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"O where are you going?" said reader to rider,
"That valley is fatal when furnaces burn,
Yonder's the midden whose odors will madden,
That gap is the grave where the tall return."

"O do you imagine," said fearer to farer,
"That dusk will delay on your path to the pass,
Your diligent looking discover the lacking
Your footsteps feel from granite to grass?"

"O what was that bird," said horror to hearer,
"Did you see that shape in the twisted trees?
Behind you swiftly the figure comes softly,
The spot on your skin is a shocking disease?"

"Out of this house" ‚ said rider to reader,
"Yours never will" ‚ said farer to fearer,
"They're looking for you" ‚ said hearer to horror,
As he left them there, as he left them there.
An Isle rose up from the ocean swell
On the seventeenth of June,
It was totally unexpected by
The M.V. Cameroon,
She’d sailed with seven passengers
And some cargo in the hold,
They all kept well to their cabins for
The deck was more than cold.

The Captain up on the bridge had checked
His maps before they sailed,
Had marked his course dead reckoning
Though the gyro compass failed,
They’d been at sea for eleven days
So he took a fix on the stars,
Then left the wheel to the Bosun while
He searched for the coffee jar.

The ship ground up on a coral reef
At two in the morning, sharp,
The night was black as a midden since
The clouds had hidden the stars,
The hull bit deep in the coral as
It drove ahead with its way,
Grinding slowly to come to halt
Just in from a new-formed bay.

‘There isn’t supposed to be land out here,’
The Bosun cried to Lars,
The Captain said, ‘I fixed a point,
Dead reckoning by the stars!
There shouldn’t be land in a hundred miles,’
But the ship was high and dry,
‘It must have come up from the ocean floor,’
The Bosun said, ‘but why?’

The passengers spilled out onto the deck
With cries and shouts in the gloom,
‘What have you done, the ship’s a wreck,’
Said the Banker, Gordon Bloom.
The sisters, Jan and Margaret Young
Burst out in sobs and tears,
‘How are you going to float it off?
We might be here for years!’

At daylight they could see the extent
Of the distant lava flow,
‘Lucky we’re not on the other side
Or we’d all be dead, you know.’
The tide came in and the tide went out
But the ship was high and dry,
As clouds of steam from the lava flow
Poured out, and into the sky.

‘We’re not gonna starve,’ said Andy Hill
As he peered down onto the reef,
As thousands of ***** and lobsters crawled
‘There’s plenty of them to eat.’
They lowered him down on a rope, along
With the engineer, Bob Teck,
Where they gathered the lobsters up by hand
And tossed them, up on the deck.

The evening meal was a feast that night,
They ate and they drank their fill,
‘Too much,’ said Oliver Aston-Barr
‘I think I’m going to be ill.’
But Jennifer Deane, Costumier
Had an appetite for four,
She ate the scraps that the others left
And was calling out for more.

The following morning all was still
Til Jennifer Deane came out,
She roused them all with a frightened scream,
And then continued to shout:
‘I’ve got some horrible bug inside
And I’ve lost my sense of taste,
It must have come from the lobsters, for
It’s eaten half of my face!’

The lobsters must have been undercooked
For the symptoms would appal,
A necrotizing flesh eater
Had started on them all,
The flesh was eaten from Andy’s hand
And the leg of Gordon Bloom,
While the sisters Jan and Margaret Young
Lay screaming in their room.

The sickness took them rapidly,
For Jennifer Deane had died,
They had no place to bury her
So threw her over the side,
The ***** then swarmed and attacked her there,
Ate all of her flesh away,
There was little left of Jennifer Deane
Before the end of the day.

Each time that one of them died, the rest
Would fling them over the side,
The bodies had piled up higher out there
Than those alive, inside,
Til finally, Oliver Aston-Barr
Was last to die, on the bridge,
Of the Motor Vessel Cameroon,
Upthrust on a lava ridge.

A winter storm was to float it off,
It drifted out with the tide,
A rusted hulk with ‘The Cameroon’
Paint peeling, off from the side.
An ancient freighter, crossing its path
Drove past it, steel on steel,
And that’s when the helmsman held his breath,
‘There’s a skeleton at the wheel!’

David Lewis Paget
Through frost-thick weather
This witch sidles, fingers crooked, as if
Caught in a hazardous medium that might
Merely by its continuing
Attach her to heaven.

At eye's envious corner
Crow's-feet copy veining on a stained leaf;
Cold squint steals sky's color; while bruit
Of bells calls holy ones, her tongue
Backtalks at the raven

Claeving furred air
Over her skull's midden; no knife
Rivals her whetted look, divining what conceit
Waylays simple girls, church-going,
And what heart's oven

Craves most to cook batter
Rich in strayings with every amorous oaf,
Ready, for a trinket,
To squander owl-hours on bracken bedding,
Flesh unshriven.

Against ****** prayer
This sorceress sets mirrors enough
To distract beauty's thought;
Lovesick at first fond song,
Each vain girl's driven

To believe beyond heart's flare
No fire is, nor in any book proof
Sun hoists soul up after lids fall shut;
So she wills all to the black king.
The worst sloven

Vies with best queen over
Right to blaze as satan's wife;
Housed in earth, those million brides shriek out.
Some burn short, some long,
Staked in pride's coven.
sticks and bones
remnants of an ancient
peoples
their song's spirit
traces over the land
indigenous man
your culture inlaid
in hand painting on caves
and dot paintings
painted on bark
tools of stone
fire stick
by creek waters  
the midden mounds
bear testament
to your occupation
of these grounds
sing em
sing em
aboriginal
your heritage
stored perpetually
in this place
your foot treading
its vast expanse
generation
on generation
celebrating the corroboree dance
in the enveloping wings
of kookaburras
and in the bounding
of the ochre kangaroo
this land is the realm
of the original man
sing em
sing em
the history
of aboriginal clan
[Dedicated to Raymond Radclyffe]

I am that hawk of gold
Proud in adamantine poise
On the pillars of tourqoise,
See,beyond the starry fold,
Where a darkling orb is rolled.

