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"fanny" poems
My name is Sara, a transgender chick Wanted a ***** was given a **** I hide it in knickers of satin and lace before sitting down to make-up my face, Next the prosthetics, I'm using two bits. Stuck to my chest, they'll do as my **** Now for my legs I'll put on false tan, I wouldn't do this if I were a man Alternative nights, a t-girl delights to sit on her bed and pull on new tights. I'll put on a dress, a cute one no less. Then for my shoes, high heels I choose A sandal style shoe as every girl knows not only looks cute, they'll show painted toes A bit of eyeliner, eyebrow definer, lipstick and blush, I'm now looking lush. I stand in the mirror all ready to go, there's only one question I just have to know. "Does my *** look big in this?" Poetry by Kaydee.
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Dec 18, 2017
Dec 18, 2017 at 4:02 PM UTC
TGirl.
**ABRAHAM LINCOLN’S FAMOUS CIVIL WAR CONDOLENCE LETTER TO YOUNG ***** MCCULLOUGH ABOUT DEATH, LOSS AND MEMORY** Executive Mansion, Washington, December 23, 1862. Dear ***** It is with deep grief that I learn of the death of your kind and brave Father; and, especially, that it is affecting your young heart beyond what is common in such cases. In this sad world of ours, sorrow comes to all; and, to the young, it comes with bitterest agony, because it takes them unawares. The older have learned to ever expect it. I am anxious to afford some alleviation of your present distress. Perfect relief is not possible, except with time. You can not now realize that you will ever feel better. Is not this so? And yet it is a mistake. You are sure to be happy again. To know this, which is certainly true, will make you some less miserable now. I have had experience enough to know what I say; and you need only to believe it, to feel better at once. The memory of your dear Father, instead of an agony, will yet be a sad sweet feeling in your heart, of a purer, and holier sort than you have known before. Please present my kind regards to your afflicted mother. Your sincere friend A. LINCOLN.
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Feb 13, 2016
Feb 13, 2016 at 11:00 AM UTC
ABRAHAM LINCOLN’S FAMOUS CIVIL WAR CONDOLENCE LETTER TO YOUNG ***** MCCULLOUGH ABOUT DEATH, LOSS AND MEMORY
partying women drugs drink do you ever think ? you justify your every sin with sugar coated words you lure your's a tainted heart it is not pure poetry and pretty rhymes hollow words empty lines partying women drugs drink do you ever think ? think of the girl who loves you true she has given her heart and soul to you you took that love then took a **** on my face just so you could have a taste a taste of ***** **** and sweet **** you ******* your love is a blatant farce i am done i am through i burn the love i once gave to you partying women drugs drink ******* do you ever think ?
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Mar 24, 2011
Mar 24, 2011 at 11:10 PM UTC
*******
You changed me Although you’re not here now I’m disappointed you can’t see who I’ve become I started growing the first time you hugged me The force of your arms Wrapped like a ribbon Around a birthday present that is my body You controlled everything With that universal remote on your wrist I’m surprised my emotions wouldn’t flicker Each time you pressed a button You had so many faces Often times I felt as if I was looking in a mirror Not to say I love my own reflection But those who know me well will say “I look like my personality” You know, Headphones nowadays are two ear buds It’s not meant to go in both ears Both rather so you can have Someone to share your music with Some songs are harder to listen to than others But I’m getting better Do you keep my heart in your fanny-pack? Unzip it like a pulse Keep it next to other unimportant things Cell phone, money, gum I can’t walk gravel roads like I used to Or see lightning bugs the same again I know it’s not right to do But when I’m with a girl I compare her with you Needless to say they never size up So here I am single, which is funny to me People give me compliments like you used to My dimple, the smile and how I act Living with laughter on a mountain You were the echo That made me think Someone else was trying to talk back Now that it’s gone I’m talking to myself I’d take a rocket to the moon with you If you fell, I too would faint And now, Every time I smoke Upwards Into the night sky I am surrounded By a billion ***** of light And they scream your middle name
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Dec 28, 2010
Dec 28, 2010 at 1:29 AM UTC
Nerdy Starr Girl
You changed me Although you’re not here now I’m disappointed you can’t see who I’ve become I started growing the first time you hugged me The force of your arms Wrapped like a ribbon Around a birthday present that is my body You controlled everything With that universal remote on your wrist I’m surprised my emotions wouldn’t flicker Each time you pressed a button You had so many faces Often times I felt as if I was looking in a mirror Not to say I love my own reflection But those who know me well will say “I look like my personality” You know, Headphones nowadays are two ear buds It’s not meant to go in both ears Both rather so you can have Someone to share your music with Some songs are harder to listen to than others But I’m getting better Do you keep my heart in your fanny-pack? Unzip it like a pulse Keep it next to other unimportant things Cell phone, money, gum I can’t walk gravel roads like I used to Or see lightning bugs the same again I know it’s not right to do But when I’m with a girl I compare her with you Needless to say they never size up So here I am single, which is funny to me People give me compliments like you used to My dimple, the smile and how I act Living with laughter on a mountain You were the echo That made me think Someone else was trying to talk back Now that it’s gone I’m talking to myself I’d take a rocket to the moon with you If you fell, I too would faint And now, Every time I smoke Upwards Into the night sky I am surrounded By a billion ***** of light And they scream your middle name
