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"crabapples" poems
clutching at pebbles thrown hard into sky as birds bitter yolk of unceasing raindrop ideals personified, then scattered in leaf a coarse blending of the soul and what is scream of forgotten swing alone in sunshine a fear internalized, an unquenched song of watery despair and silence pacing, pacing, toward and away from a melody that is as intangible as balloons whispering to decaying stars fading into nothingness, brief respite, void of sound, emptiness most profoundly pierced with kaleidoscopic shards of senses and memory; with music of blueberries, gleefully dropped into tinny pails overflowing from wistfulness with touch of unblossomed rosebuds admired, unyielding like crabapples moist in calloused palms with smell of tree, unrepentant and unchanging, yet gnarled and longing, indistinct, uncertain with taste of wind, speckled purity of truth elusive, of realization categorized, of wispy but unrelenting passion with the image of a hope etched, recessed, scorned, repressed, grasped, suspended in song the maybe’s and the why’s the can’t’s and the shouldn’t’s the have-to’s and the why’s then slowly fingers defiantly uncurl from stone, in motion unrefined and quietly, fervently; quietly, fervently, I begin to sing... a mottled snapshot of my mind.
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Jun 4, 2010
Jun 4, 2010 at 8:40 PM UTC
a mottled snapshot of my mind
Jimena Hubbard was a poor lovely boy Who grew up in the countryside Rocks in his fists He squeezed them hard His muscles did the twists And now his hands quietly wave away mists A fish out of water He wandered with otters With berries and kittens The world was his fodder Then Jimena Hubbard met Hummina Bubbard And Hummina Bubbard is now Hummina Hubbard So are Martina Lunesta And Farina Hubbards Through their old folks ponds They swam and they ran In their mouths, crabapples And in their fists, rocks They played in the dirt And tied hair into knots Then Martina Lunesta And Farina Hubbard As grains do sway Untied their knots Now Jimena and Hummina Rest in the soil Three daisies in place Where their love once toiled.
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Dec 9, 2013
Dec 9, 2013 at 2:11 PM UTC
Dirt
Our reflections on a brass doorknob . A skeleton key would slowly turn each tumbler .. Dusty pinewood flooring , antique trinkets .. Propane space heaters and fresh coffee balm private , erstwhile collective memories . A matriarchs kitchen , well water aroma and cross stitched towels , her flour tinged cotton apron , cast iron skillets and brass tea kettle with porcelain service ushers spirited times of conviviality over a simple oak dining room table .. Hand made breakfast nook curtains , the majesty of tall Water Oaks with foraging bantam hens and roosters .. Dirt roads would tell of visitors long before they ever arrived , fishing for shell crackers at the old bridge with cane poles and and dough ***** , leftovers from cat head biscuits at breakfast ... Pecans and crabapples fed young anglers on shady Summer afternoons . Feeding tall grass to black angus and hereford cattle through barbed wire fence , collecting afternoon eggs and walking the furrows at Dusk , days I'll never forget ..
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Feb 11, 2016
Feb 11, 2016 at 12:57 PM UTC
Great Grandmothers Place ...
chain lightning blows across the sky like a radiant touch; strikes the same tree in my hometown every time i fall in love. what breed is it, this ruinous love? striking, the white caustic light of it irradiating the surrounding cornfields. were you ever there to see it? from your bedroom window? the arc and crackle? this tuning fork of astral flame resonating between cloud and timber? this crippled elm where my skinny suicidal teenage love bid me scale limbs? where each time, like a surgeon, my shaky fingers stitched bark with the corded sinew of raccoons and my fluids held it all glued? in the dark? how so like an heirloom it seems now; this lone tree, cordoned in scars, all gnarl and char. i turn to the map of my circulatory system in these moments, follow the red army over a causeway of capillaries, watch them fattened on oxygen. how else to know that amongst all this, there remains a richness deep down things? make a supple leather from the hides of the nights I knuckled crabapples down your roof. It will be the color of a bruise; of a secret. all you do is carve, slicing carefully to cut out my silhouette projected against your bedroom wall – all this, time and memory, just arts and crafts. molding the vectors of us, hurtling through space like coins drifting to the bottom of a well. memory, the fashion and fashioning of it: the way we wear our existence. our skeleton to cobble and clothe. so while we’re at it… let us forget the moments of trepidation. Obliterate the clamminess of our palms clenched together, the schoolyard drama of it all. pasted in layers until it’s just a mess of glue. until the moments that matter are traced with dotted lines and lusted over by the appetites of scissors.
