The ******* of embezzled glory staunchly defend their counterfeit stature by defalcating the public trust of industrious societies governed internally by compunction and sabotaged externally by the tempests of acerbic fate met with inclement aleatory convergence. To supply a society with ingenuity without being complaisant or officious with unctuous pleas to the overlords we must fashion a new vogue that taps the bustle of giants and aggrandizes the margins to oversee their own creative destinies with scaffolded arrangements of titanic promise and justifiable fluidity to conquer the blinkered dogmatism of a dissolute chastity to inveterate apocryphal tenets of factitious but unmerited perspectives. Democracy crumbles when the convenience of sensationalism supplants the resolve of those that fossick hidden wealth and promulgate validity instead of undergirding pomp with precarious prevarications of duplicitous omission guarded gingerly by the gatekeepers of a ****** sanity that whitewashes the discussion with invented hobgoblins and purblind catharsis. To defeat simplicity and enshrine byzantine elegance as the paragon for voguish commentary rather than abide by a bowdlerized decorum for appeasing simpletons with divisive balkanization through identity politics we can overcome the impediments to human progress that are engineered to persist because of the inertia of the listless and the stubbornness of doctrinaire politicization and invent vivacity and festivity anew. We need to divorce ourselves from pedestrian quibbles of hero-worship that endanger the vitality of the common discourse because of fastidious pedantic disempowerment that ravages us with debased dreams by underscoring nuisances and tolerable nightmares that emasculate the virulence of the liberated individual and subvert his ambitions to contend with a picaresque world of limitless promise and self-motivated internal wealth.
      The bane of modernity is how chary the world becomes because of fractured histories intersecting with controversial destinies and the antidote to that poisonous self-defeating self-censorship is the audacity of brazen challenges to expurgation through assiduous resourcefulness and delicate diplomacy in wrangling controversies with outspoken courage rather than whispered resentment. Temerity waged in inclement circumstance is justified and curiosity stoked by lambent flames of fulgurant individualism should be fortified to the extent necessary to conquer the feckless spoilsports of unctuous puritanism and institutional obedience. The quacksalvers that blather about inconsequence strand the imagination in a desiccated desert that is ostracized from the palettes of the artistic whim to wield efflorescence rather than squander life in pursuit of perfunctory lucre or tenuous solidarity around banal idealism promised by social justice warriors that forget the biggest war being waged on humanity is on the ingenuity of the common discourse and the liberty to opine about real issues rather than saccharine conventions of emasculation through linguistic imprisonment and epicurean slavery to fashimites who relish the buzzword but never the enlightened audience that scoffs at feeble attempts at cultural commentary like Childish Gambino’s “This is America” music video. This particular artifact is a demonstration of how childishly fickle the plebeian mentality really is, stitching together a bricolage of violence to engineer controversy and serenading it with the most banal music imaginable and exhorting people to herald it as a high artform while inundating the world with unimaginative comic book movies and Star Wars rip-offs because of the lucrative business of formulaic replication. “This is America” should be regarded as a parody of itself because of how hackneyed its design is and how cacophonous it sounds and mocks its audience with lowbrow tactics of adding tinsel to trash and marketing it as the glory of tatterdemalions rather than the refinement of true cinematic achievements that have been relegated because Warhol’s Campbells-Soup-consumerism trumps true belletrist in the public view.
        Cultural watersheds punctuate our history with salient achievements in experimentation, but the formulaic profiteering of buzzword sensationalism and yellow journalism and the ostentatious glorification of promiscuous boasting and fancy cars tantalize the mice to continue playing slot machines rather than penning a novel or doing something promethean. The world scoffs at Trump but ignores the bigger institutional caveats that endanger us much more than a pragmatic albeit unconventional pontificator who is complicit in constructing a false narrative to enslave mindless people to fret about eminence rather than delight themselves in the consequential nuances of established refinement that used to serenade the world with flourish and spectacle. The world kowtows to the crusade against flavor-of-the-week enemies of the liberal-conservative syncretism because it has been conditioned to believe that synthesis is the only logical solution for the polarized worldviews of churlish people that become parvenus not on their merits but on their marketable pitfalls and their public foibles. Peccadillos are more important to people than virtues and this makes society morally bankrupt if we loiter around Astroturf causes that have been infiltrated by corporatism and venal debauchery and acquiesce as disempowered gossip hounds that hunt in packs to find jest in aberration rather than achievement in self-created narratives that defy the stupid purblind boorishness of the mainstream media and its haughty liberalism or the persnickety condemnation of priggish conservative moralities that had an expiration date 50 years ago. Who the **** cares about transgender-touting-gender-fluidity quidnuncs and the snooty obsession with lurid personal endeavors of reputable people that made minor ****** transgressions in a world policed by wide-eyed feminazis that seek to ransack men of their vital virulence to spotlight their unjustifiable oppression. Women are oppressed but the carnal nature of their calumniation and their vindictive powers of persuasion are deployed with such vehement vigilance and such distaste for the majority that the world relegates itself to quibbles of celebrities rather than substantive issues. There is a systemic feminization of society occurring that seeks to demarcate despotic uxorious pleasantries as an incarceration of vocal dissent against supercilious women and their tamed men that slavishly grovel in repudiation of anything prickly.  