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JOHN KEATS’ LAST POEM WRITTEN IN ROME ON 21st February 1821* (From The Imagination Of The Writer) I am fading, fading fast, Fanny, my love eternal Far away from you and home I am dying, the hours I am counting In what I liken to my grave that is Rome. All that I seek in this dark loneliness is solace Moments of respite thinking Of you and our past exchanges of affection Dissolved by fate with our hopes descending Unto the oblivion that had been pre-ordained Tears are comfortless and what is to come Is but this pain that seared love must bear unknown Only self-felt and suffered without end that renders my heart totally numb. I can’t understand and it defies reason The human heart should bear so much pain While the tranquil stars hold so steadfast and the song Of the nightingale drifts so sublimely in every sweet refrain. Youth once gaily clothed in such beauty but now Grows spectre-thin and here is but fret and fever Where the old and infirm hang their heads down In tearful reminiscences of happy days that have fled forever. And now, my ***** my only love, you alone in this The saddest schemes of things should share This my life so wretched , lost, unfulfilled and joy-bereft I beg forgiveness, only remember my poems—sorrow let us silently bear. John Keats one of the greatest English romantic poets died on 23rd February 1821 in Rome, aged twenty-five
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Sep 3, 2015
Sep 3, 2015 at 8:12 PM UTC
JOHN KEATS’ LAST POEM WRITTEN IN ROME ON 21st February 1821* (From The Imagination Of The Writer)
The Destroyer of the division machine1 Had first to run on the Way of the Cross To have souls over the long lived ruin. Robben, Pollsmoor and Victor2 caused no loss In the Staff Heritage of the Thembu3 Rulers, forever loved by their people, From whom was learnt right fight ain’t to taboo. Good farmers’ teeth run right through the apple; Likely after the Hard Walk to Freedom4 The Son of Gadla and Nosekeni5, When his Soul flies up to the Lord’s Kingdom, Glass will keep his body, and not any Stain will sully the Star of the Nation Whose Light will shine for each generation. 1. The division machine: The Apartheid. 2. Robben, Pollsmoor and Victor: During twenty seven years Mandela was successively jailed at Robben Island, Pollsmoor and Victor Verster prisons. 3. Thembu: The tribe over which ruled Mandela’s ancestors. 4. Hard Walk to Freedom: In September 1953, Andrew Kunene, a co-militant of his, read out Mandela's "No Easy Walk to Freedom" speech at a Transvaal ANC meeting; the title was taken from a quote by Indian independence leader Jawaharlal Nehru, a seminal influence on Mandela's thought. The speech laid out a contingency plan for a scenario in which the ANC was banned. 5. Gadla (Henry Mphakanyiswa): Mandela’s father; Nosekeni ***** His mother.                                                                   Boniface
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Jun 27, 2013
Jun 27, 2013 at 8:33 AM UTC
Preliminary epitaph on Mandela
Through every nook and every cranny The wind blew in on poor old Granny Around her knees, into each ear (And up nose as well, I fear) All through the night the wind grew worse It nearly made the vicar curse The top had fallen off the steeple Just missing him (and other people) It blew on man, it blew on beast It blew on nun, it blew on priest It blew the wig off Auntie ***** But most of all, it blew on Granny!
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Granny
One day Woke up feeling randy No one else was handy What's to do? Get dressed Satisfy the horn With badly acted **** On pay per view Hopes sink Cable's on the blink But twitter lends a helping hand Bang, bang, come and have a gang bang Gain entrance on demand Have a gang bang Come and have a gang bang It's a gang bang Come and have a gang bang Went out Followed the directions Battling erections All the while Red cheeks Granny at the bus stop Let her vision drop Then cracked a smile Half four Knocking at the door It opens and a voice proclaims "Bang, bang, come and have a gang bang We've far too many dames" The host was a sight to see Not far over seventy And wrapped in a silk dressing gown I thought I would walk away But saw that the sky was grey And it star- -ted ******* It down Stepped in Blinded by a deep gloom Ushered to a dark room Curtains shut Deep breath Air is old and musty Carpet feeling crusty Underfoot Sprawled there Women lying bare And fellas with their organs free Bang, bang, cover up your **** **** Regain your decency Pretty gang bang Pretty ****** gang bang ****** gang bang Pretty ****** gang bang Look round Writhing on the ground With squishy little sounds But something's odd Fat lass Itching at her *** crack Isn't that a ball sack? Oh my god! Jaw drops Granny from the bus stop Wearing nothing but a grin Bang, bang, pretty ****** gang bang What ******* let her in? She's nothing but skin and bone With ribs like a xylophone At least several decades too old To use the vernacular It's like bumming Dracula She's wiry She's wizened She's cold Oh (pretty) no ****** Rasping on my **** With fingers like a sock Filled up with ice No (scary) chance (hairy) Giving her the slip My todger's in a grip Just like a vice It (saggy) seems (baggy) Like she's in a dream While scraping with her ancient hand Bang, bang, ****** ****** gang bang My sore and swollen gland Granny bang bang Granny granny gang bang Granny gang bang Granny ***** gang bang Knock, knock Coppers at the door Go crawling on the floor And off at speed What fun Looking at the punters Myriad of munters As they flee'd Cold, wet Drowning in regret With trousers round my knees I stand Bang bang ****** ****** gang bang Next time I'll use my hand Bang bang ****** ****** gang bang Next time I'll use my haaaaaaaaaaaaaaand!
