do away with religion?
oddly enough R. Dawkins said:
               "no doubt there are many people who do need
religion, and far be it from me to pull the rug from
under their feet." - we know that the bestseller
              the god delusion came out shortly after.
a physicist (S. Weinberg) similarly (c me la ri lee):
   "science can't provide a sense of magic about the world,
or a community of fellow-believers. there's a
religious mentality that yearns for that."
  L. Krauss: the success of science does not encompass
the entirety of human intellectual experience.
on and on this goes - i guess they have to debate for
the sake of debate - as i am sure everyone is aware:
   a debate can overpower the point of prayer -
confessions? i treat it more like poetry - but in saying
that... where is the medical profession in all of this?
we have astronomers, ecologists, biologists,
physicists, astrophysicists, planetary scientists,
cosmologists, philosophers... what's the odd one out?
it's a bit suspicious that this magazine does not
cite any chemists... and that's ****** obvious...
they're the ones making pacts with the devil -
whether Goethe's or Marlowe's Faust -
then at least to the more obscure rendition
of Pan Twardowski (Herr Tvardovsky) -
         but how odd it already is that chemists haven't
joined ranks with other scientists in their little
Friday night debating club meetings - seriously?
are those boffins serious about all of this?
            or as one said it:
i came from learning to write CO for carbon monoxide,
   and FeO for ferric oxide - or drawing electron migration
  diagrams when two compounds interact (a nice
playground of symbols) and went my way into
   some form of linguistics - primarily working on
          the tetragrammaton - i have no major interest
beyond this definition: would i debate the most
difficult metaphysical assumption of the omni-variations
in terms of ascribing the variations to a being?
i'd stumble in the metaphysical world on omnipresence,
meaning i would be a pantheist - meaning god
    would be anything and everything from the moon,
a mouse, an ant colony, my **** and what not -
            the all-in-one: for one thing, that's already much
too hellish to comprehend, let alone make comedy from.
but they haven't told you about the painkilling
saliva that beats morphine - catherine rougeo:
proceedings of the national academy of sciences,
vol. 103, p. 17979) - the compound's name? opiorphin,
or the scourge of Afghanistan. they also didn't
tell you about Saracen sabres - their scimitars contained
carbon nanotubes - forged from Indian steel
called wootz - 17th century examples studied by
P. Paufler (Dresden) found the carbon nanotubes
and even nanowires (nature, vol. 444, p. 286) -
or is this becoming to look very much like traffic
on London's M25 during rush-hour? it certainly is,
as was intended -
                   1950s: age of optimism -
influenza wave from the east, the indestructible transistor,
   television without wires, baby computer the size of
  a piano, rubber windshields, genetic chemistry,
atomic aircraft, the neutrino, sputnik 1, strontium-90
(radioactive ash)  used by manufacturers of woven
and knitted fabrics to overcome fog markings,
the coleopter, polypropylene (the remnants of German
word-compounding revealed in chemistry, and
only in chemistry, elsewhere compounding is
replaced by hyphenation, i.e. hyphenating),
                  and so on and so forth until present day -
passing through Sir, Julian, Huxley, who reinvented
****** with "positive" eugenics - oh sure, it was still
alive and kicking - quark hunters draw a blank -
             i could reference all else that was involved
in making the last 60 years - beyond that people are
call it ancient history - or are Virgil and as Horace,
and as Ovid did - turned their back to the world,
         into their poplar groves and jasmine filled gardens,
and said: ta'oh!           ta'oh!                 Tao!
  but not until then, before embarking i'm already
dreading to embark with something to add, to even
voice this -                                     but i guess i might:
  as ever, the freedom of speech is never as grand a
                                      luxury as the freedom to think.
Marshall Gass Oct 2014
Clinging hard metallic walls
with veins ******* sweetness from little
leftovers trickling down
the gorse stayed dancing between
open spaces of hell and heaven.