Men historically have oppressed women but the solution to this quandary isn’t a reverse discrimination where the minority concern is spotlighted as a majoritarian issue that overshadows the disproportionate nature of our society where nominal accreditation is afforded in a non-meritocratic way to absolve people of their carnality and demote the vigorous defense of human liberty as secondary to compromise solutions that appease more people than they offend but simultaneously result in suboptimal conditions that reward arbitrarily coachable people while jettisoning anyone witty enough to be capable of insubordination of a hedonistic epicurean world obsessed with appearance and ravaged by the decadence of formulaic profiteering at the expense of originality and true promethean art that is herculean enough to defy hackneyed tropes and siphon the best elements from a piecemeal world variegated with complexity but stifled by fomented hatred.
The solutions to these problems is to create a watchdog group of artistic critics who become eminent and ubiquitously heard enough to offer creative consultation to the artistic endeavors that we consume and the music that is curated for fastidious ears that crave euphonic originality rather than the banality of easily dovetailed bass-heavy cookie-cutter garbage and the gaudy tactics of talentless rappers whose swagger derives from  the intersection of opportunism and the divestiture of an industry that rewards gloated supercilious epicureanism and meretricious marketability. Am I the only one jaded by second-rate superhero movies that infest the cinemas that borrow from Michael Bay while thrusting pulse-pounding but narratively bankrupt movies down the throats of consumers that might prize the cinematic originality of the heyday of filmmaking? Is it always high art to invent controversy that is witless or half-witted just because it will create buzz? Shouldn’t we condemn the laziness of society in acquiescing to the penury of the modern cultural narrative which belabors the dead horses of racism and sexism ad nauseum? Shouldn’t we fight the war of against inequity through legislation rather than hibernating about scandalous eminence and testy malfeasance?
          Liberty should be championed above all else and we are turning our backs on the future unless we muster the resolve to diminish the sway of the common narrative and aim our spotlight at consequential endeavors rather than the tropes of prosaic and pedestrian bastardization of art and culture. We need to fight artistic laziness which has ravaged our culture and castigate the tactics of wannabee celebrities that use lurid tactics to attract an audience by bedizening themselves with Pyrrhic ostentations and rampant fakery to create more melodrama in a world that needs to be less histrionic. YouTube celebrities swarm us as they get high on ******* and lean-- at our expense-- and vandalize property and convincing nine-year-old’s like Lil Tay to flex her money like it is infinitely renewable in a finite world where all our attention is wasted on artless artifice of less talented people that know how to engineer a ruckus by strutting themselves beyond all decency and selling out to a corporatist nightmare of enslaved convenience. We need to be more vocal about the dissolution of artistic merit and the formulaic repetition of successful formulas that jade us and make us yawn about another retread of a previously successful idea that is milked to the point of cruelty.                                                         ­                       
       Let’s change the narrative and focus on creating true art rather than reacting to the meretricious tinsel of the vogue consensus which is so impotent in its ability to rivet audiences because it has become so notoriously lazy. Fight laziness in art, dismiss your news feeds, be resourceful, seek true happiness rather than find yourself hoodwinked and duped by the idea that Trump is the most important issue or getting caught in thought loops and brooding about sexism and inequality. Let us strive to be egalitarian but within limits that would also appease hominists rather than just the hypertrophy of the leftist narrative that seeks to cage us with the doublespeak of complaisant conformity.  Reject the unctuous charlatans that pretend priggishness when their banausic purpose is barbaric but beguiling to be a lullaby for laggards. We need to fight for the future of civilization rather than hobnob with convenience and loiter around decrying false perpetrators rather than systemic injustices that could otherwise be rectified if enough people fought for it. We can invent a future that is a great festivity serenaded by cultivated artistic refinement and forget about the trifles that divide us. United in ambition and fueled by ingenuity we can defeat artistic laziness and be resourceful with how we decide what is newsworthy. Spurred by the argosy of proactive motivation we can change the world in a substantial way by deciphering the subtext that governs the world. The subtext is everything!

