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Jesse stillwater Jul 2018
I’ve finally stopped
writing
unrequited letters;
there were too many
wasted breaths
left unsent

Lapsing intentions
befallen on timeworn
tawny crumpled  pages;
aging like spent flowers
in fading earth tones
and rumpled paper regrets

Multi-hued words uttered—
mummers of voiceless exhalations
spoken without a sound;
indelible spilled ink
left behind,
lays fallow for so long

A love once new,  and
a growing silent ache—
a hungry heart
left for dead—Déjà vu

We leave a lot behind,
fallen leaves in unspoken ink
a restless soul laid bare
by a passing moment's
random gust;

atrophied
like unwritten poetry
stifled stillborn
in a wadded up paper lament


jesse stillwater ... July 2018
feelings aren't right or wrong, they're just feelings ...

Thanks for stopping here
1
I sing the body electric,
The armies of those I love engirth me and I engirth them,
They will not let me off till I go with them, respond to them,
And discorrupt them, and charge them full with the charge of the soul.

Was it doubted that those who corrupt their own bodies conceal themselves?
And if those who defile the living are as bad as they who defile the dead?
And if the body does not do fully as much as the soul? And if the body
were not the soul, what is the soul?

2
The love of the body of man or woman balks account, the body itself
     balks account,
That of the male is perfect, and that of the female is perfect.

The expression of the face balks account,
But the expression of a well-made man appears not only in his face,
It is in his limbs and joints also, it is curiously in the joints of
     his hips and wrists,
It is in his walk, the carriage of his neck, the flex of his waist
     and knees, dress does not hide him,
The strong sweet quality he has strikes through the cotton and broadcloth,
To see him pass conveys as much as the best poem, perhaps more,
You linger to see his back, and the back of his neck and shoulder-side.

The sprawl and fulness of babes, the bosoms and heads of women, the
     folds of their dress, their style as we pass in the street, the
     contour of their shape downwards,
The swimmer naked in the swimming-bath, seen as he swims through
     the transparent green-shine, or lies with his face up and rolls
     silently to and from the heave of the water,
The bending forward and backward of rowers in row-boats, the
     horse-man in his saddle,
Girls, mothers, house-keepers, in all their performances,
The group of laborers seated at noon-time with their open
     dinner-kettles, and their wives waiting,
The female soothing a child, the farmer’s daughter in the garden or
     cow-yard,
The young fellow hosing corn, the sleigh-driver driving his six
     horses through the crowd,
The wrestle of wrestlers, two apprentice-boys, quite grown, *****,
     good-natured, native-born, out on the vacant lot at sundown
     after work,
The coats and caps thrown down, the embrace of love and resistance,
The upper-hold and under-hold, the hair rumpled over and blinding the eyes;
The march of firemen in their own costumes, the play of masculine
     muscle through clean-setting trowsers and waist-straps,
The slow return from the fire, the pause when the bell strikes
     suddenly again, and the listening on the alert,
The natural, perfect, varied attitudes, the bent head, the curv’d
     neck and the counting;
Such-like I love—I loosen myself, pass freely, am at the mother’s
     breast with the little child,
Swim with the swimmers, wrestle with wrestlers, march in line with
     the firemen, and pause, listen, count.

3
I knew a man, a common farmer, the father of five sons,
And in them the fathers of sons, and in them the fathers of sons.

This man was a wonderful vigor, calmness, beauty of person,
The shape of his head, the pale yellow and white of his hair and
     beard, the immeasurable meaning of his black eyes, the richness
     and breadth of his manners,
These I used to go and visit him to see, he was wise also,
He was six feet tall, he was over eighty years old, his sons were
     massive, clean, bearded, tan-faced, handsome,
They and his daughters loved him, all who saw him loved him,
They did not love him by allowance, they loved him with personal
     love,
He drank water only, the blood show’d like scarlet through the
     clear-brown skin of his face,
He was a frequent gunner and fisher, he sail’d his boat himself, he
     had a fine one presented to him by a ship-joiner, he had
     fowling-pieces presented to him by men that loved him,
When he went with his five sons and many grand-sons to hunt or fish,
     you would pick him out as the most beautiful and vigorous of
     the gang,
You would wish long and long to be with him, you would wish to sit
     by him in the boat that you and he might touch each other.

4
I have perceiv’d that to be with those I like is enough,
To stop in company with the rest at evening is enough,
To be surrounded by beautiful, curious, breathing, laughing flesh is enough,
To pass among them or touch any one, or rest my arm ever so lightly round
     his or her neck for a moment, what is this then?
I do not ask any more delight, I
     swim in it as in a sea.
There is something in staying close to men and women and looking on them,
     and in the contact and odor of them, that pleases the soul well,
All things please the soul, but these please the soul well.

5
This is the female form,
A divine nimbus exhales from it from head to foot,
It attracts with fierce undeniable attraction,
I am drawn by its breath as if I were no more than a helpless vapor,
     all falls aside but myself and it,
Books, art, religion, time, the visible and solid earth, and what
     was expected of heaven or fear’d of hell, are now consumed,
Mad filaments, ungovernable shoots play out of it, the response
     likewise ungovernable,
Hair, *****, hips, bend of legs, negligent falling hands all
     diffused, mine too diffused,
Ebb stung by the flow and flow stung by the ebb, love-flesh swelling
     and deliciously aching,
Limitless limpid jets of love hot and enormous, quivering jelly of
     love, white-blow and delirious nice,
Bridegroom night of love working surely and softly into the
     prostrate dawn,
Undulating into the willing and yielding day,
Lost in the cleave of the clasping and sweet-flesh’d day.

This the nucleus—after the child is born of woman, man is born
     of woman,
This the bath of birth, this the merge of small and large, and the
     outlet again.

Be not ashamed women, your privilege encloses the rest, and is the
     exit of the rest,
You are the gates of the body, and you are the gates of the soul.

The female contains all qualities and tempers them,
She is in her place and moves with perfect balance,
She is all things duly veil’d, she is both passive and active,
She is to conceive daughters as well as sons, and sons as well as
     daughters.

As I see my soul reflected in Nature,
As I see through a mist, One with inexpressible completeness,
     sanity, beauty,
See the bent head and arms folded over the breast, the Female I see.

6
The male is not less the soul nor more, he too is in his place,
He too is all qualities, he is action and power,
The flush of the known universe is in him,
Scorn becomes him well, and appetite and defiance become him well,
The wildest largest passions, bliss that is utmost, sorrow that is
     utmost become him well, pride is for him,
The full-spread pride of man is calming and excellent to the soul,
Knowledge becomes him, he likes it always, he brings every thing to
     the test of himself,
Whatever the survey, whatever the sea and the sail he strikes
     soundings at last only here,
(Where else does he strike soundings except here?)

The man’s body is sacred and the woman’s body is sacred,
No matter who it is, it is sacred—is it the meanest one in the
     laborers’ gang?
Is it one of the dull-faced immigrants just landed on the wharf?
Each belongs here or anywhere just as much as the well-off, just as
     much as you,
Each has his or her place in the procession.

(All is a procession,
The universe is a procession with measured and perfect motion.)

Do you know so much yourself that you call the meanest ignorant?
Do you suppose you have a right to a good sight, and he or she has
     no right to a sight?
Do you think matter has cohered together from its diffuse float, and
     the soil is on the surface, and water runs and vegetation sprouts,
For you only, and not for him and her?

7
A man’s body at auction,
(For before the war I often go to the slave-mart and watch the sale,)
I help the auctioneer, the sloven does not half know his business.

Gentlemen look on this wonder,
Whatever the bids of the bidders they cannot be high enough for it,
For it the globe lay preparing quintillions of years without one animal or plant,
For it the revolving cycles truly and steadily roll’d.

In this head the all-baffling brain,
In it and below it the makings of heroes.

Examine these limbs, red, black, or white, they are cunning in tendon and nerve,
They shall be stript that you may see them.
Exquisite senses, life-lit eyes, pluck, volition,
Flakes of breast-muscle, pliant backbone and neck, flesh not flabby, good-sized
     arms and legs,
And wonders within there yet.

Within there runs blood,
The same old blood! the same red-running blood!
There swells and jets a heart, there all passions, desires, reachings,
     aspirations,
(Do you think they are not there because they are not express’d in
     parlors and lecture-rooms?)

This is not only one man, this the father of those who shall be fathers
     in their turns,
In him the start of populous states and rich republics,
Of him countless immortal lives with countless embodiments and enjoyments.

How do you know who shall come from the offspring of his offspring
     through the centuries?
(Who might you find you have come from yourself, if you could trace
     back through the centuries?)

8
A woman’s body at auction,
She too is not only herself, she is the teeming mother of mothers,
She is the bearer of them that shall grow and be mates to the mothers.

Have you ever loved the body of a woman?
Have you ever loved the body of a man?
Do you not see that these are exactly the same to all in all nations and
     times all over the earth?

If any thing is sacred the human body is sacred,
And the glory and sweet of a man is the token of manhood untainted,
And in man or woman a clean, strong, firm-fibred body, is more beautiful
     than the most beautiful face.
Have you seen the fool that corrupted his own live body? or the fool
     that corrupted her own live body?
For they do not conceal themselves, and cannot conceal themselves.

9
O my body! I dare not desert the likes of you in other men and women,
     nor the likes of the parts of you,
I believe the likes of you are to stand or fall with the likes of the
     soul, (and that they are the soul,)
I believe the likes of you shall stand or fall with my poems, and
     that they are my poems,
Man’s, woman’s, child, youth’s, wife’s, husband’s, mother’s,
     father’s, young man’s, young woman’s poems,
Head, neck, hair, ears, drop and tympan of the ears,
Eyes, eye-fringes, iris of the eye, eyebrows, and the waking or
     sleeping of the lids,
Mouth, tongue, lips, teeth, roof of the mouth, jaws, and the
     jaw-hinges,
Nose, nostrils of the nose, and the partition,
Cheeks, temples, forehead, chin, throat, back of the neck, neck-slue,
Strong shoulders, manly beard, scapula, hind-shoulders, and the
    ample side-round of the chest,
Upper-arm, armpit, elbow-socket, lower-arm, arm-sinews, arm-bones,
Wrist and wrist-joints, hand, palm, knuckles, thumb, forefinger,
     finger-joints, finger-nails,
Broad breast-front, curling hair of the breast, breast-bone, breast-side,
Ribs, belly, backbone, joints of the backbone,
Hips, hip-sockets, hip-strength, inward and outward round, man-*****, man-root,
Strong set of thighs, well carrying the trunk above,
Leg-fibres, knee, knee-pan, upper-leg, under-leg,
Ankles, instep, foot-ball, toes, toe-joints, the heel;
All attitudes, all the shapeliness, all the belongings of my or your body
     or of any one’s body, male or female,
The lung-sponges, the stomach-sac, the bowels sweet and clean,
The brain in its folds inside the skull-frame,
Sympathies, heart-valves, palate-valves, sexuality, maternity,
Womanhood, and all that is a woman, and the man that comes from woman,
The womb, the teats, *******, breast-milk, tears, laughter, weeping,
     love-looks, love-perturbations and risings,
The voice, articulation, language, whispering, shouting aloud,
Food, drink, pulse, digestion, sweat, sleep, walking, swimming,
Poise on the hips, leaping, reclining, embracing, arm-curving and
     tightening,
The continual changes of the flex of the mouth, and around the eyes,
The skin, the sunburnt shade, freckles, hair,
The curious sympathy one feels when feeling with the hand the naked
     meat of the body,
The circling rivers the breath, and breathing it in and out,
The beauty of the waist, and thence of the hips, and thence downward
     toward the knees,
The thin red jellies within you or within me, the bones and the
     marrow in the bones,
The exquisite realization of health;
O I say these are not the parts and poems of the body only, but of
     the soul,
O I say now these are the soul!
Terry O'Leary May 2013
AWAKENING

Sleep and slumber, dreams of wonder... weaving,
morning’s vacuum broke the spell
Pitted pillow, note of parting... leaving,
“from your friend, a fond farewell”
Sunrise throbbing, twilight aching... grieving,
daydreams, flashbacks, nightmares knell
Pale phantasms, visions sneaking... thieving,
plot to fill the empty shell