There, beneath a grove of yew,
Plays a babe. Should I despise
Such a foam of gold, and eyes
Burning beryline, so blue
That the sun seems peeping through?

Did I swwop, were Heaven amazed?
With my beak I strike but once;
Out there leap a million suns.
Through the universe that blazed
Screams theit light, and death is dazed.

In my womb the babe may leap;
Seek him not within my eye!
Nor demand thou of me why
I should plunge from crystal steep
Like a plummet to the deep!

See yon solitary star!
What a world of blackness wraps
Round it! Unimagined gaps!
Let it be! Content thy car
With the voyage to things that are!

Nor, an thou perchance behold
How I plunge and batten on
Earth's exentrate carrion,
Deem torquoise match midden-mould
Or deny the Hawk of Gold!
There never was a face as fair as yours,
A heart as true, a love as pure and keen.
These things endure, if anything endures.
But, in this jungle, what high heaven immures
Us in its silence, the supreme serene
Crowning the dagoba, what destined die
Rings on the table, what resistless dart
Strike me I love you; can you satisfy
The hunger of my heart!

Nay; not in love, or faith, or hope is hidden
The drug that heals my life; I know too well
How all things lawful, and all things forbidden
Alike disclose no pearl upon the midden,
Offer no key to unlock the gate of Hell.
There is no escape from the eternal round,
No hope in love, or victory, or art.
There is no plumb-line long enough to sound
The abysses of my heart!


There no dawn breaks; no sunlight penetrates
Its blackness; no moon shines, nor any star.
For its own horror of itself creates
Malignant fate from all benignant fates,
Of its own spite drives its own angel afar.
Nay; this is the great import of the curse
That the whole world is sick, and not a part.
Conterminous with its own universe
the horror of my heart!
She was always essentially evil with
Her long, straight raven hair,
Her eyes as black as a midden, and
Her cheeks, so smooth and fair,
Her lips were ripe with the juice of love
Though she had no love to give,
But coloured them with a hint of blood
From her last aperitif.

She lived in an ice-bound castle, pitched
Next to a frozen lake,
Under a towering mountainside
As white as her wedding cake,
The clouds that hung on the mountain top
Were dark and as foul as sin,
And every day was a shade of grey
Where the sun could never get in.

She wandered the dark and gloomy halls
In a fur, but shivered her bones,
Her footsteps echoing off the walls
Her shadow cast on the stones,
The braziers on the passage wall
Would light her way to a room,
The room where a magic mirror hung
Reflected her in the gloom.

The hearth held a blazing yew tree log
That never seemed to go out,
Apart from a sneaking graveyard dog
There was nobody else about,
She’d stand in front of the mirror there
And look at her hard, cold face,
Say, ‘Mirror, when will you let me be,
I need to get out of this place!’

The face in the mirror grimly smiled
With a look of evil intent,
‘Why don’t you visit the dungeons, dear,
You know you need to repent.’
She tossed her head at the steely gaze
As her conscience peered on back,
‘I only did what I had to do
To replenish the blood I lack.’

The woman back in the mirror snarled
And she grew long pointed fangs,
Her brow had darkened, her eyes were fierce
‘We reflect our rights and wrongs.
The darkness deep in your cold, cold heart
Has entrapped this place in ice,
Compared to what lies ahead of you,
This place is Paradise.’

The woman turned and began to sob
And she paced the flagstoned floor,
There wasn’t a hint of the word ‘Repent’
As she opened the passage door,
She ran down several flights of steps
To the dungeon underneath,
Then stood and glared through the rusted bars
At her husband, Gordon Reith.

But Gordon sat on the ice cold floor
His back to an icy wall,
The frost had set on his face and hands
He wasn’t moving at all,
The puncture marks on his neck were red
With the last of his lifeblood flows,
She’d screamed the moment she’d found him dead
And ripped and torn at her clothes.

And that was the day the blizzard came
To freeze the lake in the night,
Covered the castle and mountain top
In an endless coat of white,
The mirror showed her an evil face
In place of the one she had,
‘You’ll not be drinking his blood again,
The blood of a corpse is bad!’

She opened the lock of the dungeon door
And she walked right into the cage,
Shook his body and gouged his face
In a wild, impotent rage,
The door had creaked as she turned her back
And it slammed and locked for good,
As the mirror fell from the wall above
And shattered where she’d stood.

A castle sits in a valley green
And beside a wide blue lake,
With mountains towering up above
To a sky where the sun’s awake,
You wouldn’t know that there once was snow
And I don’t know if you should,
But down in the dungeon lies a man
And the woman who drank his blood.

David Lewis Paget
Nienke Aug 2015
rusteloosheid
en vastgeroest verdriet
niemand ziet
het lam tussen de wolven
maar ver komt het niet
waar komt het vandaan
en waar is het geboren
of zit dat tussen haar oren
als er weer eens niemand is
het aftuigen van zelf
nog hopen op meer
lichamelijk zeer
een druppel wanhoop
gemengd met wantrouwen
en al gauw, de wanemmer verzoop
in eigen tranen
dan stromen het doet
en blijft stromen voor goed
rusteloosheid
diep in de nacht
wanneer er niemand op je wacht
behalve de ster achter de wolken
geen woorden maar daden
ja dat zal het zijn
maar het tegenbewijs valt klein
woorden onhoorbaar
een jongen die lacht
het vertrouwen ontkracht
een laatste afscheidsgroet
valt niet helemaal goed
als de duisternis nabij
zoals mijn geboorte
alleen en vrij
later zeer zelfstandig
maar nog geen procent als de rest
verpest
verpest
waarom ben ik zo anders
wat is er mis met mij, zo vrij
iedereen een ander perspectief
en ik begrijp het maar niet
ook al noemen ze mij lief
de wereld redden
met iedereen erin
heeft opeens weinig zin
als het verboden blijkt te zijn
slechts een eenzijdig spel
ach, het lam weet het nu wel
tevergeefs
rennend in de ochtendzon
verscholen in een wolkenbed
de eerste straal licht
uit het zicht
uit het zicht van de wolven
waar anders heen
springend over steentjes
met sterke beentjes
alleen in de grote wei
waarin de stilte zo groot
haar hart stilletjes vergroot
zo ook de klap van pijn
de enorme val
zo jong al
de verhouding van zwaarte
en het verdragen
aan de andere kant het extreem behagen
dat is toch geen rechte lijn
maar slechts twee woorden mochten er zijn
in steen gekerfd, beroerd gepolijst
blijdschap en depressie
maar niets er tussen in
want dat had toch geen zin
voor iemand met sensitieve uitersten
bestaat geen middenin
toch levende in een wereld van het midden
zoek balans, het middelpunt
en *** men het haar ook gunt
ze was nu eenmaal als lam geboren
en niet als schaap..  (noch rund)

