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IN the cool of the night time
The clocks pick off the points
And the mainsprings loosen.
They will need winding.
One of these days...
          they will need winding.

Rabelais in red boards,
Walt Whitman in green,
Hugo in ten-cent paper covers,
Here they stand on shelves
In the cool of the night time
And there is nothing...
To be said against them...
Or for them...
In the cool of the night time
And the clocks.

A man in pigeon-gray pyjamas.
The open window begins at his feet
And goes taller than his head.
Eight feet high is the pattern.

Moon and mist make an oblong layout.
Silver at the man's bare feet.
He swings one foot in a moon silver.
And it costs nothing.

One more day of bread and work.
One more day ... so much rags...
The man barefoot in moon silver
Mutters "You" and "You"
To things hidden
In the cool of the night time,
In Rabelais, Whitman, Hugo,
In an oblong of moon mist.

Out from the window ... prairielands.
Moon mist whitens a golf ground.
Whiter yet is a limestone quarry.
The crickets keep on chirring.

Switch engines of the Great Western
Sidetrack box cars, make up trains
For Weehawken, Oskaloosa, Saskatchewan;
The cattle, the coal, the corn, must go
In the night ... on the prairielands.

Chuff-chuff go the pulses.
They beat in the cool of the night time.
Chuff-chuff and chuff-chuff...
These heartbeats travel the night a mile
And touch the moon silver at the window
And the bones of the man.
It costs nothing.

Rabelais in red boards,
Whitman in green,
Hugo in ten-cent paper covers,
Here they stand on shelves
In the cool of the night time
And the clocks.
Robert Ronnow Aug 2015
First person singular prohibited. In order
to be more crow.
War! war! war! war! war!

Then there's that lowland wetland bird
around the stunted red pines crying
Birdy, birdy, birdy, birdy.

Hear the redwing blackbird chirring
Her, her, her... she
as one might expect, Spring.

Words for birds
since they're inaccessible. Aim
binoculars left, right, up, down, missing every time.

At the piano recital
Aaron made the penguins run, run, run, not waddle,
from a hungry polar bear!

Everything passes, even a massacre,
but birds outlast cars
and words like chemical and holocaust.

Woodpecker climbs oak,
Connecticut.
Not one neighbor heard the knocking.

The voice of a pewee
whose nest has fallen out of the tree.
Oh my! Oh me!

What did the wood thrush sing
that summer evening
teaching its young thrush meanings?
www.ronnowpoetry.com
Robert Ronnow Aug 2015
In the holy spot
with a sitting rock,
an oak. In back
yards, shagbark
hickory and maple.

Ants climb the rock.
August, birds
celebrate flowering
weeds, the seeds
of autumn to come.

I am here to name it
and know it and help it
to grow. These mountains
are my grave. A good grave
to go to.

The crows have been
in conference, again.
A jay, blue, pokes
a hole through reality.
I find sumacs fruiting

and the male *** organs
of the Queen Anne’s lace.
Dark-eyed juncos glean the lawn,
an occasional nuthatch
in the butternut.

I hear a pileated
woodpecker jackhammering
and my neighbor’s skill saw
chirring. Ants crawl
on connecting interlacing instructions.
www.ronnowpoetry.com
Antonia LS Kofod Feb 2020
In a low area between hills
There lies a valley with a river flushing through it.
The drapes of hanging algae on dehydrated cliffs
Seem wonderfully vapid; unmoved by scorching spewing rays,
Helplessly hopelessly sizzling.
High up, a scarlet sky eagerly hangs
Amidst a fracas between clouds.

A bottle brush oscillates.

The day ceases early and the twilight’s tardy.
Deranged moans are groaned by the heavy ashen grisly cloud
As he finally suffocates the last of the sunny rays;
There, where earth meets the sky, the ottoman begins a war.  
He growls and snarls and then he roars.

A skylark trills.

She sways in the wind
Chirring harshly
An alarming melodious jumble,
Eager to escape.

Like the fish shoaling deeper into the ocean.

The drone of lightning shakes the shore.
Like a foot that stamps the floor, as if it is his final say.
Drizzling drops of ocean rain then caress the rocky cheeks.

The rainfall season has begun.
I use nature metaphors and imagery to describe raw emotion and real-life experiences

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