Those who were marginalized by the braids and serpentine lights, devotions were made in San Juan allowing electromagnetic discharges from the imperceptible space-time of Vernarth's parapsychological quantum; alluding to clarities that achieved everything by having Patmia in the material and incorporeal from the start of the stained glass windows and archetypes by Transfer Quantum that burned the chins of hominids who believed to be immortal as if they were looking in this position for the direction between the eyebrows and the chin , for the Euclidean incidence crossing all the pools that are between quantum means of transfer of ions and cations. The oscillations of the sparkling field of consciousness of the containers were of ethical variables that became perpendicular to the space of draft or levitation of the designations that originated with accelerated electric charges on Patmos, developing albiceleste skylights over the harmonic equations as they elongated in proportions of quanta that They argued greater than those that circulated elliptically from Grikos to Skalá, and then to Profitis with assiduous progenitors of long-wave quanta. The magnificence of the halo became rectilinear up to the high altar that was atomized from the unskillful penumbra to reabsorb the inclinations of physical life in the Macedonians and the Achaemenides when they were trapped by the loss on the propagation of the Lux, which was imposed in hemicycles where they were they reclined to relax in the lux of rest of the path of the reasoning that made pederasty in the links with the minuscule obtuse lights, reeling from the clothing and its finite speed of what measures the ability to be undetermined in the margins of error of the antagonists when originating flow rates, greater in his dermis to regenerate towards any other that could be clothing of greater speed.

Thus was the scenario of dimensional magnitude between the powers that did not have contact, but their dimensionless energies on a surface that reached absorbent to the one that rectifies the concretive of the error that partially abused them. Their legacies would pass to a supplementary electromagnetic plane, separating their masses and retaking orientation from where they returned, where if the ideal of the final rational was refracted where everything would be vivid darkness. The obstacles classified them in the closure of the average height and the average surface, to then redirect to the maximum height and maximum surface propagating in irregularities of the Ego "Believing that they were never overcome in the diffuse perception of the metal mirror." The incident rays of the Lux would go to meet the multi-incident plane of the Mashiach, the wave angles were refracted throughout the sinuous law as radiosity passed over the greater mass that was normalized from the tangent that was projected 180 meters above the eyebrow. and Vernarth's chin, along with the recharged electromagnetic strengths of Alexander the Great's reactivation bezels, which at times seemed to levitate over the Lux's high frequencies and vary independently with its crowded functionalities, among scattered restraints that it presented to both weightless behind. from the decayed marble sawdust, separating from its phosphorescence that bounced between the rigging of solid surfaces and semi-solid ones, when realizing that the sea and the silica were confessed to the Pronoia of Delphi. Inducing Vernarth for the first time into a Pronoia versology on the Athena of Delphi, prompting them to separate from the world and it's holistic to divide into three portions of the dissociation of consciousness from the end of the Lux of Parapsychology, which had hosted them for centuries and centuries. . The Pronoia conspiracy systematized the reaction that would reunite them after this oracular parapsychology, making the adversaries believe that they were discrepancies of clinical parapsychology, equating warlike causes in the containment of Delphic neuroscience. From this quantification, the predominance of Vernarth's Lux de Pronoia was announced, linking peculiar segmentation of submit logical historicity in this work as a starting thesis, which speculates the same for those who have to make an analysis of historical dogmatic imperialism as a justification for mythological normality. The Lux thesis aimed to show that the dimensions of the mythology and the submitology, when exposed in physical quanta, made a tendency of irresolution in the abode of spiritual Tractatus reasoning and not in the instinctual one, which watches over recitals where history and its collective memory indicate outbursts of moderation. The role of the submithology  is to pretend that this normality is made close to the instruction after yours temporary for causes of your deep patrimonial, that makes them captives from the social complexity, with the disambiguation of certain criteria by maximizing the hidden truth of the ascending opposition forces that they have generated great conflagrations, intuition being the unreflective pseudo-reality with historical formalities that stumble into the terrified directionality of the myth that was to be reality. The tiny spaces of the verve left by the silent mechanics of the Persians became defensive when they saw their emissaries incoherently in the verticality of Allah when they saw that the confusing world with anxiety exaggerated predictions and failures invulnerability of a lineage that always had. been condemned to the desert.

