Matsuo Basho Translations



My Personal Favorites

The first soft snow:
leaves of the awed jonquil
bow low
—Matsuo Basho translation by Michael R. Burch

Come, investigate loneliness:
a solitary leaf
clings to the Kiri tree
—Matsuo Basho translation by Michael R. Burch

The cheerful-chirping cricket
contends gray autumn's gay,
contemptuous of frost
—Matsuo Basho translation by Michael R. Burch

Whistle on, twilight whippoorwill,
solemn evangelist
of loneliness
—Matsuo Basho translation by Michael R. Burch

The sea darkening,
the voices of the wild geese:
my mysterious companions!
—Matsuo Basho translation by Michael R. Burch

The first chill rain:
poor monkey, you too could use
a woven cape of straw
—Matsuo Basho translation by Michael R. Burch

This snowy morning:
cries of the crow I despise
(ah, but so beautiful!)
—Matsuo Basho translation by Michael R. Burch

I wish I could wash
this perishing earth
in its shimmering dew
—Matsuo Basho translation by Michael R. Burch

Dabbed with morning dew
and splashed with mud,
the melon looks wonderfully cool.
—Matsuo Basho translation by Michael R. Burch



Basho's Butterflies

The butterfly
perfuming its wings
fans the orchid
—Matsuo Basho translation by Michael R. Burch

Will we remain parted forever?
Here at your grave:
two flowerlike butterflies!
—Matsuo Basho translation by Michael R. Burch

Air ballet:
twin butterflies, twice white,
meet, match & mate.
—Matsuo Basho translation by Michael R. Burch

Ballet in the air! ―
two butterflies, twice white,
meet, mate, unite.
―Matsuo Basho translation by Michael R. Burch

A spring wind
stirs willow leaves
as a butterfly hovers unsteadily.
―Matsuo Basho translation by Michael R. Burch

As autumn deepens,
a butterfly sips
chrysanthemum dew.
—Matsuo Basho translation by Michael R. Burch
aki o hete / cho mo nameru ya / kiku no tsuyu

Come, butterfly,
it's late
and we've a long way to go!
—Matsuo Basho translation by Michael R. Burch

Dusk-gliding swallow,
please spare my small friends
flitting among the flowers!
―Matsuo Basho translation by Michael R. Burch



Basho's Famous Frog Poem

An ancient pond,
the frog leaps:
the silver plop and gurgle of water
—Matsuo Basho translation by Michael R. Burch

An ancient pond sleeps...
untroubled by sound or movement...until...
suddenly a frog leaps!
—Matsuo Basho translation by Michael R. Burch

Explosion!
The frog returns
to its lily pad.
—Michael R. Burch original haiku



Basho's Heron

Lightning
shatters the darkness—
the night heron's shriek
—Matsuo Basho translation by Michael R. Burch

Lightning―
the night heron's shriek
severs the darkness
― Matsuo Basho translation by Michael R. Burch

A flash of lightning―
the night heron's shriek
splits the void
― Matsuo Basho translation by Michael R. Burch



Basho's Flowers

Let us arrange
these lovely flowers in the bowl
since there's no rice
—Matsuo Basho translation by Michael R. Burch

Like a heavy fragrance
snowflakes settle:
lilies on rocks
—Matsuo Basho translation by Michael R. Burch

High-altitude rose petals
falling
falling
falling:
the melody of a waterfall.
―Matsuo Basho translation by Michael R. Burch

Revered figure!
I bow low
to the rabbit-eared Iris.
―Matsuo Basho translation by Michael R. Burch

Cold white azalea—
a lone nun
in her thatched straw hut.
―Matsuo Basho translation by Michael R. Burch

Glimpsed on this high mountain trail,
delighting my heart—
wild violets
―Matsuo Basho translation by Michael R. Burch

Disdaining grass,
the firefly nibbles nettles—
this is who I am.
—Takarai Kikaku translation by Michael R. Burch

A simple man,
content to breakfast with the morning glories—
this is who I am.
―Matsuo Basho translation by Michael R. Burch
This is Basho's response to the Takarai Kikaku haiku above
asagao ni / ware wa meshi kû / otoko kana

Ah me,
I waste my meager breakfast
morning glory gazing!
―Matsuo Basho translation by Michael R. Burch

Morning glories blossom,
reinforcing the old fence gate.
―Matsuo Basho translation by Michael R. Burch

The morning glories, alas,
also turned out
not to embrace me
―Matsuo Basho translation by Michael R. Burch

Morning glories bloom,
mending chinks
in the old fence
―Matsuo Basho translation by Michael R. Burch

Morning glories,
however poorly painted,
still engage us
—Matsuo Basho translation by Michael R. Burch
asagao wa / heta no kaku sae / aware nari

I too
have been accused
of morning glory gazing...
—original haiku by by Michael R. Burch

Curious flower,
watching us approach:
meet Death, our famished donkey.
—Matsuo Basho translation by Michael R. Burch



Basho's Poems about Spring, Summer, Autumn and Winter

Spring has come:
the nameless hill
lies shrouded in mist
—Matsuo Basho translation by Michael R. Burch

Spring!
A nameless hill
stands shrouded in mist.
—Matsuo Basho translation by Michael R. Burch

The legs of the cranes
have been shortened
by the summer rains.
—Matsuo Basho translation by Michael R. Burch

These brown summer grasses?
The only remains
of "invincible" warriors...
—Matsuo Basho translation by Michael R. Burch

An empty road
lonelier than abandonment:
this autumn evening
—Matsuo Basho translation by Michael R. Burch

