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Coop Lee Jun 2014
to the young privateer.
the captain kidd & his bought n’ taut gang of holy bluffs.
they bribe and imbibe and swoon on the dock-way looking for a quest or two or three
to dream and bury their doubloons in island guts like little mysteries. little sundowns
over a rixdollar indian ocean.
let them take a turn.
destined to mutate from private to pirate, the kidd, like blackened rotten wood.
******* frigates.

the ship:
with her bob and sway. she is, the adventure.
& her song is calling out for a rapturous few,
for men ready to die on the highwater mark by glory or fire or dead glorious sun.
so they put her brass and bough to seafaring days,
the sweet galleon, barely wet, yet
completely riffed to voyage.
she is
from the shores of london. built. designed to kick 14 knots under a full sail blast.
& she will bite.

she’s in calm waters.
the kidd savvy toothed and butterscotched, he awaits the big show,
engorged to set forth the play like wily ocean dervish &
they do.
they do proceed with benefactors coined and crunched on postulations of pirate death &
pirate gold. reclaimed honor as they say. the hunt for pirate teeth.

& with official pass and parchment, high-throne approved,
king ***** III stamp & sealed,
this voyage is.
this voyage is and forever was, hereby charted, to recover said stolen goods.
to reclaim thy warrior vanity &/or vengeance.
to noble this **** with pinched loaf, like now.
set sail. now.
1696.

“**** them navy yachts at greenwich, the thames be ours, boys.”
slap *** and flick thumb toward those armada sons,
& as tribute
smoke balsam herbs on the starboard side for the mother she and the father be.
but for this slight,
this dishonorable silly ****,
one third of adventure’s men are pressed into service of the crown.

[continue.]

the adventuresome few, petty crew and crows.
steal the heart and mother-meat of a french ship. steal everything onboard.
steal the ship itself.
& on her way to new york, new boon, pure and entered into the new world.  
there are new men bought in the american port,
good men and odd men of long criminal legacy.
a small black vicious quartermaster. he’ll do.
a murderous preacher gripped by stars and celestial patterns. he speaks spanish. he’ll do.
another type of holy man and a wild drinker too, embattled by demons on the port side. sure.
plus the dock-boys destined to **** for fruits of exploration.
this is the way of the son of a gun.

the boatmen jockeyed. she is
the adventure
prancing the vertebrae of atlantic and beyond. cape of good hope, she
breathes easy out here on the wide tide and float.
out here on the vast blue this. she
evolves
out here. loves out here.

pirates.
the hunt for pirates or the lack thereof. she leaks.
she rasps into the years on. and on.
the kaleidoscope hallucinations of sun and moon, sun and moon, and moon and sun
forever.
the strait of bab-el-mandeb.
& there
she plunges into darkness, into the stars seen from and through a periscope formed
by ancient hominid lineage.
seen but untouched,
in dreams. the kidd, reluctantly lime, admits to his madness.
madagascar.

malaria and cholera and hell break the boat by the throat.
& thrash.
to be organic is to be ruled by a shadow, or entropy.
the mouth of a red sea.
one third of the men will die here.
simply as insects crushed and brushed off deck and into to her great spate of agua,
the mother gush.
her earth.
body.
father,
hear his whispers in the mirage.
the ancient mariner, the ancient holy ghost riming down there.

in destitution.
in a rough and soggy life squeezed and making men weird or violent or both be ******.
the kidd goes cold to hot sweating noxious.
turns pirate himself
out of sheer hunger.
out of sheer need to eat.
sets the boys like dogs upon a frigate of east india company men,
or french *****. either/or/or/either/or.
he & the boys are in a madness swirl of sun and heavy guts.
cuts to spill blood
or gold. this tender bit.
lip bit
& tested.

captain kidd fractures the skull of a deckhand named moore,
for bad attitude and giggles. moore gets death.
chisel on the deck.
& to think we are all troubled by some primal trauma.
some dumb thing called death, that is.
men starving, men dying, men falling in the vast black that is that eternal void.
dream of women and riches in the meantime.
fortunes.
1698.