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Feb 22, 2013
Feb 22, 2013 at 3:00 AM UTC
Pretty ****** Gang Bang
One day Woke up feeling randy No one else was handy What's to do? Get dressed Satisfy the horn With badly acted **** On pay per view Hopes sink Cable's on the blink But twitter lends a helping hand Bang, bang, come and have a gang bang Gain entrance on demand Have a gang bang Come and have a gang bang It's a gang bang Come and have a gang bang Went out Followed the directions Battling erections All the while Red cheeks Granny at the bus stop Let her vision drop Then cracked a smile Half four Knocking at the door It opens and a voice proclaims "Bang, bang, come and have a gang bang We've far too many dames" The host was a sight to see Not far over seventy And wrapped in a silk dressing gown I thought I would walk away But saw that the sky was grey And it star- -ted ******* It down Stepped in Blinded by a deep gloom Ushered to a dark room Curtains shut Deep breath Air is old and musty Carpet feeling crusty Underfoot Sprawled there Women lying bare And fellas with their organs free Bang, bang, cover up your **** **** Regain your decency Pretty gang bang Pretty ****** gang bang ****** gang bang Pretty ****** gang bang Look round Writhing on the ground With squishy little sounds But something's odd Fat lass Itching at her *** crack Isn't that a ball sack? Oh my god! Jaw drops Granny from the bus stop Wearing nothing but a grin Bang, bang, pretty ****** gang bang What ******* let her in? She's nothing but skin and bone With ribs like a xylophone At least several decades too old To use the vernacular It's like bumming Dracula She's wiry She's wizened She's cold Oh (pretty) no ****** Rasping on my **** With fingers like a sock Filled up with ice No (scary) chance (hairy) Giving her the slip My todger's in a grip Just like a vice It (saggy) seems (baggy) Like she's in a dream While scraping with her ancient hand Bang, bang, ****** ****** gang bang My sore and swollen gland Granny bang bang Granny granny gang bang Granny gang bang Granny ***** gang bang Knock, knock Coppers at the door Go crawling on the floor And off at speed What fun Looking at the punters Myriad of munters As they flee'd Cold, wet Drowning in regret With trousers round my knees I stand Bang bang ****** ****** gang bang Next time I'll use my hand Bang bang ****** ****** gang bang Next time I'll use my haaaaaaaaaaaaaaand!
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The sun bakes down heavily on a plastic micro planet in Orlando, Florida where crowded trams drop American bushels of tourists into an alien world. Quickly fantasy comes alive through a corporation of disguise. The workers mask themselves in a drapery of familiar life -like costumes to charm little children’s hearts. They smile wildly, carving a clear dimple line on the but of their cheeks. Walt’s Disney World must have driven every one of America’s circuses out of business. The flying trapeze is too elegant, people now want to be strapped in, buckled up and whipped around to forcibly experience the true velocity of entertainment. Even the participant’s attire is geared for this third world oblivion. Neon ***** packs rest like bloated kangaroo pouches on fat sweaty old lady’s round hips, their plump fingers holding on to leashed harnesses reined to their child’s small chest. This is vacation, strangers of people in massive conglomerations with confused expressions and burnt faces. Even the food seems wickedly unnatural, like an artificial order of burning plastic and sour dough surprise. Waiting is the enthusiast’s pastime as parades of anxious voyeurs are captivated by a trance fixation of lights and whistles. They line up like schools of lemming, plunging on rides, one by one. This is the place Where memories are made And dreams come true
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Sep 25, 2010
Sep 25, 2010 at 12:25 PM UTC
Walt Disney World, Orlando Florida
Penetrate me tight-fitting and penetrate me pinned down The lycanthropic creature you ****** This is la vie en Venus’ flytrap When you poke me, ****** moans And though I squeeze my vaginas I taste la vie en Venus’ flytrap When you ***** me abutting your ***** I’m inside a hobnobbing alien A metagalaxy where Venus’ flytraps win a beauty contest And when you ********* cyclopses moo from upstairs Heterosexual homophones seem to pervert ***** Adams Glorias Splash out your cream and gumption to me And ***** lust loosely wash La vie en Venus’ flytrap
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Mar 31, 2010
Mar 31, 2010 at 4:06 PM UTC
La Vie En Venus’ Flytrap
My dearest Frank, I wish you joy Of Mary's safety with a Boy, Whose birth has given little pain Compared with that of Mary Jane — May he a growing Blessing prove, And well deserve his Parents' Love! — Endow'd with Art's and Nature's Good, Thy Name possessing with thy Blood, In him, in all his ways, may we Another Francis WIlliam see! — Thy infant days may he inherit, They warmth, nay insolence of spirit; — We would not with one foult dispense To weaken the resemblance. May he revive thy Nursery sin, Peeping as daringly within, His curley Locks but just descried, With 'Bet, my be not come to bide.' — Fearless of danger, braving pain, And threaten'd very oft in vain, Still may one Terror daunt his Soul, One needful engine of Controul Be found in this sublime array, A neigbouring Donkey's aweful Bray. So may his equal faults as Child, Produce Maturity as mild! His saucy words and fiery ways In early Childhood's pettish days, In Manhood, shew his Father's mind Like him, considerate and Kind; All Gentleness to those around, And anger only not to wound. Then like his Father too, he must, To his own former struggles just, Feel his Deserts with honest Glow, And all his self-improvement know. A native fault may thus give birth To the best blessing, conscious Worth. As for ourselves we're very well; As unaffected prose will tell. Cassandra's pen will paint our state, The many comforts that await Our Chawton home, how much we find Already in it, to our mind; And how convinced, that when complete It will all other Houses beat The ever have been made or mended, With rooms concise, or rooms distended. You'll find us very snug next year, Perhaps with Charles and ***** near, For now it often does delight us To fancy them just over-right us.