12 DELIRIA

1st Delirium: COLLAPSES

Fractured sky bolts, billows bursting... rumbling,
heavens tighten, turn the vise
Horsemen saddle shafts of lightning... tumbling,
jagged highways must suffice
Ruptured skyways, hailstones crackling... crumbling,
naked pearls of paradise
Toxic tongues of laughter stinging... stumbling,
ocean buckets choked with ice
Droplets drumming, thunder muzzled... mumbling,
washed out whispers pay the price
Smothered blazes, cinders smoking... humbling,
ashes shaped in sacrifice

2nd Delirium: DESCENTS

Asphalt alleys, ashen faces... frowning,
blowing bubbles, chewing gum
Drinking ale from tavern tankards... downing,
moonlit beads of painted ***
Stony stars and sea misshapen... drowning,
humble rivers’ rhythms hum
Apparitions aspirating... clowning,
diamonds dying , minstrels strum
Incandescent candles conquered... crowning,
vacant vapours, cold and numb

3rd Delirium: FATES

Tempest turmoil, tapered turrets... holding,
dungeons, dragons, chains and racks
Wheels of fortune, Tarot temptress... molding,
Hangmen, Towers, One Eyed Jacks
Sand dune castles, cryptic candles... folding,
warping walls of liquid wax
Idols colder, combed and coddled... scolding,
hide in fissures, peek through cracks

4th Delirium: LOST SOULS

Sunken cities, pilgrims peering... gawking,
squinting eyeballs, blazing sun
Janus facing, shepherds chasing... stalking,
friends embrace before they shun
Tearooms steaming, tumult teeming... talking,
lovers listen, poets pun
Broken stones unanchored, quaking... rocking,
slipping, falling, one by one
Beaten pathways, footsteps marking... mocking,
wedged in webs which spiders spun
Circus shelters, big tops tumbling... locking,
people pacing, soon they’re none
Numbered exits, zeros numbing... knocking,
midnight daylight’s days undone
Moon blood shackles, shivers shaming... shocking,
starlight striders streaking, stun
Hushed but harried hermits waiting... walking,
restless rainbows on the run
Pixies, elves, and echoes bouncing... balking,
fading fast when dawn’s begun
Bantum butterflies are flitting... flocking
sometimes conquered, overrun
Hocus pokus, seers focus... squawking,
voodoo wavered, witchcraft won

5th Delirium: INTROSPECTION

Sundown furnace, fires fading... coughing,
dusky dew drops drain the air
Empty chalice, sipped in silence... quaffing,
thirsting shadows unaware
Looking glass and lattice scorning... scoffing,
local loser gapes and stares
Faces covered, dancing naked... doffing,
peering inside, hope despairs

6th Delirium: THE VOID

Tales of taboos, mystic mythos... missing,
windows shuttered, bolted door
Kindled candles, tongues and anvils... hissing,
heavy hammers, echoes roar
Dark deceivers, raven charmers... kissing,
draging demons from the shore
Hopeless hollows filled with doubters... dissing
standing empty - nevermore

7th Delirium: SEARCHING

Martyred monks haunt runic ruins ... waiting,
banging broken bells below
Vaulted hallways, voided voices... grating,
churning Chinese chimes aglow
Granite graveyards, spectres spooking... skating,
blackened bushes, roses grow
****** dwarfs seek mutant migrants... mating,
packing parcels, ice and snow

8th Delirium: NIGHTTIME

Throbbing drumheads, fingers blazing... steaming,
coins of copper, beggars plea
Rusty residues of resin... streaming,
opal amber filigree
Orphan shades in shallow shadows... teeming,
steeping twigs in twilight tea
Cloister doorsteps, Prophets gaming... scheming,
tracing tracks of destiny
Blacksmiths blanching, horseshoes glowing... gleaming,
partially sheathed in black debris
Phantoms feigning, nightmares scathing... screaming,
dusty dreamers drifting free

9th Delerium: EMPTYNESS

Water wheels in wastelands... turning,
drowning relics in the slum
Rumpled rags of fashioned burlap... burning,
lit by bandits blind and dumb
Pastured prisons, ponies bridled ... yearning,
forest fairies under thumb
Sounds inside of cauldrons coughing... churning,
blaring bugles, tattooed drum

10th Delirium: ALIENATION

Rain unravelling, wistfully weeping... falling,
treacle trickling, fickle sky
Mushrooms sprinkled, visions sprouting... sprawling,
seagulls drowning, dolphins die
Rabble gasping, spirits broken... crawling,
lonely lonesome swallows cry
Babbling brooks and breakers ebbing... bawling
puppies paddle, puppets sigh
People passing ripple past me... calling,
rainbow colours, collars high
Chaos seething, lepers looting... stalling,
stealing stallions on the sly
Pencils pausing, scholars scrambling... scrawling,
scratching scribbles, asking why

11th Delirium: JETSAM

Silver sails sway pallid pirates... prowling,
Jolly Rogers, wind and sound
Parrots perching, tattered feathers... fouling,
tethered talons, tied and bound
Shipwrecked foghorns, trumpets stranded... howling,
spiral springs of time unwound
Magic moonlight, shimmers shaking... scowling,
burnt out matchsticks washed aground
Prairie wolfs, coyotes calling... yowling,
witching hours, midnight hounds
Tightrope walkers, grizzlies grunting... growling,
seeking islands, lost and found

12th Delirium: RELIEF

Slumber shattered, vapours captive... haunting,
chained in mirrors, breaking free
Scarlet skylines, daylight dawning... daunting,
rivers rushing to the sea
Silence softens, sandmen whisper... wanting,
piercing rafters, turning keys
Shadows shudder, notions fluster... flaunting,
moonbeam bullets meant for me
Mind in migraine, meadows trembling... taunting,
sparrows speak in harmony

REAWAKENING

Pitter patter, teardrops paling... pearling,
salting scarves in secret drawers
Mist amongst us, smoke rings rising... curling,
climbing from the ocean floors
See-saw circles, senses swerving... swirling,
swept away with silver oars
Courtyard jesters, sceptres twisting... twirling,
push the past to foreign shores
Passing pangs of passions heaving... hurling,
burning bridges, closing doors
Roses wither, icons waning... whirling,
time decays and time restores
Brandon Webb Nov 2012
1
she taps he hand, twice.
across the room,
he stares, thinking
into empty air.
others, scattered
tap pencils or fingers
on desktops, booktops
and phone keyboards

the balding man
with black hair:
combed backward
and to differing angles
so that his head is split
vertically-
stands, above the room
his back turned

his words,
meant for the crowd
reverberate only
along classes fringe
but still take precedence
over nothing
even to them-
academics, outcasts


2
back of the room
reveals everything
to the observer
trying to see

blue-eyed brunette
glares vengefully
at no one,
just to glare

he looks up once
to watch
as another
pulls up
drooping jeans.
she laughs
at conversation
unmeant for,
and inaudible
to her


3
today, she smiles
and lets her lip fall
begging, like a puppy
But when they
lose eye contact,
she glares, again

he leaves footprints
on parallel desk
from lounging
then fires himself
to his feet
using stored energy,
and sugar from gum

words bounce along
the walls in the back,
and isolated eyes peer
towards the screen
but hide the fact
that they care


4
two week vacation
has left their minds
full of everything
except math,
so they listen
to him, while he speaks

but travel backward
in time, with
those closest them
while he creeps,
silent, around the room

she concentrates hard,
on her work
glaring at the page.
he sits a desk forward
feet on floor
neighboring desk full
today, but only physically

blue hat rests
on sketchbook,
its border
barely covering
closed eyes

blond head
implants itself
jokingly, into
smooth shining
white wall
with enough force
to collapse
accidental target

a hand raises
attracting gazes,
awestruck,
at her interest
in forgotten
material
of future tests


5
only a few eyes wander
from blue lined notebooks
though the left flank
still chatters, embodying
either a secretive chipmunk
or the breeze which starts the storm

storm clouds appear slowly
in sketchbook, blue hat bobbing
rhythmically in response to active pen

perched above the flock
reminiscent, split headed
papa bird scans the masks
of his shockingly silent chicks

random lecture breaks the silence.
Her eyes aren’t the only ones
Fixed into a steel laden glare
But the chipmunk wind ceases


6
his questioning glance lands
on uninhabited space,
exhibiting a yawn
which traverses through,
and twists, the faces of
those otherwise engaged

lecture ends with a question,
the scent of nuts blows through
mentally empty classroom
turning desks to predetermined
positions and swiftly inhabiting
three-quarters of the physical class

his steel glare has replaced hers
the latter’s eyes now soft as an infants

within five minutes, his voice
undergoes  a brutal, complete cycle
pleading, congratulating, yelling
and as always, lecturing


7
pre-test:

preparations for misery-
mundane chipmunk chattering,
jokes and laughs from random
oddities appearing everywhere

blue hat rests in intervals.
Blue coat rearranges
essay for another class

The girl in the sunny plaid
Rolls an orange along her hand

He points at nothing and asks
Nobody something without answer

The left flank, as always
Is turned away, conversing

A sigh rings outward loudly
Everyone glares, nervously,
Everywhere, reward of concentration


After my test:

First paper in, he scans lightly
Sets it down with a scowl
and yawns, twice, breaking the
silent shroud of heavy fog
which is hanging overhead

wandering free eyes witness
down-turned heads concentrating
as much on tests  as on moving
their hands wildly, excitedly
trying to communicate non-vocally

others have yet to detach themselves
from their seats and stride upward,
hopefully more triumphantly
than their sole predecessor

one shuffles now, slowly toward him
his hand shaking as he releases
that  paper, he turns away as it flutters
onto the desk- he replants himself in his

twelve others walk forward
smiling, shrinking, sometimes speaking
and always he glares, triumphant
knowing his success at our failure


later:

his near-sleeping form            
finds distraction, in waking
dreams, jumping back suddenly
breaking from his plank-like state
without speaking. excitement
for approaching weekend is
communicated in the left flank

two girls break the silence
running in from outside            
he glares at them, but laughs

everyone breaks into groups
after the conversation about
mysteriously nutty discarded sock

he runs to the forefront
forehead folded, finger on mouth
no-one notices, but still he glares

8
he smiles and glares at the floor
his legs swinging back and forth            
tan slacks rustling softly

exaggerated scores bubble in ears            
as they search for their destroyer

in front of forgotten faces falls
the page of a forgotten tome

several yawn, hoping, understandably
that their stretched lips
will pull themselves far enough
to barricade ears from his droning

he kills himself, twice, bumbling
into half-thought chastisements
of the  flittingly flirtatious students
intermingling hoping behind him
causing waves of whispers, laughter
and slightly strengthened chatter

he re-aligns his thoughts quickly
and rambles on again, always

9
he speaks to her softly
from across a sea of desks
she looks up, panicking calmly
distracted from distraction

in silence, blank eyes turn
surprised at the non-withering
state of her barely living corpse

he asks a question, looking up
a single answer is given
unemotional and short, buy ending
heavy hanging awkward silence

how talented the teacher
who gives his lecture while
still addressing unrelated
student self lectures

the still silence given
in his questioning lull
hangs so loudly the whispers
traversing the classroom appear
silent as finger wiggle
and pencils trace zeros

his extrication, caused by
distractingly thunderous voice
is met with a comment
causing a wave of laughter
starting at his mouth
and extending to inhabit everything

10
half the time gives
twice the attention
as they concentrate
on keeping him on
the undying topic
of the work we
have already done

they admit defeat
as dusty tome opens
spreading a nutty cloud
causing heads to turn
and words to leap.

from opens lips,
mischievous gremlins
sprout, dancing on
tables and chuckling
away from the sigh
of his down-turned, split
shining, globular mind

he scratches pink ear
with bone pale finger
reading unrelated words

in the center of the room
both mentally and physically
he sits, momentarily quiet
as dark eyes glare past
rumpled pink nose,
concentrating

blue hat rests on open palms
above dust covered open page
he slips into sleeping state
but picks himself up
and stares though thin borderline
toward shiny rambling forehead

a shutter cord flies forward
the hand at the end pulling hard
but with no affect to the shutters
neither lowering the physical
or raising the mental

the color of non-color pencils
interrupts the class momentarily
as she strides forward to compare
and then criticizes his care

he just sits, smiles and stares

11
eleven desks lie empty
of one form more than usual
amplifying the arm movements
of the ever ticking seconds

his obscured mouth flings seeds
which sprout into words
before even meeting the worn
blood-colored carpet below

in the main room, sixteen
sit silent, sketching, sleeping
or siphoning the last minute

