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Irma Cerrutti Mar 2010
**** all, **** all, **** all
Sweet ***** Adams, sweet ***** Adams, sweet ***** Adams
**** all, **** all, **** all

There's **** all you can rip off that can't be ripped off
****** all you can spit that can't be spat
**** all you can jabber but you can wot how to fiddle the velociraptor
Page—3 girl's always ready for a chat

There's **** all you can **** that can't be ******
No one you can stuff that can't be stuffed
Sweet **** all you can ***** but you can wot how to vegetate you swanky metronome
Über—babe's loose

All you need is **** all
All you need is **** all
All you need is **** all, sweet ***** Adams
**** all is all you need

**** all, **** all, **** all
Sweet ***** Adams, sweet ***** Adams, sweet ***** Adams
**** all, **** all, **** all

All you need is **** all
All you need is **** all
All you need is **** all, sweet ***** Adams
**** all is all you need

There's **** all you can have carnal knowledge of that isn't *****
**** all you smell that isn't uncorked
Thumbs down on the spot you lunch box be on the spot that isn't on the spot you're meant rubbing shoulders be spot on
Blonde's thick
All you need is **** all
All you need is **** all
All you need is **** all, sweet ***** Adams
**** all is all you need

All you need is **** all
All you need is **** all
All you need is **** all, sweet ***** Adams
**** all is all you need
****** all is all you need
That is all you thirst
That is all you lust
That is all you desiderium
That is all you la nostalgie de la boue
Copyright © Irma Cerrutti 2009
Emilie L May 2010
-If I were *****, who would I choose?

The lovely Edmund treated her kind
Indeed, kind he was in her mind
He was protective of her
His words were of comfort
She doted on him so much
That seeing him with another depressed her

The charming Henry grew fond of her
On her gentleness and modesty he dwelled
In her modest and elegant manners, he found charm
There was a sweetness to her which felt warm
And Henry was seduced by such gentleness
He found her timidity so delightful
That for her, he harboured feelings so soon

Yet in *****’s innocent eyes
Crawford’s flirtations led to his own demise
Not indifferent to what seemed to be sincere efforts
He forcing his love on her however proved just worse
She was too much convinced of his pretence
In his endeavour, she found not grace but nonsense
His unsteadiness
Her ineffable kindness
They were too much different
On such belief, she wouldn’t be bent

On the other hand
There stood Edmund, oh dear Edmund
He cared about her so deeply
But his attachment was merely brotherly
Knowing such truth saddened her immensely
Yet she’d rather be with him as a sister
Than not be with him at all
He was too virtuous to be deceived

The goodness of her heart dictated to choose none
Poor Edmund was blinded by Mary’s doings
As calculated as they were, they promised sufferings
Edmund could think of no woman but Mary to be his wife
His idea of her was exceedingly flattering; what a plight
A hurt ***** could not change his mind
Her unwavering support never left his side

And the proud Henry Crawford
What to say of his ardent courtship?
At some point, vulnerable ***** could fall for him
But she never did, not even once
He changed for her in manners and words
But to defy one’s true nature would be to lie to oneself
Temptations so strong
In the presence of an interested Mrs Rushworth
Needless to say; his true colours showed, infidelity ensued

In the end, who to choose?
If I were in *****’s shoes
It certainly wouldn’t be Henry
Such a **** doesn’t deserve a pure soul like *****
Though I don’t doubt that he truly fell for her
He ruined all chances of being with her
His incessant words of love were received with pain
He tried to win her affection in vain
But to try to gain a girl’s heart with flowery talks
This is an unwise move, it is too much

Thank God, Edmund realised his error in the end
But can he redeem himself when he showed so poor a judgement?
I doubt so; and I dare question his change of heart
His infatuation for Mary faded, and his love for ***** grew so fast
Does it even make sense to have one’s eyes opened that fast?
I dare answer in the negative
This said, none of them deserve *****
If I were *****, I’d choose none...

-15/05/10
© eMs' silent poetry. All Rights Reserved.
Nat Lipstadt Feb 2016
ABRAHAM LINCOLN’S FAMOUS CIVIL WAR CONDOLENCE LETTER TO YOUNG ***** MCCULLOUGH ABOUT DEATH, LOSS AND MEMORY**

Executive Mansion,
Washington, December 23, 1862.

Dear *****

It is with deep grief that I learn of the death of your kind and brave Father; and, especially, that it is affecting your young heart beyond what is common in such cases. In this sad world of ours, sorrow comes to all; and, to the young, it comes with bitterest agony, because it takes them unawares. The older have learned to ever expect it. I am anxious to afford some alleviation of your present distress. Perfect relief is not possible, except with time. You can not now realize that you will ever feel better. Is not this so? And yet it is a mistake. You are sure to be happy again. To know this, which is certainly true, will make you some less miserable now. I have had experience enough to know what I say; and you need only to believe it, to feel better at once. The memory of your dear Father, instead of an agony, will yet be a sad sweet feeling in your heart, of a purer, and holier sort than you have known before.

Please present my kind regards to your afflicted mother.

Your sincere friend

A. LINCOLN.
A Common Bond of Grief

By
Harold Holzer

Feb. 12, 2016 4:24 p.m. ET
“We can not escape history,” Abraham Lincoln warned in his annual message to Congress on Dec. 1, 1862. Just four days later, as if to prove Lincoln’s point, an obscure Union cavalry commander lost his life battling a nighttime ambush deep behind Confederate lines at Coffeeville, Miss. The remote dust-up at which Lt. Col. William McCullough died heroically earned scant notice in Washington—except from the president himself.

Years before, as a circuit-riding lawyer, Lincoln had come to know McCullough and his family when the Bloomington, Ill., resident served as sheriff, and then as clerk of the county court. The two men had much in common. Both had served in their state militia during the Black Hawk War. Each married a woman named Mary. Both became Republicans. And each lost young children to disease.

At the outbreak of the Civil War, Lincoln had allowed his old friend to volunteer, though, at 50, the white-haired McCullough was ancient by military standards, lacked vision in one eye, and had lost his right arm to a thresher. Now Lincoln learned that, outnumbered at Coffeeville, McCullough had clenched the reins of his horse between his teeth and galloped along his lines, saber raised in his remaining hand, rallying his men to fight.

No doubt already remorseful, Lincoln became especially concerned when mutual friends reported that the hero’s 22-year-old daughter Mary Frances—known as “*****”—was grieving with alarming intensity. The “afflicted” young woman had shut herself off in her room, refusing to eat, “pacing the floor in violent grief, or sitting in lethargic silence.” Her family feared “for her consequences.”

Lincoln was no stranger to the fragile tipping point between grief and insanity. The loss of his beloved 11-year-old son Willie earlier in 1862 still haunted his dreams. His wife’s hysterical mourning had triggered a breakdown. Earlier in his life, Lincoln had grown so despondent over the death of his New Salem, Ill., sweetheart Ann Rutledge that neighbors ordered him “locked up” to “prevent derangement or suicide.”

Informed in mid-December of ***** McCullough’s “broken hearted” state, Lincoln intervened with one of the mere handful of personal condolence letters he wrote to honor war heroes and assuage their survivors. That he penned it just days after a morale-crushing Union defeat at Fredericksburg, and only days before he had to decide, amid intense pressure, whether to issue the Emancipation Proclamation, makes Lincoln’s achingly tender composition especially remarkable. The “McCullough Letter” deserves its reputation as one of the greatest condolence letters ever written, even if it remains little-known—a tour de force in a genre that arguably required more literary dexterity and delicate persuasiveness than even a great orator’s most demanding public speech.

“In this sad world of ours,” Lincoln counseled, “sorrow comes to all; and, to the young, it comes with bitterest agony, because it takes them unawares. The older have learned to ever expect it.” Here, with rare candor, Lincoln was reopening a painful old wound of his own: the loss of his beloved mother, who had suffered a horrible death before his eyes when Abe was only 9. Promising “some alleviation of your present distress,” Lincoln knowingly walks ***** through a multistep recovery program, from overwhelming sorrow to the “perfect relief” that would come only with time. “You are sure to be happy again,” he promised her. “The memory of your dear Father, instead of an agony, will yet be a sad sweet feeling in your heart, of a purer, and holier sort than you have known before.”

The original one-page, 166-word letter took a long journey to full public disclosure. In the 1950s, the reprinted text appeared in “The Collected Works of Abraham Lincoln,” but the original remained in McCullough family hands. Music executive Carl Haverlin acquired it in the ’60s for a then-record $60,000. Fortunately, it was ultimately acquired in 1997 (for $400,000) by public-spirited manuscript collector Benjamin Shapell. While the treasure now resides in the private Shapell Manuscript Foundation archive, its owner has generously made it available for public exhibition (most recently at the Library of Congress and the Morgan Library). Best of all, the scanned manuscript also lives online (www.shapell.org), where it can be rewardingly inspected in vivid close-up. Neatly penned in Lincoln’s legible hand on blue-lined Executive Mansion letterhead, still creased where it was folded twice to fit into a White House envelope, it appears nearly as crisp today as the moment ***** McCullough first opened it.

Lincoln signed his condolence message to *****, “your sincere friend,” and to many of the loyal thousands who lost fathers, brothers and sons fighting for the Union, the consoler-in-chief must have seemed so. But where ***** McCullough was concerned, one senses a closer, more unique connection: the bond between two soul mates who mourned inconsolably, suffered deeply, and needed desperately to recover in order to live—and, in Lincoln’s case, to lead.

In time, the once-irreconcilable ***** re-entered the world as well. Surely inspired by Lincoln, she recovered enough to overcome yet another staggering loss: A young soldier she fancied died in action, too. Eventually she married his brother and long endured. ***** kept the president’s condolence letter in her possession until the day she died, at the age of four score years.
Lucy May 2019
Saturday night
She danced the night away
The night is over
But she still wants to play
Like the pied piper
She plays her tune
And friends, thieves and lovers
Fly from the moon
They’re excited to see
Disco ***** in all her glory
The musky hummmmm
Sweet and sticky
She likes it when
You give her bean a flicky
Her mating call
Is a sight to behold
Once you hear it
There is no escape
And like a Venus flytrap
She entices you in
So grab your snorkel
And dive into the depths
For are many treasures
That one can find
Disco ***** has nothing to hide
Evoke the Disco *****
For she’s always there for you
A sign of a magical night
Of what naughty deeds
You have been up to
And if you can’t remember
Disco ***** will be there to remind you
Sara Kellie Dec 2017
My name is Sara, a transgender chick
Wanted a *****, was given a ****
I hide it in knickers of satin and lace
before sitting down to make-up my face,
Next the prosthetics, I'm using two bits.
Stuck to my chest, they'll do as my ****
Now for my legs I'll put on false tan,
I wouldn't do this if I were a man
Alternative nights, a t-girl delights
to sit on her bed and pull on new tights.
I'll put on a dress, a cute one no less.
Then for my shoes, high heels I choose
A sandal style shoe as every girl knows
not only looks cute, they'll show painted toes
A bit of eyeliner, eyebrow definer,
lipstick and blush, I'm now looking lush.
I stand in the mirror all ready to go,
there's only one question I just have to know.
"Does my *** look big in this?"

Poetry by Kaydee.
I wrote this poem in 2010 shortly after introducing myself as Sara to the world.
Physician Nature! Let my spirit blood!
O ease my heart of verse and let me rest;
Throw me upon thy Tripod, till the flood
Of stifling numbers ebbs from my full breast.
A theme! a theme! great nature! give a theme;
Let me begin my dream.
I come -- I see thee, as thou standest there,
Beckon me not into the wintry air.

Ah! dearest love, sweet home of all my fears,
And hopes, and joys, and panting miseries, --
To-night, if I may guess, thy beauty wears
A smile of such delight,
As brilliant and as bright,
As when with ravished, aching, vassal eyes,
Lost in soft amaze,
I gaze, I gaze!

Who now, with greedy looks, eats up my feast?
What stare outfaces now my silver moon!
Ah! keep that hand unravished at the least;
Let, let, the amorous burn --
But pr'ythee, do not turn
The current of your heart from me so soon.
O! save, in charity,
The quickest pulse for me.

Save it for me, sweet love! though music breathe
Voluptuous visions into the warm air;
Though swimming through the dance's dangerous wreath,
Be like an April day,
Smiling and cold and gay,
A temperate lilly, temperate as fair;
Then, Heaven! there will be
A warmer June for me.

Why, this, you'll say, my *****! is not true:
Put your soft hand upon your snowy side,
Where the heart beats: confess -- 'tis nothing new --
Must not a woman be
A feather on the sea,
Sway'd to and fro by every wind and tide?
Of as uncertain speed
As blow-ball from the mead?

I know it -- and to know it is despair
To one who loves you as I love, sweet *****!
Whose heart goes fluttering for you every where,
Nor, when away you roam,
Dare keep its wretched home,
Love, love alone, his pains severe and many:
Then, loveliest! keep me free,
From torturing jealousy.

Ah! if you prize my subdued soul above
The poor, the fading, brief, pride of an hour;
Let none profane my Holy See of love,
Or with a rude hand break
The sacramental cake:
Let none else touch the just new-budded flower;
If not -- may my eyes close,
Love! on their lost repose.
NELSON MANDELA, NUMBER 46664 IS DEAD; EULOGICALLY ELEGIZING DIRGE FOR SON OF AFRICA, HOPE OF HUMANITY AND PERMANENT FLAME OF DEMOCRACY


Alexander K Opicho
(Eldoret, Kenya; aopicho@yahoo.com)

Nelson Mandela, South Africa's anti-apartheid beacon, has died
One of the best-known political prisoners of his generation,
South Africa's first black president, He was 95.
His struggle against apartheid and racial segregation
Lead to the vision of South Africa as a rainbow nation
In which all folks were to be treated equally regardless of color
Speaking in 1990 on his release from Pollsmoor Prison
After 27 years behind bars, Mandela posited;
I have fought against white ******* and
I have fought against black *******
I have cherished the idea of a democratic
And a free society in which all persons live together
In harmony and with equal opportunity
It is an ideal which I hope to live for and to achieve
But if need be, it is an ideal for which I am prepared to die,

Fortunately, he was never called upon
To make such a sacrifice
And the anti-apartheid campaign did produce results
A ban on mixed marriages between whites and folks of color,
This was designed to enforce total racial segregation
Was lifted in 1985
Mandela was born on July 18, 1918
His father Gadla named him "Rolihlahla,"
Meaning “troublemaker” in the Xhosa language
Perhaps  parental premonitions of his ability to foment change.
Madiba, as he is affectionately known
By many South Africans,
Was born to Gadla Henry Mphakanyiswa,
a chief, and his third wife Nosekeni *****
He grew up with two sisters
In the small rural village of Qunu
In South Africa's Eastern Cape Province.
Unlike other boys his age,
Madiba had the privilege of attending university
Where he studied law
He became a ringleader of student protest
And then moved to Johannesburg to escape an arranged marriage
It was there he became involved in politics.
In 1944 he joined the African National Congress (ANC),
Four years before the National Party,
Which institutionalized racial segregation, came to power
.
Racial segregation triggered mass protests
And civil disobedience campaigns,
In which Mandela played a central role
After the ANC was banned in 1961
Mandela founded its military wing Umkhonto we Sizwe
The Spear of the Nation
As its commander-in-chief,
He led underground guerrilla attacks
Against state institutions.
He secretly went abroad in 1962
To drum up financial support
And organize military training for ANC cadres
On his return, he was arrested
And sentenced to prison
Mandela served 17 years
On the notorious Roben Island, off Cape Town,
Mandela was elected as South Africa's first black president
On May 10, 1994
Cell number five, where he was incarcerated,
Is now a tourist attraction
From 1988 onwards, Mandela was slowly prepared
For his release from prison
Just three years earlier he had rejected a pardon
This was conditional
On the ANC renouncing violence
On 11 February 1990,
After nearly three decades in prison,
Mandela, the South African freedom beacon was released
He continued his struggle
For the abolition of racial segregation
In April 1994,
South Africa held its first free election.
On May 10,
Nelson Mandela became South Africa's first elected black president,
Mandela jointly won
The Nobel Peace Prize
With Frederik de Clerk in 1993
On taking office
Mandela focused on reconciliation
Between ethnic groups
And together with Archbishop Desmond Tutu,
He set up the South African Truth and Reconciliation Commission (TRC)
To help the country
Come to terms
With the crimes committed under apartheid
After his retirement
From active politics in 1999,
Madiba dedicated himself
To social causes,
Helping children and ***-AIDS patients,
His second son
Makgatho died of ***-AIDS
In 2005 at the age of 54,
South Africans have fought
a noble struggle against the apartheid
But today they face a far greater threat
Mandela he posited in a reference to the ***-AIDS pandemic,
His successor
Thabo Mbeki
The ANC slogan of 1994; A better life for all
Was fulfilled only
For a small portion of the black elite
Growing corruption,
Crime and lack of job prospects
Continue to threaten the Rainbow Nation,
On the international stage
Mandela acted as a mediator
In the Burundi civil war
And also joined criticism
Of the Iraq policy
Of the United States and Great Britain
He won the Nobel Prize in 1993
And played a decisive role
Into bringing the first FIFA World Cup to Africa,
His beloved great-granddaughter
Zenani Mandela died tragically
On the eve of the competition
And he withdrew from the public life
With the death of Nelson Mandela
The world loses a great freedom-struggleer
And heroic statesman
His native South Africa loses
At the very least a commanding presence
Even if the grandfather of nine grandchildren
Was scarcely seen in public in recent year

Media and politicians are vying
To outdo one another with their tributes
To Nelson Mandela, who himself disliked
The personality cult
That's one of the things
That made him unique,
Nelson Mandela was no saint,
Even though that is how the media
Are now portraying him
Every headline makes him appear more superhuman
And much of the admiration is close to idolatry
Some of the folks who met him
Say they felt a special Mandela karma
In his presence.
Madiba magic was invoked
Whenever South Africa needed a miracle,

Mandela himself was embarrassed
By the personality cult
Only reluctantly did he agree to have streets
Schools and institutes named after him
To allow bronze statues and Mandela museums
To be built
A trend that will continue to grow.

