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"caliban" poems
If I had last words they would be… Well… I mean… I see in those streams of invectives I see especially people who drink, eat, sleep, who make all human functions Which are quite rather ****** And I shall say that they’re heavy It never stopped being heavy I noticed I’ve read so many verses and particularly verses from the 17th century Verses, so-called courteous verses I found 3 or 4 good ones in thousands of them There’s little lightness in man He’s heavy... isn’t he And nowadays he’s extraordinary in heaviness Since automobiles, alcohol, ambition, politics make him heavy Even heavier It’s mostly like that, he’s extremely heavy Maybe one day shall we see a mind rebellion against the weight But it isn’t for tomorrow For now... we’re heavy So I’d say indeed If I had to die I’d say Man is heavy That’s all Oh! They were mean but... Because they were heavy They were heavy They were heavy… jealous of a certain lightness Jealous... jealous like a woman who wears a clothing burlap instead of another who wears lace Like someone who owns a workhorse instead of a thoroughbred Jealous... Jealous of being heavy... that’s all Crippled... They weigh... they're crippled Heaviness makes them ******* Therefore we can beware of them They’re ready to do anything Oh sure They’re ready to do anything And to activate heaviness They drink, aren’t they So when they drink, they turn into sledgehammers It’s frightening, isn’t it Sledgehammers without control Yes, they’re especially like this They activate... increase their weight Instead of making themselves lighter Oh! They’re not in Ariel’s side They’re more like Caliban More and more
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Apr 18, 2018
Apr 18, 2018 at 1:49 AM UTC
Louis-Ferdinand Céline interview
If I had last words they would be… Well… I mean… I see in those streams of invectives I see especially people who drink, eat, sleep, who make all human functions Which are quite rather ****** And I shall say that they’re heavy It never stopped being heavy I noticed I’ve read so many verses and particularly verses from the 17th century Verses, so-called courteous verses I found 3 or 4 good ones in thousands of them There’s little lightness in man He’s heavy... isn’t he And nowadays he’s extraordinary in heaviness Since automobiles, alcohol, ambition, politics make him heavy Even heavier It’s mostly like that, he’s extremely heavy Maybe one day shall we see a mind rebellion against the weight But it isn’t for tomorrow For now... we’re heavy So I’d say indeed If I had to die I’d say Man is heavy That’s all Oh! They were mean but... Because they were heavy They were heavy They were heavy… jealous of a certain lightness Jealous... jealous like a woman who wears a clothing burlap instead of another who wears lace Like someone who owns a workhorse instead of a thoroughbred Jealous... Jealous of being heavy... that’s all Crippled... They weigh... they're crippled Heaviness makes them ******* Therefore we can beware of them They’re ready to do anything Oh sure They’re ready to do anything And to activate heaviness They drink, aren’t they So when they drink, they turn into sledgehammers It’s frightening, isn’t it Sledgehammers without control Yes, they’re especially like this They activate... increase their weight Instead of making themselves lighter Oh! They’re not in Ariel’s side They’re more like Caliban More and more
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me no spit English, me no no Englis, OK? me barbarrrian, why u one me speak Englis? u teach me inglish then u want me slave, ya? u teach me englis and mik mee go from nuture, from da trees and de lakes and hum of me ancesdors, ya? and you teach me englis glive me your stinkin additudes mik me pollute wold and **** wold like you, yes? I del u, me spit no englis but sdill u offer skolarsips and mik me shange name, and then tick on Englis name, ya? then peeple call me englis name like tom, ***** hairy or my wife become susan or margate and me become kristian, yeah? why I say no englis still u want to tich me englsi and give me book and mi say, mi say, luk at my nikid bady laik da die I was born liiiv me one don't tiich me englis or wan day I will kurs and swera in inglis like who, who, who, like that monster I hard play story is he nime Caliban, yeah? me barbarrbaian, dun't mike i civilized like u; me no no inglis; me happi with me lunguge and me hum and my trees and likes and annncesdral places¦ I no wants to spit engilsi and khanges my name and culturte! and un I no wan to go fom humen! leave me lone wan, I say! me no spit englis! or I put u in *** if you no go!
