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Who would not laugh, if Lawrence, hired to grace
His costly canvas with each flattered face,
Abused his art, till Nature, with a blush,
Saw cits grow Centaurs underneath his brush?
Or, should some limner join, for show or sale,
A Maid of Honour to a Mermaid’s tail?
Or low Dubost—as once the world has seen—
Degrade God’s creatures in his graphic spleen?
Not all that forced politeness, which defends
Fools in their faults, could gag his grinning friends.
Believe me, Moschus, like that picture seems
The book which, sillier than a sick man’s dreams,
Displays a crowd of figures incomplete,
Poetic Nightmares, without head or feet.

  Poets and painters, as all artists know,
May shoot a little with a lengthened bow;
We claim this mutual mercy for our task,
And grant in turn the pardon which we ask;
But make not monsters spring from gentle dams—
Birds breed not vipers, tigers nurse not lambs.

  A laboured, long Exordium, sometimes tends
(Like patriot speeches) but to paltry ends;
And nonsense in a lofty note goes down,
As Pertness passes with a legal gown:
Thus many a Bard describes in pompous strain
The clear brook babbling through the goodly plain:
The groves of Granta, and her Gothic halls,
King’s Coll-Cam’s stream-stained windows, and old walls:
Or, in adventurous numbers, neatly aims
To paint a rainbow, or the river Thames.

  You sketch a tree, and so perhaps may shine—
But daub a shipwreck like an alehouse sign;
You plan a vase—it dwindles to a ***;
Then glide down Grub-street—fasting and forgot:
Laughed into Lethe by some quaint Review,
Whose wit is never troublesome till—true.

In fine, to whatsoever you aspire,
Let it at least be simple and entire.

  The greater portion of the rhyming tribe
(Give ear, my friend, for thou hast been a scribe)
Are led astray by some peculiar lure.
I labour to be brief—become obscure;
One falls while following Elegance too fast;
Another soars, inflated with Bombast;
Too low a third crawls on, afraid to fly,
He spins his subject to Satiety;
Absurdly varying, he at last engraves
Fish in the woods, and boars beneath the waves!

  Unless your care’s exact, your judgment nice,
The flight from Folly leads but into Vice;
None are complete, all wanting in some part,
Like certain tailors, limited in art.
For galligaskins Slowshears is your man
But coats must claim another artisan.
Now this to me, I own, seems much the same
As Vulcan’s feet to bear Apollo’s frame;
Or, with a fair complexion, to expose
Black eyes, black ringlets, but—a bottle nose!

  Dear Authors! suit your topics to your strength,
And ponder well your subject, and its length;
Nor lift your load, before you’re quite aware
What weight your shoulders will, or will not, bear.
But lucid Order, and Wit’s siren voice,
Await the Poet, skilful in his choice;
With native Eloquence he soars along,
Grace in his thoughts, and Music in his song.

  Let Judgment teach him wisely to combine
With future parts the now omitted line:
This shall the Author choose, or that reject,
Precise in style, and cautious to select;
Nor slight applause will candid pens afford
To him who furnishes a wanting word.
Then fear not, if ’tis needful, to produce
Some term unknown, or obsolete in use,
(As Pitt has furnished us a word or two,
Which Lexicographers declined to do;)
So you indeed, with care,—(but be content
To take this license rarely)—may invent.
New words find credit in these latter days,
If neatly grafted on a Gallic phrase;
What Chaucer, Spenser did, we scarce refuse
To Dryden’s or to Pope’s maturer Muse.
If you can add a little, say why not,
As well as William Pitt, and Walter Scott?
Since they, by force of rhyme and force of lungs,
Enriched our Island’s ill-united tongues;
’Tis then—and shall be—lawful to present
Reform in writing, as in Parliament.

  As forests shed their foliage by degrees,
So fade expressions which in season please;
And we and ours, alas! are due to Fate,
And works and words but dwindle to a date.
Though as a Monarch nods, and Commerce calls,
Impetuous rivers stagnate in canals;
Though swamps subdued, and marshes drained, sustain
The heavy ploughshare and the yellow grain,
And rising ports along the busy shore
Protect the vessel from old Ocean’s roar,
All, all, must perish; but, surviving last,
The love of Letters half preserves the past.
True, some decay, yet not a few revive;
Though those shall sink, which now appear to thrive,
As Custom arbitrates, whose shifting sway
Our life and language must alike obey.

  The immortal wars which Gods and Angels wage,
Are they not shown in Milton’s sacred page?
His strain will teach what numbers best belong
To themes celestial told in Epic song.

  The slow, sad stanza will correctly paint
The Lover’s anguish, or the Friend’s complaint.
But which deserves the Laurel—Rhyme or Blank?
Which holds on Helicon the higher rank?
Let squabbling critics by themselves dispute
This point, as puzzling as a Chancery suit.

  Satiric rhyme first sprang from selfish spleen.
You doubt—see Dryden, Pope, St. Patrick’s Dean.
Blank verse is now, with one consent, allied
To Tragedy, and rarely quits her side.
Though mad Almanzor rhymed in Dryden’s days,
No sing-song Hero rants in modern plays;
Whilst modest Comedy her verse foregoes
For jest and ‘pun’ in very middling prose.
Not that our Bens or Beaumonts show the worse,
Or lose one point, because they wrote in verse.
But so Thalia pleases to appear,
Poor ******! ****** some twenty times a year!

Whate’er the scene, let this advice have weight:—
Adapt your language to your Hero’s state.
At times Melpomene forgets to groan,
And brisk Thalia takes a serious tone;
Nor unregarded will the act pass by
Where angry Townly “lifts his voice on high.”
Again, our Shakespeare limits verse to Kings,
When common prose will serve for common things;
And lively Hal resigns heroic ire,—
To “hollaing Hotspur” and his sceptred sire.

  ’Tis not enough, ye Bards, with all your art,
To polish poems; they must touch the heart:
Where’er the scene be laid, whate’er the song,
Still let it bear the hearer’s soul along;
Command your audience or to smile or weep,
Whiche’er may please you—anything but sleep.
The Poet claims our tears; but, by his leave,
Before I shed them, let me see ‘him’ grieve.

  If banished Romeo feigned nor sigh nor tear,
Lulled by his languor, I could sleep or sneer.
Sad words, no doubt, become a serious face,
And men look angry in the proper place.
At double meanings folks seem wondrous sly,
And Sentiment prescribes a pensive eye;
For Nature formed at first the inward man,
And actors copy Nature—when they can.
She bids the beating heart with rapture bound,
Raised to the Stars, or levelled with the ground;
And for Expression’s aid, ’tis said, or sung,
She gave our mind’s interpreter—the tongue,
Who, worn with use, of late would fain dispense
(At least in theatres) with common sense;
O’erwhelm with sound the Boxes, Gallery, Pit,
And raise a laugh with anything—but Wit.

  To skilful writers it will much import,
Whence spring their scenes, from common life or Court;
Whether they seek applause by smile or tear,
To draw a Lying Valet, or a Lear,
A sage, or rakish youngster wild from school,
A wandering Peregrine, or plain John Bull;
All persons please when Nature’s voice prevails,
Scottish or Irish, born in Wilts or Wales.

  Or follow common fame, or forge a plot;
Who cares if mimic heroes lived or not!
One precept serves to regulate the scene:
Make it appear as if it might have been.

  If some Drawcansir you aspire to draw,
Present him raving, and above all law:
If female furies in your scheme are planned,
Macbeth’s fierce dame is ready to your hand;
For tears and treachery, for good and evil,
Constance, King Richard, Hamlet, and the Devil!
But if a new design you dare essay,
And freely wander from the beaten way,
True to your characters, till all be past,
Preserve consistency from first to last.

  Tis hard to venture where our betters fail,
Or lend fresh interest to a twice-told tale;
And yet, perchance,’tis wiser to prefer
A hackneyed plot, than choose a new, and err;
Yet copy not too closely, but record,
More justly, thought for thought than word for word;
Nor trace your Prototype through narrow ways,
But only follow where he merits praise.

