Submit your work, meet writers and drop the ads. Become a member
Ye learnèd sisters, which have oftentimes
Beene to me ayding, others to adorne,
Whom ye thought worthy of your gracefull rymes,
That even the greatest did not greatly scorne
To heare theyr names sung in your simple layes,
But joyèd in theyr praise;
And when ye list your owne mishaps to mourne,
Which death, or love, or fortunes wreck did rayse,
Your string could soone to sadder tenor turne,
And teach the woods and waters to lament
Your dolefull dreriment:
Now lay those sorrowfull complaints aside;
And, having all your heads with girlands crownd,
Helpe me mine owne loves prayses to resound;
Ne let the same of any be envide:
So Orpheus did for his owne bride!
So I unto my selfe alone will sing;
The woods shall to me answer, and my Eccho ring.

Early, before the worlds light-giving lampe
His golden beame upon the hils doth spred,
Having disperst the nights unchearefull dampe,
Doe ye awake; and, with fresh *****-hed,
Go to the bowre of my belovèd love,
My truest turtle dove;
Bid her awake; for ***** is awake,
And long since ready forth his maske to move,
With his bright Tead that flames with many a flake,
And many a bachelor to waite on him,
In theyr fresh garments trim.
Bid her awake therefore, and soone her dight,
For lo! the wishèd day is come at last,
That shall, for all the paynes and sorrowes past,
Pay to her usury of long delight:
And, whylest she doth her dight,
Doe ye to her of joy and solace sing,
That all the woods may answer, and your eccho ring.

Bring with you all the Nymphes that you can heare
Both of the rivers and the forrests greene,
And of the sea that neighbours to her neare:
Al with gay girlands goodly wel beseene.
And let them also with them bring in hand
Another gay girland
For my fayre love, of lillyes and of roses,
Bound truelove wize, with a blew silke riband.
And let them make great store of bridale poses,
And let them eeke bring store of other flowers,
To deck the bridale bowers.
And let the ground whereas her foot shall tread,
For feare the stones her tender foot should wrong,
Be strewed with fragrant flowers all along,
And diapred lyke the discolored mead.
Which done, doe at her chamber dore awayt,
For she will waken strayt;
The whiles doe ye this song unto her sing,
The woods shall to you answer, and your Eccho ring.

Ye Nymphes of Mulla, which with carefull heed
The silver scaly trouts doe tend full well,
And greedy pikes which use therein to feed;
(Those trouts and pikes all others doo excell;)
And ye likewise, which keepe the rushy lake,
Where none doo fishes take;
Bynd up the locks the which hang scatterd light,
And in his waters, which your mirror make,
Behold your faces as the christall bright,
That when you come whereas my love doth lie,
No blemish she may spie.
And eke, ye lightfoot mayds, which keepe the deere,
That on the hoary mountayne used to towre;
And the wylde wolves, which seeke them to devoure,
With your steele darts doo chace from comming neer;
Be also present heere,
To helpe to decke her, and to help to sing,
That all the woods may answer, and your eccho ring.

Wake now, my love, awake! for it is time;
The Rosy Morne long since left Tithones bed,
All ready to her silver coche to clyme;
And Phoebus gins to shew his glorious hed.
Hark! how the cheerefull birds do chaunt theyr laies
And carroll of Loves praise.
The merry Larke hir mattins sings aloft;
The Thrush replyes; the Mavis descant playes;
The Ouzell shrills; the Ruddock warbles soft;
So goodly all agree, with sweet consent,
To this dayes merriment.
Ah! my deere love, why doe ye sleepe thus long?
When meeter were that ye should now awake,
T’ awayt the comming of your joyous make,
And hearken to the birds love-learnèd song,
The deawy leaves among!
Nor they of joy and pleasance to you sing,
That all the woods them answer, and theyr eccho ring.

My love is now awake out of her dreames,
And her fayre eyes, like stars that dimmèd were
With darksome cloud, now shew theyr goodly beams
More bright then Hesperus his head doth rere.
Come now, ye damzels, daughters of delight,
Helpe quickly her to dight:
But first come ye fayre houres, which were begot
In Joves sweet paradice of Day and Night;
Which doe the seasons of the yeare allot,
And al, that ever in this world is fayre,
Doe make and still repayre:
And ye three handmayds of the Cyprian Queene,
The which doe still adorne her beauties pride,
Helpe to addorne my beautifullest bride:
And, as ye her array, still throw betweene
Some graces to be seene;
And, as ye use to Venus, to her sing,
The whiles the woods shal answer, and your eccho ring.

Now is my love all ready forth to come:
Let all the virgins therefore well awayt:
And ye fresh boyes, that tend upon her groome,
Prepare your selves; for he is comming strayt.
Set all your things in seemely good aray,
Fit for so joyfull day:
The joyfulst day that ever sunne did see.
Faire Sun! shew forth thy favourable ray,
And let thy lifull heat not fervent be,
For feare of burning her sunshyny face,
Her beauty to disgrace.
O fayrest Phoebus! father of the Muse!
If ever I did honour thee aright,
Or sing the thing that mote thy mind delight,
Doe not thy servants simple boone refuse;
But let this day, let this one day, be myne;
Let all the rest be thine.
Then I thy soverayne prayses loud wil sing,
That all the woods shal answer, and theyr eccho ring.

Harke! how the Minstrils gin to shrill aloud
Their merry Musick that resounds from far,
The pipe, the tabor, and the trembling Croud,
That well agree withouten breach or jar.
But, most of all, the Damzels doe delite
When they their tymbrels smyte,
And thereunto doe daunce and carrol sweet,
That all the sences they doe ravish quite;
The whyles the boyes run up and downe the street,
Crying aloud with strong confusèd noyce,
As if it were one voyce,
*****, iö *****, *****, they do shout;
That even to the heavens theyr shouting shrill
Doth reach, and all the firmament doth fill;
To which the people standing all about,
As in approvance, doe thereto applaud,
And loud advaunce her laud;
And evermore they *****, ***** sing,
That al the woods them answer, and theyr eccho ring.