Autumn darkness
descends
on this road I travel alone
—Matsuo Basho translation by Michael R. Burch

Taming the rage
of an unrelenting sun—
autumn breeze.
—Matsuo Basho translation by Michael R. Burch
aka aka to / hi wa tsurenaku mo / aki no kaze

The sun sets,
relentlessly red,
yet autumn's in the wind.
—Matsuo Basho translation by Michael R. Burch
aka aka to / hi wa tsurenaku mo / aki no kaze

As autumn draws near,
so too our hearts
in this small tea room.
—Matsuo Basho translation by Michael R. Burch
aki chikaki / kokoro no yoru ya / yo jo han

Late autumn:
my neighbor,
how does he continue?
—Matsuo Basho translation by Michael R. Burch

Winter in the air:
my neighbor,
how does he fare?
― Matsuo Basho translation by Michael R. Burch

Winter solitude:
a world awash in white,
the sound of the wind
—Matsuo Basho translation by Michael R. Burch

The year's first day...
thoughts come, and with them, loneliness;
dusk approaches.
—Matsuo Basho translation by Michael R. Burch



Basho's Temple Poems

Graven images of long-departed gods,
dry spiritless leaves:
companions of the temple porch
—Matsuo Basho translation by Michael R. Burch

The temple bells grow silent
but the blossoms provide their incense―
A perfect evening!
—Matsuo Basho translation by Michael R. Burch

See: whose surviving sons
visit the ancestral graves
white-bearded, with trembling canes?
—Matsuo Basho translation by Michael R. Burch

Like a glorious shrine—
on these green, budding leaves,
the sun's intense radiance.
—Matsuo Basho translation by Michael R. Burch
ara toto / aoba wakaba no / hi no hikar



Basho's Birds

A raven settles
on a leafless branch:
autumn nightfall
―Matsuo Basho translation by Michael R. Burch

A crow has settled
on a naked branch—
autumn nightfall
—Matsuo Basho translation by Michael R. Burch

A solitary crow
clings to a leafless branch:
autumn twilight
―Matsuo Basho translation by Michael R. Burch

A solitary crow
clings to a leafless branch:
phantom autumn
―Matsuo Basho translation by Michael R. Burch

A crow roosts
on a leafless branch:
autumn nightmare
―Matsuo Basho translation by Michael R. Burch

NOTE: There has been a debate about the meaning of aki-no kure, which may mean one of the following: autumn evening, autumn dusk, the end of autumn. Or it seems possible that Basho may have intentionally invoked the ideas of both the end of an autumn day and the end of the season as well. In my translations I have tried to create an image of solitary crow clinging to a branch that seems like a harbinger of approaching winter and death. In the first translation I went with the least light possible: autumn twilight. In the second translation, I attempted something more ghostly. Phrases I considered include: spectral autumn, skeletal autumn, autumnal skeleton, phantom autumn, autumn nocturne, autumn nightfall, autumn nightmare, dismal autumn. In the third and fourth translations I focused on the color of the bird and its resemblance to night falling. While literalists will no doubt object, my goal is to create an image and a feeling that convey in English what I take Basho to have been trying to convey in Japanese. Readers will have to decide whether they prefer my translations to the many others that exist, but mine are trying to convey the eeriness of the scene in English.

Except for a woodpecker
tapping at a post,
the house is silent.
—Matsuo Basho translation by Michael R. Burch

Swallow flitting in the dusk,
please spare my small friends
buzzing among the flowers!
―Matsuo Basho translation by Michael R. Burch




Basho's Insects

A bee emerging
from deep within the peony's hairy recesses
flies off heavily, sated
—Matsuo Basho translation by Michael R. Burch

That dying cricket,
how he goes on about his life!
—Matsuo Basho translation by Michael R. Burch

The cicada's cry
contains no hint
of how soon it must die.
—Matsuo Basho translation by Michael R. Burch

Nothing in the cicada's cry
hints that it knows
how soon it must die.
—Basho translation by Michael R. Burch

The cicada's cry
contains no hint
of how soon it must die.
―Matsuo Basho translation by Michael R. Burch




Basho's Moon and Stars

Pausing between clouds
the moon rests
in the eyes of its beholders
—Matsuo Basho translation by Michael R. Burch

The moon: glorious its illumination!
Therefore, we give thanks.
Dark clouds cast their shadows on our necks.
―Matsuo Basho translation by Michael R. Burch

The surging sea crests around Sado...
and above her?
An ocean of stars.
—Matsuo Basho translation by Michael R. Burch
ara umi ya / Sado ni yokotau / Ama-no-gawa



Basho's Companions

Fire levitating ashes:
my companion's shadow
animates the wall...
—Matsuo Basho translation by Michael R. Burch

Among the graffiti
one illuminated name:
Yours.
—Matsuo Basho translation by Michael R. Burch

Scrawny tomcat!
Are you starving for fish and mice
or pining away for love?
—Matsuo Basho translation by Michael R. Burch



Basho's End of Life and Death Poems

Nothing happened!
Yesterday simply vanished
like the blowfish soup.
—Matsuo Basho translation by Michael R. Burch
ara nantomo na ya / kino wa sugite / fukuto-jiru

Fever-felled mid-path
my dreams resurrect, to trek
into a hollow land
—Matsuo Basho translation by Michael R. Burch

Sick of its autumn migration
my spirit drifts
over wilted fields...
―Matsuo Basho translation by Michael R. Burch

Sick of this autumn migration
in dreams I drift
over flowerless fields...
―Matsuo Basho translation by Michael R. Burch

NOTE: While literalists will no doubt object to "flowerless" in the translation above ― along with other word choices in my other translations ― this is my preferred version. I think Basho's meaning still comes through. But "wilted" is probably closer to what he meant. If only we could consult him, to ask whether he preferred strictly literal prose translations of his poems, or more poetic interpretations! My guess is that most poets would prefer for their poems to remain poetry in the second language. In my opinion the differences are minor and astute readers will grok both Basho's meaning and his emotion.