blind als een mol
gravend in de grond
het was haar eigen graf
waar ze uiteindelijk op stond
omringd door de vertrouwde pijn
vroeg zich af wel van haar te zijn
met borstkas gespleten door twee
het lam kreeg heimwee
stond half dood op
wachtend op één
met hart nog langzaam trekkend
lekkend
de geur van aarde in vacht
wie had deze terugkomst ooit verwacht
en het worden van schaap
in wolfskleren
wilde zich immers niet bezeren
want moe het al was
met steen gevulde buik
de val nu slechts een kras
en wist niet eens meer wat de val was
de doorn(en) uit verleden
gestoken in vers vlees
al genoeg geleden
dus besloot nu gewoon ook wolvin
je bent een wolf, meisje
je bent een wolfmeisje
met het schaap
bloedend
nog ergens binnenin
Adele Jul 2015
long lost years
our master, Shakespeare
traveled to London for four days
no shillings or good garments in his bag

he stayed in lodge inns
penny a night
he had to gave up with a sigh

the smell of midden-heaped lanes
from the slum tenements
he had to bare for nights

he held both jobs
holding patron's horses
or prompter's attendant

and as destined to be a playwright,
his plays express aspects of life that transcend time
he wrote to be remarkable
and to put food on the table

illuminating human experience
a genius mind...

a playwright, poet and actor
that we will always admire.
Although no one's sure if he's with an entourage or striking out alone on foot going to London :D His life is shrouded in a mystery or he wasn't that revealing about his personal life, but he was the greatest writer of all time! I really admire him and wish to make some good literary creations too :( haha
howard brace Apr 2011
Rows of stone houses, all back-to-back
lined by the side of streets cobble set
housewives with shopping, segs in their heels
clopping down ginnels with ringing footsteps.

Cast iron lampposts, corporation green
daily were reset by clockwork it seemed
casting more shadow than light which to see
brimstone edged steps, scrubbed 'elbow' clean.

Sweeps on their rounds, in Summer would rush
cleaning the flues with rods and brush
kids in the street, staring in wonder
at soot snowing flurries, from porcupine pots.

Nutty slack in the grate, drawn by the pan
coal smoking stacks, pouring out grime
creels of damp washing, stealing the flame
when years end smog, jaundiced the sky.

A trip to the 'flicks', Saturday morning
'thrupence' for best seats, 'top-a-the-stalls'
rounds of cheers as good-un's were chasing
the bad-un's were boo'd, soon to be caught.

In 'wellies an scruff,' we went to the 'flea-pit'
with 'ha-peth o' cheap spice', soothing the throat
food for thought, all week long
and played them all, the films we saw.

Cowboys and Indians, cap guns held high
annoying the neighbours, 'bye it were grand'
riding the range on imaginary horses
best we ride on, with slap of the hand.

'Play in yer own street', my recallection
and 'geer off mi steps, they've jus-bin-swilled'
yet still we 'mucked out' with die-cast toys
against the 'midden', and on the walls.

No more adventure, making own fun
young-un's today don't know how it's done
cartoon and serial, games of war
we'd launch to the moon, upon the see-saw.**

...   ...   ...
The house that I rented was falling down,
I picked up the place for a song,
There weren’t many rooms that were liveable,
The plumbing and wiring were wrong,
I lit up a paraffin lantern there
To lighten the dark and the gloom,
But while still exploring, I thought I heard
A voice in the upstairs room.

I hadn’t been up in the loft ‘til then,
I’d not even mounted the stairs,
The rooms were a midden of broken toys
Of lopsided tables and chairs,
I carted the worst of them out the back,
The fire that I set lit the gloom,
Again from a window above me there
Was the voice in the upstairs room.

I couldn’t make out a word that it said
It grumbled and mumbled and moaned,
I stood and I listened and scratched my head
And to tell you the truth, I groaned.
I didn’t know what lay above me there
A squatter, a thief or a ghost,
A thief didn’t matter, a squatter I’d scatter
What worried me most was a ghost.

I went and I stood by the bottom stair
Looked up, with a feeling of doom,
The voice was whispering somewhere there,
‘You’d better be leaving here soon!’
‘The only one leaving this place is you,
Whatever, whoever you are!’
‘The only way you will be rid of me
Is by putting the lid on the jar.’

I plucked up the courage and took the stairs,
Was running, but two at a time,
The dust was heavy and thick up there,
Whipped up as I started to climb,
A haze was suffused in the room at the back
Where the window was beaming in light,
And there at a ghostly harpsichord
Was sitting a woman in white.

I stood stock still as she started to play
Bach’s Little Prelude in C,
The notes hung quivering, shivering in
The haze of the air by me,
I saw right through the woman, the dress
And the harpsichord to the wall,
There was no substance that I could see,
No substance to them at all.

The music stopped, she was looking at me
And she let out a long, loud sigh,
‘I’ve only played for two hundred years
To some visitors, passing by.
It’s never the same as it was at court
With the crinolines, bustles and lace,
And most have fled when the music played,
Without ever seeing my face.’