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My Dearest Frank, I Wish You Joy
My dearest Frank, I wish you joy Of Mary's safety with a Boy, Whose birth has given little pain Compared with that of Mary Jane — May he a growing Blessing prove, And well deserve his Parents' Love! — Endow'd with Art's and Nature's Good, Thy Name possessing with thy Blood, In him, in all his ways, may we Another Francis WIlliam see! — Thy infant days may he inherit, They warmth, nay insolence of spirit; — We would not with one foult dispense To weaken the resemblance. May he revive thy Nursery sin, Peeping as daringly within, His curley Locks but just descried, With 'Bet, my be not come to bide.' — Fearless of danger, braving pain, And threaten'd very oft in vain, Still may one Terror daunt his Soul, One needful engine of Controul Be found in this sublime array, A neigbouring Donkey's aweful Bray. So may his equal faults as Child, Produce Maturity as mild! His saucy words and fiery ways In early Childhood's pettish days, In Manhood, shew his Father's mind Like him, considerate and Kind; All Gentleness to those around, And anger only not to wound. Then like his Father too, he must, To his own former struggles just, Feel his Deserts with honest Glow, And all his self-improvement know. A native fault may thus give birth To the best blessing, conscious Worth. As for ourselves we're very well; As unaffected prose will tell. Cassandra's pen will paint our state, The many comforts that await Our Chawton home, how much we find Already in it, to our mind; And how convinced, that when complete It will all other Houses beat The ever have been made or mended, With rooms concise, or rooms distended. You'll find us very snug next year, Perhaps with Charles and ***** near, For now it often does delight us To fancy them just over-right us.
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It is seven this crisp April morning. In woods before the rising path reveals the heath, there, no there, just there are the first bluebells. Most still hide their pendulous bells in sheath-like petals. When open into a bell the end flounces, splits, curls back on itself. Then the petals reveal their delicate shades of light-thriven lavender. The stout purposeful stem meanwhile allows a gathering of bells, no, a necklace of bells, bells laced around the neck.   I cannot look at this flower without knowing it is the colour that so often graces your purposeful frame, arrayed in the simplest clothes, so often in layered friendly shades; so often falling, loose, quiet, light-enhancing as your blue with grey with green eyes that hold my gaze in pillow-closeness, in that magnification of those intimate moments when one can only whisper.   The common bluebell is the first whisper of summer. It is Endymion, of the bower, a 'bower quiet for us and a sleep full of sweet dreams, and health, and quiet breathing'. In that mornings’ moment I am John and you ***** May we this vernal evening sit together as the dusk gathers darkness 'and with full happiness. . . trace the story of Endymion. . . the very music of its name gone into my being'.
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Feb 5, 2013
Feb 5, 2013 at 2:01 AM UTC
Bluebell
Fought One, Twenty-two skidoo. Cantankerous mad filamous She, That of her, Me. Piñata, stretched balloon Over my big fleshy ****** Tea and cakes, Painted my nails Painted my lips Like candy. Gold trinkets, Pour like mercury out of my ear. Ouch! I cried My feet in hot sandy Dreams. Flying peacocks tickle My ***** Oranges roll on chalk board tables Over stale rye bread. ***** dribbles out like mucus And a runny nose. Toilet paper and rusty water. ********** on you. Stocking lover. Fetish cover. Woman pusher. Mellifluous **** Look at my skin. Pink, beige, peach, red Porous, greasy, bacteria ridden hide. **** me like seppuku, Smother, suffocate me with Red jelly jam. Lubricate your finger with black Cancerous ash. Stick it in my naval, Unravel my umbilical cord Like so many filaments of my heart. Tear your flesh You auto ********* Rip your liver And force feed it Corn and maize Hay and grass Emory my nails against Red barn walls Until bare skin fundamentals Kisses with salty lips Inflame my ravishing Pig stomach. Kick my shin you Everything, Wake up you stupid ***** Void can be blue skies, Oceans call for suicide. Kiss me with delight, Raspberries tattooed In my ***** Strawberry cream Vanilla, milk, Ponderous infinity, Cotton, dough Honey and sage. Caustic gastric You and not me. Feel my legs, Touch my thighs, Lick my lips, Give me anything Not direct. Tie me up in complexities. **** my head up. Put me in a dream, Make me happy. Blair Butterfield 2004
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Jan 11, 2010
Jan 11, 2010 at 7:09 AM UTC
Rancour
Girls who go on bended knee And show the world their ***** Never ask for love or care Or one to call them honey If they choose to put a price On showing men their body With empty hearts and purses full It seems kind of funny If only they could love themselves Half as much as money
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Aug 12, 2014
Aug 12, 2014 at 1:13 PM UTC
Money Love
hickory nuts and wind trees are keeping at the old buckle bay light house corners and shaker church craft slip anchor on the southern tip secret legions and phenolic board tuck in at gout dock bands and nations and miracle speak fill in the center hall sand hooks and water domes cover wharf road ***** bay toppers and seven horse chugs scatter the swollen upper deck packards and pushers and rusty back rails skirt the night lanterns and sterns and navy gulls steady on task sand cakes and drift wood held tight on the mystery tour yellow tails and tide pools flat line at royal reach paddles and cables find ripples way smugglers and smitties take cover from a northern gale down on pocket shoal there’s a graceful hue ~ they’re serving up belons and xan… it's time to get in for a fill
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Jul 3, 2017
Jul 3, 2017 at 2:12 PM UTC
The Reach at Buckle Bay