  For you, young Bard! whom luckless fate may lead
To tremble on the nod of all who read,
Ere your first score of cantos Time unrolls,
Beware—for God’s sake, don’t begin like Bowles!
“Awake a louder and a loftier strain,”—
And pray, what follows from his boiling brain?—
He sinks to Southey’s level in a trice,
Whose Epic Mountains never fail in mice!
Not so of yore awoke your mighty Sire
The tempered warblings of his master-lyre;
Soft as the gentler breathing of the lute,
“Of Man’s first disobedience and the fruit”
He speaks, but, as his subject swells along,
Earth, Heaven, and Hades echo with the song.”
Still to the “midst of things” he hastens on,
As if we witnessed all already done;
Leaves on his path whatever seems too mean
To raise the subject, or adorn the scene;
Gives, as each page improves upon the sight,
Not smoke from brightness, but from darkness—light;
And truth and fiction with such art compounds,
We know not where to fix their several bounds.

  If you would please the Public, deign to hear
What soothes the many-headed monster’s ear:
If your heart triumph when the hands of all
Applaud in thunder at the curtain’s fall,
Deserve those plaudits—study Nature’s page,
And sketch the striking traits of every age;
While varying Man and varying years unfold
Life’s little tale, so oft, so vainly told;
Observe his simple childhood’s dawning days,
His pranks, his prate, his playmates, and his plays:
Till time at length the mannish tyro weans,
And prurient vice outstrips his tardy teens!

  Behold him Freshman! forced no more to groan
O’er Virgil’s devilish verses and his own;
Prayers are too tedious, Lectures too abstruse,
He flies from Tavell’s frown to “Fordham’s Mews;”
(Unlucky Tavell! doomed to daily cares
By pugilistic pupils, and by bears,)
Fines, Tutors, tasks, Conventions threat in vain,
Before hounds, hunters, and Newmarket Plain.
Rough with his elders, with his equals rash,
Civil to sharpers, prodigal of cash;
Constant to nought—save hazard and a *****,
Yet cursing both—for both have made him sore:
Unread (unless since books beguile disease,
The P——x becomes his passage to Degrees);
Fooled, pillaged, dunned, he wastes his terms away,
And unexpelled, perhaps, retires M.A.;
Master of Arts! as hells and clubs proclaim,
Where scarce a blackleg bears a brighter name!

  Launched into life, extinct his early fire,
He apes the selfish prudence of his Sire;
Marries for money, chooses friends for rank,
Buys land, and shrewdly trusts not to the Bank;
Sits in the Senate; gets a son and heir;
Sends him to Harrow—for himself was there.
Mute, though he votes, unless when called to cheer,
His son’s so sharp—he’ll see the dog a Peer!

  Manhood declines—Age palsies every limb;
He quits the scene—or else the scene quits him;
Scrapes wealth, o’er each departing penny grieves,
And Avarice seizes all Ambition leaves;
Counts cent per cent, and smiles, or vainly frets,
O’er hoards diminished by young Hopeful’s debts;
Weighs well and wisely what to sell or buy,
Complete in all life’s lessons—but to die;
Peevish and spiteful, doting, hard to please,
Commending every time, save times like these;
Crazed, querulous, forsaken, half forgot,
Expires unwept—is buried—Let him rot!

  But from the Drama let me not digress,
Nor spare my precepts, though they please you less.
Though Woman weep, and hardest hearts are stirred,
When what is done is rather seen than heard,
Yet many deeds preserved in History’s page
Are better told than acted on the stage;
The ear sustains what shocks the timid eye,
And Horror thus subsides to Sympathy,
True Briton all beside, I here am French—
Bloodshed ’tis surely better to retrench:
The gladiatorial gore we teach to flow
In tragic scenes disgusts though but in show;
We hate the carnage while we see the trick,
And find small sympathy in being sick.
Not on the stage the regicide Macbeth
Appals an audience with a Monarch’s death;
To gaze when sable Hubert threats to sear
Young Arthur’s eyes, can ours or Nature bear?
A haltered heroine Johnson sought to slay—
We saved Irene, but half ****** the play,
And (Heaven be praised!) our tolerating times
Stint Metamorphoses to Pantomimes;
And Lewis’ self, with all his sprites, would quake
To change Earl Osmond’s ***** to a snake!
Because, in scenes exciting joy or grief,
We loathe the action which exceeds belief:
And yet, God knows! what may not authors do,
Whose Postscripts prate of dyeing “heroines blue”?

  Above all things, Dan Poet, if you can,
Eke out your acts, I pray, with mortal man,
Nor call a ghost, unless some cursed scrape
Must open ten trap-doors for your escape.
Of all the monstrous things I’d fain forbid,
I loathe an Opera worse than Dennis did;
Where good and evil persons, right or wrong,
Rage, love, and aught but moralise—in song.
Hail, last memorial of our foreign friends,
Which Gaul allows, and still Hesperia lends!
Napoleon’s edicts no embargo lay
On ******—spies—singers—wisely shipped away.
Our giant Capital, whose squares are spread
Where rustics earned, and now may beg, their bread,
In all iniquity is grown so nice,
It scorns amusements which are not of price.
Hence the pert shopkeeper, whose throbbing ear
Aches with orchestras which he pays to hear,
Whom shame, not sympathy, forbids to snore,
His anguish doubling by his own “encore;”
Squeezed in “Fop’s Alley,” jostled by the beaux,
Teased with his hat, and trembling for his toes;
Scarce wrestles through the night, nor tastes of ease,
Till the dropped curtain gives a glad release:
Why this, and more, he suffers—can ye guess?—
Because it costs him dear, and makes him dress!

  So prosper eunuchs from Etruscan schools;
Give us but fiddlers, and they’re sure of fools!
Ere scenes were played by many a reverend clerk,
(What harm, if David danced before the ark?)
In Christmas revels, simple country folks
Were pleased with morrice-mumm’ry and coarse jokes.
Improving years, with things no longer known,
Produced blithe Punch and merry Madame Joan,
Who still frisk on with feats so lewdly low,
’Tis strange Benvolio suffers such a show;
Suppressing peer! to whom each vice gives place,
Oaths, boxing, begging—all, save rout and race.

  Farce followed Comedy, and reached her prime,
In ever-laughing Foote’s fantastic time:
Mad wag! who pardoned none, nor spared the best,
And turned some very serious things to jest.
Nor Church nor State escaped his public sneers,
Arms nor the Gown—Priests—Lawyers—Volunteers:
“Alas, poor Yorick!” now for ever mute!
Whoever loves a laugh must sigh for Foote.

  We smile, perforce, when histrionic scenes
Ape the swoln dialogue of Kings and Queens,
When “Crononhotonthologos must die,”
And Arthur struts in mimic majesty.

  Moschus! with whom once more I hope to sit,
And smile at folly, if we can’t at wit;
Yes, Friend! for thee I’ll quit my cynic cell,
And bear Swift’s motto, “Vive la bagatelle!”
Which charmed our days in each ægean clime,
As oft at home, with revelry and rhyme.
Then may Euphrosyne, who sped the past,
Soothe thy Life’s scenes, nor leave thee in the last;
But find in thine—like pagan Plato’s bed,
Some merry Manuscript of Mimes, when dead.

  Now to the Drama let us bend our eyes,
Where fettered by whig Walpole low she lies;
Corruption foiled her, for she feared her glance;
Decorum left her for an Opera dance!
Yet Chesterfield, whose polished pen inveighs
‘Gainst laughter, fought for freedom to our Plays;
Unchecked by Megrims of patrician brains,
And damning Dulness of Lord Chamberlains.
Repeal that act! again let Humour roam
Wild o’er the stage—we’ve time for tears at home;
Let Archer plant the horns on Sullen’s brows,
And Estifania gull her “Copper” spouse;
The moral’s scant—but that may be excused,
Men go not to be lectured, but amused.
He whom our plays dispose to Good or Ill
Must wear a head in want of Willis’ skill;
Aye, but Macheath’s examp
The double 12 sorwe of Troilus to tellen,  
That was the king Priamus sone of Troye,
In lovinge, how his aventures fellen
Fro wo to wele, and after out of Ioye,
My purpos is, er that I parte fro ye.  
Thesiphone, thou help me for tendyte
Thise woful vers, that wepen as I wryte!

To thee clepe I, thou goddesse of torment,
Thou cruel Furie, sorwing ever in peyne;
Help me, that am the sorwful instrument  
That helpeth lovers, as I can, to pleyne!
For wel sit it, the sothe for to seyne,
A woful wight to han a drery fere,
And, to a sorwful tale, a sory chere.

