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"footman" poems
Let us go, Oedipus, let me walk you 'Twixt towers reaching to heaven, Where women are charged to be patient and perfect. You will not stay upon your leash. We walk through Mandalay, not Paris, Where the women have no face. 'Tis but a siren of emergency That sings to me. What worth I am to you, Oedipus, What worth am I to them? When the footman holds my coat, and snickers, What worth am I to them? Every man is a piece of the continent! She may love me for the dangers I have passed, And I her that she did pity them, But she cannot, now and forever. And while the sun excludes me, I am not them and they not I, And the waters do not glisten, She is their chattel and not mine. I gaze upon her ornate face and sing, Her eyes are pools of wonder that see me, and swing away. I am older, I have sense, Like Oedipus my King, But when I see her ornate face I very nearly sing. After many lonely nights In shirtsleeves and not silk, I went to her, and said: Here, take this silver, for my milk. And she may have loved me once But for my thought and sense, I'm but a bumblebee today - I left at some expense.
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Sep 17, 2010
Sep 17, 2010 at 6:04 AM UTC
Oedipus
Miss Helen Slingsby was my maiden aunt, And lived in a small house near a fashionable square Cared for by servants to the number of four. Now when she died there was silence in heaven And silence at her end of the street. The shutters were drawn and the undertaker wiped his feet— He was aware that this sort of thing had occurred before. The dogs were handsomely provided for, But shortly afterwards the parrot died too. The Dresden clock continued ticking on the mantelpiece, And the footman sat upon the dining-table Holding the second housemaid on his knees— Who had always been so careful while her mistress lived.
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4.5k
Aunt Helen
How wise I am to have instructed the butler to instruct the first footman to instruct the second footman to instruct the doorman to order my carriage; I am about to volunteer a definition of marriage. Just as I know that there are two Hagens, Walter and Copen, I know that marriage is a legal and religious alliance entered into by a man who can't sleep with the window shut and a woman who can't sleep with the window open. Moreover, just as I am unsure of the difference between flora and fauna and flotsam and jetsam, I am quite sure that marriage is the alliance of two people one of whom never remembers birthdays and the other never forgetsam, And he refuses to believe there is a leak in the water pipe or the gas pipe and she is convinced she is about to asphyxiate or drown, And she says Quick get up and get my hairbrushes off the windowsill, it's raining in, and he replies Oh they're all right, it's only raining straight down. That is why marriage is so much more interesting than divorce, Because it's the only known example of the happy meeting of the immovable object and the irresistible force. So I hope husbands and wives will continue to debate and combat over everything debatable and combatable, Because I believe a little incompatibility is the spice of life, particularly if he has income and she is pattable.
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2.9k
I Do, I Will, I Have
171 Wait till the Majesty of Death Invests so mean a brow! Almost a powdered Footman Might dare to touch it now! Wait till in Everlasting Robes That Democrat is dressed, Then prate about “Preferment”— And “Station,” and the rest! Around this quiet Courtier Obsequious Angels wait! Full royal is his Retinue! Full purple is his state! A Lord, might dare to lift the Hat To such a Modest Clay Since that My Lord, “the Lord of Lords” Receives unblushingly!
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1.8k
Wait till the Majesty of Death
206 The Flower must not blame the Bee— That seeketh his felicity Too often at her door— But teach the Footman from Vevay— Mistress is “not at home”—to say— To people—any more!