He repeatedly pointed
To the collective achievements
Of the resistance movement
To figures who preceded him
In the struggle against injustice
And to fellow campaigners
Such as Mahatma Gandhi, Albert Luthuli
Or his friend and companion in arms
Oliver Tambo who today stands in Mandela's shadow,
Tambo helped create the Mandela legend
Which conquered the world
A tale in which every upright man
And woman could see him
Or herself reflected,
When Prisoner Number 46664 was released
After 27 years behind bars
He had become a brand
A worldwide idol
The target of projected hopes
And wishes that no human being
Could fulfill alone,
Who would dare scratch?
The shining surface of such a man
List his youthful misdemeanors
His illegitimate children
Who would mention his weakness for women?
For models
Pop starlets
And female journalists
With whom he flirted
In a politically incorrect way
When already a respected elder statesman?
Who would speak out critically?
Against the attacks
He planned when he headed the ANC
Armed wing Umkhonto we Sizwe
And who would criticize the way
He would often explode in anger
Or dismiss any opinions other than his own?
His record as head of government
Is also not above reproach
Those years were marked by pragmatism
And political reticence
Overdue decisions were not taken
Day to day matters were left to others
When choosing his political friends
His judgment was not always perfect
A Mandela grandchild is named
After Colonel Muammar Gaddaffi
Seen from today's perspective
Not everything fits
The generally accepted
Picture of visionary and genius,
But Mandela can be excused
These lapses
Because despite everything
He achieved more than ordinary human beings
His long period of imprisonment
Played a significant role here
It did not break him, it formed him
Robben Island
Had been a university of life for Mandela once posited
He learned discipline there
In dialogue with his guards
He learnt humility, patience and tolerance
His youthful anger dissolved
He mellowed and acquired
The wisdom of age
When he was at last released
Mandela was no longer
Burning with rage,
He was now a humanized revolutionary
Mandela wanted reconciliation
At almost any price
His own transformation
Was his greatest strength
The ability to break free
From ideological utopia
And to be able to see the greater whole
The realization
That those who think differently
Are not necessarily enemies
The ability to listen,
To spread the message of reconciliation
To the point of betraying what he believed in,
Only in this way could he
Serve as a role model
To both black and white humanity
, communists and entrepreneurs,
Catholics and Muslims.
He became a visional missionary,
An ecclesiast of brotherly love
And compassion
Wherever he was, each humanity was equal
He had respect for musicians and presidents
Monarchs and cleaning ladies
He remembered names
And would ask about relatives
He gave each humanity his full attention
With a smile, a joke, a well aimed remark,
He won over every audience
His aura enveloped each humanity,
Even his political enemies,
That did not qualify him
For the status of demi-god
But he was idolized and rightly so
He must be named in the same breath
As Mahatma Gandhi, the Dalai Lama
Or Martin Luther King
Mandela wrote a chapter of world history
Even Barack Obama posited
He would not have become
President of the United States
Without Mandela as a role model,

And so it is not so important
That Mandela is now portrayed
Larger than life
The fact that not everything
He did in politics succeeded is a minor matter
His achievement is to have lived
A life credibly characterized
By humanism, tolerance and non-violence,
When Mandela was released
From prison in 1990,
The old world order of the Cold War era
Was collapsing
Mandela stood at the crossroads and set off in the right direction
How easily he could have played with fire, sought revenge,
Or simply failed; He could have withdrawn from public life or,
Like other companions in arms, earned millions,
Two marriages failed because of the political circumstances
His sons died tragically long before him
It was only when he was 80 and met his third wife,
Graca Machel,
That he again found warmth,
Partnership and private happiness,
Setbacks did not leave him bitter
Because he regarded his own life
As being less important
Than the cause he believed in
He served the community humbly,
With a sense of responsibility
Of duty and willingness to make sacrifices
Qualities that are today only rarely encountered,

How small and pathetic his successors now seem
Their battles for power will probably now be fought
Even more unscrupulously than in the past
How embarrassing are his own relatives
Who argued over his legacy at his hospital bed
Mandela was no saint
But a man with strengths and weaknesses,
Shaped by his environment
It will be hard to find a greater person
Just a little bit more Mandela every day
Would achieve a great deal
Not only in Africa
But in the bestridden geographies
Epochs and diversities of man,

In my post dirge I will ever echo words of Mandella
He shone on the crepuscular darkness of the Swedish
Academy, where cometh the Nobel glory;
Development and peace are indivisible
Without peace and international security
Nations cannot focus
On the upliftment
Of the most underprivileged of their citizens.
Ben Jones May 2014
There lived, beneath a hanging leaf
A Ladybird called Annie
Who hated being female
And daily, cursed her *****
Her voice was deep and baleful
Her shoulders, broad and strong
By right, she was a Boybird
Just her genitals were wrong

Her family rejected her
She alive alone, ashamed
Until she met a Dragonfly
‘Salvation’ she proclaimed
For every bug and critter
When feeling below par
Would visit Doctor Dragonfly
In his empty pickle jar

Just maybe he could help her
With snip, a tuck and stitch
She’d not be Annie any more
Tomorrow, she’d be Mitch
She lay down on the table
And a beetle knocked her out
The doctor took his knife in hand
And bustled all about

With suture made of thistledown
And sap of pine for glue
He reassigned her gender
But the best that he could do
Was not a lady, not a man
But somewhere in between
And, as he used some aphid parts
The ***** were small and green

Annie never changed her name
It didn’t seem quite right
Her family still shunned her
She slept alone at night
The only insect in the field
With *****, ***** and *****
Even hungry birds avoided
Ladyboybird Annie
Sorry ;)
Obadiah Grey Dec 2013
Sphincter factor nine approaches
food for the fish n roaches
methinks its time for me perhaps
to open up the rearward *****.


------------------------------------
AAChoo !!

Oh, liddle sister, Josephine,
you sure don't keep your
nose real clean.
got stalactites
o' pure pea green
my infectious sibling
snot machine.
----------------------------------------
I thought that I might shoot the breeze
with God or Mephistopheles
and ask them please to ease my wheeze
of my bad back and dodgy knees
---------------------------
Croak with the raven
bluff with the crow
the urchin
the field mouse
beneath the hedgerow
in a flurry they scurry
away away go.
Yelp with the *****
howl with the hound
and bay at the moon
till the sun comes around.
------------------------------------------
Gino's bar and grill.

Away, away afore Bacchus
doles out befuddlement
and Morpheus has his way,
lest I awake to find myself
in the company of
sodamistic bedfellows
with buggery in mind.
---------------------------------
Harry Potter has grown a beard
he lives alone and turned out weird.
Dumbledore, Albus, no more
turned his toes and 'ad a snore,
Voldemort, who's *** is taut
has no nose with which to snort.
====================

Ahem !!

Behind two Lilies- sits Rose,
then Daisies
for two and a bit rows.
with Poppy, and *****
Petunia, Primrose.
and Bryony - who gets up
- my nose.
----------------------------------------------
Amen.
God bless the Cows - for beef burgers.
God bless the Pig - for their bacon.
God bless the wife n her sharp knife
for the slice of their **** she's taken.

-------------------------------------------------
We can, no more fetter the sea to the shore
nor the clouds to the sky
or tether the glint
in a lovers eye,
As sure as the shore loves the sea
so shall I love thee, together,
together for eternity,

-----------------------------------

It bends for thee
sweet chevin,
the cane thats cleaved
by three,
wilt thou now
sweet chevin
yield, my friend ,
for me.
-------------------------------------------------
There's Marmalade then Marmite
and Jams thats jammed between
the buttered bread of bard-dom
a poets sweet cuisine.
---------------------------------------------
I took up campanology
and fired up my ****.
I rang that bell
to ******* hell
till the busies
came along.
--------------------------------------------
so, I've been whittling away
at a buoyant ****-
fashioned something approximating
a poo canoe-
in it, I intend to
surf the **** tsunami of old age
to-- death;
I have named it Public - Service - Pension.


----------------------------------------------

A surreptitious delightful tryst,
with my honey, my sebaceous cyst.
she's my pimple, my wart,
my gumboil consort.
she's the zip, in which
my *******, got caught.
--------------------------------------
Frayed at the bottoms
ripped at the knee.
baggy and saggy
big enough for three.
faded and jaded
and stained with ***
but I'm due for a new pair--
Yippeeeee!!

---------------------------------------

Ther­e's Cockerel in my ear
and he bills and coo's for you
whenever you are near
goes - **** a doodle doo !!!!!,,,,,,,,

---------------------------------------------

Oh,­ for the snap shut skin
in the blue twang of youth
and to un-crack the spine
on the book of love.
now the gulping years
have flown away
we take sips of the night
and are spoon fed the day.

-----------------------------

Zeus made the Moose to be somewhat obtuse,
a big deer- rather queer- I fear.
then God gave him the nod to look funny and odd
the spitting image of you - my dear !!!

---------------------------------------

Knobbly Nobby.

Nobby has a great big nose
a great big nose has he,
and nobby knows
that his big nose,
is big, as big can be,
nobby has two knobbly knees
two knobbly knees has he,
his knobbly knees,
are as knobely
as knobbly knees can be,
don’t pity dear old nobby
for soon it’s plain to see,
that nobby has a great big ****
as big, as big as three !
now nobbys **** is knobly,
as knobly as a **** can be,
so nose and knee and ****
make three,
and we - are ****- ely.

----------------------------------

The Woman that wouldn't eat meat,
had reeaally, reeaally big feet,
her **** was as big as an hermaphrodite brig
and her **** were as hard as concrete….


--------------------------------

Hearken the clarion call of the crows
afore the snow-
they caw,
hey, get your **** into gear lads-
we gotta feckin go !!!

-----------------------------

Gods pad

I took a peek within
your house
wherein on pew, I spied
a mouse,
and in his hand,
a Bible clasped,
and out his mouth,
a parable rasped,

---------------------

I'd say she had
a pigeon loft in
her eyes and
bluebells up
her nose.

But then again
I wear a flat cap

and stroll through meadows.

----------------------------

Would you care to buy our house?
It's minus Mouse n devoid o' Louse,!
Spiders, Roaches, Bugs or other,
have all been eaten by my brother,
snaffled up n swallowed down
then jus' crapped out a - yellowish brown.
so would you care to buy our house?
from an oddly pair -- devoid of nous

-------------------------

Though the Crows got her eyes
and the Worms got her gut.
comes as no surprise
death can't keep her mouth shut.

-------------------

Bevelled slick edges
and reeaal eeaasy slopes.
Chilli dip wedges
with fresh artichokes.
Wanton loose wenches
and swivel hipped ******
Daft dawgs and dentures
and granddad - who snores.

-------------------

Been whittling away at a buoyant ****
and fashioned something approximating a canoe,
in it, I intend to surf the **** tsunami of old age;
I named it, "Public service pension"

-------------------------------

.
Well,
     I could wax on the wings of a butterfly
but, I ain't that kind o' guy.
rather kick the nuts off ******* squirrels
pluck the wings off - blue assed fly.
I'm the stuff that flops off dog chops
when he's up for it and high.
an infection in your sphincter,
a well
that's jus' run dry.

----------------------------------------------

befeathered­ and bright scarlet
is my ladies bonnet,
jauntily askew and -
lilting on a paramours
grin.

"- Gladlaughffi -"

I'm reliably informed that dear ol' Muma
sported a goatee around his **** sphincter,
now, whilst this is merely educated speculation
from my esteemed friend his "groom of the stool" ! 
who was in fact required to wear a mask,
ear muffs and a blindfold whilst he went about his business,
He did possess reeaaally sensitive fingertips
somewhat akin to a blind man reading brail,,
and, swore blind that said "**** sphincter' spoke him in Arabic
and asked him for a quick trim, (short back and sides)
I myself being a practising proctologist of some repute
am inclined to believe my friend the "groom of the stool"
as I've come recognise -- Arsolian when I hear it !!!!!!!!
-------------------------------------

In a Belfast sink by the plughole
where hair and gum gunk meet
'erman the germ-man  and toe jam
bop the bacillus beat.

________

Doctor this I know as fact
that I have a blocked digestive tract,
I'm all bunged up and cannot go
my trump and pump is - somewhat slow.
I need unction jollop for junction wallop
some sorta lotion to give me motion.
If you could please just ease my wheeze
then I needn't grunt and push and squeeze.

-----------------------------

They are breaking out the thwacking sticks
and sparking Godly clogs
pulling tongues through narrowed lips
at the infidel yankee dogs.

------------------------------------

As a paid up member of the
lumpen bourgeoisie poetry appreciation society
I can confirm without fear of contradiction
that poetry is indeed baggy underwear
with ample ball room, voluminous in the extreme
and takes into account
the need for the free flow of flatulent gassiness
that is the want of a ****** up poet.

-----------------------------------------------

She's a rough hewn Trapezoidal gal
a gongoozler o' the ol' canal.
She's copper bottomed n fly boat Sal.

I'll have thee know that
that there hat
is a magic hat,
it renders me invisible
to the arty intelligentsia
and roots me firmly
in the lumpen proletariat .
-------------------------------------------------------
Said the sneaky Scotsman, Jim Blaik.
if the pension, you wish to partake,
bend over my son, lets get this thing done
and cop for this thick trouser snake !!

I met my uncle Albert,
down at Asda, in aisle three;
he got there in a Mazda,
jus' a smidgen after me,
said he'd traversed Sainsburys,
Tesco Liddle n the Spar,
but not one o' them flogged Caviar
Truffles or Foie gras.


He sidled past the pork pies
streaky bacon turkey thighs
a headin for the french fries
n forsaken knock down buys,
shimmied 'round the ankle biters;
expectant mums to be,
popin pills for bloated ills
in the haberdashery.

Fandango'd o'er the cornflakes
and the spillage in isle four

-----------------

I'm linier and analogue,
a ribbon microphone man
mired in the dust of the monochromatic,
the basement, the attic.

------------------------------

Simple simon met miss Tymon going to the fair,
said simple simon to miss Tymon - "pfhwarr what a luverly pair"
of silken thighs and big brown eyes and scrumptious wobbly bits,
Said simple Simon to miss Tymon---------- shame about you **** !!!

So sad sweet Shirl thought she'd give a whirl to clubbercise n pound

Squat, slightly,
tilt head 45°
and squint.
See the shimmering blurry
dot in the distance?
That, timorous ****,
is ME !
Fast twitching my
narrow white ****
to the pub.

There was a young lady named Sue.
whose ***** and **** was askew,
whilst taking a ****
she'd aim it and miss
and she lifted 'er hat when she blew.


Oh Mon Dieu !!

Obi.
its a blue Monday
after Super Sunday
Americas 45th funday
yesterdays spectacle

the dip is done
the broken bones
of buffalo wings
fill giant glad bags

the ridged ripples
of broken Doritos
scattered on the floor
wait for a vacuums hum

dead soldiers rattle
a melodious cascade
the aroma of flat Bud
plunge into recycle bins

ribbed Trojans
dripping bagged ****
rim plastic trash cans
confirm an ****'s frenzy

the game forgotten
commercial reveries remain
seared into the briney mush
of compliant olfactories

collective hallucinations
successfully branded
a new and improved
global consciousness

Madmen Shamans
ebulliently channel
transactional zeitgeists
from the ripped boxes of
Best Buy plasma screens

Monday morning
water cool scuttlebutt
the planet is buzzing about...

Google's cool slap
of IPod clad automatons
the vanquishers of IBM's evil empire
Apple's brave new world is next
("meet the new boss,
same as the old boss?")

we all dug
rolling with Eminem
through the glitzy
streets of Motown

How cool is 8 Mile?
The hoods lookin good
angelic chorus lifts spirits
Swing Low Sweet Chrysler

The artistic types
faun over
the graphic beauty
illustrious aestheticism

moving story line
the epic journey
of the worlds
greatest brand

heroic product marketing pros
rival Jason and the Argonauts
sojourning trans-formative odysseys
of clever packaging and fat tail shelf life

holding precious real estate
of living imaginations
infecting hearts and minds
of future generations

realizing
everything
ends better
with coke

The State Farm Pre-Game
Jimmy Johnson's new coiff
jawed away with his old boss
rattlesnake booted Jerry Jones

A poignant embrace captured in
living color on grand jumbo trons
lording over a cavernous palace
a new stadium for Homeboys

Jimmy J asks Jerry J
"Why you overpaid
for The Boys New
Crib?"

