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M Clement Nov 2012
My tummy box is broken
Said the man to the spoon
******* rhymings
To satisfy good tidings
Fake smiles to satisfy
Good people

Satisfied with what I make
Dissatisfied with what I take
Broken satisfaction
A one-man factioned

We all suffer from
Insecurities
So take what’s best of me.
I seem to be the worst at what I do.

Can I visit weekly? Is that cool by You?
I can make a fool of myself at least once a week.
Can you turn so I can smack Your other cheek?
4th wall broken, here’s a token of my gratitude.
I play the fool for a feeling that’s earthly
Wait with baited breath, I’m almost done.

FBI shopping, lets find a bomb to blow.
Legalize this to make me okay with it.
Let’s party it up to make me feel better.
A good grind to get my mind off things.

Opposing the opposable
Folding to the foldable
All I am seems worthless
All I am seems ridiculous.
Bex Feb 2014
the audacity of him, to think he created you.

they take the credit for billions of women, and we let them.


observe, the kind of girl who puts perfume on the backs of her knees-

she’ll be down on them soon, might as well decorate

the debauched air with lavender, coriander, her disgraced musk-

she is the model for a woman’s paradox.

“cross your legs at the ankles, say please and thank you, remember your place-

*****.”

see? how ladylike, that gorgeous face. a photo-finish face.

try to finish on her face.

a photo-finish face, take a photo when you finish on her face.

take a photo while she tries to blink you out of her eyes.

admire how tightly her lips are pressed together, she will not speak until spoken to.

unzip her teeth, open her mouth-

she will remain silent. all you were doing was opening another hole.


these girls are foldable, flexible, fuckable

they are stored inside suit pockets of

businessmen in the business of selling madonnas and Magdalenes

trading our innocence like stock options

each curve and soft voice, dumbed-down giggles and blank eyes as selling points

put together each little girl, she will be a new share in his corporation.


why do you let yourself believe that you should smile pretty

when auctioned off,

why should you be sold?

we allow men to rent us, borrow,

they shower us with trinkets,

things that are not truly ours. they feed us glitter until we become

as insubstantial as sparkles,

they tell you we are beautiful when we are owned.


stop having *** only in the dark

because you are worried that, like him,

the light will not touch you with love,

and you avoid fluorescent bulbs- do not risk cheapening the look of your skin.

chemical glows can be unflattering, you will wash out, the lines of your body will be harsh

you are reminded that your skin is full of chemicals too,

you worry that you will taste like acid and that he will spit you out.

you worry that he will see your naked body glow, and that he will not love you for it

so you close curtains. stack blankets. hide from scrutiny.

pull up your skirt-

“do what you came for and leave, please.”

apologize as soon as you say it.


it is out of line for you to make requests.

knowing that, step out of line.

refract, be prismatic

allow yourself to be illuminated,

reflect, do not feel guilty if you bleach his sight

if you are too much for him, do not reduce your brilliance

reflect.


what makes you think that you could possibly be

deflowered? who put this vicious vocabulary around your virginity?

boys are not lawnmowers, boys are not shears

you’re floral with or without them.

you do not have to grow in someone else’s garden

you can stretch your roots through miles of earth

you do not have to offer up your entirety to his touch.

you do not have to twist toward his artificial sunlight to flourish

you do not have to sit alone and anxiously polish your petals

you do not have to cry because your stem is blotched

remember your power- the ones who do not handle with care

are not your concern anymore- allow them

to be speared and suspended on your thorns.

display them like trophies

like they tried to display you

remember the venus flytrap is named for the goddess of love

and it eats its victims alive.
Lauren R Aug 2016
Life in the shape of gummy bears, Jell-O shots, foldable chairs, and Xanax.

Bending palm tree leaves into pillow cases, codeine mirrors only show you the faces of everyone who's scared of you.

Watch the pink drip from my lips onto the floor, coating the the tile in what it means to be truly lost.

(Hide me away for another day, I beg of you, the sun sets in the wrong direction these days.)
Alexander Coy Apr 2016
I wake up as She
and she's auditioning soon;
vying for a part no one can play
but everyone auditions for anyway.

And so we all sit in those
steel foldable chairs that never
get folded back into their original
form, because the bodies always
keep them warm.

The original selves
long for something else to be;
troubled souls in search for
broken homes; like the hidden
shadows of the known unknown.

I am her lips as they
part, close together
like the jaws of a shark,
reciting lines back to the director
crooked and parallel, aligned
waves of soft sounds; they reach
the peaks of receptacle body language
only to suddenly fall back down
barely scathing the director's emotions.

The director sees that there is talent
that lies within the woman;
I am her, and I was
a father of three darling daughters
not too long ago...