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1.5k
The Flower must not blame the Bee
The Lady Mary took to her bed On the last of the mad March days, She’d strained her constitution, she said At that upstart, Shakespeare’s plays, The ruffians at the Globe were known To be often rotten with fleas, ‘I must have been bitten,’ Milady said With her skirt drawn up to her knees. The footman fastened a painted sign ‘No Visitors’ up at the door, While one of the maids got down on her knees And scrubbed at the parquet floor, Milady took to her poster bed By a window out to the square, ‘You’d best get down to the Fleet,’ she said, ‘Lord Orton is working there.’ The doctor came with his physic Carried a nosegay close to his face, The cane that he prodded Milady with Would leave her with little grace, ‘The swellings down in Milady’s groin Will have to be truly bled, A mixture of clay and violets then Applied to the sores,’ he said. The mist swept in and the night came down As the fever grew apace, And dark black pustules grew and swarmed At the Lady Mary’s face, A shadow fell on the window pane Of a man stood out in the square, ‘Who is that nightly visitant, And what is he doing there?’ She couldn’t make out his features for His hat was broad of brim, Shading his face and hawk-like nose Though he kept on looking in, ‘I have a terrible feeling that I’ve seen that man before, He’s come from the coffin-maker, and He waits outside my door.’ She slipped off into unconsciousness So the footman let him in, To measure her with a piece of twine From her head to below her shin, They waited then for an hour or two While the doctor had her bled, She cried aloud at a fancied shroud And she shrank from it, in dread. Late on the second day she woke Lord Orton at her side, Holding a faded nosegay to Protect him from his bride, She heard the clatter of wheels pull up Outside in the darkened court, And cried, ‘My Lord, will you leave me now That my time is running short?’ She lapsed back into a coma, but She could feel the tremors start, And something strange had begun to change In the beating of her heart, A rattle deep in her throat began And resounded through her head, Just as a voice, it seemed to her, Called out, ‘Bring out your dead!’ David Lewis Paget
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Jul 28, 2013
Jul 28, 2013 at 9:32 PM UTC
As You Like It
The Lady Mary took to her bed On the last of the mad March days, She’d strained her constitution, she said At that upstart, Shakespeare’s plays, The ruffians at the Globe were known To be often rotten with fleas, ‘I must have been bitten,’ Milady said With her skirt drawn up to her knees. The footman fastened a painted sign ‘No Visitors’ up at the door, While one of the maids got down on her knees And scrubbed at the parquet floor, Milady took to her poster bed By a window out to the square, ‘You’d best get down to the Fleet,’ she said, ‘Lord Orton is working there.’ The doctor came with his physic Carried a nosegay close to his face, The cane that he prodded Milady with Would leave her with little grace, ‘The swellings down in Milady’s groin Will have to be truly bled, A mixture of clay and violets then Applied to the sores,’ he said. The mist swept in and the night came down As the fever grew apace, And dark black pustules grew and swarmed At the Lady Mary’s face, A shadow fell on the window pane Of a man stood out in the square, ‘Who is that nightly visitant, And what is he doing there?’ She couldn’t make out his features for His hat was broad of brim, Shading his face and hawk-like nose Though he kept on looking in, ‘I have a terrible feeling that I’ve seen that man before, He’s come from the coffin-maker, and He waits outside my door.’ She slipped off into unconsciousness So the footman let him in, To measure her with a piece of twine From her head to below her shin, They waited then for an hour or two While the doctor had her bled, She cried aloud at a fancied shroud And she shrank from it, in dread. Late on the second day she woke Lord Orton at her side, Holding a faded nosegay to Protect him from his bride, She heard the clatter of wheels pull up Outside in the darkened court, And cried, ‘My Lord, will you leave me now That my time is running short?’ She lapsed back into a coma, but She could feel the tremors start, And something strange had begun to change In the beating of her heart, A rattle deep in her throat began And resounded through her head, Just as a voice, it seemed to her, Called out, ‘Bring out your dead!’ David Lewis Paget
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65
Whats your problem with the way I live? The story of man is always never ending me n hastings just dropped some acid here I go again like sgt. Peppers I’m just experimenting. Were lighting up the grass here comes the world through eyes misunderstanding But we’re just a generation misunderstood Occupy all streets ***** this is our revolution They say its all just evolution uprising is just a way to stop prostitution But ya no were all just part of this revolution of evolution its always in season the mass media fixation on the problems of obamas nation. You kno I say whats your problem with the way I live? They say get an education open your eyes to the beauty of a nation We’re all just problem children only stuck inside the hate of our lives left broken So we drink a lot of beer smoke a lot of **** I’m not obamas footman Ya but Were young and that’s our excuse Don’t be a ******* hypocrite your just like great britain Whats to say its not just part of who we are We’re all ****** up man why can’t we all see it I guess you have a problem with the way I live You kno it doesn’t even exist so I’m not getting in
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Jan 18, 2013
Jan 18, 2013 at 11:04 AM UTC
Tranquil
*"The Dresden clock continued ticking on the mantelpiece And the footman sat upon the dining-table Holding the second housemaid on his knees-- Who had always been so careful while her mistress lived" — From "Aunt Helen" by T.S. Eliot* It's laugh-out-loud funny how one death can change things. If she were here I'd blame it on a lifelong ill- fascination with Charlie McCarthy or a hang-up that's lingered since the bourbon-scented Santa invited me to sit. At some point you've got to get back on the horse though my levers aren't so easy to work and, I better get more than a stuffed Pooh bear out of this trip. It's still-deep water under the bridge because she's not.