Everything conspired with a Pronoia of siege, before the exegesis that sought purification and that was how they headed and misdirected their mistakes in the active train of the recess of their abstracted retreat, in a universe that also abandoned them after the subsequent train of Aurion waking them in their illusions with swords, and stealthy spears in dreams that specified safe rest. The ferocities of the proto-souls of assault carried away the translucent bodies of the Persians, and the Hellenes in acts of honor made such congenital paths of the understandable vocabulary that he did not speak. The prism was located in the cautious measure of its contractile dispersion with white separations of mantles, earth, and water scalded by dynamics that formed colorful activations with their withdrawal phenomena in the immaculate albino Lux that dissolved all of the facet optics that it made. Lux's great brain in the instant that the Thuellai airs transfigured the nuances of the Atros monastery, with objects that refused to be absorbed by the black hue, generating mechanical waves of equivalence in their identical interference that caused two opposing forces to distill the coherent differential that had to be overexposed in the category of historical Submitology. The two inverted waves separated, the Hellenes moaned and hiccupped for having to become identical when separating from their immaterial bodies, doing wonders that would house additional souls that would complement a transitory becoming towards the garden of the angels that provided them with identical beams of light, interfering in what animated the lights of pageantry, with the antithesis of interference where they resided in constancy knowing that they felt possessed of benefits of the eternal length of existence, but with pressures of mutable in some involuntary constancy and amplitude of having parallel directions with Saint John the Apostle and the Siblis. The phenomenon of polarization of both empires was denatured in a transverse way in all the electric fields after this feat, inciting unique fields of the pure and selective ascending ecosystem, which generated polaroid substances at the angle of ninety degrees above the browbones and chin of Vernarth, to approach the Pronoia of concatenation with Alexander the Great refracting unscathed hyper-vital and transcendent faces of infinity. Like any other phenomenon, the Lux crossed both bodies like two Xiphos swords that processed the electromagnetic valve, by iridium that converted with all the coarse Lux that crossed the succumbed immateriality and stopped the shaft and the nail that hang in the typology of electromagnetic radiation from the Hellenic world between them, making an ominous redemptive fire that was regimented to leave them both in the middle of a farm where there were farmyard animals, stockpiled pastures and a house that absorbed them as parents who would love them as beings of Lux. Thus, this primary parapsychological quantum network penetrated the level of the archangels that made them be together in planes of manumission, and that does not admit bi-quantum personality or bi-parapsychology that can cancel out the portent of the helmets and the lineage that does not dazzle if they are not made of iron.

The life of the other world began to be encompassed in all the Subtraigus beings that would correspond to the astral plane that was confirmed after the Kalidona Romantics deduced the Unicorn Uilef or Uilef Monókeros after Pronoia. Kalidona being an uninhabited island and the Uilef sleeps in between copulating with Spinalonga and Kolokythas along with other smaller islets, plus two hundred that will make up six islands of the twenty-six tetragram of Alef. Here Drestnia went with her consort of Etréstles from the Koumeterium of Messolonghi to find fateful encounters of Pantheism based on the majestic copulation of beauty, among twenty-six numbers that prevailed in virtuosos who took refuge in Kalydon or Kalidona, preparing for their rampage with grafted grotesque derived bodies of the Falangist Hellenes who were arranged of their musculature, so that they directed the finesse of the civility of Hesiod, Terpando, Archiloco, Baquílides, tragic like Etréstles, Aeschylus Sophocles, Euripides and comedian like Aristophanes.

Show us:
         swaying stories,
         softly storming.
She blew
         blossom, brushes
         forehead; farewell
fruit of flickering frames.

When we watch
and argue,
         (eyes smiling,
          this is me.)
Who wishes
for furtive false films?

“We will”
rectifies reeling reality.