For I, that god of Loves servaunts serve,  
Ne dar to Love, for myn unlyklinesse,
Preyen for speed, al sholde I therfor sterve,
So fer am I fro his help in derknesse;
But nathelees, if this may doon gladnesse
To any lover, and his cause avayle,  
Have he my thank, and myn be this travayle!

But ye loveres, that bathen in gladnesse,
If any drope of pitee in yow be,
Remembreth yow on passed hevinesse
That ye han felt, and on the adversitee  
Of othere folk, and thenketh how that ye
Han felt that Love dorste yow displese;
Or ye han wonne hym with to greet an ese.

And preyeth for hem that ben in the cas
Of Troilus, as ye may after here,  
That love hem bringe in hevene to solas,
And eek for me preyeth to god so dere,
That I have might to shewe, in som manere,
Swich peyne and wo as Loves folk endure,
In Troilus unsely aventure.  

And biddeth eek for hem that been despeyred
In love, that never nil recovered be,
And eek for hem that falsly been apeyred
Thorugh wikked tonges, be it he or she;
Thus biddeth god, for his benignitee,  
So graunte hem sone out of this world to pace,
That been despeyred out of Loves grace.

And biddeth eek for hem that been at ese,
That god hem graunte ay good perseveraunce,
And sende hem might hir ladies so to plese,  
That it to Love be worship and plesaunce.
For so hope I my soule best avaunce,
To preye for hem that Loves servaunts be,
And wryte hir wo, and live in charitee.

And for to have of hem compassioun  
As though I were hir owene brother dere.
Now herkeneth with a gode entencioun,
For now wol I gon streight to my matere,
In whiche ye may the double sorwes here
Of Troilus, in loving of Criseyde,  
And how that she forsook him er she deyde.

It is wel wist, how that the Grekes stronge
In armes with a thousand shippes wente
To Troyewardes, and the citee longe
Assegeden neigh ten yeer er they stente,  
And, in diverse wyse and oon entente,
The ravisshing to wreken of Eleyne,
By Paris doon, they wroughten al hir peyne.

Now fil it so, that in the toun ther was
Dwellinge a lord of greet auctoritee,  
A gret devyn that cleped was Calkas,
That in science so expert was, that he
Knew wel that Troye sholde destroyed be,
By answere of his god, that highte thus,
Daun Phebus or Apollo Delphicus.  

So whan this Calkas knew by calculinge,
And eek by answere of this Appollo,
That Grekes sholden swich a peple bringe,
Thorugh which that Troye moste been for-do,
He caste anoon out of the toun to go;  
For wel wiste he, by sort, that Troye sholde
Destroyed ben, ye, wolde who-so nolde.

For which, for to departen softely
Took purpos ful this forknowinge wyse,
And to the Grekes ost ful prively  
He stal anoon; and they, in curteys wyse,
Hym deden bothe worship and servyse,
In trust that he hath conning hem to rede
In every peril which that is to drede.

The noyse up roos, whan it was first aspyed,  
Thorugh al the toun, and generally was spoken,
That Calkas traytor fled was, and allyed
With hem of Grece; and casten to ben wroken
On him that falsly hadde his feith so broken;
And seyden, he and al his kin at ones  
Ben worthy for to brennen, fel and bones.

Now hadde Calkas left, in this meschaunce,
Al unwist of this false and wikked dede,
His doughter, which that was in gret penaunce,
For of hir lyf she was ful sore in drede,  
As she that niste what was best to rede;
For bothe a widowe was she, and allone
Of any freend to whom she dorste hir mone.

Criseyde was this lady name a-right;
As to my dome, in al Troyes citee  
Nas noon so fair, for passing every wight
So aungellyk was hir natyf beautee,
That lyk a thing immortal semed she,
As doth an hevenish parfit creature,
That doun were sent in scorning of nature.  

This lady, which that al-day herde at ere
Hir fadres shame, his falsnesse and tresoun,
Wel nigh out of hir wit for sorwe and fere,
In widewes habit large of samit broun,
On knees she fil biforn Ector a-doun;  
With pitous voys, and tendrely wepinge,
His mercy bad, hir-selven excusinge.

Now was this Ector pitous of nature,
And saw that she was sorwfully bigoon,
And that she was so fair a creature;  
Of his goodnesse he gladed hir anoon,
And seyde, 'Lat your fadres treson goon
Forth with mischaunce, and ye your-self, in Ioye,
Dwelleth with us, whyl you good list, in Troye.

'And al thonour that men may doon yow have,  
As ferforth as your fader dwelled here,
Ye shul han, and your body shal men save,
As fer as I may ought enquere or here.'
And she him thonked with ful humble chere,
And ofter wolde, and it hadde ben his wille,  
And took hir leve, and hoom, and held hir stille.

And in hir hous she abood with swich meynee
As to hir honour nede was to holde;
And whyl she was dwellinge in that citee,
Kepte hir estat, and bothe of yonge and olde  
Ful wel beloved, and wel men of hir tolde.
But whether that she children hadde or noon,
I rede it naught; therfore I late it goon.

The thinges fellen, as they doon of werre,
Bitwixen hem of Troye and Grekes ofte;  
For som day boughten they of Troye it derre,
And eft the Grekes founden no thing softe
The folk of Troye; and thus fortune on-lofte,
And under eft, gan hem to wheelen bothe
After hir cours, ay whyl they were wrothe.  

But how this toun com to destruccioun
Ne falleth nought to purpos me to telle;
For it were a long digressioun
Fro my matere, and yow to longe dwelle.
But the Troyane gestes, as they felle,  
In Omer, or in Dares, or in Dyte,
Who-so that can, may rede hem as they wryte.

But though that Grekes hem of Troye shetten,
And hir citee bisegede al a-boute,
Hir olde usage wolde they not letten,  
As for to honoure hir goddes ful devoute;
But aldermost in honour, out of doute,
They hadde a relik hight Palladion,
That was hir trist a-boven everichon.

And so bifel, whan comen was the tyme  
Of Aperil, whan clothed is the mede
With newe grene, of ***** Ver the pryme,
And swote smellen floures whyte and rede,
In sondry wyses shewed, as I rede,
The folk of Troye hir observaunces olde,  
Palladiones feste for to holde.

And to the temple, in al hir beste wyse,
In general, ther wente many a wight,
To herknen of Palladion servyse;
And namely, so many a ***** knight,  
So many a lady fresh and mayden bright,
Ful wel arayed, bothe moste and leste,
Ye, bothe for the seson and the feste.

Among thise othere folk was Criseyda,
In widewes habite blak; but nathelees,  
Right as our firste lettre is now an A,
In beautee first so stood she, makelees;
Hir godly looking gladede al the prees.
Nas never seyn thing to ben preysed derre,
Nor under cloude blak so bright a sterre  

As was Criseyde, as folk seyde everichoon
That hir behelden in hir blake wede;
And yet she stood ful lowe and stille alloon,
Bihinden othere folk, in litel brede,
And neigh the dore, ay under shames drede,  
Simple of a-tyr, and debonaire of chere,
With ful assured loking and manere.

This Troilus, as he was wont to gyde
His yonge knightes, ladde hem up and doun
In thilke large temple on every syde,  
Biholding ay the ladyes of the toun,
Now here, now there, for no devocioun
Hadde he to noon, to reven him his reste,
But gan to preyse and lakken whom him leste.

And in his walk ful fast he gan to wayten  
If knight or squyer of his companye
Gan for to syke, or lete his eyen bayten
On any woman that he coude aspye;
He wolde smyle, and holden it folye,
And seye him thus, 'god wot, she slepeth softe  
For love of thee, whan thou tornest ful ofte!

'I have herd told, pardieux, of your livinge,
Ye lovers, and your lewede observaunces,
And which a labour folk han in winninge
Of love, and, in the keping, which doutaunces;  
And whan your preye is lost, wo and penaunces;
O verrey foles! nyce and blinde be ye;
Ther nis not oon can war by other be.'

And with that word he gan cast up the browe,
Ascaunces, 'Lo! is this nought wysly spoken?'  
At which the god of love gan loken rowe
Right for despyt, and shoop for to ben wroken;
He kidde anoon his bowe nas not broken;
For sodeynly he hit him at the fulle;
And yet as proud a pekok can he pulle.  