Too ill to travel,
now only my autumn dreams
survey these withering fields
― Matsuo Basho translation by Michael R. Burch



New Haiku Translations, Added 10/6/2020

Air ballet:
twin butterflies, twice white,
meet, match & mate
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Denied transformation
into a butterfly,
autumn worsens for the worm
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Dusk-gliding swallow,
please spare my small friends
flitting among the flowers!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Up and at ’em! The sky goes bright!
Let’***** the road again,
Companion Butterfly!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Higher than a skylark,
resting on the breast of heaven:
mountain pass.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Farewell,
my cloud-parting friend!
Wild goose migrating.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

A crow settles
on a leafless branch:
autumn nightfall.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

An exciting struggle
with such a sad ending:
cormorant fishing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Secretly,
by the light of the moon,
a worm bores into a chestnut.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

This strange flower
investigated by butterflies and birds:
the autumn sky
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Where’s the moon tonight?
Like the temple bell:
lost at sea.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Spring departs;
birds wail;
the pale eyes of fish moisten.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The moon still appears,
though far from home:
summer vagrant.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Cooling the pitiless sun’s
bright red flames:
autumn wind.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Saying farewell to others
while being told farewell:
departing autumn.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  
Traveling this road alone:
autumn evening.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Thin from its journey
and not yet recovered:
late harvest moon.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Occasional clouds
bless tired eyes with rest
from moon-viewing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The farmboy
rests from husking rice
to reach for the moon.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The moon aside,
no one here
has such a lovely face.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The moon having set,
all that remains
are the four corners of his desk.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The moon so bright
a wandering monk carries it
lightly on his shoulder.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The Festival of Souls
is obscured
by smoke from the crematory.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The Festival of Souls!
Smoke from the crematory?
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Family reunion:
those with white hair and canes
visiting graves.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

One who is no more
left embroidered clothes
for a summer airing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

What am I doing,
writing haiku on the threshold of death?
Hush, a bird’s song!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Fallen ill on a final tour,
in dreams I go roving
earth’s flowerless moor.
—Matsuo Basho, loose translation/interpretation of his jisei (death poem) by Michael R. Burch

Stricken ill on a senseless tour,
still in dreams I go roving
earth’s withered moor.
—Matsuo Basho, loose translation/interpretation of his jisei (death poem) by Michael R. Burch

Stricken ill on a journey,
in dreams I go wandering
withered moors.
—Matsuo Basho, loose translation/interpretation of his jisei (death poem) by Michael R. Burch


New Haiku Translations, Added 10/6/2020

Air ballet:
twin butterflies, twice white,
meet, match & mate
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Denied transformation
into a butterfly,
autumn worsens for the worm
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Dusk-gliding swallow,
please spare my small friends
flitting among the flowers!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Up and at ’em! The sky goes bright!
Let’***** the road again,
Companion Butterfly!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Higher than a skylark,
resting on the breast of heaven:
mountain pass.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Farewell,
my cloud-parting friend!
Wild goose migrating.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

A crow settles
on a leafless branch:
autumn nightfall.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

An exciting struggle
with such a sad ending:
cormorant fishing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Secretly,
by the light of the moon,
a worm bores into a chestnut.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

This strange flower
investigated by butterflies and birds:
the autumn sky
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Where’s the moon tonight?
Like the temple bell:
lost at sea.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Spring departs;
birds wail;
the pale eyes of fish moisten.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The moon still appears,
though far from home:
summer vagrant.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Cooling the pitiless sun’s
bright red flames:
autumn wind.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Saying farewell to others
while being told farewell:
departing autumn.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  
Traveling this road alone:
autumn evening.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Thin from its journey
and not yet recovered:
late harvest moon.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Occasional clouds
bless tired eyes with rest
from moon-viewing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The farmboy
rests from husking rice
to reach for the moon.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The moon aside,
no one here
has such a lovely face.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The moon having set,
all that remains
are the four corners of his desk.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The moon so bright
a wandering monk carries it
lightly on his shoulder.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The Festival of Souls
is obscured
by smoke from the crematory.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The Festival of Souls!
Smoke from the crematory?
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Family reunion:
those with white hair and canes
visiting graves.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

One who is no more
left embroidered clothes
for a summer airing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

What am I doing,
writing haiku on the threshold of death?
Hush, a bird’s song!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Fallen ill on a final tour,
in dreams I go roving
earth’s flowerless moor.
—Matsuo Basho, loose translation/interpretation of his jisei (death poem) by Michael R. Burch

Striken ill on a senseless tour,
still in dreams I go roving
earth’s withered moor.
—Matsuo Basho, loose translation/interpretation of his jisei (death poem) by Michael R. Burch

Stricken ill on a journey,
in dreams I go wandering
withered moors.
—Matsuo Basho, loose translation/interpretation of his jisei (death poem) by Michael R. Burch

OTHER POETS

Observe:
see how the wild violets bloom
within the forbidden fences!
—Shida Yaba (1663-1740), loose translation/interpretation by Michael R. Burch

When no wind at all
ruffles the Kiri tree
leaves fall of their own free will.
—Nozawa Boncho (1640-1714), loose translation/interpretation by Michael R. Burch



Keywords/Tags: Basho, haiku, translation, Japan, Japanese, Oriental, Orient Occident, nature, season, seasons, waka, tanka, life and death, compassion, empathy, mrbhaiku, mrbbasho

Kami-Kaze dinner test
This is a test of the emergency Kami-Kaze dinner alert
If this were a real emergency,
You would have been instructed where to go
And what to do next;
But as this is just a test,
Please pick up your napkins
And arrange them comfortably on your laps.

