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Nat Lipstadt Nov 2014
the child of the child of my woman,
cries in the night,
rooming next door,
down the hall
and
he is
all children that cry in the night,
but he is
more mine
by right of quantity

numerous are the kisses lavished,
this biannual visit upon,
his four year old
oversized head,
(so full of 'bains')
his undersized,
protuberanced belly body,
a combo making him
no longer baby,
nor a grownup,
both states,
he denies accurately,
maturely in a wobbly voice
of utter certainty,
but lacking the adjectives
of what lies between,
he debates his state thoughtfully,
until distracted by other
more pressing matters of state

he is boy, little but vociferous,
quiet, pensive, his head a weapon
of...confusion and certainty that
being four years old,
he must perforce be
permanently
in skeptical awe of the world

this is the best position ever,
he has ascertained,
to filter and behold anything,
whatever newness arrives,
which is constant,
streaming and unending
until new is
fully digested, analyzed, and classified,
as if he were
a zoologist in
a wild and untamed land

only certain of what he knows
with perfect certainty,
he consults with me still,
"you kidding?"

such a sophisticated analytic interrogatory,
wise in the ways of grownups,
who, prone to deceive gleefully
his very
suspecting mind,
so much so,
they must be challenged and
rebuffed all too frequently

he cries in the night,
normal tears of discomfort,
physical or mental,
I cannot tell,
for his father
his parental hearing
more practiced, refined,
has preceded me,
such,
as it should be,
and I am dispatched back
to my 3:00am bed,
left only to ink
contemplative ruminations
on the state and nation
of being four...
and sixty,
and still uncertain, even more
than the little boy
of wizened age of annualized four,
the child of the child of my woman,
on
what is real, what is kidding,
in a quest unending
to better ascertain,
the state of my own being

and the transitory nature of
everything

all of what is thought certain,
falls aside,
under the withering,
unwavering,
critique of
"you kidding?"
and in this we are
more kin
than if our blood was
physically shared
Nat Lipstadt
     Oct 14, 2013      

"You kidding?"

Lived a long time coming,
Picked up yesterday my three year old boy,
Third of a third of a third of a third
of a notional half of me,
Who I only see once or twice a year,
And we fall in love once again,
all over as is our style,
Annually, annuellement.

We belly kiss,
Fist bump,
High five, talk jive,
Tell each other grand stories
Of dragons in pizza parlors.

Each of us,
Trying the other out,
To ascertain just what
Stuff we are made off.

I love to put him to sleep,
My fingers, rhyme writing like Pradip,
To the turning tires of mom's Toyota van,
When the tired is a steady stream
Of word mumbles of which I understand
A word here and there, but an epic poem
He recites, a verbal dream, a slippage
To that place where three year old bones
And crying go when they pass the point of
Exhaustion.

Rub his cheek with circles of forefinger,
Stroke his head with full palm of my hand,
Close his eyelashes with gentle fingertip kisses,
Take the toys from his fists without any resistance,
Sure signal time for both of us to nap.

His surprises endless,
His cunning now legend,
Alternating disguises tween
I a big boy,
I a baby,
As the situation arises that will
Get him what he wants,
A masterful manipulator.

Which is funny cause I still do that too.

But when he stops me in my tracks,
It is when somehow the brain that has
Just crossed the thousand day alive marker
Says the profound, the uncanny, the
Philosophy of the world weary that is something
That I think just about every thirty seconds.

It is when after some particularly wild reverie
I compose, of seals that swim from his Frisco bay
Around the world to mine, on Long Island
Pacific to Atlantic, and after ten minutes of
Escapading with Batman and his mates,
He looks me and takes me down with this
Almost clears spoke sabered wisdom,
But in the juvenile voice soft sleepy, of a babe of three,

you kidding

Half statement of fact, half a soulful-questioning,
How does this three year old comprehend
The essential difference between dreams
And reality, that is separated, wheat, chaff,
Milk curd, cheese, the spider silk line that differentiates
All of life essentially.

Yes kid, I am kidding,
I tell that to myself every thirty seconds,
To keep me sane, straight, true,
But I whisper it to myself grownup style,

Who ya kidding?

So it appears that when they say
Out of the mouths of babes
They were talking about adults
Who are hoping they can still be three,
When wisdom and silly are just the
Same-thing.

You kidding(?/!)