Loe! where she comes along with portly pace,
Lyke Phoebe, from her chamber of the East,
Arysing forth to run her mighty race,
Clad all in white, that seemes a ****** best.
So well it her beseemes, that ye would weene
Some angell she had beene.
Her long loose yellow locks lyke golden wyre,
Sprinckled with perle, and perling flowres atweene,
Doe lyke a golden mantle her attyre;
And, being crownèd with a girland greene,
Seeme lyke some mayden Queene.
Her modest eyes, abashèd to behold
So many gazers as on her do stare,
Upon the lowly ground affixèd are;
Ne dare lift up her countenance too bold,
But blush to heare her prayses sung so loud,
So farre from being proud.
Nathlesse doe ye still loud her prayses sing,
That all the woods may answer, and your eccho ring.

Tell me, ye merchants daughters, did ye see
So fayre a creature in your towne before;
So sweet, so lovely, and so mild as she,
Adornd with beautyes grace and vertues store?
Her goodly eyes lyke Saphyres shining bright,
Her forehead yvory white,
Her cheekes lyke apples which the sun hath rudded,
Her lips lyke cherryes charming men to byte,
Her brest like to a bowle of creame uncrudded,
Her paps lyke lyllies budded,
Her snowie necke lyke to a marble towre;
And all her body like a pallace fayre,
Ascending up, with many a stately stayre,
To honors seat and chastities sweet bowre.
Why stand ye still ye virgins in amaze,
Upon her so to gaze,
Whiles ye forget your former lay to sing,
To which the woods did answer, and your eccho ring?

But if ye saw that which no eyes can see,
The inward beauty of her lively spright,
Garnisht with heavenly guifts of high degree,
Much more then would ye wonder at that sight,
And stand astonisht lyke to those which red
Medusaes mazeful hed.
There dwels sweet love, and constant chastity,
Unspotted fayth, and comely womanhood,
Regard of honour, and mild modesty;
There vertue raynes as Queene in royal throne,
And giveth lawes alone,
The which the base affections doe obay,
And yeeld theyr services unto her will;
Ne thought of thing uncomely ever may
Thereto approch to tempt her mind to ill.
Had ye once seene these her celestial threasures,
And unrevealèd pleasures,
Then would ye wonder, and her prayses sing,
That al the woods should answer, and your echo ring.

Open the temple gates unto my love,
Open them wide that she may enter in,
And all the postes adorne as doth behove,
And all the pillours deck with girlands trim,
For to receyve this Saynt with honour dew,
That commeth in to you.
With trembling steps, and humble reverence,
She commeth in, before th’ Almighties view;
Of her ye virgins learne obedience,
When so ye come into those holy places,
To humble your proud faces:
Bring her up to th’ high altar, that she may
The sacred ceremonies there partake,
The which do endlesse matrimony make;
And let the roring Organs loudly play
The praises of the Lord in lively notes;
The whiles, with hollow throates,
The Choristers the joyous Antheme sing,
That al the woods may answere, and their eccho ring.

Behold, whiles she before the altar stands,
Hearing the holy priest that to her speakes,
And blesseth her with his two happy hands,
How the red roses flush up in her cheekes,
And the pure snow, with goodly vermill stayne
Like crimsin dyde in grayne:
That even th’ Angels, which continually
About the sacred Altare doe remaine,
Forget their service and about her fly,
Ofte peeping in her face, that seems more fayre,
The more they on it stare.
But her sad eyes, still fastened on the ground,
Are governèd with goodly modesty,
That suffers not one looke to glaunce awry,
Which may let in a little thought unsownd.
Why blush ye, love, to give to me your hand,
The pledge of all our band!
Sing, ye sweet Angels, Alleluya sing,
That all the woods may answere, and your eccho ring.

Now al is done: bring home the bride againe;
Bring home the triumph of our victory:
Bring home with you the glory of her gaine;
With joyance bring her and with jollity.
Never had man more joyfull day then this,
Whom heaven would heape with blis,
Make feast therefore now all this live-long day;
This day for ever to me holy is.
Poure out the wine without restraint or stay,
Poure not by cups, but by the belly full,
Poure out to all that wull,
And sprinkle all the postes and wals with wine,
That they may sweat, and drunken be withall.
Crowne ye God Bacchus with a coronall,
And ***** also crowne with wreathes of vine;
And let the Graces daunce unto the rest,
For they can doo it best:
The whiles the maydens doe theyr carroll sing,
To which the woods shall answer, and theyr eccho ring.

Ring ye the bels, ye yong men of the towne,
And leave your wonted labors for this day:
This day is holy; doe ye write it downe,
That ye for ever it remember may.
This day the sunne is in his chiefest hight,
With Barnaby the bright,
From whence declining daily by degrees,
He somewhat loseth of his heat and light,
When once the Crab behind his back he sees.
But for this time it ill ordainèd was,
To chose the longest day in all the yeare,
And shortest night, when longest fitter weare:
Yet never day so long, but late would passe.
Ring ye the bels, to make it weare away,
And bonefiers make all day;
And daunce about them, and about them sing,
That all the woods may answer, and your eccho ring.

Ah! when will this long weary day have end,
And lende me leave to come unto my love?
How slowly do the houres theyr numbers spend?
How slowly does sad Time his feathers move?
Hast thee, O fayrest Planet, to thy home,
Within the Westerne fome:
Thy tyrèd steedes long since have need of rest.
Long though it be, at last I see it gloome,
And the bright evening-star with golden creast
Appeare out of the East.
Fayre childe of beauty! glorious lampe of love!
That all the host of heaven in rankes doost lead,
And guydest lovers through the nights sad dread,
How chearefully thou lookest from above,
And seemst to laugh atweene thy twinkling light,
As joying in the sight
Of these glad many, which for joy doe sing,
That all the woods them answer, and their echo ring!

Now ceasse, ye damsels, your delights fore-past;
Enough it is that all the day was youres:
Now day is doen, and night is nighing fast,
Now bring the Bryde into the brydall boures.
The night is come, now soon her disaray,
And in her bed her lay;
Lay her in lillies and in violets,
And silken courteins over her display,
And odourd sheetes, and Arras coverlets.
Behold how goodly my faire love does ly,
In proud humility!
Like unto Maia, when as Jove her took
In Tempe, lying on the flowry gras,
Twixt sleepe and wake, after she weary was,
With bathing in the Acidalian brooke.
Now it is night, ye damsels may be gon,
And leave my love alone,
And leave likewise your former lay to sing:
The woods no more shall answere, nor your echo ring.

