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it was me who destroyed carthage of the ancient worlds in 1300bc. the way i destroyed carthage was this. my mother was a persian queen and carthage wanted persia destroyed. my mother did not want her husband killed so she sent me, her eldest child, to the war. i told them that if they looked into my right eye they would think it was very beautiful but if they then looked into my left eye, which was my most beautiful eye, for i was left-handed, even as most creative people are even back then, they would notice it was even more beautiful.
i then said if i wanted to be a little kind to them they would want to be very very kind to me. they liked me and tried to show me their great kindness but the truth was that they had been so unkind to their children with bad magics involving rings that they died instantly. that is how i destroyed carthage.
Lazhar Bouazzi Dec 2018
I
The rain falling now
In Carthage -
A nectar
Of rainness -
Is like the grains
Of couscous
Made the day of
Celebration.
II
In Carthage now
The scent of rain
Is like the sound of
Pain
Memory has lost
To imagination.

© LazharBouazzi
Mateuš Conrad Jul 2018
/                   as i am pretty sure all americana
feels about "us":
oh 'ook, 'ere comes old man
europe,
           no hemmingway,
and no so: as the casual english
expression solidifies exchanges:
just across the atlantic:
                            the, pond...
haven't the foggiest...
     i'm "new" here,
   and even i find these english prims
& pomps and idiosyncracies
a bit debilitating...
today i walked from my home
with a knife in my pocket...
why... why?!
                         apparently it's worse
than new york,
a belt as a qusimodo boxing
glove won't cut it,
   given that that:
   requires a formal introduction,
prior to a fight...
    guns guns guns...
     over 'ere we 'ave knives knives knives...
and politicians can't exactly
ban them... no, not really...
ban knives, soon you'll be banning
forks, then spoons...
   and then...
   the whole ******* kitchen...
we'll all be eating out,
in public, cheap cheap cheap,
cheap restaurants
like the slovakians eat in...
    can you even imagine that while
in st. petersburg i didn't see,
not one mcdonalds...
    same so in moscow:
                   not a single mcdonalds...
it was like a: relief...
  a bit like only seeing africanos
only, but not elsewhere other than warsaw;
erm: afro-saxons?
            sure! we have them in england,
plenty of afro-saxons...
                so now afro(x)
is not pop-up frizzy hair,
bundled into a french bun...
                    type of... "thing"?
**** yeah!
                                hit the spot!
oh old man europe...
      tired and yet, and yet tired
of his riches,
   how craving the old trenches
of Ypres...
the belgian mud, the rain,
                        the rats and crows...
europe: lament over libya...
or even pseudo-neo-rome
lamenting over carthage being destroyed...

in reverse -
              abbrv. into - orior carthago!
was it cato the elder
   who persisted counter to this?
   as heidegger would have put it:
            that's not even question-worthy.
Lazhar Bouazzi Jul 2018
In the yellow,
cold light
of the wine-dark
night,
'tween the brand-new mall
and the Roman Site,
he staggered
alone,
drunken
with "Magon"*
and memories.

Vast,
so vast is the night -
vast
as the memory
of an English
prairie,
and an emmer-haired
maiden
he'd walked
to the ferry
on a summery day.

Vast,
so vast
is a night
masquerading
as a want of sight.


© LazharBouazzi
"Magon" is a popular Tunisian wine named after the famous Tunisian (Carthaginian) author of the "Treatises on Agronomy, Winegrowing and Winemaking (eighth century BC. ) " when Tunisia was Europe's wine cellar.
Mateuš Conrad Jun 2016
preliminary explanation

before i really begin the project i have a few scatterings
of thought that made me do this, without real planning,
a different sort of impromptu that poetry's good at,
less Dionysian spur-of-the-moment with an already
completed poem entwined to a perfect ensō,
as quick as the decapitation of Mary Boleyn with the
executioner fooling her which side the swing would
be cast by taking of his hard-soled-shoes -
i mean this in an Apollonian sense - i know, sharp contrasts
at first, but the need to fuse them - i said these are
preliminary explanations, the rest will not be as haphazardly
composed, after all, i see the triangle i'm interested it
but drawing a triangle without Pythagorean explanation
i'm just writing Δ - i'll unravel what my project is
about, just give me this opportunity to blah blah for a
while like someone from an existential novel;
what beckoned me was the dichotomy of styles,
i mean, **** me, you can read poetry while in an awkward
yoga position, you can read it standing up, sitting down,
eating or whatever you want - obviously on the throne
of thrones taking a **** is preferred - the point being
what's called serious literature is so condensed for
economic reasons, font small, never-ending paragraphs,
you need an easy-chair and a bottle of cognac to get
through a chapter sometimes - or at least freshly mowed
grass in a park in summer - it's really uncomfortable because
of that, and the fact that poets hardly wish upon you
to be myopic - just look at the spacing on the page,
constantly refreshing, open-plan condos, eye-to-eye -
but it's not about that... the different styles of writing,
prose and the novel, the historical essay / encyclopedia
or a work of philosophy - what style of writing can
be best evolutionary and undermine each? only poetry.
poetry is a ballerina mandible entity, plastic skeletons,
but that's beside the point, when journalism writes history
so vehemently... the study of history writes it nonchalantly,
it's the truth, journalism is bombastic, sensationalist
every but what courting history involves -
a journalist will write about the death of a 100 people
more vehemently than a historian writing about the Holocaust...
or am i missing something? i never understood this dichotomy
of prose - it's most apparent between journalism and history...
as far as i am concerned, the most pleasurable style of
prose is involved in the history of philosophy, or learning per se,
but i'll now reveal to you the project at hand -
it's a collage... the parameters?

the subject of the collage

it weighs 1614 grams, or 3 lb. and 8 7/8ths oz.,
it's a single volume edition, published by Pimlico,
it's slightly larger than an A5 format,
3/4 inches more in length, and ~1 centimetre in
width more, it has a depth of 1 and 3/4 inches in depth,
a bicep iron-pumping session with it in bed -
i was lying with this behemoth of a book
in bed soothing out a semi-delirium state
listening to Ola Gjeilo's *northern lights

and flicking through the appendix, and i started thinking,
no would read this giant fully, would they?
the reason it's a one volume edition is because
the only place you'd read such an edition would
be in a library, at a desk, and you'd be taking snippets
out from it, quotes, authentic references points
for an essay, esp. if you were a history student,
such books aren't exactly built for leisure, as my arms
could testify... after the appendix i started flicking
through as to what point of interest would spur me
onto this audacious (and perhaps auspicious)
act of renegading against writing a novel (in the moment,
in the moment, i can't imagine myself rereading plot-lines
after a day or two, adding to it - that's a collage too,
but of a different kind - and no, i won't be plagiarising
as such, after all i'll be citing parallel, but utilising
poetry as the driving revision dynamic compared
to the chronologically stale prose of history) - i'll be
extracting key points that are already referenced and not
using the style of the author - the book in question?
Europe: a history by Norman Davies prof. emeritus
at U.C.L. - the point of entry that made me mad enough
to condense this 1335 page book (excluding the index)?

point of incision

Voltaire (or the man suspected of Guy Fawkes-likes spreading
of volatility in others) -
un polonais - c'est un charmeur; deux polonais - une
bagarre; trois polonais, eh bien, c'est la question polonaise

(one pole - a charmer, two poles - a brawl, three poles -
the polish question) - mind you, the subtler and gentler
precursor of the Jewish question, because the Frenchman
mused, and not a German, or a Russian brute...
and i can testify, two Polish immigrants in a pub,
one senior, the other minor, one with 22 years under
his belt of the integration purpose, one with 12 years,
the minor says to the senior about how Poles bring
the village life to cities, brutish drunkards and what not,
it was almost a brawl, prior to the senior was charming
a Lithuanian girl, before the minor's emphasis on
such a choice of conversation turned into idiotic Lithuanian
nostalgia about the disintegration of the Polish-Lithuanian
commonwealth, primarily due to the Polish nobility.

10,000 b.c.

looking that far back i don't know why you even
bother to celebrate the weekend -
i mean, 10,000 years back Denmark was
still attached to Sweden,
England was attached to France,
and there was a weird looking Aquatic landmass
that would become a myth of Atlantis
in the Chronicles of Norwich,
speedy ******* Gonzales with the equivalent
of south america detaching itself from Africa...
mind you, i'm sure the Carpathian ranges are
mountains. they're noted here are hills or uplands,
by categorising them as such i'm surprised
the majority of Carpathian elevations as scolded
bald rocky faced, a hill i imagine to have some
vegetation on it, not mountain goats with rock and roof
for a blacksmith in a population of one hundred...
at this point Darwinism really becomes a disorientating
pinpoint of whatever history takes your fancy,
Europe - mother of Minos, lord of Crete,
progenitrix / ******* and the leather curtains
of Zeus's harem (jealous? no, just the sarcasm
dominates the immortal museum of attachable
****** to suit the perfect elephant **** of depth
the gods sided with, by choice, excusing the Suez
duct tightening of a prostate gland... to ease the pain
upon ******* rather than *******); mentioned by Homer
the Blind tooth-fairy, the Europe and the bull,
Europoeus and the swan, same father of wisdom to mind,
on the shores of Loch Lomond -
attributes a lover to the bull, Moschus of Syracuse,
who said earring Plato cured him of where the ****
should not enter even if it shines a welcome
in the disguise of Dionysius... revisionists bound to Pompeii
named Titian, Rembrandt, Rubens Veronese
and Claude Lorrain revived the bulging bull's *******
and her mm hmm mm, too gracious my kind, hehee...
Phonecians from Tyre and Io - so too the Sibyl of ****** -
and unlike the great river civilisations of the Nile,
the Ganges, soon to be the Danubian civilisations
and gorged-out-eyes-that-once-sore-colour-but-lost-sight-of-
colours-­after-seeing-the-murk-of-the-Thames...
soon the seas overcame civilisations of the rivers,
as Cadmus, brother of the thus stated harlot said:
i bring you orbe pererrato - hieroglyphics of the cage,
but not an owl or a hawk inside it -
so let's perfect speaking to an encoding by first
rummaging into learning how to procure the perfect
forms of counting - i say left, you say I, i say right
you say II, left right left right, what do you say?
VI. bravo! the Hellenic world just crossed the Aegean
and civilisation bore twins within the cult of a lunar-mother,
Islam of Romulus and Remus, a she-wolf
a canine of the night - according to another -
tremulae sinuantur flamine vestes - or so the myth goes -
a cherished phantom of what became the fabled story
of sole Odysseus with his ears open and the remnant
sailor's ears waxed shut - as if the bankers of this world,
revelling in culprit universal fancy than nonetheless
bred the particular oddities - lest we forget,
the once bountiful call of the sirens to the oceanic
is but a fraction of what today's sirens claim to be song,
a fraction of it remains in this world, the onomatopoeia
of the once maddening song, the crude *******
arrangement of vowels bound to the jealous god's
déjà vu of the compounding second H.