0
Oct 17, 2010
Oct 17, 2010 at 3:06 AM UTC
me no spit englis
. Though my boat is tossed high upon these crests, I fear not the deep sea where the sailors souls rest. Cast adrift, alone to float, my mother Sycorax had planned. But lo! I reach sanctuary and dance ecstatic on the sand. My grotesque form I treasure but loneliness soon must end. Yes! A monster I might be, but Caliban needs a friend. Paradise is mine and ripe. Behold! A kingdom and a home! The sun blisters all day long, oh Muses why am I so alone? “Hush boy! Careful of thy wish, the scheme is so much grander. For Prospero prowls the island with his witch daughter Miranda”. Run ugly Caliban. Run away. Disappear, you must be brave. For the Wizard has loosed Ariel, your wretched body to enslave. The girl holds you enchanted, with promises of fair romance. Feel her pull puppets strings, watch her make You dance. Oh Caliban! What darkness befalls, a prisoner tithed with no trial. Yearn, dear boy, for isolation and the loneliness of your Isle. © Pagan Paul (28/02/17)
0
Feb 28, 2017
Feb 28, 2017 at 4:23 PM UTC
Caliban
He's looking at me again. Eyes fixed like he was insane. Clay pipe propped on lips, pondering, seriously sepia wondering. No name on the severe brown frame. He stares but doesn't see me. I don't see him for what he was. I see a fictional facsimile, conflation of another's fantasies - comic working class - salt of the Earth - his own man - hero or Caliban.
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Jul 8, 2015
Jul 8, 2015 at 9:40 AM UTC
The Sepia Portrait
I am a Caliban groaning Oppressed by Prospero In an Isle unknown spring My urge to freely flow. Desires of Prospero his bridle ***** and nag me ; my Ego resists The Cultural pressure they girdle To shroud my Peace and past fast. ,,,,,,,,,,,,,,,,,
0
Apr 17, 2015
Apr 17, 2015 at 8:53 AM UTC
I am a Caliban
If the whole worlds a stage, shouldn't you have to pay to watch my show? As the tempest whirls around us, don't we all wish for a prince to rock up and save us? Or is Caliban searching and hoping we'll succumb To the horrors that fall like stars. In a midsummer nights dream, the boys are all beauties, All blue eyes and magic and promise. While he plays an *** is he mirroring us? As we double, double, toil and trouble, The fire burning and bubbling in the inferno we call a heart. We call out in the dark for our Romeos Wanting to leave our names behind us So watch as I unfurl Like a lily on a pond Eight petals, Eight walls, My globe, My stage.
0
Jan 17, 2015
Jan 17, 2015 at 10:56 AM UTC
said shakespeare
"Caliban must have dinner." Let him have first a bit of scansion Of the vowels marooned to his feet Along with the consonants washed ashore By a called up mock storm Inhabited by catalectic trochaic Trimeter, hexameter or pentameter Name it ! This muse is his. For his is the muse This muse is his island And every storm of hers is a beatitude Passed on him by his Sycorax. So blessed is Caliban For his is the musedom of light This muse is a perfect antilabe He has pampered her with caesurae He has spoiled her with feminine Stressed and unstressed syllables Kissed her with iambic pentameter Caressed her with hemistichs A trochee here A spondee there Caliban is beatitude in scansion. Blessed is Caliban For his is the musedom of light.
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Sep 11, 2019
Sep 11, 2019 at 12:28 AM UTC
Beatitude in scansion
Not the vast beauty, Thy lovely petals hold Grew my crowdy love for thee For even if monster thou were Like unwholesome caliban Same pollens of love I would have filled thee to the brim I love not thy beauty For not forever I may have it, Truly,my love sprang, Before thy beauty I saw And lives it when thy beauty is gone Beauty is just a lender of love!
0
Feb 20, 2014
Feb 20, 2014 at 9:49 AM UTC
Whatever,However
MUCH ADO ABOUT SOMETHING My Prospero, I admit is, yea, badly drawn & keeps falling off his lollipop stick. My Caliban, on the other hand well drawn and forsooth...sticks to...his stick. I wiggle each character’s characteristic and they come alive speak the lines, I pray you, trippingly upon my tongue “Come to me with a thought!” I command my paper people. “Your thoughts I cleave to!” they flash into my consciousness. “Ariel, my Ariel...” fine-tooled from foil that comes from fabled Consulate & Woodbine packets. “Ah, my trusty sprite...” dangles from a purple thread that is borrowed from me **** sewing basket. All is well in this my make-shift Shakespeare theatre made from Kellogg’s Cornflakes packets. See the great **** crow under the proscenium! Weetabix boxexs construct the wings. Rows of Nite lights serve as footlights. And, so...let the Masque begin! I hum bits of Adeste Fideles....then sing as Prospero & Ariel do their thing. “Solua domus dagus!” my voice rings out but see how dangerous a nine year old knee can be to paper theatre. The floodlights being knocked over the stage flames in amazement. My patchwork Globe of Cornflake and Weetabix boxes burns to the ground only Ariel survives in an all too blackened shrunken crumpled piece of foil. I exit ( pursued by a clip on the ear ) the profession of producer of the plays thereof the only begetter of this ensuing story lost, alas my lack, to me! But wait, is this a football I see before me? Then play on Dinger Dwyer! And ****** be him who first cries hold! We cry ******** and let slip the dogs we are!