Now welcome, night! thou night so long expected,
That long daies labour doest at last defray,
And all my cares, which cruell Love collected,
Hast sumd in one, and cancellèd for aye:
Spread thy broad wing over my love and me,
That no man may us see;
And in thy sable mantle us enwrap,
From feare of perrill and foule horror free.
Let no false treason seeke us to entrap,
Nor any dread disquiet once annoy
The safety of our joy;
But let the night be calme, and quietsome,
Without tempestuous storms or sad afray:
Lyke as when Jove with fayre Alcmena lay,
When he begot the great Tirynthian groome:
Or lyke as when he with thy selfe did lie
And begot Majesty.
And let the mayds and yong men cease to sing;
Ne let the woods them answer nor theyr eccho ring.

Let no lamenting cryes, nor dolefull teares,
Be heard all night within, nor yet without:
Ne let false whispers, breeding hidden feares,
Breake gentle sleepe with misconceivèd dout.
Let no deluding dreames, nor dreadfull sights,
Make sudden sad affrights;
Ne let house-fyres, nor lightnings helpelesse harmes,
Ne let the Pouke, nor other evill sprights,
Ne let mischivous witches with theyr charmes,
Ne let hob Goblins, names whose sence we see not,
Fray us with things that be not:
Let not the shriech Oule nor the Storke be heard,
Nor the night Raven, that still deadly yels;
Nor damnèd ghosts, cald up with mighty spels,
Nor griesly vultures, make us once affeard:
Ne let th’ unpleasant Quyre of Frogs still croking
Make us to wish theyr choking.
Let none of these theyr drery accents sing;
Ne let the woods them answer, nor theyr eccho ring.

But let stil Silence trew night-watches keepe,
That sacred Peace may in assurance rayne,
And tymely Sleep, when it is tyme to sleepe,
May poure his limbs forth on your pleasant playne;
The whiles an hundred little wingèd loves,
Like divers-fethered doves,
Shall fly and flutter round about your bed,
And in the secret darke, that none reproves,
Their prety stealthes shal worke, and snares shal spread
To filch away sweet snatches of delight,
Conceald through covert night.
Ye sonnes of Venus, play your sports at will!
For greedy pleasure, carelesse of your toyes,
Thinks more upon her paradise of joyes,
Then what ye do, albe it good or ill.
All night therefore attend your merry play,
For it will soone be day:
Now none doth hinder you, that say or sing;
Ne will the woods now answer, nor your Eccho ring.

Who is the same, which at my window peepes?
Or whose is that faire face that shines so bright?
Is it not Cinthia, she that never sleepes,
But walkes about high heaven al the night?
O! fayrest goddesse, do thou not envy
My love with me to spy:
For thou likewise didst love, though now unthought,
And for a fleece of wooll, which privily
The Latmian shepherd once unto thee brought,
His pleasures with thee wrought.
Therefore to us be favorable now;
And sith of wemens labours thou hast charge,
And generation goodly dost enlarge,
Encline thy will t’effect our wishfull vow,
And the chast wombe informe with timely seed
That may our comfort breed:
Till which we cease our hopefull hap to sing;
Ne let the woods us answere, nor our Eccho ring.

And thou, great Juno! which with awful might
The lawes of wedlock still dost patronize;
And the religion of the faith first plight
With sacred rites hast taught to solemnize;
And eeke for comfort often callèd art
Of women in their smart;
Eternally bind thou this lovely band,
And all thy blessings unto us impart.
And thou, glad
Gary Brocks Aug 2018
He wrote of the light of the world,
a testament, a lamp to illuminate
the place from which he came —

    I saw his lighthouse coalesce
    out of the cloaking mist, its blade
    shearing the sheath of darkness.

    I inhaled the dusk bloom scent
    - Four O’Clock Flower, Poinsettia, Frangipani -
    beguiled by a road, undeterred
    by calls in the night, the rain, the unknown way.

    I sang with one thousand night-drunk tree frogs
    proclaiming an equatorial cycle to the stars,
    choristers intoning a chant of existence.

    I rode balanced between
    the cycling engine's torque and the
    reflective cast of my foreign skin.

    I felt the grip of ignominy constrict the stir
    of my drink, amongst hands toasting
    the crush of entitlement’s bearing.

    I walked where people dwell, and stop
    to greet and tell news of the market
    or of their nets, bearing the sea’s returns.

    I tasted the song in his speech,
    a seasoned stew, unshackling the tongue,
    to ring like the steel in a drum —

a tapestry unfurled: a world
paced by sirens of wind and wave,
embroidered on the earthbound side
of heaven's abiding blanket.

Copyright © 2017 Gary Brocks
180730F
The blessed damozel leaned out
  From the gold bar of heaven;
Her eyes were deeper than the depth
  Of waters stilled at even;
She had three lilies in her hand,
  And the stars in her hair were seven.

Her robe, ungirt from clasp to hem,
  No wrought flowers did adorn,
But a white rose of Mary’s gift,
  For service meetly worn;
Her hair that lay along her back
  Was yellow like ripe corn.

It seemed she scarce had been a day
  One of God’s choristers;
The wonder was not yet quite gone
  From that still look of hers;
Albeit, to them she left, her day
  Had counted as ten years.

(To one it is ten years of years.
  . . . Yet now, and in this place,
Surely she leaned o’er me—her hair
  Fell all about my face . . .
Nothing: the autumn-fall of leaves.
  The whole year sets apace.)

It was the rampart of God’s house
  That she was standing on;
By God built over the sheer depth
  The which is Space begun;
So high, that looking downward thence
  She scarce could see the sun.

It lies in heaven, across the flood
  Of ether, as a bridge.
Beneath the tides of day and night
  With flame and darkness ridge
The void, as low as where this earth
  Spins like a fretful midge.

Around her, lovers, newly met
  ’Mid deathless love’s acclaims,
Spoke evermore among themselves
  Their heart-remembered names;
And the souls mounting up to God
  Went by her like thin flames.