Yes I am.
Just a kid,
Kidding you, kidding himself,
Pushing his very own stroller,
Writing crazy stories he calls
Poems, lovely little things,
As soft as your skin, stories of him,
That always end,
With belly kisses and a
you kidding.

Columbus Day
Oct. 14th 1492
When I "discovered" the Americas.
You kidding?
Maybe.
so it begins when it begins
    blasé grass serrates
past herds of carabao dreaming anxiously
  of the day's toil;

the countryman stilts through
   mounted in gray mountain
with dippers, casserole, mirrors
with imprints of ******* clad women
    and women who are (really ******* clad) ready for bathing work,
    collections of red days and even
    tenderly the ***** sing attenuated songs of rooming-houses —

  the crunch of basil over the afternoon.
waft of a pasture's death my eyes well
    up rivers and ponds of elation. dog days, feral nights limp behind rusted
   kennels and makeshift asylums

   there is nothing left of the world
(this small world
            that only rises when bellows
  of festivities harangue the many streets
             bending in them, the curve)
  men moving from neck to neck
    of bottles — (in the north there
      is only four corners of bottle: gin,
   pristine brook; in the Visayas is
      the redolent Vino Kulafu of the same
   potency) plucked out of the vermilion
   and on benched careening on half-painted gates crooning Sinatra
     gets stabbed, bloodied on the floor,
named after elegies; native chicken held
     upside down and beheaded as many blacker days stifled; what do you make
    out of this?
    
      carabaos, equines, hens line up
   the slaughterhouse behind the
      TODA; you know a fine day when
         it happens — breaking eggs
  against the lip of the kaldero. crumbled
    archaic sensurround, barrage of
      simmer round the clock cycling
before the child wakes and wails to suckle
          our mothers, faster than repose
  of milbrightlions of stars falling asleep
      to silent radios, leaving windows
   open revisited by the eve of cold.
Pellets of rain pestered the cotton swagged
sky, cloudy purses grew black with scowls
coldly spelling their injustice. A chapter of
sunrays shot shamesless shards, irony perched

between chaperones; a truce maybe, rains restless
pathways of rays bleating their appeal, rooming in,
black balaclavas, rooting for blue beams,
itching bony beads of cloudy sweat, out of reach

In turn, limbs colour coated grassy spaces
tides of sun worshippers laughed out loud
their inner duets, hand in hand the sweltering
dance floor bathed them, sidling cotton clouds

Swiftly passing the sunscreen, laying back, beckoning
the sun from beneath neatly positioned cloud baubles.
Within an inch of our lives the splodges began, light
heavy, heavier, to the swell of April in full tune

Instantly the greedy green spaces groaned, ejected
sweet harmony, rolled out goodbyes, tongued stiff
breeze longing for its thirst to be quenched, and so
torrents rushed in where fools once lay

A lonely sunscreen bottle, remnant of warm
minds soaking heat, long days teasing into belief.
Yet April fooled us once more with beguiling banter,
chorused a chanting cheating lullaby of lamentation
He'd just served up a dinger, 450 out...upper deck

His third home run that inning, and  he figured "what the heck"

He knew the hook was coming, first they had to make the call

Then the pitching coach would come out, before he had to give the ball

To the manager, all stoic, spouting rhetoric and then

He'd turn over the game ball, a kind of baseball zen

He'd come to learn this process,

He'd seen more and more this year

The time was getting closer

He'd have to hang 'em up this year

For five straight games he'd got the hook

Never getting to the third

And there was that team suspension

For flashing fans the bird

Frustration, more than anger made him vent and flash the sign

It was captured on the jumbotron, his finger.....8 foot 9

It made all of the sports reels, his finger in the air

But at 46, he thought, well....I really do not care

He was signed.. a bonus baby, out of Henderson N . V

He came up  out of high school in summer sixty three

His fastball, just untouchable...ninety miles per at least

And on opposing batters he would surely have a feast

He knew what he was throwing, was the best in many years

But at eighteen he was still surrounded by lots of big league  fears

In high school he set records, went to State, and led the team

He was the best left handed starter, Henderson had ever seen

He won each game he pitched in, hit for numbers, struck out tons

His team outscored opponents by at least three hundred runs

Scouts were out to watch him, every time he took the mound

And he knew this as he walked out, tossed the rosin on the ground

He chose to bypass college, heading to developmental ball

If he did what he was told, he be in Lakewood  by the fall

He got the call in August, saying "son, you're on your way"

"You'll be on the train this morning and tomorrow you might play"

So, he made his calls, told those he knew he was heading to N.J.