(Solitary Chamber. Heart breaking melodious music is flowing silently. Young Ren is looking pale, soliloquizing.) Young Ren: Sweet Flance! Can you hear me? I do know you can never see me now; But hear me --- my words at least! Feel my heart that hangs on nothing; Yet resting itself on my unrequited love. Hear me! Do hear me! Send thy spirit unto me awhile, And hearken my silent words. Dear Flance! Thou must be now with thy partner Breaking thy footprints with me once; Yet ne'er am I angry with thee. From him I should not take thee away; Yet listen unto me awhile. Dear Flance! I loved thee not at the very first sight Like Orlando and Rosalind --- Orlando was a wrestler, Rosalind was a fair lady. Their love began at an arena in a contest --- Rosalind in the guise of Ganymede, Their love passed thro' rustic lands Symbolizing the art of Nature, Their love stirred the young hearts With wonder and fancy. Sweet Flance! Romeo died of Juliet and Juliet of Romeo --- Breaking endurance to chaos. There was poison in their love. Dear Flance! Jealousy lingered in the fatal love Betwixt Othello and Desdemona, At night their love was born, At night their love was dead When blackened by the candle light. Dear Flance! Lysander loved Hermia And sought fanciful beings For their fanciful union. Dear Flance! Know you, Keats died of consumption? His love for ***** Brown was limitless, And so burst into tears. Oh! No! MY love for thee can never have comparisons. Sweet Flance! Blossomed my love for thee When thou wert young, When thou wert beautiful; Yet it's not of Romeo's, Of Othello's, Of Lysander's, Of Dante's, Of Keats', For they died of their love. My love for thee be unrequited; yet ineffable. You felt not my love; yet I cannot be Romeo. Know you? Romeo loved Juliet, Juliet loved Romeo, And so they died without love. Loved I thy heart, not thee? Love I thy heart, not thee? And so, We live in remembrance of each other. Dear Flance! Thou must be now living with thy partner Rejoicing in his presence. Can you think of me living myself. Rejoicing in my thoughts of you? Here am I in the air with wings waxed; Yet I'll not fall down to fragments. Know you? I am to lead my life myself, But with thoughts of you! For Loved I thee, still I love thee, Ever I'll love thee. (Young Ren sheds tears) Sweet Flance! My tears are not of my loneliness sans thee; But born of bliss within me with thoughts of you. (Curtain Falls)
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Dec 20, 2011
Dec 20, 2011 at 11:38 AM UTC
Dramatic Monologue Fragrant Thorns
(Solitary Chamber. Heart breaking melodious music is flowing silently. Young Ren is looking pale, soliloquizing.) Young Ren: Sweet Flance! Can you hear me? I do know you can never see me now; But hear me --- my words at least! Feel my heart that hangs on nothing; Yet resting itself on my unrequited love. Hear me! Do hear me! Send thy spirit unto me awhile, And hearken my silent words. Dear Flance! Thou must be now with thy partner Breaking thy footprints with me once; Yet ne'er am I angry with thee. From him I should not take thee away; Yet listen unto me awhile. Dear Flance! I loved thee not at the very first sight Like Orlando and Rosalind --- Orlando was a wrestler, Rosalind was a fair lady. Their love began at an arena in a contest --- Rosalind in the guise of Ganymede, Their love passed thro' rustic lands Symbolizing the art of Nature, Their love stirred the young hearts With wonder and fancy. Sweet Flance! Romeo died of Juliet and Juliet of Romeo --- Breaking endurance to chaos. There was poison in their love. Dear Flance! Jealousy lingered in the fatal love Betwixt Othello and Desdemona, At night their love was born, At night their love was dead When blackened by the candle light. Dear Flance! Lysander loved Hermia And sought fanciful beings For their fanciful union. Dear Flance! Know you, Keats died of consumption? His love for ***** Brown was limitless, And so burst into tears. Oh! No! MY love for thee can never have comparisons. Sweet Flance! Blossomed my love for thee When thou wert young, When thou wert beautiful; Yet it's not of Romeo's, Of Othello's, Of Lysander's, Of Dante's, Of Keats', For they died of their love. My love for thee be unrequited; yet ineffable. You felt not my love; yet I cannot be Romeo. Know you? Romeo loved Juliet, Juliet loved Romeo, And so they died without love. Loved I thy heart, not thee? Love I thy heart, not thee? And so, We live in remembrance of each other. Dear Flance! Thou must be now living with thy partner Rejoicing in his presence. Can you think of me living myself. Rejoicing in my thoughts of you? Here am I in the air with wings waxed; Yet I'll not fall down to fragments. Know you? I am to lead my life myself, But with thoughts of you! For Loved I thee, still I love thee, Ever I'll love thee. (Young Ren sheds tears) Sweet Flance! My tears are not of my loneliness sans thee; But born of bliss within me with thoughts of you. (Curtain Falls)
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The new Genre Tourist Punk is sailing the nation. Hawaiian shirts and white keds are lining up all around Orlando to see up and thrifting bands like Lobster trap, Lighthouse tour and Dogs welcome. Founded in a Starbucks by Toni and Dash, two MECA grads one student loan away from selling out and getting involved in the lighthouse painting business, The Band: Lobster Trap gave birth to a whole new genre. TOURIST PUNK Toni and Dash decided they needed to provide music that was expensive. niche. Something unspeakably mundane. With smash hits like "This traffic is ******** And "My name still isn't Joe". Lobster Trap is flying up the American top 40 faster than you can say socks and sandals Sales of "I HEART LOCATION" merch has skyrocketed with every launched tour. Crowds of L.L. bean boots and visors are Moshing, breaking poloroid cameras over each others heads in a salmon rage. old school punk fanatics were skeptical at middle aged middle class suits getting into their scene. until it hit them that they could now throw punches at every pedestrian who ever cut them off. "Hi thirsty, I'm Dad." By Land of the Polite Has been played more times in the last year then any taylor swift song. Money once invested in college-bound middle class vacationlander spawn is being wisely spend on bands like "discount Polo", and "Local Diner" So listeners. if you spend an obscene amount of money on travel fair, and over priced, cheaply made souvenirs; Or Work in customer service thriving to see those leaf peepers choked out by their own ***** packs. Do yourself a favor. road trip into your local bullmoose sporting your states name on your chest. And Treat yourself to an exclusive new album of TOURIST PUNK.