12
those left awake, and alive
have come to understand
the numbers on the screen
this being their specialty
in a nutty shell, of course
splitting, as we are, large
crowds of numbers, and us
being teenagers, isn’t that
how we think, in numbers
and ratings of everything
and, sitting in the central
crowd are the talented
crowd-splitters
flattery-spitters

13
the silence of half absence
is pierced, as always by vocal
anomaly, centered around
rows of shining wood
bookrests, but only one
set of hollow, dark-rimmed
vacant eyeballs watches
well-welcomed interruption

he lets us work, standing.
Someone somewhere opens
A large container of nuts
Entire class starts stuffing
Handfuls into puffy cheeks
Absorbing sensations into
Eternally ravenous minds

The apocalyptic mix of noises
Is split again by central
Nutcracker, and those in corners
Glare, smiling, rubbing shadowed
Acne scarred faces
with raw-bitten nails

14
balding papa bird speaks loudly
transforming his voice, becoming
vocally legendary cartoon duck

the wave of resulting laughter
ends in un-given nut-break
spreading, without speech
the understanding that his
comedic digression will not
meet a quick extinction

we greet the weekend
by rising early
our excuse: competition
to devour the worm

15
three heads are downturned
peering into textbooks
as the tsunami breaks

the days end starts
and beady eyes peer
in the direction of his
moving head, colored
gothic gargoyle in the
dim cloudlight streaming
through dust coated
slit windows

the room transforms
becoming triumphantly,
grumpily, repeatedly
conversational

artificial silence
spreads like a wave
from right back corner
to left front corner
leaving behind
the half of the room
hidden behind the wall
of troublemakers
who will eventually
cause the wall to topple
with the sheer force
of assorted nuts

16
blue hat is scrunched
under the of a fist
pounding on his head,
result of the decibels
consumed, and produced
by the embodiment
of the thoughts around him
which fall from stuffed
cheeks. Bounce off tables
and spread a sickening aroma
as their shells split
exposing, revealing
nothing

17
red face glances upward
as harsh words split
the widening sea of snickers
his words stop, first time today
as whispers spread wildly
of his speed in delivering answers
seconds later, room is silent
as statement ends and lecturer
turns back to him, offering
as always, another wave
of deep felt, anger hardened
quietly whispered, criticisms

thunderous-rush-voice leads
out of habit and necessity
the minutes following
his behavioral digression
each word stabbing split-headed
pointy-nosed papa bird, their
form a walnut-wood spear
crafted from drifted thoughts
of those sitting nearest him

18
on his back lies a pile of nuts
professor’s earthquake
shoulder shaking causes
eyes to open, back to rise
and with a tremendous roar
both physical and meta-physical,
it topples to worn carpet
and the laugh-track plays on

19
silence- pierced into being
by shrill, violent, mountainous
rise, and fall, of thunderous decibels-
hangs, heavier, louder than
the quick gone loudness replaced
or, in all actuality, displaced
mere seconds before being scrawled
into eternal memory
of those whose noses
sniff, daily, nutty clusters
of letters, which exclude
always, the ever-present x
the destructive π
and that y, which of course
flies as high as forgetful
nut-bearers




©Brandon Webb
2012
This is a series of observations, and. collectively, is the longest thing i've ever written, at 8847 words
Becca Calvillo Oct 2010
Rumpled sheets
Stacked dishes
Heaped clothes

Agenda
Script
Novel
Novel
Novel

Slipping shoes on
Arriving almost
Staying after

Dedication
Perserverance
Optimism

Did anyone ask you?
JeanlBouwer Jul 2011
The smell of life, roam the air
New life will flourish, in all its flair
Sky filled, with its bounty to bear
A bounty, for all, all to share
Rumpled old man, smiles at me, and continue his stare

Grey roll in, where sun, moon did stay
Young child and his dog, run home afrai
Mother and father, smile, nothing did they say
Thunder and lightning, kept me at bay
I’m so scared, why’re they all so gay

Water from heaven, my mind did race
Water it’s, it’s all over the place
Drops of rain, my sweat replace
Mother tried, to remove fear from my face
Rumpled old man, tomorrow, you’ll not recognize this place

Scared, I lay under my bed
Listening, to everything, everyone said
Even the passage of Noah, father read
How can this be, my dog hasn’t been fed
Scared, I fall asleep, under my bed

Dawn broke, to my surprise
Nothing came, from my thoughts of demise
I rush to the window, only to realize
Thunder and lightning, needed, for life to rise
Desert landscape, green, in front of my eyes

Dressed in pajamas, I run outside
My world turned, a carousel ride
I run, my dog aside
My foot slipped, I took a slide
Rumpled old man, laughs, with my every stride

Red, orange, yellow, turn as days passed
From where this bounty, so vast
I look at the old man, and ask
The answer, the desert landscape, only a mask
To see what you must, that’s your task.
A story about a child that first saw rain when he was seven years old, inspired this poem together with the splendor of the flowers that appear after the annual rains in Namakwaland. The deeper meaning is that various events happen in our life which we have never experienced; automatically we are afraid, needlessly. We must just look around and ask people, especially the elderly, for guidance and help, for we do not know everything, but more importantly, we mustn’t be afraid of change or everything unusual.
Ivan Brooks Sr Feb 2018
What's this phenomenon called love,
That remains a puzzle no one can solve?
Love is the caveat for many broken hearts,
And the byword for many gracious acts.
Love has the characteristics of a witch
And the coldness of a vindictive *****!

Love, the greatest of human emotions
Has many different variations.
The good book talks about agape love,
And Beyonce sings about drunken love.
Its nature nobody really understands
Yet men have worked with their hands and paid bride prices with cows.
Some have proposed to women at the super bowls.
And on talk shows, jumped on couches
leaving a few to walk on crutches.

Nobody knows love's true colors.
Yet many men have spent top dollars
To buy their women cars as gifts.
And later on, end up begging for lifts.
For love, Romeo committed suicide
And Juliet died right by his side.

Love is very irresistible
And unpredictable.
Love has many dimensions
and many complications.
For love, many people have died
And much more has lied.
For love, knots have been tied
many bank accounts emptied,
For love, wars have been fought
And many Diamond rings bought.

Love is a wrecking ball
I call it an emotional hall.
For love, tears have been shed
by many in their lonely beds.
Love is a mystery
But the reality in my poetry.
It's a kinda game in most men lives,
A game played behind their wives.

So what do we know about love?
Is it peaceful as caged doves
Or dangerous as wild wolves?
Is it contagious as a disease,
Or rumpled as a crease?
Is it blind like brother Steve,
Or silent as a grave?
Is it deep like the ocean,
and beautiful like Heaven?
Love can at times be as cold as ice
And at times, twice as nice!

IvanBrooksPoetry©️
21/8/2018
Love has many definitions....what's yours?
Sam Greig-Mohns Mar 2013
Sitting in the world’s most uncomfortable chair as I readjust my seat for the sixth time… it seems to be a futile effort.
An overweight man in a grey jogging suit is walking in, his white shoes leave wet foot prints across the faded carpet as he crosses the room and begins taking up the chair opposite me with a heavy sigh as though he has walked a long distance though I can see his car through the half closed blinds.

I think the carpet used to be red, like the long carpets they use in the lineup to see Santa but now it is a muddy color… like the water one might use to rinse paint brushes after it has been used too much.

The woman beside me is wearing a faded floral print dress, she smells like garlic and is snoring softly a rumpled romance novel clutched in one hand as her head nods forward onto her chest.
I watch it rise and fall slowly for a few long moments before finally pulling my eyes away again and look towards the desk where the blonde receptionist is sitting.

Her hair is pulled back into a messy bun and there is a pen stuck in it to keep it in place, the pen is blue… or black I think but there is a red cap on it.
She is wearing those nurses’ scrubs they are a faded purple color with chains of daisies decorating them.  

I look past the blonde receptionist and her messy bun with the blue… or black pen with the red cap sticking out of it to the hallway with its bright lines of light and glossy floors.

Another woman is walking out of one of the doors, I can’t see it but I hear it close loudly in the silence, the woman beside me with the faded floral print dress jumps a little snuffling and grunting her dime store romance novel held up before her like a shield before she realizes it was just a door.

Just like the overweight man in the grey jogging suit as he to tries futilely to get comfortable in one of the world’s most uncomfortable chairs, I don’t think he has ever jogged… maybe he just likes the color.

The woman beside me is slouching a little further down in her chair... in another moment she is snoring again softly, I watch the woman who just came out of the unseen door.

She has a little boy with her, he is wearing black puddle boots and Spiderman pajama pants his coat is blue with black racing stripes down the back… he is tugging at the woman’s hand and saying something in another language.

She hushes him and turns back to the receptionist with the messy blonde bun, I watch as she reaches for the pen that is holding it in place… that one that might be blue or maybe black with the red cap on the end before she stops and picks up a black pen off the desk and writes something on a slip of paper before handing it to the woman.

She looks tired, her black hair is braided loosely and strands are falling into her face.
There are large dark circles under her eyes and she dressed in faded jeans and a grey windbreaker with the crest of a sporting goods store I have never heard of embroidered across the shoulder.

The boy is tugging at her hand again and as she turns to look at him she wearily sweeps her gaze over the rest of the room before she answers him.
Her voice is very soft with a practiced kind of patience most parents have, though I can’t make out her words I am sure they are also in another language that I do not understand.

I watch as they boy runs towards the door and pushes all his weight against it making a great show of his strength as the door slowly swings outwards and he leans back against it digging his boots into the muddy colored carpet as the woman follows him out.

The man in the grey jogging suit that has most likely never jogged before has gotten out of his world’s most uncomfortable chair and is eyeing the other still empty seats around him mentally trying to guess without having to walk over and try them which is the least uncomfortable.

He looks across to the woman beside me in the faded flora dress as she gives another snuffling murmur her fingers slowly letting the rumpled novel slip from them, it slides onto the floor and bounces before landing cover side up. Fields of Passion.

He looks at me and our eyes meet, I roll mine in a dramatic gesture of my opinion of the sleeping woman’s taste in reading... he smiles but says nothing and finally decided on another chair right beside the one he had before and sighs heavily as he settles himself into it.

I hear my name being called by the blonde receptionist with the messy bun held together by her blue or black pen with the red cap.
This time the snoring woman with the bad taste in novels doesn’t stir, the man in the jogging suit smiled a little as I pass him and I smile back before turning and disappearing down the hallway with the glossy floors and bright lines of light.
A totally dull moment made more interesting through super observance and creative story telling =)
Have you ever seen
anything
in your life
more wonderful

than the way the sun,
every evening,
relaxed and easy,
floats toward the horizon

and into the clouds or the hills,
or the rumpled sea,
and is gone--
and how it slides again

out of the blackness,
every morning,
on the other side of the world,
like a red flower

streaming upward on its heavenly oils,
say, on a morning in early summer,
at its perfect imperial distance--
and have you ever felt for anything
such wild love--
do you think there is anywhere, in any language,
a word billowing enough
for the pleasure

that fills you,
as the sun
reaches out,
as it warms you

as you stand there,
empty-handed--
or have you too
turned from this world--

or have you too
gone crazy
for power,
for things?
Gabriel Gadfly Oct 2011
You grew up
on the side of the road,
between sidewalk cracks,
in backyards full of
tall bahia grass,
pushing aside their
stems so you could
find the sky.

You grew up
beneath the sun
and out in the rain
and under every
booming thunderstorm
an Alabama summer
could throw your way.

Dogs ran through you.
Men, too, trampled you
but you sprung back up,
rumpled, but still bright,
unbowing, even when
they said you were just
a gangly **** that no
one would find beautiful.

(I found you beautiful,
because your face was
the sun, and I find it
everywhere.)

You grew up.
You had to grow up,
grew white and fragile
and one day the wind
came for you and
carried you away.