Filmmaking should be an art form, not merely a business.

The creative process should be personal, not impersonal.

Filmmaking should be sentimental, not political.

Performances should be natural, not robotic. They should be authentic, not artificial.

Writing should be truthful, not bogus.

Cinematography should be ambitious, not pretentious.

Premieres should be on a big screen, not a flat screen.

The audience should open up their preferences, not solidify them. They should respect traditions, not belittle them.

Profit should be a reward for hard work, not a motive for it.

Filmmaking should be intoxicating, not grueling.

Credit should be a right, not a luxury.

Ownership should be divided, not bombarded.

Final cuts should be final, not temporary.

The industry should be welcoming, not selective. It should be open, not gated.

Investors should require trust, not demand control.

We should treasure movies, not forget them over time.

Artists should be publicized, not exploited. They should be grateful, not prissy.

Celluloid should be valued, not endangered.

Equipment should last, not outdate within a year.

In a country full of opportunities, why is it so difficult to achieve what you want? Better yet, if you work hard enough, why could you still fail?

i can't wait until i have a room with a view.
to clear my head.
and watch the day come
over the trees.
sip a coffee with two hands,
tell my wife
how nice she looks,
when the sun shines through the window.

Complete Creative control
Apart from playing the lead role
I'd rather destroy my career
Than give others the power

Long drawn film making
Big budgets and months of scheduling
Multiple characters and sub plots
Bringing them together on a studio lot

Filmmaking style of his mentor
Spaghetti Western genre creator
Sergio Leone the director
Whose direction he did the trilogy under

Studio backed Actioner
Don Siegel was the auteur
Met his second mentor
Worked 5 films with this Director

Fast paced and minimalistic
Was Siegel' s characteristic
Fewer set ups to shoot
Lesser number of characters to boot

Direct approach to the story
No sub plots to deviate from the itinary
In your face filmmaking
No time wasted in its processing

Audience are intelligent
Premise he learnt to implement
Explanatory scene and dialogues done away
Both the styles he now had under his sway

Dots left unconnected on purpose
Audience watching him global and diverse
Each to their own conclusion
Was the underlying scoring point of his direction

Built a team at Malpaso
Regular Stock company scenario
Editor Cinematographer Designer
Made films like a express luxury liner

Handled various genres
Doubling as Actor and Director
Made everyone wonder
With his output as a Producer

Not low budget fare
But optimally budgeted affair
Restricted shooting days
Edited along the way

Handled off beat themes
Increased his creative esteem
Many remade later
Nothing like this master storyteller

A one night stand
Kept the viewer on the edge
A Drifter seeking vengeance
Ghost or brother left to the thinker

Alcoholic cop sent on purpose
Retrieve a witness who'll cause more trouble
A loser cop as a protagonist
Feather on the cap for this perfectionist

Love for Jazz and Country
Stealing a plane from another Country
Harry Callahan made you day
With Go ahead make my day

Priest saving a community
Disappearing affecting the continuity
Caddiallac comedy
Partnered with Charlie Sheen in the Rookie

Played the legendary John Huston
Premiered at Cannes and won good reviews
An Army film about the Marines
Wonderful film that's more that it seems


Dedicated a film to Sergio and Don
Compounded their skills in this milestone
An Anti Western about a reformed former bounty hunter
Deciding to saddle up to save his children from hunger

Deliberately paced and terse
Classic Western in every frame
Emotional emptiness of killers
Unwilling to conform to society and loners


Conscience is his friend
Whom he looses in the end
Kills those responsible
Regretting every time he triggered his rifle

Clint pays homage to his films
And his mentors in the credits
Reinvented his image  with merit
The film won 4 Oscars to his credit

