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mikarae Nov 2018
sienna cities
sparkling saturn sunrises
sangria skyscrapers
sublime.

you are kaleidoscoped
through and through
with window blinds, bed sheets,
and street signs.

they call you modern art
and hang you on a wall
of white
and beige.

your color bleeds.

you boil
and no *** can hold you.

you speak and
wind chimes cry,
ringing into the empty night,
morose.

a ballerina can only hope
to move as gracefully
as you do.

your eyes light up
like tuscan sun cities
sizzling sirius sunsets
school bus skyscrapers
divine.

i’m hooked on your city glow
brighter than tokyo.
and i get the penthouse view
Emma Johnson Jan 2013
The moths think they are butterflies. They have never seen themselves in a mirror; they fly around the room, their wings whispering “I am beautiful, look, look, I am gorgeous.”
I can feel the moths brush on my skin, I sense the slight dust left on me when they depart. I don’t mind. They don’t know. They land on my hands, holding them, they make themselves into necklaces for me, flitting about in a circle around my neck, they sit on my shoulders and tell me stories of beautiful things.
I wish I could see the beautiful things the moths see. Through kaleidoscoped eyes everything is a magnificent painting: colors dancing, real-life objects turned into waving patterns of fractals. Nothing is real to the moths. They don’t see things as concrete, there is nothing to be taken seriously as to them life is nothing but a game.
The moths are real. They understand more about the human’s world than we do ourselves. I think the moths like me, they seem to never stop grazing my goose-bump ridden skin. I feel like I am a lightbulb in a dark room to them. I can feel so much energy pulsating through me, I must be exhaling florescent lights in place of the words that I feel I should be speaking out loud. Any words at all, the flow of captivating conversation will never be less than blissful.
But the moths can’t speak to me. They can’t hear my voice. They don’t need to, they understand.
These petite, grey-shaded, winged insects understand more than most walking, talking human beings. I can feel my connection to them like a static in the air, raising the fine hairs on the back of my neck. They travel to the brightest of places, and mentally, I am flying with them. We bond, through pure understanding of the other, coexisting blissfully knowing we are in the company of creatures with whom we are guaranteed a buzzing sense of community. We are the same creatures; at this moment I cannot understand why human beings continue to take totalitarian power over all other living things. Don’t they see that they are not threatened?
It is astonishing how our species sits on a throne, screened to the one glaring advantage the rest of living beings have over us. Humans communicate greedily, so much more than is necessary, on a massive scale and with such complications that miscommunications occur frequently, evoking emotion-driven actions against others whom we feel have wronged us. The moths don’t take revenge, and the trees never would act out unreasonably.
The other creatures continue to be ever-more calm and rational than us, understanding how to remain content at all times. They only stand in the background watching patiently, leaving all others to their own peace, and giddily accepting those of us who decide to venture into the wood and lay with them. Beginning a journey into the woods means losing all faith we had in humankind. That is replaced with a comforting wholeness we feel in ourselves. We must offer ourselves up to the trees, the sun, the mammals, the amphibians, every last biological structure right down to the moths. They welcome us to their world because they know we are the few who understand, who are completely willing to become one with them.
It is a backwards world I am living in. The ones I cannot speak to understand me. Those who can, use their ill-learned language to criticize and resent me as I fly, mentally, away from the corruption that has become normal.
But I don’t care. I’m reaching into the depths of my mind and and learning to understand the human brain in every way it works. I am going on explorations more beautiful than ever perceived as possible by the outsiders. I have souvenirs by the handful: a constellation painted in my mind, a stray cloud I picked up on my way home, a *** leaf flower-pressed in an orange and blue book, a notebook filled with our own kind of knowledge, friends who have found me in these woods, with whom I possess a happy-go-lucky unity unscathed by normal human tendencies, and an alternate breed of knowledge that lives peacefully yet thirstily in every cell of my glowing body.
The moths feel all of this. We become one with each other because I have become content with myself; those who walk in the woods possess no intent to hurt and the moths feel safe. Those who walk in the woods do not walk; we fly.
16 hours later.
I awake and there are no moths. There is no trace of them. There are no trees, no flowers; the alternate world I imagined is mockingly false. The forest is no longer vivid, for it has been hidden behind clouds of smog. The vibrant lights I once saw coming from my mouth are no longer animating my words.
In the morning this society I exist in is still mind-numbingly dull. But mentally, I am perpetually flying.
Thomas Conlan Nov 2015
I'm everywhere but here
Counting back each year
Madness from memory
And you will find me
In moments of joy and pain
Between the past and insane
Heart beating, day dreaming
The world gone, I am seeing
A life lived without you there
My dream, a living nightmare
A picture perfect portrait set in place
A time long gone that I cannot face
This love that's passed, that didn't last
Dreams, memories of a failed past

Yet you're everywhere but here
Travelling a future fueled by fear
This post apocalyptic love story
A bleeding heart's memento mori
Breathe in your newfound deity
Our air, laced with anxiety
Leaves you with no way to scream
Rose-coloured glasses in the ashes of a dream
Taking chase to the world's end
In search of that one perfect friend
No more pain, no more lies
Not when you find his soft eyes
So beautiful your soul boasts
Illusions of kaleidoscoped ghosts
A future failing to ever form
Like how lightning predicts the storm
Perfection passed your pretty glance
Trapped in time's terrifying trance