Fly far.
This poem and more can be found at the author's website, http://gabrielgadfly.com
ConnectHook Feb 2017
Hi-fructose drama-nation (AKA Plebeia Ovulation-Jones), clad in a rumpled football shirt and golden sweatpants, rolled her bovine eyes, burped, then plunged into battle in the Walmart parking lot. Overweightia U.S, looking on, gestured rudely while blabbing on her phone.  America herself, standing by, talked loudly, swiveling her fat neck around with a menacing gesticulation involving her two-and-a-half-inch poisonous green fake fingernails studded with tiny rhinestones in the shape of well-known designer logos. Witnesses claimed that the altercation started when America could not find her own thong, which was lost between mountains of cellulite-rippled sweaty rolls of flesh. Splendor Obeeze, her BFF, trying to get America away from the fight scene, mooed like a feral heifer, then barked at her ex, who proceeded to taunt her while filming with his I-phone:
      Woo ooh-ooh baby Ima get wit chu den do like u cause we rollin, rollin...
Plebeia suddenly snarled at her 3 year-old daughter strapped into a car seat to leave her **** alone and then re-entered the store where she proceeded to sing to herself in the brassiere section until she bumped into her 4th toddler's baby-daddy who was mumbling into his thick beard RE tha lightweight herb he smoked wif his boy as he checked his text messages for  the freestyle lyrics by "L'il Murgatroid". The entire affair ended badly when Plebeia spilled corn-dog flavored popsicle powder all over America's thong-retrieval device. WW IV warning apps were triggered. They beeped, were ignored, failed and then were deleted. No one shouted World Staaar—u see dat? Oh shiiiittt !!
Plebeia O-J was oblivious, in any case, and strode boldly into the Walmart pharmacy section as the predatory drones prophesied in Revelation were released from the bottomless pit by Abaddon, Lord of destruction. Fabulously overweight as well, I was, nonetheless, underwhelmed by the thong itself, when it was finally retrieved from the depths of America's rumpled sweatpants, on the buttocks of which was emblazoned the final terrible message:  PINK UNIVERSITY   BITE ME.
⛧ ☃ ☠ ☮ ☯ ☢ ✌  
Walmart Absurdist Theater
Reality TV Show
✿ ⚥ ♻ ⚱ ⛓ ☮ ⚔
kiryuen Aug 2015
this is not the path I wanted to go
this is not how I wanted us to grow
I’ve been down this path once before to know
this is the feeling of tumbling down a rabbit hole
what have I done
or rather, what have I let happen
I said I wanted us to stay pure please
please don’t push me down the rabbit hole I said
you don’t know how hard it was for me
to find my way out the first time
and you don’t know I haven’t been home since
haven’t smoothened out creases in this rumpled white dress
haven’t found how removing these stains work
and yet, here I am, again
you know, mud stains on this white lace seem fitting
you took my hand and led me down the aisle
an aisle I knew I’d walked before
I recognised the rotting leaves
the trees that seemed to wail “you should leave”
I knew soon we would arrive at the rabbit hole
I never pushed you away, only said please
white rabbit,
I should’ve known you were the white rabbit
entranced by pocket watches only counting hours
ticking off seconds and watching time closely
this is the hour you will take me by the hand
this is the minute I fall for you
this is the split second before I say “I do”
white dress, you chose this for me, white rabbit
just to see at the altar how I would look in white but sullied
“I still can’t believe how you look next to me,
just like a ******* bedroom scene”
we used to be so decent
mud stains, creases, the only things sincere about me right now
white rabbit, you knew the exact moment I would fall
down the rabbit hole
again
Alexander Klein Jun 2016
Indigo. A dream of the color, and the sound of soft rain. Bathing birds babbled among pines beyond her window, and morning light was warm on her closed face. An ache in the spine. Creaking knees. Shoulders cold cliff-rock. Complaining muscles knotted tight as wood. The wooden house around her also creaked in the wind. Smelled wet. And somewhere echoing through her fields Edgar barked three times, then once more in playful affirmation. Today maybe the last today. In her mind’s eye, falling almost back into dream, Nora surveyed the long acres surrounding her cold home: untended wheat, alfalfa, cattle-corn, all woven through untold ecosystems of weeds. Stray indigo flowers and violets. Scattered dust-filled barns. What the place might look like after all this time. With her right hand she sought the frame of the bed, found it, rough chips of paint flaking. Slowly exhaling at once Nora lifted her iron legs over the edge, thin-socked feet found the bedroom’s planks. Cold air. November hopelessness. With spider-sensitive fingers she plucked her way around the room, imagining violet dawn spilling through her screen window. Stood before the poker-faced mirror out of habit, ran her brush through hair that must now be silver. She felt the satisfying tug on her scalp and loudly past her ears. If her dresser was in front of her, to her right was the window and the pine-scented boxes where she kept his clothes, behind was her rumpled bed, and to her left then was the bathroom. She felt along the door-frame, the sink, the toilet, and sighingly she settled onto its seat. Relief.
Rain drops on her roof were like the “shh” breathed to an infant. Warm blanket of rain over the cold farm. The breathy wind was driving the rain towards her house, cranky knees told of a storm to come. The boisterous wind had the sound of laughter and strife, of voices: the twins arguing somewhere, Edgar probably with them over-enthusiasticly ******* their footsteps. The bellowing wind made the house creak more than usual, but there was something else. A distinctive groan from the foundation up the east wall to the roof-tiles. Someone was in the kitchen. Constance, just like it used to be. Connie was here and the twins were outside: they had arrived closer to dawn than Nora expected. Heavy truck’s tires in mud, headlights had pioneered dawn darkness. Smell of soil. Massaged her own back, kneaded the the flesh on either side of her spine, then wiped and stood from the seat letting her nightgown fall all down around her knotted ankles. Washed herself, and a short shower before the water turned cold. Dried her wrinkles feelingly, smelling soap, and pulled her soft nightgown back on. Socks.
Always a joy whenever Constance came to call — less frequently these days it seemed — always a joy to be with her grandchildren though little Bastian was still mistrustful of her. Always a joy to see her daughter’s family… but she never got to see Matt’s. An image of her son’s face, a red haired ghost of the past, flickered in Nora’s memory. He couldn’t stand this place since he was young, hated his full name “Matthias,” maybe hated Nora too. No reason to stay after his father died. He fled to the city. Must have a wife, several children by now. Well. At least Constance kept coming by. The rain grew heavier, played on the roof like the roll of a snare drum.
Out of the bathroom and bedroom, feeling the planks of floorboard with her soles, hand by hand and foot by foot she traced her steps down the rickety stairs. Uneven. Nora knew the chandelier she once hung here was red; she pictured the color as hard as she could to envision its reflection on each surface of the stairwell. Smell of pine. Like the smell of his clothes safely preserved in the boxes by the window. Jagged nostalgia. Nora had met dear Rowan back in another world: a world of whirling sights and colors and beautiful ugliness and ugliest beauty all. To America when she was nineteen, leaving behind all Germany and studying her new tongue. Had still devoured books then, was able to become a school teacher. When twenty-three, met in a chance cafe Rowan who worked the docks. Red hair. Scottish but of many American generations. Nora grabbed blindly at a face just out of memory’s reach. Her hold on the bannister revealed the places where varnish had been rubbed away by her wringing hands. From the kitchen, acrid cigarette stench and shuffling. Inflamed knees hating her meticulous descent, but better this ordeal each day than to abandon the bedroom they had shared. When the two met, Rowan still sent money to his agricultural folks in New York (“Upstate,” he protested more than once, “Not that awful city, but in the countryside!” and he’d pantomime a deep breath) because of the expenses of running their farm. Nora’s now. From the cafe he had bought her an almond pastry, triangular, smaller than a palm, its sweet crisp flakes made her think of Mediterranean forests, and when the two were married they worked this hereditary farm. Nora knew all the animals, when they still kept livestock. Now Nora’s farm, whose after? When her little Matthias was born they had praised him as the farm’s inheritor. Unwise.
Last step. Sound from the kitchen of Connie shifting in her seat, rustling papers. Smell of strong coffee. Strong cigarettes. Composed herself, quietly cleared throat. Sauntered down the hallway, monitoring expression and tone. Nora said, “Hello Constance. When did you three get here?”
“Hey ma,” said the woman’s voice when the elder crossed into the kitchen. “For christ’s sake don’t call me that.”
“For christ’s sake, don’t take his name,” Ma scolded, but then traced her way past the table to the countertop and felt about for utensils. “I’ll make you something Connie.” The counter was in front of her, bathroom to the left, stove to her right and along that same wall was the back door. ”How about some nice eggs and toast like how you like.”
“No ma, I handled it already.”
“And what color is that hair of yours this time?” Ma asked, carefully inserting slices of bread into the toaster. “Seems like months you haven’t been by.”
A patronising, sarcastic chuckle. “…it’s orange, ma.
Listen—”
“That is so nice. Your father’s hair was just that shade of orange.” Felt around inside the refrigerator. The styrofoam carton. Small and cold and round, her fingers seized four of them. “Do you remember?”
Pause. “I remember, ma.”
“What I don’t understand,” said Ma swallowing a cough, expertly igniting one gas burner as practiced and putting on hot water for tea, “is why you don’t fix to keep it natural. I love our nice fair hair, very blonde, very pretty.” Back home in Germany Nora had been the favorite of two men, but many years since engaging in the frivolous antics she in those days entertained. “Best to flaunt your natural hair color while it’s still there: orange like Matt and dear Rowan, or fair like you and Lorelai got.” Memories of her own face as she remembered it. Relatively young the last time she had seen. What wrinkles there must be. What a mask to wear. No wonder Bastian. Nora ignited another burner. Tick tick tick fwoosh. Smelled gas. Sound of the almost boiling water complaining against its kettle. Phantom taste of anticipated tea. Regret. The contents of the vial hidden on the top shelf. Today maybe the. Sound of heavy rain. “And how are your bundles of mischief?”
Connie sighed. “I told Lorelai to get her little **** inside the house, as if she hears a word. She’s playing with Ed somewhere in the fields I don’t wonder, rain be ******. That girl is such a little — well she’d better not be down by the creek anyhow. Could get flooded in a downpour like this. Bastian was out with her, but he’s playing in his room now. You know we don’t have time to stay long today, it’s just that you and I got to finally square this business away. No more deliberating, ok?”
Swallowed. “Course, Constance. Just nice to hear your voice. You’re taking care?”
“Care enough. Last time I was — oh! Jesus, ma!”
Ma’s egg missed the pan’s edge. She felt herself shatter the shell into the stove top, in her mind’s eye saw the bright orange yolk squeezed into the albumen. The burner hissed against liquid intrusion. Connie made a strained noise and scooped her mother into a seat at the table. Movement. Crisply, the sound of two fresh eggs being broken and sizzling on the pan. Scrambled as orange as Connie’s guarded temper. The table’s cool surface. Phantom smell of pine wood polish and recollections of Rowan at his woodworking tools building this table once. Other breakfasts. Young Constance, young Matthias. Young self. Her left hand massaged her aching right shoulder, then she switched. The sound of plates being readjusted with unnecessary force.
“You know,” said her daughter, “living in one of them places might even be fun. Might be good for you instead of moping about this place. But like I’ve been saying, we got to make our decision today: sell this place or pass it on. I know you don’t take no walk, cause where would you go? What’s the point in keeping all this **** land if you’re not gonna do nothing with it? You can’t even ******* see it!”
“Constance! Language!”
“Come on ma, just cut it out! This is great property, and you’ve let it get so it’s bleeding money.”
“…But Constance I can’t sell it, not like your brother wants me to do. He’s always trying to get rid of this place and turn a profit, but someone needs to take care of it! You know that this is the house that your f—“
“‘That your grandparents lived in where your father and I raised you…’ Yeah I know, ma. And I get it. Believe me. But what you’re doing is just plain impractical, why don’t you think about it? All you’re doing is haunting this place like a ghost. Wouldn’t you rather live somewhere where you can make friends? Things can’t go on like this.” A plate was placed softly on the table and it slid in front of Ma. Can’t go on like this. Egg smell. Salted. Toast, margarine. A cup of tea appeared nearby. “Anything else you want? Here’s a fork.”
“What will you eat, Constance?”
“I ate, ma, I ate already. Have your breakfast, then we can talking about this for real. Ok?” Then, the sound of her daughter’s body shifting in surprise, a pleasant unexpected, “Oh,” before Connie said low and matronly, “Hi baby, how you doing? Are you hungry?” But only the sound of the downpour. Orange eggs still softly sizzled. The wind pushed the creaking house. “Sweetie, you don’t have to hide behind the door, it’s ok. Come say hi to grandma… don’t you want some scrambled eggs?” Refrigerator’s hum. Barking echoed, coming over the hill. But not even the little boy’s breathing. Grandma had met the twins two years ago, following the **** of Constance’s rebellious years and independence. Nora was reminded of her german gentlemen and her own amply tumultuous adolescence. She could forgive. Two years ago Lorelai and Bastian had already been too big to cradle and fawn over, but they were discovered to be just starting school and already bright pupils. Grandma hung her head. Warm steam from where the uneaten eggs waited patiently. Edgar’s approaching yapping. And, fleeing from the doorway, a scampering of feet so light they might have been moth wings. Down the hallway back into his room. “Sorry ma,” said Constance.
Shrugged. A nerve flared in pain up her neck but she didn’t react. Only fork scrape. Ate eggs. On introduction, poor little Bastian had burst into tears and refused to go near her. Connie had consoled: “It’s ok baby, she’s just Grandma Nora! She’s my mother.” But poor little Bastian inconsolable: “No, no, no! She’s not!” What a wrinkled mask it must be. How hideous unkempt with silver hair. How horrible unflinching eyes. “She’s not,” would sob the quiet boy in earnest, “she’s a witch! Don’t you see?” And he never would let Grandma hold him. Lorelai was always polite, hugged warmly, looked after her pitiable brother, but her mind too was far elsewhere. Edgar alone loved them all unconditionally and was equally beloved. Barking. Yowling. Scratches at the door. Downpour. Door and screen door opened, wet dog happy dog entered, shook, and droplets on her cheek.
And there appeared Lorelai, a star out of sight. “Hey mom. Hi grandma!”
Grandma swiveled for cosmetic reasons to face where the door. Grinned, “Hello Lorelai. Wet?” Envisioned yellow sunlight entering with the excitable girl in spite of the deluge.
“Oh it’s so rainy out there grandma, I found little streams through your fields and big mud puddles and Edgar showed me where your secret treasure was, we found it!”
“Stop right there, missy!” commanded Constance. “For christ’s sake you look like you took a bath in the mud and the **** dog with you. Come on, your filthy coat needs to be on the rack, right? Now your boots.”
Warm nose found Nora’s palm, excited lapping. Slimy fur, smelly fur. A cold piece of egg dangled in her fingers, then dog breath came hot and licked it up. Satisfied, he trotted off elsewhere, collar jingling out of the kitchen and down the hall.
Little Lorelai lamented, “I couldn’t help it mom, the mud was all over the place! When we got past the motor barn and the one alfalfa field that looks like a big marsh frogs went ‘croak croak croak’ but Edgar growled and chased them and then we made it all the way in the rain to the creek and it’s so much—”
“Now you just hold on. Hold still!” Sounds of wrestling. Grunts of a struggle. “That creek must have been overflowing! Didn’t I tell you not to? You didn’t take your new phone out there did you, Lori?”
“No ma’am.”
“**** right you didn’t, cause I sure ain’t buying you a new one. Didn’t I tell you not to go all the way out there? Didn’t I? Now you get into that bathroom and wash your **** hands!”
“But I’m telling Grandma a story!” huffed little yellow haired Lorelai.
“Well wash your hands first and then we’ll hear it, Grandma don’t listen to misbehaving girls who are all muddy and gross. Not a squeak from you till you look like you come from heaven instead of that nasty creek.”
A profound sigh, a condescending, “Fine,” a door closing and a squeaky faucet running. Muffled hands splashed, dampened off-key ‘la la la’s.
“Who knows what the hell that one is ever talking about,” said Connie. “It’s everything I can do to get her to shut up for five ******* minutes. You done with your eggs?”
Ma fidgeted. The plate was scraped away, and a clunk by the sink. Licked her lips, mouthed a syllable, about to speak. But then her house creaked three strong along the east wall. From deeper within bubbled a suppressed sob: “Mom,” little Bastian wailed, “Mom, come quick!” Constance sighed, Constance cursed, and Constance swept off down the hallway struggling to refrain from stomping.
Sound of washing. Wind. Rain. Alone. Cold. Picking out the paint for this room, listed in gloss as ‘golden straw yellow.’ Rowan hadn’t liked it and chose himself the bedroom’s color in retaliation. The loss of the home they had built together. The contents of the vial hidden on the top shelf: do they see it? Bathroom sink stopped flowing, door wrenched open. Smell of soap, clean smell. Grandma said to her, “Your mother went to check on Bastian,” Taste of eggs still yellow on her tongue.
“What a *****!”
Stunned. “Lorelai!” she snapped. “Don’t you dare take that language!”
“But mom does it all the time.”
“Then Lorelai, it’s up to you to be better than your mother. When I’m not around any more, and your mother neither, you’ll be the one who keeps us alive.”
“But as long as you’re alive you’ll always be around, you’re not a ***** like mom. And remember? I got all the mud off so can I finally tell you can I what we found? Well actually it was Edgar found it. Oh and I’ll describe it real good for you grandma just like you could see it: when we pulled up we were just wandering in the blue rain, Bastian and me, and silly Edgar joined us but Mom tried to make us come back of course but I told Bastian to stay with us at first, but later I changed my mind on it. It was he and me and Edgar were hiding in the old motor barn where it smells like a gas station remember grandma and he was so excited to see the sun when it rose and made the morning violet sky he started clapping and Edgar got excited too and was barking ‘bark bark’ and howling so I told Bastian to go back even
T R Wingfield Jan 2017
Ours was like fireworks
in the mid-summer sky
Radiant,
       Iridescent,
                   Incredulous,
                              Alive
but the finale came suddenly, unexpectedly soon,
& the band played on,
as if nothing had changed,
as if a fountain of sparkling embers and flame
had not just erupted mere inches away.
And now,
where explosions once seared summer's sky with crackling thunderous incandescent delight
Only whispers and wisps of smoke remain,
Scattered by the breeze,
Whithered, then, by rain.
And of the evening's reveries precious little can be found:
some soured beer in crumpled cans, discarded haphazardly
surrounding a threadbare picnic bedspread
rumpled beneath the branches of an ancient live oak tree.
Dew now wet where lovers once had lain,
staring up into the night
in wonder, ignorant of such banal things
like: masquerading lust in love's robes, declaring,
"I've never loved a love as deep as the love I have for you,"
and truly being unaware of the uncanny substitute;
Or the unbridled disenchantment unleashed by abandonment
and the inevitable transience of an insufferable pain.