O blinde world, O blinde entencioun!
How ofte falleth al theffect contraire
Of surquidrye and foul presumpcioun;
For caught is proud, and caught is debonaire.
This Troilus is clomben on the staire,  
And litel weneth that he moot descenden.
But al-day falleth thing that foles ne wenden.

As proude Bayard ginneth for to skippe
Out of the wey, so priketh him his corn,
Til he a lash have of the longe whippe,  
Than thenketh he, 'Though I praunce al biforn
First in the trays, ful fat and newe shorn,
Yet am I but an hors, and horses lawe
I moot endure, and with my feres drawe.'

So ferde it by this fers and proude knight;  
Though he a worthy kinges sone were,
And wende nothing hadde had swiche might
Ayens his wil that sholde his herte stere,
Yet with a look his herte wex a-fere,
That he, that now was most in pryde above,  
Wex sodeynly most subget un-to love.

For-thy ensample taketh of this man,
Ye wyse, proude, and worthy folkes alle,
To scornen Love, which that so sone can
The freedom of your hertes to him thralle;  
For ever it was, and ever it shal bifalle,
That Love is he that alle thing may binde;
For may no man for-do the lawe of kinde.

That this be sooth, hath preved and doth yet;
For this trowe I ye knowen, alle or some,  
Men reden not that folk han gretter wit
Than they that han be most with love y-nome;
And strengest folk ben therwith overcome,
The worthiest and grettest of degree:
This was, and is, and yet men shal it see.  

And trewelich it sit wel to be so;
For alderwysest han ther-with ben plesed;
And they that han ben aldermost in wo,
With love han ben conforted most and esed;
And ofte it hath the cruel herte apesed,  
And worthy folk maad worthier of name,
And causeth most to dreden vyce and shame.

Now sith it may not goodly be withstonde,
And is a thing so vertuous in kinde,
Refuseth not to Love for to be bonde,  
Sin, as him-selven list, he may yow binde.
The yerde is bet that bowen wole and winde
Than that that brest; and therfor I yow rede
To folwen him that so wel can yow lede.

But for to tellen forth in special  
As of this kinges sone of which I tolde,
And leten other thing collateral,
Of him thenke I my tale for to holde,
Both of his Ioye, and of his cares colde;
And al his werk, as touching this matere,  
For I it gan, I wol ther-to refere.

With-inne the temple he wente him forth pleyinge,
This Troilus, of every wight aboute,
On this lady and now on that lokinge,
Wher-so she were of toune, or of with-oute:  
And up-on cas bifel, that thorugh a route
His eye perced, and so depe it wente,
Til on Criseyde it smoot, and ther it stente.

And sodeynly he wax ther-with astoned,
And gan hire bet biholde in thrifty wyse:  
'O mercy, god!' thoughte he, 'wher hastow woned,
That art so fair and goodly to devyse?'
Ther-with his herte gan to sprede and ryse,
And softe sighed, lest men mighte him here,
And caughte a-yein his firste pleyinge chere.  

She nas nat with the leste of hir stature,
But alle hir limes so wel answeringe
Weren to womanhode, that creature
Was neuer lasse mannish in seminge.
And eek the pure wyse of here meninge  
Shewede wel, that men might in hir gesse
Honour, estat, and wommanly noblesse.

To Troilus right wonder wel with-alle
Gan for to lyke hir meninge and hir chere,
Which somdel deynous was, for she leet falle  
Hir look a lite a-side, in swich manere,
Ascaunces, 'What! May I not stonden here?'
And after that hir loking gan she lighte,
That never thoughte him seen so good a sighte.

And of hir look in him ther gan to quiken  
So greet desir, and swich affeccioun,
That in his herte botme gan to stiken
Of hir his fixe and depe impressioun:
And though he erst hadde poured up and doun,
He was tho glad his hornes in to shrinke;  
Unnethes wiste he how to loke or winke.

Lo, he that leet him-selven so konninge,
And scorned hem that loves peynes dryen,
Was ful unwar that love hadde his dwellinge
With-inne the subtile stremes of hir yen;  
That sodeynly him thoughte he felte dyen,
Right with hir look, the spirit in his herte;
Blissed be love, that thus can folk converte!

She, this in blak, likinge to Troylus,
Over alle thyng, he stood for to biholde;  
Ne his desir, ne wherfor he stood thus,
He neither chere made, ne worde tolde;
But from a-fer, his maner for to holde,
On other thing his look som-tyme he caste,
And eft on hir, whyl that servyse laste.  

And after this, not fulliche al awhaped,
Out of the temple al esiliche he wente,
Repentinge him that he hadde ever y-iaped
Of loves folk, lest fully the descente
Of scorn fille on him-self; but, what he mente,  
Lest it were wist on any maner syde,
His wo he gan dissimulen and hyde.

Whan he was fro the temple thus departed,
He streyght anoon un-to his paleys torneth,
Right with hir look thurgh-shoten and thurgh-darted,  
Al feyneth he in lust that he soiorneth;
And al his chere and speche also he borneth;
And ay, of loves servants every whyle,
Him-self to wrye, at hem he gan to smyle.

And seyde, 'Lord, so ye live al in lest,  
Ye loveres! For the conningest of yow,
That serveth most ententiflich and best,
Him *** as often harm ther-of as prow;
Your hyre is quit ayein, ye, god wot how!
Nought wel for wel, but scorn for good servyse;  
In feith, your ordre is ruled in good wyse!

'In noun-certeyn ben alle your observaunces,
But it a sely fewe poyntes be;
Ne no-thing asketh so grete attendaunces
As doth youre lay, and that knowe alle ye;  
But that is not the worste, as mote I thee;
But, tolde I yow the worste poynt, I leve,
Al seyde I sooth, ye wolden at me greve!

'But tak this, that ye loveres ofte eschuwe,
Or elles doon of good entencioun,  
Ful ofte thy lady wole it misconstrue,
And deme it harm in hir opinioun;
And yet if she, for other enchesoun,
Be wrooth, than shalt thou han a groyn anoon:
Lord! wel is him that may be of yow oon!'  

But for al this, whan that he say his tyme,
He held his pees, non other bote him gayned;
For love bigan his fetheres so to lyme,
That wel unnethe un-to his folk he fayned
That othere besye nedes him destrayned;  
For wo was him, that what to doon he niste,
But bad his folk to goon wher that hem liste.

And whan that he in chaumbre was allone,
He doun up-on his beddes feet him sette,
And first be gan to syke, and eft to grone,  
And thoughte ay on hir so, with-outen lette,
That, as he sat and wook, his spirit mette
That he hir saw a temple, and al the wyse
Right of hir loke, and gan it newe avyse.

Thus gan he make a mirour of his minde,  
In which he saugh al hoolly hir figure;
And that he wel coude in his herte finde,
It was to him a right good aventure
To love swich oon, and if he dide his cure
To serven hir, yet mighte he falle in grace,  
Or elles, for oon of hir servaunts pace.

Imagininge that travaille nor grame
Ne mighte, for so goodly oon, be lorn
As she, ne him for his desir ne shame,
Al were it wist, but in prys and up-born  
Of alle lovers wel more than biforn;
Thus argumented he in his ginninge,
Ful unavysed of his wo cominge.

Thus took he purpos loves craft to suwe,
And thou
Call me Ishmael. Some years ago - never mind how long precisely - having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world...  Moby ****, Herman Melville


Call me
Ishmael.

I hail
from
the clan
of Adam.

I am the
beloved
child
of Hagar;
unbowed son
of an upright
Ibrahim.

I am
the older
half brother
of Musa,
cousin to
Isa and
father to
Muhammad.

I work
in a bakery
that
overlooks
the roiling
waters of
the Nile.

It’s
owned
by an
Egyptian
General,
managed
by a
platoon
of his
hand picked
lieutenants.

I fire the
ovens,
roll the
dough
and pack
the loaves.

We bake
all day
but it seems
we cannot
quench
the hunger
that grips
our people.

My
brother
Musa
says
I bake
the bread
of tyrants
and serve it
to a people
starving for
freedom.

Musa
likes to say
if we wish
to feast at
the banquet
of liberty
we must
refuse
to eat
the bread
of fear.

In winter
our hunger
blends with
the misery
of living
in frigid
apartments.