Begin the salad or soup course,
Picking up the correct utensils when the main course appears,
Don't forget to sniff for the delicate aromas-
Wait, hold it-hold it-hold it.
Hold on for just a dad-gummed minute there:
No shish-kebobs allowed on the menu!
Kami-Kazes just love shish-kebobs..
(Heads are gonna roll for this one)
This is no longer a test;
Get ready now, everyone

Dive beneath the table now
Fast as you can,
This is no joke, no;
This is real, as real as it gets
Come on-
Push aside the table cloth,
Bend down, bend down quickly
Forehead to knees, and hold your breath,
Just like you were taught years ago in school-
And prepare to kiss the pork ****, goodbye.

Rani jutarnji intervjui
#1 Dok grad spava uz cvrkut ptica koje niko ne osluskuje.

M: Sta za tebe znaci cvrkut ptica?

mh: Za nekog ko zivi citav zivot pored ulice, tacnije u nivou ulice, gde me od trotoara deli nekih 25-35 cm zida, a od vozila  1.5 -2 m, priguseni zvuk vozila koji se postepeno pojacava i postepeno gubi u kracim ili duzim intervalima uz onaj huk u trenutku prolaska kao i govor prolaznika, urezao se u mene i postao deo mog zivota.

Retko uhvatim sebe kako slusam te zvukove sem kada mi se neki bas nametne i to onaj ljudski u duzini jedne recenice koja moze da se izgovori prolaskom pored par metara zida. Iz te jedne recenice koja ima svoj zvuk i tematiku profil prolaznika je vrlo lako zamisliti. Ponekad mi izmame osmeh, a ponekad uznemirenost, pa i strah.

Tematika tih recenica mogla bi se podeliti u zavisnosti od doba dana kada su prolaznici aktivni. Od onih dnevnih tema najglasnije su vaspitno-obrazovne gde se dete uci kako da ne ide ni slucajno pored ivicnjaka, a od onih nocnih, najglasnije su one ljubavne gde tacno znam da u narednih sto metara sledi raskid ili strastven ***.

Ima i onih tema gde ti se smuci i gde sam u fazonu “hajde bre vise” a to su naravno komsijske, koje kad krenu znam da ce trajati bar pola sata ili u kasnim nocnim satima taxi teme, ko koga ceka i ko gde ide.

Ponekad znam da provirim kroz roletne i zateknem vrlo kreativne scene, recimo kreativno iscrtavanje kruga sto mi zene ne bismo mogle.

Vikend je predvidjen za vristanje zena koje pokusavaju da prekinu tucu pijanih iz kafica gde kako se otvaraju vrata treste narodnjaci, a ima i onih koje vole da bacaju veliko kamenje na takve kafice i onda brzim trcecim koracima prodju pored mog prozora.

mh: uh, sto meni ne idu ove duge forme

M: pa zasto ih onda koristis?

mh: Ma ne znam, dosadno mi, a i znam nekog ko voli glupe textove.

mh: Dakle, gde sam ono bese stala. A da, zasto volim cvrkut ptica.

Pa, tokom studija najvise mi je prijalo da u nocnim satima, kad se sve primiri, kad svi polegaju i saobracaj se razredi i kad se moje telo zagreje, da krenem sa radom na studentskim zadacima. Iz dana u dan ritam bi se menjao i ja bih sve kasnije i kasnije odlazila u krevet i tako sve dok nije pocelo da svice.

U tom pomeranju pocela sam da uocavam kad se sta desava na ulici i polako prestajala da gledam na sat. Djubretari bi bucno prosli u 4am a negde izmedju 4:30 - 4:45 bi nastao muk, noc bi pocela da prelazi u dan i tada bi krenulo oglasavanje ptica.

I dan danas ne znam koja ptica je u pitanju jer sa prozora se nije dalo videti ali nije, vrabac, nije golub, nije lasta, ne kresti ko vrana, svraka, nije gugutka sa svojim”dugo spiš”, ne znam, ali znam da je pesma lepa i da dolazi od nekog ko zeli da privuce paznju na sebe. I taj osecaj da priroda opstaje medju ovim betonom mi je bila bas lepa i zanimljiva jer su ptice pronasle rupu u buci i koristile taj momenat da komuniciraju daleko od usiju mnogih.

Te ptice su u stvari bas pametne i prakticne, kad stigne jesen, a one lepo na jug, tamo gde je prijatnije, a ne da se smrzavaju, budu sumorni sve do proleca kao “mi ljudi iz gradova” - Milan Mladenovic

Ptice bi oznacavale tada i pocetak tv emisije nekog kuvara koji bi parlao na spanskom onako kako to samo oni umeju i ja bih sa zamisljenim ukusom polako uranjala u san.

mh: Vreme mi je da uronim u san, zato Laku noc do sledeceg intervjua.