But I stand before the director
as her, and there are others
patiently waiting,
like the anchored piranhas
of the binary forest,
the Stygian vultures
of the neon desert;

and they vouch for
each other's safety
until they have landed
the Oscar award winning
scene; the all white cast
beams like the headlights
of an oncoming car.

Their hands free of guilt
washing the darkness away
from my rising star, my ship
no longer corroded brown
but assimilated, organized,
gentrified;

a man redesigned,
retrofitted and recombined
standing before the petrified
live audience as Her
in an ocean blue
dress;

a blood capsule
ready to burst with
finite increments
of happiness.
mel Apr 2016
on your nineteenth birthday
you started keeping a smile
locked at the edges of your mouth
like a scared man hides a gun in his pocket.

it's been so long
since your brother's told you he loves you,
and you start to hate him
though you visit his grave every year.

at twenty-one you're armed
with flowers in your pockets
a foldable chair and a pack of cigarettes-
*"just in case he needs me to stay the night."
Zach Feb 2015
Warm coffee, foldable chairs, and wholly sounds--
maybe this is the way to spend your free Wednesday nights.
At least then there will be an escape from calculus and combustion reactions.
Here pencils are used to write a different language,
one with a beat.
Between toe taps and smiles there's a place for the music to go.
It seeps in through the molded cracks and bounces around
like the acoustics.
Hold fast and don't blink, take it all in.
Go home and hum to yourself.
Sit down at the piano and remember the night spent
with the kind local stars
hoping to hear their sound
until the night breaks.
Natascia Rohaley May 2014
Manage me,
I am a mess,
Swept under the rug of yesterday’s home improvement,
A whimsical urge tossed aside for the easy reassurance of home and comfort.
I am the photograph tucked away as a book-mark,
In a book left, half unread,
Once reopened to find memories crawling back into peripheral sight,
Faded, creased, and lonely.
I long to be admired,
Long to be held, torn, and laughed at,
Laughed with,
Like a distant relative or an old friend breathing in their last breath.
I missed the moment when time collapsed and memory was erased,
Replaced by finicky social experiments,
Lost in the blur of intoxication,
****** through multi-colored bendy-straws,
Making way for a spinning world where hub-caps stood still,
But our vision didn’t.
If I could leave you with only one thing,
It would be small, foldable, and made from trees,
With a few careless words,
Scribbled in blue;
Take a moment to learn me,
Take a moment to love me,
Because I need your love to live,
And without it,
I am nothing
James Daniel Feb 2022
It's a parade
Wobbly heat waves
Children and colours
Canteen food
And the snapping sounds of foldable plastic chairs

Little athletics day
Here he comes
Handkerchief on his head, tucked into his sunglasses

Mum never came

He could be harsh
My sister cried once
There was pressure to win
I never did
I was afraid I'd be clotheslined by that finishing line
Be my guest Flash
I wasn't fast, but I wasn't slow


This is me
Relay leg no.3
Baton in my hand
Whistling thru the air
(Missing you, missing me)
Round the bend
Furthest from the crowd
Running thru heat waves
Angling like a fish, oh yeah
(Missing you, missing me)


I asked for your help
Speaking to that place in my mind that doesn't change

You gave me every weapon for this world
And I still don't know what to do

I wasn't at the funeral
I was far away, making myself out of sand at high tide

Thank you for everything
The way they remembered you, how you made peace come true, I never knew, or maybe I did


This is me
Relay leg no.3
Baton in my hand
Whistling thru the air
(Missing you, missing me)
Round the bend
Furthest from the crowd
Running thru heat waves
Angling like a fish, oh yeah
(Missing you, missing me)




It was really blooming when you left
The police man and his bunny were making fun of your emotions by then
Playing substitute friends
There was something biting that wouldn't stop

But you were appreciated by us
And still are
So many memories


This is me
Relay leg no.3
Baton in my hand
Whistling thru the air
(Missing you, missing me)
Round the bend
Furthest from the crowd
Running thru heat waves
Angling like a fish, oh yeah
(Missing you, missing me)
Ken Pepiton Sep 2023
Was the world ever tame,
was the work of mankind ever done,
did we believe we'ld watch the world

work better with our intervention,
our flood preventions failing, time after time,

then came the fuel from eons too distant, as time flees,

we trust the expositors, setting knowledge in foldable
orders of value, secrets worth keeping to use in consort.