My
dilapidated flat
in Darb Al-Ahmar
is one of a
thousand owned
by Cairo’s
most notorious
police chief.

The roofs leak,
the plumbing
is broken,
no heat in winter,
in summer
it’s a sweltering
furnace.

My home
is the
handiwork of a
cold blooded
landlord’s
indifference
to the freezing
rooms they
force us
to live in.

In their eyes,
our sole purpose
in life is to feather
their nest.

They demand
that the rent be paid
on the first of every month
and will make our life miserable
if we’re one day late
or a half a pound short.

Do they
actually
think
that we
live
only
to assure
the
warmth
and comfort
for them
and their
children?

In winter
they freeze
us into
inaction;
while
during the
summer,
swirling
ceiling fans
fail to relieve the
oppressive heat
of fire they
breathe down
our necks.

The batons
of the police
freely swing to
crack a head if
we fail to bow to
their authority
or grease
the extortionists
palms with
tributes to their
*******.

They never
shake down
their friends
that drive
the fancy
silver
Mercedes.

The big guys
roll wherever
they want.  

They
roll over
anything
they
choose.

They take
up parking
spaces in our lives;
leaving less room
for us to park
our tiny scooters.

I’m certain
the name
on their
drivers license
says privilege
and impunity.

Yet
somehow
we
always
get stuck
picking up
the tab
for
their
tolls.

Some slavishly
put coins
in parking meters
for them and get
compensated for it
by being offered
the opportunity
to wash their cars.

I’m glad
that I get
to bake
bread.

I was talking
to my friend
Isa at the
coffee shop,
he said,
“We needn't
live in a constant
state of
want and fear.”

A young man
sitting at
the next table
was a zealous
believer from
The Muslim
Brotherhood.

His name is
Muhammad,
he hands me
The Holy Quran.

My dear
Muslim
brother
exhorts
me to
submit.

He says that is
the way to a
fearless life;
free of any
need,
save
Allah’s
salvation.

My  
Muslim
brother
is firm
in his
belief
that
all
the answers
to
all
my problems
and
all
the answers
to
all
Egypt's problems
were
breathed on to
the pages of
The Holy Quran
with
The Prophet Muhammad’s
-(may peace be upon him)-
own breath;
his tongue
inscribing
the holy pages
in Arabic
squeezed
out by the
loving
embrace
of the
Angel
Gabriel.

Mubarak also boasts that
he too has all the answers to
alleviate the ills that plague us.

He’s
been ruling us
for forty years;
while the
Holy Quran
has been
with us
forever.

Our  
impatience
grows
as we yearn
for these promises
to be filled.

Mubarak swears  
he knows what is best
for the children
of Egypt.

Mubarak insists
that the way to
freedom from
want and fear
is submission to
his perpetual rule.

I get uneasy when
someone suggests
an infallibility.

I accept the
supreme dominion
and divine knowledge
of the Quran and Hadiths
but I’m not too sure
that the Imams,
politicians and
generals who
swore by its
truth really
understand
it themselves.

I am left
to question
if any of them
even see me?  

I am more of a
person then a
Muslim;
and
sometimes
I wonder
if even
Allah
has forgotten
the peril of
Ibrahim’s
children.

I wonder have
I disappeared
from Allah’s
unblinking eye
as well?

Sometimes
I look into
the mirror
to see if
I am real.

I am relieved
to see my image.

I have not
become invisible
to myself.

I am
emboldened
to know
that I am a
real person
of flesh and bones
with a mind
full of conviction
refreshed
with the blood
of a warm beating
heart.

I remind myself
I am a man,
not a faceless
subject
to be ruled.

I am an individual
not just another
submissive being
under the control
of a pious Imam.

I am Ishmael.

I recognize the fire of
life in my own eyes.

I can see the scars
of my decisions,
that my life has
etched upon my face.

I am not invisible.

I am not a casualty
of the twists of history
or the events of fate.

I take
responsibility
for me.

I am not a fish
swimming within
a giant school
trapped in an
ocean current
propelled
to a
predetermined
destination
of a well
laid net.

I am a man.

Let it be known
that I claim
responsibility
for my manhood
and I will
command
respect from
those who now
lord over me.

Like my father
Ibrahim, they
will recognize
me as an
unbowed
upright man.

They will
call me
Ishmael.

As I stand
I will raise my voice.

I will not remain
voiceless.

I am one voice
of many
who like me
have not
been heard.

We were once
grovelling dogs
that have been
transformed
into free range wolves,
set free from its cage,
we now form in packs
howling for justice.

We
will raise
our voice
in concert
so all
may hear.

We
will
make
them
listen.

They will
know who
I am.

Call me Ishmael.

Music Selection:
Muddy Waters
Mannish Boy

Oakland
2/9/12
jbm
this poem is part of a series on the Arab Spring
judy smith Mar 2017
The streets of Paris were clogged by rallies and demonstrations on the Sunday of fashion week. At the Trocadero, a pro-rally for embattled French conservative presidential candidate Francois Fillon, blocking the route between the Valentino and Akris shows; at Bastille, an anti-Fillon demonstration.

The French elections — and ever-increasing security — were providing a tense backdrop to the autumn-winter collections, much like Donald Trump, Brexit and Matteo Renzi did on the fashion circuit of New York, London and Milan this season. Politics and the changing of the guard, women’s rights and diversity may make fashion seem irrelevant until you add up the value of the industry to the world economy. In Britain it is £28 billion ($45bn) — and that is small fry next to France and Italy.

Perhaps politics and social change have influenced the French designers for there was much less street style this season and a lot more tailored, working clothes on the catwalk. They used mostly masculine fabrics but worked in such a graceful way. You need only look at Haider ­Ackermann, Chanel, Alexander McQueen, Christian Dior, Lanvin, Akris and Ellery to see this — lots of great wearable clothes.

Karl Lagerfeld wanted to fly us to other worlds (to abandon the mess here perhaps) in his Chanel space rocket. There were checks, cream, silvery white and grey tweeds, for suits and shorts and dark side of the moon print dresses that cleverly avoided the 60s’ ­futuristic cliches. Silver moon boots, space blanket stoles and rocket-shaped handbags were as space-age-y as it got. There was quiet, seductive tailoring at Haider Ackermann — tapered silhouettes in black wool and leather softened with a knit or the fluff of Mongolian lamb for a blouson or skirt. At McQueen the asymmetric lines of a black coat or pantsuit were ­inspired by the fluid lines of ­Barbara Hepworth’s sculptures, whereas David Koma reclaimed the soaring shoulderline of Mugler’s 80s silhouette for pantsuits and mini-dresses for the brand.

Christian Dior’s uniform-inspired daywear was produced in tones of navy blue with 50s-style navy belted skirts suits, long pleated skirts and some denim workwear. “I wanted my collection to express a woman’s personality, but with all the protection of a ­uniform,” explained Maria Grazia Chiuri before the show.

There was more suiting at ­Martin Grant with voluminous trousers, cummerbunds and men’s shirting. The cut was more mannish at Ellery and Celine with ­Ellery balancing her masculine oversized jacket looks with feminine bustier tops with giant puff sleeves. The mannish look at ­Celine was styled with sharp ­lapels, slim-cut trousers under crushed textured raincoats, whereas ­double-breasted jackets (a trend) and peacoats over loose-cut trousers appeared at John Galliano.

Checks jazzed up the tailoring at Akris where there were more sophisticated double-breasted jackets and swing coats, and at ­Giambattista Valli from among the flirty embroidered dresses a dogtooth coat emerged with a waspie belt and a suit with a peplum skirt.

Stella McCartney displayed her Savile Row skills in heritage checks for her equestrian-themed show. Of course, she is crazy about riding and her prints featured a famous painting by George Stubbs, Horse Frightened by a Lion. It turns out Stubbs was another Liverpudlian, like her dad Sir Paul.

Of course Hermes’s vocabulary started with the horse and there were leather-trimmed capes and coats that fitted an equestrian, or at least country theme worn with woollen beanies and big sweaters, offering a different way of tailoring, in an easier silhouette with a soft colour palette.

The highlight of the week for Natalie Kingham, buying director at MatchesFashion.com was ­Balenciaga. “Great accessories, great coats and great execution of ideas,” she says of Demna Gvasalia’s off-kilter buttoned coats, stocking boot and finale of nine spectacular Balenciaga couture gowns reinterpreted in a contemporary way. “It was wearable, modern and the must-see show of the week.” It was also, she pointed out “the must-have label off the runway with every other person on the front row decked out in the spring collection”.