from myth to perpetuating a modern sentiment

you can jump from 10,000 b.c. to the Munich Crisis
of 1938 - 9 with a snap of the fingers,
imitating quantum phenomenons like gesticulating
a game of mime with Chinese whispers necessary,
if Europe is a nymph, Naples her azure eyes,
Warsaw her heart, Sebastopol and Azoff,
Petersburg, Mitau, Odessa - these the thorns
in her feet - Paris the head, London the starched collar,
and Rome - the sepulchre
.
or... die handbuch der europaischen geschichte
notably from Charlemagne (the Illiterate)
to the Greek colonels (as apart from Constantine to
Thomas More in eight volumes, via Cambridge mid
1930s)... these and some other books of urgency
e.g. Eugene Weber's H. A. L. Fisher's, Sr. Walter Ralegh,
Jacob Bronowski... elsewhere excavated noun-obscurities
like gattopardo and konarmya had their
circas extended like shelved vegetables in modern
supermarket isles, for one reason or another...
prado, sonata sovkino also... some also mention
Thomas Carlyle (i'd make it sound like carried-away isle,
but never mind); so in this intro much theory,
how to sound politically correct, verifiable to suit
a coercion for a status quo... Europe as a modern idea,
replacing Imperum Romanun came Christendom,
ugly Venetian Pirates at Constantinople,
Barbarossa making it in pickled herring juice
in a barrel to Jerusalem... once called the pinkish-***-fluff
of Saxony, now called the pickled cucumber,
drowning in his armour in some river or Brosphorus...
alchemists, Luther and Copernicus were invited on
the same occasion as the bow-tie was invented,
apparently it was a marriage made for the Noir cinema,
beats me - hence the new concept of Europe,
reviving the idea of Imperium Romanun
meant, somehow including Judea in the Euro
championship of footie gladiator ***** whipped
narcissists, rejecting the already banished Carthage
(Libya / Tunisia by Cato's standards) and encouraging
the Huns, the Goths and the even more distant Slavs and
Vikings to accept not so much the crucifix as
the revised spine of the serpent but as the geometry of
human limbs, well, not so much that, but forgetting
Norse myths of the one-eyed and the runic alphabet
and settling for ah be'h c'eh d'ah.
dissident frenche stink abbe, charles castel de st pierre
(1658 - 1743) aand this work projet d'une paix perpetuelle
(1713) versus Питер Великий who just said:
never mind the city, the Winter Palace... i have aborted
fetus pickles in my bedroom, lava lamps i call them.
the last remaining reference to Christianity?
Nietzsche was late, the public was certain,
it was the Treaty of Utrecht, 1713, with public reference
to the republica christiana / commonwealth was last made.
to Edmund Burke: well, i too wish no exile
upon any European on his continent of birth,
but invigorate a Muslim to give birth on it
and you invigorate an exile nonetheless:
Ezra expatriate Pound / sorry, if born in eastern
europe a ***** Romanian immigrant, pristine
expatriate in western Europe, fascist radio has
my tongue and *****, so let's play a game:
Russian roulette for the Chinese cos there's
a billion of them, and no one would really mind
a missing Chow Mein... chu shoo'ah shaolin moo'n'kah!
or a cappuccino whenever you'd like to watch
classic Italian pornographic cinema with dubbing
with nuns involved... Willaim Blake and his
stark naked prophesy, pope pius II (treatise 1458)
even though Transylvania, Tharce and Hungary
shared the same phonetic encoding with diacritical
distinctions like any Frenchman, German,
or Pole at the Siege of Vienna (1683)
to counter the antagonising Ottoman - i swear historians
do this one purpose, juggle dates and head-of-state figures
prior to entering a chronology - they must first try out
a ******* carousel before playing with the toy-train...
broadcasting to a defeated Germany public, T. S. Eliot
(1945) ****** import to into Western Germany
and talk of the failing moral fabric, China laughing
after the ***** intricacies of warfare of trade,
what was once wool we wished to be silk...
instead of silk we received vegetarian wool, namely
hemp, and Amsterdam is to blame... nuke 'em!
that's how it sounds, how a historian approaches
writing a history from the annals, from circa and
circumstance and actual history, foremost the abbreviations,
the fishing hook standards, the parameters,
the limits, and then the mathematics of history,
one thing culminating into another... contra Lenin
N. S. Trubetskoy, P. N. Savitsky, G. Vernadsky
Russian at the perks of the Urals - steppe Tartar shamans
or salon pranced pretty **** boys? where to put
the intoxicant and where to put the mascara... hmm,
god knows, or by 21st calculations, a meteor;
they say the history of nations is a history of women,
then at least the history of individuation
and of men who succumb to its proliferation
is astoundingly misogynistic.
Seton-Watson, among the the tombstones too reminded
of remarkable esteem and accomplishment
with only one gravedigger to claim as father...
as many death ears as on two giraffe skeletons
stood Guizot, men of many letter and few fortunes,
or v. v., incubators of cousin ***** and none the kippah
before the arrogant saintly diminished to
a justly cause of recession, ha ha,
by nature's grace, and with true advent of her progression
as guard-worthy pre- to each pro-
and suggested courteous of the ****** fibre,
oh hey, the advent of masqueraded woofing,
a Venetian high-brow, and jealousy out of a forgotten
spirit of adventure that once was bound
to hunting and foraging... forever lost to write  history of
a king dubbed Louis the XIV...
crucibles and distastes for the state to be pleased,
once removed from Paris, forever to Angevin womb
accustomed once more, at Versailles released -
as cake be sown so too the aristocratic swan necks
for worth of mock and scorn - and the dampening rain
rattle the blood-thirst of the St. Bartholomew's Day
slaughter, to date, the rebirth of Burgundy,
of Anjou, and with the dead king presiding, to be
of no worth in judging himself a king before god or pauper...
saluer Antoine Quentin Fouquier-Tinville!
that i might too in stead rattle a few bones prior to burial
with the jaw that will laugh and chatter least
had it been to my kingly-stead a birth so lowly.
then at least in satisfactory temperament i procure a
judgement of the noble like of a *****
for an hour's worth of pistons and jarring tongues...
as if from a nobleman then indeed as if from a *****,
for who sold Europe and said: Arabia, if not the
Frenchman, the Englishman, the Spaniard?
the former colonial conquests served you not enough?
i imagine the reinstatement of Israel like
the Frankish states under Philippe-August...
precursors to a cathedral dubbed Urban the 2nd's..
there were only Norwegian motives in the Ukraine
and the black sea... Israel to me is like plagiarism
of the Frankish states of the middle-east, with Europe
slightly... oom'pah loom'pah mongolian harmonica.
some said Rudyard Kipling poems,
some said Mr. Kipling's afternoon tea cakes -
whichever made it first on Coronation St.
some also say the Teutonic barbecues -
it was a matter of example to feed them hog
and cannibalise the peasants for ourselves,
a Prussian standard worth an army standard of
rigour - Ave Maria - letztre abendessen nahrung -
mein besitzen, wenn in die Aden, i'd be the last
talking carcass...
gottes ist der orient!
gottes ist der okzident!
nord - und sudliches gelande
ruht im frieden seiner hande.

germany's lebensraum, inferiority and classification,
inferior slavs and jews, genetics and why my
hatred of Darwinism is persistent, you need
an explanatory noting to make it auto-suggestive
for Queen & Country? diseased elements,
Jewish Bolshevism, Polish patriotism,
Soviets, Teutons, the grand alliances of 1918
or 1945? Wilsonian testimony of national self-determi
kevin hamilton May 2017
when her ocean sounds
rang the pallid chandelier
i felt my blood cook
and disappear
the pool-house hummed
in the veil of night

i wanted to speak with her
beneath a canopy of lights
i miss her bathroom floor
(the meadow of clothing)
buried like carthage salt
and the hymns she half-sings
into thin air
Michael Greene Aug 2011
Old poisons bake from the soil;
Pluto, underworld god, pitches
Plutonium, god of dirt and death.

What was it ****** cried  --
Judische Physik? His lucky hate
Kept Dybuk in the dust,
The devil inside uranium.

But, ****** left us behind:
       his U-Project,
The creatures who salted Carthage.
When the Romans captured Carthage (Libya), they tore the city down and dumped fifty thousand tons of salt so nothing could grow. I imagine they would have nuked it if they could have.
Donall Dempsey Jun 2018
TO CARTHAGE THEN YOU CAME

To Carthage
then you came

and other fabled places

seen now only
through the lens of War.

Here you are
in simple black & white

playing football
with scrunched up rags

camouflage tanks
your only spectators

the horizon
a thin cruel line of infinity.

Desert rats
the thing of history books to come

now only
a bunch of laughing lads.

The desert
everywhere about you.

Young boys
pretending to be young men
pretending to be soldiers

and not
succeeding.

This a game
played for real.

War has made you
so.

I show you
you

again & again
wearing the many faces

that you were.

Death lurks
in every face

looks out of
your eyes

with the knowledge
that it could be

you now

you
this time.

Photos
taken then.

Time
stopped still.

I see so many
bright eyed young men.

Their youth
their most notable feature.

“Dead...dead...dead! ”
you intone

in place of names
as if it hurt to name them.

But I know
from other times

that this dead man
is John.

This one Fred
your best best friend.

Even now you talk of him
as if he could walk in the door

at any time.

The door
forever closed

The last photo shows
an insect crawling

in a dead
animal’s skull.
Mateuš Conrad Sep 2015
i was in a pub once, talking to a friend, among other things,
the european union came up, i said: i can understand an economic union,
so that economic migrants are no more, i rather like talking polish after all,
but a political union, with so many contrasts?!
that'll never work. then i hear the news,
and the heavy burden of saying things before they happen;
and unlike the insinuations between philosophy
and conversation, with that one mundane origin
of philosophy known as dialectics,
i find writing necessary in prophesying,
indispensable you might add -
when governing to say: the old roman said to the
new roman: the old member boarders want inclusion,
they want the slavs gone, the dream to unfold by their
terms from carthage! i want carthage gone, erased,
gone from the dream of unification, but there's
carthage dictating to the old frail rome known as the vatican!
no! carthago delenda est!
but no, they are replicating a deletion of the past -
russia predates them in propaganda as necessarily
nibbling and knitting so that, as i might add -
old bulgars and roma will testify in fright to the yugoslav -
why such northern expansions?! the whole revelatory book said
concisely enough to market a roman revival as was first insured by
pestering russia with that famous abnormal foetus collection
of peter the great, who was the sole saint in petersburg -
saint built a city! saint built a city! how can francis assisi ever compete
to sainthood by merely talking to sparrows and squirrels
when peter the great built a city?!
well, carthage moved to raqqa - that's how!
or spot me distancing myself from the bookworm moth
philosophies of the library with shush rather than: two for 'un yer bananas!
i am that i am said: it is what it is, a god speaking of the creation,
but then the interaction within it is what it is -
the predation of all ideas and associations, a single noun, moses.
so i am that i am said inside it is what it is to
a noun who had no cartesian relevant past  in terms of
refraining from swish buckle cat's in high-heels and tutu - ***** up! you
break a spine introducing me, forget the family and the child,
you me, we encounter the world changed -
what i said prior: it is what it is will become it is what it's not really.
hence enter the philosophical lexicon: reality... perception...
bulls buckling against *******... enter moses the grand oration
of this famous dusty lexicon bettered. bettered? no really,
just us the same monkey flashback drunk with barbers and better beards -
maldives under the armpits!
i tell you, there are two kinds of world spirit like that quote
about hegel on foot and napoleon on hoof -
one spirit of the world is shrouded with, is cloaked in philosophies,
in thoughts, in the oughts and the morals of DON'T DO!
the other spirit of the world - filled with musketeers and other
pawn shrapnel - expendable creatures to conform to the dictatorial ditto:
napoleon said: marshal ames said: general maccabee said:
lieutenant general nadim said: major general eban said:
major general saburo said: brigadier taavi said: colonel yakov said:
the rest were man of cadet worth with fancy pink ribbons to sport
the wide mouthed bartender of shell-shock and etc.
those are the two spirits, while in the second realm
we have the false prophets governing - with the residing "god" as devil,
but imagine fooling a false prophet from this realm, e.g. jesus to
descend, what would the devil think?! oh ****, 2d!
so a third realm reveals itself - the pseudo edenic ****** ciphered
in the koran disappear, and we salvage ourselves by not imagining
eternal sundays, eternal idleness in such with such a realm: ***** ***** frisk frisk, lubricant;
what, a ****, eternity, as dictated by the kingdom and the koranic gardens;
peasants' eternal fill, no lion, the witch and the wardrobe in sight -
no valhalla! boring! (insert family fortunes' buzzer of x).
i want to be as worthy as a tree to rejuvenate each day after slaughtering
hel's and loci's spawn!
‘Nam Sibyllam quidem Cumis ego ipse oculis meis
vidi in ampulla pendere, et *** illi pueri dicerent:
Sibylla ti theleis; respondebat illa: apothanein thelo.’