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Sep 21, 2016
Sep 21, 2016 at 4:16 AM UTC
"We are Lobster Trap and we're here to rock your padagonia jackets off!"
The new Genre Tourist Punk is sailing the nation. Hawaiian shirts and white keds are lining up all around Orlando to see up and thrifting bands like Lobster trap, Lighthouse tour and Dogs welcome. Founded in a Starbucks by Toni and Dash, two MECA grads one student loan away from selling out and getting involved in the lighthouse painting business, The Band: Lobster Trap gave birth to a whole new genre. TOURIST PUNK Toni and Dash decided they needed to provide music that was expensive. niche. Something unspeakably mundane. With smash hits like "This traffic is ******** And "My name still isn't Joe". Lobster Trap is flying up the American top 40 faster than you can say socks and sandals Sales of "I HEART LOCATION" merch has skyrocketed with every launched tour. Crowds of L.L. bean boots and visors are Moshing, breaking poloroid cameras over each others heads in a salmon rage. old school punk fanatics were skeptical at middle aged middle class suits getting into their scene. until it hit them that they could now throw punches at every pedestrian who ever cut them off. "Hi thirsty, I'm Dad." By Land of the Polite Has been played more times in the last year then any taylor swift song. Money once invested in college-bound middle class vacationlander spawn is being wisely spend on bands like "discount Polo", and "Local Diner" So listeners. if you spend an obscene amount of money on travel fair, and over priced, cheaply made souvenirs; Or Work in customer service thriving to see those leaf peepers choked out by their own ***** packs. Do yourself a favor. road trip into your local bullmoose sporting your states name on your chest. And Treat yourself to an exclusive new album of TOURIST PUNK.
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I run this muddy track on these big old shaky wheels With numbers on my back and a helmet on my head. I drive around in circles and they call me "Crazy Ed". I drive. That's how I stay alive.  I just like how it feels. I've got a batch of children and a drop-dead gorgeous wife. She puts up with me when I leave to tinker on that wreck. And all week long I'm trucking, gone, to earn an honest check. And still she cheers for me each Sunday while I risk my life. Someday I'll hang that helmet on the hook there by the door, And toss away this mud-caked suit with "92" on back. I'll give that gorgeous wife of mine a kiss, and fanny-whack, Then play around (in circles!) with my Kids there on the floor.
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Jan 30, 2011
Jan 30, 2011 at 2:45 PM UTC
Crazy Ed
my wonderful nanny is not actually a nanny. she likes to be called Annie and doesn't carry a ***** she writes poems about us and day drinks. she likes to cuss and never makes a fuss. she even gets her hair done regularly, unlike other grannies. her makeup is always perfect, her red lipstick signature. her sunglasses are just divine and delicious. she is a glam-ma Nanny Annie is the best.
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Jan 5, 2019
Jan 5, 2019 at 8:02 PM UTC
my wonderful nanny
Your beauty i cannot resist As i lean in for a french kiss Your so soft skin i do caress As we both start to undress I kiss your neck and behind your ears Exploring your body from front to rear I lay you down nice and slow Kissing you from head to toe I kiss your legs and inner thighs This is where my heaven lies I wrapped your legs around my face And long to taste your sweet embrace My hands caress your perfect **** My mouth enjoys your tasty **** I can hear you start to moan As my tongue begins to roam Loving every smell and taste I take my time and never haste With every kiss your body  shivers And every lick just makes you quiver My lips and tongue they are not done Just because I've made you *** I keep probing every nook and cranny Moving down to lick your ***** My mind and body on cloud nine While i rim your great behind I can feel your knees go weak As you hit your second peak Now that you are wet and ready I enter you slow and steady Starting slow then speeding up I kiss your ******* and lick them up With every ****** our bodies kiss Completely lost yet nothing missed Our bodies joined we shake and tingle And as we kiss our tongues do mingle Now in such euphoric state As we both ********* Both exhausted from the night We start to spoon, i hold you tight Kissing you till we pass out Dreaming when we’ll next make out
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Oct 8, 2018
Oct 8, 2018 at 9:47 PM UTC
A passionate Encounter
Physician Nature! Let my spirit blood! O ease my heart of verse and let me rest; Throw me upon thy Tripod, till the flood Of stifling numbers ebbs from my full breast. A theme! a theme! great nature! give a theme; Let me begin my dream. I come -- I see thee, as thou standest there, Beckon me not into the wintry air. Ah! dearest love, sweet home of all my fears, And hopes, and joys, and panting miseries, -- To-night, if I may guess, thy beauty wears A smile of such delight, As brilliant and as bright, As when with ravished, aching, vassal eyes, Lost in soft amaze, I gaze, I gaze! Who now, with greedy looks, eats up my feast? What stare outfaces now my silver moon! Ah! keep that hand unravished at the least; Let, let, the amorous burn -- But pr'ythee, do not turn The current of your heart from me so soon. O! save, in charity, The quickest pulse for me. Save it for me, sweet love! though music breathe Voluptuous visions into the warm air; Though swimming through the dance's dangerous wreath, Be like an April day, Smiling and cold and gay, A temperate lilly, temperate as fair; Then, Heaven! there will be A warmer June for me. Why, this, you'll say, my ***** is not true: Put your soft hand upon your snowy side, Where the heart beats: confess -- 'tis nothing new -- Must not a woman be A feather on the sea, Sway'd to and fro by every wind and tide? Of as uncertain speed As blow-ball from the mead? I know it -- and to know it is despair To one who loves you as I love, sweet ***** Whose heart goes fluttering for you every where, Nor, when away you roam, Dare keep its wretched home, Love, love alone, his pains severe and many: Then, loveliest! keep me free, From torturing jealousy. Ah! if you prize my subdued soul above The poor, the fading, brief, pride of an hour; Let none profane my Holy See of love, Or with a rude hand break The sacramental cake: Let none else touch the just new-budded flower; If not -- may my eyes close, Love! on their lost repose.