I looked at the jar on the mantelpiece,
A Funeral Urn with its store,
And ash was spilling, leaving a trace
With the lid that lay on the floor,
I bent to touch it and pick it up
But the woman had let out a cry,
‘I pray sir, never replace the lid,
For then I would surely die.’

I placed the lid on the Funeral Urn,
Turned back to look at her face,
The room was empty, the harpsichord
Had gone, not leaving a trace.
There was no sign of the woman in white
And the haze had faded away,
I turned and slowly descended the stairs
With a feeling of vague dismay.

For weeks I scrubbed and I tended that house,
Installed all my goods and wares,
But often found I was listening for
The sound of that voice upstairs.
So I crept in there on a winter’s eve
And I slipped the lid off the jar,
Went silently down the stairs again
Still listening, from afar.

The harpsichord struck a strident note
And it woke me up in my chair,
Then suddenly she began to sing
In a voice that was sweet and fair.
I only cover the Funeral Urn
If the vicar is passing by,
But sometimes sit at the head of the stairs
Just to hear the woman sigh.

David Lewis Paget
Nienke Mar 2014
deze weg in het donker
vochtig van de regen
lang door het begin
omringt door zwart
behalve midden in

alleen loop ik, hem
en het einde is zoek
wie zal het terugvinden
wanneer begint het begin
of zal ik het verslinden

wanneer harten niet te controleren zijn
zijn monden het juist te vaak
maar luisteren, zullen zij nooit
bij het uitsteken van mijn stopbord
is het tegenovergestelde raak

zoals deze eindeloze weg
gespleten in twee
I wake and prowl the house at night
And wander through the gloom,
The only light that streams are beams
Of silver from the Moon,
While every room is silent
And the passageways are dark,
There’s just one sound, the beating of
My misbegotten heart.

But no-one else is stirring
And the atmosphere is thick,
With dreams and ancient memories
From some old sailing ship,
They rise up from the midden of
A thousand journeys sailed,
That came to grief on some dread reef
As each one said, ‘You failed!’

And long-lost faces turn away
Before they’ll meet my stare,
I try to capture them again
And say, ‘I know you’re there!’
They shake their heads in silence and
Then drift into the night,
‘I know that I was wrong,’ I call,
They whisper back: ‘You’re right!’

So on then through the early hours
My vigil seeks the past,
Re-visiting each love I lost
As if it were the last,
And tears stream like some sad dream
Repeating: ‘Well, you know
Just why I turned away from you,
I really had to go.’

The years have mounted up, and now
Lie on me like a tomb,
Reflected in the silence of
This darkened, empty room,
And just as dawn is breaking I
Cry out, ‘I cared, you know!’
My voice, it echoes in the gloom,
‘Why do you hate me so?’

David Lewis Paget
Lawrence Hall Jul 2017
After Their Divorce

In his garage he takes a break, and sits
Among all the mechanical debris
Of an inventor born a century late:
Unsorted hopes, tools, dreams, and engine parts

The project car that he and his son will never
Rebuild together on Sunday afternoons
An old guitar, an ashtray full of ends
A midden of beer cans crushed in memories

He should be loading his truck and trailer, but
In his garage, in bitterness, he waits
She sat and stared from the window ledge,
She sat and stared at the sea,
Was sitting all through my childhood there
Since Eighteen fifty-three,
They said that she’d only stand upright
When a sail came into the bay,
When a ship came back from the Indies, or
Returned from Mandalay.

Nobody knew what she did in there,
She knitted, or she sewed,
Perhaps she was sat embroidering
As she watched the old sailroad,
They say she looked for a purple sail
Run up at the mizzen mast,
A sign that a certain Captain Hale
Had sailed on home at last.

She had a gentle and kindly face
I remembered from my youth,
But time went on and her face had shone
With tears, to tell the truth,
Her beauty gradually faded as
The years, they took their toll,
And sadness leached from her pale blue eyes
Before the house was sold.

A ship sailed into the harbour on
A warm spring afternoon,
A tattered sail at the mizzen that
Had lost its purple bloom,
The Captain wandered along the shore
From out where the sea was calm,
And stopped to gaze at a window,
But with a brunette on his arm.

He shook his head for a moment
As at a distant memory,
One of a thousand left behind
In the years that he’d spent at sea,
His eyes were held for a moment by
The eyes at the window pane,
But then he turned to the young brunette,
And went on his way again.

I bought the house when the sign went up
Though the agent said, ‘You’re sick!
I wouldn’t be touching that tumbledown,
It’s just a pile of brick.
Nobody’s been in there for years,
The thing needs pulling down,
You’ll get the place for a song, of course,
But there’s better in the town.’

I went and I picked the key up and
I stood out on the grass,
And stared on up at the window that
Was crazed, with broken glass,
The house was dark as a midden, all
Was shrouded in a gloom,
I felt my way up the passageway
And ventured in that room.

She sat quite still with her back to me
And stared out as before,
The window, it was crazed and cracked
And that was the most she saw,
I walked up slowly behind her, though
I didn’t know what to say,
She looked as if she’d been porcelain,
But now she was only clay.

I had the glazier fix the pane
And I locked that room up tight,
I wouldn’t let anyone go in there,
It didn’t seem to be right.
I put on a Captain’s hat, and stand
Between the house and the sea,
And swear that I see a gentle smile,
But now, she’s looking at me!

David Lewis Paget
Elizabeth Warr was the woman next door,
They called her a witch and a hag,
We lived in a lane that was called ‘Little Payne’
Though what there was lived in her bag,
She carried a hammer, a sharp bladed knife
A corkscrew and two leather twists,
The corkscrew she carried for putting out eyes,
The leather for binding of wrists.

She’d been more than sane up until the back lane
Had revealed that her daughter was courting,
Who’d never told anyone who she had met
Till they found her the following morning,
But she had been ravaged, her body was savaged
Her skirt was pulled over her head,
And blood ran in rivulets down to her ankles
Elizabeth’s daughter was dead.