                For Ezra Pound
                il miglior fabbro


I. The Burial of the Dead

April is the cruellest month, breeding
Lilacs out of the dead land, mixing
Memory and desire, stirring
Dull roots with spring rain.
Winter kept us warm, covering
Earth in forgetful snow, feeding
A little life with dried tubers.
Summer surprised us, coming over the Starnbergersee
With a shower of rain; we stopped in the colonnade,
And went on in sunlight, into the Hofgarten,
And drank coffee, and talked for an hour.
Bin gar keine Russin, stamm’ aus Litauen, echt deutsch.
And when we were children, staying at the archduke’s,
My cousin’s, he took me out on a sled,
And I was frightened. He said, Marie,
Marie, hold on tight. And down we went.
In the mountains, there you feel free.
I read, much of the night, and go south in the winter.

What are the roots that clutch, what branches grow
Out of this stony *******? Son of man,
You cannot say, or guess, for you know only
A heap of broken images, where the sun beats,
And the dead tree gives no shelter, the cricket no relief,
And the dry stone no sound of water. Only
There is shadow under this red rock,
(Come in under the shadow of this red rock),
And I will show you something different from either
Your shadow at morning striding behind you
Or your shadow at evening rising to meet you;
I will show you fear in a handful of dust.
            Frisch weht der Wind
            Der Heimat zu
            Mein Irisch Kind,
            Wo weilest du?
‘You gave me hyacinths first a year ago;
‘They called me the hyacinth girl.’
—Yet when we came back, late, from the Hyacinth garden,
Your arms full, and your hair wet, I could not
Speak, and my eyes failed, I was neither
Living nor dead, and I knew nothing,
Looking into the heart of light, the silence.
Oed’ und leer das Meer.

Madame Sosostris, famous clairvoyante,
Had a bad cold, nevertheless
Is known to be the wisest woman in Europe,
With a wicked pack of cards. Here, said she,
Is your card, the drowned Phoenician Sailor,
(Those are pearls that were his eyes. Look!)
Here is Belladonna, the Lady of the Rocks,
The lady of situations.
Here is the man with three staves, and here the Wheel,
And here is the one-eyed merchant, and this card,
Which is blank, is something he carries on his back,
Which I am forbidden to see. I do not find
The Hanged Man. Fear death by water.
I see crowds of people, walking round in a ring.
Thank you. If you see dear Mrs. Equitone,
Tell her I bring the horoscope myself:
One must be so careful these days.

Unreal City,
Under the brown fog of a winter dawn,
A crowd flowed over London Bridge, so many,
I had not thought death had undone so many.
Sighs, short and infrequent, were exhaled,
And each man fixed his eyes before his feet.
Flowed up the hill and down King William Street,
To where Saint Mary Woolnoth kept the hours
With a dead sound on the final stroke of nine.
There I saw one I knew, and stopped him, crying ‘Stetson!
‘You who were with me in the ships at Mylae!
‘That corpse you planted last year in your garden,
‘Has it begun to sprout? Will it bloom this year?
‘Or has the sudden frost disturbed its bed?
‘Oh keep the Dog far hence, that’s friend to men,
‘Or with his nails he’ll dig it up again!
‘You! hypocrite lecteur!—mon semblable,—mon frère!’

II. A Game of Chess

The Chair she sat in, like a burnished throne,
Glowed on the marble, where the glass
Held up by standards wrought with fruited vines
From which a golden Cupidon peeped out
(Another hid his eyes behind his wing)
Doubled the flames of sevenbranched candelabra
Reflecting light upon the table as
The glitter of her jewels rose to meet it,
From satin cases poured in rich profusion;
In vials of ivory and coloured glass
Unstoppered, lurked her strange synthetic perfumes,
Unguent, powdered, or liquid—troubled, confused
And drowned the sense in odours; stirred by the air
That freshened from the window, these ascended
In fattening the prolonged candle-flames,
Flung their smoke into the laquearia,
Stirring the pattern on the coffered ceiling.
Huge sea-wood fed with copper
Burned green and orange, framed by the coloured stone,
In which sad light a carved dolphin swam.
Above the antique mantel was displayed
As though a window gave upon the sylvan scene
The change of Philomel, by the barbarous king
So rudely forced; yet there the nightingale
Filled all the desert with inviolable voice
And still she cried, and still the world pursues,
‘Jug Jug’ to ***** ears.
And other withered stumps of time
Were told upon the walls; staring forms
Leaned out, leaning, hushing the room enclosed.
Footsteps shuffled on the stair.
Under the firelight, under the brush, her hair
Spread out in fiery points
Glowed into words, then would be savagely still.

‘My nerves are bad to-night. Yes, bad. Stay with me.
‘Speak to me. Why do you never speak. Speak.
‘What are you thinking of? What thinking? What?
‘I never know what you are thinking. Think.’

I think we are in rats’ alley
Where the dead men lost their bones.

‘What is that noise?
                          The wind under the door.
‘What is that noise now? What is the wind doing?’
                    Nothing again nothing.
                                                    ‘Do
‘You know nothing? Do you see nothing? Do you remember
‘Nothing?’

    I remember
Those are pearls that were his eyes.
‘Are you alive, or not? Is there nothing in your head?’
                                                     But
O O O O that Shakespeherian Rag—
It’s so elegant
So intelligent
‘What shall I do now? What shall I do?’
I shall rush out as I am, and walk the street
‘With my hair down, so. What shall we do to-morrow?
‘What shall we ever do?’
                             The hot water at ten.
And if it rains, a closed car at four.
And we shall play a game of chess,
Pressing lidless eyes and waiting for a knock upon the door.

When Lil’s husband got demobbed, I said—
I didn’t mince my words, I said to her myself,
hurry up please its time
Now Albert’s coming back, make yourself a bit smart.
He’ll want to know what you done with that money he gave you
To get yourself some teeth. He did, I was there.
You have them all out, Lil, and get a nice set,
He said, I swear, I can’t bear to look at you.
And no more can’t I, I said, and think of poor Albert,
He’s been in the army four years, he wants a good time,
And if you don’t give it him, there’s others will, I said.
Oh is there, she said. Something o’ that, I said.
Then I’ll know who to thank, she said, and give me a straight look.
hurry up please its time
If you don’t like it you can get on with it, I said.
Others can pick and choose if you can’t.
But if Albert makes off, it won’t be for lack of telling.
You ought to be ashamed, I said, to look so antique.
(And her only thirty-one.)
I can’t help it, she said, pulling a long face,
It’s them pills I took, to bring it off, she said.
(She’s had five already, and nearly died of young George.)
The chemist said it would be alright, but I’ve never been the same.
You are a proper fool, I said.
Well, if Albert won’t leave you alone, there it is, I said,
What you get married for if you don’t want children?
hurry up please its time
Well, that Sunday Albert was home, they had a hot gammon,
And they asked me in to dinner, to get the beauty of it hot—
hurry up please its time
hurry up please its time
Goonight Bill. Goonight Lou. Goonight May. Goonight.
Ta ta. Goonight. Goonight.
Good night, ladies, good night, sweet ladies, good night, good night.

III. The Fire Sermon

The river’s tent is broken: the last fingers of leaf
Clutch and sink into the wet bank. The wind
Crosses the brown land, unheard. The nymphs are departed.
Sweet Thames, run softly, till I end my song.
The river bears no empty bottles, sandwich papers,
Silk handkerchiefs, cardboard boxes, cigarette ends
Or other testimony of summer nights. The nymphs are departed.
And their friends, the loitering heirs of city directors;
Departed, have left no addresses.
By the waters of Leman I sat down and wept . . .
Sweet Thames, run softly till I end my song,
Sweet Thames, run softly, for I speak not loud or long.
But at my back in a cold blast I hear
The rattle of the bones, and chuckle spread from ear to ear.

A rat crept softly through the vegetation
Dragging its slimy belly on the bank
While I was fishing in the dull canal
On a winter evening round behind the gashouse
Musing upon the king my brother’s wreck
And on the king my father’s death before him.
White bodies naked on the low damp ground
And bones cast in a little low dry garret,
Rattled by the rat’s foot only, year to year.
But at my back from time to time I hear
The sound of horns and motors, which shall bring
Sweeney to Mrs. Porter in the spring.
O the moon shone bright on Mrs. Porter
And on her daughter
They wash their feet in soda water
Et O ces voix d’enfants, chantant dans la coupole!

Twit twit twit
Jug jug jug jug jug jug
So rudely forc’d.
Tereu

Unreal City
Under the brown fog of a winter noon
Mr. Eugenides, the Smyrna merchant
Unshaven, with a pocket full of currants
C.i.f. London: documents at sight,
Asked me in demotic French
To luncheon at the Cannon Street Hotel
Followed by a weekend at the Metropole.

At the violet hour, when the eyes and back
Turn upward from the desk, when the human engine waits
Like a taxi throbbing waiting,
I Tiresias, though blind, throbbing between two lives,
Old man with wrinkled female *******, can see
At the violet hour, the evening hour that strives
Homeward, and brings the sailor home from sea,
The typist home at teatime, clears her breakfast, lights
Her stove, and lays out food in tins.
Out of the window perilously spread
Her drying combinations touched by the sun’s last rays,
On the divan are piled (at night her bed)
Stockings, slippers, camisoles, and stays.
I Tiresias, old man with wrinkled dugs
Perceived the scene, and foretold the rest—
I too awaited the expected guest.
He, the young man carbuncular, arrives,
A small house agent’s clerk, with one bold stare,
One of the low on whom assurance sits
As a silk hat on a Bradford millionaire.
The time is now propitious, as he guesses,
The meal is ended, she is bored and tired,
Endeavours to engage her in caresses
Which still are unreproved, if undesired.
Flushed and decided, he assaults at once;
Exploring hands encounter no defence;
His vanity requires no response,
And makes a welcome of indifference.
(And I Tiresias have foresuffered all
Enacted on this same divan or bed;
I who have sat by Thebes below the wall
And walked among the lowest of the dead.)
Bestows one final patronising kiss,
And gropes his way, finding the stairs unlit . . .