"A billion 4,
a palace for the masses".
Jerry breaks some news
with an impish wink.
"No expense is spared
for the peeps."

"I always make out,
get a good return. I
make a profit. Ain't
America great."

This year Super Bowl
went Hollywood
and installed
a long red carpet.

Mike Strahan, collared
Harrison Ford.
Bagging his greatest sack
on a dazzling red rug.

"How many Super Bowls
is this for you?"
Strahan whistles
through his gaped teeth.

The aging Indiana Jones
came to promote his new flick,
"Cowboys and Aliens"
(I'm told an early Cannes
favorite. And it should be. Spoiler alert,
the movie is a moving story of an American tragedy.
Romo blows another one
throwing an interception in overtime.
The Aliens return it 95 yards for a touchdown.
Boy's lose again. America's Team vanquished by bubble headed Martians.
All of Texas weeps.)

Indy
coolly quips an answer
whipping with sarcasm,
"after today, one."
yuck yuck
lol

Strahan continues
to stalk Ford like a
scrambling quarterback,
"where will you be sitting?"

Ford shrugs
"dunno,
somewhere
up-there,
I guess",
he points to
the lofty
luxury boxes.
Royalty sits
next to God
in Jerry Jones
house of the
people.

Ford dons a green scarf.
He's down with the Pack.
Another sunshine *****
in the seat.

Michael Douglas and Zeta Jones
arrive in time to hear
Keith Urban sing
"Who Wouldn't Want to be Me?"

"He's alive
He's free
Who wouldn't
want to be me?"

Indeed who?

The parade
of heroes
continue.

The walking,talking
little S Corp, LLC's
dance their way
into the stadium
on resplendent
cushions of red.

Terrific brands
all earnestly
questing to
urgently
deliver
messages
to promote
themselves
and plug
shameful
products.

A Black Eye Peas
teaser
blinks onto
my giant
flat screen.

Will I Am
a black man
in a blacker mask
marches down the street
zapping people
with a ray gun.
(fascist culture is so cool, a
little light on liberation,
but **** does he look bad as all get out
in that leather rumble don't **** with me
outfit)

Jamie Foxx on the royal carpet leaks
that he yodeled three tunes
at a pregame party for Jerry's Kids;
T Boone and the Big W among them.

Quick cut
to Jamie's
new movie
Rio.
(I wonder if its
about Mexicano's
crossing the river?)

Wealth
Power
the perfect
image of ourselves
take a pill

I am Limitless
a new movie?
I've seen this one before.
I think I'm watching it now.

Just Go With It
Adam *******,
Jennifer Aniston
Americas sweetheart
teamed with Americas
kosher jokester.

He looks hot
in his droopy
pretend
don't give a ****
orange sweatshirt
and acid washed jeans.

Jennifer's ****, legs
what can you say
about America's sweetheart?
I think Brad Pitt
made a big mistake.

Bill O
is next.
Posturing,
arm wrestles
with the Prez,
shadow boxes
with the Big O.

"Muslim Brotherhoods
Rendition
Mubarack goes off the reservation
knows where the bodies are buried"
***!
***!

(Do we really need a dose of Fox Fear?
Is there no escape from the pernicious harangue?
Don't they know its Super Bowl Sunday?)

Bill O's drive by continues,
"Obamacare,
why do Americans hate you?"
Great journalism by this Fox ****.

Bill O is
haughty,
arrogant,
disrespectful
a despicable bully
and a self serving blow hard.

(My bladder is busting.
Its a great time to take a ****.)

We escape to
the freshness
of Owen Wilson's
smiling face,
playing two hand touch.

His bent nose
shining
he trots about
Jerry's field
carefree as a child.
(Is this a pitch, pass and punt
contest for A Listers?)

Other stars
join the light fun;
goose cheerleaders
give the cabana boys
hand-jobs
and themselves
a well earned blow-job.

Its an **** of photo ops
product placement
a sizzling collection
of dancing brands
prancing on the gridiron
of the New Cowboy field.

Ashton Kutcher
peeks over the shoulder
of a tweeting W.
I'm impressed
W knew
how to use
his thumbs.

Mrs. W's
permanent smile
was clearly visible
from the stadiums
cheapest seats.

Condie sat
way to the right
quietly stewing
lamenting
lost opportunities
of a gig as NFL
Commissioner.

On the stadiums floor
the frenetic dancing
of the
bumping
brands
fast
approaches
ecstatic elation.

Hollywood's version of
Whirling Dervishes; is
immediately stilled
as the solemn portion
of the program
commences.

The Declaration of Independence
is read by a bright galaxy of stars
accompanying armed service personnel
and other diligent American's.

"We hold these truths
to be self evident"

"United colonies
levee war,
dissolve bounds,
our day of allegiance
lives, fortunes and sacred honor
freedom is common sense,
free, equal, united"

CEO's
imprisoned
in Jerry's
luxury boxes
overcome
with
emotion
pound fists
on the glass
smearing
cocktail sauce
on the windows
of the suites.

Illegal
Chicano's
bravely
step forward
with rolls
of Bravo
and Windex
to wipe
it clean.

The focal point
of festivities
seismically
shifts like a
tectonic plate
almost as large
as Jerry's Stadium.

The stampede
of cheers
thunder like
canon shots,
the patriotic
ramparts of
militant
free market
capitalism
supplants the
shallow frivolity
of consumer slavery.

We are
compelled
to kneel
to celebrate a
Eucharist of
nationalism.

My partner explodes,
"Can't watch a football game
and view it for what it is,
a ******* football game."

The Fox
broadcasters
dedicate
this segment
of the show
to our military.

I squirm in my seat.
Sorry,
but the declaration is about
free people in free societies
not militarism.

Next up
dis old cowboy
Sam Elliot.
He knows
how to speak
the language
of real football fans.
Finally, a man of the people.

Sam introduced the cities.
He starts with Pittsburgh.

"Built on steel
a place where
terrible is good
these are the
enduring qualities
of this great American City."

The Steelers
make a timely entrance
onto the floor of the stadium,
as millionaires erupt
shaking their terrible towels.

Sam's
fuax
folkism
for
Fox Sports
continued.

"Green Bay is Title Town
the people never quit.
Crafty veterans are winners
exhorting all to greatness"

Images
of Lombardi's
toothy grin
fills my 72 inch screen.
A visitation by
America's Saint,
the sanctifier
of all competition
anoints the proceeding,
the quest to claim
the trophy named
for the games
very own
Archangel
of the
Gridiron.

The extended gig of
Lombardi's ghost
has haunted America
for over half a century;
has reportedly been seen
stalking the stage
on Broadway.

The anointed
Packers sprint
onto the field and
millionaire cheese heads
taking big bites out of life
erupt in cheers.

My hi def wide screen
made by Sharp reports
Battle of Los Angeles
opens 3/11/11.
The Chicago Code
premiers on Fox
sometime in March.

Walter Payton
Man of The Year Award
is presented
to an NFL Player
watching the game
with the troops
in Iraq.

The millionaires
don't cheer,
but the Fox announcers
are verklempt
overcome with patriotism.

Michelle Lee,
star
of Fox'***** show
Glee,
poses in front of a
sanitized choir
in blue uniforms to sing
America the Beautiful.

The beautiful song
is but an opening act
for the musical centerpiece
Star Spangled Banner.

The cameras cut
to a smiling W.
He can't get into Switzerland
but ******, he won't be turned out
of JJ's OK Corral.

Christina Aguilera
takes center stage.
She mounts
the silver football
crowning the
Holy Logo of the NFL
to sing the hallowed
Star Spangled Banner.

She fumbles her lines!
She forgot the rockets red glare!
The Steelers are crying.
The Packers are angry.
Ice melts from the stadiums roof.
The foundations of Jerry Jones
new stadium shakes.

A fly over of 4 fighters in formation
appears to be unaffected by the flub.
The planes do not crash.
They stay in formation.

The pilots spare Christina
a strafing and drone strike.
The republic remains
secure for now.

An unfamiliar announcer
addresses TV land.
He offers an apology to the fans
who cannot be seated.

The fire marshals
have revoked
Jerry's seating plan.
Greed got the better
of this man of the people.
Cowboy Stadium
is overbooked!

What is happening?
Is this America?
An ATT commercial
arrives just in time.

ATT has a new plan for America.
They encourage us to live social
with the new ATT AG.
Free market solutions
always work best.

Michael Douglas
reads another
patriotic exhortation.

"United we,
see the journey
of Acme Packers
as our journey."

"We see the resolve
of US Steel
as our resolve.
Big dreams
believe the best
journeys are
celebrated together."
(I'm down with that.
Whats good for Jerry Jones
is still good for me.
Right On! Check this stadium.
Power to the people!
It may not apply to the people who
will not be seated but tough nuggies.
This is America ******. Everybody
can't be seated at the table.
Even if they paid for their seat.
This ain't Red China.)

Neon Dion and other inductees
into the Football Hall of Fame
tosses the coin.
Steelers' call tails.
Heads it is.

At half time
The Black Eyed Peas
descend from
an upper Valhalla.

Still attired in
black fascist threads
The Righteous Peas
start wailing as
white metallic minions
dressed as
Imperial Storm Troopers
gallop to surround
their idols.

Precise formations
goose steppin bops
choreographic steps
the visceral *****
perfect counter-point
to swabbles of wiggling Peas.

Slash,
Guns and Roses
guitar hero
gunslinger
strode on stage
winging
this gal of mine
in choreographed
unison with
the leggy
Fergie.

Pumping it louder
the spectacle incites
the dancing
Imperial minions
quick steppin
and fetchin it
as Usher descends
in white unison
to leap and dance
over nasty
black peas.

The Gods
are descending
upon us.
Their words
have become
flesh.

The BEP's bleat
"kids are dying
wheres the love?"
Art does mirror life.

The neon hearts
of cheap
glow sticks
light up
the time
of our lives.

We are
cubed box heads
happily dancing along
the 50 yard line
answering China's
resounding drum
of frantic proletarians
bashing away
neocolonial disgrace
during the opening
ceremony of the worlds
greatest Olympian
display of
the pounding will
of an emerging nation
arriving on the world stage
with urgent insistence.

In America
we party on
every night
swiping
revoked
credit cards
for express lane
exits at the
local Walmart.

We are proud
highly personal
bar codes!

We refuse to be
marked down and flung
into discount bins at a
Tupelo Dollar Store.

Our light of life
flashes across screens
directing the trading pits
at the Chicago Board of Trade.

Each Super Bowl Sunday
souper bowl beggars
collect canned soup
for hungry Americans
at the local Shop and Drop

begging for larmen
boxes of Kraft
freeze dried noodles
and cans of Progresso
the feast of kings

A triumph
of the
Will I Am
BOOM BOOM
Says
Will I Am

I finish my bag of
Cool Ranch Doritos
and lick my partners
fingers clean.

Music Selection
Steve Miller,
Livin in the USA


2/7/11
Oakland
jbm
(WIP)
Fa Be O Jan 2013
*****.

Tu voz llena de una suplica
Y ella abrazando sus rodillas
Agachaba su cabeza.

*****. Mírame.

Pensaba en que jamás había escuchado
Tu voz con ese tono
Tierno, un poco adolorido, desesperado.

Por lo menos dime algo.

Que podría decir,
Se preguntaba,
Si de todos modos
Estaba ya decidido.

La tomas de la mano,
Y solo notas que esconde su cara
Pero no ves el nudo en su garganta,
Las lagrimas a punto de brotar,
El temblor que la sacudía por dentro.

Sabes que así es mejor.

Menea la cabeza que si.
Pero siente tu mano
Tibia
Enlazada entre sus dedos,
Y piensa que no se resignara
A no tenerla otra vez así.

La tienes abrazada,
Y contemplas un rato
Las nubes
Que cubren las estrellas.

Pasa un señor de edad y se sonríe
Al mirarlos así,
Parecía una señorita apenada
De la mano
De su novio enamorado
Contando luceritos.

Algo la despierta,
Desenredandose,
Reclama su mano
Y despeja su mente.

No entiendo.

Su voz, aun un poco ronca,
Te sorprende por decidida.
Tu mano queda destendida
En forma de sus dedos
Y al mirarla te quedas helado,
Tal vez un poco rechazado.
La enrollas mientras habla,
Y te abrazas a ti mismo
Y ella cruza sus manos,
Mirando al suelo.

Como era posible
Que deshacías su amor
de la misma manera
Que la enamoraste,
Tomándola de la mano,
Y en tus brazos?

No.

Decidiste hacerla sufrir,
De una vez entonces.
No hay adiós fácil,
No hay adiós apiadado,
Si uno no quiere decirlo.

Que crueldad,
Piensa con coraje.
Y tu, tal vez pensando
Que siempre te pudo sorprender.
8/10/12
Mitchell Sep 2013
We met on the stairs
Of a 15th century cathedral in Rome.
I was wearing my
Light gray suit that she later told me reminded
Her of the color of fresh volcano ash.

She - cut in half by the moonlight -
Wore red flats,
A ******* linen dress that
Effortlessly pronounced her *******,
While her oaken red and auburn hair
Lunged down both of her shoulders like
A waterfall or an avalanche,
Just touching the top of her belly button.

I, looking up toward the marble spires
Spinning into the scattered stillness of the nights
Opaque and cream colored stars,
Did not know she was hovering behind me watching me,
Until she had decided to speak;

If I had known, I would have ran inside.

"The cathedral is very nice, isn't it?"
I heard her ask to my back.
At the sound of her voice, I was not
Filled with that melodramatic cliché dripping
With soap opera fused emotions.

No, I
Was dipped into a large cauldron of ice-water.

There was a tremor
Somewhere
Inside of me and a heat
Ricocheting in her.

"Yes," I replied,"It is
Very nice and very old and I wonder why it is still here."

I did not know what I meant, but
From the pause and inhalation I heard immediately after, I
Believed she must have thought what was said profound.
Was I profound? Why would she believe that if it was only from
The spontaneous question that held no real physical weight? Or
From me jumping so quickly into this little

Game,

No question's asked?

"These buildings still stand because they
Are a physical memory of what we have achieved
And what we must continue to achieve
In the future
." She had come up beside me now.
Vanilla lavender lotion and mint
Toothpaste were the first smells that came to mind.  

"The future..."I said, trailing off, "The future."

"Yes, the future is very important."

"It is all we have."

"Well, all we truly have is the present, don't you agree?" I asked,
Slightly turning my head to look at her.

She was still looking up at the cathedral. She was focused on the large church bell
That hung there like the moon in the night sky. I continued
To stare at her, my question hovering vulnerable in
The air as a butterfly with its wings damaged would. Then, a
Couple passed by us in a hurry. Their hands were clasped tightly together, the man
In front and the woman looking to be dragged by him. I saw
Neither of their faces, but I imagined them both to be calm and red.

"They look to be in a hurry," she said, "Where do
You think they're going?
"

"Somewhere very important I'd imagine."

"And where is very important for you, sir?"

She turned
To meet
My gaze a

As if challenging it.

Her lips were full and painted with red lipstick. Where I thought her eyes would prove to be light colored or forest green, they were actually colorless and black. I inhaled at the sight of her, then immediately blushed. Again, our questions back and forth to each other were more of an interrogation of one's hearts and minds than flirtation. As she stared at me, I sensed that we had met before. There was something in her face that brought the feeling of an old friend or an acquaintance, like the feeling one gets when they see a past school teacher or love interest back in grade school. There was a warmth and giddy tension between us that made me feel eight years old again. I had felt so old recently. There was a sudden wink in her eyes and I then remembered the question I had asked her before.

"You haven't answered my first question," I stated seriously.

"I agree," she answered quickly, "The present is the only thing we have truly and
Do not have, all at the same time."

"What do you mean?"

"Being present 24 hours a day, seven days a week, is a very exhausting,
Trying thing,
Isn't it?

"Yes, I would agree with that."

"And being present for whatever reason, be it socially, romantically,
Professionally, etc., is really all for the future. One's own's private future goals.
Something one desires in the moment and wishes to have for oneself in the future. Our
Motivations are our desires. Our wishes. The lives we wish to own in the future."

"At times, yes, I do believe
One is present for those reasons, but
Sometimes, and I speak for myself,
I wish to lay back and let the sun burn my skin and
The clouds to blanket me, chilling me, so to remind myself
Of my placement on this planet and the miniscule and
Tremendous affect I have on my surroundings. For example...
"

"You are very talkative," she said cutting me off, "I could
Tell from the way you looked up at this cathedral all by yourself,
Lost in thought or lack thereof, that you were a talker."

She smiled and I forced a tight-lipped smirk.