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2.4k
Ode to *****
Physician Nature! Let my spirit blood! O ease my heart of verse and let me rest; Throw me upon thy Tripod, till the flood Of stifling numbers ebbs from my full breast. A theme! a theme! great nature! give a theme; Let me begin my dream. I come -- I see thee, as thou standest there, Beckon me not into the wintry air. Ah! dearest love, sweet home of all my fears, And hopes, and joys, and panting miseries, -- To-night, if I may guess, thy beauty wears A smile of such delight, As brilliant and as bright, As when with ravished, aching, vassal eyes, Lost in soft amaze, I gaze, I gaze! Who now, with greedy looks, eats up my feast? What stare outfaces now my silver moon! Ah! keep that hand unravished at the least; Let, let, the amorous burn -- But pr'ythee, do not turn The current of your heart from me so soon. O! save, in charity, The quickest pulse for me. Save it for me, sweet love! though music breathe Voluptuous visions into the warm air; Though swimming through the dance's dangerous wreath, Be like an April day, Smiling and cold and gay, A temperate lilly, temperate as fair; Then, Heaven! there will be A warmer June for me. Why, this, you'll say, my ***** is not true: Put your soft hand upon your snowy side, Where the heart beats: confess -- 'tis nothing new -- Must not a woman be A feather on the sea, Sway'd to and fro by every wind and tide? Of as uncertain speed As blow-ball from the mead? I know it -- and to know it is despair To one who loves you as I love, sweet ***** Whose heart goes fluttering for you every where, Nor, when away you roam, Dare keep its wretched home, Love, love alone, his pains severe and many: Then, loveliest! keep me free, From torturing jealousy. Ah! if you prize my subdued soul above The poor, the fading, brief, pride of an hour; Let none profane my Holy See of love, Or with a rude hand break The sacramental cake: Let none else touch the just new-budded flower; If not -- may my eyes close, Love! on their lost repose.
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56
This is for the residents who remember And for the transplants who Have yet to be informed But have got an inkling Burque has gone from Bustling to busted And back again Growing up in the 80’s I learned about the Varying degrees of “sick” As my dad pointed out The pekid pachucos perusing Pharmacy isles Attempting to purchase Cough syrup with codeine In the evenings Driving home down Central I would ceremoniously Count hookers My parents would Precariously pack heat In the trunk of our car Or even in my mom’s special ***** pack With the hidden compartment For her .38 snub nose Because you never know Who will be in your home When you arrive That’s a given When flop houses are Interwoven with prime real estate And barrio boundaries Border the bourgeois’ bungalows And Huning’s Castles And residents rarely recognize Or realize That aside from the locals The European Jews Was the only group gutsy enough To settle here And create commerce Despite risks of being raided By Apaches And they reaped the benefits Off Roma and Marquette Because the rewards Turned out to be greater than The risks And up North Where Sephardic turned Crypto Conversions to Catholicism Kept the Messiah’s spirit alive But in basements They still did Chi fives! I was saddened in middle school When I realized That many of our parents Were too ashamed of our roots To teach us Spanish And our Schools ****** so severely That most of us Didn’t learn English either But hey – All you need to Communicate while cruising Are cat calls And the thumping boom Of the bass in the tubes And the hydraulic drop When they hit The hot spots From Tingley, Kit Carson and Central to Copper Each kid dreams that His ride Will be the show stopper I could rant and rave And rattle off for days But bottom line – We have the most Curious state With mysterious qualities And in-depth histories But most of us are More concerned with Bud Light And Biscochitos Con Manteca Because it just tastes great!
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Nov 23, 2012
Nov 23, 2012 at 2:39 AM UTC
Ode to Downtown Burque – and New Mexico too
This is for the residents who remember And for the transplants who Have yet to be informed But have got an inkling Burque has gone from Bustling to busted And back again Growing up in the 80’s I learned about the Varying degrees of “sick” As my dad pointed out The pekid pachucos perusing Pharmacy isles Attempting to purchase Cough syrup with codeine In the evenings Driving home down Central I would ceremoniously Count hookers My parents would Precariously pack heat In the trunk of our car Or even in my mom’s special ***** pack With the hidden compartment For her .38 snub nose Because you never know Who will be in your home When you arrive That’s a given When flop houses are Interwoven with prime real estate And barrio boundaries Border the bourgeois’ bungalows And Huning’s Castles And residents rarely recognize Or realize That aside from the locals The European Jews Was the only group gutsy enough To settle here And create commerce Despite risks of being raided By Apaches And they reaped the benefits Off Roma and Marquette Because the rewards Turned out to be greater than The risks And up North Where Sephardic turned Crypto Conversions to Catholicism Kept the Messiah’s spirit alive But in basements They still did Chi fives! I was saddened in middle school When I realized That many of our parents Were too ashamed of our roots To teach us Spanish And our Schools ****** so severely That most of us Didn’t learn English either But hey – All you need to Communicate while cruising Are cat calls And the thumping boom Of the bass in the tubes And the hydraulic drop When they hit The hot spots From Tingley, Kit Carson and Central to Copper Each kid dreams that His ride Will be the show stopper I could rant and rave And rattle off for days But bottom line – We have the most Curious state With mysterious qualities And in-depth histories But most of us are More concerned with Bud Light And Biscochitos Con Manteca Because it just tastes great!