Although tailoring worked its subtle charms on the catwalk, there were flashes of brightness, graceful beauty and singularity. Particularly bright were Miu Miu’s psychedelic prints, feathered and jewelled lingerie dresses and colourful fun fur coats with furry baker boy hats. Then there was the singular look evoked by Austrian-born Andreas Kronthaler in his homage to his roots, with alpine flowers, Klimt-style artist smocks and bourgeois chintz florals worked in asymmetric and padded silhouettes for Vivienne Westwood — some of it modelled by the Dame herself.

Pagan beauty, the wilds of Cornwall, ancient traditions such as the mystical “Cloutie” wishing tree led to Sarah Burton’s enchanting Alexander McQueen show, which was another of Kingham’s favourites with its unfinished embroideries inspired by old church kneelers and spiritual motifs. “I loved the artisanal threadwork and the spiritual message that was woven throughout,” she says. The artisanal and spiritual she considers an emerging trend around the shows. “It had a slight winter boho vibe but much more elevated.”

Chitose Abe shared that mood for undone beauty with her Sacai collection of hybrid combinations of tweed and nylon for an anorak, and deconstructed lace for a parka, and puffers with denim re-worked with floral lace for evening.

There was more seductiveness at Valentino and Issey Miyake. The latter’s collection shown in the magnificent interiors of Paris’s Hotel de Ville, shimmered with the colours of the aurora borealis and used extraordinary fabric technology to create rippling movement as the models walked.

Valentino was a high point. On a rainswept Sunday Pierpaolo Piccioli cheered us with high-neck Victoriana silhouettes and long swingy dresses in potentially (but not actually) clashing combinations of pink and red in jazzy patterns of mystical motifs and numerology inspired by the Memphis Group of Pop Art. The sheer loveliness of the collection was enough to drown out the world of politics only a few blocks away.Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/blue-formal-dresses
Brent Kincaid Aug 2015
He always wanted to be a ballerina
To dance so dainty up on his toes.
But everyone could see under his tutu
And the bump they saw was not his nose.
He had the talent and the perfect figure
To perform the balletic steps just right.
There was no way he could ever manage
To keep that ample package out of sight.

Jete, jete. Plie, Plie.
Dance like that’s all you want to do.
Dancing straight, or dancing gay,
Do whatever is right for you.
Hands and toes pointed fine
Back and necks held straight.
Maybe it’s not your time to get picked.
But make it worth their wait.

His skin was smooth just like a swaddling baby
There was no concern about flat *******.
Many ballerinas are rather mannish
With not much curvature to their chests.
So he could pass completely undetected
Androgyny was his great good friend
But any moment when he swirled about
Tutu would lift and then spell the spell would end.

Jete, jete. Plie, Plie.
Dance like that’s all you want to do.
Dancing straight, or dancing gay,
Do whatever is right for you.
Hands and toes pointed fine
Back and necks held straight.
Maybe it’s not your time to get picked.
But make it worth their wait.

He never really loved the danseur posture
The holds and lifts and hearty leaps about.
But in the world of ballet and its leaders
Ballerina guys are always left out.
Still he danced in tutu at auditions.
He heard the comments, paid them no mind.
If they could not see grandly male Pavlova
That meant that all of them were blind.

Jete, jete. Plie, Plie.
Dance like that’s all you want to do.
Dancing straight, or dancing gay,
Do whatever is right for you.
Hands and toes pointed fine
Back and necks held straight.
Maybe it’s not your time to get picked.
But make it worth their wait.
Seán Mac Falls Jun 2013
Hopeful maiden,
Mistress of cotillions,
Depthless, devoid of culture,
Unquestioning, incurious,
Seeks her warrior-beast-of-burden,
A man's man, a sportsman of sorts,
Yet sensitive and without ego,
A staunch provider,
Seeking beauty for its own sake,
A coy, coltish fawn, un-artful,
Un-fawning, who cannot keep a house,
Hold her tongue nor navigate
Social gatherings, one whose passion
Is only on offer, never proffered,
She seeks an old fashioned man
Who appreciates her
Mannish manner and business
Acumen— artists, musicians,
And above all penurious poets
Need not apply, I wish
To learn to cook one fashionable
Day, I am working on
Being famous, it is such
A burden being lovely,
Beautiful.
Are all the good
Men Married?  Gay?
Professional athletes,
A-list actors, incarcerated
Felons wanted, perfect
Listeners needed,
Kryptonians preferred.
Geno Cattouse Dec 2012
All  bull and  brass.
Ready to stomp your *** and
talk to you while doing it.
He would never start one
Kinda slow to anger too.

Thirteen and Yolked like an Ox.
Strong.

They stretched his neck in Texas
when he was twenty.
On a bogus charge.
Unfulfilled potential.

The boy was an A student too.
Please and thank you.
Women loved him. Men wanted to
be him.

Written.
Seán Mac Falls Nov 2012
Hopeful maiden,
Mistress of cotillions,
Depthless, devoid of culture,
Unquestioning, incurious,
Seeks her warrior-beast-of-burden,
A man's man, a sportsman of sorts,
Yet sensitive and without ego,
A staunch provider,
Seeking beauty for its own sake,
A coy, coltish fawn, un-artful,
Un-fawning, who cannot keep a house,
Hold her tongue nor navigate
Social gatherings, one whose passion
Is only on offer, never proffered,
She seeks an old fashioned man
Who appreciates her
Mannish manner and business
Acumen— artists, musicians,
And above all penurious poets
Need not apply, I wish
To learn to cook one fashionable
Day, I am working on
Being famous, it is such
A burden being lovely,
Beautiful.
Are all the good
Men Married?  Gay?
Professional athletes,
A-list actors, incarcerated
Felons wanted, perfect
Listeners needed,
Kryptonians preferred.
Jackson Freeman Oct 2012
I singe with a hertly lud whan ycham herty,
And I arme whan singinge is ne ynewe.
Carole whan my corage blissieth,
And I shal deye whan his blase deyeth.

Druerie shal be his a-brune billets.
A stable blase that shal sustene my spyrakles.
A schrewe destroyere that kesseth so dimliche.
A þeauful kempe with an as-spire swerde.

Gostes of i-þank als ouer my vingeres.
Al-only dulce conceiptes fletene in my gostes.
Sumdel real cannot be als amaddinge.
Sumdel real cannot be te-tealte!

Is the mannish þonc als mase and puissant
Sweuenen of suic a selkout conand?
Dest Moder Folde cune of hire child?
Hire misty doter who berne and bilde?

The hoom is not where the herte is.
The herte is the hoom bote motif
The herte, the hoom, the ende, and the sepulture.
A luft who is the mest derure in the Folde.
I'll post the translation when I can ****** find it on my other computer. Enjoy this piece, though, even if you can't understand it!
ME Jul 2013
The mannish boy I am
the boy you see before you stand
unless you hear the cry
you could'nt understand
you cannot see
for you
do not believe
as I stand right here
right here before you
you refuse to see
depiction
restriction
inside our crucifiction
as our lord let us live
oh' he let us live
but not with him
only within'
if that is what you wish
but is that what you wish ?
his eyes is of sadness
for we, the people
are the murderes of sin
born to good and evil
saints of insanity
devils of reality
so why do we keep
on forgetting
for the rest of our lives