He was gonna set Lakewood  on fire, he was gonna have his day

He sat for weeks when he arrived, erratic was his stuff

"You've got to tame that curve ball kid, it's just not good enough"

His first start in September, he was nervous and concerned

What if I blow this chance and back to Texas, I'm returned

HE started off with two walks, hitting one then fanning three

He was feeling better, just what people came to see

After five innings they pulled him, with ten strike outs to his name

His team was up six nothing, he was gonna win this game

And sure enough the bullpen came on in and shut the door

And before the season ended he was winning three games more

That winter he went home again, and worked on his control

He knew what the coach wanted, he understood his role

Next spring down in  Clearwater he showed he had improved

So when the final cuts came down, up to double A he moved

It didn't take them long to find him burning up the mound

In fifteen starts, a hundred K's,  no one better could be found.

From here he went to Allentown, to AAA he'd go

Next move that he would make from here should put him in the show

He only threw 3 games down here, two big league starters down

He was called on up to the big time, and was starting....out of town

He only pitched an inning,  two thirds to be exact

He got lit up for 6 runs that night, hard to keep it all intact

He finshed out watching more games, than he pitched in but he knew

He'd be in the spring rotation wearing number forty two.

He met with mixed success at times never coming up real big

For as each year passed his fastball slowed and harder he would dig

His bonus money squandered, three wives gone, investmestments too

He bounced around the league a bit, hitting eight teams in succession

It was enough to do a weak man in, at least there's a concession

He was still up there, the show, on top, it didn't matter where he pitched

As long as he stayed healthy, he wasn't getting ditched

But one day he, on three days rest felt a twinge in his left arm

He pulled himself, and iced it, not doing any harm

But his pitching got erratic, speed was gone and no control

It was then he got the phone call...he was going to the hole

They moved him down to rehab some in AA across the state

He knew with no improvement that this would be his fate

Two years down here and then again, a new kid came along

Sorry, but you're going down...that was a lonely song

Two years and then he moved on back out West just to see

He knew he still had some heat...throwing nearly ninety three

But control...no way at that speed, slow it down...they'd hit him hard

Once he dropped it under eighty...all the batters...they went yard

But still he kicked around some, working nights, coaching some

Then he got the call from Joplin, got to see if he was done

He showed up fit, and did his best but still just couldn't toss

He'd get the speed but no control, the plate it wouldn't cross

The team was just a throw back, small market and little park

But inside he had desire, this place lit in him a spark

There never were too many fans, eight hundred at the most

But when he took the mound there, he could feel his younger ghost

On nights he wasn't pitching, he played first and coached third base

On other nights, he sat around and sold programs round the place

He knew that soon the time would come, he knew his bubble'd burst

He didn't throw as fast to  home as these kids did to first

But now, with the suspension, and him getting pulled five straight

He knew he'd overstayed his welcome, he'd been here far too late

"The ball...Jim, Jim, the ball....was all he heard coach say

He was already in the dugout and he wasn't gonna stay

He packed up and he left the park, left his rooming house as well

He had nowhere to go to, and maybe just as well

But the next year he was out there slinging just like Jim could do"

He was selling peanuts and some ******* jack at a ball parkin Purdue

The game is in his soul you see, it's part of who he is

Like Gherig, Ruth, Diamaggio, like Peewee and The Dizz

He owes his life to baseball. even though he stayed too late

"If he'd just controlled his curveball"...the kid...coulda been great.
It's a long, baseball themed tome. With a nod of the head to Henderson, Nevada.
I lived in a garret in a rooming house
with dead flowers in an old crystal vase.
We dead always live inside our vanity.
I was in a womb waiting to be reborn.
I was in Boston, 1000 miles from home.
The Italian and Irishman were my friends
and St. Georgine from Jersey saved me.
I'm old still crawling in the birth canal.
I'll be delivered any day now in tomorrow's
muted light my ashes in an old crystal vase.
Brent Kincaid Jun 2015
It rained all day that Tuesday
When Link McCoo hit town.
He checked into a rooming house
And began to look around.
He found the most run-down dive
And pulled himself a chair.
He took one look around to see
Who else was drinking there.