M: Laku noc tebi i svim citaocima

__________
#2 Iskrenost - veoma skup poklon

M: Kako tumacis ove recenice koje smo pronasli na jednom zidu, moglo bi se reci jednu pored druge?
- "Iskrenost je veoma skup poklon, ne ocekuj ga od jeftinih ljudi"
- "Nije vazno da li je skupo, nego da li se isplati"

mh: Nek odgovor ostane za neku drugu priliku.

Prosao je sajam knjiga pa bih volela da podelim sa citaocima jednu pesmu inspirisanu knjigama, zove se "Neizreceno"

NEIZRECENO

Lagano je
prelazila
prstima
preko korica
u ritmu
sto neznost
izaziva

Pogled
mi se usmerio
na pokret
na zelju
stajala je pored
primetila je
izgovorila je

Ja tako
kada mi se
svidjaju
korice

Uzvratih joj
da volim
u muzejima
preko skulptura
da predjem
dodirom
dozivim oblik
osetim teksturu

Znas li ti da je to zabranjeno?
Rece ona
ozbiljno

Tu sam zastala
a u glavi je
odzvanjalo

E jbg
kad volim
ono sto je zabranjeno

E jbg
kad volim
ono sto je zabranjeno

E jbg
vise nije bila tu
vise nije bila pored
ali je i dalje odzvanjalo

mh, Novembar 2016

M: Danas si okrenula novi list?

mh: Today is the day :D

---------------------------------------------------
#3 Koja je tvoja maska?

M: Evo posle relativno duge pauze konacno smo uhvatili mh da nam kaze par reci o tome sta se desava i zasto je nema, da li sprema nesto novo...

mh: Dobro vece svim citaocima i tebi M posebno. Evo samo par reci o tome da se priprema program naucno -obrazovnog karaktera za sledecu 2017 godinu. Bice tu dosta toga sto ce iziskivati da citaoci udju u sebe i potraze neke odgovore.
Jedna od prvih tema bice maske, kako nastaju, njihova uloga i podela.

M: Ja se posebno radujem znajuci da vec dugo radis na tome i verujem da ce sve maske pasti :)

mh: Pa eto nadam se da sam citaocima vec zagolicala mastu i da ce biti tu da isprate program koji sledi.

M: btw. Imali smo jednog citaoca iz unutrasljosti sa komentarom na pesmu "Neizreceno" kaze, u pesmi se navode "korice kao predmet svidjanja" da li to oznacava neku povrsnost ili...?

hm: ne, ne , ne cak naprotiv, sasvim suprotno, oznacava jednu otvorenost da se zaviri i pronadje nesto dublje ispod raznoraznih korica, sem knjige, postoje tu i recimo modni casopisi, ili katalozi o uredjenje enterijera... Tako da mislim da je rec sasvim na svom mestu.

M: Hvala ti mh, ne bi te vise zadrzavali. Vidimo se uskoro :)
mh: vidimo se, pozdrav svim citaocima :)



NASTAVICE SE...

upoznala sam na moru sestru, dalju sestru, cerka od tetkinog brata od ujaka. Starija je godinu dana od tebe ima dva sina i  kad smo se upoznale  nisam ni znala da smo rodjake jer sam ja pogresno shvatila tetku da idemo da posetimo neku njenu drugaricu zapravo od dalje sestre majku. Da se nismo cule nakon sto sam stigla u bg gde je ona spomenula kako joj je drago da je upoznala rodjake ja na bih ni znala, a imam dosta brace i sestara koje ne poznajem i ko zna da li cu ih ikada upoznati.

Inace juce mi pise kako je kisa i jugo, ali je jos uvek toplo i kaze dodji na duze sledeci put. Ja kazem volela bih na regatu sledece godine, kaze ona evo ima sad za koju nedelju, dodji! Kroz misli mi prodje, mozda pobeda ipak moze biti moja :P


mh

oni bonyou
Very Common

tenten ni kaze
yoku naru no darou
hyotto to omou

A breeze after another
Will it get better?
Possibly I think

mh

Kao primer uzmimo zenu koja ima potrebu da zadovolji svoje primarne potrebe, da bude srecna i zadovoljna.
I zamislimo takvu ispunjenu zenu koja se u drustvu deklarise kao "nicija" da je krenula u potragu za osobom koja bi zadovoljila njenu primarnu potrebu.
Prvo pitanje do koga dolazimo jeste, koga ona zapravo trazi?
Logicno bi bilo da ona prvo trazi one slicne sebi "nicije"ali razmotrimo i druge opcije.

Recimo da joj u oci upadne  prvo osoba koja je "necija" i da dodje do zadovoljenje potrebe. Obratimo paznju kako "nicija" zena sad nije vise u prvom planu, nego sta se desava uz prisustvo glasovnih promena gde "ne" prelazi u "sva", da, da, kako osoba "necija" samim cinom prelazi u "svacija". Neko bi rekao "jedna, manje-vise" nije to za " "svacija" za svacija je veci broj kao ono kad se do 5 kaze 3 coveka, 4 coveka, a od 5, 5 ljudi ili 5 svacijih, to je to, to je isto.