She turns and looks a moment in the glass,
Hardly aware of her departed lover;
Her brain allows one half-formed thought to pass:
‘Well now that’s done: and I’m glad it’s over.’
When lovely woman stoops to folly and
Paces about her room again, alone,
She smoothes her hair with automatic hand,
And puts a record on the gramophone.

‘This music crept by me upon the waters’
And along the Strand, up Queen Victoria Street.
O City city, I can sometimes hear
Beside a public bar in Lower Thames Street,
The pleasant whining of a mandoline
And a clatter and a chatter from within
Where fishmen lounge at noon: where the walls
Of Magnus Martyr hold
Inexplicable splendour of Ionian white and gold.

      The river sweats
      Oil and tar
      The barges drift
      With the turning tide
      Red sails
      Wide
      To leeward, swing on the heavy spar.
      The barges wash
      Drifting logs
      Down Greenwich reach
      Past the Isle of Dogs.
                  Weialala leia
                  Wallala leialala

      Elizabeth and Leicester
      Beating oars
      The stern was formed
      A gilded shell
      Red and gold
      The brisk swell
      Rippled both shores
      Southwest wind
      Carried down stream
      The peal of bells
      White towers
                  Weialala leia
                  Wallala leialala

‘Trams and dusty trees.
Highbury bore me. Richmond and Kew
Undid me. By Richmond I raised my knees
Supine on the floor of a narrow canoe.’
‘My feet are at Moorgate, and my heart
Under my feet. After the event
He wept. He promised ‘a new start’.
I made no comment. What should I resent?’
‘On Margate Sands.
I can connect
Nothing with nothing.
The broken fingernails of ***** hands.
My people humble people who expect
Nothing.’
              la la

To Carthage then I came

Burning burning burning burning
O Lord Thou pluckest me out
O Lord Thou pluckest

burning

IV. Death by Water

Phlebas the Phoenician, a fortnight dead,
Forgot the cry of gulls, and the deep sea swell
And the profit and loss.
                                A current under sea
Picked his bones in whispers. As he rose and fell
He passed the stages of his age and youth
Entering the whirlpool.
                               Gentile or Jew
O you who turn the wheel and look to windward,
Consider Phlebas, who was once handsome and tall as you.

V. What the Thunder Said

After the torchlight red on sweaty faces
After the frosty silence in the gardens
After the agony in stony places
The shouting and the crying
Prison and palace and reverberation
Of thunder of spring over distant mountains
He who was living is now dead
We who were living are now dying
With a little patience

Here is no water but only rock
Rock and no water and the sandy road
The road winding above among the mountains
Which are mountains of rock wi
RAJ NANDY Nov 2014
Friends, in the Introductory portion we have seen how Herodotus
gave birth to the subject of 'History'. Now I conclude this true story
by quoting a poem by the English poet Edgar O' Shaughnessy, which
is very appropriate for my Story! Please take your time to read, there is no hurry! Thanks, -Raj Nandy.

        HISTORIANS  AFTER  HERODOTUS
Herodotus became the trail blazer with his narration
of History,
Inspiring several Greek and Roman chroniclers as  
we subsequently get to see!
There was Thucydides, Livy, Sallust, Xenophon, and
Polybius,
Not forgetting chroniclers like Julius Caesar, Tacitus,
and the oft quoted Plutarch!
The Roman scholar Cicero had called Herodotus the
‘Father of History’;
But later the Greek historian Plutarch criticized him
for his many hearsay inaccuracies!
Even though Herodotus had cautioned his readers in
his Historical narrations, -
About those hearsay accounts and doubtful portions!
Greek historian Thucydides, who was a junior and a
contemporary of Herodotus,
For his accurate historical rendering of ‘The
Peloponnesian War’ between Athens and Sparta, -
Was praised by later scholars very much!

CYCLIC AND LINEAR PATTERNS OF HISTORY:
Herodotus believed in Nemesis and a repetitive
pattern of History.
While Thucydides with his strict investigation drew
a line between myth and reality!
Thucydides viewed history as a political struggle
based on the nature of man;
And felt that since human nature does not change
often, -
The past events would reoccur once again !
The Greeks believed in this cyclic notion of History,
Also developed a prose style to narrate their stories!
Unlike the Greeks, Roman History did not begin in an
oral Homeric tradition,
But they had a ready-made Greek model for their
historical narrations!
Roman historiography began after the Second Punic
War against Hannibal of Carthage,
When Quintus Flavius Pictor wrote Rome’s History
in Greek, instead of Latin!     (around 200BC)
Cato the Elder, was the first to write in Latin Rome’s
History,
While the Roman Livy born in Padua in 59 BC, was
praised for introducing a ‘milky richness’ of style  
for narrating these true stories !
From Julius Caesar’s accounts we learn about the
Gallic Wars and events of those ancient days;
But he Romans had used History for propaganda
and self-praise !
Also to make the conquered world to look up to them
with wonder and admiration;
For the Romans were creating History with their
conquests in a steady progression!

CYCLIC VIEW OF TIME AND HISTORY
Perhaps the cyclic view of Time has influenced the
cyclic concept of History to a great extent,
Since this cyclic view was held by many of those
Ancients !
Ancient doctrine of 'eternal return' like the seasons
of Summer, Autumn, Winter and Spring, existed
in old Egypt, and the Hindu religion;
Also with the Greek Pythagoreans and Stoic
conceptions;
As well as in the Mayans and the Aztec Civilizations!
In the East, cyclic theory of History as succession of
dynastic rule developed in China,
While the Vedic Hindus developed their theory of
Cycles of Yugas!    (epoch or era)
Writing of Indian History had commenced with
the Colonial British initially,
Who had criticized India for its lack of a sense of
History and Historiography!
The ancient Hindus were more concerned with
religious philosophy, and the essence of existence,
Rather than getting absorbed with historical details!
The Hindus divide cosmic time into cyclic eras of
Satya, Tretra, Dwapara, and Kali Yugas;
With each era covering many thousands of our
human eras!
These Yugas or Cyclic segments of time is said to
repeat itself in a cyclic motion, -
Which had perhaps mystified their early views
of a clear Historical perception.
However, later Indian historians have corrected
the earlier British interpretations, -
By dividing Indian History into Ancient, Medieval
and Modern Periods,
Replacing the earlier Hindu, Muslim, and British
Periods as Colonial segregation!
And also by correcting the British Aryan Invasion
Theory as Aryan Migration;
Based on more accurate historical research and
better perception!

CHRISTIAN AND LATER VIEWS OF HISTORY:
St. Augustine during the 4th century AD, systematized
the Christian view of History, -
As a struggle between the City of God and the City
of Man, where the City of God gains victory, -
Establishing peace and prosperity!
The Christian view is therefore Linear with a
positive beginning and an end;
A providential view from the Creation of Adam
till the Day of Last Judgment!

THE RENAISSANCE: (14TH - 17TH CENTURIES):
During this period the theological view gradually
begun to fade, giving rise to the Cyclic concept of
History,
As illustrated by the decline and fall of the mighty
Roman Empire, immortalized by Edward Gibbons
in his narrated story!
This cyclic view was also maintained by Oswald
Spengler, Nikolai Danilevsky, and Paul Kennedy,
during the 19th and the 20th Centuries.

AGE OF ENLIGHTENMENT : THE 18TH CENTURY
This period advocated the use of reason to obtain
objective truth, when human beings made all the
difference freed from superstition and bigotry;
Which led to favoring a Linear and a progressive
view of History.
Voltaire symbolizing the spirit of this age had
supported human wit and education, -
Since only enlightened people could give History
a positive direction !
For Karl Marx Feudalism was followed by Capitalism,
and Capitalism by Communism.
History of existing Society as the History of Class
Struggle - was Karl Marx’s new concept!
For social material forces drove History, and this
‘historical materialism’ as a revolutionary view, -
many later Scholars did accept!

SOME MODERN CONCEPTS ABOUT HISTORY
Now I share the views of three of our renowned
Historians; the German Oswald Spengler, the
British Arnold Toynbee, and the American
Carroll Quigley,
To provide you with three different concepts
of History.
Oswald Spengler (1880-1936):
Spengler’s reputation rests on his work titled
‘Decline of the West’, considered as a major
contribution to social theory;
Where he rejects the ‘Linear’ view in favor of
definite, observable, and unrelated cycles of
History!
Rejecting the Eurocentric view of History and its
Linear division into ‘Ancient-Medieval-Modern’
Eras,
Spengler recognizes eight ‘high cultures’ which
evolve as organism, following the cycles of
growth, development, and decline;
And his views astonished the Western mind!
These high cultures were the Babylonian,
Egyptian, Chinese, Indian, Mexican ( Mayan&
Aztec), Classical (Greece& Rome), Arabian,
and Western or Euro-American!
Cultures have a life span of about a thousand
years each,
So the Western Civilization too shall decline one
day, - Spengler did teach!

Arnold Toynbee (1889-1975):
Toynbee’s 12 volumes on ‘A Study of History’
covers a wider spectrum of 23 Civilizations,
Where he rejects Spengler’s cynical theory of
growth and decline of Western Nations!
“Civilization is a movement and not a condition,
a voyage not a harbor”, Arnold said;
Like human beings Civilizations were free to chart
their own course with the capacity to ‘consciously’
choose its destiny, he had felt!
Arnold moves on to formulate his Theory of
‘Challenge and Response’, since by responding to
such challenges Civilizations could move on !
These challenges could be social or environmental
he had said;
The Greeks responded to their growing population
by taking to the seas and maritime trade,
And also prospered as their overseas colonies had
begun to spread!
Toynbee’s Civilization start to decay when they lose
their moral fiber,
He perhaps over emphasized the religious and
cultural aspects, ignoring those economic factors!
But his views were certainly more popular than
the cynical Spengler!

Carroll Quigley (1910-1977):
Quigley’s scientific trained mind could not accept
either of the above views,
So he created a synthesis of Spengler and Toynbee,
while paying History its dues!
Quigley laid down seven stages for the evolution
of Civilization;
Commencing with Mixture, Gestation, Expansion,
Conflict, Universal Empire, Decay, and Invasion!
His Civilizations are neither groups nor individuals,
But each is a system which share some common
traits.
In Quigley’s model each system come into being
adapted to their environment;
But since environment always changes, Quigley
states with some relish, -
Systems which cannot adapt themselves, must
necessarily perish!

WE ARE ALL LIVING PARTICIPANTS IN THE
  LONG UNFOLDING HUMAN STORY!
“Know Thy Self” said Socrates, and the Delphic
Oracle had pronounced that he was wisest of
the Greeks!
To know ourselves truly we must know about
our past,
For this evolutionary process shall continue as
long as the Human species last!
Today we remain as a living monument to the
past,
We continue to make History as long as humans
on this planet shall last!
Our planet earth is around 4.5 billion years old;
While the first ****-erectus emerged around
two million years hence - we are told!
By walking ***** the two hands became free to
develop,
With flexible fingers and the rotating thumb;
Which was crucial for shaping the destiny of
the Human species on earth!
Our Civilization proper dates back to about
five thousand BC,
Thus an emerging pattern we can easily see!
With the development of human consciousness
we have learned to delve inwards, -
To discovered within a vast macro world!
Now, I would love to conclude this narration by
quoting from the English poet Arthur William
Edgar O’Shaughnessy’s book ‘Music and
Moonlight’;       (1874)
Do try to follow the philosophical content relevant
to the Cyclic History of Mankind!