Maybe we were meant to be
But we will never get to see
Life lost loving a little lie
So we just passed each other by
I loved where I have come from
While you lived in days to come
Never had we considered the present
To find peace from of our life's lament
brooke Mar 2014
I like your skin, the rough parts and the soft parts. The moles, bumps and other miscellaneous textures omitted to living on your arms like aliens. I like your back and how different it is, thin and lean with no fat, sometimes I can feel your bones under my fingers, and I’m afraid that during moments of various passions I will peel away what’s left.
I like your legs and how pale they are, how you sweat and recoil from my touch when you’ve napped and soaked my blankets.  I like the way you fumble for your glasses and fix your hair when it’s not even messy, the way your stomach heaves when you need to cough but won’t.  Just cough.
I like the way your earlobes connect and how sparse your beard is, how you threaten to shave it as if my compliments burn.  All my compliments burn you, in some shape or form.  But I give them out freely because they are true, and I want them to live in your heart forever.  In some cases you will not believe a bit of what I say, and I appreciate this as well.  However, I would like to know why, and how and when you came to these conclusions and why you settle there.    
I enjoy hearing you play guitar, when it’s not Zee Avi and you’re not gushing about how you saw her in concert.  I like that I am jealous of you, and you are never jealous of me. A trait that could pass over, but won’t. I like your capacity for apologies, sorry before, sorry after.  You are most sorry for everything that you do, and I am the one that put you there.   Should you ever become entirely mad at me some day, I shouldn’t be able to retaliate because you will have had good reason to be so.
When you speak, I like your voice. Deep and solid as if something inside you churns warmly.  A heavy bellied mammal, a trumpet of some sort. I can hear its footsteps when my head is on your chest, beneath your arm, under the blankets.  I like the gestures you used to describe things, and the high pitched sounds you make when I tickle you.  
I like the way you hide behind your arms when you’re naked, your knees, like magnets stuck together and your lips pulled thin in shame. As if I don’t like your body, you shield yourself.  But your defenses are weak and I love the parts you dare not to show. The red on your cheeks, a permanent stain, like your teeth kaleidoscoped white and the scars registered on your stomach.

I like the way you don’t let me love you, because I do.
(c) Brooke Otto 2014

I found this hidden in a folder I was about to delete. Written 1/15/12. It doesn't deserve to be forgotten. "Should you ever become mad at me some day, I shouldn't be able to retaliate because you will have had a good reason to be so."
E Jan 2019
A cosmic vision in space
Is all that is required for a mental trance
And as planets smile with a face
The rest of the universe spins in a dance
Slowly letting a vision be kaleidoscoped
As the stars in my eyes are suddenly sloped

A great pool of mystery beckons me
To a wondrous plane of being
And if only you could find the key
To join along with what I'm constantly seeing
For reality seems to pull and push apart
In my black hole eyes and my beating heart.
Simon Zec Jul 2019
The mattresses went up and down twice.
Once to be placed on the bed
The old ones removed downstairs
Via the bathroom to make space as the new ones came up

The the new ones went down
as the old ones came up
Via the bathroom to make space

They weren't right
Weren't comfy
Too fakey
I don't know
I don't understand

So we wait for the new mattresses to come
To be brought upstairs
Whilst the old ones get taken downstairs
Via the bathroom to make space

This thing, that not even she will sleep on
Wasn't right
So we will make it right

Her standards are so high
Things have to be right
To make it so perfect
To make it lovely

And she'll be right.
They will be right
They will be perfect

Me?
Idve kept the sodding things
Once the first mattress was in
I couldn't be arsed to do it all over again

But I'll drag em up and down and down and up
via the bathroom to make space and into the spare room
Wherever they need to go
Cos she's right
It'll be nice
it'll be perfect

Her standards for perfection are impeccable
So admirable
Things are nice when they're right

Me?
If it lands mainly flat and not too much in the way,  
Then that's fine by me
I'll step over it for the rest of my life rather than perfect its position

Her standards are so high
That an egg had to be just right
And sausages?
Where do we start on sausages?
Boston.
That's where we start on sausages
And end

Me?
How can someone with such high standards be with me?
For so long?
I'm no Boston sausage.
Hardly the perfect fried egg
I had a mild panic attack losing half the family whilst buying two mattresses, which came up and down twice
Via the bathroom to make space

I knew from that first crazy night
As we kaleidoscoped on a ride
As we talked and never left each others side
And all these years later, two thirds the life of a cat,
I can see her walk along in a hat
And I smile and see that wonderful being whose made me happy
Whose taught me to appreciate it being right.
To love the life we have

This life that we've made together
With two lives we've made together
Wouldn't be anywhere near perfect with just me
She's allowed me to grow, to morph, to be
And she's still the same beautiful person I met on a sofa all those years ago
The same person whose blossomed
And grown



Me?
Idve never bought the mattresses in the first place
A poem about mattresses

— The End —