We ****** on bar balcony balustrades, over looking city streets.
We ditched tampons into trees rather than wait to satisfy our needs.
We left your ******* in a planter
on a patio under an eve
On purpose, So that some poor, unassuming shop-keep
Would find them
(along with cigarette butts and an empty bag of ****)
and have no choice but think to themselves,
"Did someone **** here?"
and then immediately understand the answer is
"Yes. Exuberantly!"

We defiled. every. place. we went;
giggling with glee at all of our indiscretions.

Oh how many indiscretions could there possibly be?
We shall know;
All of them!

And so we did,

And we were free.



On new years eve I carried you piggyback in your peacock blue sequined gown through the streets of our ****-soaked-gutter-of-a-town.
You were barefoot, drunk, and refusing to be told what to do,
that you had to wear your shoes,
that the streets were far to ***** and dangerous for your tender little feet- you said "Just let me be, It's fine. It wont **** me..."
then, looking at the gutter, continued,
"probably.
And these shoes already are, so..." sticking out your tongue
But I couldn't put you down.
Not in that place, not at that time.
Nor did I even want to. I could have carried you all night
(which was fortunate, because for most of itI did.)
We were declared the city's cutest couple by a stranger on the sidewalk whom we passed while galloping down the street, you, giggling, alight upon my back, running at full speed. This declaration was reaffirmed by everyone met.

A pixie, you know, will always trip you up
(they're natural pranksters you see).
Their magic is undeniable, but oh what trouble they can be.

- My toothsome little faerie - You meant trouble for me;
but what a beautiful, beguiling mess you turned out to be,

You snuck pixie dust into everywhere we went, and
Dispensed it with abandon-
Spread it like caution to the wind.
Sanctifying everything and everyone we met.
That poor city was baptized in our joy.
It's sins washed into glittering gutters,
where we lay sparkling, genuine and loved.


We broke the records that night,
all of them, known and not.

We loved harder than diamond,
than a trailer-hitch to the shin,
Deeper than the fathoms of the trenches at the bottom of the sea.

We made soulmates seem like strangers.
We spoke nonsense fluently.
We shared mind and body, food and drink,
and careless wanton play.

It was

The most
     *******
          Fun
   I've ever had
       in my life...

Probably the most that I ever will.


Every moment I was with you had
the sizzle and the tease
of a bottle-rocket, lit
and held between my teeth.

I knew that I'd get burned
If I held it to the end,
But I did it just to prove I could;
To prove to me
That I was brave enough
To be unashamed
  To be unafraid
   To be.
First draft catharsis.
Second draft refined.
Third draft- shape and tone, structure and rhyme.

I've been holding on to some very dense emotional pain relating to a relationship which, for lack of a better word, collapsed. When it did, I was buried by my depression, and sank into drug and alcohol addiction. The depression and drugs had taken there toll on the relationship, but I couldn't not understand why someone who had loved and been loved so deeply could just walk away. It took a long time to understand that it was self-preservation. And that is a hard realisation to make. Still the love we shared was enigmatic. Like nothing I've ever seen in a movie or a song or a poem. This is hardly a testament, or even a rough approximation of the experience at its finest moments, but it is a reflection. A memory. She took a piece of me when she left. One I want back desperately, but also one I know cannot be found. So I'll have to search until I find something of a similar size and shape, maybe a little larger, and cut the whole to fit.
Journey of Days Nov 2017
sleep was rumpled
and the dreams
well
they were not sweet