Our words are but codes
to emotions as we feel
can you decipher mine
can you feel what I feel
grasp what you may,
I cannot promise you tomorrow, only today..
and with that - we yearn for a way
an insight to our lives
gained through heartache and pain
so I ask again
do you feel what I feel
my lover, my mother, my lord and my friend
whichever you are
may you enrich
may you seed and sow
with the tears of the rain
from above and down below
for all is known in the shade of light
the shade of light will shine bright
on the promised night
but only for you
and those who hold the truth
insight
Barton D Smock Sep 2016
being alone never hurt anybody.  I ask online about a coat hanger.  in person about a stork.  symbolism is dead.  it’s not that kind of garden.
Seán Mac Falls Apr 2014
Hopeful maiden,
Mistress of cotillions,
Depthless, devoid of culture,
Unquestioning, incurious,
Seeks her warrior-beast-of-burden,
A man's man, a sportsman of sorts,
Yet sensitive and without ego,
A staunch provider,
Seeking beauty for its own sake,
A coy, coltish fawn, un-artful,
Un-fawning, who cannot keep a house,  
Hold her tongue nor navigate
Social gatherings, one whose passion
Is only on offer, never proffered,
She seeks an old fashioned man
Who appreciates her
Mannish manner and business
Acumen— artists, musicians,
And above all penurious poets
Need not apply, I wish
To learn to cook one fashionable
Day, I am working on
Being famous, it is such
A burden being lovely,
Beautiful.
Are all the good
Men Married?  Gay?
Professional athletes,
A-list actors, incarcerated
Felons wanted, perfect
Listeners needed,
Kryptonians preferred.
Seán Mac Falls Dec 2014
Hopeful maiden,
Mistress of cotillions,
Depthless, devoid of culture,
Unquestioning, incurious,
Seeks her warrior-beast-of-burden,                                         ­                   
A man's man, a sportsman of sorts,
Yet sensitive and without ego,
A staunch provider,
Seeking beauty for its own sake,
A coy, coltish fawn, un-artful,
Un-fawning, who cannot keep a house,  
Hold her tongue nor navigate
Social gatherings, one whose passion
Is only on offer, never proffered,
She seeks an old fashioned man
Who appreciates her
Mannish manner and business
Acumen— artists, musicians,
And above all penurious poets
Need not apply, I wish
To learn to cook one fashionable
Day, I am working on
Being famous, it is such
A burden being lovely,
Beautiful.
Are all the good
Men Married?  Gay?
Professional athletes,
A-list actors, incarcerated
Felons wanted, perfect
Listeners needed,
Kryptonians preferred.
~SPANISH HUGGZ
Years of denial and anguish
Have succumbed my emotions
Nights full of loneliness
Days in total darkness
Tear drops fallen
Unspeakable pain
Heart wrenching thoughts
When will it End

The lies I still heart
The pain I still feel
The blood I still taste
The bruises I still see
Oh when will it end

I'm down,
Hit rock bottom
Stepped on like dirt
Thrown aside like garbage

I won't stay down
I refuse
I don't deserve this
I will stand once again
I need to find my inner peace
I need to find my strength

I'm stronger than this
I can rise once again
I can find my light again
No more self hatred
This is the End
I WILL RISE

~REBEL OF EDEN
And my shadow was his blanket
like the silver spoon in his mouth
the reeses he bit like a beast
and the milk was smooth to his lips
he drank of my soul down south
my curtains he swayed openly
where light had shed on his eyes
yet against my will he drank
of my wine he licked, my lips down low as if the candy store were miles away
I pushed and cried and tried to brush his mannish longing off of me
tried closing my curtains for calming thoughts and dulled razor blades
I can't put down the damage denied to have erased
beneath or upon my skin sizzle in teeth marks of the beasts
mirrors, blasted into pieces shared
for every man who stuck me
and every mark of the beasts only turned to memory
that I am allowed now
to forget and never repeat
and in wake, the curtains lay open for a new day
and this time, the curtains are the ones on my window, and not mines
.. I WILL RISE.

~JENNIE SULRZYCKI (Poetess Starr)
The dark grey skies
Consumed me
The tears in my eyes
Confused me.
My legs gave way
Collapsed
There I lay....
But death surely refused me!

On my back I laid
As regret
pricked my spine.
Daydreams
of nightmares
Poisoned my mind....
What have I done
with this life of mine!?

A small frightened girl
Cried out in the dark space,
I don't know her voice
I couldn't see her face...
Anxiety and anguish
Caused my heart to race!

In the shadows of the dark
Her silhouette
Shined bright...
Like thunder,
she spoke with authority...
"FIGHT!!!"

Slowly and wearily
I stood to my feet.
This little girl
This little person
She's the inner me!

No where left
To fall to from here
Nothing left
To fear....
But fear.

Calling upon my God
I remember!
His love is generous
His mercy,
Lasts forever!

The pains of this world,
Were placed here
for me.
To strengthen
my faith.
To set me free!

I will not be oppressed!
I refuse to be depressed!
This stress....
Just a test.
To prepare me
For what's next!
All the anxiety,
Laid to rest...
Finally realized the power
I possessed!
No longer feel cursed,
I know I am blessed!

I am stronger
Than this!
I'm my own person,
Not his!
Tired of receiving
His fist!
Look out baby,
I'm ******!

I opened my eyes,
Cleared the tears
I had cried.
A new chapter
In life.
No longer a victim
to the lies.
I WILL RISE!!!
We were once victems. We are not anymore. We once were affraid, Not anymore. We felt and we're touched by hands that raged us, not anymore. We were scorned for being simply a woman, not anymore.
Graff1980 Oct 2015
She is who she says she is
Perhaps in another time
Her muscles rippled with a mannish gleam
And her labors where of the masculine
Herculean

But now she is feminine
Concealing her strength
Beneath soft garments
Concealing her past
Under a new name

Genevieve
Who was once Gene
Now is free to be
Who she wants to be

The rooster
Becomes a phantom limb
Split and turned in
Sleeping
How freeing
For her outsides
To match how
She feels within

Thick lips strong chin
Broad shoulder
Deep voice
I am fascinated

It never bothered me
In fact I saw it beautifully
Variety in humanity
Why should you be
Bothered
Sam Temple Jan 2015
monkey DNA rules the landside
multitudes of dudes
rally around the ranch hands
planning to take stands
against stands of trees
standing tall
light refracts
bending ever so
giving the low lying foliage
full spectrum—
apelike in their motions
and communicating only in grunts
suspendered stewards stake claims
on the Sycamore
for more money
moreover,
eyes shine on the falling pine –
mannish flexing
droplets of sweat
stack rack of sweet smelling fir slats
binge drinking between filling bins
train cars destined for ports
shipping the soil's children
to the impoverished and underdeveloped –
aged tycoons
rest scabby elbows
on traditional oak armrests
seated near the mahogany footed desk lamp
just to the left of a little cedar box containing cigars –
She who summons those songbirds with ease
- will be - in each life - much too good for me;
- though, - a mean, mannish boy can dream
- bout' those eyes that shimmer an' gleam.
                                Yay!
Tis' early April - an' I've proven myself a fool
- for I'm dreaming bout' that glimmering jewel.
                               Nay!
The things I do dream : they may not ever be
- but I refuse ta' let my blind eyes know they can't see.
                                ---
So -- even still - I continue to dream
- an' stay, so ignorantly, full o' glee.
                                 ---
*I am, but, a fool.
Yay - one who'll
 - stay adoring
 - that glimmering jewel
- o' a human being.
April Second, Two-Thousand an' Seventeen
( Yesterday's Poetry Prompt )
David Ehrgott Jan 2016
I was born in a town
In the U.S. of A.
I grew up in this town
Thought I could stay
  
Well I could, But I can't
Seems the times, they have changed
Can someone direct me
Towards english again
  
On the billboards I read
Everything's in Spanish
Bikini clad ladies
Men looking so mannish
  
I'm not on vacation
in Argentina
Though, some would think that
If they checked out the scenery
  
Excuse me Dear President
I don't mean to pry
But, ten million more what?
Who, when, how and why?
  
This changing of nation
Just has to stop
Can we open are eyes now
or are we on ***?
  
They talk about borders
in California
Then how is this happening
Here in New Jersey
  
I am not a hater
But, what the patader
Is happening here
In the country I love dear
  
I would like to move
Where the words are in English
Translations not needed
Too much of a request?
Samy Ounon Mar 2014
Her whole world was spinning
And her hair was thinning
She creaked like the pliers that she
Would use on her brow
And to wrench up her frown
And the chorus would sing out of key

La la la lai and her waist and her thighs
Soon sighed and relaxed their firm hold
La la la hey and she steamed for she ate
And did everything that she was told

But naught was regarded
As dearly departed, from
A vantage the damage was void
But for that mannish girl
With muddy-water curls
She felt destruction on her was employed

Perhaps it was her,
Why all this occurred
And her head faced her heart in a round
A series of moves
And she's further removed
And the choir shrieks another round

La la la lai and her hands and her eyes
Both twitch and scrape to react
La la la hey and she'd hiss and she'd cry
If that ****** voice inside hadn't cracked
C J Baxter Jul 2015
From a window on the third floor of an old abandoned brick building, I would smoke till my lungs felt near to collapsing. I went on my own, and I told no one of it: not my friends nor my family, nor any passing creature. I would sit there from when the sun first started to die until the cloak of night had fallen and enveloped the city, and the lights ( those maddening lights) would set the black fabric ablaze in the sky. They danced like ash eagerly above a fire, and promised such heat and hope; and my city needed hope, as gas filled girls and powdery boys had lost their way, covered in glitter and thinking they would sparkle forever. I shined less brightly myself, but I knew that would one day be my blessing.