savage kidd, cool kidd, cool spit
off the edge. to think of the once soulful idea of these paradise days
& trip.
savage to cool.
the two divine modes of a survived man.
a ghoul man, or aging man.
& to keep control of his crew kidd sets them upon the quedagh merchant;
a 400 ton armenian hulk chalk full of gold, silver, satins, and muslin. ‘tis *****.
renames her: the adventure prize.

madness quenched for now.
charmed for now
& on the horizon are fragrant times. blissful distance.
but robert culliford,
with his mocha frigate. this man, this suave pirate lord, his vengeance act.
he had stolen kidd’s ship years back, &
the captain opts to cut his throat.
take the mocha.
keep calm & carry on.
to paradise.
to dream of her cool warm beaches and fruit forever, peacefully thinking.
so that night they two drink together in good health, and in the morning
most of the men defect to this other man, this other ship, culliford.
other dream,
other captain of true buccaneer effect.
act 3:

13 remain in the galley firm.
this is the house adventure.
& she is burnt alive three days later for rot and ill repair.
but she was fun,
& a *****.
a stitch of old woodwork given-in
& crackling with the eyes of her crew seen in fire.

kidd steps the pond to caribbean times with the adventure prize, toad toxins
& high on the jungled shore.
he trades that colossus, flips her for a sloop and seven little chests of gold.
little bellies.
the island-gut doubloons to bury.
dream, remember?

but the men-of-war are after him now. the privateers & hunters & devil’s dogs.
the men he once was.
men of marked death.
& he is now some pirate, some forthright bandit
settled to **** or be killed.
some sad kid.

first: buries that treasure up the coast of america.
oak island rig.
cherry rocks of the maine bank and *****-trapped pit.
the hunted.
they catch him on an inlet ****, and sail back
to london to be tried for crimes against the crown.
the high court of admirality.
1701.

they hoist and gibbet his body with worn chains above the river.
not for piracy, but for ******.
the ****** of that strange deckhand moore and his giggle.
kidd’s bones
suspended there for three or more years at the mouth of the thames,
as warning
to the perverse travails of a criminal lifestyle on the highwater pond.
Taylor Apr 2014
yes, i have other things to hold me together.

like poems that are dripping with you, and a small, shy cat who was once a stray like myself.

along with a ghostly stoner boy, who renames the colors of the rainbow and who speaks nonsense phrases, even when he's sober.

and a candle-flame girl who is covered in scars and who hides her pain in too-big hoodies, who hugs too tight and bleeds too easily and who doesn't know what a mistake falling for me will turn out to be, who draws me pictures and writes me love notes and cries into the night because she can tell that i ache for you still.

yes, you smartmouthed fool, i have other things to hold me together. but none of them are you.
Babydoll, I am so sorry. But I know myself far too well.
New colors embrace the memory of life’s soil
while looking at promises
that rush through our veins.
A tune is heard from our hearts'
circling places in time
where our eyes become the surface
of our souls,
greeting what we see floating
on the winds
of change.

Clearly visible as separate bodies
held on a spun web
of gypsy invitation,
why then do we only remember
the perfect peace
of how our minds meet.  
You touch each breath I draw in
as if hunting down my despair
until it becomes as smoke
with leaving feet.

Before the stars were chiseled into an age
that held us captive,
sleep was where the light of the moon
played innocently.  
Father Fate swirls, renames himself
with each breath I take,
keeping time for the promises
of true love
that still sing out
to you and me.
let hands speak what mouths
   cannot prattle

                 let eyes dream what sleep
               renames with its tranquility

let love undo what
hate has wreaked and

                 let fingers saunter infinite
                 strides when feet sojourn

let this quiet bellow
a hundredfold of sound

                  and let soul dance when
                  we have departed,

enisled here underneath the
brow of a terminal day,
  
                  its numeral tasks unfold
                  in the night full of silences

and let the world feel the cold
of brookwater when we cannot swim—
Candide Bailey Jun 2011
Water, it spreads so thin
That the fish have nowhere to swim
Sunshine, it tries
To disguise
Renames it, calls it a cloud

Let the fish flop
From side to side
The current time
It brings the tide
Here it comes, spreading death
Flowing by happiness

This dam is damaged
This dam is breaking
A crack is forming
And it is splitting two sides; their bond will be removed
As the current pushes through