Pogledajmo sada opciju 2, zapravo kada dodje do spajanja dve "nicije" osobe, ali pogledajmo iz jednog blizeg, intimnijeg ugla. Da bi zadovoljenje bilo dovedeno do vrhunca, da podsetim opet, da ovde pricamo o srecnoj I zadovoljnoj zeni,  neophodno je da obe nicije osobe, drugu osobu dozive kao svoju teritoriju, kao deo sebe, ne bi li se prepustile I uzele sve ono sto im treba, sve ono sto ih dovodi do vrhunca. Vec vidim da su vam jasne I ovde glasovne promene I da “nicija zena” mora da u ovakvim trenucima postane “necija”

Razmotrimo sad I situaciju 3 da “nicija zena”  trazi zadovoljenje od osobe koje je “svacija” , Na prvu loptu reklo bi se da je ovde u pitanju neko savrsenstvo prisutno, gde “nicija zena” nije ljubomorna sto svaciji imaju I druge, ne zavidi im, nego bezuslovno voli I velika je podrska svima na tom putu slobode pa I samoj sebi.

Ali nemojmo se zavaravati  to je samo za posebne , recimo Isus Hrist, on I ako nije vise ziv I dalje je svaciji, pruza ljubav svima,  a I dovodi mase do vrhunca, ima ono desavanje kad svake godine ulazi svestenik u njegov grob, zatvore ga, pritom on nema  nista cime bi upalio svecu, nego desi se cudo I sveca se sama upali sama I kad svestenik izadje svi navale na njega ne bi li dobili plamen, pitam se sta rade sa svecama kada se plamen ugasi?

Zakljucak iz ovog bi bio da “nicija zena“ moze postojati jedino kao nezadovoljna, nesrecna zena, ona kojoj vise nisu bitne njene potrebe, ona koja ne dopusta sebi da uzme sta joj treba, ona koja odustaje od sebe, ona kojoj je tesko da poveruje da ipak moze biti necija I srecna, i da je to ok,  I da zbog toga ne mora da postane debela i umre pre vremena.

mh 2017

Sve sto pozelis zelim da ti se ostvari, Srecna Nova!!!

mh

U jednom gradu ziveli su muz i zena. Kaze muz zeni: " Idem sutra ujutro poslom do drugog grada, vracam se sledeceg dana"
Sledeceg jutra muz odlazi. Nakon sto je otisao zena prelazi preko mosta na drugu stranu reke i odlazi kod ljubavnika. Nakon provedene noci sa ljubavnikom, zena krece nazad kuci ali na drugoj strani mosta ceka je ubica. Zena sta ce, spusta se do camdzije ali camdzija odbija da je preveze preko reke jer nema dovoljno novca. Zena odlazi do ljubavnika, ljubavnik joj kaze:"Nemam para, za ovo si sama kriva" i izbacuje je napolje. Zena razocarana odlazi na most, prelazi ga i ubica je ubija.

Ko je po tvom misljenju odgovoran za zeninu smrt:

muz
ljubavnik
camdzija
ubica

Poredjaj po redu od najvise do najmanje odgovornog.

mh

i sometimes read the "elitist" poems and poets of
poetry-foundation-dot-org...
and i wonder...
well: there's no real distinction between
the "ancient": pre-technological-mass-reproduction
anticipatory essay of Walter Benjamin
of awe: find the Louvre and the Mona Lisa...
awe... such a tiny painting and...
awesome... entertainment value of what used
to be entertainment value of movies...
i do love the grit of 1970s cinema...
the 1980s futurist macho-"fascism"...
hell... even the 1990s had some great flicks
a great round-off of the medium...

a LAYLA BENITEZ-JAMES
translates a BEATRIZ MIRALLES DE IMPERIAL

such words are: not borrowed
or rather: in ****** it's A in Deutsche its Z...

jestem otwartą raną
języka

mówić tak nie wiele boli

-

ich bin ein offen wunde
von sprache

zu sagen so klein weh tun

-

apparently it never hurt the Chinese drunken
poet-monks to write anecdotal
syllable counted observations
concerning seeing a blue moon
with drunken-blood-shot eyes...

the Japanese or Chinese poets never complained
that they didn't have a novel in them,
quiet the reverse of this scenario...
there's the budding novel yet to be written
by a poet...
   is there?
a true meditation... a few words...
no need for a novel... an eternity of thought
mingling with everyday tasks
and then... hopefully: a spontaneity of
laughter recalling words akin to...

no kanji, no hiragana...
back to square, one: katakana...
katakana Ki - tan - ah...

   フルイケ    ヤ
     カワズ     トビコム
   ミズ    ノ      オト

no oto: the sound...
i'm guessing water is... mizu: return to
kanji: a returning from to:
   水 a word as picture...

but there's no budding novelist in here,
nor is there pain...
frog: カエル (kaeru) is not a picture-word,
it is a word-sound...

              self-explanatory "bias"...

ワタシ (watashi - i am)
      フショー     シタ      (fushoo shita - wounded tongue)
i absolve myself from entertaining
any conspiracies of entertainment
for the mass of later: distinction...

alternative route while cycling:

サイクリング (saikuringu)
    air, open mind...
wind: my soul - a silence
a lost intrusiveness of the helplessness
of others...
            クーキ
                        アイタ (aita) マインド (maindo)
カゼ (kaze, wind):
stone for heart...
               イシ (ishi, stones)
                              ココロ (kokoro, hearts)...
trickle... like sand... from desert
by time: a mountain!