Having witnessed the intention declared, the prophet,
bows and backs away, laughing to himself, happy hunting,

here I come, seeking something I may distantly need,
not now, though, ghostly ghucking surrealism seems

certainly, this pose, the position I hold, paid for repose,
bending certain assumptions into gumptions taken on odds,

you bet I can't make myself let you read my mind.
I win.
I feel like I made the choicest of all the options, I kept living, long after I lacked any external provocation... to claim a muse uses you, submission is what once was deemed man's highest liberty in formless spirit.
I carry a foldable chair wherever I go...
I found everything around me inspires poetry...
And the chair is not because I get tired...
No, it is just that I love life...
And everything around me...
And I lose my breath just by admiring my surroundings...
So if you see someone in a park...
With a pencil in hand...
A piece of paper...
Seated on a foldable chair...
And looking at the world as if it was the first time he is seeing it...
That is me...
Trying to describe the world through verses and sonnets...
espaic09 May 2017
Manic energy
Heads ******* banging
Aggressive freedom of the senses
Happiness plus hatred

liberation of this pent up energy
Double kick bass loudly, sound breaking

Fast paced high squealing notes

Stop.

Down breaks the hellish tempo

It’s time to smash faces,
Break bones in many places

A circular ritual of anger and sweat.
A trotting stampede of mindless freaks
All of them a ball of feelings hard like bricks

Surprise!

Concussion blast
Downed metal head comrade
Near a ****** foldable chair
Bleeding through his brain dome
Coughing asking for a still
memento of himself

Music halts and dust settles.

Uno, dos, tres, cuatro
Next title cueing
Freaks all cheering
Smells like ****, blood and sweat drippings

Feedback through the amps.

wall of death opens briskly
all hell breaks loose

Feral eyes moving quickly
Our Viking hearts
Fight for dignity
Or die honorably

valkiries above the mosh pit
and a glimpse of Odin

Hammer smashed face.
club swung to my back
Whiplash.

I woke up in my backyard.
Sore back, ribs broken
And a beer in my hand.
Hell of a night man
wrote while in college.
I sit alone on the flimsy discount foldable chair.
I let myself play with the candle although knowing the repercussions of playing with fire.
I wonder what to write about.
Love no longer haunts my conscious
I no longer have my muse
No one wants to here about a midnight **** binge
Or a short lived unfortunate affection.
I never knew to write simplistically so all of a sudden I’m *******.
Just cause I’m without my muse
Onoma Sep 3
a curved stony enclosure whose seawall gives
way to hulking cliffs--with chiseled ramparts
akin to bottom cuspids.
standing before foldable reflections--aside from
the accelerating interpolation of sea-clouds, prone
to negatives.
the guiding intelligence of a flood cupped by an
isle that is unmet with a return.
its interior of entryways are desolate modulators
of tides.
as the two main entrances to the isle set stone apart,
the first as ruggedly cut indicators--the second as
altar-immaculatus blocks.
its baselevel of algae--fed by browning runoffs of rain,
along cracks filled with ivy.
leading into cypress trees expecting late visitors, with
an adamance that gives an odd calm to the out-of-place.
though they unnaturally crowd & surpass their enclosure,
with a tingle of wildflowers anticipating them.
making a point of something, already at its most advanced
stage--withholding a shade solid enough not to have been
under a burning phos.
come the skewed vision of a boat, progressing in the way
of water.
the sea peering at the back of the void's head, as it's shone
upon.
the forward tilt of a boatman's oared tension--stiffly even
keel, with enough momentum to float to the isle.
the boat becomes sensationless...the figure in the white
shroud knows nothing else but what is about to transpire.      
as if Lazarus dazedly brought to his feet, remaining there
for all the world.
the only thing that the cypress trees can see, as take into
their shade the coffin.
*Isle of the Dead, is a painting by Swiss Symbolist artist: Arnold Bocklin.
Jane Sep 2021
I would gut myself
**** to clavicle
(If only it didn't ***** the carpet)
Scoop out my insides
Melon ball platter
Rancid, unpalatable bile
Untouchable innards
And a prayer:
Foldable, soft and ragdoll
Pliable and girlish and pretty
Everything I evade
With shovel hands
Mastication-worn jaw hinge
Too full, sickening
Rotten teeth acid stripped bare
Purging and pleading
For a lighter load
How awful to believe myself
Worth all the more
To society soon as I'm empty
The clothes hanging on the foldable rack dangle: socks, shirts underwear, and t-shirts. The pile that awaits to be loaded into the washer keeps nameless pieces of cloth- just a pile. The people you read about whose faces dangle in front of your screen and on the billoards outside, you can name: First name Last name, Jane Doe and John Doe, Maria Lopez y José Lopez. The people you walk besides, the crowd keeps nameless - just a crowd. But if you would turn and smile even while wearing your mask you'd know that there is no such thing as a “just a ______” and the soliloquy of life would become a fully staged production where you could be writer.

— The End —