Death like tussle with elements
yellow blooms suckled  pollen
from air vents travelling in the streams
passing within reach
shedding its seeds into the waiting
arms of rare  tourist birds
sojourning in the skyways
of distribution and danger. The gorse
started small, spread quickly
and took over the countryside
with no one watching.

The caliphate was born
under the black hood of death
and the guns aimed at all
with scimitars of control
too late to stem
or seep the spreading venom.

Whole armies now sacrificed
on the altar of ideals.
The crusades will begin again.

© Marshall Gass. All rights reserved, 2 months ago
Stanley Wilkin Jul 2017
In this contorted frame, badger-like scurrying,
Scrabbling for prey, in the midst of fratricidal disputes-
The dead lingering like ruptured sores-
The dead dripping like candy from Christmas trees,
Our lives meandering, our thoughts remain.

In this dry season drunken men walk like dragons
Scales roaring with white flame:
Fangs like industrial weapons
Formed into one ghastly metaphor, belching shells from darkened trenches
Beating out wafer-thin souls in Basra.
Here Hell soared like a Heaven of scimitars and virgins; angry youths
In Tennessee praying savagely to a dead god-
Lost limbs their accumulated homage
Laid on the altars with terrifying grief.

In the deserts the sun sinks more rapidly, or appears to,
In the deserts wars leave permanent evidence,
Carbonised debris, skeletonised trucks, gutted tanks with flaring giblets;
In the deserts wars are rarely tidied away.
The only thing to rot is flesh.


  2

The street in which they live is regularly cleaned,
Dustbins are emptied once a week. No one there
Hears the rumbling in the basements,
The cold sound of torture puncturing existence,
The fleeting sound of knives sharpening on blunt throats,
Children laughing in back gardens
Bullets whistling through winter weather,
The incoherent dragon feasting on rats.

The postman never calls. He gave up this route
A year ago, fed up of walking in shadows
Dripping with slime. Now, the doorbells chime,
But no one is there.
No one answers.


Tuesday morning an archangel called. No one was home.
He left a card waggling his wings
In frustration. Oh, how the archangel missed god,
Dumped here among the heathen
In an urban utopia-wanting so much to die.
The beatitudes of heaven, of choirs, of clouds, of shame,
Closed to him for infinity,
God rapping his pure finger-tips on celestial glass coloured
Green and blue, resembling his third best creation.

The archangel, like all his kind, had grown bored
And had taken to drugs
To alleviate the perpetual drone of eternity,
Committing genocide occasionally to relieve his despair,
Seducing women when that paled
Creating new religions, once every five hundred years,
When feeling particularly wicked.

Like god, he did not know how to die.



Around god’s head the angels flew
Searching for nits.  Swatting them with his
Infinite, multi-coloured hand
They flew through the darkening universe
Smashed through the earth,
Ending up at the nuclear core searching endlessly for Hell,
While their ominous creator
Smiled. They’d never clocked his humour
After a billion years. Everything he did,
He did in jest.
Kick everything you know..and kick it into touch
It's what you want to do
But the question is..
How much?

Would you lay waste to words..
..leave untasted tested fomulae
Free the inner creative soul
Dig a hole in which to hide..beside me?

Fashion sentences from scimitars
Cut the ties that bind us up in silken sentiment
Use excrement to describe our slide into the bowels of earth..
..or is that outside your comfort zone?

If so..
Then I suggest you stay at home and watch the soaps.
Fill your mind with suds...for whatever good that will do.
Leave change alone
And change will leave you too
Stew behind those lacey nets
For you all bets are void.

But bouyed up by the travesties that weigh down our communities..
..if you can't fight...
..then Mister....You ain't worth a light.
Don't want to call you dim ..but here's the thing
With you around..it's hard to get up off the ground.
Just stay at home
I'll fight the battles on my own..as I have always done..
Not often won.
But I don't give a ****..I use my words like a battering ram.
It's who I am...it's what I do.
Who and what are you?
Marshall Gass Oct 2014
The walled -in city imposed upon the reason
to stand so tall within the minds slum
People gathered in networks discussing nothing.
Even as the sea split into pellets of rain
The waters squished together to form puddles of delight
where children played with bare toeholds in the dirt.