0
May 15, 2017
May 15, 2017 at 1:48 PM UTC
MUCH ADO ABOUT SOMETHING
MUCH ADO ABOUT SOMETHING My Prospero, I admit is, yea, badly drawn & keeps falling off his lollipop stick. My Caliban, on the other hand well drawn and forsooth...sticks to...his stick. I wiggle each character’s characteristic and they come alive speak the lines, I pray you, trippingly upon my tongue “Come to me with a thought!” I command my paper people. “Your thoughts I cleave to!” they flash into my consciousness. “Ariel, my Ariel...” fine-tooled from foil that comes from fabled Consulate & Woodbine packets. “Ah, my trusty sprite...” dangles from a purple thread that is borrowed from me **** sewing basket. All is well in this my make-shift Shakespeare theatre made from Kellogg’s Cornflakes packets. See the great **** crow under the proscenium! Weetabix boxexs construct the wings. Rows of Nite lights serve as footlights. And, so...let the Masque begin! I hum bits of Adeste Fideles....then sing as Prospero & Ariel do their thing. “Solua domus dagus!” my voice rings out but see how dangerous a nine year old knee can be to paper theatre. The floodlights being knocked over the stage flames in amazement. My patchwork Globe of Cornflake and Weetabix boxes burns to the ground only Ariel survives in an all too blackened shrunken crumpled piece of foil. I exit ( pursued by a clip on the ear ) the profession of producer of the plays thereof the only begetter of this ensuing story lost, alas my lack, to me! But wait, is this a football I see before me? Then play on Dinger Dwyer! And ****** be him who first cries hold! We cry ******** and let slip the dogs we are!
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He’d been away for any number of years, Days cascading over the spillway of time Into pools of weeks, oxbows of months, And though the town was much as he remembered it (Though a little more tattered and careworn: Another broken windowpane here, A wall in grave need of paint there, One or two more storefronts gone to plywood) The cemetery was all but labyrinth to him, A corn maze of granite and narrow drives, The plots having metastasized, the stones having spread Like so much crownvetch overpowering the simple grass, But he’d been able, after any number of false-starts, Uncounted instances of double-backs and do-overs To locate his father’s marker (The man gone some forty years now, Taken by…well, who knows what His mother, stunned by the prospect Of having to step into the dual role As nurturer and breadwinner, Too stunned to even think of requesting an autopsy.) He’d come, ostensibly, to make his peace (Whatever that hackneyed phrase entailed) But he’d ended up, if not as mute as the stone he faced, No more than a cow-country Caliban, Haltingly sputtering bits and bobs of half-phrases Concerning the implacability of accidents, the vagaries of chance The coffin-lid limits on mere men and women. He’d given up the ghost, finally, And as the daylight slipped away on the bumpy old horizon He’d simply brushed some dried bird guano from the gravestone, Then picked the dead bits from the flowers Doing their level best to hold on In the urn he’d wrestled from his mother’s ancient station wagon Two, perhaps three, days ago Before settling back into the car to try to divine the way Back to the main road (He’d found it in surprisingly short order, And perhaps a quarter-mile or so down the road, He’d come upon a small rabbit, Frozen mid-lane by his headlights, Finding himself in a world not of his making Not knowing whether to flip or fly; He’d missed it by mere chance, nothing more, And he wondered if the poor thing Would be so lucky with the cars behind him.)
0
Feb 10, 2021
Feb 10, 2021 at 12:39 PM UTC
an incident of headlights and headstones
He’d been away for any number of years, Days cascading over the spillway of time Into pools of weeks, oxbows of months, And though the town was much as he remembered it (Though a little more tattered and careworn: Another broken windowpane here, A wall in grave need of paint there, One or two more storefronts gone to plywood) The cemetery was all but labyrinth to him, A corn maze of granite and narrow drives, The plots having metastasized, the stones having spread Like so much crownvetch overpowering the simple grass, But he’d been able, after any number of false-starts, Uncounted instances of double-backs and do-overs To locate his father’s marker (The man gone some forty years now, Taken by…well, who knows what His mother, stunned by the prospect Of having to step into the dual role As nurturer and breadwinner, Too stunned to even think of requesting an autopsy.) He’d come, ostensibly, to make his peace (Whatever that hackneyed phrase entailed) But he’d ended up, if not as mute as the stone he faced, No more than a cow-country Caliban, Haltingly sputtering bits and bobs of half-phrases Concerning the implacability of accidents, the vagaries of chance The coffin-lid limits on mere men and women. He’d given up the ghost, finally, And as the daylight slipped away on the bumpy old horizon He’d simply brushed some dried bird guano from the gravestone, Then picked the dead bits from the flowers Doing their level best to hold on In the urn he’d wrestled from his mother’s ancient station wagon Two, perhaps three, days ago Before settling back into the car to try to divine the way Back to the main road (He’d found it in surprisingly short order, And perhaps a quarter-mile or so down the road, He’d come upon a small rabbit, Frozen mid-lane by his headlights, Finding himself in a world not of his making Not knowing whether to flip or fly; He’d missed it by mere chance, nothing more, And he wondered if the poor thing Would be so lucky with the cars behind him.)