@journeyofdays
when you wake up so you can actually rest
Kendal Anne Sep 2013
To paint the scene of my former life
One must first take a look into a little dusky room filled with shady sunlight,                        
Streaming in through dusty blinds that  never actually shade the eyes.
They produce blinding shafts of light that burn the eyes like blades are hiding within red  fired laser beams.
Imagine a little rocking horse, painted black and gold, with a little red bell dangling off of the red reins attached. Nostrils flaring, ready to be ride out into the sunset, but never actually to be ridden.
Two comfortable twin beds shoved into the corners of the room, leaving indentations upon the slightly greying,
Off white carpet that had once been plush, now smashed into the ground with dirt and grime from children playing.
The comforters on the top of the bed lay strewn and rumpled; covered with dinosaurs and their names,
Allosaurus, Tyrannosaurus Rex, and Brontosaurus.
All with goofy pictures in greens and oranges that a child could laugh at when frightened.
On the right side of that room, from when you walk inside, the walls are painted a malicious purple,
Like a swelling bruise had been inflicted upon the wall by some unseen hand that had forced a fist.
A big ugly bruised wall.
Accompanying that bruise on the left half of the wall is a faded blue,
The color of pearls painted over with a smattering of blue paints,
Enveloping the trim of the room is a metallic silver haze that was just beautiful,
Creating illusions of moonbeams and silver roses within it.
The ceiling was glorious as well. It was covered in millions of stars.
Although they were glow in the dark plastic stickers that could be hung anywhere,
I still saw them as fiery gases burning miles away.
Of course, at the time I was well aware of what stars were, as I had a love for them.
I would gaze upon them late into the night, often in awe and wonder at how it would feel to be one.
Would it feel as if I was enlightened and owned the universe,
Or would it be a darkened, frightening place, filled with loneliness?
I had always wondered.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~­~~~~~
There is much screaming. High pitched, it sounds like the whining buzz of an angry bee .
A scream nonetheless. So very loud, it is, and it rings like church bells in my ears.
Ringing, and ringing, and ringing...
The scream sounds so very close to me,
Perhaps this is because the wailing sounds some from my very own mouth.
The screams, crawling and digging their claws up and out of my throat,
Unburying themselves as they seep out in tormenting waves, leaving my throat a red and raw coated mess.
But still, I scream.
My throat resounds the despairing loneliness that had welled up in those short years of my life,
Finally taking their act of freedom, welling up and pouring out like caged birds,
Fleeing from the cage with freedom in their hearts.
Although this was never true, this was never to become freedom,
The fleeing screams do not pierce the veil that shrouds the deaf ears that were meant to hear it,
Turning away in ignoramus bliss.
“You are the banshee wailing,”  
My Mum says with a growling lilt to her voice as she pushed the door to my room closed with a glare,
Her fingers clenching the door, knuckles turning white with frustration.
Tiredness has already beginning to  line her once youthful face with spiderwebs of indecision of what she truly wanted. As I scratched my bleeding nails across the closing door, frantically searching for a place of escape,
My mind races and thus, I began to horde emotions of resentment for my parents.
I constantly wanted to free myself from the jail that my world had always seemed to be revolved around.  
My nails are bloodied and fingers bruised, I give up in defeat from the fear.  
Although it may only be pounding upon and freezing the insides of my veins,
It is exactly what created this insane version of myself. This wild animal who scratches, bites and roars,
The primitive animal comes from deep within the skin wearing it as a costume in the form of  a little three year old girl.
I was locked away for most of the three years I had spent with my cold and unfeeling parents,
Who wanted nothing to do with me, nor ever share their love.
(Or so I thought as a child, whose hopes of freedom were breaking away even before they were molded).
I have retained this in my memory banks for my entire life,
Even after when those around me told me I was too young to remember it.
But how could I possibly remember this in such crystal clear detail,i
If I had been a thoughtless, and blank minded child at the time?
This experience has obtained and earned one of the darkest places in my mind,
It has forced me to keep it inside my entire life.
I call it the dark forest, the place that remains shadowed, blackened and cold.
Most of my horrible memories are part of that forest, creating the trees that form it.
From this forest leaps the monsters that tormented me in my dreams, howling and baring their teeth,
Their shapes surrounding me like a thick and rank fog that was inescapable, their breath rolling down my neck.
The stench making my eyes roll back, turning the world black.
Then suddenly I would wake up, an invisible scream rising in my throat, sweat soaked and shivering with fright.
Even then, I could still see them.  
Their red eyes glowering at me in the darkness of my room that I shared with my sister Dakota.
Sometimes I imagine that I can still see them, and a paradoxical paranoia rushes down my spine,
Forcing every hair to stand on end, and cold fear to paralyze my body, to the point that I am immobile.
Like frightened prey trying to hide and fold the body in on itself,
From an  un-explainable fear that was reared from my childhood.
I was created at the hands of those who love me now, but at first were disgusted at the sight of me.
I was merely an obligation in which they had to feed and bathe on few occasions.
An abomination, something to be frowned upon.
Their indecision and ignorance was what caused one of my largest complications of the brain.
This experience created the driving need that I still carry with me today to be surrounded with people.
I feel as if I cannot survive without them, because my childhood was so filled with loneliness,
That I need to gain back that attention that was taken away from me.
Considering this, of how insane I had been as a child, like a froth mouthed animal, begging for scraps of food,
Only my food was social activity and freedom, in which I was explicitly not allowed to be given often.
My grandparents, if I have remembered correctly, their faces seeming more youthful than my parents,
Pouring experiences  into me like a mug, gracing me with feelings of wonder instead of blind fury,
Overwhelming me with their kindness and compassion.
They were the ones who changed me, took me in and made me feel like I was really alive and was of relation.
They made it seem as if I were still slightly human, not a craze eyed child who acted like a wild animal,
Who was feared and pitied by those who came to see me.
Although it did take time to recover from my horrific experience,
I have learned to gain control of my emotions through meditation, sometimes to the point  of becoming a blank slate.
I was the girl who acted as if I was not of this planet, as if I was off in another universe taking a soul vacation.
Tracing patterns in the constellations, my eyes star struck and filled with wonders that only I knew of.
Being so used to a constant state of harmony, that the world around began to blur,
Taking little notice of any change within it, even if the images crossed and passed within inches of my unseeing gaze.
Viewing the world as it was meant to be seen; with beauty and stained with emotions.
This is a story of a girl with the once crazed eyes who saw the world as a fearful place with no freedom,
Who behaved not unlike a wounded animal caught in a trap,
Whimpering and pleading with her mournful gaze for freedom.  
Only now this girl had been turned into a starry eyed child with wisdom from a past of tragedies.
~This is who I am and this is my story~
This is actually my Lang & Comp assignment turned into a poem. I know it is long. Enjoy~
She's this insatiable urge
gaining on me,
like a herd of horses
galloping in the treachery of the wild,
their muscles brushed to a shine
rippling down their calves
to embrace the ground
beneath their ironed hooves
shaking it up, tormenting its calm,
whipping up tremors
that know no chains and travel far.

When she's around
dust and sweat break free
with muscles aching in symphony
the heart is all worked up
like a boiler room in heat
pummeling all of its adrenaline
in one fleeting indulgence
which the universe with all its hatcheries
is itching to contain
before the raging tides in
and floods my world.

She's the elusive horizon
used to passionate chases
and the sly azure lunging at it
for one sweet glimpse of the cleavage where it conjoins with the earth
looking for Elysium that never is.
Ah! But that is what it is
for the tamed to think of love
is an impossibility
for it grows in the wild
separated by a hundred chasms
and a million mazes
waiting for a fool to cross over.

When she isn't around
the rumpled sheets tell our story
for it has seen the storms
that raged in the cavernous nights
and filled up balmy noons
with the savagery of love
still crackling like embers of fire
which have seen better days,
and, light up still, with a death wish
to tell of our smouldering lives
that thrived in spasms of our last breath.
William A Poppen Dec 2013
Each night she pretends
a wholesome guy
will shuffle alongside
on the sidewalk and
gently bump her shoulder.

Wholesome guys are
good in the morning
like high-fiber granola,
and easy on the eyes
with rumpled curls
resting against
eyes void of blood lines.

A wholesome fellow
knows what he wants −
her.

Her wholesome guy is
adorned with blue denim
and passion spilling from
his crotch.

Her wholesome lover
lights candles on her birthday;
burns his way into her heart.

As they grow old together
she becomes his memory,
while his memories are sprinkled
with images
of her beauty.
Nat Lipstadt Jun 2013
Just Like A Woman

You focus on the act,
The ridiculous derring-do,
Laughing at me
Cause I chased away
In my rumpled ******,
The woodpecker that **convulsed

Our house at 5:00 AM,
With a decorative pillow.

Focus on the results, says the
Results-oriented man.

Has Woody ever returned?
No and his fate is still unknown,
He may fly forever neath our trees,
But now he knows to stay away
From me and the risk of my pillowy pillory!

P.S. I may (or may not)
Choose to disclose
That upon my return
The house still shook,
From someone's uproarious, convulsed
Laughing at a city boys country heroics.


10:30am
June29 2013
Certain people maintain it was the horrific/comedic sight of me that drove him away.  No matter, its the "bottoms"  line that counts
ORLA Dec 2012
Once upon a time, there was me:
A simpleton of no account,
A dunderhead by word of mouth,
An addle-pate, a cracking crock,
A crazy who deserved a lock.
Not pretty, brainy, or well-bred,
Bespectacled, a short redhead
With hands too small and far too pink
Who’d trip or fall as soon as think.
Not many prospects, they declared
With such conviction I was scared.
But the cast was short one role,
The one who’d make the halfwit whole . . .

Once upon a time, there was you:
A lord of state, of high esteem,
The answer to each maiden’s dream,
A strong man, raven-haired, and tall?
No, not this person, not at all.
You had glasses just like me,
And freckles where your skin should be.
Your clothes were rumpled, torn and tattered
Not as though that even mattered:
You walked on set and came to me
You got down on one gawky knee
You took my pink hand in your red
And, as you fixed your glasses, said:
“I love your hands, your height, your hair,
I love you up, down, everywhere.
And I hesitate to ask you this . . .
But could I maybe have a kiss?”
And, for once, my tactless lips
Did not resort to stumbling slips;
I gave you one, I gave you two,
I gave every kiss I had to you.

Once upon a time, there was us:*
Two simpletons of no repute
Two dunderheads whose names were moot:
Prince Not-So-Charming and his *****.
And much as cynics tried to drench
The flames of addle-pated glee
I found in you and you in me,
As much as they enjoyed pretending,
They could not harm our happy ending.
Something I wrote a few years ago - forgive its awkwardness, the sentiment still applies.
Meka Boyle Sep 2013
God is watching from beneath a department store window display:
Six floors lined head to toe with glass sheets and metal dividers,
Holding up the paper town- a city hall
Of half off summer sales.
The translucent sheets encompass the cold air conditioned empty space
That seeps in between the wheels of rolling racks, and pushes up
Against the impenetrable windows
That reflect the ash tray gray office buildings,
Looming in the backdrop
Square cubicles full of 9-5 daydreams
And lukewarm non-fat lates,
The iridescent shimmer of the dark exterior
Casts a shadow over the entire block,
Dancing in the reflection
Of a little Asian girl three floors up
Running in between the clothing racks-
Pitter pattering above the ceiling of a five star
Macy's restaurant
Packed with narrow tables and people
Alone and comfortable:
A spectacle to anyone across the street
Brave enough to look up.
Is this what the world has become?
Row after row of sorry complacency:
30% off signs and colorful adds
Drop into a diner waiting room;
The black-clad waiter paces back
And forth, oblivious that his every movement
Is being observed by someone perched on a ***** step of union square.
Safety comes in numbers,
And we forget ourselves
To the dull drone of elevator music
And neon ceiling lights projecting onto
Our downcast eyes.
Slouched against a fashionably bare
White metal chair, at a white table with white walls,
Echo the same vibrato of an asylum.
Arms bent over your head,
Brown rumpled shirt and blue jeans,
Who is watching who?
You look out of the window, just the way
The elderly man in the green vest does,
Two stories up,
The same ***** square glares back at you,
As a few teenage boys take a picture
Of the very architecture you are having
Your overpriced conversation and lunch of some sort of past.
The observer is also the observed,
And nothing goes unnoticed
Except the spectacle, itself.
Hand in hand, we carry our insecurities to the mall
And let them wander off on their own
As long as they're back by 3pm
And haven't done anything drastic
That would betray us.
Comfortability and conformity dance across the sleek walls of the Cheesecake Factory
As a homeless man drags his feet across the littered floor below,
Angrily sighing as stops and darts his eyes
Quickly scanning the moving forms within the indifferent architecture,
Before he abruptly picks up pace
And carries on.
The best view in the city:
A roof top full of anxious visitors
Who only look out over the top,
Afraid to look down and see themselves
In the reflection of the face
Of a blurred and changing crowd,
Hurrying away from now
Avoiding eye contact and fiddling with their jackets.
In the 2nd grade
a puppy love
crush on the
teacher steeped
deep in me

to my delight
her clear eyes
recognized the
promise of a
chubby boy
in all of his
quaint simplicity

her gentle
voice, friendly
and firm, filled
with caring instruction

the giddy class
attuned to her fresh
brunette bouffant, bunned
and perfectly coiffed,
speaking style and
youthful whimsy,
not a strand of hair
out of place

her svelte figure
flowed through
classroom isles
filling the space
with scented graces
of prescient carnations

that afternoon she
was abruptly called
from the class

when she returned
our beautiful princess
was sobbing

she concealed her face
then turned her back
on the class, crying
in a corner to dismayed
blushing blackboards

regaining composure
she turned
exposing her tear
stained cheeks
and dissheveled hair
to an unsettled class

“the President
hurt his back” she
announced.  “He’s
in the hospital.”

Whoa… I thought,
the President hurt
his back.  That's
terrible I surmised.

our beloved teacher
dismissed us
and resumed her
tearful grief

when I arrived home
my mother was
sitting on the bed
weeping.  “President
Kennedy is dead”
she blared.

my mother’s rumpled
housecoat and
tousled hair flattered
her flowing tears and
anguished sobs.

the tears of women
marked the end
of many puppy loves that day


Bob Marley & The Wailers
No Woman No Cry

Oakland
10/15/13
jbm
Will my heavenly wings be splendid
Will they sparkle like the dew?
Will they be rhinestones and pendants
In my halo all shiny and new?

Will my halo need adjusting
Or will it fit like a glove?
I better get my order in early
To the great shop up above.

Will they likely be tarnished
Smudged, dingy, or singed?
Soiled or possibly rumpled
Without and maybe within?