And that’s when she swore that revenge would be hers
As she haunted the back lanes and alleys,
Carting the murderous tools in her bag
And noting who dillies and dallies,
‘He’ll try it again, and I will be there,’
She announced to her friends and her neighbours,
‘They always return to the scene of the crime
And the place of their murderous labours.’

The months had gone by with barely a sign
He’d ever come back to the midden,
With no-one attacked, he hadn't looked back
So guessing the culprit, forbidden.
But then on a line in the communal yard
A scarf fluttered high on the line,
Elizabeth saw it and reached out and caught it
And muttered, ‘I know that, it’s mine!’

Her daughter had borrowed that scarf for one night
The night that she’d thought to go courting,
And then in the horror, the fear and the fright
The scarf wasn’t there in the morning.
Elizabeth watched who collected the scarf
The mother of Alan John Sidden,
Then carried her bag to the rear of the park
While she waited for dark, to be hidden.

They say there were screams and loud howls in the dark
On that night in the early September,
And smoke in the trees that would waft in the breeze
Along with some foul smelling embers,
When Sidden was found, what was left, on the ground
In the morning, his throat cut, it’s true,
They said that his eyes were a gruesome surprise
They’d been taken by some sort of *****.

David Lewis Paget
Sometimes i wander
head down hands in my pockets
through the cold wet autumn wind
to where the sea meets the land
then sit upon a worn log
on the ragged pebbled strand
and listen to the waves pound
and hiss all along the shore
alone there with seals and gulls
i think and dream and ponder
my memories a midden
full of triumphs and failures
growing behind me
I was sitting outside the house at dawn
Having a quiet smoke,
I’m never allowed to smoke inside
And I’m just a quiet bloke,
I watched the first few friendly rays
Of the sun, rise over the town,
But then it grew dark, I watched amazed
As the sun went slowly down.

So dark, as black as a midden
And I truly felt alarmed,
Our cockerel ran in a circle, then
Fell down, was somehow charmed.
Surely the earth had not reversed,
But my senses said it had,
And when my chair went floating,
Then I knew that the news was bad.

Everything that was not tied down
Had slowly begun to rise,
Even my car and the outside bar
Hovered before my eyes,
I suddenly felt as light as air
And I had to grab a pole,
While the neighbour’s mobile home took off
And left behind a hole.

I made my way to the bedroom then,
It was doing in my head,
And there was the wife, still sound asleep
Floating above the bed,
The quilt and blankets were floating too
And I tried to hold them down,
‘I didn’t think that you cared,’ she said
As she woke, with a puzzled frown.

The problem lasted for seven hours
While we floated round inside,
I made my way to the ceiling light
And repaired the one that died.
The milk flew off from the cereal
And the toast popped up to the roof,
‘You see, the earth has reversed,’ I said,
‘If you need it, there’s the proof!’

The news was coming in fits and starts
From the station in the town,
While men were bracing beneath the desk
Just to hold the anchor down,
‘A giant comet has hit the earth
And has spun it in reverse,
They say that it’s only temporary,
Still, it could be worse.’

At midday, there was a glimmer of light
As the sun began to rise,
The furniture settled down again
And we saw familiar skies,
But the seven hours that we lost will be
Quarantined from time,
Unless we want to be rising as
The Noonday bells will chime.

And one thing that was a certainty
We’ll never trust again,
We said, ‘As sure as the sun comes up…’
But that was way back when.
And now I notice our cockerel
Can’t seem to sing a note,
Since ever its doodle-doodle-****
Came backwards from its throat.

David Lewis Paget
Aaron Mullin Jan 2020
I saw the seeds of the revolution
dawning
crowning

I heard the propositions from vermi-culture
informing the shift
working it out, sifting it out.

I surfed the micro-ripples of influence through
effectures and prefectures and
excused the old guard through heartfelt
conjectures

There was only one logical conclusion so I
quietly and patiently sat in between
with all our relations.

Under the shade of old growth discernment,
I washed through the oceans of my subconscious,
sifted through the compost for kernels, and
mined the midden for wisdom.

New kingdoms arose from that which was expressed.

The raw materials were ubiquitous.
These re-building blocks pointed to
a platform for the gifting economy.

Then one day I woke up zipping around Los Angeles,
toying with a couple of keys,
Sancho Panza and me, all windmills and wizards.

With only one logical conclusion
I took a chance, learned to dance, and
bid my pretence adieu.

Unpredictably, having lost my lance, I won the war.
Now I sit upon my throne with two mats at my door.
One says presence, one says future, and
both are welcome.

Both are welcome because it is here that I found my agency within my sovereignty
through submission.
1st draft was started on December 15, 2019 @ Station Flats. I was looking SW at an awe inspiring sky. Partial re-write on April 2, 2020.
Mike Adam Apr 2016
On dawn beach
collecting shells

The smell ridden
midden stretching
millenia

How we have lived
how we have moved
no dawn beach
untouched
no homely shell unmoved
Ishmael Jul 2019
"And the day of his birth shall carry with it all the joy of a barren field in spring, all the glory of a lowing ox as it dies,
and all the beauty of the midden heap."

Thus was it promised. His birthright was dirt on a coffin.
Thus was it spoken. His inheritance shall be only tragedy.
Thus was it written. His every breath will suffocate the sun.

And so it was. Only in dusk does he walk, and his domain is the cairn. Weeping martyrs and orphaned children are his chorus,
and the rushing of blood is the trumpet of his inglorious arrival.
My grandmother died two days ago. Just venting with random stuff.
Gerry Sykes Dec 2024
The grey ghoul masks, tan mummy wraps,
    black witch's hats and corpse green Frankenstein faces
    haven't hit the bottom of the bin before
mince pies jockey for a place beside the hot-cross buns.
Halloween and Christmas are squeezed together
    tighter than a coin’s width.