This only covers half his career
Handled complex themes later
Never deviated from his core principle
Trusting his feelings m he for gut in the middle all the trouble

Never yells Action or Cut
Let's go and that's enough the way he puts
Principal photography ahead of schedule
Compromising on the quality not even miniscule

So used to crying alone
as I am now

Sobbing, sorry
this life, these deaths

evoke

I'm ok with wracking

all the knowing
thin

breathing is labored

snorting to breathe

rocking in my chair

rubbing the tears
into my eyes
saltly stinging snorting

wipe

something folds down
on time
as if you were light
and i was dark

and blinking is filmmaking
when you are the star

reverse this into that
get then

when we thought
we were more than
a bleeding edge
in time


Copyright@2018 Dennis Willis

Super Spy
Of the MI 5
License to ****
Audience to thrill

James Bond character
Ian Fleming the creator
A former Naval officer
Now a best selling author

Harry Saltzman and Cubby Broccoli
Danjaq the holding company
Wives names combined in harmony
Either or Nothing their policy to filmmaking

Cary Grant first choice
A million dollars the price
Turned it down with grace
Retirement plans deterred being in the race

Sean Connery picked
Casting totally clicked
Character perfectly fit
Global audience accepted

Style and Substance
Played the role with non challenge
Witty and gritty in his portrayal
Perfect choice for the material

A symbol of style
Clothes he wore
Tailored with care
Sartorial benchmark for audience to admire

Aston Martin DB 5
Revolving number plates
And ejector seat its facets
One of many groundbreaking gadgets

Way he said his name
Everyone tried the same
Synonymous with this delivery
Most Remembered line in movie history

Only branded he did wear
Rolex oyster perpetual on his wrist
***** Martini flavored drink
Shaken not Stirred the way he preferred

Unbelievable story made believable
*** and violence only seemingly
Film picturized so that the children can see
Handled it perfectly filled all the seats

Gadgets from Q
Fans waiting to with bated breath
Very likable character
Desmond Llewellyn made it spectacular

Heroines selected with keenness
Looks and talent considered important
Bond girl tag most prestigious affair
Most sought after role
Heartthrobs of every soul

Exotic locations never before seen
Had the audience in a state of dream
Gadgets performing miraculous tasks
Had the eager fans more to ask
Wisecracks thrown in abundance
Crackling dialogues added to the experience
Great actors cast as villains
Balanced Bond with their ruthlessness
Breathtaking stunts in various forms
Car chases on mountain pathways
Ski chases on the mountains edges climaxed with
Falling of the cliff from altitudes we never knew existed
Free falls from an aircraft
Boat chases on the Venice canals
These are only a few listed
Viewers ****** into the cinematic reality
Always full of surprises at the films rarity

Spectre the acronym
Organization with a motive centered on global anhelation
Ernst Stavro Blofeld the man with sinister plans
Deputes the members to cause the mayhem

Bond vs Blofeld
Continue forever
Film after film
Bond stops his plans to ruin

Budgets had no limits
Every dollar earned
Given back to the screen
To make the next film
Audience never taken for granted
Every film took the experience to a whole new level
People never disappointed
Integrity of the team amply rewarded
Every film a box office success
Continuing for decades the franchise never ceases to impress


M the head of operations
Fredrick Gray the minister for defense
Bernard Lee and Geoffrey Keen
Veterans of the stage
Across the series made to play
Universal exports the cover organization
Money penny the flirty intelligent and harmless assistant
No effort to hide her pining
With Bond often playfully ignoring
Her verbal interplay with Bond
Wonderful chemistry these scenes add value beyond


Every film a roller coaster
Throws in everything including the kitchen sink for entertainment
Its box office appeal to bolster
Each film creating records
Beating the earlier


Ruthless and casual
Knowledge of varied subjects a bonus
Humorous and dangerous
Never loses focus
Every character a pawn
Moves it to get the job done
Saves the world time and again
Next crisis on only to begin


Attempts to **** him lost count
His presence of mind gets him out
Greatest character created in movie history
Etched in people's memory who forever sing their glory


60 th year for the franchise
Longest lasting goes without saying
Foundation laid by Sean Connery
6 films and a decade at the helm
The very sight if him made people melt


George Lazenby was tried for On her Majesty
First Non Connery Bond was Average
The producers knew they couldn't leverage
Opted for another actor
Who had just finished 8 seasons of The Saint
Global hit TV show that brought him international fame
Roger Moore was his name


Filling in the shoes of Sean Connery
Roger Moore carried forward the legacy
Brought in more humor bordering on parody
Suited the role to a T
7 films and 12 years later
Nobody does it better

By Elliott Blanchette

2020, what a year indeed!
For every nation, language and creed
For it exposed every good and bad deed
But it was a long lesson that we did all need.