And still she bowed herself and stooped
  Out of the circling charm;
Until her ***** must have made
  The bar she leaned on warm,
And the lilies lay as if asleep
  Along her bended arm.

From the fixed place of heaven she saw
  Time like a pulse shake fierce
Through all the worlds. Her gaze still strove
  Within the gulf to pierce
Its path; and now she spoke as when
  The stars sang in their spheres.

The sun was gone now; the curled moon
  Was like a little feather
Fluttering far down the gulf; and now
  She spoke through the still weather.
Her voice was like the voice the stars
  Had when they sang together.

(Ah, sweet! Even now, in that bird’s song,
  Strove not her accents there,
Fain to be harkened? When those bells
  Possessed the midday air,
Strove not her steps to reach my side
  Down all the echoing stair?)

“I wish that he were come to me,
  For he will come,” she said.
“Have I not prayed in heaven?—on earth,
  Lord, Lord, has he not prayed?
Are not two prayers a perfect strength?
  And shall I feel afraid?

“When round his head the aureole clings,
  And he is clothed in white,
I’ll take his hand and go with him
  To the deep wells of light;
As unto a stream we will step down,
  And bathe there in God’s sight.

“We two will stand beside that shrine,
  Occult, withheld, untrod,
Whose lamps are stirred continually
  With prayer sent up to God;
And see our old prayers, granted melt
  Each like a little cloud.

“We two will lie i’ the shadow of
  That living mystic tree
Within those secret growth the Dove
  Is sometimes felt to be,
While every leaf that His plumes touch
  Saith His Name audibly.

“And I myself will teach to him,
  I myself, lying so,
The songs I sing here; which his voice
  Shall pause in, hushed and slow,
And find some knowledge at each pause,
  Or some new thing to know.”

(Alas! We two, we two, thou say’st!
  Yea, one wast thou with me
That once of old.  But shall God lift
  To endless unity
The soul whose likeness with thy soul
  Was but its love for thee?)

“We two,” she said, “will seek the groves
  Where the lady Mary is,
With her five handmaidens, whose names
  Are five sweet symphonies,
Cecily, Gertrude, Magdalen,
  Margaret, and Rosalys.

“Circlewise sit they, with bound locks
  And foreheads garlanded;
Into the fine cloth white like flame
  Weaving the golden thread,
To fashion the birth-robes for them
  Who are just born, being dead.

“He shall fear, haply, and be dumb;
  Then will I lay my cheek
To his, and tell about our love,
  Not once abashed or weak;
And the dear Mother will approve
  My pride, and let me speak.

“Herself shall bring us, hand in hand,
  To Him round whom all souls
Kneel, the clear-ranged unnumbered heads
  Bowed with their aureoles;
And angels meeting us shall sing
  To their citherns and citoles.

“There will I ask of Christ the Lord
  Thus much for him and me —
Only to live as once on earth
  With Love—only to be,
As then awhile, forever now,
  Together, I and he.”

She gazed and listened and then said,
  Less sad of speech than mild —
“All this is when he comes.” She ceased.
  The light thrilled toward her, filled
With angels in strong, level flight.
  Her eyes prayed, and she smil’d.

(I saw her smile.) But soon their path
  Was vague in distant spheres;
And then she cast her arms along
  The golden barriers,
And laid her face between her hands,
  And wept. (I heard her tears.)
Nigel Morgan Nov 2012
My first memory of a loom was as a seven year old. I had been taken to visit this school my parents had so often spoken about and for which I had been carefully prepared. I had endured Mrs Martin's violin lessons every Saturday morning and could play after a fashion. She used to call me Tishee after a racehorse who used to stand with its legs crossed. But I could sing . . and I belonged to a family dynasty of choristers. So after a bout of auditions, to which both my mother and father accompanied me, I found myself entering the headmaster's house. And there in an immaculate room with a floor to ceiling window I saw my first Scandinavian furniture and what I now know to be a vertical rug and tapestry loom.
 
I had never seen anything so mysterious and beautiful. I realise now as I examine this memory it was not just this loom and the partially completed textile on its frame but the effect of the room it occupied and its aspect, the way the garden beyond the vast window invited itself into the interior space.
 
Biddy, as we boys called the headmaster's wife, was the most interesting woman I had ever met. I realise now how much she became my first model of womanhood. A graceful figure, bobbed hair, always simply dressed in a vivid coloured shirt of blue or red and a grey skirt, always walking purposefully, and when she spoke to you she acknowledged you as a real person, wholly, never as just a boy, but someone she gave her whole self to address. As I grew older she entered my dreams and even now her voice, that I came later to know as Varsity and Beneden bred, I can hear now. And she was a weaver.
 
Every afternoon she shut the door of her workroom with its large window and was not available, even to her beautiful children.
 
It was a year before I dared to talk to her about her loom. I remember her surprise. How lovely you should ask she said. Come after Evensong and I'll introduce you. And I went . .
 
It was May and she was wearing a grey smock that fell over slacks. She smelt like a forest in high summer, resinous. She wore sandals and a gentle smile. You may touch she said, and so I did, and as I did she quietly named the parts - the beater, the leashes, the warp, the reed. It was though I already knew these things but in another time and place. I was just renewing my acquaintance.
 
So, little by little, I would find myself sitting in the corner of Biddy's garden studio in the long summer afternoon's when my disappointing prowess on the cricket field allowed me freedom. I sat and watched and wondered. I imagined a day when I would have a room and a loom and wife like Biddy with whom I could talk about all those things I so wanted to share but had no one to share them with. This was before adoration became confused with ***, such a wonderful time in a boy's life.
 