Nobody much noticed him
Except for Esther Masterson,
And she walked right over to him.
She knew she’d found herself a good one.
She asked him to buy her a drink
And he shook his head slowly no.
He said he wasn’t in the renting mood
So she might just as well go.

Esther like the way he looked
That he wasn’t to be a pushover.
She moved her chair next to him
And slyly told him, “Move over.”
She said, “I’m not a working girl
I own this stink-hole of a place.
So, being seen with the likes of me
Is not some kind of a disgrace.

That started them as something hot
Flame hot enough to set fire.
Nobody looking at the two of them
Could miss the heat of that desire.
Then, about a month later on,
Johnny Wacklin came back to stay
He and Esther were once a thing
And he was here to have his way.

But Esther had moved on by then
And told Johnny right up front.
Johnny paid no attention, said
“It don’t matter what you want.”
He grabbed her hand and dragged
Nearly taking her off her feet.
Link came in right about then
Knocked Johnny into his seat.

Link tucked Esther behind himself
And he warned Johnny not to try
Or he would be leaving there
With no time to say goodbye.
Johnny was always long on mean
But pretty much short on bright.
He figured he could whip Link
In a short but brutal fight.

So, they squared off and circled
And scowled for a few feet.
Link punched Johnny in the throat
And knocked him back into his seat.
Choking Johnny still attacked
So link kicked him in the knee.
He said “I don’t play slap and cry.
I don’t fool with those who attack me.”

Link and Esther have stayed there
As two knitted into just the one.
The bar has cleaned up clientele
And is a place for having fun.
Johnny Wacklin went away and
Spent some time in a clinic.
I can say he deserved what he got
Without being branded a cynic.
JB Claywell Jan 2016
Acquainted with Mark,
I walk to the bookshop;
not the one with the *****,
instead the neon green nightmare
where there’s nothing good to read.

It’s not so much that I’m searching
for anything in particular, but the sun
has gone down and there’s a need in me
to get out of the house and walk around
someplace that feels like someplace.

Walking past the skateboards,
(Why the **** are there skateboards here?)
I start looking for Mark.
“He doesn’t live here” they say, “He never has.”
No, he doesn’t, I gather.

The King does though,
and if I wanted to fall in love
with a vampire there, I certainly could.
But, Mark is nowhere to be found.

The Laureate of Drunkards has a room
there, but he hasn’t moved in and the
staff cannot remember the last time they
saw him.

Dr. Lovecraft and Chitulu have been known to set
up a lemonade stand now and again, but they never
stick around very long, their product is too sour
for palettes around these parts.

Regardless of this, my search continues.
Mark is not here today, but Robert Parker
has rented some space and is rooming with
Ray Chandler, down the hall from Larry Block,
sometimes they cook up some pasta and mussels
in white wine, with good bread.

Sometimes they pan fry steaks, and make home fries
drinking rye until it’s all medium rare.

It’s mysterious, how Mark became an afterthought
and we all hope he hasn’t been murdered, kidnapped,
or met with some other form of foul play.
It’s poetic really,
how Mark will come around now and again
he’s not lost or forgotten,
he’ll be waiting for me when I get home.

We’ll sit in the dark, under the lamp,
together well read his poem titled: “Poem”
and I’ll tell him that he’s better at this noir stuff
than all those other hacks.

But, for now, Mark remains…Stranded.
*

-JBClaywell

©2016 P&ZPublications
My poetic homage to Mark Strand (April 11, 1934 – November 29, 2014).
His work is a new discovery and very inspiring, but for a moment he was lost and it took a minute or so of hanging out with some pulp noir authors to find him.
Charles Sturies Feb 2017
My mother told me when she was living
that i had "black blood", was
related to Heidi Selassie, the emperor of Ethiopia at that time,
and heir to his throne.
As I've said a musical therapist here said that
because I had A positive blood I had all bloodlines.
My mother also said the Sturies were
Scottish, Lithuanian, regular German,
and I got a phone call- maybe I've already mentioned this- back in the eighties
when I was rooming with a black family that I was
part South American.
My mother also told me that I was
heit to the throne of Lithuania at that time
and that the Sturies are high German
which mean we're sorta preppy compared to everybody else
and that we're related to the likes of
Plato, Christ, ******, Von Steuben, and Metternick.
Interesting.
At least it didn't lead to me disintegrating.
I also read on the internet that the Sturies have a little Cherokee in them.
That's about all I know right now.
For more about my bloodlines
except that we're related to Hugh Hefner (it said on the internet)
that a friend of mine told me the Sturies are
distantly related to Daniel Boone.
So turn on your heatline
Neil Diamond
and reach out to me
when my father, bless his heart
comes back from
beyond the sea.