In January, a tragedy worse than the heat of Nairobi
Was the death of a legend, a man we call Kobe
The world mourned, wept, wailed and did wonder
Was there more coming from 2020 over hill and yonder?
‘Twas then I heard of a virus
And no, not ammonia!
Was not crisp like a beer
But she was called Corona
In China, she sat, like a lioness ready to pounce
But leaked out onto foreign soil, ounce by ounce!

Trump was a man impeached
But by the start of February
He was acquitted of all charge
Was trial really necessary?

Then came a historic day
More seasoned than parsley
For the long last conviction
Of a man named Harvey
A filmmaking giant who fell from grace
All cause he never learned the value of personal space.

Then came March, my birth month of course
On the 9th day of the month, the stock market went hoarse.
Corona slipped onto our shining shores
Closing all of our venues, markets and stores

But wait, Trump said, let’s not let hope fester
We shall curb this little knock before Easter
April came and our hope seemed dim
Corona took human form and she was at the helm.

Then came May, a month I wish we could avoid
It all came to a head with a man called Floyd
A cop’s knee was upon him, as I watched the world seethe
As Floyd uttered his final words, “I can’t breathe!”
Like a volcano that just blew its top
Riots erupted and came full stop!

I watched in stunned silence as I saw two sides clash
With protestors and cops seeing each side bash.
Violence escalated and hatred doubled
I felt my heart sink, I was deeply troubled.

It spilled over into June, near the start of summer.
All nerves were on high!
My God, that was a ******!
It was then it occurred to me, yes I have a voice
To use it for hope and faith, and yes that was my choice.
There was another highlight
No need to be hiding
Look out USA, here’s Biden!
Tyson’s got nothing on him
Trump’s chances just got dim!

Now came July, with another strike
Bugs called ****** hornets came in a huge spike
They were like hoodlums intent on killing
Every honey bee and hive, their bee blood spilling!
I did much as I could to keep on living!
Until I learned of the death of Regis Philbin
Host of a great game show, if one would dare.
One called Who Wants to be a Millionaire!

August rolls around explosion and joy see
Beirut up in flames and Kamala as VP
But then tragedy struck again for Hollywood
We lost Chadwick Bozeman, the Black Panther that Could!
Our Wakandan salutes all up in the air
I asked God why Chadwick, it didn’t seem fair!
California had its own trauma
Fanning the flames
Consuming every forest
We are not playing games!

September brought another tragedy
A pioneer of change
Losing the great RBG and her great judicial range
A revered Supreme Court justice of the highest merit
Only to be replaced by a woman called Barrett.

In October, Corona reared its ugly head
As it went to attack the President instead
Many wished he went down, but it didn’t take him
Pretty soon he was back on the road on a whim.
Was it staged or was it all real?
Trump healed up way too quick, what’s the deal?

Then came that month, the dreaded November
It was served piping hot like a bowl of scorching embers!
For Trump, this month was all but fun
For old Joe Biden, it was a grand home run!
For gals everywhere, they were all, Yippee!
As Kamala Harris was elected the First Lady VP!
Yet another tragedy came, one that stung me in the neck
Was a beloved game show host called Alex Trebek.
Cancer took him severely and quietly too
Jeopardy won’t be the same, all fans cried boo-hoo!

Finally it was December
Not served as a burning timber
There was hope a-flaring
As far as I remember
Relief was coming and for all to be seen
An FDA-approved COVID-19 vaccine
Yes! I thought, my faith paid off
But local leaders would just look and scoff.
They bickered for months, allegedly on our behalf
When we got 600, they gave us the shaft.

This year was a hot mess
Every event in its cause
2020, oh 2020....the year that was!