As I sit at my loom in my studio high above a city street and my hands touch the yarn, pull the beater against the fell of this sample for my first  rug, place my stockinged foot on the outside treadle, I can almost sense the scent of Biddy Allen, feel her graceful presence, hear her Oxford voice and spirited laugh. For me she will always be a defining presence of the feminine and her long fingers on her loom conjure the essence of the making of beautiful things.
Ray Phenicie Nov 2014
Stars, brilliant, yellow and white, they pierce the total black dome arching over the trees.
Campfires spew sparks, dragons fly and jump to meet the stars,
Miniature electric lights; a spritely accent around the RVs.
Night choristers, peeping, honking voices dispelled by dawn
Morning light creeps up
Dew
Dripped, rivulets ran down the side of the tent
Campfires, lit anew
Pancakes, sausage, oatmeal.
Noon
the heat of the sun bakes the ground, dew dispelled.
St. Margaret's bells,
Quiring their innocent, old-world canticles,
Sing in the storied air,
All rosy-and-golden, as with memories
Of woods at evensong, and sands and seas
Disconsolate for that the night is nigh.
O, the low, lingering lights!  The large last gleam
(Hark! how those brazen choristers cry and call!)
Touching these solemn ancientries, and there,
The silent River ranging tide-mark high
And the callow, grey-faced Hospital,
With the strange glimmer and glamour of a dream!
The Sabbath peace is in the slumbrous trees,
And from the wistful, the fast-widowing sky
(Hark! how those plangent comforters call and cry!)
Falls as in August plots late roseleaves fall.
The sober Sabbath stir--
Leisurely voices, desultory feet!--
Comes from the dry, dust-coloured street,
Where in their summer frocks the girls go by,
And sweethearts lean and loiter and confer,
Just as they did an hundred years ago,
Just as an hundred years to come they will:--
When you and I, Dear Love, lie lost and low,
And sweet-throats none our welkin shall fulfil,
Nor any sunset fade serene and slow;
But, being dead, we shall not grieve to die.
Anthony Williams Aug 2014
Walking a park of flowers around York Minster
tickets in pocket for the festival of early music
colours singing to the sound of the past like minstrels
until I rounded a corner and found all I'd ever seek
in the slightly forlorn sight of a single rose
a captive to love's tune and white as a frozen sheet
hoping for a spare ticket to hear the angel voice
of a choir in concert as beyond compare as she
“sit no longer dear lady - share with me” and spirits rose

white rose in my veins when in time we hugged shuddering
as a cold coat of feeling moults tunes on to your lips
secure in silent truce in mon amour doubt shedding
deep petal armour on a second skin to get a grip
when stems entwine in a new warm understanding
as if about to fall back in time to retrace steep steps
so lean forehead forward on your soft drop strands
shoulders combine soldier sidearms with giddy happiness
heart stopping red passion stitching together bled thorns

I pretend a meek surrender giving ground to fate
but secretly hope to surround with pikes where you sit
heart's drum beat rallying to rush up lush slopes
search parties in the choir stalls but sound you out
dislodging bared hearts so tales compare more freely
pushing with the weight of growing pains in concert
to get your defensive walls to tumble away to reveal
a many levelled playing field of mutually shared delight
where music is the food of love served for every meal

you give no quarter but a quavering piece to which I lay claim
to shield how I revel in each quiver at advancing forces
raising my standards to meet your church steeple climbs
but still ardour yields to the scale of your appeal en masse
torn from arduous verse to verse praising that limb this limb
I submit and sense a chance of permanent heaven in this peace
as like a knave on the trail of your scent summits crumble
into the rolled out treaty rosy perfume in precipitous ravines
where I pin chivalrous titles to the brush of knightly leaves

snared in the honeyed trap nave of your thorns
abandoning myself to the rapture entwined with love
winning the soul rights to capture and chaperone
a concerted effort which brought you to the fore
by the devious role of fate and by divine charm
by some device and by far ranging gentle force
of arms which did no harming
and by the loving voices
of angel choristers
which sing now to break the ice
as loudly as they have
down the ages before us
by Anthony Willliams
The Wars of the Roses were a series of dynastic wars for the throne of England. They were fought between supporters of two rival branches of the royal House of Plantagenet, the houses of Lancaster (red rose) and York (white rose). They were fought in several sporadic episodes between 1455 and 1487.
The Terry Tree Nov 2014
Summon us the rain yet
With the drums that we recall I
Am the corresponding return
Beautiful lunar and thunder to
A rhythm where all seasons of the
Different viewpoints even ugly in the winter
Are holding up the Universal land
An outer space pond having
Baptized resurrection of acceptance in a chosen
Life-cycle that changes all of the
Symbols through your travels which are heavy.
Changes also equal to soul art
Echo countless metaphors of the
Mindless croaking bond.
Teach in us the thanksgiving of
Heaven's harvest and every single thing
That brings a drunkenness and promise of
Choristers with hymns on stone
For a prolonged life is in and of
What solid reawakening has fortuned deep within upon this earth.
Renewed as well returned I
Carry lucky charms and find that I am
Known in other words bound
With the Spirit to
An ancient stand
That is encountering such places found under
Forces much much before the
Egg existed in a frozen
Past lone part of all creation much much before the thorn
Grew from the rose bush you were jumping by
Far down the brook of evolution where the
Message that you ribbit warm or cold
Is soon discovered befriending those of heart and hearth
As we all listen to your lessons and
The magic song revival that you sing
Poetic form | Golden Shovel |A golden shovel poem consists of taking a line (or lines) from a poem you admire. Using each word in the line (or lines) as an end word in your poem as you keep the end words all in order. Giving credit to the poet who originally wrote the line (or lines), the new poem does not have to be about the same subject as the poem that offers the end words. If you read the last word of every line you will read the line that I chose from Ursula K. Le Guin's 'A Lament for Rheged'.
Nigel Morgan Nov 2012
V

Turning away from the temptation of town to walk in twilight viewing the warm lights from the ancient buildings those enclosures of chapel library refectory student rooms fellows’ chambers offices guarded by men in bowler hats whose occupants cross courtyard and cloister purposefully sometimes gowned (for the tourists perhaps) those cobbled passages the tall chimneys the gates and railings suddenly back in the busy streets bicycles everywhere tea necessary tea I catch the fatigue in your face time for apple strudel and jasmine infusion with a view of the chapel it took a hundred years and three Henrys to build.