One night, in the middle of Winters grasp, I set off home through my cheap shiny city, and I couldn’t shake the ache in my chest; It could have been the twenty snout I had just rattled into my lungs, but the pain was in my head too: My head and my heart were talking with the solemnity of a wake. I walked till I seen the the old granary that lay helplessly, then half bulldozed into the ground. Such beautiful, strong and defiant brick was to make way for glistening plastic houses that seemed more designed for mannequins and letting agents than human beings of Glasgow.  And the clyde seemed to twist in the turmoil of agony as it too watched the tearing of it’s town.  

So I set off, with my chest growing heavier, and feeling my will collapse until I reached the bank of the river, stripped off and jumped in…We’ve drifted off together ever since.  

Twenty years later, and I live in the penthouse atop the plastic mountain that hangs grotesquely over the sickly clyde. It’s the price I have to pay to be close to my love- I wouldn’t blame you for thinking my love to be the river, for it is in many ways, but I am referring to my fiancé Milly, who’s parents own properties all over the city and were very insistent that we live in a good area and a good house, which of course stripped my mannish integrity to zilch.  Milly is warm, understanding and organically beautiful. She puts up with my endless wandering and lack of love for anything new, brushing it aside with a smile, and is always there to carry me.

The day I asked her to Marry me, I took her to the spot we had first met: The banks of the river where I was lurking like a little creep  scrawling angst-filled and childish poetry, and she was walking home from a night of glitter and ecstasy.  We chatted for ours that night, and she dared me to jump into the river. I did and she followed. And the day I asked her to marry me she cried yes and then took the ring from my hands and threw it into the river.

And we've drifted ever since.
Romantic Surrealism
brandon nagley May 2015
Where is thine innocence of youth?
Wherein snap lover's booth's are make out sessions to an hour or more!!!

A child to mannish slavery,
A relapse to ****** engravery,
So tight-nit away at home!!!

Hidden from all advantages,
A-new for the next time to partaker of the token line!!!

So much low incomed time management!!!

Thyself let's  other's to leave thou alone,
Doth thou calleth that abandonment?

Induce thy herd of jackal's,
Around the pit they crackle like the insect's they really are,
Some try to get close, whilst the team thou pushed for skeletons of painful memories,
Thy tendencies overlead thy time written words!!!

Skeptic lover thou,

Chooseth a brother,
For even he can't crawl past thy skin!!!

Quaver for appetetic destruction,
Wherein a sensual luncheon's bound to take place!!!

Smile queen,
For its all a dream,
In the northern part of the state!!!!
jeffrey conyers Sep 2016
Free men beg.
Incarcerated men begs more.
Especially when they need the service of their woman.

Money on the books.
For her to accept his calls.
If he was a dog he be sitting with his paws out.

But as soon as he free.
Back to a mannish dog he's would be.
Except not begging until he hear that door go cling.

Free men beg for pleasure.
To them , a woman is a worthy treasure.
Then some free men needs too.
Especially those getting caught trying to use.
Sometimes I'm the flood light drawing flies
Sometimes I'm the shadow fending off the night
Polished , debonair and inquiring
Repugnant , standoffish and dying
Counting the stars on a flag
The panels on a wood floor
One day a publican
One day a mannish *****
I feel like one day the gun will be loaded-
when I decide to test immortality
I long to leave this pile of corrupted flesh
Follow the sun west then disappearing over someone's
picturesque horizon* ..
Copyright March 1 , 2017 by Randolph L Wilson * All Rights Reserved
Disarme May 2010
Left my mannish reaction
at the morning bed.
Started to whistling an old tune,
I reached deep down my empty pocket...
the last cigarette.
Had to use it wisely.

So I light it while
I whistled his smoke to the lonely air
of my lonely room.

Still  remember the shapes of his
by my tune.
Rap maniac, brainac, see the stats that,
Love to break out the cats,
Along with the dogs that, get the bag never been a drag, see shots from old hags,
Yo this is new school, mixed with a little old school, peep the visual,
Only do numbers with residuals, smooth criminal, like mj on a take away,
Got my tongue out, when I see young chick looking stout,
My speakers stay maxed out, aired out, only the real feel me out,
I been this way, since I took Aerosmith pathways, running things always,
Don't do strays, still toast champagne with loaded AKs,
Welcome to doomsday protege, either way you can't avoid the madness display,
I'm nas I'm biggie I'm pac I'm jay z, nah my skills ain't for the lazy,
Play at the clubs, low down see how many hoes come around,
When you making money by the pounds,
Or better yet tons, see these ones,
Millions you never touched,
I keep it cold crushed, leave it on the hush, never let my seed bust,
In a ***** I don't trust, only invest in self, eat good and workout for my health,
Stay in stealth, most of the time I'm either writing, bars or peeping the skylines,
With the mental graffiti, still scoping the beautiful sceneries, young Nefertiti's,
Got me feeling greedy, and ***** change the whole worlds anatomy,
Can't shatter me, I'm antimatter sitting fatter, once the spirits flatter,
Themselves around me, upped my levels from the third, to the ninth dynasty,
Chilling with powers of mxyplix, hope you feeling it, I've been living it,
Bars is spilling ****, all over the floor I polish more and more, too *******,
Radio edits, real brothers with street credit, I is Is and Is is I,
Right across ya third eye, I frail born in the muddy waters, of the holy grail,
Mannish boy with no joy, I took chips but avoid the ahoys,
Yeyo suckas love to sell yeyo, but how you would feel, if you sitting in jail,
Time moving like a snail, I gotta get more kale, see how I flip the scales,
Money overflowing, traces of my mind from the **** blowing,
We keep going and going, htown letting you know how we be flowing,
Over the rivers, don't let the creek rise, hang with wise guys, who got mob ties,
By the time they realize, they'll be me, with hockey face mask as a disguise,
End of discussion, que the percussion, once the beats hits, begins a crushing,
Hushing, out all my crictics flapping they mouths, ******* talking about,
Word to the souf, you know why they call it *****, murders spreads so easily,
Ain't nothing to brag about, I'm just giving up the real, only appeal to the real,
We don't do cops, cuz pigs love to squeal, after tickets of a meal,
I lay it cool, since I was in grade school, I knew I couldnt be a mule,
Though a ******* in class, amongst the mass, still had a complicated task,
How can I unmask, the world's mask unchained melody, of misery,
Do they see what I see, focus on my spiritual lens, **** a 500 series Benz,
I'm in the studio, like Michael and Prince, petty beef with mutual respecto,
See the manifesto, no communist points I'm just here to annoint
Joshua Feb 2020
For she was black
Yet she never lacked
A special treatment she received
And never deceived
She wanted it all
When already she has the mall
And felt cheated
Even when it was never created
She was pained
And wanted more
Roars like lion began to go viral
And like the barking dog
She won't stop being mannish
Swiftly like the burning flames looking for a place in the sky to shelter
She gathered the superfluous in her load of responsibility
And chained herself to it
Forgetting she is tied
She is bargaining for freedom
By not even walking on the bare floor
She is wanting to sky.
                                      - Oyeniyi Joshua
Qualyxian Quest Aug 2020
Now when I was born
At the age of 5
My mother said I was gonna be
The greatest man alive!

                 - Muddy Waters
                   "Mannish Boy"
Qualyxian Quest Aug 2020
All my religious intensity
Might be because I'm lonely

But I would be quite careful
If you use the world only

Curious things have happened
Dublin, Wetheral, Corvallis

President Kennedy was killed
In November down in Dallas

I might be a Mannish Boy
In Chicago I heard the Blues

I now sally forth
But I just barely choose

Poems in my mind
And I can't refuse

Jesus said we gain our life
If we're not afraid to Lose

— The End —