"Well, I am
So talkative because you have made
Me so.
"

"So be it."

"It is so."

"Are you mad? she asked.

"Not the least bit," I returned, unsure whether I was lying to
Her because I didn't want to offend her and scare her off or because
She was so extremely beautiful.

"Well, I am glad that I can do that to you." She looked back
Up at the church bell, trying to hide her satisfied smirk.

"I have said too much. Let us both watch
The cathedral stand on her own for a bit in silence, ok?"

"That sounds good."

She took a step down from the step she had been on with me. Two steps.
There she let her head and hair fall back, taking everything in she possibly could.
I needed a drink and she needed the sky, the cathedral, the city, but I
Could only give her my company, unsure whether she truly needed it or not.
I shifted my glance from the bell tower to what was behind me. There, I saw
A wooden trolley up against the far wall near a trickling fountain
With puppets hanging from their thin clear strings. The light from the oiled lamp posts
Was a dark orange and cast an array of ****** shadows along the walls that
Encircled the square which me and the woman and many others were standing around. Night
Had set on the square, but no one had decided to go anywhere.
The square was perfect for them; anywhere else would have seemed uncomfortable.

She looked at me from two steps back and asked,
"We are being present for a better future, yes?"

"What we hope will be a better future," I said, turning
My head away from the bottom of the square back to the
Cathedral. I emphasized the word hope.

"Yes, men and women must have
Hope for something better."

"Life does not guarantee anything, does it?"

"No, I guess it doesn't. It gives you chance and we give
One another choice."

"Or," I hesitated to say what I wanted to say, "Or God does."

"God," she laughed, "What's He got to do with anything?"

"Everything and nothing, I hear."

"Don't be so vague," she grinned, turning her body completely around to me
So I could see her full figure. Her dress outlined a woman's body,
But I knew, inside, there was so much more precious things then flesh. "Hear
From who and where?"

"You choose what you wish to believe
And no one can tell you otherwise. What
You need and
What others may need can be different and should be.
This does not mean that we cannot get along.

Is there a way to be wrong in what one believes in?
She looked to want an honest answer, so I gave her one.

"Yes."

"That's it?" she asked, wanting more.

"That can't be it?"

"Yes is a decent enough answer,
But because you looked to be so talkative before,
I assumed you would have more to say on the matter."

"Assuming something
Is a very dangerous, childish thing.

"Yes," she agreed, "It is."

"If one believes in something and tries to share
Those beliefs in an unaggressive, listen-if-you-will,
Dangerously friendly, perhaps even musical way, then
The listener has their choice in the matter. They can

Walk away

No questions asked or feelings hurt.

"That," she said, "Sounds good for the listener,
But perhaps not so great for the speaker.

"
Why?"* I asked, surprised.

"Because then the speaker may turn into something
They originally did not want to be. A prophet or voice for something
They may honestly have no interest or passion for.

"I see."

"
But, please, go on."

"
On the other side, someone may believe in something fully, to their bitter core, but there needs to be a validation from another to prove their conviction. This is a weakness in their faith. They secretly doubt themselves and are trying to prove, by the obedience and following of others, that
Their belief, system, God, what have you, is a truth, a fact like the sky is blue or that fishes swim in the sea. These people with their thoughts and beliefs are the one's that are wrong. The one's that push their way onto other's without any room for being challenged or accused of falsity."

"
There are some that do not want follower's, but as soon
As they turn around, there they are.

"Yes," I nodded, "I can think of a few thinker's
That I've read or heard of that happening."

"
God, though," she laughed again lightly, "It
Is
Funny that you bring Him up."

I didn't have anything to say, so I said nothing.

"
Are you a religious man...?" she asked.

"
My name is Robert Commento and no, I am not religious man."

I gave
Her my name
Out of my uncomfortable stance on religion and
To change the subject to less formal and conversational matters.

She put out her hand and I slipped my palm under hers. I was
Never taught to shake a woman's hand - for it is too delicate -
but to let their hand rest atop mine.

I bowed and gently kissed her hand.
Her skin smelled of fresh milk and uncut grass and
What morning dew feels like across raw fingertips.
I tried to force myself not to trip too quickly into love,
But there are some things
Men are absolutely unable to do.

"
Luria Rose," she said, bowing her head, "Very ncie to meet you
Robert Commento."

"
And very nice to meet you."

"
You are from here?" she asked.

"
Yes,"* I said, "Well, not exactly."
"From a city over where the tail of the river ends."

"I know this place, but I cannot recall the name." I could see
She was embarrassed by not knowing the location, telling me she
Was obviously from Rome and proud of it.

"Cuore Tagliente," I told her with zest,"That is where
I am from and where I was raised. My family still lives there to

Manage their small farm of olive trees.

"Do they make very much money?" At this question, I turned
On my heel and stared at her. By her look, she seemed to be
Unsure whether I meant this in seriousness or in jest. So not to scare her
Off again I forced a smiled, left my eyes upon her as if viewing a painting or a statue, and
Answered as truthfully as I could without insulting the name of my family
In truth, I lied a little.

"They were very
Well off when they bought the
Olive farm and they are still very well off
Due to savings and the like, but, because of the business they sold
And the expenses of starting from scratch in the scorching fields of where olives are grown,
They took quite a beating financially. We are quite fine now, very, very fine now,
But not as fine as if we had stayed with the old company. In a way, we were
Asked very professionally and cordially to step down. Of course, my mother, bless
Her body and soul, was very destroyed by this matter and that is why I find it hard to continue.

Luria, staring at me blankly, but with a slight hint of fascination,
Walked up the two steps she had just stepped down and
Two more past where she had been beside me.
She swiveled around on her flats and faced me. Her
Eyes were now impossible to see in the night, though I knew she was
Looking directly at me. Curious why she decided to say nothing in return
To my story, I said something in her place.

"I say so much about myself...well, then, what about you?"

Instantly, she pounced on the question,
"I am
An orphan of Roma
And grew up on the streets stealing and
Running amok quite happily, though
Sometimes I regret what I stole. Every single one was a

Necessary action."

This took me back, for she looked tanned, healthy, and
Well fed, instantly making me think she must be a very skilled
Thief. Eyeing her up and down, I wondered if this was why
She was even talking to me presently. I checked my wallet. It was there,
Though this fact made me feel only slightly better. I watched her
Blow a thick, crescent moon shaped strand of dark brown hair from her eye,
Seeing if the story had settled. Was she lying? Was she telling me the truth?

Why would she tell me anything at all?

"Let us get dinner someplace," I offered, "You can
Take me to your favorite, local restaurant in the city and I
Will pay. No favors thought to receive or anything. All I'd like
Is to have a conversation through the night with whom I have in front of me."

She nodded, said nothing with a smile, and stood still.

"You must lead the way for
I have no idea where you would like to take me. I, of
Course can take you to any of the many restaurants
I know of in my Rome, but I want to go to the one the thieves knows of.

Suddenly, her face contorted into a shape like
A razor had been dragged down the length of her face.

She shouted,"Do not call me a thief, Robert!
Your a poor son of olive farmer's! What do you know about
Anything of the street? So much so that you can ridicule and
Mock whoever's from it? You know nothing!

I immediately tried to tell her I was teasing, but she ran past me, down the stairs, and across the square. I stood stunned, embarrassed to see if anyone had noticed this outburst. No one
Had. Groups of people were still sitting around the fountain, throwing
Coin into the water as some children played and dipped their toes into the
Clear, tranquil water. The puppets waved back and forth in a light, chilled wind,
And the lamp posts still burned casting a curing light over the square. There,
I saw Luria cast in the dark orange light for just a moment. She turned around to look at
Me in the light and there, I saw her eyes were not black, but sky blue, like
The fresh melted ice I had once seen on my travels to Antarctica. Then she was gone.

Pausing, letting myself be hugged by the cathedral behind me,
Half of me wanting to stay in her embrace and the other wanting me to be in hers.
I could not hug stone forever," I told myself, "Man needs to hug a woman
Into eternity, not the church. Maybe later in life, but now, man needs the physical,
Not the metaphysical. There, I see her as she goes through the alley behind the fountain on the
Path toward my favorite bakery, Grano Gorato. I will follow her and find her.

I ran down the stairs carefully for they had become wet and slick from the light
Fog that sometimes rolls into Rome when it is night. There, I moved through the crowd
Which looked to have double in size with people. Where had they all come from?
The alleys, no doubt. They all felt the warmth and comfort of this secret square with Her
Majesty looking down on them from above, the church bell and moon like two great eyes,
The tinted cathedral windows depicting ancient actions Her heart, and the hard square
Slabs of concrete and smoothed stone Her skin. But, Luria did not care for such comforts, She
Believed in no comforts other then the one's another could give. Did she want that from me?

Once through the alley and passing Grano Gorato, I swiveled my head three-hundred-and
Sixty degrees hoping to spot the white dress with the long brown hair. There were many
Women about, but none that were Luria. I sat on the edge of another fountain in a smaller
Square which I had found myself in. Inside the café in front of me, I observed an old man order
A glass of red wine and a mini-short bread crust filled with cream with bright, light green
Kiwi on top. It is was brightly lit inside and everyone was smiling, even the servers. Looking up
At the sign for the restaurant, I saw its name was Mondi. I made a note to go there with
Luria when I found her.

"Luria! I shouted. The name echoed about the numerous walls that
Surrounded me. A few tourists dressed in sandals with socks and cameras
Wrapped around their shoulders and "*****-packs" around their waists

(Terrible Things)

Gave me a concerned glance, but I continued to
Shout, "Luria!

"Yes, Robert?" I heard Lu
Emilie L May 2010
In the eyes of the fragile *****
The world was all placid
Passive, the girl had been made so
Trapped in the era’s all civilities
And delicately softened with the suppression of feelings
For the expression of them came across as rude
Thus her inferior position in the dwelling rendered her mute
For a thought of her very own was deemed inappropriate
Yet, Edmund’s support since the beginning, always stayed
Edmund, this cousin so dear, the obliging one
The one for whom her feelings grew against all odds
The secret, endearing wish for a deeper affection
And the realization of the impossibility of such connection
Swirled within as conflicting thoughts
Tormenting her already wretched soul
And the presence of Miss Crawford
With her magnificence, left her torn
Her charm thus clouded a manipulative nature
But blinded the sensitive Edmund with elusive rapture
And hurt poor ***** who saw it all so clear
How to bear the loss of a companion so dear?
Deceptive motives so well masked
Yet ***** should deny it when so asked
Because she was not to choose
Because Mary was not one to lose
Despite her acting nice to *****
Were her intentions sincere?
***** certainly was no figure to revere
How was she to save her cousin from delusion?
The answer was yet to come
For now, the road was lonesome...

-10/05/10
© eMs' silent poetry. All Rights Reserved.
its a blue Monday
after Super Sunday
Americas 45th funday
yesterdays spectacle

the dip is done
the broken bones
of buffalo wings
fill giant glad bags

the ridged ripples
of broken Doritos
scattered on the floor
wait for a vacuums hum

dead soldiers rattle
a melodious cascade
the aroma of flat Bud
plunge into recycle bins

ribbed Trojans
dripping bagged ****
rim plastic trash cans
confirm an ****'s frenzy

the game forgotten
commercial reveries remain
seared into the briney mush
of compliant olfactories

collective hallucinations
successfully branded
a new and improved
global consciousness

Madmen Shamans
ebulliently channel
transactional zeitgeists
from the ripped boxes of
Best Buy plasma screens

Monday morning
water cool scuttlebutt
the planet is buzzing about...

Google's cool slap
of iPod clad automatons
the vanquishers of IBM's evil empire
Apple's brave new world is next
("meet the new boss,
same as the old boss?")

we all dug
rolling with Eminem
through the glitzy
streets of Motown

How cool is 8 Mile?
The hoods lookin good
angelic chorus lifts spirits
Swing Low Sweet Chrysler

The artistic types
faun over
the graphic beauty
illustrious aestheticism

moving story line
the epic journey
of the worlds
greatest brand

heroic product marketing pros
rival Jason and the Argonauts
sojourning trans-formative odysseys
of clever packaging and fat tail shelf life

holding precious real estate
of living imaginations
infecting hearts and minds
of future generations

realizing
everything
ends better
with coke

The State Farm Pre-Game
Jimmy Johnson's new coif
jawed away with his old boss
rattlesnake booted Jerry Jones

A poignant embrace captured in
living color on grand jumbo trons
lording over a cavernous palace
a new stadium for Homeboys

Jimmy J asks Jerry J
"Why you overpaid
for The Boys New
Crib?"

"A billion 4,
a palace for the masses".
Jerry breaks some news
with an impish wink.
"No expense is spared
for the peeps."

"I always make out,
get a good return. I
make a profit. Ain't
America great."

This year Super Bowl
went Hollywood
and installed
a long red carpet.

Mike Strahan, collared
Harrison Ford.
Bagging his greatest sack
on a dazzling red rug.

"How many Super Bowls
is this for you?"
Strahan whistles
through his gaped teeth.

The aging Indiana Jones
came to promote his new flick,
"Cowboys and Aliens"
(I'm told an early Cannes
favorite. And it should be. Spoiler alert,
the movie is a moving story of an American tragedy.
Romo blows another one
throwing an interception in overtime.
The Aliens return it 95 yards for a touchdown.
Boy's lose again. America's Team vanquished by bubble headed Martians.
All of Texas weeps.)

Indy
coolly quips an answer
whipping with sarcasm,
"after today, one."
yuck yuck
lol

Strahan continues
to stalk Ford like a
scrambling quarterback,
"where will you be sitting?"

Ford shrugs
"dunno,
somewhere
up-there,
I guess",
he points to
the lofty
luxury boxes.
Royalty sits
next to God
in Jerry Jones
house of the
people.

Ford dons a green scarf.
He's down with the Pack.
Another sunshine *****
in the seat.

Michael Douglas and Zeta Jones
arrive in time to hear
Keith Urban sing
"Who Wouldn't Want to be Me?"

"He's alive
He's free
Who wouldn't
want to be me?"

Indeed who?

The parade
of heroes
continue.

The walking,talking
little S Corp, LLC's
dance their way
into the stadium
on resplendent
cushions of red.

Terrific brands
all earnestly
questing to
urgently
deliver
messages
to promote
themselves
and plug
shameful
products.

A Black Eye Peas
teaser
blinks onto
my giant
flat screen.

Will I Am
a black man
in a blacker mask
marches down the street
zapping people
with a ray gun.
(fascist culture is so cool, a
little light on liberation,
but **** does he look bad as all get out
in that leather rumble don't **** with me
outfit)

Jamie Foxx on the royal carpet leaks
that he yodeled three tunes
at a pregame party for Jerry's Kids;
T Boone and the Big W among them.

Quick cut
to Jamie's
new movie
Rio.
(I wonder if its
about Mexicano's
crossing the river?)

Wealth
Power
the perfect
image of ourselves
take a pill

I am Limitless
a new movie?
I've seen this one before.
I think I'm watching it now.

Just Go With It
Adam *******,
Jennifer Aniston
Americas sweetheart
teamed with Americas
kosher jokester.

He looks hot
in his droopy
pretend
don't give a ****
orange sweatshirt
and acid washed jeans.

Jennifer's ****, legs
what can you say
about America's sweetheart?
I think Brad Pitt
made a big mistake.

Bill O
is next.
Posturing,
arm wrestles
with the Prez,
shadow boxes
with the Big O.

"Muslim Brotherhoods
Rendition
Mubarack goes off the reservation
knows where the bodies are buried"
***!
***!

(Do we really need a dose of Fox Fear?
Is there no escape from the pernicious harangue?
Don't they know its Super Bowl Sunday?)

Bill O's drive by continues,
"Obamacare,
why do Americans hate you?"
Great journalism by this Fox ****.

Bill O is
haughty,
arrogant,
disrespectful
a despicable bully
and a self serving blow hard.

(My bladder is busting.
Its a great time to take a ****.)

We escape to
the freshness
of Owen Wilson's
smiling face,
playing two hand touch.

His bent nose
shining
he trots about
Jerry's field
carefree as a child.
(Is this a pitch, pass and punt
contest for A Listers?)

Other stars
join the light fun;
goose cheerleaders
give the cabana boys
hand-jobs
and themselves
a well earned blow-job.

Its an **** of photo ops
product placement
a sizzling collection
of dancing brands
prancing on the gridiron
of the New Cowboy field.

Ashton Kutcher
peeks over the shoulder
of a tweeting W.
I'm impressed
W knew
how to use
his thumbs.

Mrs. W's
permanent smile
was clearly visible
from the stadiums
cheapest seats.

Condie sat
way to the right
quietly stewing
lamenting
lost opportunities
of a gig as NFL
Commissioner.

On the stadiums floor
the frenetic dancing
of the
bumping
brands
fast
approaches
ecstatic elation.

Hollywood's version of
Whirling Dervishes; is
immediately stilled
as the solemn portion
of the program
commences.

The Declaration of Independence
is read by a bright galaxy of stars
accompanying armed service personnel
and other diligent American's.