        ヤマ:
                         yama - mountain...
parrot in the snow...
        オーム  (oomu)
                               ノ
                 ユキ (no... yuki)...

oh **** no... i'm not moving to Tokyo...
i don't want to speak fluent Japanese...
i just want to escape what i last saw
in the feminist panel on Vice News...
i'll ensure that Japanese is like me
in that film about the mad genius mathematician
of the film Pi... i'll put a drill to my head
prior to having to somehow:
now insure myself concerning these
blaze... arguments of "reality" of:
Plato the Plumber and the reicarnation
blocked-toilet... sort-of-speak...
i'm ******* off to Japan...
at least thinking about how the "Samurai"
encode their speaking is a relief
when listening to this Iron Maiden
of "heroic" gymnastics of post-feminism...

i feel completely... oblivious to what's happening...
just today i took a very magnificent route....
i challenged myself...
it's not spring yet... it's not summer...
i'm not allowed the later hours of the day
reserved for these seasons...
Cold-harbour dumping ground next to the Thames
was willing me to do a lap...
ah... maybe next time...

the route? from Collier Row through to Hornchurch...
then onto Upminster...
from Upminster toward Aveley...
from Aveley toward Purfleet...
well... seeing the Dartford Bridge Crossing...
no wonder i could get my geography straight...
the Thames never feels south... even though
you're orientating it from the perspective of the north...
up to Rainham...
obviously i had to venture into the little village
of Wennington... the one that was burning
only August of last year...
because... hey... it's not global warming...
a return to the ice age i reckon...
this little Arab interlude and palms will last only
so long...
my god... burned down houses...
get me a ticket to 1990s Sarajevo!
   that's how bad it looked... they're still clearing
up the mess...

from Rainham back toward Hornchurch and via Harold
Wood toward Harold Hill...
i know there's a Paris... i was a teenager in love
with Stendhal and i visited Paris solo...
i know there's a Paris but i'm starting to think:
maybe: MAYBE there is a "Paris"?
just maybe... this is London on the outskirts this isn't
London for television...

コドク (aloneness - kodoku):
        (existence with everyone)
ソンザイ    ト
           ゼンタイ            (sonzai to zentai)

nope... i'm not learning fluent Japanese...
i'm not going to travel to Japan to pay
taxes, to buy ******* sushi
and feel: a part of apart...
however boldly bad: grammatically...
i hear some ******* argument in
the western sphere... i start to scribble
katakana... i look into the scripts from India...
hell... i go as near as Greek allows...
i morph Latin with European additions
of diacritical markers...
i don't want to be constipated by an "argument":
or lineage of: ******* arguments of people
who have... zero... absolutely no...
inclinations how funny it all must be...
for someone misdiagnosed as schizophrenic
circa 2008... looking at the year 2023
almost gleefully... Beelzebub rubbing his *****
hands... the madman turned out to be...
pretty sane... given the current currency of
consensus!

    i have not invested in having children:
care to complain? me neither...
am i earning enough money to complain that my
money is going toward up-keeping
the mistakes of single-mothers? no...
i'm earning enough for a solo escapade...
i don't earn enough to be taxed!
i stopped drinking...
i can start imitating the bear in the realm
of a perpetual winter of contentment...
i can realise an ape imitating a bear:
i can exist-hibernating...
                            if i don't need to go to the cinema:
what's the point? i can...
go and see an art exhibition and wonder...
once at the paintings...
second at the old women trying to push
these young girls into my orbit as if implying:
go talk to him...
  but i'm here to admire the paintings, aren't i?!
am i here for a date?!

plus... i don't need to own a car...
i can cycle to almost anywhere in London of my own
volition and ease of exercise...
i don't need to spend money on *******
that most women would spend money on...
i have a recycling fetish...
i have little ambitions of curios adventures that
don't really require me to stress hard-pressed
constant hard-ons to compete with other men...
if i really feel like it...
i'll declare *** for recreational purposes as:
probably most boring...
given the adventures of cycling and swimming...
but if must-be-must...
hell... the brothel with me and it's all over:
proven point... in an hour's worth...

i am a truly liberated man...
thank you woman, for showing me the path...
your liberation has liberated me beyond
your wildest anticipations!
i am once and for all, truly freed from the precursors
of what freedom might have tasted like...
if not for the social-stigma of the bachelor status...

フリーダム (furiidamu - freedom)
                  ハイカイ (haikai - loitering)
スワル (suwaru, sit) -
                  ハクシュ (hakushu - extol)

O da, bila sam bas debelo dete u jednom periodu detinjstva. Moji bas nisu bili takticni, umesto prvo da me posalju u zagorje a posle na more da se malo istrosim plivanjem, oni bi me prvo vodili na more a onda davali babi.A tamo u zagorju u jednom selu blizu varazdinskih toplica sve domace. Vrhnje sa sirom, mlad kackavalj baba pravila od komsijskog kravljeg mleka koje sam inace pila svakog dana i to tek pomuzenog sa temperaturom krave. Domaca jaja, domaci hleb, slaninice, kobasice, razne pite i slatke i slane pecene u sporetu na drva. Iz baste paradajza, krastavca i paprika. A davali su mi i da popijem po malo vina domaceg koje je babin brat pravio i koje je stajalo u nekoliko bacvi u podrumu kuce, a koje su me cesto slali onako da povucem na crevo pa pretocim u flasu. Verujem da je mami bio sok kada bi me videla nakon mesec dana u promenjenom obliku, zapravo bila je besna na svekrvu poprilicno. Kod kuce bih uglavnom doruckovala ili vecerala sama za stolom, i to je bila prilika za mastu, a mastala sam da imam sestru ili brata. Napravila bih sendvic za sebe a i sendvic za imaginarno drustvo, naravno oba sendvica bi zavrsila u meni. S kim ti sada jedes? Rekli mi a da nisam ni pitala nego doslo samo po sebi na temu BG Kaze: "imamo dve sestre koje stalno dolaze ali ne pricaju".