“We are the music makers,
And we are the dreamers of dreams,
Wandering by lone sea-brakers,
And sitting by desolate streams;
World losers and world forsakers,
On whom the pale moon gleams;
Yet we are the movers and shakers
Of the world for ever, it seems.

With wonderful deathless ditties,
We build up the world’s great cities,
And out of a fabulous story
We fashion an empire’s glory.
One man with a dream, at pleasure,
Shall go forth and conquer a crown;
And there with a new song’s measure
Can trample an empire down.

We, in the ages lying
In the buried past of the earth,
Built Nineveh with our sighing,
And Babel itself with our mirth;
And overthrew them with prophesying
To the old of the new world’s worth;
For Each Age Is a Dream That’s Dying,
Or One That Is Coming To Birth.”

Thanks my readers and poet friends,
Sincerely hope you will now appreciate
History better, and love its contents!
**ALL COPYRIGHTS ARE WITH THE AUTHOR
RAJ NANDY OF NEW DELHI
Friends, those who have read part one will find the concluding portion in this narration of mine, which I tried my best to simplify! Mentioned the two basic views of History, the Linear & the Cyclic views in my narrated Story! Hope you liked the poem quoted at the end by me ! Thanks, -Raj
Lazhar Bouazzi Jan 2017
An ashy weeping willow,  
Lay in my wobbling garden.
Like a cosmic silver pigeon.

Up: the still, leaden flow
Sailed - a cold, prowling woe,
Charging to pounce on Carthage.

In: the wreaths of smoke letters
Gather as leaden fetters,
Then dart like Irish setters,
Released after a game.

LazharBouazzi, January 6, 2017
Lazhar Bouazzi Mar 2017
I waited for my son
In the airport today.
It was fun.
It was fun crafting
A poem on the run
As I checked faces and
Metaphors - one by one,
Asking them all: “Is a
Poem a loved one -
Like a son -
Or is it just a pun
'On that which is done'*?”

©LazharBouazzi, Carthage, TUN, March 19, 2017
*"on that which is done" is a phrase taken from a passage in the Book of Ecclesiastes: “The thing that hath been, it is that which shall be; and that which is done is that which shall be done: and there is no new thing under the sun.”
Lazhar Bouazzi Jun 2017
The rain falling now
In Carthage -
A nectar
Of rainness -
Is like the grains
Of couscous
Made the day of
Celebration.

In Carthage today
The scent of rain
Is like the sound of
Pain
Memory had lost
To imagination.

© LazharBouazzi, Carthage, TUN, june 30, 2017
*"Makthar" is a town in the North of Tunisia.
zeineb bouhaouel Sep 2014
she was shedding tears
what's wrong little dove he said
i just realized
i'm no queen of carthage
nor the heir of england
i'm no khaleesi
i can't slay no dragons and
i can't free no men
but you are much more babydoll he said
no i'm nothing but
the queen of sorrow and sadness
the heir of sin and guilt
i'm a useless creature
and a heartless *****
i lead a meaningless life and
i deserve to be butchered with a keen edged knife
On December the tenth day
When it was night, down I lay
Right there as I was wont to do
And fell asleep wondrous soon,
As he that weary was as who
On pilgrimage went miles two
To the shrine of Saint Leonard,
To make easy what was hard.
But as I slept, I dreamed I was
Within a temple made of glass
In which there were more images
Of gold, tiered in sundry stages,
And more rich tabernacles,
And with more gemmed pinnacles,
And more curious portraiture,
And intricate kinds of figure
Of craftsmanship than ever I saw.
For certainly, I knew no more
Of where I was, but plain to see
Venus owned most certainly
That temple, for in portraiture
I at once saw her figure
Naked, floating in the sea.
And also on her head, indeed,
Her rose garland white and red,
And her comb to comb her head,
Her doves, and her blind son
Lord Cupid, and then Vulcan,
Whose face was swarthy brown.
And as I roamed up and down,
I saw that on a wall there was
Thus written on a piece of brass:
‘I will now sing, if that I can,
The arms, and also the man
Who first, pursuing destiny,
Fugitive from Troy’s country,
To Italy, with pain, did come,
To the shores of Lavinium.’
And then begin the tale at once,
That I shall tell to you each one.
First I saw the destruction
Of Troy, through the Greek Sinon,
Who with his false forswearing
And his outward show and lying,
Had the horse brought into Troy
By which the Trojans lost their joy,
And after this was engraved, alas,
How Ilium assailed was
And won, and King Priam slain,
And Polytes his son, for certain,
Cruelly by Lord Pyrrhus.
And next to this, I saw how Venus
When that she saw the castle’s end,
Down from the heavens did descend
And urged her son Aeneas to flee;
And how he fled, and how that he
Escaped from all the cruelties,
And took his father Anchises
And bore him on his back away,
Crying, ‘Alas!’ and ‘Well-away!’
That same Anchises, in his hand,
Bore the gods of the land,
Those that were not burnt wholly.
And I saw next, in this company,
How Creusa, Lord Aeneas’ wife,
Whom he loved as he did his life,
And their young son Julus,
Also called Ascanius,
Fled too, and fearful did appear,
That it was a pity them to hear;
And through a forest as they went,
At a place where the way bent,
How Creusa was lost, alas,
And died, I know not how it was:
How he sought her and how her ghost
Urged him to flee the Greek host,
And said he must go to Italy,
Without fail, it was his destiny;
That it was a pity thus to hear,
When her spirit did appear,
The words that to him she said:
Let him protect their son she prayed.
There saw I graven too how he,
His father also, and company,
In his fleet took sail swiftly
Towards the land of Italy,
As directly as they could go.
There I saw you, cruel Juno,
That is Lord Jupiter’s wife,
Who did hate, all their life,
All those of Trojan blood,
Run and shout, as if gone mad,
To ******, the god of winds,
To blow about, all their kinds,
So fierce, that he might drench
Lord and lady, groom and *****,
Of all the Trojan nation
Without hope of salvation.
There saw I such a tempest rise
That every heart might hear the cries
Of those but painted on the wall.
There saw I graven there withal,
Venus, how you, my lady dear,
Weeping with great loss of cheer,
Prayed to Jupiter on high
To save and keep the fleet alive
Of the Trojan Aeneas,
Since that he her son was.
There saw I Jove Venus kiss,
And grant that the tempest cease.
Then saw I how the tempest went,
And how painfully Aeneas bent
His secret course, to reach the bay
In the country of Carthage;
And on the morrow, how that he
And a knight called Achates
Met with Venus on that day,
Going in her bright array
As if she was a huntress,
The breeze blowing every tress;
How Aeneas did complain,
When he saw her, of his pain,
And how his ships shattered were,
Or else lost, he knew not where;
How she comforted him so
And bade him to Carthage go,
And there he should his folk find
That on the sea were left behind.
And, swiftly through this to pace,
She made Aeneas know such grace
Of Dido, queen of that country,
That, briefly to tell it, she
Became his love and let him do
All that belongs to marriage true.
Why should I use more constraint,
Or seek my words to paint,
In speaking of love? It shall not be;
I know no such facility.
And then to tell the manner
Of how they met each other,
Were a process long to tell,
And over-long on it to dwell.
There was graved how Aeneas
Told Dido everything that was
Involved in his escape by sea.
And after graved was how she
Made of him swiftly, at a word,
Her life, her love, her joy, her lord,
And did him all the reverence
Eased him of all the expense
That any woman could so do,
Believing everything was true
He swore to her, and thereby deemed
That he was good, for such he seemed.
Alas, what harm wreaks appearance
When it hides a false existence!
For he to her a traitor was,
Wherefore she slew herself, alas!
Lo, how a woman goes amiss
In loving him that unknown is,
For, by Christ, lo, thus it fares:
All is not gold that glitters there.
For, as I hope to keep my head,
There may under charm instead
Be hidden many a rotten vice;
Therefore let none be so nice
As to judge a love by how he appear
Or by speech, or by friendly manner;
For this shall every woman find:
That some men are of that kind
That show outwardly their fairest,
Till they have got what they miss.
And then they will reasons find
Swearing how she is unkind,
Or false, or secret lover has.
All this say I of Aeneas
And Dido, so soon obsessed,
Who loved too swiftly her guest;
Therefore I will quote a proverb,
That ‘he who fully knows the herb
May safely set it to his eye’;
Certainly, that is no lie.
But let us speak of Aeneas,
How he betrayed her, alas,
And left her full unkindly.
So when she saw all utterly
That he would fail in loyalty
And go from her to Italy,
She began to wring her hands so.
‘Alas,’ quoth she, ‘here is my woe!
Alas, is every man untrue,
Who every year desires a new,
If his love should so long endure,
Or else three, peradventure?
As thus: from one love he’d win fame
In magnifying of his name,
Another’s for friendship, says he;
And yet there shall a third love be,
Who shall be taken for pleasure,
Lo, or his own profit’s measure.’
In such words she did complain,
Dido, in her great pain
As I dreamed it, for certain,
No other author do I claim.
‘Alas!’ quoth she, ‘my sweet heart,
Have pity on my sorrow’s smart,
And slay me not! Go not away!
O woeful Dido, well-away!’
Quoth she to herself so.
‘O Aeneas, what will you do?
O, now neither love nor bond
You swore me with your right hand,
Nor my cruel death,’ quoth she,
‘May hold you here still with me!
O, on my death have pity!
Truly, my dear heart, truly,
You know full well that never yet,
Insofar as I had wit,
Have I wronged you in thought or deed.
Oh, are you men so skilled indeed
At speeches, yet never a grain of truth?
Alas, that ever showed ruth
Any woman for any man!
Now I see how to tell it, and can,
We wretched women have no art;
For, certainly, for the most part
Thus are we served every one.
However sorely you men groan,
As soon as we have you received
Certain we are to be deceived;
For, though your love last a season,
Wait upon the conclusion,
And look what you determine,
And for the most part decide on.
O, well-away that I was born!
For through you my name is gone
And all my actions told and sung,
Through all this land, on every tongue.
O wicked Fame, of all amiss
Nothing’s so swift, lo, as she is!
O, all will be known that exists
Though it be hidden by the mist.
And though I might live forever,
What I’ve done I’ll save never
From it always being said, alas,
I was dishonoured by Aeneas
And thus I shall judged be:
‘Lo, what she has done, now she
Will do again, assuredly’;
Thus people say all privately.
But what’s done cannot be undone.
And all her complaint, all her moan,
Avails her surely not a straw.
And when she then truly saw
That he unto his ships was gone,
She to her chamber went anon,
And called on her sister Anna,
And began to complain to her,
And said that she the cause was
That made her first love him, alas,
And had counselled her thereto.
But yet, when this was spoken too,
She stabbed herself to the heart,
And died of the wound’s art.
But of the manner of how she died,
And all the words said and replied,
Whoso to know that does purpose,
Read Virgil in the Aeneid, thus,
Or Heroides of Ovid try
To read what she wrote ere she died;
And were it not too long to indite,
By God, here I would it write.
But, well-away, the harm, the ruth
That has occurred through such untruth,
As men may oft in books read,
And see it everyday in deed,
That mere thinking of it pains.
Lo, Demophon, Duke of Athens,
How he forswore himself full falsely
And betrayed Phyllis wickedly,
The daughter of the King of Thrace,
And falsely failed of time and place;
And when she knew his falsity,
She hung herself by the neck indeed,
For he had proved of such untruth,
Lo, was this not woe and ruth?
And lo, how false and reckless see
Was Achilles to Briseis,
And Paris to Oenone;
And Jason to Hypsipyle;
And Jason later to Medea;
And Hercules to Deianira;
For he left her for Iole,
Which led to his death, I see.
How false, also, was Theseus,
Who, as the story tells it us,
Betrayed poor Ariadne;
The devil keep his soul company!
For had he laughed, had he loured,
He would have been quite devoured,
If Ariadne had not chanced to be!
And because she on him took pity,
She from death helped him escape,
And he played her full false a jape;
For after this, in a little while,
He left her sleeping on an isle,
Deserted, lonely, far in the sea,
And stole away, and let her be,
Yet took her sister Phaedra though
With him, and on board ship did go.
And yet he had sworn to her
By all that ever he might swear,
That if she helped to save his life,
He would take her to be his wife,
For she desired nothing else,
In truth, as the book so tells.
Yet, to excuse Aeneas
Partly for his great trespass,
The book says, truly, Mercury,
Bade him go into Italy,
And leave Africa’s renown
And Dido and her fair town.
Then saw I graved how to Italy
Lord Aeneas sailed all swiftly,
And how a tempest then began
And how he lost his steersman,
The steering-oar did suddenly
Drag him overboard in his sleep.
And also I saw how the Sibyl
And Aeneas, beside an isle,
Went to Hell, for to see
His father, noble Anchises.
How he there found Palinurus
And Dido, and Deiphebus;
And all the punishments of Hell
He saw, which are long to tell.
The which whoever wants to know,
He’ll find in verses, many a row,
In Virgil or in Claudian
Or Dante, who best tell it can.
Then I saw graved the entry
That Aeneas made to Italy,
And with Latinus his treaty,
And all the battles that he
Was in himself, and his knights,
Before he had won his rights;
And how he took Turnus’ life
And won Lavinia as his wife,
And all the omens wonderful
Of the gods celestial;
How despite Juno, Aeneas,
For all her tricks, brought to pass
The end of his adventure
Protected thus by Jupiter
At the request of Venus,
Whom I pray to ever save us
And make for us our sorrows light.
When I had seen all this sight
In the noble temple thus,
‘Oh Lord,’ thought I, ‘who made us,
I never yet saw such nobleness
In statuary, nor such richness
As I see graven in this church;
I know not who made these works,
Nor where I am, nor in what country.
But now I will go out and see,
At the small gate there, if I can
Find anywhere a living man
Who can tell me where I am.’
When I out of the door ran,
I looked around me eagerly;
There I saw naught but a large field,
As far as I could see,
Without town or house or tree,
Or bush or grass or ploughed land;
For all the field was only sand,
As fine-ground as with the eye
In Libyan desert’s seen to lie;
Nor any manner of creature
That is formed by Nature
Saw I, to advise me, in this,
‘O Christ,’ I thought, ‘who art in bliss,
From phantoms and from illusion
Save me!’ and with devotion
My eyes to the heavens I cast.
Then was I aware, at the last,
That, close to the sun, as high
As I might discern with my eye,
Me thought I saw an eagle soar,
Though its size seemed more
Than any eagle I had seen.
Yet, sure as death, all its sheen
Was of gold, it shone so bright
That never men saw such a sight,
Unless the heavens above had won,
All new of gold, another sun;
So shone the eagle’s feathers bright,
And downward it started to alight.
By Sir Geoffrey Chaucer
Lazhar Bouazzi May 2017
The moon says the final word tonight -
Casual-recherché and light;
She, in the absence of the sun,
Leafs through the pages of the night
And shoots a side-look at the pond,
As her desire stretches far beyond
His specular contour.