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Jun 2, 2010
Jun 2, 2010 at 5:41 PM UTC
Ventriloquism gone awry
Nobody knows where the Ragman goes In the wee, small hours of the morn, When he’s taken the dray with your rags away Through the pin-point eye of a storm. He came to stay while you were away And your sister gave him your dress, The one with the dreams and the bright sequins Sewn in to the lace at the breast. She said that you wouldn’t be needing it Since your dreams have faded to dust, When all those hundreds of bright sequins Were dimmed, and turning to rust, But the Ragman knew that he’d capture you If he made away with your dreams, And sits unpicking your party dress With a razor blade at the seams. Your sister Grace has a second face That she turns when she’s not near you, In a zealous, jealous and carping place That she keeps well hidden from view, For nobody gives her a second glance While she schemes and dreams and plots, To plant your beauty deep in the ground With a host of forget-me-nots. Don’t peer too long from the balcony, Don’t stand too long at the edge, She’s loosened the rail you lean upon And thrown the bolt in the hedge, A sudden rush and a simple push Will send you a long way down, While she prepares her look of despair As they plant you there in the ground. I’m only a menial footman here But my love is stamped on my face, I’m going to track the Ragman down And bring him back to this place, I’ve seen his dray by a cottage door In the forest of chills and frost, And seen the women he buys and sells Who wander the forest, lost. Your sister sips on a nightly draught As she sits and watches the Moon, Plotting to see the end of you, I know that it’s coming soon. I’ll drop a potion into her drink And tie her up in a sack, Then throw her up on the Ragman’s dray, She’ll never be coming back. He’ll take her deep in the forest there To the caves of unshriven souls, Then put her up on the auction block And sell her to one of the trolls. The bolt is back in the balcony rail And the potion’s in her drink, The Ragman’s dray is coming today And your sister’s at the brink! David Lewis Paget
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Dec 12, 2013
Dec 12, 2013 at 5:28 AM UTC
The Ragman's Dray
Nobody knows where the Ragman goes In the wee, small hours of the morn, When he’s taken the dray with your rags away Through the pin-point eye of a storm. He came to stay while you were away And your sister gave him your dress, The one with the dreams and the bright sequins Sewn in to the lace at the breast. She said that you wouldn’t be needing it Since your dreams have faded to dust, When all those hundreds of bright sequins Were dimmed, and turning to rust, But the Ragman knew that he’d capture you If he made away with your dreams, And sits unpicking your party dress With a razor blade at the seams. Your sister Grace has a second face That she turns when she’s not near you, In a zealous, jealous and carping place That she keeps well hidden from view, For nobody gives her a second glance While she schemes and dreams and plots, To plant your beauty deep in the ground With a host of forget-me-nots. Don’t peer too long from the balcony, Don’t stand too long at the edge, She’s loosened the rail you lean upon And thrown the bolt in the hedge, A sudden rush and a simple push Will send you a long way down, While she prepares her look of despair As they plant you there in the ground. I’m only a menial footman here But my love is stamped on my face, I’m going to track the Ragman down And bring him back to this place, I’ve seen his dray by a cottage door In the forest of chills and frost, And seen the women he buys and sells Who wander the forest, lost. Your sister sips on a nightly draught As she sits and watches the Moon, Plotting to see the end of you, I know that it’s coming soon. I’ll drop a potion into her drink And tie her up in a sack, Then throw her up on the Ragman’s dray, She’ll never be coming back. He’ll take her deep in the forest there To the caves of unshriven souls, Then put her up on the auction block And sell her to one of the trolls. The bolt is back in the balcony rail And the potion’s in her drink, The Ragman’s dray is coming today And your sister’s at the brink! David Lewis Paget
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57
Weary footman Relax your vanities Your possessions They are mine Leave hurriedly Lest our minds Also cross paths
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Aug 23, 2014
Aug 23, 2014 at 2:20 AM UTC
Escapism
A car arrives in the drive and stops outside the front door all the servants are there and George's parents wait there all importantly watching the car door the chauffeur gets out and opens the back door and George back from the hospital for shell shock gets out and puts a hand over his forehead to block out sunlight then looks around the grounds around the house his mother steps forward and takes his hand welcome home George she says George stares at her he nods but doesn't smile he looks into the faces of all those standing there by the front door as if amongst strangers his father moves forward and gently takes his son's arm George moves forward uncertainly his feet unsteady his hands shaking slightly his eyes move over the servants wide and staring then he stops and points to Polly Polly he says softly almost a mumble she gazes at him uncertain what to do the mother looks at Polly come help Polly Master George recognizes you and indicates with her other hand that she should come   so Polly walks to George's side and says nothing but smiles at him and he smiles back we'll go to his room the father says a footman takes the bags and follows George and his parents and Polly inside the house and up the wide staircase the other servants including the butler Dudman move away from the door and go about their tasks Dudman goes in and stares at the party walking upstairs slowly and sighs Polly has overstepped the line as far as he is concerned he'll have to watch her he muses watching the party disappear from the stairs and gives the absent Polly one of his cold stares.