The Godfather
Story of a Gangster
Family ties explored
Wisdom in every word



One flew over the cuckoo's nest
Non conformist hero
Confronts a by the book nurse
Greatest acting seen on screen follows

The French Connection
Drug smuggling the foundation
Greatest car chase filmed
Best Actor Oscar deservely earned



DeathWish audience wish
Cleaning the Streets of NY
Muggers and thugs killed
Not a revenge story provex its skill

Smokey and the Bandit
In a time frame to transit
Beer from Texas Sheriff on trail
Pontiac Transam sets screen ablaze

***** Harry cop in fury
Inspired by a true story
Serial killer on the loose
Mystery Suspense Thriller together looped

Diamonds are Forever
Style and class to endure
Smuggling just a cover
Blofeld tries to seize power

Live and Let die
Drug trafficking to spy
Action scenes never outdone
Suave Cool Class and Style undone




Get Carter Gritty thriller
in search of brother
Against gangsters in Manchester
Revenge film of the first order

Bonnie and Clyde
dead bodies in the wayside
Robbing banks for fun
Classic film remains fun

The Cincinnati kid
On the poker table he'll fit
Compulsive gambler
Pushing the limit his nature

Westworld science fiction told
Set in a theme park
Robots coming to life
Inspiration for Science fiction

The Graduate
Young and old mate
Fights against fate
Great music yet to date

Brubaker prison warden
Reform his only mission
Against the establishment
Futility of his actions

Cool Hand Luke
Prison film a classic
Escape from jail
Cought in the trail

In the Heat of the Night
Redneck Sheriff and FBI agent
Racist backdrop never shown better
Join together to solve a ******

The Samurai
Ruthless killer for hire
Best in the genre
Actors lived the characters

Fear over the city
A killer with no pity
Cop got on his trail
Stunts will stun even today

Investigation of a citizen above suspicion
****** mystery to solve
Cat and mouse game played
Special film takes the viewer on a journey

Patton war hero
Complex Character deeply explored
Every scene close to reality
Slice of World War History

Sholay greatest Indian film ever made
Crooks hired to catch a dacoit
Male bonding comes beyond the screen
All genres in one s lesson in filmmaking

Enter the Dragon
Drugs and Women trafficking in an island
Action scenes never before seen
Philosophy another dimension woven in every scene

Point Blank Deserted by his wife
left for dead
Revenge on his mind
Paranoia film the best of its kind

Harriet Bosse, a delicate beauty with rich theatrical talent, was an inspiration for the prominent and controversial playwright August Strindberg. After their three-year marriage collapsed, she became his interpreter to the world, guardian of the Strindberg legend.
This first biography of Harriet Bosse in English explores her own important career as an actress on the Swedish stage, as well as her influence on Strindberg’s work. Waal has separated Harriet Bosse from her romanticized image in the shadow of August Strindberg and has shown her as a person, fascinating and self-sufficient. Her daughter-in-law Randi Wingård said: "Harriet was a great personality, and even if she was tiny, one could not help noticing her in any gathering. She attracted everyone’s attention." While tracing the development of Bosse’s career, her triumphs and disappointments, Waal chronicles the beginnings of Swedish filmmaking in early silent films as well as four decades of major developments in Swedish theatre.
But Bosse’s marriage to Strindberg and her relationship to his writing are an integral part of her story, and Waal also details the couple’s stormy marriage, from 1901 to 1903, the reasons for its failure, and the personal and career influences they continued to exert on each other. As Strindberg’s inspiration for many literary works, Bosse was alternately vilified and idealized. Much of what Strindberg wrote after meeting Bosse reflects his adoration of her and his despair over the problems of their relationship. She inspired two of his major works of poetry, "The Golden Eagle" and "The Dutchman," in addition to the character of the ****** princess in Swan White. On stage she played eight minor and six major Strindberg roles, including Indra’s Daughter in A Dream Play and Christina in Queen Christina.
Much information for this book is drawn from previously inaccessible sources, including unpublished materials in libraries, archives, and private collections, mostly in Scandinavia. Waal interviewed Strindberg and Bosse’s daughter Anne Marie Wyller Hagelin (to whom the book is dedicated) as well as other members of Bosse’s family and a wide range of actors, critics, directors, and scholars. Forty-one photographs are included in the text

gamesome, chucklesome, bothersome,
and awesome modest fellow)...
does not deliberately court immortalization,
and wonders what criteria confer elevation,
exaltation, glorification, hero worship,
idolization, veneration, or worship.