© LazharBouazzi, Carthage, Tunisia
Jack Piatt Oct 2013
The wind reminds me of her timeless touch
Memories of roads traveled with heavy heart
Always the pull from an unknown source
Calling me out to uncharted waters
As the familiar fades like a sun baked tear
My spirits take flight on a late summer charge
Bursting into the unknown as if a bull tired of antiquities
A new adventure whispers to me
Across the mighty Mississippi
I catch my breath, knowing this is kismet
All roads have led to this one road
This bridge to a new chapter
Full of the freedom of choice
The freeing notion of doing something
For sheer love
Finding passion growing out of cracks in walls
No moment unnoticed
The world is alive and wants to live!
As I want to live with it and embrace every atom
Every heartbeat tapping and pounding
Like a homeless drummer’s bucket in Pioneer’s Square
I’m everywhere
For a few fleeting seconds of time
Then back to this harp-shaped bridge
To meet new eyes, and hear stories from old souls
To create something collectively
Leaving our painted tattoos etched inside one another
And our mark on the wall of the world
(c) August 26, 2013
Donall Dempsey Jun 2017
TO CARTHAGE THEN YOU CAME

To Carthage
then you came

and other fabled places

seen now only
through the lens of War.

Here you are
in simple black & white

playing football
with scrunched up rags

camouflage tanks
your only spectators

the horizon
a thin cruel line of infinity.

Desert rats
the thing of history books to come

now only
a bunch of laughing lads.

The desert
everywhere about you.

Young boys
pretending to be young men
pretending to be soldiers

and not
succeeding.

This a game
played for real.

War has made you
so.

I show you
you

again & again
wearing the many faces

that you were.

Death lurks
in every face

looks out of
your eyes

with the knowledge
that it could be

you now

you
this time.

Photos
taken then.

Time
stopped still.

I see so many
bright eyed young men.

Their youth
their most notable feature.

“Dead...dead...dead! ”
you intone

in place of names
as if it hurt to name them.

But I know
from other times

that this dead man
is John.

This one Fred
your best best friend.

Even now you talk of him
as if he could walk in the door

at any time.

The door
forever closed

The last photo shows
an insect crawling

in a dead
animal’s skull.
Stu Harley Oct 2015
after
we
sacked
the
City of Carthage
the
Roman Soldiers
attended a wild feast
thus
fit for a king
and
we drink
and
eat the king's meat
but
we didn't
shared any of
the
***** nor bounty
among the men
Lazhar Bouazzi May 2016
“Rain for my words,”
Cried the poet.
But the rain would not acquiesce;
For she dreaded a languagekiss.

© LazharBouazzi, Carthage - Tunisia, May 14, 2016
bouhaouel zeineb Jan 2015
she was shedding tears
what's wrong little dove he said
i just realized
i'm no queen of carthage
nor the heir of england
i'm no khaleesi
i can't slay no dragons and
i can't free no men
but you are much more babydoll he said
no i'm nothing but
the queen of sorrow and sadness
the heir of sin and guilt
i'm a useless creature
and a heartless *****
i lead a meaningless life and
i deserve to be butchered with a keen edged knife
Being set on the idea
Of getting to Atlantis,
You have discovered of course
Only the Ship of Fools is
Making the voyage this year,
As gales of abnormal force
Are predicted, and that you
Must therefore be ready to
Behave absurdly enough
To pass for one of The Boys,
At least appearing to love
Hard liquor, horseplay and noise.

Should storms, as may well happen,
Drive you to anchor a week
In some old harbour-city
Of Ionia, then speak
With her witty scholars, men
Who have proved there cannot be
Such a place as Atlantis:
Learn their logic, but notice
How its subtlety betrays
Their enormous simple grief;
Thus they shall teach you the ways
To doubt that you may believe.

If, later, you run aground
Among the headlands of Thrace,
Where with torches all night long
A naked barbaric race
Leaps frenziedly to the sound
Of conch and dissonant gong:
On that stony savage shore
Strip off your clothes and dance, for
Unless you are capable
Of forgetting completely
About Atlantis, you will
Never finish your journey.

Again, should you come to gay
Carthage or Corinth, take part
In their endless gaiety;
And if in some bar a ****,
As she strokes your hair, should say
"This is Atlantis, dearie,"
Listen with attentiveness
To her life-story: unless
You become acquainted now
With each refuge that tries to
Counterfeit Atlantis, how
Will you recognise the true?

Assuming you beach at last
Near Atlantis, and begin
That terrible trek inland
Through squalid woods and frozen
Thundras where all are soon lost;
If, forsaken then, you stand,
Dismissal everywhere,
Stone and now, silence and air,
O remember the great dead
And honour the fate you are,
Travelling and tormented,
Dialectic and bizarre.

Stagger onward rejoicing;
And even then if, perhaps
Having actually got
To the last col, you collapse
With all Atlantis shining
Below you yet you cannot
Descend, you should still be proud
Even to have been allowed
Just to peep at Atlantis
In a poetic vision:
Give thanks and lie down in peace,
Having seen your salvation.

All the little household gods
Have started crying, but say
Good-bye now, and put to sea.
Farewell, my dear, farewell: may
Hermes, master of the roads,
And the four dwarf Kabiri,
Protect and serve you always;
And may the Ancient of Days
Provide for all you must do
His invisible guidance,
Lifting up, dear, upon you
The light of His countenance.
Lazhar Bouazzi Jul 2017
I
On the canvas of the sky
Tow figures had been executed:
A rugged boat coming to a halt,
By several dunes of salt
(A verse looming
In the folds of haste
And the sameness of waste).
II
Like the seeds of pine
Tearing a tree line,
Dried, black grains of rain
Riddled our “Peugeot"
Sailing like a flow
Of camels - on the asphalt.
III
In “Peugeots" and grace an expert,
Not in camels & the desert
Where the night no dune can avert,
For it falls at once like a curtain.
© LazharBouazzi, Carthage, TUNISIA, July 30, 2017
Lazhar Bouazzi Sep 2017
Hell hurled and hissed
And clenched her fist
Around the city.

O wind
Dig a pool in my wrist
And in the womb of August
Mark an ode to thunder.