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Jul 6, 2016
Jul 6, 2016 at 2:12 AM UTC
DUDMAN'S COLD STARE 1916.
A car arrives in the drive and stops outside the front door all the servants are there and George's parents wait there all importantly watching the car door the chauffeur gets out and opens the back door and George back from the hospital for shell shock gets out and puts a hand over his forehead to block out sunlight then looks around the grounds around the house his mother steps forward and takes his hand welcome home George she says George stares at her he nods but doesn't smile he looks into the faces of all those standing there by the front door as if amongst strangers his father moves forward and gently takes his son's arm George moves forward uncertainly his feet unsteady his hands shaking slightly his eyes move over the servants wide and staring then he stops and points to Polly Polly he says softly almost a mumble she gazes at him uncertain what to do the mother looks at Polly come help Polly Master George recognizes you and indicates with her other hand that she should come   so Polly walks to George's side and says nothing but smiles at him and he smiles back we'll go to his room the father says a footman takes the bags and follows George and his parents and Polly inside the house and up the wide staircase the other servants including the butler Dudman move away from the door and go about their tasks Dudman goes in and stares at the party walking upstairs slowly and sighs Polly has overstepped the line as far as he is concerned he'll have to watch her he muses watching the party disappear from the stairs and gives the absent Polly one of his cold stares.
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74
I'm just one twisted Cinderella. The Footman my devoted sub And every night my feet would get rubbed.
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Aug 7, 2017
Aug 7, 2017 at 7:35 AM UTC
Twisted Cinderella
It's not for the want of wanting that I wish I wanted you, but you make it easier to make my mask and disappear into the blue. I could wonder all the wondering what this wonderful life has been and I'd never know the half of all those things I used to dream, but you thought of me in sepia, someone old that fades too soon while I thought of you as crescent shaped like the beginnings of the moon. We have to live to understand yet can't stand ignorance and yet again we wash out pain, pretend like Gene to sing and dance when it's pouring down with rain. We're all the films that we used up and time just clicked away and now the shutter shuts with a final clang and the footman comes in slowly saying, 'was that you that rang'? but I never called for the thin man in the black car to come by and it's not for the lack of living that I found my time to die. 'Don't waste a minute', said the miser, 'in yer bin', the cockney cried and for the want of wish of wanting I curled up and then I died.