Tinsel boy band advent calendars
    sell 24 chocolate milestones
    on the road to obesity.
Supermarkets offer a sanitised Christmas
    religion rinsed away
    like bacteria on a chlorine washed turkey.
They trade a childless nativity like
    pies without mince;
    sultan-less fruit cake;
    plum-less pudding;
an unstuffed winter holiday roast.

People wonder where our culture has gone:
      we sold it for a midden
      of conveniently packaged banality.
Reflections on the commercialisation of Christmas and the loss of cultural capital that results.
Midden - a ******* tip
Noonie Mar 18
Te veel, te weinig,
Alles of niets.
Waar uitersten elkaar ontmoeten,
Het midden bestaat voor mij niet.

Dieper dan diep,
Starend over de rand,
De donkerte in,
Voorbij mijn grootste angsten,
Waar alle muren zijn gevallen.

Vind me daar,
Waar ik helemaal naakt ben,
Kwetsbaar.

Te veel, te weinig,
Alles of niets.
Ik ga helemaal—
En anders niet.
I am the freak of nature
That nurture has shaped oblong.
I am the sum of high ideals
That turned out to all be wrong.

The sole of a shoe never worn,
But cast onto the midden heap.
Covered in filth it never trod upon
Receiving yields it did not reap.

And I have learned to be patient with death,
With its anticipation,
And with its effects.
Very recent, just from earlier this month. Covers two things, really, that are very essential to who I am as a a person in the world.
Bard Nov 2022
Lethal doses and a handful of fairy dust
Feed on the rust be mirthful or go bust
Life is roses all plastic and lust

Don't live anymore round here just make a living
Hold knives by blades and keep on smiling
It's all ours this hollow empty nothing

To crave and be craven and lose yourself to the raven
A slave to maybe lost in a fools haven
But a brave man is a dead man left in the midden
Upon poised to strike unsuspecting prey
oft times myself she doth cannibal eyes
everything her sight coalescing, whereby her
occipital orbs gleam fiery poker hot embers
ferocious roars of ear splitting hunger pangs

deafen wolf, and/or any other unlucky fauna
paralyzed with dreadfully locked fear petrified
helplessly frozen as unsung hero(ine) twists
and shouts out for Godzilla (lame rival) to
rescue potential bite size hors d'oeuvre  

buzzfeeding bottomless pit always housing
an appetite for consumption ready to eat a
horse so be calf full if daring to spring syrup
rise visit here, thee veritable wasteland, who
never knows ******* fierce savagery lashes

out to buildon kitchen midden reminiscent of yore
or Mayan garden variety primitive culture steeped
in human/animal sacrifices, the above iterated
summary approximating quotidian battle to escape
by skin of teeth (er dentures) this hubby dodging

hither and yon (considerably lame version, sans
all around mulberry bush...), thus right now
temporarily holed up within a rock and hard
place, since wife snoozing away before she doth
wrest remains of day lumbering to satiate her never

ending capacity to sock away (more like vacuum
up) every creature great and small, whereby she
swells up easily mistaken for lead zeppelin (many
a previous halloween with little effort donning
herself Das Hindenburg erupting flames for added

scariness), which ill affords this unlucky husband
to maximize tasting, savoring and relishing every
sacred moment lest any given instantaneous moment
find me in dire circumstantial straitjackets, I cannot
stomach enduring another moment remaining, NOT

blissfully married, yet acknowledge options limited
tummy, whereby as soon as possible being abducted
by aliens would be welcome respite, no matter they
may conduct numbers of experiments, which
happenstance welcome versus existence analogous to

fraught being swallowed into belly of beast similar
to Jonah and Whale...B-R-E-A-K-I-N-G...N-E-W-S...
J-U-S-T...C-A-M-E...I-N...me­aning at long last no
more severe looming threats, albeit harmless hyperbolic
inane kooky "FAKE" poet, whew courtesy Moby ****

reincarnated forever spelling reprieve from bonafide
blatherskite at least until team of emergency first
responders can risk life and limb to disable dangerous
golem (frightful enough to give King Kong heebie jeebies)
carefully crouching despite cringing with severe panic

attacks, and undertaking grave task to dislodge poor
(probably posthumous) poet wannabe, which inevitable
fate impossible mission to postpone permanently, BUT
with amount of skulduggery, HE WILL RETURN!
I attribute being a grown mad scientist
linkedin with tacit approval of parents
(both long gone to the smoky afterlife),
and donned wizard trumpeting magic spells
while dark and stormy night
(one week before Halloween),
which usher nostalgic memories
encapsulated within the following poem
initially drafted quite some years ago.

Both parents possessed pedigreed panache
(but especially my father – renown Chemist
B.B. Harris and to slightly lesser extent
late culinary cuisine queen Harmit Harms
Kuritsky - gal whose troth thy then still
livingsocial nonagenarian widower papa
pledged, while holding some bubbling
sinister looking flask in hand while both
donned trumpeting finessed affianced
doctored formula to marry, when both
partook of blind date.

This combustible transunion link analogous
to their representative first electric kool aid
basic laboratory litmus test date), which
took place without a hitch, and telepathically
encouraged begetting retinue of revered
sons and daughters, whose ken hopefully
burned with passion KRISPR incubated,
inculcated, and incurred genetic outlook
ideally transmitted to prolific brood
of begotten babes.

This kid felt embers crackling, popping,
and snapping with yen that burned from
within and without buns sin burner of this
cingular earthlinked son.

No matter a bit tentative to experiment
*****-nilly (wonka like) with rather
explosive materiel, I received truckloads
of ammunition (in tandem with benevolent
benediction) to foster dare devil and
derelict pyromaniac precocity.

Those initial awkward formative forays
assaying, assessing and carefully calibrating
this, that or other liquid or powdery substance
found me meticulously measuring and
weighing the substances using kitchen
midden malodorous kid gloves.

Frequent disappointment arose from
yours truly as well as momma and papa
when net result (of these early attempts
to blend powders and/or liquids) merely
fizzled and self extinguished
into near inaudible ****.