I’m chilling and doing homework tonight. Leaning into it.

Last night one of our suitemates (Julia) turned 21 - she’s barable. Not that we get carded anywhere - I’ve never had trouble getting into clubs or ordering drinks - I mean never have I ever.

She had her birthday party at a place called Mory’s, in New Haven, which is very Yale themed. We ate dinner in the “captain’s room,” where every picture on the wall is a Yale team captain of some sort. They even have a whiffenpoof plaque. It’s so Yale-core it’s funny.

Have you ever heard of a drink called a “Singapore Sling?” Me neither, until last night. Then, somehow, there were undrinkable oceans of it. I had six of them, sitting at a bar and I felt nothing. Then I stood up and my bones seemed to liquify. Leong and Anna reeled me in.

I was hangin this morning though, I mean rocky-socks drunkover. My senses seemed sharper, my optical nerves dialed up all the way. The air seemed bright and I swear I could’ve heard the sun burning if people would’ve just stopped all that annoying breathing.

I had a biochemistry quiz at 9am and I can’t wait to see how I did. Later, at breakfast (I had a piece of toast), Peter felt free to offer his sensible, 26-year-old, bropinion. I said, “You’re so wise,” as I steel-eyed him, “I-guess-you-never.”

By the afternoon I was back on my toes. Almost every night my roommates and I sit around a low table in the common room of our suite, crossed legged, on cushions and do our homework. It’s less claustrophobic than sitting in our rooms alone and we usually have some music on, lowkey, in the background.
We’d just heard “Love Story,” by Taylor Swift.

“I like songs that make love sound easy.” I stated.
“Oh, because it IS easy,” Anna says sarcastically, “grab yourself a physicist and make a TikTok song.”

“Hey! I’ve got a beef with TikTok artists, I said. “At first, they release these stripped down, intimate, acoustic songs that feel personal, and then, if a song hits, they put out a new version that’s totally overproduced.”
“Right.” Leong agreed.  
“Oh, yeah,” Sophie said, putting her hair back out of her face with a comb, “and some artists' voices are suited to simple accompaniment and the newer versions just don’t hit as hard.”

“I think Phoebe Bridgers is an example of production done right.” Anna said. “Her material continues to sound intimate and stripped down even though it’s no longer just her and a guitar,”

“On Tiktok,” Lisa adds, “when a new song works, I feel a connection, like it could be me recording a song with my guitar - so, I support them.”

“Don’t get me wrong,” I updogged, “there’s a place for overproduction but sometimes the instruments don’t even sound real, like when they go all out electronic - then they lose me.”

“The big-music might drown-out the artistry we liked,” Anna opined, “but maybe that’s how they heard it, as songwriters, in their imagination, but they couldn’t afford it - the new version rectifies it.”

The Lost Letter of Love-

The thunder of the busy street makes love to the vicious voices that plague my mind. Reminisce of a forgotten love still shower my inner most thoughts. Passion that once overwhelmed my life is now my reason for exhaust. The shimmers that once lit my ambition and drive now hang lightless, darker than the deepest secret. Yet the frequency of lost desire still induces the most intoxicating substance. Arms grow weary caressing forgotten times, the tears that once grew a river, are now dry beds of torment. The beautiful dawn plays in coalition with the residuals of a distant song. “Goodbye my lover” plays in harmony with the neglect of reality. Not facing demons yet displaying affection to them. Indulging in virtues once restricted by political propaganda. I am her vicious vendetta, her thoughtlessness, her absence. I lay on a bed of needles enjoying the aguish, suffering in satisfaction. The destructive thought of deserving such a decisive decision allows my mind to become a rag of lost emotion, wiping tears from the concaved steps that once bread a whirlwind of radical love. A canvas stained recklessness paints a picture of a destined solitude. No regret orchestrates a symphony of percussions, streaming beautiful sound through the hills of total regret. Awake becomes second nature, slumber slumbers with the lack of motivation to ignite the calm. Insomnia hums in a melody so righteous that the religion becomes the man. A hollow shell of broken ambition sway in the wind of self desire. The cries of the night become intoned with the cries of truth.  Instinct maps the course of self-withered illusion, illuminating the “why us” cause. A foundation of happiness holds the weight of a pessimistic engagement. While optimistic scavengers prey on the depths of endless souls. Disappointment rectifies all signatures of a so-called love. Remembering a once forgotten future claims its stakes as the eternal right. The moon holds desperate for the fortune of the unfortunate son. Unsettled disputes, take a toll on broken bodies. Broken wills dance in the limelight ignoring the forgotten pain, a laugh of retribution becomes one with inexplicit content. While saying “I love you” becomes that of explicit context, searching for the meaning between the lines. The lost letter of love shapes like the clouds in the sky only resembling something it never can be.