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Dec 26, 2015
Dec 26, 2015 at 4:02 AM UTC
Selfies
The sky was dark, it was overcast When the hearse rolled into town, The people stopped in its passing, And stood, with their eyes cast down, Four black, high stepping, friesian mares Stepped proud, ahead of the hearse, While a man was following close behind But sat on his horse, reversed. His wrists were bound with a length of twine Were tethered behind his back, His eyes were well blindfolded, Under his black top hat, His leather boots had glistened and shone And they rode right up to the knee, There was something about his stately mien That said, ‘Aristocracy’. The horses were decked with ostrich plumes Fine harness and plaited tails, The coach shellacked in a shiny black And fitted with silver rails, The coffin lay on a satin tray In the hearse, was covered in lace, Inscribed with scrolls from the honour rolls Of a noble house, disgraced. And far at the rear of the slow cortege Was a line of women in black, Carrying jewellery fashioned in jet As black as the coach shellac. There wasn’t a tear amongst them all Nor a smile for the ruined man, The blindfold merciful, like a pall In front of his ruined clan. The hearse rolled into the cemetery And stopped by the gallows tree, A footman took off his blindfold then, ‘I hope that’s not meant for me!’ They dragged the coffin out of the hearse And the man looked once, then twice, ‘I’m not your common old peasant, sir, I’m the Lord of Mecklen Weiss.’ They dragged him ****** off his horse And lifted the coffin lid, ‘You’re the Lord of six square feet of earth, And the Lord of all you did!’ They ****** him into the coffin then Encased his struggling form, ‘He’ll have some time to consider now It were best he’d never been born!’ They lowered the coffin into the ground To the sound of shrieks and cries, But not one woman who watched it fall Had a need to dry her eyes. They say that some heard muffled cries At that grave for a week or more, But then, the peasantry always lies For they hold the Lords in awe. David Lewis Paget
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Dec 8, 2014
Dec 8, 2014 at 9:51 AM UTC
The Burial
The sky was dark, it was overcast When the hearse rolled into town, The people stopped in its passing, And stood, with their eyes cast down, Four black, high stepping, friesian mares Stepped proud, ahead of the hearse, While a man was following close behind But sat on his horse, reversed. His wrists were bound with a length of twine Were tethered behind his back, His eyes were well blindfolded, Under his black top hat, His leather boots had glistened and shone And they rode right up to the knee, There was something about his stately mien That said, ‘Aristocracy’. The horses were decked with ostrich plumes Fine harness and plaited tails, The coach shellacked in a shiny black And fitted with silver rails, The coffin lay on a satin tray In the hearse, was covered in lace, Inscribed with scrolls from the honour rolls Of a noble house, disgraced. And far at the rear of the slow cortege Was a line of women in black, Carrying jewellery fashioned in jet As black as the coach shellac. There wasn’t a tear amongst them all Nor a smile for the ruined man, The blindfold merciful, like a pall In front of his ruined clan. The hearse rolled into the cemetery And stopped by the gallows tree, A footman took off his blindfold then, ‘I hope that’s not meant for me!’ They dragged the coffin out of the hearse And the man looked once, then twice, ‘I’m not your common old peasant, sir, I’m the Lord of Mecklen Weiss.’ They dragged him ****** off his horse And lifted the coffin lid, ‘You’re the Lord of six square feet of earth, And the Lord of all you did!’ They ****** him into the coffin then Encased his struggling form, ‘He’ll have some time to consider now It were best he’d never been born!’ They lowered the coffin into the ground To the sound of shrieks and cries, But not one woman who watched it fall Had a need to dry her eyes. They say that some heard muffled cries At that grave for a week or more, But then, the peasantry always lies For they hold the Lords in awe. David Lewis Paget
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57
I have seen the moment of my greatness flicker As life passed through me I have seen the eternal footman hold my coat and snicker Leaving in this world only my memory As life passed through me I can hear my daughters cry Leaving in this world only my memory I know she only wonders why I can hear my daughter’s cry It hurts her this I know I know she only wonders why Her mother, did she have to go It hurts her this I know But she will learn to mend her heart Her mother did she have to go And soon my absence becomes a part But she will learn to mend her heart Blocking out the painful thought And soon my absence becomes a part Forgetting what should be forgot Blocking out the painful thought Moving on to better things Forgetting what should be forgot Finally spreading wide her fixed up wing Moving on to better things Sometimes now she will rejoice Finally spreading her fixed up wing She did forget the sound of her mother’s voice Sometimes now she will rejoice But other times things get sad She did forget the sound of her mother’s voice She is strong, just like her mom, and knows that this is just a fad But other times things get sad I see my girl and know she’ll grow She is strong, just like her mom, and knows that this is just a fad She will survive, so now I must go I see my girl and know she’ll grow I have seen the eternal footman hold my coat and snicker She will survive, so now I must go I have seen the moment of my greatness flicker To nothing
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Jun 22, 2014
Jun 22, 2014 at 12:14 AM UTC
Pantoum to the Living
The greatest tactician Makes plans using every General and footman, But you all, You're happy to make plans without me. It's just as well. I don't want any part in this Waterloo.
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Jan 5, 2015
Jan 5, 2015 at 5:22 PM UTC
Waterloo
At my door, he stands. At my bed, he lands. At my soul, he stabs. At my heart, he grabs. My last breath, he laughs.
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Jul 3, 2016
Jul 3, 2016 at 2:38 AM UTC
The Eternal Footman
Why err on the side of caution when I can Breathe in vast amounts of cold air without a jacket on So I intentionally freeze At midnight; Get back home and invite the bed bugs to bite? Why err on the side of ******* caution when I can Talk to strangers in the dark and Walk home along the train tracks, In the hopes a spark will shock me back to life? * I just want to feel something. Anything. To feel anything other that the weight of my duvet, Holding me still, but threatening to pull me back to rock bottom As time draws in and tells me “What a waste”. As the Eternal Footman looms over me and peers into my soul- He laughs. This is not a life worth living, but it’s also not a life worth taking.