*Charles Sturies
mk Apr 2018
today was a good day. i went to see the house i'm going to be living in next year. they have co-ed rooming, and i told my roommate that i wish i could have roomed with you instead. she wasn't hurt by it, she knows that you're always on the back of my mind. the rooms were nice, not too big but not too small. i think we would have been great roommates. anyways, i hope your day went well too. i know the weather's been getting warmer- do you remember the summer before last? that summer heat brought out the best (and the worst) in us. and when the electricity went out in the middle of the night and the room went dark in the midst of the summer heat. you told me not to worry because you know i'm afraid of the dark. i wasn't worried. i had you. the only thing worse than being single is not being yours.
this is going to be a series- i can feel it coming
My heart stings like it's been enveloped by wasps.
Or maybe I swallowed a ball bearing
and a magnet now summons it through the flesh on my chest.

My breath is a tidepool.
Fills up, froths over, but never quite empties.
My company are displaced, rooming in ill-fitting homes.

It's like I mourn for you
even as I hold you tight, and inhale the memory of my dreams.
No one said it was gonna be easy.
J Vital Sep 2023
I think I have a    
secret housemate who’s    
living in shadows    
of my hidden world,    
A week has passed        
since they tried to    
breach haven free,    
relentlessly;    

I think they    
come to seek    
my will, and    
my secrets,    
highs and lows,    
And now I’m    
caught by an    
unseen–A    
spectral fiend    
deep within;    

I think    
I’m doomed    
because,    
this fiend,    
they take  
over, eating    
my words    
and my  
precious    
conscious;        

I think I have    
a follower,    
a tormentor,    
a whisperer,    
an intruder,    
that hovers  
in shadows,    
to coexist in    
nightmare’s dread;    

I think as day    
goes by, the    
questions grow,    
Who is this presence?    
I still don’t know,
With mystery unsolved    
we persist, in the shadows.
Michael Hill May 2016
Knife in your hand blood on your cloths
Walking around dazed knowing nothing at all
Chains on you feet scraping when as you walk
Moving your mouth but unable to talk
Stitches on your head scars no your palms
Not knowing what had happen to you or how you made it this far
You hear sirens in the distance
You see people looking at you
frustrated knowing that there is nothing you can do
The police show up draw there guns as they yell freeze
You wanna stop but keep moving in disbelief you try to yell out
What ever was done to you made it so you couldn't say or do nothing at all
A shot can be heard as you feel a sharp pain
Falling to your knees in you mind screaming in pain
You can hear you last breathe as your eyes roll to the back of your head
One of the cops come over and with the people watching pronouncing you dead
Who ever did this to you is still rooming the streets
Praying on his next victim who will it be......
wanted to make something that i could write a 2nd or 3rd
Kwaician Dec 2014
Long way from where I was
Different city
Different buzz
Still the same bees though
Stinging at my as I'm coming
Flowing with the breeze though
Rooming with the punches

Who's to say I wasn't what I was or
What used to be
Not another product of some sexually Unsurity
Life is full of madness and the crazy Thing about it is that everybody want It
It's a shame we just can't grasp it
Leo Jun 2017
I copped some Subutex at a dry rooming house up the road from a run down clinic while waiting in a line a mile long and thought to myself, "These people need to hurry up."
JB Claywell Apr 2018
In the middle of another
eight hour shift.

The factory roars
as it always has,
as it always does.

Yet, there are poems
to be written,
cigarettes to be smoked,
and other thoughts,
perhaps thoughts of a
rosebush, planted in a soldier’s
helmet, or maybe daydreams
of
a black-cherry
sundae
to be dreamed.

So, the poet will think,
will smoke,
will dream,
will write.

What will they do?

The factory will roar
as it always has,
as it always does.

The memory
of a whole house
locked inside a single
room floods the mind.

This rooming-house;
a chopped-up duplex.

The poet lived
in the kitchen.

The ashtray overflowed;
the carpet was grey,
dusty with spilled ash,
the evening’s embers
gone cold.

The lock on the apartment
door;
it can barely hold back
a strong breeze.

The poet feels
safe enough.

When the landlady
comes for the rent,
he answers the door
in his underpants.