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90
Ah wuz lookin oot o' mah winder and ah saw this lad wi' a barry wee lassie gaun' up the hill. -Wair the **** d'ye think you're gaun tae? ah yells oot. But the daft ***** didnae answer at aww, must've been oot o' thir ****** heids wi' E's or summat, d'ye ken what ah'm tellin' ye,ye daft radge? -Wair ye're ******* going? ah yells a couple mair times and finally the gadge yells back to ays, -Up the ******* hill tae fetch a pail o' ******* watter, me Ma's hud her fuckin' taps turned oaf by the fuckin' Corporation, which is a ******* pain in the erse ah had ter agree. I realised ah knew the wee **** Jack but, eh wuz an auld classmate of ays and eh's hung oot wi' ma brar n me, when we wuz bairns oan the Scheme,eh? -That's a bonny wee lassie ye've goat wi' ye, there Jack, ah yelled, thinking ah'd nae kick her oot o' mah scratcher withoot gi'ing her a guid ride. Ah huvtae sey ah recognised hir as a wee **** called Jill from the Scheme, a right tidy wee ride in mah opinion wi' a guid little ***** on hir, as ah recall. -Mind ye're own fuckin' business, the **** yells back at ays, takin' the pail in yin hand and the hoor's wee hand in the other yin. Ah can tell ye ah totally pished meself wi' laughter when the pair o' they wide ***** fell doon, Jack breakin' his fuckin' croon n the groond, ah'm sure he nivver meant it tae happen, 'n eh mustae squashed his ******* bawws as eh fell doon n aww from the wey he screamed oot, but the wee lassie cam tumbling doon the ****** hill n aww, heid n **** oor her fuckin' erse 'n ah could see she wasnae wearin' any ****** ******* 'n her ***** was on display under her skirt. Ah wouldnae expect anything else from a wee hoor,eh? -Dinnae worry, ah'll com and help ye, ah called oot, but when ah goat thir, both o them wis deid, ah thoat o' gittin mah hole wi' the deid lassie n aww, but you shouldnae dae that, it's no respectful tae wimmin, 'n eywis, the polis might trace me through the DNA, those ***** are clivvir 'n aw, ye ken. So ah contented mesel' wi' rummidging through the poakits o' the lad's jaykit tae see if eh hud ehs payment from the Joab Centre, but the daft **** mustae spent it aww on a boatil or two o Grants, ah ken ah'd hae done the same mahsel'. And there wasnae a penny in the lassie's purse, so ah thoat ah'd jus' **** oaf doon the ****** 'n ask some **** tae call the hoaspital and the ****** polis. Eh?
0
Dec 16, 2014
Dec 16, 2014 at 7:34 AM UTC
Hillspoatin'
Ah wuz lookin oot o' mah winder and ah saw this lad wi' a barry wee lassie gaun' up the hill. -Wair the **** d'ye think you're gaun tae? ah yells oot. But the daft ***** didnae answer at aww, must've been oot o' thir ****** heids wi' E's or summat, d'ye ken what ah'm tellin' ye,ye daft radge? -Wair ye're ******* going? ah yells a couple mair times and finally the gadge yells back to ays, -Up the ******* hill tae fetch a pail o' ******* watter, me Ma's hud her fuckin' taps turned oaf by the fuckin' Corporation, which is a ******* pain in the erse ah had ter agree. I realised ah knew the wee **** Jack but, eh wuz an auld classmate of ays and eh's hung oot wi' ma brar n me, when we wuz bairns oan the Scheme,eh? -That's a bonny wee lassie ye've goat wi' ye, there Jack, ah yelled, thinking ah'd nae kick her oot o' mah scratcher withoot gi'ing her a guid ride. Ah huvtae sey ah recognised hir as a wee **** called Jill from the Scheme, a right tidy wee ride in mah opinion wi' a guid little ***** on hir, as ah recall. -Mind ye're own fuckin' business, the **** yells back at ays, takin' the pail in yin hand and the hoor's wee hand in the other yin. Ah can tell ye ah totally pished meself wi' laughter when the pair o' they wide ***** fell doon, Jack breakin' his fuckin' croon n the groond, ah'm sure he nivver meant it tae happen, 'n eh mustae squashed his ******* bawws as eh fell doon n aww from the wey he screamed oot, but the wee lassie cam tumbling doon the ****** hill n aww, heid n **** oor her fuckin' erse 'n ah could see she wasnae wearin' any ****** ******* 'n her ***** was on display under her skirt. Ah wouldnae expect anything else from a wee hoor,eh? -Dinnae worry, ah'll com and help ye, ah called oot, but when ah goat thir, both o them wis deid, ah thoat o' gittin mah hole wi' the deid lassie n aww, but you shouldnae dae that, it's no respectful tae wimmin, 'n eywis, the polis might trace me through the DNA, those ***** are clivvir 'n aw, ye ken. So ah contented mesel' wi' rummidging through the poakits o' the lad's jaykit tae see if eh hud ehs payment from the Joab Centre, but the daft **** mustae spent it aww on a boatil or two o Grants, ah ken ah'd hae done the same mahsel'. And there wasnae a penny in the lassie's purse, so ah thoat ah'd jus' **** oaf doon the ****** 'n ask some **** tae call the hoaspital and the ****** polis. Eh?
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