Continual daily practice (would lead way
for me to enter Carnegie – Mellon ---- Hall)
after countless travails, trials and trolls i.e.
uber vaporous wisps to lyft yawping banshee
like holograms, or equivalent of 10,000 maniacs)
eventually bore successful fruit in the form
of near perfect results.

Success in hotly contested field Pyrotechnics
requires striking resemblance
to any other vocation.

One must be able, eager, ready and willing
to maintain burning passion no matter any
unforeseen setbacks or heat from an
objectionable source.

Yes, there would be an errant conflagration
(sometimes set purposely by adjunct professor)
as object lesson to master usage of fire
extinguisher/fighter, a vital piece of equipment
and evenhandedness for getting hold
instantaneously jetting kickstarter live matches)
to contain any runaway flame.

I do sheepishly admit to (ahem) you
on occasion the outcome went awry.

Nonetheless, they prided their potential
fire branded wizard in the making with
kudos and praise with DYNAMITE.

Practice from indiscriminately creating
unpredictable concoctions, these lethally
marshaled nonchalant opportunities
provided quintessentially random results
though usually very wimpy in tandem
with totally tubular nerdy, geeky, freaky,
and dorky beastie boy.

As proof positive and proud testimony, they
proudly pointed (upward) to the kitchen ceiling.

There such handiworks practically covered
entire ceiling with variegated splotches.
These scorch marks keepsake frescoes to show
kith and kin unspecified years into smoky future.

Quite accurate to assume
father and mother coached,
goaded, and nurtured
exploratory ambitions and
tried not to stifle
(at least consciously or deliberately)
my early stage ambition
toward scientific artiste bent.

As homeschooled and to some extent self taught
chemically romanced muralist, I grew up (not
surprisingly) in Unitarian household paid
close attention also adhered to the pioneer spirit.

The near limitless boundaries of life, liberty and
pursuit of understanding
an underlying credo, which
allowed, enabled and provided near endless
experimentation even at the risk of life and limb.

Aside talking head
nearly burning down the house
amidst talking heads practically in dire straits,
an instinctive reflex found me immolating myself,
occasionally singeing the canine fur of Lady,
Schultz, or Socrates, et cetera no frightful
catastrophic outcomes occurred thru milieu
of mixing deceptively harmless looking
inert raw materials.

Trial and error (quite successful with latter)
via blithely cooking dicey elements forming
goulash hiccupping laboratory mishmash
practically eliminated any pained regret to take
daring risks (such as getting married – ha)
in later life.

Despite favorable and lovable upbringing,
my mother (ever the protector and/or proctor
of our family and an excellent chef boyardee
to boot) still managed to insinuate (gently
as possible) the necessity to be careful when
igniting flammable materials lest
some uncontrollable conflagration ensue.

She (mom) did frequently confess to feeling
ever so slightly jittery and uneasy with my
slapdash amateurish homebrewed pyrotechnics
and much preferred to steer my attention toward
safer hobby such as the edible objets d’arts i.e.,
the much more drab field per how to present
and aesthetically appealing and nutritious meal.

Fondness to prepare food and pretend to be
faux renowned cook (this confession admitted
rather baldly and obviously deduced) actually
competed for my most favorite avocation activity
and spare leisure time.

In other words, this chap did relish designing
his own recipes mainly from leftovers in tandem
with unpronounceable multisyllabic organic
compounds filled numerous sized dishes
and aged apothecary bottles respectively.

Without question though, the passion plus
less riskier factor to combine and potchka
dry and wet ingredients together did rank
as considerably safer medium that still
allowed, enabled and provided me an equal
opportunity to test reactions, than those
earlier iterated potentially explosive hazards.

Nonetheless, my cavalier crusading overactive
appetite, hunger and thirst to discover causative
outcomes (even with purportedly innocuous
looking household cleaning supplies or easily
acquired inert materiel) nearly witnessed an
apocalypse at three two four Level Road
on one particular nasty occasion.

I anticipated our domicile would become
rent asunder, and reduced into a black
and decker ashen funeral pyre, yet for
grace of some divine force no family
members nor pets succumbed
nor got asphyxiated from choking acrid air.
I attribute being a grown mad scientist
linkedin with tacit approval of parents
(both long gone to the smoky afterlife),
and donned wizard trumpeting magic spells
while dark and stormy night
(one week before Halloween),
which usher nostalgic memories
encapsulated within the following poem
initially drafted quite some years ago.

Both parents possessed pedigreed panache
(but especially my father – renown Chemist
B.B. Harris and to slightly lesser extent
late culinary cuisine queen Harmit Harms
Kuritsky - gal whose troth thy then still
livingsocial octogenarian widower papa
pledged, while holding some bubbling
sinister looking flask in hand while both
donned trumpeting finessed affianced
doctored formula to marry, when both
partook of blind date.

This combustible transunion link analogous
to their representative first electric kool aid
basic laboratory litmus test date), which
took place without a hitch, and telepathically
encouraged begetting retinue of revered
sons and daughters, whose ken hopefully
burned with passion KRISPR incubated,
inculcated, and incurred genetic outlook
ideally transmitted to prolific brood
of begotten babes.

This kid felt embers crackling, popping,
and snapping with yen that burned from
within and without buns sin burner of this
cingular earthlinked son.

No matter a bit tentative to experiment
*****-nilly (wonka like) with rather
explosive materiel, I received truckloads
of ammunition (in tandem with benevolent
benediction) to foster dare devil and
derelict pyromaniac precocity.

Those initial awkward formative forays
assaying, assessing and carefully calibrating
this, that or other liquid or powdery substance
found me meticulously measuring and
weighing the substances using kitchen
midden malodorous kid gloves.

Frequent disappointment arose from
yours truly as well as momma and papa
when net result (of these early attempts
to blend powders and/or liquids) merely
fizzled and self extinguished
into near inaudible ****.