*mh sep 2017

...posle bolnice i sve mi je nekako cudno kao kad se vratim sa mora. Grad deluje drugacije i nista me ne dotice i ne remeti, u stvari taj cudan osecaj je zbog saznanja da postoji bolje mesto od ovog kao sto je more ali da postoji i gore kao sto je bolnica.

Ja sam ok ali sam se juce kada sam napustala sobu osecala neprijatno jer jesam ok, a svi oko mene u toj sobi nisu i pitanje je kada i da li ce se ikada vratiti u normalu nakon mozdanog udara.

Mlada zena, 30 god tek se porodila i za pet dana nakon porodjaja dozivi mozdani, cela leva strana paralizovana, srecom prica povezano i kaze da su joj na porodjaju vrsili jak pritisak na stomak i da je to mozda uzrok. Sutra ce nakon 3 nedelje da je nekako spuste do ulaza da vidi svoju bebu, a i sina od 2 godine.

Baba Italija, kako su je medicinske sestre prozvale inace italijanka iz Djenove dosla je u posetu kod sina i dozivela mozdani. Uporno je pokusavala praveci iste pokrete da se odveze od kreveta za koji je i nogama i rukama bila vezana zavojima, da prica na italijanskom sestrama koje je nista ne razumeju ali joj uz smeh odgovore na srpskom kada ih oslovi sa signora, vikala bi ocajna aiutami, aiutami! i ponavljala mio figlio,mio figlio Giorgione. Sin vrlo pazljiv stajao bi nad njom i drzao je za ruku sve vreme tokom poseta. Imao je muku da se sporazume sa setrama koje ne govore engleski. Bio je vrlo zahvalan sto mogu da pomognem u prevodu i da mami dam vode kada bi trazila acqua, acqua, per favore, acqua. On se nije zvao Giorgione to je bilo ime drugog sina. Bilo je neverovatno gledati kako sama izvlaci kateter za hranu iz nosa nakon sto je sestra zaboravila da veze jednu ruku, a i onaj za urin, u krevetu je bio haos. Onim manje tolerantnim sestrama to se nije svidelo i na povrsinu je isplivavala njihova grubost. Sin je bio prezadovoljan kada su dosli da je vode za Trst.


Opstinska radnica...

Mislim da ne mogu da nastavim, jednostavno neke stvari traze da budu potisnute, zaboravljene, one imaju uticaj samo kao dozivljene a ne kao procitane.


(nastaviti se nece)
mh

Neka pticica ko polarna medvedica pod pahuljama stoji i setace broji...

...pet miliona manje devetnaest hiljada sedamsto cetrdesed jedan setaca, jednako, cetiri miliona devetsto osamdeset hiljada dvesta pedeset devet , pet miliona manje devetnaest hiljada sedamsto cetrdesed dva, jednako, cetiri miliona devetsto osamdeset hiljada dvesta pedeset osam, pet miliona manje devetnaest hiljada sedamsto cetrdesed tri setaca, jednako, cetiri miliona devetsto osamdeset hiljada dvesta pedeset sedam setaca, evo jedne koja mi je poznata, znaci, pet miliona manje devetnaest hiljada sedamsto cetrdesed cetirisetaca, jednako, cetiri miliona devetsto osamdeset hiljada dvesta pedeset sest ...

U cilju tacnog prebrojavanja nisam htela da isto pokvarim prilaskom, al se nadam da sledece subote nakon novog brojanja u polutami ce mi sapnuti koliko nas ima.

Mada, mozda je i pristup brojanju bio u fazonu, voli me-ne voli me.
...devetnaest hiljada sedamsto cetrdesed prvi, on me ne voli, ako oduzmem od pet miliona ostaje mi onih cetiri miliona devetsto osamdeset hiljada dvesta pedeset devet, devetnaest hiljada sedamsto cetrdesed drugi, ni ovaj me ne voli, ako oduzmem od pet miliona ostaje mi onih cetiri miliona devetsto osamdeset hiljada dvesta pedeset osam, jel dobro vidim, evo jedne, kaze da me voli, znaci, devetnaest hiljada sedamsto cetrdesed treci, ako oduzmem od pet miliona ostaje mi onih cetiri miliona devetsto osamdeset hiljada dvesta pedeset osam koji me ne vole i jedna koja me voli, devetnaest hiljada sedamsto cetrdesed cetvrti, ne voli me....

Ako je ovaj metod izabran onda se nadam da ce doci da proveri tu ljubav i da mi sapne u polutami koliko ih ima.

hm :)

... I ego kaze ma ne moras opet i Ja nastavi nezadovljno jer Ja nije bilo Ja.
mh

I used to be a Democrat
   until they put Joker Joe
     Genocide in the pack.

  But now I’m a republican,
like all my family before me.

  Kamala Kaze is holding a
           blue of spades

      Donny T has got the
           Ace of Trumps.

Kaze visoka: "Jedna je sladza od druge"

mh

Zelensky’s been given a
Doctors bag, with eye
drops, a stethoscope,
and a packet of Aspro’s.

His 1st Lady was asked
if and when she was
returning Sean Penn’s
    vibrating Oscar.

Kamala Kaze Camelot
Chameleon Harris was
curious to know why
she christened it Putin?

Death penalties
Guantanamo
Speech control
Empire State
Genocide Joe
Statue of Liberty
Land of the free
Home if the slave
Black wives matter
Vote Kamala Kaze
Debt to America.