She is so persistent
in her quest for payment
that she comes by at ungodly
hours.

These are the times of day
that a writer, a poet
might best be
left to sleeping,
but the landlady fails
to realize this truth,
so underpants it is.

The room has been remodeled,
the poet has moved out,
gotten married,
is raising a family,
but he is still a poet.

Smoking a cigarette,
a welcomed pause
in the midst of
an eight hour shift.

The factory roars
as it always has,
as it always does.

The poet’s thoughts
will wander
to witches and how
the weight of these women,
dancing ******* in the middle
of a moonlit forest,
might have their weight
somehow correspond
with that of a duck.

And, then suddenly,
as if awakened from
a trance,
the poet will realize that
none of this ****
really matters anyway;
and that nobody ever
really gives a ****,
except the witches
and the ducks.

The factory roars
as it always has,
as it always does.

The poet remains a poet.

Because.


*
-JBClaywell
©P&ZPublications 2018
* for Jessica.
I finally felt at home in a womb
  safe against a hostile world. I had
  a radio and listened to Boston's
  Classical station and read People's
  Almanac and smoked Parliaments and
  drank beers while finding the truth.
Fallen apart into ruins
Broken into pieces
Far from the twilight of technology
Buried by the doom cast upon it.

Mist of dust is the air we breathe
Littering of ******* sweep across the streets
Filled with crowds of people
Each chasing their own path to make a living.

In their mist i see wretched hands extended
For a Samaritan to save their weathering bodies
From the hunger that claims their lives.
I watch passersby ignore their presence
Perhaps lost in their own world fighting their own demons.

Accumulated wealth in the hands of a few
The ruthless dictators
Who have stripped this country of everything.

Cries of the poor and helpless vanish
Like a thread of smoke in air
For onto deaf ears it lands.

It's like the forgotten city
Left at the mercy of the reigning demons they serve
No one dreams of its redemption
Perhaps in the hearts of a few
For hope forsake those who persevered
And faith flee from those who tried to hold on.

With nothing to hope for
Days come and go like they never existed
People live and die like ashes blown by wind
Injustices became a norm.

Corruption is a permanent resident
Rooming freely and no one cares to mind.
Epidemics sweep across the land snatching lives of many
For they face no resistance.

It's the way of life
A common phrase used by those
Who try to name the devastating reality.
Brian Rihlmann Aug 2018
"Take another drink!"
he'd command
in his mellow baritone
when I began whining over
the betrayals and treachery
he'd probably seen
a thousand times.

I first met him
as I was lugging boxes
up the stairs
into that shabby
rooming house,
home to eight of us
castaway bachelors.

He and I became friends,
fifty years between us,
and we'd sit
in his cramped dingy room
lined with bookshelves,
drinking whiskey
talking about philosophy
and telling stories
of battles fought.

Mine were of
drunken nights,
bar fights,
trashed apartments
and fingernail marks
from skirmishes
with crazy women
with wildcat eyes.

His were of Normandy
and his army buddy
ripped by shrapnel
bleeding out in seconds
as he watched helplessly.
His voice cracked in the telling
as I shrank in my chair.

And I remember now
that he wrote poetry.
Poems I didn't understand
but how could I?
They were written
in bombs, bullets and blood,
and camping under bridges,
pedaling north along the coast
on a rusty bicycle,
after leaving a mental hospital
when the war was over.

He's dead ten years now.
When I last
said goodbye,
we shook hands
standing in the hallway
of that sagging old house.

He looked at me, said
"There's no easy way
to do this, kid."
Then he turned
and walked into his room,
closed the door
he usually left open.

I still have a poem of his,
written down somewhere
I can't find....

I'm rambling now...
there's no easy way
to end this either.
I finally felt at home in a womb
  safe against a hostile world. I had
  a radio and listened to Boston's
  Classical station and read People's
  Almanac and smoked Parliaments and
  drank cans of beer learning truths.
ThatBrokenOne Mar 2019
Between dusk and dawn, time stops
Darkness rises, stars start twinkling
In the darkness you can hear the wolfs howling
Trough the darkness army rises
Armies with large creatures, creatures of the dark

At day they will hide
Seek shelter of the light
At night they will march
To war they will go

Creatures of the night
Rooming the world
Searching and fighting
Looking for salvation fighting for freedom
But they never find it
So they march until the light arises

— The End —