Might they be too heavy
Or even a little too tight?
I am hoping and I'm praying
They'll fit and be just right.


March 16 1993
I sit in front of my dressers mirror,
Stare at the plain adequate girl staring back at me,
Is she enough?
Can she walk out this door and hold her head up high?

No.

And so I pull,
And tweak
And brush
And dry,

I look at the girl in the mirror again,
Her hair is done up,
Pretty and well kept,
But dead dry and limp because of damage,
And I can’t help but think it represents my inner self,

Though dead,
I look substantially better,
But is she enough?
This girl staring back at me?
Can she hold her head up high with the confidence of knowing what she wants?

No.

And so I apply base,
Concealer,
Try to fix my uneven complexion and blemishes,
Eye shadow,
Then eye liner,
Mascara,
Lipstick….

And again I stop to look at the girl,
She looks like women now,
As every feature is defined and highlighted,
Her complexion even,
Blemish free…

But is it enough,
This women staring back at me,
As the make up smudges and rubs off,
She’ll become the drab adequate girl underneath it all,

I can put on beautiful clothes,
Amazing jewellery,
But I remain the plain adequate girl that stares back at me,

With her sad eyes,
Set jaw,
Lips that barely ever quirk upwards with a hint of a smile,
That girl who’s cried so many eyeliner smudging tears,
That girl who fears,
Everything,
Everyone,

No matter how much I do,
To hide her away,
Keep her from the world,
No matter how many layers of,
‘Happy’,
I try to mask her with,

She will come out,
As my clothes grow rumpled,
My jewellery loses its shine,
Its glow,
As my hair turns grey,
My make up smudges,
I become her again,

And is she enough?

I stare at her long and hard,
I notice the high cheekbones,
The strong set features,
I realize this girl is only adequate,
Because she believes it,
Only plain because it’s all she’s ever been convinced to see,

With all her wear and tear,
She is beautiful.
And so I grab my make up remover,
Wipe away the mask suffocating me,
I shake my hair out to its full volume,
I remove the jewellery that’s cold against my warmth,

And I look at this plain adequate girl,
Not so plain and adequate anymore,
And I ask myself,
Is she enough?
Enough to face the world proudly as whom and what she is?
Is she?

Those sad eyes stare back at me with a new found spark,
Those set lips quirk up into a hint of a sly smile,
And she winks at me.

Yes.
AprilDawn Apr 2014
Texas early night sky

nightstands
like deserted islands
next to rumpled bed

fake hibiscus in bloom
clipped onto curtains

favorite lip glosses
cradled in basket
on vanity sink

sparkly bead earrings  
displayed   in
see-through pockets
on stuffed closet door

silken blouse draped
on spare chair
awaiting an outing

candy wind  hibiscus
sways in the breeze
a playground for lizards

my face
when I realize
you are looking at me
handsome man
An exercise  from a writing class  using a favorite color  .By this time, I was  noticing handsome men again.
Mymai Yuan Sep 2010
Breathing dawn:
Cool breeze,
Quiet whirl,
Crumples in the purple cover,
Whiff of flowers from the wrinkled pillows,
Rumpled blankets,
Sleeping limbs stretching and awakening,
The call of feathered angels

Arising:
Bony copper-painted-toe-nailed feet
Slumping against a chilly wooden floor,
Burst of artificial light against reflecting tiles,
Water once smooth and clear in the bowl,
Red circular prints left on big brown thighs,
From lazy resting elbows,
The sound of a flush too loud,
Scalding hot water pounding,
Press of a thumb,
A minty blue worm

Preparing:
A wand and black coats from a baby blue bottle,
Soft white heads of cotton-buds turned black,
Timber home of nestling underwear,
Gray button,
Silver clip by the hip,
Spoon,
Chopstick,
Milk moustache,
Murmur of farewell

Starting:
Sliding elevator doors,
Buttons that light up with the warmth of my fingertip,
Then enters a stranger you’ve known all your life,
Awkward mouths moving,
Awkward Good morning,
Awkward lift silence,
Awkward who-goes-out-the-lift-first-and-who-holds-the-door politeness,
Awkward Goodbye,
Awkward realization they’re-coming-the-same-way,
Um, oh, hm? yeah…
Aversion.

Waking up:
Concrete walk,
Peeling red paint on rusty railings,
Moving figures,
Sunrays bouncing over murky polluted water,
Faces from a roaring water machine,
Same guy,
Same glaring pimple
White and yellow stripes

Bells the Dictator:
Piercing, infuriating shrill
Slamming doors
Pattering of running feet,
Instructive bossy voices,
Flick the switch,
Blinking electronic light,
Automatic finger exercise,
Droning lullabies,
Stifled yawns,
Quick chicken sandwich
Piercing, infuriating shrill,
Spark of inquisitive interest,
And there it… yes… dies,  
Remembering past mistakes are not always unpleasant,
Loud voices that encourage a fly-away imagination,
Numbers scrawled on a page,
Competition disguised as genuine interest and concern,
Inadequacy,
Arrogance,
Annoying shrill,
Stone steps,
Aching knees,
Clean plates dirtied with gravy,
Chilli specks swimming in soup,
Laughter,
Cluelessness given away by late laughter,
Fake un-sure smiles,
Laughter,
Pair of dark brown eyes,
Memories,
One secret hope,
A lifetime,
Big blue sky
Shrill,
Blanked-out,
Ashy stubble on a meaty discolored chin,
Shrill,
A boy with a guitar,
Mellow strumming,
That sweet earnest smile,
Another shrill too soon,
Lick of an eyelid,
Shiny shoes,
Squeaky floors,
Sweat,
Rosy cheeks,
The quick dance of a net with a ball,
Bruises blooming like inverted flower buds

Slowing-down:**
Clicking of plastic alphabets and symbols,
Dry patch of skin above the knee,
Itchy
Scratch
Scratch
Scratch
Big blue sky from the edge of a window sill,
Soaring, flying like an eagle up to the wispy white clouds,
Snaking through them like a sprinkler in the garden,
Blink of an eye,
Oh, a pile of homework,
***** statues behind glass,
Knocked down with a giant’s fist,
A great yellow eye with dilated pupils watching ferociously,
Sharp bob of my head,
Ahh, a pile of homework still waiting patiently
Give me a kiss and rest your hand on my head,
You know your love makes my day.
Brent Kincaid Jul 2015
He, the rumpled bumbler,
Stumbled, mumbling, bungling
Through his self-made jungle
No mote of humility, his abilities
Were not inclusive of subtlety.
He settled for a public identity
Of propriety and normality,
Obvious hospitality but falsity
Like the nose on his face, exposed.

What a verbose, but artificial
Government official he was.
His cause was never for us
It was for that he was notorious;
How laboriously he dissembled.
But he resembled his opposition
Then took a position of submission
Until his mission was complete
Then he beat his feet in retreat
To those he knew could beat
The highest price and that was nice.

Twice as nice for rental cars
And pretty movie stars
Who weren’t too humble
To stumble the red carpet
With the rumpled bumbler,
Mumbling, no longer bungling
Through his self-made jungle.
Still no humility, a perfect facility
To take from the poor, give to the rich
And not care who calls him sonofabitch.
Saudia R Aug 2013
I tiptoe across the wooden floor avoiding all the creaks.
Moonlight streaming through open windows of a silent summer night,
casting shadows over rumpled sheets of a well-used king size bed.
I hear the water running in the bathroom across the hall,
grabbing clothing strewed around the room I move with ninja speed.
Hunting for the elusive pair of ******* I just can’t seem to find.
Forget it, time is almost running out, I need to leave before that door opens.
Rushing now I grab my stash and head for the front door,
lightly hopping, stealthily propping as I pull on piece by piece.
Last, my shoes, I grab as I unlock the front door,
grab my keys, leave the note and run out barefoot.
“It was fun, I had to run, see you again someday,”
get in my car, start the engine, drive, drive away.
The Wicca Man Apr 2015
What a strange place this is, hovering between the perpetual dark and the grey light of dawn. It was nowhere you would find on any map. It was said to exist only in the psyche, in that moment between sleep and wakefulness. But  I found it and, should these words ever be read, you will know that I am there still …

Tall ramparts of the dullest stone rise up skyward. Sightless windows stare out across a strange landscape: it is not possible to make out any landmark for the mists twine in psychotic patterns making the tangible invisible to the eye.

I came to this place … I don’t how I got to be here. As I write down these words, I try to recall my journey but my memories are as fogged as the barren mist-infused heath below me. It is as though I have been here for a lifetime, maybe more. I seem to have a sense of having been somewhere other than this place but it is impossible to draw a coherent recollection from my mind.

It is cold here in my room high in the turret of this place. The cold stone arch that is my only eye to this outside world is presently covered with a ragged curtain. There are faded colours discernible on it; age has dulled them. It ***** forlornly in the insignificant breeze that blows through the window. It is dark outside the window. I know it must be as the tears in the drape are showing no light coming through.

On my writing table is a candle that is burning with a yellow flame. It sputters as the breeze catches it unawares. My candle casts a little light; enough to write with. I look down at the yellowed paper and my words you have just been reading. In my hand is my pen. How old-fashioned; a feathered quill. At the top of the table is a small *** and the trail of ink suggest this is my ink-***. Strange. It seems perfectly natural and familiar to be writing these words in this archaic fashion yet oddly out of place also as though a thread of a memory is tugging somewhere in my brain telling me it cannot be real. My hand reaches out to rub the surface of the table. It is rough, hewn not by a skilled artisan but functional. A shiver courses through me and I draw my rough cloak closer about me …

I don’t know if I had slept but becoming aware of my surroundings, I can see a little greyness coming through the drape over my window. It is not daylight in the sense you would know it; it is never daylight here. The candle is no more than a stub now and it’s flame is gasping it’s last breath. My surroundings are eerily visible now in this dull light. I can see the door across to my right. It is old and heavy with a large handle and studded panels. I expect to see a bed but craning my neck all I can see is a rough straw pallet in the opposite corner. That part of the room is still hidden in shadow so I am surmising that the rumpled pallet and rough blanket heaped against the wall is where I sleep. But I do not remember sleeping.

My pen is laid down next to the sheaves of manuscript I had clearly been working on. All this time, whether sleeping or writing, I had not considered whether I was alone here in my room. There was nothing in that moment I considered it to suggest I was here in anything but solitary isolation. Yet something made me look again at the rumpled bed in that dark corner. I realised then with a start that what I had assumed to be just my bedding had a clear form. Straining my eyes against the grey shadow, I saw an imperceptible movement. I held my breath, unsure if my eyes were deceiving me in this half light. I pushed against the table to lift myself as quietly as I could from my chair and padded over to the bed in the corner.

Crouched against the wall was the form of a woman. Her breathing almost imperceptible, coming in short, tremulous whispers. Clearly she was sleeping but something told me it was not a comfortable sleep but rather a sleep brought on by sheer exhaustion. Her pose was unnatural; half lying, half crouching. Her hands were clasped against her chest and rose and fell with each breath. I staggered backward my heart pounding in my ears, drowning out the sound of her breathing.

Turning to the table, my trembling hand reached for the candle and, cupping my hand to protect the dying light, I crept back to her. In the faint yellow cast of the flame I could see her more clearly. A once silvery gown now grey and tattered covered her small frame. There was a rough blanket draped carelessly across her shoulders. Her elfin face was as pale and dull as the grey light and threads of golden hair hung across her face. I found myself reaching out to her only to brush a strand from across her eyes. In that moment her eyes flew open and stared wild and frightened. Immediately she cowered back against the wall whimpering like a cornered animal. The shock of her awakening startled me and I fell back from my crouched position. Her hands flew up to protect her perfect face and to my horror, I saw they were bound at the wrist. Who was she? Why in all the gods’ names was she here, my apparent prisoner?

I recovered my senses and as gently as I could I approached her again. The blanket had fallen from her shoulders and in the still guttering candle flame I saw what I could only guess were silver feathers seemingly growing from her shoulders. This was impossible. The light was playing with my senses surely?

Reaching out to her I ever so gently touched her clasped hands now held against her face as though in prayer. She let my take them in mine – so delicate, so perfect, so cold to the touch – and my fingers slid down to her bound wrists. The binding was a dull silver, so flimsy yet seemingly strong enough to hold her hands together. There were welts where the bindings had dug into the flesh. And now she stared unblinkingly at me, sheer terror in her eyes.