RICHARD ITSKOVICH

Revelational 33 in triangulation
A one, the perpendicular, the two
A pyramid adjoint in intersections
Recalled dream of masters and teachers

Repentant breeze on drowned water
a leather polished and scaled to sleek
A lover, my 33 year old angelic man
Reaped at the foot of the rooted crux

Restored from the mire and mirage of mares
An outward crimson, the glorified grace laced
A river that flow eastwards on descending cliffs
Revolved from the depth of oceanic rocks

Revelational 33 in triangulation
A light, the spotlight pearl unfurled
A  force that will never die but live
Rectifies and autocorrected from the abyss

Your hands meet mine yet I feel no such warmth beneath,
Like as in your heart - your pulse is beating but it bears no love.
It does not sing a song that wins over the robins that wake us in the morn',
And it does not seem to make me flit nervously as a child would.
(Those etiquette lessons did not do me much justice – I still fidget.)

I may be beautiful today - rose-stained cheeks and chandelier eyes,
But you must understand that this white dress, drowning in lace and beading,
Is similar to your own outfit as well, dashing young gentleman - we are trapped.
Just a marriage of convenience, isn't it? Like what your mother said to you.
(As what mine has said to me. It seems as if we have found something in common.)

It is like the sacerdotal man, dressed in his ornate robes, does not care much for us;
As if his readings of the words of the Lord rectifies our loveless union.
And as his voice trails off and he orders you to touch upon my lips with a kiss,
I can’t help but tighten my mouth and pretend that you’re my prince charming.
(How I wish to shove our vows down his throat, to make him take this all back.)

The audience stands tall and proud and claps with a feigned enthusiasm,
Galvanizing the church with fraudulent hope and happiness.
I am the docile blushing bride, and as you lead us out of the threshold,
I cannot help but wonder how two people could have destroyed such a beautiful thing.
(We are murderers of matrimony, aren’t we, dear? Not much better than a petty criminal.)

While you take pride in silent shelter
Find me screaming at the door
Burning middle-men of my lament
See the ashes you lick from my feet?
Only the sick cry for servitude - wake up
IT is no thing - wants and wills affixed on third string
The string is bright and thin - beware
Progress without patience
Is deformity
Cleverness Justifies
Wisdom Rectifies

The ties between isolation and liberation
Seem faulty
Unruly
Impossible

But in felt driven black
And blotted skies
I find myself in that between
Awry
From meaning of life and gentrified
Feelings where we are assumed to spend
Most of our time

I tried

I wish I could hammer pointed flathead nails
Into my harrowed chest
Without the screws of drivered nights

Rendering me blind

Though now I understand I’ve been that way my whole life

The comfort of what’s always there
Illusions of truths
Falsified by minds so accustomed to presume
That we are never alone

Absent of human nature

But as the faulty lines
And sharp riptides
And avalanches
Of hidden tries
Rectifies

Nothing

We are alone

I am alone

She doesn’t know me
Where the other won’t hold me

What a shame
Who’s to blame?


Me of course


For my heart is too tortured
To harbor
Any broken armor
I’m just softly
Bandaged and bruised
By life’s tumultues

And I’ll never be arounded
Always surrounded
By fire and demons and unwanted reasons

As to why my mind screams in drones
Of always
Always


Always




Always



Being alone