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Oct 21, 2024
Oct 21, 2024 at 3:21 PM UTC
Sound as a Pound
The Lady Mary had locked the door And called the scullery maid, The Boots was called and the Footman, So they thought they were being paid, She lined them up with the Butler, The Housemaid, skivvy and Cook, ‘You’re not to go wandering out the door, Not even to take a look!’ She knew her word, though the very law, Was never to go down well, For Alice was sweet on a lawyer’s clerk, A lockdown seemed like hell. The Footman needed his racing mates To place a bet on the book, So the Lady Mary had made it plain, ‘Not even a peep or a look!’ The grumbling went with the Cook downstairs As they stood, and waited for tea, ‘It’s all very well for the likes of her, There’s places I have to be!’ ‘Enough of this nonsense,’ the Butler said, ‘We’re lucky to grace her floor, If you want to leave in a fit of peeve You’ll never get back in the door.’ They huddled down for a week or more It was better than paying rent, But a silence settled on every floor For nobody came, or went, The pantry shelves were emptying out But the tradesmen never came, ‘We’re going to starve,’ was the one lament When they ate the last of the game. The Footman called the Scullery Maid And they huddled up on a pew, ‘If you sneak out for an hour tonight, Then I will cover for you, And you can visit your lawyer’s clerk Then place a bet on the book, I’ll let you in when it’s nice and dark…’ ‘I will, by hook or by crook!’ She slipped on out by the kitchen door And he turned the key in the lock, Watched the Butler heading for bed And sat by the kitchen clock. At ten o’clock, with a tiny tap She had made her prescence felt, And tumbled in as he opened the door, Went straight to the hearth, and knelt. He locked the door, then he heard her sob And saw that her head was bent, She stared so long and hard at the floor That he thought his bet was spent. ‘What ails you Alice, now what went wrong, Don’t give me none of your lies!’ She looked up into his face just then And he saw blood stream from her eyes!’ ‘They’re dead, all dead,’ were the words she said As her tears had mixed with the blood, Your racing pals and my lawyers clerk, And the horses, down at the stud. The Lady Mary, she should have said…’ But he cut her off right there, Leapt up, unlocking the kitchen door He dragged her out by her hair. He locked the door and he scrubbed his hands But he’d locked the beast within, As blood then streamed from his Footman’s eyes And he earned the wages of sin. The Lady Mary came down the stair To find him, dead on the floor, And said to the Cook, with blood red eyes, ‘You’d best fling open the door!’ David Lewis Paget
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Jan 3, 2015
Jan 3, 2015 at 11:58 PM UTC
The Wages of Sin
The Lady Mary had locked the door And called the scullery maid, The Boots was called and the Footman, So they thought they were being paid, She lined them up with the Butler, The Housemaid, skivvy and Cook, ‘You’re not to go wandering out the door, Not even to take a look!’ She knew her word, though the very law, Was never to go down well, For Alice was sweet on a lawyer’s clerk, A lockdown seemed like hell. The Footman needed his racing mates To place a bet on the book, So the Lady Mary had made it plain, ‘Not even a peep or a look!’ The grumbling went with the Cook downstairs As they stood, and waited for tea, ‘It’s all very well for the likes of her, There’s places I have to be!’ ‘Enough of this nonsense,’ the Butler said, ‘We’re lucky to grace her floor, If you want to leave in a fit of peeve You’ll never get back in the door.’ They huddled down for a week or more It was better than paying rent, But a silence settled on every floor For nobody came, or went, The pantry shelves were emptying out But the tradesmen never came, ‘We’re going to starve,’ was the one lament When they ate the last of the game. The Footman called the Scullery Maid And they huddled up on a pew, ‘If you sneak out for an hour tonight, Then I will cover for you, And you can visit your lawyer’s clerk Then place a bet on the book, I’ll let you in when it’s nice and dark…’ ‘I will, by hook or by crook!’ She slipped on out by the kitchen door And he turned the key in the lock, Watched the Butler heading for bed And sat by the kitchen clock. At ten o’clock, with a tiny tap She had made her prescence felt, And tumbled in as he opened the door, Went straight to the hearth, and knelt. He locked the door, then he heard her sob And saw that her head was bent, She stared so long and hard at the floor That he thought his bet was spent. ‘What ails you Alice, now what went wrong, Don’t give me none of your lies!’ She looked up into his face just then And he saw blood stream from her eyes!’ ‘They’re dead, all dead,’ were the words she said As her tears had mixed with the blood, Your racing pals and my lawyers clerk, And the horses, down at the stud. The Lady Mary, she should have said…’ But he cut her off right there, Leapt up, unlocking the kitchen door He dragged her out by her hair. He locked the door and he scrubbed his hands But he’d locked the beast within, As blood then streamed from his Footman’s eyes And he earned the wages of sin. The Lady Mary came down the stair To find him, dead on the floor, And said to the Cook, with blood red eyes, ‘You’d best fling open the door!’ David Lewis Paget