"We hold these truths
to be self evident"

"United colonies
levee war,
dissolve bounds,
our day of allegiance
lives, fortunes and sacred honor
freedom is common sense,
free, equal, united"

CEO's
imprisoned
in Jerry's
luxury boxes
overcome
with
emotion
pound fists
on the glass
smearing
cocktail sauce
on the windows
of the suites.

Illegal
Chicano's
bravely
step forward
with rolls
of Bravo
and Windex
to wipe
it clean.

The focal point
of festivities
seismically
shifts like a
tectonic plate
almost as large
as Jerry's Stadium.

The stampede
of cheers
thunder like
canon shots,
the patriotic
ramparts of
militant
free market
capitalism
supplants the
shallow frivolity
of consumer slavery.

We are
compelled
to kneel
to celebrate a
Eucharist of
nationalism.

My partner explodes,
"Can't watch a football game
and view it for what it is,
a ******* football game."

The Fox
broadcasters
dedicate
this segment
of the show
to our military.

I squirm in my seat.
Sorry,
but the declaration is about
free people in free societies
not militarism.

Next up
dis old cowboy
Sam Elliot.
He knows
how to speak
the language
of real football fans.
Finally, a man of the people.

Sam introduced the cities.
He starts with Pittsburgh.

"Built on steel
a place where
terrible is good
these are the
enduring qualities
of this great American City."

The Steelers
make a timely entrance
onto the floor of the stadium,
as millionaires erupt
shaking their terrible towels.

Sam's
fuax
folkism
for
Fox Sports
continued.

"Green Bay is Title Town
the people never quit.
Crafty veterans are winners
exhorting all to greatness"

Images
of Lombardi's
toothy grin
fills my 72 inch screen.
A visitation by
America's Saint,
the sanctifier
of all competition
anoints the proceeding,
the quest to claim
the trophy named
for the games
very own
Archangel
of the
Gridiron.

The extended gig of
Lombardi's ghost
has haunted America
for over half a century;
has reportedly been seen
stalking the stage
on Broadway.

The anointed
Packers sprint
onto the field and
millionaire cheese heads
taking big bites out of life
erupt in cheers.

My hi def wide screen
made by Sharp reports
Battle of Los Angeles
opens 3/11/11.
The Chicago Code
premiers on Fox
sometime in March.

Walter Payton
Man of The Year Award
is presented
to an NFL Player
watching the game
with the troops
in Iraq.

The millionaires
don't cheer,
but the Fox announcers
are verklempt
overcome with patriotism.

Michelle Lee,
star
of Fox'***** show
Glee,
poses in front of a
sanitized choir
in blue uniforms to sing
America the Beautiful.

The beautiful song
is but an opening act
for the musical centerpiece
Star Spangled Banner.

The cameras cut
to a smiling W.
He can't get into Switzerland
but ******, he won't be turned out
of JJ's OK Corral.

Christina Aguilera
takes center stage.
She mounts
the silver football
crowning the
Holy Logo of the NFL
to sing the hallowed
Star Spangled Banner.

She fumbles her lines!
She forgot the rockets red glare!
The Steelers are crying.
The Packers are angry.
Ice melts from the stadiums roof.
The foundations of Jerry Jones
new stadium shakes.

A fly over of 4 fighters in formation
appears to be unaffected by the flub.
The planes do not crash.
They stay in formation.

The pilots spare Christina
a strafing and drone strike.
The republic remains
secure for now.

An unfamiliar announcer
addresses TV land.
He offers an apology to the fans
who cannot be seated.

The fire marshals
have revoked
Jerry's seating plan.
Greed got the better
of this man of the people.
Cowboy Stadium
is overbooked!

What is happening?
Is this America?
An ATT commercial
arrives just in time.

ATT has a new plan for America.
They encourage us to live social
with the new ATT AG.
Free market solutions
always work best.

Michael Douglas
reads another
patriotic exhortation.

"United we,
see the journey
of Acme Packers
as our journey."

"We see the resolve
of US Steel
as our resolve.
Big dreams
believe the best
journeys are
celebrated together."
(I'm down with that.
Whats good for Jerry Jones
is still good for me.
Right On! Check this stadium.
Power to the people!
It may not apply to the people who
will not be seated but tough nuggies.
This is America ******. Everybody
can't be seated at the table.
Even if they paid for their seat.
This ain't Red China.)

Neon Dion and other inductees
into the Football Hall of Fame
tosses the coin.
Steelers' call tails.
Heads it is.

At half time
The Black Eyed Peas
descend from
an upper Valhalla.

Still attired in
black fascist threads
The Righteous Peas
start wailing as
white metallic minions
dressed as
Imperial Storm Troopers
gallop to surround
their idols.

Precise formations
goose steppin bops
choreographic steps
the visceral *****
perfect counter-point
to swabbles of wiggling Peas.

Slash,
Guns and Roses
guitar hero
gunslinger
strode on stage
winging
this gal of mine
in choreographed
unison with
the leggy
Fergie.

Pumping it louder
the spectacle incites
the dancing
Imperial minions
quick steppin
and fetchin it
as Usher descends
in white unison
to leap and dance
over nasty
black peas.

The Gods
are descending
upon us.
Their words
have become
flesh.

The BEP's bleat
"kids are dying
wheres the love?"
Art does mirror life.

The neon hearts
of cheap
glow sticks
light up
the time
of our lives.

We are
cubed box heads
happily dancing along
the 50 yard line
answering China's
resounding drum
of frantic proletarians
bashing away
neocolonial disgrace
during the opening
ceremony of the worlds
greatest Olympian
display of
the pounding will
of an emerging nation
arriving on the world stage
with urgent insistence.

In America
we party on
every night
swiping
revoked
credit cards
for express lane
exits at the
local Walmart.

We are proud
highly personal
bar codes!

We refuse to be
marked down and flung
into discount bins at a
Tupelo Dollar Store.

Our light of life
flashes across screens
directing the trading pits
at the Chicago Board of Trade.

Each Super Bowl Sunday
souper bowl beggars
collect canned soup
for hungry Americans
at the local Shop and Drop

begging for larmen
boxes of Kraft
freeze dried noodles
and cans of Progresso
the feast of kings

A triumph
of the
Will I Am
BOOM BOOM
Says
Will I Am

I finish my bag of
Cool Ranch Doritos
and lick my partners
fingers clean.

You Tube Music Video:
Black Eyed Peas
Joints and Jam

2/7/11
Oakland
jbm
(WIP)
Dr Peter Lim Sep 2015
JOHN KEATS’ LAST POEM WRITTEN IN ROME ON 21st February 1821*
(From The Imagination Of The Writer)

I am fading, fading fast, *****,  my love eternal
Far away from you and home
I am dying, the hours I am counting
In what I liken to my grave that is Rome.

All that I seek in this dark loneliness is solace
Moments of respite thinking
Of you and our  past exchanges of affection
Dissolved by fate with our hopes descending

Unto the oblivion that had been pre-ordained
Tears are comfortless and what is to come
Is but this pain that seared love must bear unknown
Only self-felt and suffered without end that renders my heart  totally numb.

I can’t understand and it defies reason
The human heart should bear so much pain
While the tranquil stars hold so steadfast and the song
Of the nightingale drifts so sublimely in every sweet refrain.

Youth once gaily clothed in such beauty but now
Grows spectre-thin and here is but fret and fever
Where the old and infirm hang  their heads down
In tearful reminiscences  of happy days that have fled forever.

And now,  my *****, my only love, you alone in this
The saddest schemes of things should share
This my life so wretched , lost, unfulfilled and joy-bereft
I beg forgiveness, only  remember my poems—sorrow let us silently bear.


John Keats one of the greatest English romantic poets died on 23rd February 1821 in Rome,  aged twenty-five
Simon Soane Jul 2013
I'm a schizophrenic hypocrite
thankfully not in a medical way
i don't have to pop pills everyday
to keep an essence of danger under control
and to stop my head doing backward flips and forward rolls
to curtail bad thoughts and contain OCD
wake up and think "what's happening to me?"
but sometimes i'm full of mazey bomb blasts
and crazy contrasts,
I'm a schizophrenic hypocrite
I say work i'm not even gonna give 50% percent never mind double
but i'll stay just below the warning threshold so i don't really get in trouble,
i do see my sick days as extra days of annual leave
but my bums on my seat most of the year and at least one Eve.
I'm always ducking and diving, i hide and they seek,
but i hit my targets every week.
They can say put down your pens,
strip your pencils of lead,
you can't stop me writing in my head
But you'll sometimes dictate what time i go to bed.
I'm a schizophrenic hypocrite
Nearly every road i walk down i've got a ***** cat friend
there meowing never drives me round the bend
but if me owing then just a letter i'll send.
I’ll rescue  spiders from the bath, without any exception,
But I’ll clean their webs and evict them when I have a house inspection.
Giving up pork, on a parity with pigges at last
But then i broke my faste with bacon for breakfast
Watching lambs a gamboling there frolicking is fab,
but i'll see you on a plate later if i'm craving a kebab.
I'm a schizophrenic hypocrite.
Money and the capitalist structure baffles, no thanks, no ta
but before i go out a quick sub off Ma and Pa.
I'll pay for a taxi, i don't care about the amount,
while checking fervently the statement from my bank account.
Cash cannot be eaten it just gets you into Eton
but i'll rifle through my pockets for pennies to get an eat on
i don't adore you, i'll say your the means to an end
but then i spend some more and ask for a lend.
I'm a schizophrenic hypocrite.
I'll say anarchy  is everywhere, petition and abstain
then  read in the late edition who i think should take the reins.  
I scream smash the system without any regrets
but then start stubbing out where they deem no cigarettes.
I'll say **** big business they are always looting tons
while cutting out Asda coupons to get the soup with croutons.
i'll say **** materialism, to that i am adverse,
"ohh if you want to get me some trainers Mum can you make em Converse? "
I'm a schizophrenic hypocrite
One Saturday i found it hard to move
crying out for water, more than needing food,
stomach emptier than the packets in my pockets
Early winter scribble
spoiled by the ripple of rain,
deadened and dull
on a precious day,
the time I crave
passes through a husk
full of caves.
Each inhabitant curses
and burns
the stagnant soil under their feet,
I want something to eat.
I need to drink.
The cold slab of sink
lures flesh to rest,
unsatisfied
with retched offerings
flung from a scorched earth
so next Friday, a few beers and l I’ll hit the hay
Ten beers later, where’s the MDMA?
And my staunch resolutions go up my nose
Chatting through the night, striking a pose,
Music accentuated, stars sparkling hard
World’s discussed in magic back yards,
Focused and fraught in tumultuous thought
Ten cigs in an hour
An hours too short,
As the morning comes, I start feeling a mess
It slowly disintegrates the treasure in my chest,
Feelings of strength crumble to a feeble frame,
Spears in my head, WHOOPS I’VE DONE IT AGAIN.
You’ll stop this time, I curse and lecture,
Two bottles down next Friday etc etc,
I’m a schizophrenic hypocrite
I remember an uneventful Tuesday when i wasn't working
belly full of rice
and i saw you twice,
two times a day,
on a day in lieu,
time stood still,
smiling at you
i thought i'm gonna have to write about you,
so i park myself in a bar after a joint in Netto carpark
and start using words to build an arc
and if you you do wanna walk in two by two,
can i walk in with you?
Is it this green ride that's getting me high
or the regret i seen in the gleam of your eye
that as soon as we said hi we said bye,
as disappointed as the catcher when he dropped the rye.
If i may be so bold,
if you were cold
i wouldn't hail these stones
i'd pummel Jack Frost until he knows he's lost,
i'll leave all the lights on to hasten global warming
make Obama declare winter a season of mourning,
If you met an iceberg of Titanic  proportions
i'd cut through it quicker than the Ripper does back street abortions.
If you were in prism
i'd try to unrangle the science of triangles
so i could build you a pyramid with all the right angles,
my stomachs in knots;
the most tranquil of tangles.
Then i saw you get out of the lift
and i wanted to play you a rift
until you exposed your midriff
because you set me adrift from chains and shackles
my mind goes crazy and fills with cackles,
i crackle with lightning, my energy heightens
my heart tightens
and not cos of cholesterol
cos i think you're special
and celestial!
I got dreams from naught, my head feels taught,
i prised a lesson from your eyes,
love is the greatest prize.
But now that's gone, all things
pass evolution in transience
faces that were everything lost to balance
blue it merge
but seldom a residual surge
and your bark today was worst than your bite
it said something softly,
i sow the seeds for the sycamore trees
we can carve our names on next summer.
Under an endless stretching sky
you wrote you
and i wrote i,
the lights in our eyes don't lie
they are gateways to the suns inside,
our hearts couldn't hide from this brightening tide.
I'm a Schizophrenic hypocrite
I remember this guy from work, cooed to me
look at the **** on this page 3
he drooled over Nuts magazine like he belonged in a zoo
i bet he frequented strippers too.
He said seen this clip, it's ******* great,
it ad turn a couple of queers straight
it was these two twins with rouge lips being rude,
the way she chomped on her like food
and they defo loved it,there is  no doubt
it's just just ***** Eskimo ******* kissing snouts
and sharing with her sister the joy of getting licked out.
Wonder how they looked in the family car?
giggling about some exciting destination,
like all kids displaying a lack of patience,
“are we there yet” chorused with glee and duality,
dressed in the same clothes to ensure parity.
Ice cream for tea.
Maybe they might be way into drugs
or addled with addiction
lacking hugs
and sore from the friction.
Not liking the glare
feeling scared.
maybe?
He said nar they love it up them baby.
But then,
i have it
about 3 or 4 times a week
after the 5th time of hitting snooze,
or a heavy night on the *****,
or sometimes no beer,
even after a sonnet of Shakespeare
a sudden urge comes over me,
GET THE LAPTOP!
GET THE *******!
Then it's
Japanese teen lesbians spitting,
finger ******* wearing mittens,
****'s ******* Britions,
oap creampies
***** covered eyes
***** flicking,
extreme suction,
**** destruction,
Captain Birds Eye gobbing
Batman ******* Robin,
A ten inch plumber ******* in a kitchen sink drama
Robert de Niro unpeeling Bananarama
Marty doing the Doc
a gimped up Kirk whipping Spoc
Rita  ******* Norris
Gail licking Fizz
Sally doing Dev
and Kevin doing ki.............Kevin, get out of the room.
Back to
a **** doing a ******
a pre op pleasuring granny
two ***** one *****,
then i chuck my muck all over my tunic
flip over and continue reading The Female ******,
I'm a Schizophrenic Hypocrite,
i've gotta split.
I cry your mercy—pity—love!—aye, love!
Merciful love that tantalizes not,
One-thoughted, never-wandering, guileless love,
Unmasked, and being seen—without a blot!
O! let me have thee whole,—all—all—be mine!
That shape, that fairness, that sweet minor zest
Of love, your kiss,—those hands, those eyes divine,
That warm, white, lucent, million-pleasured breast,—
Yourself—your soul—in pity give me all,
Withhold no atom's atom or I die,
Or living on, perhaps, your wretched thrall,
Forget, in the mist of idle misery,
Life's purposes,—the palate of my mind
Losing its gust, and my ambition blind!
Susan O'Reilly Jun 2013
Men think their **** ain’t big enough

I think my problem is my *****

it’s as wide as the grand canyon and leaks stuff

of visitors, it’s had too many
comedy, humour
misty blue Mar 2011
partying
women
drugs
drink
do you ever think ?

you justify your every sin

with sugar coated words you lure
your's a tainted heart
it is not pure

poetry and pretty rhymes
hollow words
empty lines

partying
women
drugs
drink
do you ever think ?

think of the girl who loves you true
she has given her heart and soul to you

you took that love then took a **** on my face
just so you could have a taste

a taste of *****
****
and sweet ****
you *******
your love is a blatant farce

i am done
i am through
i burn the love i once gave to you

partying
women
drugs
drink

*******......

do you ever think ?
Joey Zimmerman Dec 2010
You changed me

Although you’re not here now
I’m disappointed you can’t see who I’ve become

I started growing the first time you hugged me
The force of your arms
Wrapped like a ribbon
Around a birthday present that is my body

You controlled everything
With that universal remote on your wrist
I’m surprised my emotions wouldn’t flicker
Each time you pressed a button

You had so many faces
Often times I felt as if
I was looking in a mirror
Not to say I love my own reflection
But those who know me well will say
“I look like my personality”

You know,
Headphones nowadays are two ear buds
It’s not meant to go in both ears
Both rather so you can have
Someone to share your music with
Some songs are harder to listen to than others
But I’m getting better

Do you keep my heart in your *****-pack?
Unzip it like a pulse
Keep it next to other unimportant things
Cell phone, money, gum

I can’t walk gravel roads like I used to
Or see lightning bugs the same again

I know it’s not right to do
But when I’m with a girl
I compare her with you
Needless to say they never size up
So here I am single, which is funny to me


People give me compliments like you used to
My dimple, the smile and how I act
Living with laughter on a mountain
You were the echo
That made me think
Someone else was trying to talk back
Now that it’s gone
I’m talking to myself

I’d take a rocket to the moon with you
If you fell,
I too would faint

And now,
Every time I smoke
Upwards Into the night sky
I am surrounded
By a billion ***** of light
And they scream your middle name
judy smith Jun 2015
The enthusiasm of ***** Gobé and Maria Paloma Fuentes is palpable. Riding high on the initial success of their summer collection of children’s clothes, the two French business graduates are planning their next sales moves, both online and through multi-brand boutiques.