Continual daily practice (would lead way
for me to enter Carnegie – Mellon ---- Hall)
after countless travails, trials and trolls i.e.
uber vaporous wisps to lyft yawping banshee
like holograms, or equivalent of 10,000 maniacs)
eventually bore successful fruit in the form
of near perfect results.

Success in hotly contested field Pyrotechnics
requires striking resemblance
to any other vocation.

One must be able, eager, ready and willing
to maintain burning passion no matter any
unforeseen setbacks or heat from an
objectionable source.

Yes, there would be an errant conflagration
(sometimes set purposely by adjunct professor)
as object lesson to master usage of fire
extinguisher/fighter, a vital piece of equipment
and evenhandedness for getting hold
instantaneously jetting kickstarter live matches)
to contain any runaway flame.

I do sheepishly admit to (ahem) you
on occasion the outcome went awry.

Nonetheless, they prided their potential
fire branded wizard in the making with
kudos and praise with DYNAMITE.

Practice from indiscriminately creating
unpredictable concoctions, these lethally
marshaled nonchalant opportunities
provided quintessentially random results
though usually very wimpy in tandem
with totally tubular nerdy, geeky, freaky,
and dorky beastie boy.

As proof positive and proud testimony, they
proudly pointed (upward) to the kitchen ceiling.

There such handiworks practically covered
entire ceiling with variegated splotches.
These scorch marks keepsake frescoes to show
kith and kin unspecified years into smoky future.

Quite accurate to assume
father and mother coached,
goaded, and nurtured
exploratory ambitions and
tried not to stifle
(at least consciously or deliberately)
my early stage ambition
toward scientific artiste bent.

As homeschooled and to some extent self taught
chemically romanced muralist, I grew up (not
surprisingly) in Unitarian household paid
close attention also adhered to the pioneer spirit.

The near limitless boundaries of life, liberty and
pursuit of understanding
an underlying credo, which
allowed, enabled and provided near endless
experimentation even at the risk of life and limb.

Aside talking head
nearly burning down the house
amidst talking heads practically in dire straits,
an instinctive reflex found me immolating myself,
occasionally singeing the canine fur of Lady,
Schultz, or Socrates, et cetera no frightful
catastrophic outcomes occurred thru milieu
of mixing deceptively harmless looking
inert raw materials.

Trial and error (quite successful with latter)
via blithely cooking dicey elements forming
goulash hiccupping laboratory mishmash
practically eliminated any pained regret to take
daring risks (such as getting married – ha)
in later life.

Despite favorable and lovable upbringing,
my mother (ever the protector and/or proctor
of our family and an excellent chef boyardee
to boot) still managed to insinuate (gently
as possible) the necessity to be careful when
igniting flammable materials lest
some uncontrollable conflagration ensue.

She (mom) did frequently confess to feeling
ever so slightly jittery and uneasy with my
slapdash amateurish homebrewed pyrotechnics
and much preferred to steer my attention toward
safer hobby such as the edible objets d’arts i.e.,
the much more drab field per how to present
and aesthetically appealing and nutritious meal.

Fondness to prepare food and pretend to be
faux renowned cook (this confession admitted
rather baldly and obviously deduced) actually
competed for my most favorite avocation activity
and spare leisure time.

In other words, this chap did relish designing
his own recipes mainly from leftovers in tandem
with unpronounceable multisyllabic organic
compounds filled numerous sized dishes
and aged apothecary bottles respectively.

Without question though, the passion plus
less riskier factor to combine and potchka
dry and wet ingredients together did rank
as considerably safer medium that still
allowed, enabled and provided me an equal
opportunity to test reactions, than those
earlier iterated potentially explosive hazards.

Nonetheless, my cavalier crusading overactive
appetite, hunger and thirst to discover causative
outcomes (even with purportedly innocuous
looking household cleaning supplies or easily
acquired inert materiel) nearly witnessed an
apocalypse at three two four Level Road
on one particular nasty occasion.

I anticipated our domicile would become
rent asunder, and reduced into a black
and decker ashen funeral pyre, yet for
grace of some divine force no family
members nor pets succumbed
nor got asphyxiated from choking acrid air.
Daan Dec 2021
Laatst las ik in mijn eigen hoofd
gedachten die me deden
sidderen en beven.
Hetgeen ik had bekokstoofd,
beloofde me een beter leven.

Ik ging draaien aan de molen,
scheppen, graaien in de kolen,
bellen, spelen, doen alsof het telt.
En dat allemaal voor net iets meer van geld.

Ik kocht de gekste dingen.
Het moest maar op een scherm verschijnen
of 't deed m'n handjes in m'n beurs verdwijnen.

Eerst die spanningscurves in de positieve zin,
gevolgd door de terugslag, emoties in de min.
Begrijp me wel, emoties mogen, gehoord, zijn.
Maar dit specifieke mechanisme vind ik iets minder fijn.

Ik schrijf dit nu, midden in het groot verdriet.
Later zal ik nog wat laten horen, wanneer mijn ik
in mijn gedachten
er een oplossing voor ziet.
Weet jij *** ik kan vermijden promocode #SPD te gebruiken om iets te kopen wat ik niet nodig heb?
Lawrence Hall Dec 2020
Lawrence Hall
Mhall46184@aol.com
https://hellopoetry.com/lawrence-hall/
poeticdrivel.blogspot.com

                               Washing-Machine Archaeology

History passes, and so do washing machines
Rattling and spinning to the end of their span
Their dutiful cleanings cleaned out at last
Whited sepulchers around silent drums

The householder as Howard Carter finds
Behind a dead machine “Yes, wonderful things!”
Clothes hangers, metastasized dust bunnies
Inexplicable stains that hiss and spit

And in a midden, he discovers with a shock -
Almost embalmed – that famous long-lost sock!
A poem is itself.
nivek Apr 2020
Garbage collected (remembered the day)Yea!!
another week worth of midden

seven days of discard to be buried
archaeology for someone

and all that body waste flushed
to some other place, far away

someone else's problem
someone else's tomorrow.

— The End —