I let her hands go with more force than I intended and recoiled from this scene, my whole frame trembling, my skin crawling with cold dread. Had I done this? I cannot remember. If I had, why? I closed my eyes willing it to be no more than a nightdread. Opening them seconds later I realised what I knew; that this was real, as real as anything could be in this strange world I found myself in.

I knew then what I must do and turning to my table I looked frantically amongst the sheaves and found the blade I had been using to pare my quills. Grasping it I returned to the pallet and approached her, blade in one hand, sputtering flame in the other. She gasped in horror as I drew close to her. How stupid of me. The poor creature was terrified of me, terrified by the cruelties I must have inflicted upon her.

“Hush, I mean you no harm.” My words seemed to belong to someone else. I placed the candle on the floor and reached out for her hands again. Pulling them toward me, I told her I was going to remove her bonds. She seemed to understand and, though still staring wildly like a frightened child, she let me insert the blade under her bindings. I could only imagine she had trusted me once and was now prepared to do so again. With a deft flick, the bindings parted to the blade and slithered to the floor. She turned her eyes from me for the first time to inspect her wrists massaging them lightly. She looked up at me once more and though she spoke no words, her eyes framed the question, “Why now? Why now after so long?”

I stood up and backed away from her and gestured toward the door: “It is time, that’s all, time for you to go.”

Rising uncertainly from her rude bed, this angel, for that is surely what she was, stood before me trembling. I removed the cloak from my shoulders and placed it about hers, my fingers lightly brushing the feathers on her shoulder blades. I gestured toward the door once again saying as I did so: “Walk toward it; I shan’t stop you. There is no lock; it will freely let you pass. I will not follow.”

The poor creature turned from me and walked to the door. Grasping the handle, it opened with a groan. She passed through and was gone …

In a stupor, I went toward the window and pulled the drape to one side. The sky was still grey but now a silver moon hung in my vision. I sensed a movement to my left and saw my angel soar across the face of the moon and into the gloom.

I walked back to my table and sat heavily down. Grasping my quill and dipping it into the inkpot, I reached for another sheet of parchment and continued to write in the hope that you will find these words and tell my story …
This is an extension of the idea in Freedom & Loss, also posted here
Diane Oct 2013
houses so close you can’t have sunlight without voyeurism
but how can one resist this air of night’s invigoration
her thick ankles can be seen through the lifted shade
next to the beer and rumpled magazines on her coffee table
it is 7:30, the kids are in bed, the husband, who knows?
it’s pull-tab night at the corner bar,
he likes that young girl who sells them
flicker, it feels good to sit down
how ironic that my long awaited silence feels so lonely
flicker, maybe if i bought that he would look at me again
flicker, do i even care anymore?
*** is more work than it’s worth sometimes
flicker, Jacque and Lisa keep me company, maybe
i DO want the deluxe faux ruby necklace and earing set
flicker, i wanted to be a ballerina when i was little
my god this house has awfully low ceilings
flicker, all this thinking is making me tired
inspired by passing my neighbor's window last night and saw her watching the home shopping channel.
Emily Clarke Mar 2012
after the heat began to swell,
we’d never leave our bed

open windows, curtains yawning-the incoming breeze rose
goose-pimples on polka-dotted freckles

lying shirtless next to me,
our contours matched but gaped wide
because of the heat,
faded jeans cuffed
just above his ankles

the blinds flutter-a momentary brightening
flitting over the sheets, rumpled, creased
and tangled around bare limbs

His breathing deepened, and I fought heavy eyelids,
but after watching ants weave drunkenly
up and down the windowsill,
my eyelids won and

I slept.
Tamara Fraser Aug 2016
A crumpled dress thrown like rags

upon the floor.

The hopeless, desperate appeal

of rumpled bed sheets, a fortress of

your own.

Waiting for a message in silence,

curled and surrounded by your

dismembered pieces.


The days when you shy away from

the light;

Wrapped in a wall of quiet,

except this isn’t calm.

It’s an unbearable weight,

marking impressions on your skin.

It’s a deep, roaring stillness;

gushing, rolling and sweeping around

everything you touch.


People can leer,

eyes prying to find what

little cracks you speak of.

But they are immune to what you feel,

layered beneath your skin;

what you see etched in coloured mixes,

painted brushstrokes making art around you;

what you hear and sense;

what you think, to yourself,

the countless visions and places you peek

behind doors unknown to them.


The freedom you alone shall know;

yet all the painful days to follow.

The brilliance you alone can seek;

yet the relentless torments you are to meet.

The feats of strength, russet desire and

hidden depths you could show;

yet all the nervous energy,

self conscious woe you show.


You can be the exhibit of both worlds.

You know what it is to feel the deep burn

of quiet pain inside,

yet the warmth of healing and the

fiery blaze of strength.

Be the exhibit you know you are.

Render even the most lonely and heartbreaking

of your moments beautiful.

Because they truly are.


You may feel broken, torn and ripped in places

you long forgot could be wounded.

You may feel empty, insides carved out for

another’s purposes.

You may feel bereft, lost, confused and vague,

feeling the frightening gaze of the unknown making you

their favourite puppet.


But burdens can be treasures.

Use them and invite people to your show.

Make them laugh, cry and grow.

Your burdens and treasures are necessary,

to be the exact person you are.

Without them there is numbing, nothing.

And you,

you can be more beautiful than that.
claire Jun 2017
i. the 1st week is the rapid hemostasis. the fabric of your body clutching itself together, rushing to staunch the bleeding. you breathe and oxygen settles in your chest like needles. you are so tired. you, in your continent of pain, will never be enough of anything for anyone. you burn softly as your cells scuttle to repair the damage. you burn in silence.

ii. the 2nd week is the inflammation. the itching and swelling of flesh. the fingers you move over your own body, holding your hips quiet. your **** is no longer a ****, but a rumpled and puffy city, a strange piece of art, a crime scene after the police have left where everyone is sweeping up shattered glass. someone’s murmuring a poem of soul and death over the radio. it might be you. everyone is shouting and the radio is getting louder and the crime scene is turning into an emergency room and the doctors are flying around in their yellow haste and there is no oasis, no peace, no open window, until the automatic hospital doors part with a groan and she is there, and you realize you are about to be saved.

iii. the 3rd week is the proliferation and migration. she tells you to remove the gravel from your body before you grow a new skin. so you do, you pull it out with black tweezers and it makes you scream until you are raw and humble. you watch as you mend yourself, sped up, like a tiger lily caught on long-form camera, bursting to life. someone says the words love and breaking and heal. someone says i will take you and i will carry you. is it you or her? does it matter? your skin is rearranging itself. you are pangea, splitting and reattaching to new places. it should be violent, but it isn’t. she’s calling you in from the cold and you go to her, scabbed up and scabbed over, unable to close your eyes. she takes up your whole field of vision. her lips, her nose. her irises, where you find god and every angel. the only sin here is the distance between the two of you. which you are closing. by the minute. by the second. by the breath.

iv. the 4th week is the angiogenesis. the development of new veins and ligaments. the deeply complicated process of creating new paths for blood to flow. the beating of your heart when she rests her hand on your knee and leaves it there. your tectonic feelings. the way you look for her in a crowd. the sudden daylight.

v. the 5th week is the  reepithelialization. a big, funny word that sends heat all through you. it asks questions. like: when you broke, did you know you would stop bleeding? when you lay prone in a pool of your own carnage, did you know that Good And Beautiful still belonged to you? that even in that crushing agony, she would come to you, and, with her seamstress hands and surgeon heart, put you back together? did you know that the light was never out of reach? that the walls around you were cardboard, not cement? that she would destroy them gently, then draw you from the wreckage? and still see you whole, even with all your throbbing fissures, the parts of you that just can’t add up? did you?

vi. the 6th week is the synthesis. your wound has gone. it’s a tuesday and you are watching her walk to class. it’s dizzying, the way she moves, the way she walks. she doesn’t know you’re there and you would like to keep it that way, because you are a naturalist observing something rare and exquisite, and you do not want to scare her away. she’s the white-hot sphere of the sun in the sky, and with your woundless self, you take her in. you can feel it, when you look at her—the spin of the earth / clouds sliding into other hemispheres / the swarm of your blood cells and pathogens / the aging of trees / airplane turbulence / earthquakes in places you will never see / lava cooling in the ocean / the rings we grow on our hearts—you can feel all of it. she’s turning the corner now, hair ignited. you are in love with her and you don’t want her to be late. she is so beautiful, even though you can’t see her anymore. she’s the last of her kind.
Nat Lipstadt Mar 2014
"Genuine poetry can communicate before it is understood"
T.S. Eliot (1888 - 1965)


~~~


perhaps.

can I communicate
what I cannot fully comprehend?

my voice poetic keener, age-softened,
grows less popular
for it
no longer reaches for
christmas ornament words and creamy cake-in-the-rain imagery

leave that to the better ones.

cherish simplest:
coming home to fresh sheets,
plumped pillows,
music,
tousled hair on pillowed histories,
river walks,
the lightest hand touch that rouses
the fireplace of contentment to glow briefly,
from logs that are more embered ash moments
than substance
capable of more flaming

the rumpled strivings of the young poets,
creativity of the masters of
voice and dancings bodies,
shopping lists of life~items that
reshape, restore my old~ness,
the revelations of the historians,
inducements to believe
in yet, more.

these exteriors are comprehendable.

don't forget the orange juice,
the first chilled swig from the plastic,
confirms I am breath-yet-capable,
one more poem-mission ready,
the mission objectives still not published.

Sun east welcomes me,
woman puttering kitchen coffee noises
it is neither spring yet or winter gone,
in-between like me,
in-between naissance and history remnant

question thy fiat,
Mr. Eliot,
cannot frame myself,
my who-I-am
six decades of myself.

can it then ere be said,
his poetry communicated
or ere contained ever a single
genuine word?

can I communicate
what I cannot fully comprehend?
stardust style Oct 2013
a.) a crossed off to-do list
b.) crumpled toilet paper, used as a tissue
c.) white paper, rumpled but never used
d.) raisins
e.) sins
f.) a green plastic bottlecap, inscribed with the waves of a far away sea
g.) a mechanical pencil, out of lead
h.) a bobby pin, rendered useless due to short hair
i.) a small piece of string
j.) the small piece of my heart which contained affection for my father
k.) just kidding, that never existed
l.) the sleeves i cut off of a tshirt
m.) the heart i cut off of my sleeve
n.) a ****** poem about alcoholism
o.) the self loathing that weighed me down for nearly a year
p.) a list of the different gym classes available
q.) q tips, in the interest of alliteration
r.) one very old, very ***** sock
Steve Turtell Feb 2015
We met over 40 years ago. Floating buttocky halves
  spooned into pastel fruit bowls, even drowned in
    Del Monte syrup, love at first taste. Your flesh

a luminous hue, hovering on the border of cream
  and August skies; your flavor pure as dreamed pleasure
    grazing my waking tongue, a melting sweetness

streaming down my throat; your name, a single syllable
  promising delight: pear, barely sound, mere parting of lips,
    and hint of breath, apple-green p, the sweetest

diphthong ea, all the air in the world, closed in rounded rr‘d
  finality. A perfect word, reducing your rumpled, pinnacled
    self, to one gorgeous, Old English syllable: per.

Right now, six of you sit ripening on my windowsill.
  A sky-blue towel shields bottoms against further bruising
    from the wood even at birth you instinctively flee, hanging

off trees in swelling green-gold tears, yearning for earth,
  or growing to maturity in bottled, olive-green light, your dying
    breath suffusing aging liqueurs like the oldest I ever drank,

the summer I was 19, a century-old brandy served in snifters
  the likes of which this working-class boy had never seen.
    I tilted the giant crystal bowl; the fragrant liquid elongated

in mimicry of its remembered self and seeped into my mouth: a pear’s
  ghost enveloped in flame lay down to rest on my tongue. We both
    were saved, at least for that night. Pear. Look of women I love

but don’t lust after, I want to conjugate you: I pear, you pear,
  we pear. Like raspberries, Mozart and love, for me, sufficient proof
    of God’s existence. I trust you. Lead me by the tongue to heaven.

— The End —