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Apr 30, 2015
Apr 30, 2015 at 10:33 PM UTC
gnarl and char
chain lightning blows across the sky like a radiant touch; strikes the same tree in my hometown every time i fall in love. what breed is it, this ruinous love? striking, the white caustic light of it irradiating the surrounding cornfields. were you ever there to see it? from your bedroom window? the arc and crackle? this tuning fork of astral flame resonating between cloud and timber? this crippled elm where my skinny suicidal teenage love bid me scale limbs? where each time, like a surgeon, my shaky fingers stitched bark with the corded sinew of raccoons and my fluids held it all glued? in the dark? how so like an heirloom it seems now; this lone tree, cordoned in scars, all gnarl and char. i turn to the map of my circulatory system in these moments, follow the red army over a causeway of capillaries, watch them fattened on oxygen. how else to know that amongst all this, there remains a richness deep down things? make a supple leather from the hides of the nights I knuckled crabapples down your roof. It will be the color of a bruise; of a secret. all you do is carve, slicing carefully to cut out my silhouette projected against your bedroom wall – all this, time and memory, just arts and crafts. molding the vectors of us, hurtling through space like coins drifting to the bottom of a well. memory, the fashion and fashioning of it: the way we wear our existence. our skeleton to cobble and clothe. so while we’re at it… let us forget the moments of trepidation. Obliterate the clamminess of our palms clenched together, the schoolyard drama of it all. pasted in layers until it’s just a mess of glue. until the moments that matter are traced with dotted lines and lusted over by the appetites of scissors.
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Free access abated , vanguard of livestock , implements , man-made and curt delivering instant justice to all ages , separating foolhardy  and the wise .... I've chewed an smoked tobacco , chased hens , brought snakes into the house and threw crabapples into the pig pen but the punishment for said offenses will never compare to the reprimand I received when I peed on the electric fence !
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Sep 15, 2015
Sep 15, 2015 at 10:27 AM UTC
Farm Justice
Leaves have disappeared, Only the last, The fallen fruit, remains, Fading red and waiting frost. Not yet visible, the latent buds Hang silent now on leafless boughs.... Summer's work, Fallen in this garden of the Lost Beneath autumn branches lies... Graveyards of apples. Only the passing deer, Only the roosting turkey, Only the raiding geese, Bend low to pick the last of harvest up, Quick provender Before the coming snow.
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May 31, 2016
May 31, 2016 at 10:55 AM UTC
Last of the Crabapples
*if the peaches hold their blooms if the figs survive the chickens if the berries are tickled with rain if the plums are so entertained if the crabapples taste a shower in November if the pears make it through winter if the jalapeños get hot weather if the grape vines hold together*
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Mar 14, 2017
Mar 14, 2017 at 8:38 PM UTC
Mother ( Will there be jelly in Summer )
Berlin, Berlin, just what art thou? A cake of layers baked from fates by many bakers, cold and proud, who filled it with chunks of bitter dates. The cream on top is cloying, sweet, to compensate for the stale flour and brownish yeast of marching feet with bruised crabapples, soft and sour. To try a slice of this complex taste isn’t easy: It’s baked in haste.
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Feb 2, 2025
Feb 2, 2025 at 5:16 PM UTC
Gâteau de Berlin
People believe that red is a warm color, like red apples in July. The ones we wished we picked instead of the red crabapples we found. The warmth we found was in the sickness we got after eating too many of them, then it went as cold as the bizarre that same year. If that was the year I would had changed into the person I am today instead, maybe the blood wouldn't have dripped out of me along with the last bit of my sanity. Maybe it would have frozen in place and the snow would have remained purity white. Red isn't warmth at all, red isn't spicy as people would say. It is bitter, it is cold like how the blood runs down my thighs, I am not talking about the blood from being a ******* person with a ****** that cries ruby red blood monthly. I am talking about how the cold blood runs down my thighs, from my reopened scarred thighs, when I'm crying and begging for control of my body again. All I can think of is how I cannot stop until my thigh is that color, because then I'll see those purple scars when I'm sick again and again and again until I finally give in and stab myself. At this point, might be better than what I've done. What I am really is a hopeless lost cause, just a basket case
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Dec 9, 2019
Dec 9, 2019 at 1:56 AM UTC
Red Apples