© LazharBouazzi, September 17, 2017
The addressee is the wind of inspiration.
russia
the mother of the love was cindy. she lives as wari and has no longer power. her beauty is renowned and she should rule.

argentina was the land of dd but mexico was goal and it was dana's land. dana is alive but needs to take control.

germany was grand and elsa was their king. elizabeth will rule. william was leam and harry was star. charles was ruu.

venice

the leader of the wall must take the city down dunstable will rule but row must take command (paul p) just lift the iron up and drink the holy well. paul (row my) must lead the way and let the city fall like jerico to row.

sibelius was chief his love could control hell. his land was mexico. he will return in 100 years. for now his son razor must reign. razor reigns already he was always strong with his power.

anthony (anthony p) is still rome. druididous stole from anthony. italy will love his power. his father still lives. he was known as tora. he will always save his people every time. (anthony and cleopatra).

simon (simon d) was the bell of the dance. his land was the guard of the law, his saviour was the christ.

palastine was oscar's (livin christ) land. he loved the people first and then the chosen leader. china stole his heart but his mother's magic eye was always the greener for the dome of the bar which was his mother's land.

syria was kim's the turks obeyed her law and her partner simon rice was the lord of undeceived. (kim's favourite sword - immaculate) kim would only ever give land to someone who beat her in a sword fight.

pakistan was morrow. morrow still lives. i will give him pakistan tomorrow.

laura (y) was time of space. her land was always persia. she always controlled the south and gail (r) did not deceive.

gail was the haunted skull. her wind would launch the sail. her seas were ever brave and her love was always true. persia (north)
was her heart. never steal her heart.

spain was not my son he was never in my life but portugal was spain and gavin (p) was their king.

the catharsis will run and run. i will never be deceived the gate is always closed for love is in our hearts.

england

gina (p) was our queen her lands would always flow. china stole her heart but england was her throne. ( i would like gina to come back to china to bend for the corn) gina's mother was druella in the ancient times.

david (b) was the king, he was the lionheart. he was our favourite king and no man could deceive.

scotland

gavin (p) was the james and diamond was his jewel. diamond is his wife and he must now command for nothing could corrupt.

stuart scotten was a scotish noble.

michael never ruled but no man thought he should his love was always wine and wine should not be loved. (as usual we will give him the principality of lowe as a gift so he does not destroy everyone).

serbia was the good, the love that jesus saw. give my son his thone. the love will be believed. in ancient histories serbia was known as dela. (see note lower serbia is now held by lassa and tal as guardians of the land below mount denar.) serbia and palastine must live in peace now the jew is gone who wanted to hurt palastine so much her people were forced south.

ok important note. we believe serbia was originally dunne but he always wanted land so he was not allowed back to earth. his lands were south of mount denar. oscar/ the christ/ the livin held after dunne left the earth but it was eventually agreed serbia below mount denar would be loved by tal and lassa as guardians of the land.

iatilahhomanne is the blue sky is yugoslavia. his wife is doran. she was his love. his old name was swee. yugoslavia is west of tee and north of do or die generally it is where teem is now. (old dree) their language was hebrew their god was jesus. the jews wanted christ to be their god not their christ. it is easy to find yugoslavia of the old world it is next to dree (ethiopia) and west of door. we believe they were also palastinian descent in the old world.  

pakistan was blue, she gave it to her heart and lassa always rules. lassa is alive give him his power back. no man then will grieve for joshua is back.

australia is madam it must return her power she knows the paths of peace and lives as mary rose.

newzealand is (d) (not good) madam must take control or ruby (a place) will aspire.

america is (d) she seethes to take the land. her hatred scalds and scalds it was berire's land. berire was the chief his land was mule and strike the karaoke's scream i will protect his thone.

orinoco should control his mind is always lead he knows no dark of heart and all his love is treve.

treve is always beth but she was ian's soul. please leave me ian's heart and yours should be atol.

atol would not be right. orinoco always marries beth (yet again). gail will not marry jet.

jason (rye) was no fool his lands were israel's heart. he loved the soul of rule but simon (d) could command.

kirby was the goo, india his throne. he was the amicable man his love was always christ the taj mahal he built and that was his home.

ian

i only want to love one girl, her name is beth. her love is like a bird that listens to the sky and then listens to all my love for her.

denmark

denmark was lasa at the dawn of time demeter is the rule and she's the queen of time. demeter now is young she is the queen of time her land is do or die and masa must command.

esotonia

was the house built by the sea it was eric's house and he was the son of the man he was the love of the life and he lives these days as stan.

france was warren hall but i must now be true. please give my catherine (m) land for aragon must rule. she was also in the ancient history joan of arc.

venice
paul (p) row my (principality palace in tlau.) dunstable took paul's money.

laura y (south china) it was the bys that took laura's money.

mowh has saved the word in china but as usual she tried to take power and had to be destroyed..

in venice beth was cocyo (the giver of bliss)  ( row cocco)

stav in south china is oscar's principality. stav is where oscar (the livin) is always happy. tao (ian and my son) loves to live in lowe.

the emperor of berling (north west south china) should have been. martin j. his brother originally drim dra dro was originally the prince of lowe but when i gave martin his territory in berling nick j became the prince of toi with the principality of toi. this was true in ancient times. martin was known as jo.  

orinoco was the emperor of china. the world was the waiting because the love would always be good.  

skybird drew was ray son. drew were the rightful thone of japan. the drew meant the solace of the earth.

gina in venice was tray.

ian's mother was fred.

eusebius was the poet of the heart.

eri (y) sometimes marries the man of the water.

michael is the guardian of the keep. i will always love my true.

helen (v) was the lover of the vine. she was chinese but had no throne.

claire was jezibel.

david was dow and fun

dunstable was char the feather of the water. he stole row fun.

in venice
eri was elea
laura was dezibel
gavin was cla

i have accepted as a gift a principality province in tithale.

kim of indonisia was the man the people loved. kim of the creator. we used to call kim the good man of our lives and the gentle spirit. everything of his goodness is returned.

our love was the strength of the world.

solace was drew. drew was the noblest family of all.

laura (y) was the mwang the rulers of the town and they were always princes.

in 1288 beth said goodness is more powerful than evil.

watling, turner and maccarthy were forced.

i am the family of fwoah.

lauren fwoah meant lauren the beautiful.

it was the evil family foo who made everybody born (or moved) to england. i demand all their money returned.

trump was the man of the star. he wanted the world to be quiet but loved. his name was choo. his current wife is belle and she was always his queen. his throne is peru.

boris was the baron of the star. your wife is livia and your land was mexico and your name was boro. your son was stevio the prayer of the mind and bringer of peace.

blair was catcho, the man who spent the fun. his original land was japan and he was noble but not the throne. the throne is now skybird drew.

it was the swinster family who hurt diana.

the current emperor of china is loco. he will give the territories to beth. his wife was the queen of the north.

*** (orinoco) was the conqueror of time. his destiny was power. he always loved beth and his province was the south.

japan is dalta at the moment it should have been drew. he stole for power as the armies wouldn't work. he wanted peru but i will not give peru for his destiny is fire!

peru should be malta but malta should be fire the love was the love of the love was always peru and peru should be ruled by scotland.

india was palm of par he was death of silence he was a resiliant man and today he lives as par.

atlantis was my sky i'll always love her heart. her chimney burnt to flame when carthage stole my love. phonecia was the blue and blue as of the wave (m) does wish but it is oscar's soul.

ian wynn was wales his love was orinoco. his daughter still lives as simone.

anthony (rome) was cabra in italy and dree in china which meant love me love. he was also lieu which meant the loved. (anthony and cleopatra)

lean built pisa tower. he was best at food.

row meant delight the sky.

the agha khan was dal which meant the love. he believes his true throne tunisia. i believe this is correct. also iran and iraq.

tin is throne of india.

del was the true throne of sweden. he is in charge.

norway was lion's land. it belongs to strong. who lives as guy.

the shah of iran was simon rice's father. he was the true throne. he was known as tal, which meant the good leader. iraq was also his which was the flower of land, denmark was also tal's land because yassa pretended lassa, this meant the throne was wrong but tal is lawful throne and lassa agrees.

godolphin was the arabian throne.

gina's money was taken by tong and fau who was the imposter winner of gold. they are both dead.

beth's love was the strength of the world.

drua took beth's seal in the china parliament. he stole my money. i was the word of china. i will return and take my rightful seat. my friend the shah of iran has already bought me the principality of siam and principality stav for my livin/oscar/christ ( oscar was born 25/12/97 this is the truth) as a wedding present. my mother gail has bought blue principality province. lowe i have agreed purchase when fun returned for my tao and my michaels.

gina was croan in china.

laura (y) married fleep.

dree took beth's money by pretending royal blood.

dominic (b) was poland of the ancient worlds his charm was nina and she was the curl. nina was so beautiful no man could ever resist, deceit could not destroy them there would always be a whirl!
Lazhar Bouazzi Jul 2016
The good thing about a tortoise
Is that he carries time on his
shoulder
and does not have to run
to cry.
He is like a river
flowing backward,
climbing  the rocks on which her mother
had bitten
to un-feel the pain of origination,
so as to cast a glimpse on her nest
in the mountain.
He is a figure, a language, a sun
whose force is sustained by his own spirit -
unrelated, unlike a star,
a candle, a night.
He is his
own version
of the light,
and the rite,
and the fight
Sisyphean.

© Lazhar Bouazzi, Carthage, TUN, July 18, 2016. Revision made on July 25, 2016.
Craig Dotti May 2011
Antares,
Mirra,
Octans
Sun

Form into
shapes
so very beautiful
that it makes me stare in a way that I know I am star

Parts of me burning hot and bright
Parts of me fading away





⁃ QΩ
Blair Griffith May 2012
I

A Genesis! The Exodus, the Exodus!
A departure from all terrestiality
Always immoral and depraved, bathed in filth, in self-loathing
Abattoir of our souls, it entrenches us

Also, we too must be of the same make
And bear with our corpses the same proceedings, the same caliber
Allowed to their subversive candor,
All that broke the Carthaginians upon their own passage
Across the peninsular pathways

S'il in our conquest we find, however, that the pachyderms have run aground,
Vous must aggregate our conscious thought
Plaitcate the ravenousness within the heart of victory.

II

Bring victory, the winged harbinger of the conquest,
Beg for tyrannical proclamations: the end of man, the end of men,
By now, the greater of the concepts is lost to its own devices, devices,
Belching out smoke, that bend the corpses upon their backs.
By wrenching from their life a sense of purpose,
Byproductively, they feed heroic romanticisms of combat.

Brought yet upon these fields, there lies no stranger enemy
But that of the tide
Being self-effacing, masochistic,
Belittling, She breaks herself upon the shore, ravaging the bodies of
Both, Playing as ******* and as subservient

III

Come! Wave upon Wave upon Frothing
Crest, to shores of golden enfrenzied ******
Calmed by the liquid of our ***** *****
Charging forth as we
Charge forth armies upon the field of slaughter
Callously, for you, our gilded monarch
Can you see? They cannot see, and we hope to elucidate your presence, they
Cannot comprehend or fathom what they
Cannot see.

IV

Ceaseless now the charges
Come further upon the front
Crashing 'gainst the openings of each
Clangor and madness
Coalesce to form death

Dripping anew with sanguine libations
Drawn fresh from naked lambs, freshly cut for their country
Dionysian warriors return,
Desire forming their mental undulations

Effortlessly they overtake their feminine fortunes
Effacing their identities, removing from them with their clothing, the
Entirety of their selves.

V

From carnal conquest they rejoice,
Flaunting the destruction they wrought
Flinging husks of women about the room,
Foisting these shells on other patriarchs

Given no choice, they return to fields of battle
Godspeed, gods' will, and god-granted
Gaian soil is retreaded by their sodden flesh.

VI

Hellish, infernal is their presence
Having lost no measure to revelry or rest, neither
Halting nor slowed, the march quickens in time with their lustful bellows
Hastened to madness by infinity
Harkened back to prisons of mental anguish by their creators
How proud they are, the Old Gods,
Hacking away the pounds of flesh to reveal the
Haphazard construction to their instruments of torture.