I go about a daily humdrum routine
me, a twenty first century baby boomer,
who considers himself passé
and senses with sensibility
he would have been more at home
during the early nineteen hundreds.

At threescore and six years
under my out of this world Kuiper belt,
this wannabe joker here makes the most
of figurative cards I got dealt
despite most every day of my life felt
accursed with mental health issues,
stunted physical growth,
and a split uvula - submucous cleft palate
on very rare occasions, I
(once a slip of a lad
and light as a feather)
got lifted off the ground

and tossed in air by classmates
momentarily suspended as a Great Dane helt
in high regard remembering those happy days
analogous to Reelin’ In the Years
being like a little fish in a big pond
poignant adventures
going out with weathered mariners
actually Norwegian bachelor farmers
tricked out ****** thru and thru
prematurely ******* with joie de vivre
while whipping the rod
hoping hook, line and sinker snags jacksmelt.

Nothing about my person screams
shine the kleiglights (an intense carbon arc lamp,
especially used in filmmaking) on me,
one foo fighting fool on the hill nowhere man,
who hopes to be reincarnated into the ideal of
acuity, bankability, creativity, divinity, ethicality,
fidelity, generosity, humility, integrity, jocundity,
knowledgeability, likability, magnanimity, nobility,
originality, perspicacity, luck quiddity, respectability,
sagacity, tranquility, unconventionality,
versatility, and winnability.

Now just let me get these grubby hands
on well preserved brains of freshly deceased,
and tinker ala Victor Frankenstein.

Yes quite a tall order,
but methinks I can master
genetic engineering (with both eyes closed -
and both hands tied behind my back),
and thwart (once and for all)
the nasty demise of mortality
and promise fail safe solution
to vanquish what people used to consider
the quaint inevitable and unavoidable
courtesy visit by the grim reaper -

depicted as wearing a dark hooded cloak
and wielding a scythe
also known as Hel, Thanatos -
formerly known as Azrael,
and better known as the Grim Reaper
the personification, embodiment,
and spirit of Death
(known throughout the cosmos
for appearing soon after someone died
to deliver their soul to the afterlife),

Psychopomp, or Shinigami
 "la Parca" ("The Robe"), -
a common term for the personification
of death across Latin America
forcing humanity to rethink and reboot
the concept of dying and meeting the maker
essentially making process of death obsolete
unleashing in this lifetime of mine
the solution to upend
the demise of corporeal entity

plus doing away with attendant
emotional and financial toll
final expense insurance policies generate -
whereby unabated longevity
no longer a worry of the past,
but another padding to "nest egg"
recouping set aside monies
to cover the costs incurred
by the death of a loved one,
whether that person

gets buried in a cemetery or cremated
to be become forever vanquished
courtesy creating a untapped market for
twenty blank nth century when speciality
to become a B certified and verified by B Lab
of social and environmental
performance, transparency, and accountability,
which demand to churn out
one after another doctors
named Victor Frankenstein

bringing to life "creature", "fiend",
"spectre", "dæmon", "wretch",
"devil", "thing", "being", and "ogre,"
which high paying specialists
must meet high standards,
whereby the newly hatched mad scientist
receives an bone a fide education
of corpse, whose appreciation acknowledged
by the grateful dead souls
their learning involves combining,

involving artificial intelligence,
reproductive biology and robotics
discovering solutions to synthesize
the best western qualities
and as a dissertation
presenting the most poignant
tragicomic live unrehearsed drama
showcasing the denouement of humanity
trumpeting **** sapiens
bumbling, fumbling, and tabling

after teasing out the box of Pandora
mysteries of development
building neural network describing
linkedin thinking computer systems
deoxyribonucleic acid, and branches
of engineering and computer science
that involve the conception, design,
manufacture and operation of robots
unwittingly as a cautionary tale
whereat smart machines outwit

and then control their creators
with decency, humanity, leniency....
no, not spelling the gloom and doom
of man/womankind,
but rather capitalists freed from labor boon
yet silver lining allows, enables, and provides
old fashioned option to party hardy,
or read all the books in the world
which upside being that human beings
can alway choose exit - stage door left

videre licet euthanasia (voluntary
and pain free suicide),
returning to the closed feedback loop
molecules and atoms
constituting and declaring
each unique personhood
ready and willing to give up the ghost
and buzzfeeding, jump/kick starting
and replenishing the biosphere.