I saw Jericho fall as trumpets went out of tune
and tunics hitched up on Roman Generals
marched with full venison bellies
slaughtering people like pigs-making bacon!

As desolate as this **** dream  visions
of wasted emptiness, slowly filling at the edge
with landscaped gardens of garbage
the gates opened and Trojan Horses
unleashed terror on the people.

Prophets roamed the Western world
preaching doomsday and scimitars of radicalism
overtaking the civilised. Insanity finds
its origins in reading between the lines.

I tell you it will not happen. It never will.

Author Notes

Dare to decipher this?
© Marshall Gass. All rights reserved, a month ago
Marshall Gass Apr 2014
Walking through the desert of loneliness
wading through sands of solitude
stay upright against a burning sun
for oases spring unexpectedly
offering fresh water and dates
for your destiny. Be brave and replenished.

Watch out for rattlesnakes rats and
scorpions-creatures of the cold night
that sense your feeble steps
and win you over with their vast predatory skills
magic in their mouths
blood mixed with venom and soft words.
Their skills have crystallised
over millions of years
hunting for the lost and lonely wanderer.

Stay strong at the waters edge
where lurk people with crocodile skin
clawed feet and long forked tongues
to **** your sapping spirit
to garnish their own feasting. Stay strong.

At the outer circles
when you crawl out from your loneliness
reach out for the ones that stood
scimitars drawn and headhigh
to scythe through  the wraggle of followers-on
who journeyed a step behind your
mountains of misery, wanting you to fall
under dunes of destruction.

At the journeys end look back at the stars
that sparkled in the nighttime of your dreams
and navigated you through  the pathways of pain
to a welcoming circle of friends.

Kia kaha. Stay strong forever
You are now a child of the universe.

Author Notes

Loneliness is the most fearful of all human emotion. Everyone gets caught in this desert storm once or twice in their lives. It is a painful place and the thousands of poems on this site is a testimony to what destruction it causes.


Yet there is hope to those who seek it. One step at a time you can reach that oasis where the water is blue and the date palms replenish your wounded spirit. Look out for the doomsayers. Theres lots of them around.


The final outcome is a journey back home.
© Marshall Gass. All rights reserved.
Irial PR Foy May 2016
You have edges too sharp to touch without gloves
And I never had the need for gloves before,
I’d held throwing knives between my teeth and called them my friends,
held machetes at arms length, called them family
used Scimitars as my teachers
But I’d never shared my bed with my blade before you,
I know you never really meant to cut me,
But I can’t explain away these scars to my lovers anymore.
You are made of nights of video games and music,
of showing up at my house at 10 at night and romancing my mother into thinking you are perfect.
She hates my partner who has never laid their edges on me, but thinks you are the perfect roman sword, that you will take down armies, you’ll give me dynasties on our wedding day
She asks when you’ll come around again, I tell her eventually you’ll be back
That you’ll raise an army,
I never tell who your army will be fighting.


It took three years to draft the plans
To forge a blade that rivaled your beauty.
You are a titanium oxynitride coated body I found by my bedside one night,
left behind by a boy trying to outrun dresses, to melt himself from a military issue P-38 Can Opener to his own pocket Knife,
You taught me that boys are pocket knives.
They have edges dulled over the years by parents,
rust spots that make them different and beautiful, but less deadly
Most are safe until you find yourself in a back alleyway with that creepy boy from your favorite bar holding himself to your throat,
But your mother built you different,
Only ever meant for small tasks,
she forged you as something to be used sparingly,
she thought it would protect you.
But you’ve got a broken spring,
it looks like a four-year-old's slinky and I thought I could fix it.
I thought I could make you better,
but you’ve got a locking mechanism too faulty to promise my safety.