VI

Choristers have a special way of walking in their robes swish they go as they make that 90 degree turn to enter the Choir the layclerks play this down but will forget themselves and swish the gown flies out Decani and Cantores go their separate ways to stand by their candles bow towards the altar the introit Oh Lord, I Lift My Heart to Thee by Orlando Gibbons a choir man in this very place 1596-8 knowing the echo well wrote accordingly hard not to tremble as the music floats to the stone vaulting a 170 feet above our heads

VII

Famous as a thespian kindergarten plays abound and tonight there’s six to see We enter an L shaped room with the stage at the right angle a sitting room with a green sofa a door to a bathroom a knitting basket on the coffee table four characters (and a bump) with two penguins (one disguised as another – real - hiding in the bathroom) there was even a piece of Battenberg cake on our seat to eat make of that what you will we did and laughed though not without the occasional poignant lump in the throat a tear in the eye

VIII

You sit with your back to a mirror so I practice smiling aware of the pleasure your bright face brings me constantly this warmth of your company the tilt of your head your cheeks’ glow the sweet cadences of your voice though tired food and wine revive It won’t be too late after the brisk walk back through the brightly lit streets forever letting our hands come apart then re-engage to manage the pavements and throngs of Friday evening so much today so much to take to bed my love your beauty nightdressed in white to my surprise and pleasure
Nigel Morgan Dec 2012
Kings**

As choristers we saw them
Regularly in their black
Limousines, their aides
Carrying gifts for display
In the royal apartments.
 
Kings, whose gait spoke
Of the heavy matters of state,
bent grey heads
To converse with the Majesty,
A small woman in a pale green coat
Carrying a large handbag
Curtis Lindsay Nov 2010
How selflessly and skillfully the sun
who sang bright hours to rivers, glades, and towns
takes his appointed leave as, one by one,
the choristers of evening don their solemn silver gowns.

How suddenly the trees to brown are turned.
Fair summer heaves, demures, no longer cares.
Once more, her promises are raked and burned--
the quick and cunning frost again has caught her unawares.

How simply is the gathering of friends
dissolved, as each must hurry home alone.
With one last glass, a lingering laugh, it ends.
The well-worn chairs are left to feign a friendship of their own.
23 November 2010
Have you heard the tale of Lord  Gusstaff and all the good things he did ?
Did you hear in his chambers ,
or the choristers of the night ,
how he charmed the ladies ,
how they flocked to his side ?
His moustache was long and elegant ,
so dashing for the time .

Now every door was open when he passed by ,
and white flowers of the day were placed where every pritty he lay in the long dark reaches of the night .

For when the birds began to sing ,
their tones  pitch perfect would sing just for him ,
just for Gusstaff. the good .

The ladies pouted like flamingos all around ,
his tales of bravery they listened and were captivated by his stare .
For his eyes were dark ,
his manor took wind to their sail .

How Nobel were his deeds ,
and loving and bold ,
not once were his lovers bitter ,
or cold .


Then one night ,
the bells fell silent ,
and the wind whistled as if in silent prayer ,
a vesper of the night ,
Gusstaff lay dying in a field of war his white shirt stained in blood ,
His dying words how brave ,
how brave ,
Leave a white flower for the ladies ,
to each one ,
I loved
let them place a flower in my grave ,
for where the petunia grows his love still flows ,
and flamingo s still surround them ,
and ladies weep  their hearts forever fountains,
In memorials to Gusstaff the good .

Take heed then as the Fox makes Love in the night ,
Vixens will follow ,
and his ghost still screams out for love.
Forgive me Father, For I have sinned
A woman's heart I took out
my emotions in chains again
everything done, no gain coming
Alack! In me a clean tout
Bless me Father under the rain

Forgive me Father, For I have sinned
A tabularasa is all that I need
my soul, Israfael takes to his master
a leviathan in disguise, I know
my heart like a tide goes yonder
Bless me Father when it starts to snow

Forgive me Father, For I have sinned
The monumental choristers are ready
when I asceed the rafter, Father
please let me through heavens gate steady
I hope I did well on your errand
Oruku's first son morbidly ascends
As the bells ring for saints
to go into heavenly slumber
At sunset the grey-haired lay
in the box proper
Away from the moist air they'd
love to take in longer
Acute heartache stay, hours into days
as brothers go beyond the border
A chunk of charming choristers
sing hallelujah
A once happy home goes silent, a
loving sand goes yonder
Aaah! I, scared to go in now
pray to you merciful father.
Cripp Jan 2014
blowing on the cusp of the new
comes expanding moments of clarity in smiles and hearty welcome, is it any real?

can you hold onto those long reins of power in your grasp
as well as to the heart you flung in that corner, far from eyes, yet close enough to singe?

can you dare to unfold your fears packed in wads and unravel your ire
can you afford to hold me?

you will hear the song sung for you, penned by this heart so steeply in love
sung for you, by choristers at some interment
Jamie L Cantore Dec 2014
As in the
verses of
Isaiah six,
to me came
a fiery
serpent
bearing
bliss. One
to us
known to
be in the
most high
order of
thy holy
angels;
and she
possesseth
many an
eye and
wilt one
day hath
humankind
beholding
her pent
wingtips,
and she shalt
cleanse thy
unclean lips
and purge
thy sinful souls
with live
burning coals
hereby.

God speaking
without
speaking
once told
to Isaiah,
"I wilt take
all but a
tenth of
their cities,
and the lands
wilt be burned
again and again
until the trees
shall cast their
leaves, and
thereof the
substance
shall be the
holy seed.

Thereafter, her
seraph wings
did thence
open up,
unfold, to
be thereby
a cause, a
love, a flame
to need.

Faith is not
a thing
made up,
and is
hardly
newfangled,
but I saieth
she therewith
displayed it
all; and 'twas
nothing short
of supreme
blessedness!

Then I beheld
her e'en
brighter,
with showy
spangle, and
her attire, a
pristeen
and
impressive
dress, that
was beaming,
lit, bright
with color,
and with
shapeliness
of contour.

Her shining
light like
refractory
gold or
peerless
bits of
silver;
and something
unknown did
glint within
her to
wholly then
bewilder.

Her fire sword
was sheathed
and I did
the most
forward enter.
With shy wing
shield so
still, she
can still
our
meanest
ire, for
all must
therein
endure
what we
feel for
each
and
one
another.

And none
therefore
can
trust
mental
anguish
to dull
in this,
our
loneliest
and darkest
hour.

Therewithal,
loyal
followers,
actions
shall
follow­
words,
ignite
if you
will
the
glowing
candles,
and play
upon your
lyre,
but not
upon
His
Word,
and
forevermore
you wilt
have
your needs
fulfilled
with
hearts
afire;
rest assured.

