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Budging the sluggard ripples of the Somme,
A barge round old Cérisy slowly slewed.
Softly her engines down the current *******,
And chuckled softly with contented hum,
Till fairy tinklings struck their croonings dumb.
The waters rumpling at the stern subdued;
The lock-gate took her bulging amplitude;
Gently from out the gurgling lock she swum.

One reading by that calm bank shaded eyes
To watch her lessening westward quietly.
Then, as she neared the bend, her funnel screamed.
And that long lamentation made him wise
How unto Avalon, in agony,
Kings passed in the dark barge, which Merlin dreamed.
Crispin as hermit, pure and capable,
Dwelt in the land. Perhaps if discontent
Had kept him still the pricking realist,
Choosing his element from droll confect
Of was and is and shall or ought to be,
Beyond Bordeaux, beyond Havana, far
Beyond carked Yucatan, he might have come
To colonize his polar planterdom
And jig his chits upon a cloudy knee.
But his emprize to that idea soon sped.
Crispin dwelt in the land and dwelling there
Slid from his continent by slow recess
To things within his actual eye, alert
To the difficulty of rebellious thought
When the sky is blue. The blue infected will.
It may be that the yarrow in his fields
Sealed pensive purple under its concern.
But day by day, now this thing and now that
Confined him, while it cosseted, condoned,
Little by little, as if the suzerain soil
Abashed him by carouse to humble yet
Attach. It seemed haphazard denouement.
He first, as realist, admitted that
Whoever hunts a matinal continent
May, after all, stop short before a plum
And be content and still be realist.
The words of things entangle and confuse.
The plum survives its poems. It may hang
In the sunshine placidly, colored by ground
Obliquities of those who pass beneath,
Harlequined and mazily dewed and mauved
In bloom. Yet it survives in its own form,
Beyond these changes, good, fat, guzzly fruit.
So Crispin hasped on the surviving form,
For him, of shall or ought to be in is.

Was he to bray this in profoundest brass
Arointing his dreams with fugal requiems?
Was he to company vastest things defunct
With a blubber of tom-toms harrowing the sky?
Scrawl a tragedian's testament? Prolong
His active force in an inactive dirge,
Which, let the tall musicians call and call,
Should merely call him dead? Pronounce amen
Through choirs infolded to the outmost clouds?
Because he built a cabin who once planned
Loquacious columns by the ructive sea?
Because he turned to salad-beds again?
Jovial Crispin, in calamitous crape?
Should he lay by the personal and make
Of his own fate an instance of all fate?
What is one man among so many men?
What are so many men in such a world?
Can one man think one thing and think it long?
Can one man be one thing and be it long?
The very man despising honest quilts
Lies quilted to his poll in his despite.
For realists, what is is what should be.
And so it came, his cabin shuffled up,
His trees were planted, his duenna brought
Her prismy blonde and clapped her in his hands,
The curtains flittered and the door was closed.
Crispin, magister of a single room,
Latched up the night. So deep a sound fell down
It was as if the solitude concealed
And covered him and his congenial sleep.
So deep a sound fell down it grew to be
A long soothsaying silence down and down.
The crickets beat their tambours in the wind,
Marching a motionless march, custodians.

In the presto of the morning, Crispin trod,
Each day, still curious, but in a round
Less prickly and much more condign than that
He once thought necessary. Like Candide,
Yeoman and grub, but with a fig in sight,
And cream for the fig and silver for the cream,
A blonde to tip the silver and to taste
The ***** gouts. Good star, how that to be
Annealed them in their cabin ribaldries!
Yet the quotidian saps philosophers
And men like Crispin like them in intent,
If not in will, to track the knaves of thought.
But the quotidian composed as his,
Of breakfast ribands, fruits laid in their leaves,
The tomtit and the cassia and the rose,
Although the rose was not the noble thorn
Of crinoline spread, but of a pining sweet,
Composed of evenings like cracked shutters flung
Upon the rumpling bottomness, and nights
In which those frail custodians watched,
Indifferent to the tepid summer cold,
While he poured out upon the lips of her
That lay beside him, the quotidian
Like this, saps like the sun, true fortuner.
For all it takes it gives a ****** return
Exchequering from piebald fiscs unkeyed.
Her terrace was the sand
And the palms and the twilight.

She made of the motions of her wrist
The grandiose gestures
Of her thought.

The rumpling of the plumes
Of this creature of the evening
Came to be sleights of sails
Over the sea.

And thus she roamed
In the roamings of her fan,
Partaking of the sea,
And of the evening,
As they flowed around
And uttered their subsiding sound.
Sara Brummer Dec 2021
The alarming realm of the vertical,
so immence a hue – a blue
of such majesty that wonder
comes over all.