Everyone told me it was my fault,
that a person should never sleep with a weapon, it’s begging to get cut.
I thought they were right.
Told myself if I was my own blade i couldn’t get cut because no one else would want to share a bed with me.
I built myself with a better locking mechanism than you,
A custom one I designed in my lonely workshop, told myself I’d never cut someone I loved.
But I’m thinking of her.
Her blonde hair and blue eyes, a color that haunts my dreams.
Scar covered and war torn
The strongest heart I’ve ever held
I didn’t mean to cut her,
But me and her, we are matching blades,
I tried to teach her to love her steel and it worked
She still calls me on weekends
tells of her new weapon,
a beautiful new blade made out of understanding and wonder,
Tells me she wishes we’d worked out,
that we were not matching blades, but a set.
But I’ve learned better,
You can not make sets out of blades made of people
You can only pair with yourself.

I’ve learned that pocket knives grow into blades longer than my forearms,
Pocket knives can grow up into swords meant to protect, not just harm
And now I hang swords on my wall,
keep them on my contact list,
Know they will pick me up at midnight in the middle of nowhere when I’m scared of another Pocket knife.
I will share my bed with them, and try not to cut them with my own twisted metal skeleton.
Creeping, visceral tides of dark
like the vines of black ivy
slithering over his body,
covering him in black,
the darkness his comfort,
the silence his mistress.

He gazed into the abyss
and the abyss gazed back,
the curvaceous jaws
with teeth like scimitars
bit him in half, swallowed,
took the rest of him
into that warm, inviting mouth.
David R Feb 2022
i met him once
so long ago
seems like centuries
covered by snow

and beneath
the miles of ice
he's still there
from paradise

a place where rivers
and lakes join hands
and sing in joy
with trees on land

a place where music
and light combine
where multi-colours
radiate shine

a place where water
is made of wisdom
revealing order
unending kingdom

a place where waterfalls
gush forth bliss
speaking the secrets
of eternal kiss

a place where angels
sing like stars
where thoughts are sharp
like scimitars

where sun 'n venus
mars and moon
collaborate in one
infinite tune

aye, he's still there
i feel him still
but up above
on lonely hill

i live as madman
in drunken stupor
oblivious, blind,
to past or future

subsist without aim
a non sequitur
actions as child
with no genitor

one day, i'll wake,
i'll find him afresh,
let's hope, for my sake,
i'm still in this flesh

or else, i know,
it'll be too late
for there's no going back
once you've passed the gate.
BLT's Merriam-Webster Word of The Day Challenge
#non sequitur, collaborate
Andrew Rueter Jan 2019
I’m a small child reading
About a grown man bleeding
And the buzzards feeding
On his agonizing feelings

I look down the pike
Of an impaling spike
Through my life
Showing what I’m like

Hanging from the noose
Tied to mother goose
She can’t cut loose
So we fuse

I utilize her lessons
As my only weapons
To fight the deafened
Once I feel threatened

A decaffeinating
Decapitating
Trap is waiting
The wrath of hating
Is life fading

I grab my mace
But can only flail
I try to ace
This test I fail

I don’t find validation
At the salad station
Or in *******
But a taboo sensation
That entered the equation

Enemy archers draw their bows
Waiting for me to change
Once I decide what I know
They feel I’m in range
So they start killing me slow
Because I’m so strange

Even the dimmest guards
Hold scimitars
And rip apart
My different heart

Their prima donna
Japanese katana
Wraps me in drama
Like a hurricanrana

I hold my spear
To stave off fear
But darkness nears
So I switch gears

I find a mercenary
I hope can parry
The extraordinary
Darkness staring
At me so scary

