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Raj Arumugam Oct 2010
me no spit English, me no no Englis, OK?
me barbarrrian, why u one me speak Englis?
u teach me inglish then u want me slave, ya?
u teach me englis and mik mee go from nuture,
from da trees and de lakes and hum of me ancesdors, ya?
and you teach me englis
glive me your stinkin additudes
mik me pollute wold and **** wold like you, yes?
I del u, me spit no englis but sdill u offer skolarsips
and mik me shange name, and then tick on Englis name, ya?
then peeple call me englis name like tom, *****, hairy
or my wife become susan or margate
and me become kristian, yeah?
why I say no englis still u want to tich me englsi
and give me book and mi say, mi say,
luk at my nikid bady laik da die I was born
liiiv me one
don't tiich me englis
or wan day I will kurs and swera in inglis
like who, who, who, like that monster I hard play story
is he nime Caliban, yeah?
me barbarrbaian, dun't mike i civilized like u;
me no no inglis;
me happi with me lunguge and me hum
and my trees and likes and annncesdral places¦
I no wants to spit engilsi and khanges my name and culturte!
and un I no wan to go fom humen!
leave me lone wan, I say! me no spit englis!
or I put u in *** if you no go!
on haaw englsi changasz lifvez and woold
Tony Luxton Jul 2015
He's looking at me again.
Eyes fixed like he was insane.
Clay pipe propped on lips, pondering,
seriously sepia wondering.
No name on the severe brown frame.

He stares but doesn't see me.
I don't see him for what he was.
I see a fictional facsimile,
conflation of another's fantasies
- comic working class
- salt of the Earth
- his own man
- hero or Caliban.
Pagan Paul Feb 2017
.
Though my boat is tossed
high upon these crests,
I fear not the deep sea
where the sailors souls rest.

Cast adrift, alone to float,
my mother Sycorax had planned.
But lo! I reach sanctuary
and dance ecstatic on the sand.

My grotesque form I treasure
but loneliness soon must end.
Yes! A monster I might be,
but Caliban needs a friend.

Paradise is mine and ripe.
Behold! A kingdom and a home!
The sun blisters all day long,
oh Muses why am I so alone?

“Hush boy! Careful of thy wish,
the scheme is so much grander.
For Prospero prowls the island
with his witch daughter Miranda”.

Run ugly Caliban. Run away.
Disappear, you must be brave.
For the Wizard has loosed Ariel,
your wretched body to enslave.

The girl holds you enchanted,
with promises of fair romance.
Feel her pull puppets strings,
watch her make You dance.

Oh Caliban! What darkness befalls,
a prisoner tithed with no trial.
Yearn, dear boy, for isolation
and the loneliness of your Isle.

© Pagan Paul (28/02/17)
.
I have always empathised with Caliban.
Enslaved by Prospero, teased by Miranda and
bullied by Ariel. Simply for being an outsider,
stupid, an ugly monster and supposedly subhuman.
Shakespeare's metaphor is rather apt for the way society,
in general today, treats people with mental health issues.
As freaks and outsiders, less than whole.
PPx
Lottie Jan 2015
If the whole worlds a stage, shouldn't you have to pay to watch my show?
As the tempest whirls around us, don't we all wish for a prince to rock up and save us?
Or is Caliban searching and hoping we'll succumb
To the horrors that fall like stars.
In a midsummer nights dream, the boys are all beauties,
All blue eyes and magic and promise.
While he plays an ***, is he mirroring us?
As we double, double, toil and trouble,
The fire burning and bubbling in the inferno we call a heart.
We call out in the dark for our Romeos
Wanting to leave our names behind us
So watch as I unfurl
Like a lily on a pond
Eight petals,
Eight walls,
My globe,
My stage.
For mammy
Donall Dempsey May 2015
My Prospero, I admit
is, yea, badly drawn

& keeps falling off
his lollipop stick.

My Caliban, on the other hand
well drawn and forsooth...sticks to...his stick.

I wiggle each
character’s characteristic

and they come alive
speak the lines, I pray you,

trippingly upon my tongue
“Come to me with a thought!”

I command my paper people.

“Your thoughts I cleave to!”
they flash into my consciousness.

“Ariel, my Ariel...”
fine-tooled from foil

that comes from fabled Consulate
& Woodbine packets.

“Ah, my trusty sprite...”
dangles from a purple thread that

is borrowed from
me Mam’s sewing basket.

All is well
in this my make-shift

Shakespeare theatre
made from Kellogg’s

Cornflakes packets.

See the great **** crow
under the proscenium!

Weetabix boxexs
construct the wings.

Rows of Nite lights
serve as footlights.

And, so...let the Masque begin!

I hum bits of Adeste
Fideles....then sing

as Prospero & Ariel
do their thing.