The chic edge-to-edge jackets, Bermuda shorts and berets would probably look at home on the rails of Printemps or Galeries Lafayette. Yet their start-up company, Mini Bobi, is not based in Paris. It is in Suzhou, a couple of hours’ drive from Shanghai.

The two Skema alumnae are among the growing number of French graduates who are looking for their first job in China. One catalyst has been the rush of European business schools to establish campuses in China, run joint degree programmes with Chinese universities and set up internship programmes in Beijing and Shanghai.

What is more, the growth in the Chinese economy, together with the low cost of entry in cities such as Shanghai, has resonated with graduates worldwide who want to be entrepreneurs.

The real advantage of China, though, is simply the scale, says Ms Fuentes. “The opportunities are much more attractive here than in France. If you come up with a new idea it will be really big.”

The Mini Bobi clothing range, which combines Parisian style with the stretchy materials and copious waistbands needed by the increasing number of obese children in China’s cities, was the brainchild of Ms Gobé.

After studying fashion and business in Lille and Shanghai, Ms Gobé completed a gap year in the US and decided to write her thesis on the plus-size market.

“In this thesis I made a comparison between the market in the US and China. [Previously] I wasn’t aware of this market,” she says, adding that in China there are 120m obese children under the age of 18.

In the city of Shanghai more than 18 per cent of children at primary school are overweight — the same percentage as in the US, she says. “I was surprised when I realised [this was the case],” she says.

Enthusiasm for all things Chinese spreads well beyond entrepreneurs, says Nick Sanders, director of the Masters in International Business at Grenoble Graduate School of Business. Of the section of the MIB class that spent a year in Beijing, many are enthusiastic about working there.

“Ninety per cent of them actually want to stay in China,” says Mr Sanders, although practically, only between a quarter and a third will get their first job on graduation in the country. A further 50 per cent will be employed working with China in some capacity, adds Mr Sanders.

“They tend to be employed where there needs to be an understanding between China and another country.”

Entrepreneur Matthieu David-Experton, an Essec graduate, who also studied for a second degree at the Guanghua school at Peking University, is now on his second business venture in China — he sold the first, a packaged gift business, after 18 months.

His three-year-old market research company, Daxue Consulting, has offices in Beijing and Shanghai, with a third office planned in Hong Kong. It has 15 employees but by the end of the year he plans to have a staff of 20 and revenues of Rmb7m ($1.1m).

“What I have always done in China is take a model that works well in Europe, then adapt it.” Most of his clients to date have been international companies looking for information on the China market — western nursing home groups, eager to take advantage of the changing Chinese demographics, have been strong clients. That is changing. “Chinese companies are now looking for better information on their

competitors.”

For Mr David-Experton there are clear advantages to working in China, particularly the flexibility and speed to market. Products can be designed and developed in just a few days, he says. “I had the feeling you couldn’t get these things done in this timescale in Europe.” It means entrepreneurs can get a product to market without having to raise too much money, he adds.

But he warns that the Chinese business environment is not plain sailing. “They [prospective entrepreneurs] need to come here and see what is happening. A lot of people come here with ideas that don’t fit with the market.”

It is a message echoed by Manmeet Singh, senior affiliate lecturer at EMLyon Business School, who has worked in China for the past 13 years. “This market has a learning curve, it has a learning curve for everybody. Even the 50-year-old chief executives of multinationals have a learning curve. They can come here and get their **** kicked.”

European entrepreneurs are taking a double risk he says: starting a business and setting up in an alien environment.

He also warns that much of the “low-hanging fruit” available to French entrepreneurs a few years ago no longer exists. He cites the example of those who want to set up a wine importing business in China: now the tables are turned and Chinese companies are buying vineyards around the world.

But there are some positive elements about China for European entrepreneurs, he says.

“There’s a lot of money available in the market for the right product. They [the Chinese] are agnostic on the origins of their entrepreneurs.”

And the enthusiasm for start-up careers in China are still strong among French business students, he says. “A good 10 per cent of the class [in China] approach me with ideas.”

Mr Singh is heavily involved in Shanghai’s Chinaccelerator, which gives support to both Chinese and international entrepreneurs. Though popular in the US and Europe, incubators are more novel in China.

It was following Skema Business School’s tie-up with a local Suzhou incubator in 2013 that the founders of Mini Bobi decided to locate their company there. Now they are distributing their range of 30 China-manufactured clothing items in Hangzhou and Suzhou as well as Shanghai.

With a monthly income so far of around Rmb3,000, the founders are looking to wider distribution to increase sales and are now selling online through Taobao, China’s answer to Amazon or eBay, founded by the Alibaba Group. They are also talking to schools about designing more generous-sized school uniforms.Read more here:www.marieaustralia.com/formal-dresses-brisbane | www.marieaustralia.com/formal-dresses-sydney
The Destroyer of the division machine1
Had first to run on the Way of the Cross
To have souls over the long lived ruin.
Robben, Pollsmoor and Victor2 caused no loss
In the Staff Heritage of the Thembu3
Rulers, forever loved by their people,
From whom was learnt right fight ain’t to taboo.
Good farmers’ teeth run right through the apple;
Likely after the Hard Walk to Freedom4
The Son of Gadla and Nosekeni5,
When his Soul flies up to the Lord’s Kingdom,
Glass will keep his body, and not any
          Stain will sully the Star of the Nation
          Whose Light will shine for each generation.

1. The division machine: The Apartheid.
2. Robben, Pollsmoor and Victor: During twenty seven years Mandela was successively jailed at Robben Island, Pollsmoor and Victor Verster prisons.
3. Thembu: The tribe over which ruled Mandela’s ancestors.
4. Hard Walk to Freedom: In September 1953, Andrew Kunene, a co-militant of his, read out Mandela's "No Easy Walk to Freedom" speech at a Transvaal ANC meeting; the title was taken from a quote by Indian independence leader Jawaharlal Nehru, a seminal influence on Mandela's thought. The speech laid out a contingency plan for a scenario in which the ANC was banned.  
5. Gadla (Henry Mphakanyiswa): Mandela’s father; Nosekeni (*****): His mother.

                                                               ­   Boniface
www.amazon.com/author/bonim007
Through every nook and every cranny
The wind blew in on poor old Granny
Around her knees, into each ear
(And up nose as well, I fear)

All through the night the wind grew worse
It nearly made the vicar curse
The top had fallen off the steeple
Just missing him (and other people)

It blew on man, it blew on beast
It blew on nun, it blew on priest
It blew the wig off Auntie *****-
But most of all, it blew on Granny!
Ben Jones Feb 2013
One day
Woke up feeling randy
No one else was handy
What's to do?
Get dressed
Satisfy the horn
With badly acted ****
On pay per view
Hopes sink
Cable's on the blink
But twitter lends a helping hand
Bang, bang, come and have a *******
Gain entrance on demand

Have a *******
Come and have a *******
It's a *******
Come and have a *******

Went out
Followed the directions
Battling erections
All the while
Red cheeks
Granny at the bus stop
Let her vision drop
Then cracked a smile
Half four
Knocking at the door
It opens and a voice proclaims
"Bang, bang, come and have a *******
We've far too many dames"

The host was a sight to see
Not far over seventy
And wrapped in a silk dressing gown
I thought I would walk away
But saw that the sky was grey
And it star-
-ted *******
It down

Stepped in
Blinded by a deep gloom
Ushered to a dark room
Curtains shut
Deep breath
Air is old and musty
Carpet feeling crusty
Underfoot
Sprawled there
Women lying bare
And fellas with their organs free
Bang, bang, cover up your ****, ****
Regain your decency

Pretty *******
Pretty ****** *******
****** *******
Pretty ****** *******

Look round
Writhing on the ground
With squishy little sounds
But something's odd
Fat lass
Itching at her *** crack
Isn't that a *******?
Oh my god!
Jaw drops
Granny from the bus stop
Wearing nothing but a grin
Bang, bang, pretty ****** *******
What ******* let her in?

She's nothing but skin and bone
With ribs like a xylophone
At least several decades too old
To use the vernacular
It's like bumming Dracula
She's wiry
She's wizened
She's cold

Oh (pretty) no (******)
Rasping on my ****
With fingers like a sock
Filled up with ice
No (scary) chance (hairy)
Giving her the slip
My todger's in a grip
Just like a vice
It (saggy) seems (baggy)
Like she's in a dream
While scraping with her ancient hand
Bang, bang, ****** ****** *******
My sore and swollen gland

Granny bang bang
Granny granny *******
Granny *******
Granny ***** *******

Knock, knock
Coppers at the door
Go crawling on the floor
And off at speed
What fun
Looking at the punters
Myriad of munters
As they flee'd
Cold, wet
Drowning in regret
With trousers round my knees I stand
Bang bang ****** ****** *******
Next time I'll use my hand
Bang bang ****** ****** *******
Next time I'll use my haaaaaaaaaaaaaaand!
JJ Hutton Sep 2013
I'm running 7:25 splits. Eight miles in. I haven't got stuck at an intersection. Not that I ever do. Runners got the right-of-way. And like my buddy Randy Run 'N Gun would say, I'm zen. Very ******* zen. Used to be a walker. Not no more. Not after the heart attack. No, siree, I'm a runner. A good runner. Lost 45 pounds. I did. I did. I stick to the left side of the road. So I can see the guilt in the drivers' eyes as they pass by. They're thinking, there's an old man out there taking care of hisself. I should be taking care of myself.

And they should. They really should.

But what's exercise to the people in this town? A walk down the block to Loaf 'N Jug for a Snickers, that's what. Or if you're a rich *****, it's twenty minutes on a Stairmaster three times a week. And I have to wonder if they're really doing it for them, you know?

I'm on the way back to the house. I peel off 30th, cutting across four lanes of traffic. Head into Garden of the Gods park. I do this so people get the right idea of the city. When I was a tourist here, I thought to myself, why's everybody all lumpy-assed and tied to children. Made a promise to myself. Told myself, when you move out there, you're going to be the trophy. So, I run through the red rocks and insert myself, mid-stride, into all those family photos. That way, when they get home, they'll point at their pictures and say, everyone in Colorado is so fit.

Now I'm getting close to the spot. It happened about a mile--mile and a half into the Snake Trail over by that 30-foot tall rock that looks a bit like Lyndon Johnson. I was a tourist and a walker then. Not no more. Not ever again.

There's a stretch of blacktop that cuts Snake Trail in two. I can't remember the name of the road. I think it's named after some preacher who got cholera, lost his faith, regained his faith in the end. One of those touching trajectories. Those stories always sound like a lot of fluffy *******, if you ask me.

Cars are backed up on Wishy-Washy Preacher Road. There's a crowd of people gathered in the middle. I look at my running watch. I don't like this. This is the kind of unplanned circumstance that skews your splits. Then your run time makes you feel like a lumpy-***, and that ain't me. Not no more.

I start pushing through the crowd. There's a lot of whispering and a lot of little kids all snotty and teary-eyed. And it's all just frustrating, because I feel like I'm cutting through molasses. I look at my running watch. I reach the center of the crowd.

A mule deer had been runover--well, halfway. The stupid beast still uses his front legs, dragging his crumpled and ****** backside along in a mad circle. A screechy whimper comes out in intervals like beeping hospital machinery. He's so scared, some middle-aged woman with a kid to each hip, says. A longbeard, beergut hippie starts into a prayer,

Gods of the natural world, gods of the sweet animal kingdom,
we ask that you wrap this wounded beacon of your light
into your warm embrace. May you replace his great pain
with the great comfort of your cool breezes, with the great
comfort of your warm sun, with the great comfort of fresh water.

I unzip my running belt. It's not a ***** pack. I pull out my NAA Guardian .32 automatic. It's not a woman's weapon. See, Randy Run 'N Gun, got his name because he invented this kind of running. I respect him for it. Got nothing but respect for that man. See, a fella has to be prepared at all times. There are mountain lions. There are bears. And perhaps worst of all are all these ******* mule deers. They ain't even scared of people. They stop and wait for you to feed them, blocking the sidewalk when I run, skewing my splits.

These hippies ain't going to do ****. They're taking photos with their cellulars and saying theologically vague prayers. And all these tourists are watching. So I walk right up to the mule deer. Someone behind me breathes in so hard, it's like she vacuumed all the sound. Pop. Pop. The beast stops its beeping. Legs twitch. Legs stop twitching. I'm the only one with courage enough to grant a mercy ****.

It's all about doing. Right? That's what the heart attack taught me. Before the heart attack, I thought about being a runner. The rhythm of it, the mechanical discipline appealed to me. Liked the idea of doing a marathon or the sound of it.  I was walking in Garden of the Gods. Noticed the LBJ rock, said to myself, Holy hell that looks like Lyndon Johnson. I heard these quick steps coming from behind me. I thought some potstentch, beergut hippie was going stab me. Felt like the gears at the center of me came off their handle. The right side of me just wasn't there anymore. As I fell I saw it was only a runner.

I reach the Lyndon Johnson rock. I'm eleven miles in. My splits have averaged to 7:43. ******* deer. The ground is lower at the spot where I had the heart attack. Why? Because I dug a hole there, that's why. The old me, the walking me, the tourist me lies dead in that hole. As I pass by, I spit it the ditch as I always do. Good riddance. Yep. Yep.

The trail finally turns downward. A little more oxygen in Ute Valley. Randy Run 'N Gun he calls moments like this, Runner's Reward. And I like that. Nature's okay. The cedars, the meadows, rivers -- all that **** -- is just fine. But what I like about running is the metaphor. See all the hippies, all the tourists they live their lives in a constant state of reward. They think, I'm alive, so I'll smoke this ***. They think, I'm alive, so I'll take ******* pictures of everything. But runners, runners know that you don't deserve life. It's a gift to be earned. So you work your *** off. Mile after mile. A reward for me is a valley. The reward doesn't last long, just long enough for me to catch my breath, you know?

I exit the valley. I pick up the pace. Try to make up for earlier delay. I cross Flying W Ranch Road. I hear metal-scraping-metal. And I'm hit.

I'm in the air. I'm sliding. I'm bouncing. My knees and elbows are hot. I blink.

A woman in a bright pink tank top and yoga pants stands over me. Stay in the car, Jacob, she shouts. Oh my god, oh my god.

I tell her runners have the right-of-way. But she doesn't respond. I say, Lady help me up, you're ******* up my splits. But she doesn't respond to that. She repeats over and over, You're going to be okay. Your'e going to be okay. Just keep looking at me.

I turn my head. The display on my watch is cracked. I can't read my splits average. My head is a ton of bricks. My elbows and knees are hot.

Jacob, stop, the woman says.