VII

Into the bloodshed, into the fiery cavernous opening of the crusade
Ignited by righteous scraps of cloth and metal
Ignobly formed into crudely significant, textured shapes
Iconoclasts to their own ideals
Idyllic in their self-mockery.

Jabbering like hellbeasts, the warriors drive into the flesh of the conflict
Jettisoning armaments in the process, their
Joie de vivre having been lessened by mechanical limits.
Jocular slaughter synthesized with demonic cries.

Kapellmeisters to the symphony of death,
Keeping in the rhythm of mutilation, counterpoints of steel clashing against breastplates, giving shape to a
Kleptocracy of life.

VIII

Languishing now in the refuse of the struggle,
Laden with corpses, the warriors remain restrained by fatigue
Lurching through the mud, calling out feebly with voices
Long since bellowed to pulpy masses of throat tissue.

Masses of flesh crawling across the fields of strife,
Macerated ground, weak and shifting, struggles to support the
Multitude of half-corpses now in eternal respite upon the bloodied pasture.

IX

Now broken with regret and shame they collapse
Nestled into the marrow of the fallow earth,
Needing only rest in the cooling tendrils of dirt and blood that trickle across them.
Né de nouveau, their trek leads them towards the grave
Necrosis having taken hold in their limbs,
Nascent corpses, they subside with grave finality into a dead collective.

X

Opaque irises await those who uncover the un-burial mound
Oafish sockets containing them like marbles
Open to the elements, decaying with their corporeal encasement, shaded by
Oaken leaves that remain unfallen, while
Obsequious maggots go about their task of cleansing the remains

Paralyzed in the final moments of their mortal coil, the bodies lay stagnant,
Pacified only by the removal of sentience.
Pagan rituals surround such corpses, and the intrepid discovers
Patiently await the arrival of some necromantic spirit.

Quasi-instinctively, the pioneers of the superterranean mausoleum
Quell their fears and remove the bodies from their conclusive locale,
Quantifying their deaths by the armaments and metal carapaces upon them.

XI

Reeling across the path, weighted by the bodies,
Returning, the archaeological presence brings a pall over society, which
Remained reticent despite the presence of such suffocating solemnity
Repressed by its own intent

Solitude is given no quarter, and the bodies
Strung up like scattered marionettes
Silently serenade the town with a deafening cacophony.

XII

To Hell their souls desperately charge, frothing about the shackles of undeath
Torn from corporeal existence, yet unable to
Transgress the mortal plane
Torturous paradox!
Torment the fallen of Carthage's vestigal might no more
Traducer of the human condition
Tragedy is loosed at thy whim
Try not the patience of demi-gods of wrath and bloodshed.

XIII

Undulating by the beckoning of the wind,
Un-beautiful, un-ironed, the shrouds of the coffins
Under grey sky hang softly like leaden sheets
Unaware of the gravity beneath the few inches of oak
Un-aesthetically masking the dead warriors' forms

Visceral is the movement of the procession,
Vermicular, they wind a course to the peak of the foothill
Vehemently the priest urges them onwards, although he is
Visibly ill on this occasion of the anti-hero.

Warlike, the battle up the ***** claims the lives of those already claimed
Wastrels left to rot in the carcass of a long-dead conflict,
Wanting nothing more than solace eternal.

XIV

Xenophobes of the Inferno fear the inevitable presence of these
Xoana, false representations of humanity.
Xanthic is their fear, for inside the malebolges themselves
Xanadu is sought for those of the fallen soldiery.

Yet funerary proceedings dictate descent for these souls, and the coffins
Yaw slightly in the wind, disturbed by the
Yanks of the ****** rabble who bear their weight.

XV

Zeus himself presides over the ferrying of these souls,
Zion awaits them, their final collective fate at hand,

Yet slowly it turns its back upon them,
Xenophanes mocks from his post,
Wailing, they fall
Velocity increasing infinitely,
Until they see no more the lustrous light
Trapped eternally in dark
Stabbed with betrayal and fear, their souls
Run amok, fleeing from the source of their anguish
Questioning existence.
Periodically in the abyss, the helpless aggregate conscious is
Overwhelmed with memory of Paradise
Now to them denied for eternity.
Mephisto remains, their only companion,
Leeching from them the final vestiges of hope now left within, once
Kept hidden to protect the warriors, now
Jabbed and pummeled to death.
In this state of perpetual umbra
Heaven so distant, now only faded, as if on parchment,
Gained by the souls is a sense of locality, once
Forgotten but now reattained, and
En masse, the group instantly
Derives that they have returned from beyond the mortal plane, the terra once again
Collates beneath their soles, and the collective decides they must return
Before the open sun, to bear themselves
Against the gods, against sanctity itself, and thus they cry:
Lazhar Bouazzi Jun 2017
A crimson boat waives
the flow of the waves
as a blonde figure craves
an infernal sun.

Next to the maiden
and the dandy-fella,
blossoms a vermillion
umbrella
whose role was to play
a timid cellar
for two red apples
and one apricot
the blonde damsel
could have brought
to quench her burning  
want
of the lustful monster.

Closing her ice-blue eyes,
the fair woman,
her sinful inspiration
did summon
to come carve
on her body so sullen
the orange vision
of the new Benzart bridge.

© LazharBouazzi, Carthage, TUNISA


*"Benzart" is the Tunisian name for “Biserta” or “Bizerte”- a beach town on the northern coast of Tunisia.
Lazhar Bouazzi Aug 2016
An oblique path cutting in two a blue hill,  
bathed in a cobalt ocean of morning glories.
On the blue hill there were also a red mill,
Crickets, ants, bees, and many-hued damselflies.

A haven was the fresh upside-down coquille
For long stories untold and movements still
Of difference and dragonflies of fluttering
Over a bluesky ground of mute uttering.

On a dry log pitched not too far from the mill,
Rose an artless sign in the hushed sound of the hill;
Each of whose letters was written in blueberry -
Surely placed there by a traveler in a hurry:
“No matter how often a road is traveled by,
It never tells twice the selfsame story.”

(c) LazharBouazzi, Carthage, TUN, August 23, 2016
palladia Nov 2014
did you, even now, hope
to shut your eyes to so huge a crime,
my treacherous one, to think you could
stilly withdraw from my kingdom?
did our love not once hold you?
our ardent vows? or even I, Dido,
preparing to succumb barbaric death?
how could you, callous you!,
take wing to prepare your fleet in winter
—i’m sure to run aground—
when Boreas thrashes against the heavens?
but, if you weren’t pursuing unfamiliar soil
or incited to father a distant nation,
if ancient Ilium sturdily grimed through the war,
would you keep piercing the
wave-washed oceans in your armada?
why do you elude me; is it
because i have acceded irreality?
am i worthless, now?—i implore you!
by these tears, and your troth,
by our wedding vows, and this oath
before ***** we began:
if i deserve anything good from you,
or if you think, i was good enough
for you; pity this household
decaying before us! it was once yours, too.
and if my prayers are still yours,
gut them from my mind!
for now the Libyans and Numidians
hate me! dear Tyre is virulent!
as my honour and once-righteous
stature has vanished, just as i was
about to touch my constellated infamy.
for what destiny, my foreign one,
do you set me aside; ever-knowing
my imminent death?
seeing that only your name endures
from this union, why do i bother to keep living?
am i waiting for my brother, Pygmalion,
to destroy my Carthage’s walls, or a
Gætulian Iarbus to make me his concubine?
if only you gave me a son,
a little Æneas to play in my courts,
a boy to remind me of you;
only then, perhaps,
would i not be so utterly
violated, and
consumed.
quis fallere possit amantem?
who can delude a lover?
a modern reworking of Vergil's Æneid IV.305-330 from the original Latin


I've been wanting to do a translation of the Æneid for a while now; this is the beginning. I've studied that book more than even Latin teachers have - I am versed! - but now, I guess I need to put my spin on things. It was late March 2014 when I was depressed with my life again (It happens a lot, but it helps me feel & understand what others go through). I put myself in Dido's shoes and tried to feel as she would when Æneas just got up and started leaving…your life was pulled out from under you and there's nowhere to go. She was angry and heartbroken. Book 4 is my favourite, and this oration Dido spoke to Æneas somehow landed on my mind and I translated according to my feelings.

I was singing Björk's "Sonnets/Unrealities XI"…and I thought, e.e.cummings's words and Björk's musical representation fit perfectly into Dido's frame of reference. "It may not always be so, and I say, that if your lips, which I have loved, should touch another's..." It's just as if Dido is singing these words from the underworld, after she couldn't take the pain of not having Æneas with her & committed suicide. Dido's looking at Lavinia in Æneas’s arms, and it's killing her more, even though she's already dead. "If this should be, I say, if this should be. You, Æneas, of my heart, send me a little word, that I may go to Lavinia and take her hand, saying, accept all happiness from me." The fates have spoken and there's nothing left for Dido to do but to roam the lost lands with Sychaeus.
Now that I have cooled to you
Let there be gold of tarnished masonry,
Temples soothed by the sun to ruin
That sleep utterly.
Give me hand for the dances,
Ripples at Philae, in and out,
And lips, my Lesbian,
Wall flowers that once were flame.

Your hair is my Carthage
And my arms the bow,
And our words arrows
To shoot the stars
Who from that misty sea
Swarm to destroy us.

But you there beside me—
Oh, how shall I defy you,
Who wound me in the night
With ******* shining
Like Venus and like Mars?
The night that is shouting Jason
When the loud eaves rattle
As with waves above me
Blue at the prow of my desire.
Lazhar Bouazzi Jul 2016
I' ve cut my way through life on camelback,
Halting only punctually by the track;

Yes, “punctually” indeed, to sleep and feed
On what was placed with care on my steed:

Sun-dried Thoughts & Language for me; the fruit,
For those I met on the opposite route.

© Lazhar Bouazzi, Carthage, TUN, July 1, 2016
* "sta, viator, heroem calcas: Stop, traveler, thou treadest on a hero's dust." (Epitaph inscribed by Conde over the grave of his great opponent, Merci.)
Donall Dempsey Jun 2023
TO CARTHAGE THEN YOU CAME

To Carthage
then you came

and other fabled places

seen now only
through the lens of War.

Here you are
in simple black & white

playing football
with scrunched up rags

camouflage tanks
your only spectators

the horizon
a thin cruel line of infinity.

Desert rats
the thing of history books to come

now only
a bunch of laughing lads.

The desert
everywhere about you.

Young boys
pretending to be young men
pretending to be soldiers

and not
succeeding.

This a game
played for real.

War has made you
so.

I show you
you

again & again
wearing the many faces

that you were.

Death lurks
in every face

looks out of
your eyes

with the knowledge
that it could be

you now

you
this time.

Photos
taken then.

Time
stopped still.

I see so many
bright eyed young men.

Their youth
their most notable feature.

“Dead...dead...dead! ”
you intone

in place of names
as if it hurt to name them.

But I know
from other times

that this dead man
is John.

This one Fred
your best best friend.

Even now you talk of him
as if he could walk in the door

at any time.

The door
forever closed

The last photo shows
an insect crawling

in a dead
animal’s skull.

— The End —