But the bantam
Abandons
Our tandem
That slammed them

A cruel sly
Cool guy’s
Fool’s lie
Bullseye
To my fly
Hurt my pride

All alone
Weapons grow
Into modern woes
Making minds explode

An AK-47
Teleport to heaven
Leaves my body reddened
From bullets embedded

No medic around
I sink into the ground
Like a child who’s drowned
In the weapons he’s found
Dennis Willis Oct 2019
These things that we gather about
these fornicating scribbles of art
scimitars of sense and sound bubbling
rejections spelt like blood running out
ululations of spirit and other certainties
bleeding hopefully read and deeply felt
I'll take a coffee and a sandwich of meaning

yes yes you are right you are beautiful yes
this sound bathes your nerves and raws
those things that connect you to time's killers
seconds slaughtered here in honor of your fear
what about what about what about what they say
shame rules your day blame rules your way
something is running out something is running
forward about to run right out of my skin right
aside to your reading here with your judgmental
ear skinning my hearts work like small snacks
ick you say ick this isn't to my taste this isn't
my cup of tea i don't take it filled with blood
this was a day in my robe this was a day

with a finger in my ear a song in my art
i am pulled along bumbling grinning
awkward in the slip stream keeping me off
really
are you still there are you still curious
if this has meaning if this has beauty
if this has some understanding that will
ease the up-welling of annnngst and anger
or click the box of right and let you smile
just smile
Keith Strand Jun 2021
Your rosy cheeks
you think are ugly

But perhaps you don't understand
how some wish they had

A permanent rose tint
or eyebrows like scimitars

My words could never
ever do you justice

To say that your jaw
is like a cliff

Sharp yet smooth
is an understatement

But I
in my hubris
Will attempt to describe
the beauty of perfection

The beauty of an autumn meadow
or conifers whistling in the breeze

Eyes that show
distant supernovas within

And arms that may warm
my cold cold heart

But for now
I shall just be stumped

Because eventually I do hope
to be driven insane

To do so trying to understand
every little bit of you

And writing it down
on some small paper
John Vass Jan 2020
I look up into the lilac sky
And you glide across like a floater in my eye

You are not to me the death dealing cross
Making other mammals freeze and suffer loss

I see you as a rare free soul
Defying the death dealing action that is Man’s role.

                              —————————

You dark flying scimitars with your piercing cry
Wheeling from your element, the stormy sky

With your shrill threats you dare to defy the stick swung with
all my might

Brushing my head and then returning like killer boomerangs
in flight.



                              —————————

With discriminating care you pluck those little fish you seek
With your long, curving, darting beak

If you are disturbed you rise without a cry
And flap away soundlessly into the protecting sky.


                              —————————

You are comic like this rhyme
Which I only pen because I have the time

You flew in with a squawking cackle
That sounded like a football rattle

You have only one objective, to eat your fill
By ravaging that tree with your outrageous bill

Its like a mango eating other fruit
Lychee, som-o, champoo, kanun, all will suit

You return a piercing stare with you target eye
And to the starer it magnifies.
Koh Phayam Thailand. Dec 2011
JoJo Nguyen Sep 30
Always you
(2)         (1)
Sempre tu
(2)         (1)
Immer du
(2)         (1)

The sport of it; the game
If you want it, fight for it
Young "man, look at my life, I'm a lot like you" are
Fifty "four and there's so much more"!

An old dog willing to learn new tricks

New tricks on the Street?
Trick-or-treat ask for the Sweet?

Was the Season of the Sticks a failure
because we didn't win the final game?

Coaches say happiness is in the struggle
        or was it suffering?
Falling in love is insufferable

Monks and pirates say life is suffering
        or was it pain Highnest!
"anyone who says differently, is selling something"

New tricks to learn!

Michael Jordan hustled tricks
for six seasons before he had his first child!
Were those six childless years failures?

Our therapist would say keeping  
our eyes on the prize is good:
Goals help us improve, help us find happiness, help us embrace
the Absurd Movable Feast of P^ssy

Sempre tu sounds hollow
like a God chortle -- lacy mirth in
high heels; s^xy but not malicious
She never is

Immer du feels dry
like flatten dimensions of curved
hips and stiff swords reduced
to moisten bints lobbing scimitars

Me andyou
(1)         (2)
You andme
(1)         (2)

Reduced happiness?

— The End —