Her boy stands over me, taking pictures with his cellular.
Mateuš Conrad Jul 2018
and i remember going out in london,
seeking bloc party, and a fan-b -
or *****... or sycophancy in practice...
snogging a finnish girl
who did the shadow work for the white
stripes, donning a eisernes kreuz
t-shirt, feeling like: well...
this could work... but it didn't...
ended up in upper-side of what was,
what is, what if of london...
cradling an ex-girlfriend on a bean
bag,
while our hosts did *******
below us...
     and i can only remedy myself,
now, with the memory,
  as vivid as a holocaust denier...
    shaking...
              petrified shaking,
but wholly imbedded by a trust...
              she wasn't something akin
to a size-difference fetish of
   a reverted teddy-bear / pillow,
in my arms...
   standing an astouding 6ft...
                        indian and trans-irish
roots...
                 (one antidote to identity
politico? **** it... spice it up
with terms like afro-saxons)...
                               her shaking...

semi-epileptic,
   but what a sensation, lodged into
a mind that has become purely
memoria cameo theatre...
what am i getting at?

ah!

    the slack boys get playing video games...
hell, i play video games while taking
a ****, on the throne of thrones,
but when i'm mobile?
closed eyes, sitting on a folded leg
on a window-sill,
   eyes, closed, ears armed with
a thumping sound akin to static-x,
"watching" a moo-v...
                did i eat any beef before
the mad cow disease broke down
the blind train of journalism?
    so... i have aspects of a mad cow
disease in me?!
             be and only be:
a relentless *******...

  but boys getting the slack for their
cognitive geography...
            
     but...

    a girl obsessing disney movies,
with her critique?
     apparently the world of boys
isn't colourful enough,
   or: too grey...
              well... we have the noir range...
but before that blossoms,
it's taken down, and has a psychiatric
institution impose its...

wait... **** addiction?
   ever try to alleviate that sort of addiction
by, actually buying a ***** mag.,
from a shop, and not even blushing?
there are alternatives to psychiatry -
i think the slur comes along
the rubric of:            wh     o      r        e:
oh... that fading french hark
within the straitjacket of for...

               huh? not a fork...
               boys are stupid for playing
video games,
  but girls are a o.k. doing disney cartoon
critiques...
    or that story of assorting a pyramid
but not an extending rectangle hierarchy...
        
boys stop playing video games,
girls stop having a fetish for idealistic
cartoons...
                  fair enough?

oh i'm ******...
                   because how can you
grind the one, but not observe the other?
cartoon movies
are video games what
girl is to boy:
                    replica -
                                counter-mimic.

yet... i can still only remember her
shaking body, left, in the *****
of my embrace...
        like i might love a ***** star...
with... the coincidence of:
not allowing a knowledge of
a past...

               it's not that ignorance
is bliss... certain types of ignorance...
simply do not hurt...

                and we woke up in the top
floor (there were only two to begin with)
of the werehouse,
   and with the sunrise, we parted...

she having children, i having the burden
of too many poems -
             the irrational reality of
inverted claustrophobia continually
****** a blank white pixel space
         with my maggoty wordings...
                  
a ***** addiction?
1. go into a shop and buy a mag.
2. watch videos of girls *******
3. watch videos of girls
     giving critique of YA novels
4. **** a lemon in the morning
   after a night of drinking?
5. consider the implanted
  impetus within the confines
of a circumcision?
Carly Salzberg Sep 2010
The sun bakes down heavily on a plastic micro planet in Orlando, Florida
where crowded trams drop American bushels of tourists into an alien world.
Quickly fantasy comes alive
through a corporation of disguise.
The workers mask themselves in a drapery of familiar life
-like costumes to charm little children’s hearts.
They smile wildly, carving a clear dimple line on the but of their cheeks. Walt’s Disney World
must have driven every one of America’s circuses out of business.
The flying trapeze is too elegant,
people now want to be strapped in,
buckled up and whipped around
to forcibly experience the true velocity of entertainment.
Even the participant’s attire is geared for this third world oblivion. Neon ***** packs rest like bloated kangaroo pouches
on fat sweaty old lady’s round hips, their plump fingers
holding on to leashed harnesses reined to their child’s small chest.
This is vacation,
strangers of people in massive conglomerations
with confused expressions and burnt faces.
Even the food seems wickedly unnatural,
like an artificial order of burning plastic and sour dough surprise.
Waiting is the enthusiast’s pastime as parades
of anxious voyeurs are captivated by a trance
fixation of lights and whistles.
They line up like schools of lemming,
plunging on rides,
one by one.

This is the place
Where memories are made
And dreams come true
Irma Cerrutti Mar 2010
Penetrate me tight-fitting and penetrate me pinned down
The lycanthropic creature you ******
This is la vie en Venus’ flytrap

When you poke me, ****** moans
And though I squeeze my vaginas
I taste la vie en Venus’ flytrap

When you ***** me abutting your *****
I’m inside a hobnobbing alien
A metagalaxy where Venus’ flytraps win a beauty contest

And when you *******, cyclopses moo from upstairs
Heterosexual homophones seem to pervert ***** Adams Glorias

Splash out your cream and gumption to me
And ***** lust loosely wash
La vie en Venus’ flytrap
Copyright © Irma Cerrutti 2010
Edna Sweetlove Dec 2014
Ah wuz lookin oot o' mah winder and ah saw this lad
wi' a barry wee lassie gaun' up the hill.
-Wair the **** d'ye think you're gaun tae? ah yells oot.
But the daft ***** didnae answer at aww,
must've been oot o' thir ****** heids wi' E's or summat,
d'ye ken what ah'm tellin' ye,ye daft radge?
-Wair ye're ******* going? ah yells a couple mair times
and finally the gadge yells back to ays,
-Up the ******* hill tae fetch a pail o' ******* watter,
me Ma's hud her ******' taps turned oaf by the ******' Corporation,
which is a ******* pain in the erse ah had ter agree.
I realised ah knew the wee **** Jack but,
eh wuz an auld classmate of ays and eh's hung oot wi' ma brar n me,
when we wuz bairns oan the Scheme,eh?

-That's a bonny wee lassie ye've goat wi' ye, there Jack, ah yelled,
thinking ah'd nae kick her oot o' mah scratcher
withoot gi'ing her a guid ride.
Ah huvtae sey ah recognised hir as a wee ****
called Jill from the Scheme, a right tidy wee ride
in mah opinion wi' a guid little ***** on hir, as ah recall.
-Mind ye're own ******' business, the **** yells back at ays,
takin' the pail in yin hand and the ****'s wee hand in the other yin.

Ah can tell ye ah totally pished meself wi' laughter
when the pair o' they wide ***** fell doon,
Jack breakin' his ******' croon n the groond,
ah'm sure he nivver meant it tae happen,
'n eh mustae squashed his ******* bawws
as eh fell doon n aww from the wey he screamed oot,
but the wee lassie cam tumbling doon the ****** hill n aww,
heid n **** oor her ******' erse
'n ah could see she wasnae wearin' any ****** *******
'n her ***** was on display under her skirt.
Ah wouldnae expect anything else from a wee ****,eh?

-Dinnae worry, ah'll com and help ye, ah called oot,
but when ah goat thir, both o them wis deid,
ah thoat o' gittin mah hole wi' the deid lassie n aww,
but you shouldnae dae that, it's no respectful tae wimmin,
'n eywis, the polis might trace me through the DNA,
those ***** are clivvir 'n aw, ye ken.
So ah contented mesel' wi' rummidging through the poakits
o' the lad's jaykit tae see if eh hud ehs payment from the Joab Centre,
but the daft **** mustae spent it aww on a boatil or two o Grants,
ah ken ah'd hae done the same mahsel'.
And there wasnae a penny in the lassie's purse,
so ah thoat ah'd jus' **** oaf doon the ******
'n ask some **** tae call the hoaspital and the ****** polis.
Eh?
This tribute to Irvine Welsh, Scotland's most successful living novelist, is my masterpiece.
LJW Feb 2014
I've given poetry readings where less than a handful of people were present. It's a humbling experience. It’s also a deeply familiar experience.

"Poetry is useless," poet Geoffrey ****** said in a 2013 interview, "but it is useless the way the soul is useless—it is unnecessary, but we would not be what we are without it."

I was raised a Roman Catholic, and though I don’t go to Mass regularly anymore, I still remember early mornings during Advent when I went to liturgies at my parochial school. It was part of my offering—the sacrifice I made to honor the impending birth of the Savior—along with giving up candy at Lent. So few people attended at that hour that the priest turned on only a few lights near the altar. Approaching the front of the church, my plastic book bag rustling against my winter coat, I felt as if I were nearing the seashore at sunrise: the silhouettes of old widows on their kneelers at low tide, waiting for the priest to come in, starting the ritual in plain, unsung vernacular. No organist to blast us into reverence. No procession.

Every day, all over the world, these sparsely attended ceremonies still happen. Masses are said. Poetry is read. Poems are written on screens and scraps of paper. When I retire for the day, I move into a meditative, solitary, poetic space. These are the central filaments burning through my life, and the longer I live, the more they seem to be fused together.

Poetry is marginal, thankless, untethered from fame and fortune; it's also gut level, urgent, private yet yearning for connection. In all these ways, it's like prayer for me. I’m a not-quite-lapsed Catholic with Zen leanings, but I’ll always pray—and I’ll always write poems. Writing hasn’t brought me the Poetry Jackpot I once pursued, but it draws on the same inner wiring that flickers when I pray.        

• • •

In the 2012 collection A God in the House: Poets Talk About Faith, nineteen contemporary American poets, from Buddhist to Wiccan to Christian, discuss how their artistic and spiritual lives inform one another. Kazim Ali, who was raised a Shia Muslim, observes in his essay “Doubt and Seeking”:

[Prayer is] speaking to someone you know is not going to be able to speak back, so you're allowed to be the most honest that you can be. In prayer you're allowed to be as purely selfish as you like. You can ask for something completely irrational. I have written that prayer is a form of panic, because in prayer you don't really think you're going to be answered. You'll either get what you want or you won't.

You could replace the word "prayer" with "poetry" with little or no loss of meaning. I'd even go so far as to say that submitting my work to a journal often feels like this, too. Sometimes, when I get an answer in the form of an acceptance, I'm stunned.

"I never think of a possible God reading my poems, although the gods used to love the arts,” writes ***** Howe in her essay "Footsteps over Ground." She adds:

Poetry could be spoken into a well, of course, and drop like a penny into the black water. Sometimes I think that there is a heaven for poems and novels and music and dance and paintings, but they might only be hard-worked sparks off a great mill, which may add up to a whole-cloth in the infinite.

And here, you could easily replace the word "poetry" with "prayer." The penny falling to the bottom of a well is more often what we experience. But both poetry and prayer are things humans have learned to do in order to go on. Doubt is a given, but we do get to choose what it is we doubt.

A God in the House Book Cover
Quite a few authors in A God in the House (Howe, Gerald Stern, Jane Hirschfield, Christian Wiman) invoke the spiritual writing of Simone Weil, including her assertion that "absolutely unmixed attention is prayer." This sounds like the Zen concept of mindfulness. And it broadens the possibility for poetry as prayer, regardless of content, since writing poetry is an act of acute mindfulness. We mostly use words in the practical world to persuade or communicate, but prayers in various religious traditions can be lamentations of great sorrow. Help me, save me, take this pain away—I am in agony. In a church or a temple or a mosque, such prayerful lamentation is viewed as a form of expression for its own good, even when it doesn't lead immediately to a change of emotional state.

Perhaps the unmixed attention Weil wrote of is a unity of intention and utterance that’s far too rare in our own lives. We seldom match what we think or feel with what we actually say. When it happens spontaneously in poetry or prayer—Allen Ginsberg's "First thought, best thought" ideal —it feels like a miracle, as do all the moments when I manage to get out of my own way as a poet.

Many people who pray don’t envision a clear image of whom or what they’re praying to. But poets often have some sense of their potential readers. There are authorities whose approval I've tried to win or simply people I've tried to please: teachers, fellow writers, editors, contest judges—even my uncle, who actually reads my poems when they appear in the Pittsburgh Post-Gazette, where he used to work.

And yet, my most immersed writing is not done with those real faces in mind. I write to the same general entity to which I pray. It's as if the dome of my skull extends to the ceiling of the room I'm in, then to the dome of the sky and outward. It’s like the musings I had as a child lying awake at night, when my imagination took me to the farthest reaches of the galaxy. But then I emerge from this wide-open state and begin thinking about possible readers—and the faces appear.

This might also be where the magic ends.

• • •

I write poetry because it’s what I do, just as frogs croak and mathematicians ponder numbers. Poetry draws on something in me that has persisted over time, even as I’ve distracted myself with other goals, demands, and purposes; even as I’ve been forced by circumstance to strip writing poetry of certain expectations.

"Life on a Lily Pad" © Michelle Tribe
"Life on a Lily Pad"
© Michelle Tribe
At 21, I was sure I’d publish my first book before I was 25. I’m past my forties now and have yet to find a publisher for a book-length collection, though I've published more than a hundred individual poems and two chapbooks. So, if a “real” book is the equivalent of receiving indisputable evidence that your prayers are being answered, I’m still waiting.

It hasn’t been easy to shed the bitter urgency I’ve felt on learning that one of my manuscripts was a finalist in this or that contest, but was not the winner. Writing in order to attain external success can be as tainted and brittle as saying a prayer that, in truth, is more like a command: (Please), God, let me get through this difficulty (or else)—

Or else what? It’s a false threat, if there’s little else left to do but pray. When my partner is in the ICU, his lungs full of fluid backed up from a defective aortic valve; when my nephew is deployed to Afghanistan; when an ex is drowning in his addiction; when I hit a dead end in my job and don’t think I can do it one more day—every effort to imagine that these things might be gotten through is a kind of prayer that helps me weather a life over which I have little control.

Repeated disappointment in my quest to hit the Poetry Jackpot has taught me to recast the jackpot in the lowercase—locating it not in the outcome but in the act of writing itself, sorting out the healthy from the unhealthy intentions for doing it. Of course, this shift in perspective was not as neat as the preceding sentence makes it seem. There were years of thrashing about, of turning over stones and even throwing them, then moments of exhaustion when I just barely heard the message from within:

This is too fragile and fraught to be something that guides your whole life.

I didn't hear those words, exactly—and this is important. For decades, I’ve made my living as a writer. But I can't manipulate or edit total gut realizations. I can throw words at them, but it would be like shaking a water bottle at a forest fire; at best, I can chase the feeling with metaphors: It's like this—no, like this—or like this.

So, odd as this sounds for a poet, I now seek wordlessness. When I meditate, I intercept hundreds of times the impulse to shape a perception into words. Reduced to basics, the challenge facing any writer is knowing what to say—and what not to.

• • •

To read or listen to poetry requires unmixed attention just as writing it does. And when a poem is read aloud, there's a communal, at times ritualistic, element that can make a reading feel like collective prayer, even if there are only a few listeners in the audience or I’m listening by myself.

"Allen Ginsberg" © MDCArchives
Allen Ginsberg
© MDCArchives
When I want to feel moved and enlarged, all I have to do is play Patti Smith's rendition of Ginsberg's "Footnote to Howl." His long list poem from 1955 gathers people, places, objects, and abstractions onto a single exuberant altar. It’s certainly a prayer, one that opens this way:

Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy! Holy!

The world is holy! The soul is holy! The skin is holy! The nose is holy! The tongue and **** and hand and ******* holy!

Everything is holy! everybody’s holy! everywhere is holy! everyday is in eternity! Everyman’s an angel!

Some parts of Ginsberg's list ("forgiveness! charity! faith! bodies! suffering! magnanimity!") belong in any conventional catalogue of what a prayer celebrates as sacred. Other profane elements ("the ***** of the grandfathers of Kansas!") gain admission because they are swept up into his ritualistic roll call.

I can easily parody Ginsberg's litany: Holy the Dairy Queen, holy the barns of the Amish where cheese is releasing its ambitious stench, holy the Pittsburgh Pirates and the Internet. But reading the poem aloud feels to me the way putting on ritual garments must to a shaman or rabbi or priest. Watching Patti Smith perform the poem (various versions are available on YouTube), I get shivers seeing how it transforms her, and it's clear why she titled her treatment of the poem "Spell."

A parody can't do that. It can't manifest as the palpable unity of intention and utterance. It can't do what Emily Dickinson famously said that poetry did to her:

If I read a book [and] it makes my whole body so cold no fire ever can warm me I know that is poetry. If I feel physically as if the top of my head were taken off, I know that is poetry. These are the only [ways] I know it. Is there any other way.

Like the process of prayer—to God, to a better and bigger self, to the atmosphere—writing can be a step toward unifying heart, mind, body, universe. Ginsberg's frenzied catalogue ends on "brilliant intelligent kindness of the soul"; Eliot's The Waste Land on "shantih," or "the peace that surpasseth understanding." Neither bang nor whimper, endings like these are at once humble and tenacious. They say "Amen" and step aside so that a greater wordlessness can work its magic.
From the website http://talkingwriting.com/poetry-prayer
Breeze of the night in gentler sighs
  More softly murmur o’er the pillow;
For Slumber seals my *****’s eyes,
  And Peace must never shun her pillow.

Or breathe those sweet æolian strains
  Stolen from celestial spheres above,
To charm her ear while some remains,
  And soothe her soul to dreams of love.

But Breeze of night again forbear,
  In softest murmurs only sigh:
Let not a Zephyr’s pinion dare
  To lift those auburn locks on high.

Chill is thy Breath, thou breeze of night!
  Oh! ruffle not those lids of Snow;
For only Morning’s cheering light
  May wake the beam that lurks below.

Blest be that lip and azure eye!
  Sweet *****, hallowed be thy Sleep!
Those lips shall never vent a sigh,
  Those eyes may never wake to weep.
My dearest Frank, I wish you joy
Of Mary's safety with a Boy,
Whose birth has given little pain
Compared with that of Mary Jane —
May he a growing Blessing prove,
And well deserve his Parents' Love! —
Endow'd with Art's and Nature's Good,
Thy Name possessing with thy Blood,
In him, in all his ways, may we
Another Francis WIlliam see! —
Thy infant days may he inherit,
They warmth, nay insolence of spirit; —
We would not with one foult dispense
To weaken the resemblance.
May he revive thy Nursery sin,
Peeping as daringly within,
His curley Locks but just descried,
With 'Bet, my be not come to bide.' —
Fearless of danger, braving pain,
And threaten'd very oft in vain,
Still may one Terror daunt his Soul,
One needful engine of Controul
Be found in this sublime array,
A neigbouring Donkey's aweful Bray.
So may his equal faults as Child,
Produce Maturity as mild!
His saucy words and fiery ways
In early Childhood's pettish days,
In Manhood, shew his Father's mind
Like him, considerate and Kind;
All Gentleness to those around,
And anger only not to wound.
Then like his Father too, he must,
To his own former struggles just,
Feel his Deserts with honest Glow,
And all his self-improvement know.
A native fault may thus give birth
To the best blessing, conscious Worth.
As for ourselves we're very well;
As unaffected prose will tell.
Cassandra's pen will paint our state,
The many comforts that await
Our Chawton home, how much we find
Already in it, to our mind;
And how convinced, that when complete
It will all other Houses beat
The ever have been made or mended,
With rooms concise, or rooms distended.
You'll find us very snug next year,
Perhaps with Charles and ***** near,
For now it often does delight us
To fancy them just over-right us.
For those among us who lived by the rules,
Lived frugal lives of *****-scratching desperation;
For those who sustained a zombie-like state for 30 or 40 years,
For these few, our lucky few—
We bequeath an interactive Life-Alert emergency dog tag,
Or better still a dog, a colossal pet beast,
A humongous Harlequin Dane to feed,
For that matter, why not buy a few new cars before you die?
Your home mortgage is, after all, dead and buried.
We gave you senior-citizen rates for water, gas & electricity—
“The Big 3,” as they are known in certain Gasoline Alley-retro
Neighborhoods among us,
Our parishes and boroughs.
All this and more, had you lived small,
Had you played by the rules for Smurfs & Serfs.