We shall
hear ye
but not
understand,
the great
forsaking
in the
midst of
the land,
and we
see but
do not
perceive!

Now hear
her pure
emotions
entire
thereat
swear to
inveigle
yet, our
lives so
chaotic,
so
disordered,
but we
can be
rekindled
by a
moving
fire of
an
unstained
object, and
sure enough
hypnotic;
and of a
fervor I
foretell
to be
higher
than all
other
seraphim
in the
ultimate
choristers
choir.

And she does
as e'er sing
the fairest
hymn to
Him, being
gentle and
the most
melodic.
She is a
being
disentangled,
henceforth
being the
nearest
being of
any angel
by far
to the
safety of
God's
hands.

She's an angel
that much
more the
nigher to
His protection
and His
guidance; and
free will I
suspect was
denied her
in all but
her affections...
and for that
reason it
wilt be she
that to me
God sends
again.

And to Him
I heard it
said, Holy,
holy, holy,
is the lord
of hosts:
the whole
earth is
full of
His glory!

And with that,
the Lord shook
again the
doorway
posts, and
the house
that filled
with smoke,
now is
before me
-such as is
our Saviour
surely upon
His throne.
MS Lim Nov 2015
1
Children by the sea
counting pebbles one by one
their mothers watch on

2
Silence in the wood
a bird flits from tree to tree
shaking a few leaves

3  
Rain beats on the door
leaves tremble in the night air
the dog sleeps soundly

4
Evening church bells
choristers' songs fill the air
the faithful gather

5

At the barber-shop
click click click go the scissors
the combing comes last
nil
I stand on storm-swept sands
Lashed by turbulent waves.
Salty surging choristers
Reach a crescendo.
I wait on the shore for my solo,
Throat open, heart ablaze,
Facing the waves.
I’m not looking for applause
I just want to sing.
I offer my heartsong
To the sirens of the deep.
Jamie L Cantore Nov 2014
As in the verses of Isaiah 6,
to me came a fiery serpent bearing bliss.
One to us known to be
in the highest order of the holy angels;


and she possesses many an eye,
and wilt one day have humankind
beholding her pent wingtips;


and she shall cleanse thy unclean lips
and purge thy sinful souls
with live burning coals
   -hereby as in the days of old.


God to Isaiah once told,
"I will take from man all but a tenth of their cities,
and the lands will be burned again and again
until the trees shall cast their leaves,
and thereof the substance shall be the holy seed."


Thereafter, her seraph wings did thence open
up-unfold-to be thereby a cause, a love, a flame to need.


Faith is not a thing made up, and hardly is newfangled,
but I saith she therewith displayed it all; and it was
nothing short of supreme blessedness!

Then I beheld her e'en brighter, with showy spangle, and her
attire, a pristine impressive dress that was beaming, lit, bright
with color,  and with shapeliness of contour.


Her shining light like refractory gold, or peerless bits of silver:
and something unknown did glint from within her,
to wholly then bewilder.


Her fire sword was sheathed, and I did most forward enter.


Now with a shy wing shield so still, she can still our meanest ire,
for all must therein endure
what we feel for each and one another;

and none therefore can trust mental anguish to be dull in this,
our loneliest and darkest hour.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~­~
Therewithal, loyal followers, actions shall follow words.
So ignite if you will the glowing candles, and play upon your lyre,
but not upon His word  -and forevermore you will have your needs fulfilled, with hearts afire; rest assured.

We shall hear ye but not understand, the great forsaking
in the midst of the land, we see but do not perceive!

Now hear her pure emotions entire thereat swear to inveigle yet,
our lives so chaotic, so disordered, but we can be rekindled
by a moving fire of an unstained non-object that is hypnotic and of
a fervor I foretell, to be higher than all other seraphim in
the ultimate choristers choir.

And she does as e'er sing so well, the fairest hymn to Him
   -being gentle and the most melodic.

She is a being disentangled, henceforth being the nearest
being of any angel by far to the safety of God's hands.

She's an angel that much more the nigher to His protection
and His guidance; and free will I suspect was denied her
in all but her affections.
And for that reason I suspect it will be she that to me He will send again.

And to Him I heard it said, "H o l y,  h o l y,  h o l y,   is the Lord of all hosts:
the whole earth is full of His  g l o r y!"

And with that, the Lord by Word shook again the doorway posts, and the house that filled with smoke, now is before me, such as is our Savior surely upon His throne.
Yenson Mar 2019
I have searched within
looked in all the secret places
slashed a mindcheck and cut veins
I have floundered beneath my eyelids
and even scraped the gorges in fingernails
But I see nothing, I have no sight of this thing
So please tell me Wisdom,what does Hate look like

I know none to ask in Solace
the music in my heart had no answer
the Choristers in my garden remain nonplussed
and the nightingales sing sweetly and shake their heads
the meandering brook goggles serenely and without a break
and roses in eternal summer bloom sway gently and make quiet
So please tell me Neptune and Aphrodite what does Hate look like

I look down at the restful earth
In grounded majestic hues of varying shades stays mute
the tall Pines bends towards the Willows and says 'ask them'
for there are weeping Willows, but alas! the willows knows not
breezes whispering from vespers and dales deemed not even a clue
though all about and everywhere, the winds howl but shed no light
So please tell me from blue yonder afar, what does Hate look like

I have heard a merry lot about it
have seen some who seem to know all about it
could tell that all's not well within and they have spirits dark
in talks incomprehensible, skewed and in remiss of passions lights
within me I carefully searched again, looked in my soul and being
I have flaws 'n human as all else but have never met this thing Hate
So please scholars and scribes, do tell me, what does Hate look like
I've no need to seek divine deity.
Seeing a glorious sunrise spread its light,
I bow in awe at this amazing feat -----
A solitary star vanquished the night.
O, the majesty of Nature's might!