The magical universe of color –
linear filigrees of tone sheened
on unlikely surfaces : clandestine
rose and violet, a shout of crimson,
a whisper of pastel.

Sun-honeyed pine trees,
wind-silver rumpling of fields
falling into manes of lustre,
galleries of varying shades
fading into each other,
mirroring a marriage
of likenesses, mauve
through cerulean.

Tinted pavilions of firmament
overhung with luminescense
where mind is lost in the
amazement of impermance .
Cecilia Oct 2010
Stretched across my bed
Rumpling the covers up
In hopes of making
Myself believe that someone
Had tangled them with me once
Trying my hand at writing a tanka
Amory Caricia Feb 2017
the falling of leaves
from the family trees
and the changing of wayward tides

the height above seas
or two hundred degrees
or the place where the devil hides

atmospherics of pressure
set not for good measure
could never offset what I've done

for I swore it my strongest
I held it the longest
that forever I'd love just this one

holding my hands to detain
his smiling eyes entertain
tufty hair that is perfect for rumpling

summer nights out in rain
like symphonic refrain
little thoughts that he stops me from crumpling

just our walk in the park
just might stave off the dark
of the presence of all things unlovely

'cause his embrace is a lark
each soft kiss leaves a mark
and each day this perpetuates doubly

so the spring that I've kept
turns winter to concept
though outside be they blizzards of cold

I love his without, his within
the mystique of his skin
and his soul that with mine will grow old
MH <3 <3 <3
Khushi Batra Apr 2018
Loneliness plops in my soul
like the daylight rain.
With a light of hope
hanging majestically under my heart.
My hand are nippy,
covered with ink and filthy red marks.
The whispers still echo in those domestic vistibules,
rumpling me under million ounces of guilt.
The spirits come and hum soft words to me, filling
my mind with deceitful lies.
The creeps glissade me
in sentences
aimed by their ugly tongues.
Making hope grow down
my maneuvers.
-Khushi
Amy Childers Feb 2019
The sun never shines
On even the best of days
Because of the house on Sixth Street
Stares at Auntie May.

She screams and cries
But no one hears
The fear her throat is trapping.
Maybe I should lend an ear.

Bumping and thumping
The house goes a rumpling.
I find it rather sparkling
But not my Auntie May.

She screams of the body behind the door
and the blood stains on the bedroom floor.
Poor Auntie May has been screaming for years
Of the monster that whispers in her ears.

Auntie May now sits in a trance.
She is as quiet as a mouse in a trap.
Poor Auntie May was sealed in her tomb.
Then I realized that the house did move.

I looked for it the next day
And found it by my Auntie Mays grave.
Curious I knocked on the door
And inside was horror galore.

Blood was on the floor like
Auntie May did say
But the body was gone
That she screamed about the other day.

On the chair by the door
I saw a figure sitting on the floor
and to my dismay, I looked at the figures face
And found it to be my old Auntie Mays.

The sun never shines
On even the best day
Because the house on Sixth Street
Scares little Olivia May.
I was challenged to write a dark poem in a Dr. Seuss style. I think I did pretty well.
Denis Barter Feb 2018
While Mr. Bartlett was heard to declare,
"I will be famous.  I've found a new pear!"
He was nothing compared to Mr. Newton,
Who found the first fig tree with some fruit on!
When next in a biscuit, he rolled it*,
Enhancing its flavour.  Gourmets extolled it!
Next came a gardener who saw the rain
Run off apples he grew.  Leaving no stain!
Seeing their clean red skin, remarked "Oh Gosh!"
The right name for this brand is "MacIntosh!"
Next came a woman who reached her zenith
When they named a green apple, "Granny Smith!".
With even complexion, and no rumpling,
‘Twas an apple perfect for making a dumpling!
Then a little girl not to be outdone,
Said to her Father in a bit of fun,
I’d like to name that sweet English plum.
I’ll call it Victoria, after my dear old Mum!
Next a sweet, red cherry, they named Bing,
After a soft crooner who loved to sing,
Who cares if it's true? At least it’s romantic.
Besides, let’s not be too pedantic!
Was this how most fruit names were given?
First, folks found they were resolutely driven
To put their name to a specific fruit.
Then came others who quickly followed suit!
Whether we like the results, most agree,
It's how some things are named.  Will always be!
But should you develop a fruit like a pear,
Your name must be worthy for it to bear.
Can you imagine the grief begotten
If your name should  be Ava Rotten?!

Rhymer . February 2nd, 2018.
*Fig Newton.

— The End —