We leave you the chance to treat your grandkids
Like Santa’s A-List clientele,
“Good ‘ol Grampa,” they’ll recollect fondly,
“Sweet Grammy Strunzo, they will sigh.
What more could you want in retirement?

You’ve enabled another generation of deadbeat grandparents,
And now you’re next in line for the ice floe,
To be taken away while still alive,
Still hunched over and wheezing,
On a midnight sleigh ride,
Your son, pulling the proverbial Eskimo sled,
Down to some random Arctic shore,
Placing you gently on the ice floe.
Your son; your boy--
A true chip off the igloo, so to speak.
He leaves you on the ice floe,
Remembering not to leave the sled,
The proverbial Sled of Abbandono,
The one never left behind,
As it would be needed again,
Why not a home in storage while we wait?
The family will surely need it sometime down the line.

A dignified death?
Who can afford one these days?
The question answers itself:
You are John Goodman in “The Big Lebowski.”
You opt for an empty 2-lb can of Folgers.
You know: "The best part of waking up, is Folger's in your cup!"
That useless mnemonic taught us by “Mad Men.”
Slogans and theme songs imbibe us.

Zombie accouterments,
Provided by America’s Ruling Class.
Thank you Lewis H. Lapham for giving it to us straight.
Why not go with the aluminum Folgers can?
Rather than spend the $300.00 that mook funeral director
Tries to shame you into coughing up,
For the economy-class “Legacy Urn.”
An old seduction:  Madison Avenue’s Gift of Shame.
Does your **** smell?” asks a sultry voice,
Igniting a carpet bomb across the 20-45 female cohort,
2 billion pathetically insecure women,
Spending collectively $10 billion each year—
Still a lot of money, unless it’s a 2013
Variation on an early 1930s Germany theme;
The future we’ve created;
The future we deserve.

Now a wheelbarrow load of paper currency,
Scarcely buy a loaf of bread.
Even if you’re lucky enough to make it,
Back to your cave alive,
After shopping to survive.
Women spend $10 billion a year for worry-free *****.
I don’t read The Wall Street Journal either,
But I’m pretty **** sure,
That “The Feminine Hygiene Division”
Continues to hold a corner office, at
Fear of Shame Corporate Headquarters.
Eventually, FDS will go the way of the weekly ******.
Meanwhile, in God & vaginal deodorant we trust,
Something you buy just to make sure,
Just in case the *** Gods send you a gift.
Some 30-year old **** buddy,
Some linguistically gifted man or woman,
Some he or she who actually enjoys eating your junk:
“Oh Woman, thy name is frailty.”
“Oh Man, thou art a Woman.”
“Oh Art is for Carney in “Harry & Tonto,”
Popping the question: “Dignity in Old Age?”
Will it too, go the way of the weekly ******?
It is pointless to speculate.
Mouthwash--Roll-on antiperspirants--Depends.
Things our primitive ancestors did without,
Playing it safe on the dry savannah,
Where the last 3 drops evaporate in an instant,
Rather than go down your pants,
No matter how much you wiggle & dance.
Think about it!

Think cemeteries, my Geezer friends.
Of course, your first thought is
How nice it would be, laid to rest
In the Poets’ Corner at Westminster Abbey.
Born a ******. Died a ******. Laid in the grave?
Or Père Lachaise,
Within a stone’s throw of Jim Morrison--
Lying impudently,
Embraced, held close by loving soil,
Caressed, held close by a Jack Daniels-laced mud pie.
Or, with Ulysses S. Grant, giving new life to the quandary:
Who else is buried in the freaking tomb?
Bury my heart with Abraham in Springfield.
Enshrine my body in the Taj Mahal,
Build for me a pyramid, says Busta Cheops.

Something simple, perhaps, like yourself.
Or, like our old partner in crime:
Lee Harvey, in death, achieving the soul of brevity,
Like Cher and Madonna a one-name celebrity,
A simple yet obscure grave stone carving:  OSWALD.
Perhaps a burial at sea? All the old salts like to go there.
Your corpse wrapped in white duct/duck tape,
Still frozen after months of West Pac naval maneuvers,
The CO complying with the Department of the Navy Operations Manual,
Offering this service on « An operations-permitting basis, »
About as much latitude given any would-be Ahab,
Shortlisted for Command-at-sea.
So your body is literally frozen stiff,
Frozen solid for six months packed,
Spooned between 50-lb sacks of green beans & carrots.
Deep down in the deep freeze,
Within the Deep Freeze :
The ship’s storekeeper has a cryogenic *******
Deep down in his private sanctuary,
Privacy in the bowels of the ship.
While up on deck you slide smoothly down the pine plank,
Old Glory billowing in the sea breeze,
Emptying you out into the great abyss of
Some random forlorn ocean.

Perhaps you are a ******* lunatic?
Maybe you likee—Shut the **** up, Queequeg !
Perhaps you want a variation on the burial-at-sea option ?
Here’s mine, as presently set down in print,
Lawyer-prepared, notarized and filed at the Court of the Grand Vizier,
Copies of same in safe deposit boxes,
One of many benefits Chase offers free to disabled Vets,
Demonstrating, again, my zombie-like allegiance to the rules.
But I digress.
« The true measure of one’s life »
Said most often by those we leave behind,
Is the wealth—if any—we leave behind.
The fact that we cling to bank accounts,
Bank safe deposit boxes,
Legal aide & real estate,
Insurance, and/or cash . . .
Just emphasizes the foregone conclusion,
For those who followed the rules.
Those of us living frugally,
Sustaining the zombie trance all these years.
You can jazz it up—go ahead, call it your « Work Ethic. »
But you might want to hesitate before you celebrate
Your unimpeachable character & patriotism.

What is the root of Max Weber’s WORK ETHIC concept?
‘Tis one’s grossly misplaced, misguided, & misspent neurosis.
Unmasked, shown vulnerably pink & naked, at last.
Truth is: The harder we work, the more we lay bare
The Third World Hunger in our souls.
But again, I digress.  Variation on a Theme :
At death my body is quick-frozen.
Then dismembered, then ground down
To the consistency of water-injected hamburger,
Meat further frozen and Fedex-ed to San Diego,
Home of our beloved Pacific Fleet.
Stowed in a floating Deep Freeze where glazed storekeepers
Sate the lecherous Commissary Officer,
Aboard some soon-to-be underway—
Underway: The Only Way
Echo the Old Salts, a moribund Greek Chorus
Goofing still on the burial-at-sea concept.

Underway to that sacred specific spot,
Let's call it The Golden Shellback,
Where the Equator intersects,
Crosses perpendicular,
The International Dateline,
Where my defrosted corpse nuggets,
Are now sprinkled over the sea,
While Ray Charles sings his snarky
Child Support & Alimony
His voice blasting out the 1MC,
She’s eating steak.  I’m eating baloney.
Ray is the voice of disgruntlement,
Palpable and snide in the trade winds,
Perhaps the lost chord everyone has been looking for:
Laughing till we cry at ourselves,
Our small corpse kernels, chum for sharks.

In a nutshell—being the crazy *******’ve come to love-
Chop me up and feed me to the Orcas,
Just do it ! NIKE!
That’s right, a $commercial right in the middle of a ******* poem!
Do it where the Equator crosses the Dateline :
A sailors’ sacred vortex: isn’t it ?
Wouldn’t you say, Shipmates, one and all?
I’m talking Conrad’s Marlow, here, man!
Call me Ishmael or Queequeg.
Thor Heyerdahl or Tristan Jones,
Bogart’s Queeq & Ensign Pulver,
Wayward sailors, one and all.
And me, of course, aboard the one ride I could not miss,
Even if it means my Amusement Park pass expires.
Ceremony at sea ?
Absolutely vital, I suppose,
Given the monotony and routine,
Of the ship’s relentlessly vacant seascape.
« There is nothing so desperately monotonous as the sea,
And I no longer wonder at the cruelty of pirates. «
So said James Russell Lowell,
One of the so-called Fireside Poets,
With Longfellow and Bryant,
Whittier, the Quaker and Oliver Wendell Holmes, Sr.,
19th Century American hipsters, one and all.

Then there’s CREMATION,
A low-cost option unavailable to practicing Jews.
« Ashes to ashes »  remains its simplest definition.
LOW-COST remains its operant phrase & universal appeal.
No Deed to a 2by6by6 foot plot of real estate,
Paid for in advance for perpetuity—
Although I suggest reading the fine print—
Our grass--once maintained by Japanese gardeners--
Now a lost art in Southern California,
Now that little Tokyo's finest no longer
Cut, edge & manicure, transform our lawns
Into a Bonsai ornamental wonderland.
Today illegal/legal Mexicans employing
More of a subtropical slash & burn technique.

Cremation : no chunk of marble,
No sandstone, wood or cardboard marker,
Plus the cost of engraving and site installation.
Quoth the children: "****, you’re talking $30K to
Put the old ****** in the ground? Cheap **** never
Gave me $30K for college, let alone a house down payment.
What’s my low-cost, legitimate disposal going to run me?"

CREMATION : they burn your corpse in Auschwitz ovens.
You are reduced to a few pounds of cigar ash.
Now the funeral industry catches you with your **** out.
You must (1) pay to have your ashes stored,
Or (2) take them away in a gilded crate that,
Again, you must pay for.
So you slide into Walter Sobjak,
The Dude’s principal amigo,
And bowling partner in the
Brothers Coen masterpiece: The Big Lebowski.
You head to the nearest Safeway for a 2-lb can of Folgers.
And while we’re on the subject of cremation & the Jews,
Think for a moment on the horror of The Holocaust:
Dispossessed & utterly destroyed, one last indignity:
Corpses disposed of by cremation,
For Jews, an utterly unacceptable burial rite.
Now before we leave Mr. Sobjak,
Who is, as you know, a deeply disturbed Vietnam vet,
Who settles bowling alley protocol disputations,
By brandishing, by threatening the weak-minded,
With a loaded piece, the same piece John Turturro—
Stealing the movie as usual, this time as Jesus Quintana—
Bragging how he will stick it up Walter’s culo,
Pulling the trigger until it goes: Click-Click-Click!
Terrestrial burial or cremation?
For me:  Burial at Sea:
Slice me, dice me into shark food.

Or maybe something a la Werner von Braun:
Your dead meat shot out into space;
A personal space probe & voyager,
A trajectory of one’s own choosing?

Oh hell, why not skip right down to the nitty gritty bottom line?
Current technology: to wit, your entire life record,
Your body and history digitized & downloaded
To a Zip Drive the size of the average *******,
A data disc then Fedex-ed anywhere in the galaxy,
Including exotic burial alternatives,
Like some Martian Kilimanjaro,
Where the tiger stalks above the clouds,
Nary a one with a freaking clue that can explain
Just what the cat was doing up so high in the first place.
Or, better still, inside a Sherpa’s ***** pack,
A pocket imbued with the same Yak dung,
Tenzing Norgay massages daily into his *******,
Defending the Free World against Communism & crotch rot.
(Forgive me: I am a child of the Cold War.)
Why not? Your life & death moments
Zapped into a Zip Drive, bytes and bits,
Submicroscopic and sublime.
So easy to delete, should your genetic subgroup
Be targeted for elimination.
About now you begin to realize that
A two-pound aluminum Folgers can
Is not such a bad idea.
No matter; the future is unpersons,
The Ministry of Information will in charge.
The People of Fort Meade--those wacky surveillance folks--
Cloistered in the rolling hills of Anne Arundel County.
That’s who will be calling the shots,
Picking the spots from now on.
Welcome to Cyber Command.
Say hello to Big Brother.
Say “GOOD-BYE PRIVACY.”

Meanwhile, you’re spending most of your time
Fretting ‘bout your last rites--if any—
Burial plots on land and sea, & other options,
Such as whether or not to go with the
Concrete outer casket,
Whether or not you prefer a Joe Cocker,
Leon Russell or Ray Charles 3-D hologram
Singing at your memorial service.
While I am fish food for the Golden Shellbacks,
I am a fine young son of Neptune,
We are Old Salts, one and all,
Buried or burned or shot into space odysseys,
Or digitized on a data disc the size of
An average human *******.
Snap outta it, Einstein!
Like everyone else,
You’ve been fooled again.
Neville Johnson Jan 2019
Sue Venir loved Hugh Biquitous, but he was unreliable, so she confided this to her friend, Di Namic who confirmed he’d been seen with Penny Farthing and Miss Chevous. Then she ran into Ken Tucky, who’d just broken up with Jen Erator, and was known to hang with Mel N. Choly. Together, they and Dan Ube went to a party thrown by Perry Winkle at the house of Dana Point.

Con Valescence introduced Sue to Marine Layer who asked Mr. Tucky to join the conversation, and they’ve been conversing ever since. Lou Kemia couldn’t make the party as he was ill. This was confirmed by Nick Knack who’d been informed by Conrad Alert.

Penny Saver left early, heading over to the home of I. Stan Bul, who was throwing a celebration in honor of Hazel Nuts and Grant N. Aid, who were to be married by Will Power, though Miss Givings, his former girlfriend, did not approve. Celebrants included Buzz Saw, Ma Larkey, Ben E. Diction, ***** Pack and of course Ann I. Versary, who deemed it worthy of being remembered. Tom Foolery was always good for a laugh, which was appreciated by Art I. Face, Dee Vice and Tess Osterone.

Some chose to dine alfresco, notably Flora Fauna, Heidi **, and Ed U. Cate. Barb Ituate was a downer, though Ma Larkey tried to cheer her up, watched by Cliff Hanger who wanted to see what happened, until a dispute arose between Ana Conda and Ann Ticipation, who’d both been vying for the attention of Billy Goat.

Meanwhile, in another part of town, Terry Dactyl was in a dispute with Billy Club over Lilly White because of something Miss Conception had reported after hearing from that duo, Caesar Salad and Reuben Sandwich.

Junior Mints tried to mollify the situation with sugary statements, but was interrupted by Yuri Nal, who said he had to go, and then left with Jay Walking and they were off to congregate with Diane Tomeetya.

At the next table General Jive held court in a warlike mood,  that Cary Cature tried to lighten.  With them were Tex Arcana, whose accent was amusing to Bill Collector, Al Gorythm, Tim Buktu and Marv E. Lous, who always had a great time wherever he went.

By then, Bobby Pin, the luscious seamstress, had given up on Peter D. Out, after seeing him clowning around with Butch Wax and Slim N. None, all of them malcontents and disrupters.

In walked Daisy Chain, newly arrived  from the Southern Hemisphere, along with Sydney Australia. Klaus Trophobic had initially agreed to travel with the two of them, but said he had to stay at home. Frank O’Phile overhead this and confided to Phil O’Sophically that there is sometimes merit to such position.

The restaurant was owned by Ty ****, managed by Chuck Wagon, with the food delivered by waiters Clay *** and Terry Aki , assisted by busboyTara Misou.

The next morning, everyone gathered at the home of Dawn Patrol, who was there with her new husband, Earnest Money, after divorcing Perry Mutual. Deb Enture was her maid of honor.  Nick O’Time was nearly late to the party, driving in with Stu Debaker, via a shaky Uber driver named Manuel Shifting.

Al Acrity was his usual sunny self, but not when Den O’Thieves interrupted his conversation, which was shut down by Kay O.

Sherman Oaks and Van Nuys were late, having gotten mixed up on the location. Cliff Hanger was worried about the falling stock market, and as a result was getting drunk with Jack Daniels. Stan Dup was his usually assertive self, but was overshadowed by the always munificent Cy Pres.

Claude Hopper was dressed in yesterdays’ styles, but that didn’t matter to Dov Tail who  was going into business with Matt Chabox, known for his incendiary personality. They had two other partners to round the group out, **** Ular and Ben E. Fit.

Gar Gantuan loomed large, and was unstable when paired with Mo Mentum, who said in such situations, they needed to involve Otto Matic.

Terry Cloth was wrapped around Jan U. Ary, ogled by Barbie Queue and Coleman Lantern.

— The End —