Intently pointed dancer’s feet
Navigate a path
Hips paint a melody
Two eyes they meet
Two eyes alike
Four eyes, they hide
Currents behind

This dam is damaged
This dam is breaking
A crack is forming
And it is splitting two sides; their bond will be removed
As the current pushes through

Push
Push on me
Push on you
Push on me
Push on through
I found this poem in an old notebook from high school.
Amber Blair Jan 2019
There are a hundred ways
To say I wish I could go back,
Or I soaked up growing up like a worried sponge
Or I can still smell the dirt on my jeans
Or I don’t even like baseball, but I love the sound of the metal bat against the ball
Or watermelon slices on summer days taste like presents
Or there was iced tea brewing in the kitchen
Or I thought the lions looked happy in their cages
Or the cherry water ice painted my skin red
Or I had an imaginary friend who taught me loneliness
Or we had water gun fights in the front yard
Or we’d ride our bikes til dusk
Or I thought the older boys in the cul-de-sac were cute
Or I thought the older girls double-dutching were cool
Or the hot plastic of a slide against the back of my legs
Or the timid eyeing of the next rock along the creek to jump to
Or the boom of a grandfather clock chiming
Or I could spend eternity swinging by a rope my poppop tied to a tree
Or my grandmother is a magician
Or I used to believe in magic
Or I still do
[Brecht: ice | water | steam]

I. To Thaw

     an uncompromising war against emotion
    and its content         is of  total

            concession

closer   to   the   body   in   fervid   heat

you are a patron of this commerce

       after  you a water-lasting event:

your fluidity that deflects an accepted mass  as if sacrificial
    on a  venue  or a passage  fitting  the body

II. To Consume

and when you cut through with infinite fatigue
you    are proximal      to an agape     jar    housed

  the  question   how   vast   and  accurate  the  detainment and  the   quench  thereafter

             how when   a   flood   renames

a   corner    and  turns    number   to   record   of  wreckage

     making a memory  innumerable

III. To Dissipate

   is initiative    when anterior and disparate

cannot be held and accounted   for   in

   an   erroneous         register          whelms  in   hems right shut

passing   through    an   interstice   your   affinity   to    console

         and  when   in   a flash   of  a  scene


   unfound
cosmo naught Oct 2015
listing, lilting reveries
for ghosts of the chrysanthemums,
you listen, tucked between my knees,
for crying out as autumn comes,
then breathe the bottled air
while lying silent in the pasture
as the sun that rises slow,
renounced as Master,
dries the aster.
steady, subtle change renames
the song we'd often sung
which, ravaged, new and agèd,
saps the honey from my lungs.
to lie in leaves and rapture
turns my bones Parisian plaster:
crack my ribs and what is there
is yours to capture.
Cedric McClester Jun 2015
By: Cedric McClester

Bubba is waiting
He’s anticipating
And salivating
Soon he’ll be mating
A blond with blue eyes
Who’s in for a surprise
When he stops to realize
He’s not one of the guys

And once he gets there
Just to be fair
I hope he’s aware
Bubba might share
And no one will care
Wherever he beds
His friends the Skinheads
Will be giving him meds
Betting tails or heads

They’ll have quite a hoot
In and out his **** shoot
With no ****** to boot
And his tears will be moot
Once Bubba tames him
And renames him
Then properly claims him
No one’s gonna blame him

For being a trick
Forced to wear lipstick
And **** *****
The small and the thicks
And he better not bite
Or try to fight
He’ll be quite a sight
They’ll do him up right

Copyright © 2015, Cedric McClester. All rights reserved.
Bubba Is Waiting is what I anticipate Dylann Roof, the South Carolina church murderer might expect once he is released in the general prison population.
croob Apr 2018
an art museum learns all its works are fake
and renames itself the museum of forgery

another few pounds of coke are found
in another school teacher's house

a local boy's laughter
sounds like a cocking gun
so he gets shot in the head
You can’t
embrace reality
forever

Its tenets
restrict and
constrain

By definition
it renames
itself

Once spoken
to then be
disclaimed

What comes
upon you
the moment laced

Where vacuums
exit
in time and space

Regenerates
from life’s
cocoon

In endless
cycles
— moon to moon

(Dreamsleep: January, 2024)

— The End —