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46
He wants to love the people of the United States and others around him. Heat and let you cool. However, my heart is very full and strong. Advertise carefully, to be sure of the name of wheat. I do not like this stupidity. I'm on my own but I'm a passionate driver. "So, there are time tactics to" talk "about infection, breathing, fear, sadness, depression, pain, depression, sadness, syringe and the other two" when there is agreement. "I lost to save my life." I did not know that, but he said. "Sadness, depression, definitely at hand, cheating, poverty, hot salt and hope of losing a word, instead of bringing doctors, teachers, teenagers, Guggenheim and Sicily, California, Father Gregory, Caliban and true democracy; Megan: John Milton, Blessed Laura, Our formation is not only the face of the people, our sun is our heart, we are cold and we're touching "now", Saint and word; The reason for the process. "A little pain, the cat" I do not know, I do not know, but I can not say it. "The dog in New York and Tom Ham, John Dryden, John Keats, the teachers, the teachers, our teachers, our teachers, our teachers in Arizona every year, 18 and over at 21 The Gypsies (g) California, the real boyfriend and the Holy Spirit are the new Boy, Megan and useful leaders in Africa, Money Money, Muslim Women and Holy God, "Holy God." Holy God is truly local, but It's a bit hot, but my heart is very careful about the name of the grain; Nonsense for me, I hate but you know "As you have." Saint: the text of the processor, the life conflict, the fear of the child, the sadness, pain and sadness of Valentine. "I was so, I did know, but I cannot say." Unfortunately, with sadness comes self-control, Thomas because I'm a child and I know Pilates, said John Carpenter and Professor, Captain's Team 18 "An interesting ****** orientation - has acted," said John E's corporation, "Muslims and Children's Beds "by Hallyu Bly, Achini LE of the printed Tululani Geryrich, called Abu Ibrahim, the gym, Megan's Gothic Islam, Women and Healthy Saints, Gemini Qinqing T (100) California State. "Powerful" global developer " For the people of the world ...
0
Feb 18, 2019
Feb 18, 2019 at 10:35 PM UTC
beyond the realm of human reality
He wants to love the people of the United States and others around him. Heat and let you cool. However, my heart is very full and strong. Advertise carefully, to be sure of the name of wheat. I do not like this stupidity. I'm on my own but I'm a passionate driver. "So, there are time tactics to" talk "about infection, breathing, fear, sadness, depression, pain, depression, sadness, syringe and the other two" when there is agreement. "I lost to save my life." I did not know that, but he said. "Sadness, depression, definitely at hand, cheating, poverty, hot salt and hope of losing a word, instead of bringing doctors, teachers, teenagers, Guggenheim and Sicily, California, Father Gregory, Caliban and true democracy; Megan: John Milton, Blessed Laura, Our formation is not only the face of the people, our sun is our heart, we are cold and we're touching "now", Saint and word; The reason for the process. "A little pain, the cat" I do not know, I do not know, but I can not say it. "The dog in New York and Tom Ham, John Dryden, John Keats, the teachers, the teachers, our teachers, our teachers, our teachers in Arizona every year, 18 and over at 21 The Gypsies (g) California, the real boyfriend and the Holy Spirit are the new Boy, Megan and useful leaders in Africa, Money Money, Muslim Women and Holy God, "Holy God." Holy God is truly local, but It's a bit hot, but my heart is very careful about the name of the grain; Nonsense for me, I hate but you know "As you have." Saint: the text of the processor, the life conflict, the fear of the child, the sadness, pain and sadness of Valentine. "I was so, I did know, but I cannot say." Unfortunately, with sadness comes self-control, Thomas because I'm a child and I know Pilates, said John Carpenter and Professor, Captain's Team 18 "An interesting ****** orientation - has acted," said John E's corporation, "Muslims and Children's Beds "by Hallyu Bly, Achini LE of the printed Tululani Geryrich, called Abu Ibrahim, the gym, Megan's Gothic Islam, Women and Healthy Saints, Gemini Qinqing T (100) California State. "Powerful" global developer " For the people of the world ...
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