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73
I shall be thine Atlas, thine scapegoat with a shoulder That I with weary back might take position as the holder Of all the items you have boiling up within thee; take them out! Instead of boiling up, project them unto me and thusly shout: "Thou art truly a disgrace, a mere construction of a lie You exist as foul temptation, but you tempt no more, for I I have gained more pressing matters; I have larger game to shoot To me, thou art but humble grass smear'd 'neath the footman's boot And I've become an heiress, or a prince, perhaps, a king! I've left behind the people who wish to control my everything My every waking moment is now in my control You disapprove? Excuse me, but I never asked thee for a poll!" I shall be thine Atlas, and I'll gladly take your spite I would also take thine fists, if thou so wish'd to fight But ne'er in my life would I, lift fist nor finger to you That's one thing that I wouldn't, nay, couldn't ever do
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Dec 31, 2014
Dec 31, 2014 at 2:04 AM UTC
I shall be thine Atlas
What a crime it is that a man ought to die. That our feeble lives, like calendar marks, pass by so quickly and without warning. What is 70-80, 90 if you're lucky, years really worth in the big picture? What can a man amount to honestly when as soon as he breathes, he dies? He can do a lot and achieve much, sure, but imagine what more could be done, what could be made, with just a few centuries more time to play with. Imagine the discoveries we could find, the secrets of time and space unraveled, the elixirs of health that could destroy disease, and everything else on earth that could be made better if we only had the time. Imagine the weight off our shoulders lifted, when no longer must we fear the Eternal Footman, no longer must we fear the passing of the seasons, or the changing of the times, or even the start of a new day, as we would all be there together. People could live fully and happily, knowing they had all the time in the world, and no sick, twisted date with Death awaiting them on the gilded horizon. As it is now, time passes us by, before we know it, and in the dust, we pathetic humans are left. In the scheme of the grand design, a life is just a few puny particles, of a few tiny granules of sifting sand in a cosmic sandbox. For humanity to truly continue its noble path, we must find the secret code to stop aging, to make our cells replicate anew forever, or at least, for a few more centuries, so that our destiny can be achieved, to make a world truly terrific. A world of youth, a world of beauty, A world of truth, a world of joy.
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Jul 3, 2016
Jul 3, 2016 at 12:41 AM UTC
Crime
What a crime it is that a man ought to die. That our feeble lives, like calendar marks, pass by so quickly and without warning. What is 70-80, 90 if you're lucky, years really worth in the big picture? What can a man amount to honestly when as soon as he breathes, he dies? He can do a lot and achieve much, sure, but imagine what more could be done, what could be made, with just a few centuries more time to play with. Imagine the discoveries we could find, the secrets of time and space unraveled, the elixirs of health that could destroy disease, and everything else on earth that could be made better if we only had the time. Imagine the weight off our shoulders lifted, when no longer must we fear the Eternal Footman, no longer must we fear the passing of the seasons, or the changing of the times, or even the start of a new day, as we would all be there together. People could live fully and happily, knowing they had all the time in the world, and no sick, twisted date with Death awaiting them on the gilded horizon. As it is now, time passes us by, before we know it, and in the dust, we pathetic humans are left. In the scheme of the grand design, a life is just a few puny particles, of a few tiny granules of sifting sand in a cosmic sandbox. For humanity to truly continue its noble path, we must find the secret code to stop aging, to make our cells replicate anew forever, or at least, for a few more centuries, so that our destiny can be achieved, to make a world truly terrific. A world of youth, a world of beauty, A world of truth, a world of joy.
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