And as the moon dims his silvery torch,
Feathered minstrels open sleepy eyes;
What choristers could sing a sweeter song?
(To mention angel choirs would be unwise ---
Never have their voices filled the skies)

Rainbow-hued flowers, their heads bending low
To the gentle stroking of a breeze,
Fill the air with a hypnotic scent
And the humming of delighted bees . . .
It is to such things I bend my knees

Then upward my eyes are suddenly drawn
To vaporous clouds drifting lazily,
And I ponder that enigmatic realm,
Hesitant to unfold its mystery.
(Could this be God's true identity?)

Crickets chirping, wolves baying at the moon,
From the pond, a frog croaks his opinion;
The ocean's roar, the Autumn woods ablaze ---
And over it all we have dominion.
And yet . . . I feel I'm Nature's minion

But if an elusive God is your choice,
I look upon you with  pitying eyes;
Marvels surround you, and yet you still seek
That obscure and silent, unresponsive prize . . .
An unseen God that common sense denies!
sheila sharpe Jul 2020
We fear, yet respect you, as diminutive determined invaders
nibbling like too eager lovers at necks, faces, arms, and skin
invading our fragile human air space like sneaky chinooks
your poison injecting into all the cavities that lie deep within

We bow to your humming, into our eardrums eerily drilling
dreading the cratering with your probing insectile missiles
as you target the ****** territories of our all too human flesh
your determined approach that old instinctive fear instilling
knowing nets do not dissuade you no matter their size of mesh

We praise you, as shrilling, chilling choristers of the Tropics,
admire you as enemies, secretive, invincible, secreting unease
recognizing your sustained mission to dominate humankind
as you move ever Northward with an invading army's expertise
Yenson Oct 2021
From the mouths of babes
spew the tantrums of arias in concertos
as opined Conductors weave axes to grind

from the eyes of worms
presents the vista of dirt and mud soiled
tis seasons of launders to bleach to blanch

from the jaws of snakes
reeks venomous hot beverages
the lackeys and kitchen maids are stirring

from the scribbles of mites
juxtapositions of witless myths in rancour
seers of guesses *** projections from foggy minds

From the new age prophets
chalks chalking in bile and regurgitate acid
frustrated agitators malaise in refluxed tensions

hear now dulcet voices
cancerous choristers singing sopranos
gangland anthems to satiate the paleness ignoble  
tailors a 'la Emperor's new coat wear the cloaks of contempt
Yenson Oct 2021
The epic surmised from narrow minds
tattles to tales reimagined in chaliced ivy
beholden in paupers angsts berating edifice
warping sinful sorrows as libation for gains

yet the might of the vapid
is but the windless thunder
roaring vacuums of malice

Carrying the wreckages of the disrepute souls
scatter thoughts from forsaken living ghosts
now birthing labour pains of arid gestations
with garrulous intent to bleed the living light

galleries of primed paltry awaits
snake charmers dance with snakes
choristers liars sing arias and jive

Plotlines in timelines in Showtime in no time
the music played but only to he not a stranger
what never got off stage has no legs to run
ask me not to the after party am not in the cast

...........................
Yenson Jun 2020
The finesse of Grace knows
Real Princes do not come a dime a dozen
neither do they swagger unnoticed in the pen of yokels
or sit in taverns in abandon ribaldry with the carpetbaggers  
or with haymakers and the naysayers brigade of lame affiliations

For t'is highly and lowly known
these duds merely mouth off in vacuous tirades
filling the air with the stench of uncouth notions
reeling the politics of the gutter parliaments in absentia
in the rabbles House of commons of the uncommon senses

For strewth they have to display
starved attention makes for attention seekers
the alchemy of the reprobates and fishmongers
brews elixir of stunted minds in vivid hallucinations
ungainly choristers yodeling the hangman's blase anthem

As solid as the pillars of Athens
privilege is courage bravery knowledge and truth
freedom comes in cerebral leverage not hedonistic sermons
the scale of mother Justice holds balance in equity not disrepute
we uphold the dignity not the shallow vowels of repugnant liars
in guided light we pour scorn on the johnny come lately cultural bandits
Yenson Oct 2021
The epic surmised from narrow minds
tattles to tales reimagined in chaliced ivy
beholden in paupers angsts berating edifice
warping sinful sorrows as libation for gains
yet the might of the vapid
is but the windless thunder
roaring vacuums of malice
carrying the wreckages of the disrepute souls
scatter thoughts from forsaken living ghosts
now birthing labour pains of arid gestations
with garrulous intent to bleed the living light
galleries of primed paltry awaits
snake charmers dance with snakes
choristers liars sing arias and jive
plotlines in timelines in Showtime in no time
the music played but only to he not a stranger
what never got off stage has no legs to run
ask me not to the after party am not in the cast
...........................
Yenson Dec 2020
I see lots of lonely people
looking to belong and grasp validation
in a lonely city with no promises
amongst fellow debris and the liked misshapen

I see milling fixed minds galore
where rationality is too arduous to befriend
and solace fares in futilities as real
all on point to do as told and never question why

I see them dreamers of lost dreams in now
throwing dismayed spittle and retching dark spite
to find comfort in pained remembrance
choking in shared tableau of miseries and guilty as sins in chapeau

I see bible pushers hiding in sins
playing Caesar's games and licking onto Caesar
to sell themselves for devils rewards
and harbour waste and deceits in their brother's stained coat

I see the pretenders singing gospels
and concocted choristers baying refrains inglorious
in saturation and salutations to the gate keepers
who see sacrilege in finery of a lions mane but money in ivories

I see the underbelly of corrupted slaves
brooding in the markets of lesser choices for survival
and earn ***** lucre and a place on board
for in the forests of concrete jungle no one is brothers keeper

I see a lot of sad and forsaken souls
under control hanging in fear and terror of white lights
a million secrets hidden by distractions
anything and anyways to keep on breathing unseen and unknown

I see all of them and they see me
I am not of them neither they of me for its a tale of two cities
and the drama is not that black and white
rather the disingenuity of thieves in disingenuous politics
Onoma Apr 2020
now when the silence of the

urban sprawl dialates, and its

shell becomes an exquisite ear.

the whiny cries of newborn

pigeons raise from the tops of

air conditions and terraces.

pint size helium balloons releasing

sound.

i caught a rare glimpse of one

of these choristers being fed beak to

beak by its mother.

its whittled white face and crown of

grey, contrasted by the steel storefront

sealed shut.

— The End —