“Solua domus dagus!”
my voice rings out

but see how
dangerous a nine year old knee

can be
to paper theatre.

The floodlights being knocked over
the stage flames in amazement.

My patchwork Globe
of Cornflake and Weetabix boxes

burns to the ground

only Ariel survives
in an all too blackened shrunken

crumpled piece of foil.

I exit
( pursued by a clip on the ear )

the profession of producer of
the plays thereof the only begetter of

this ensuing story
lost, alas my lack, to me!

But wait, is this a football I see
before me?

Then play on Dinger Dwyer!
And ****** be him who first cries hold!

We cry "*******!" and let slip
the dogs we are!

**

I was afraid that people might be offended by the word "*******!" so I pushed Prospero out onto the stage to apologise for such language but as usual he was completely off his stick. "Oh Puck..." I cried but Puck said: "No way am I going out there and apologising for your ***** work....no way" but anyway and anyhow push came to shove and he ended up on his rear on the boards and had to come up with something!

"If we shadows have offended...." he blurted out and me and all the other characters cheered him on. I gave him a big hug when he came off stage! Caliban just jeered and said: "What's wrong with rowlocks?" "*******!" we said and Caliban just scratched his head and went away singing "Ban Ban Caliban...got a new master...got a new man!"

Sometimes it's hard to keep the characters in check...don't know how old Shakey did it! "Where there's a Will...there's a way!" as he always said to me over a pint of Guinness.
PNasarudheen Apr 2015
I am a Caliban groaning
Oppressed  by Prospero
In an Isle unknown spring
My urge to  freely  flow.

Desires of Prospero his bridle
***** and nag me ; my Ego resists
The Cultural pressure   they girdle
To shroud my Peace and past fast.

,,,,,,,,,,,,,,,,,
Dim Apr 2018
If I had last words they would be…
Well… I mean… I see in those streams of invectives
I see especially people who drink, eat, sleep,
who make all human functions
Which are quite rather ******
And I shall say that they’re heavy
It never stopped being heavy
I noticed
I’ve read so many verses and particularly
verses from the 17th century
Verses, so-called courteous verses
I found 3 or 4 good ones in thousands of them
There’s little lightness in man
He’s heavy... isn’t he
And nowadays he’s extraordinary in heaviness
Since automobiles, alcohol, ambition, politics make him heavy
Even heavier
It’s mostly like that, he’s extremely heavy
Maybe one day shall we see a mind rebellion against the weight
But it isn’t for tomorrow
For now... we’re heavy
So I’d say indeed
If I had to die
I’d say
Man is heavy
That’s all
Oh! They were mean but...
Because they were heavy
They were heavy
They were heavy… jealous of a certain lightness
Jealous... jealous like a woman who wears a clothing burlap
instead of another who wears lace
Like someone who owns a workhorse
instead of a thoroughbred
Jealous...
Jealous of being heavy... that’s all
Crippled...
They weigh... they're crippled
Heaviness makes them *******
Therefore we can beware of them
They’re ready to do anything
Oh sure
They’re ready to do anything
And to activate heaviness
They drink, aren’t they
So when they drink, they turn into sledgehammers
It’s frightening, isn’t it
Sledgehammers without control
Yes, they’re especially like this
They activate... increase their weight
Instead of making themselves lighter
Oh! They’re not in Ariel’s side
They’re more like Caliban
More and more
"Caliban must have dinner."
Let him have first a bit of scansion
Of the vowels marooned to his feet
Along with the consonants washed ashore
By a called up mock storm
Inhabited by catalectic trochaic Trimeter, hexameter or pentameter
Name it !
This muse is his.
For his is the muse
This muse is his island
And every storm of hers is a beatitude
Passed on him by his  Sycorax.
So blessed is Caliban
For his is the musedom of light
This muse is a perfect antilabe
He has pampered her with caesurae
He has spoiled her with feminine
Stressed and unstressed syllables
Kissed her with iambic pentameter
Caressed her with hemistichs
A trochee here
A spondee there
Caliban is beatitude in scansion.
Blessed is Caliban
For his is the musedom of  light.
For three years, out of key with his time,
He strove to resuscitate the dead art
Of poetry; to maintain “the sublime”
In the old sense. Wrong from the start—

No, hardly, but seeing he had been born
In a half savage country, out of date;
Bent resolutely on wringing lilies from the acorn;
Capaneus; trout for factitious bait;

Idmen gar toi panth, hos eni troie
Caught in the unstopped ear;
Giving the rocks small lee-way
The chopped seas held him, therefore, that year.

His true Penelope was Flaubert,
He fished by obstinate isles;
Observed the elegance of Circe’s hair
Rather than the mottoes on sun-dials.

Unaffected by “the march of events,”
He passed from men’s memory in l’an trentuniesme
de son eage;the case presents
No adjunct to the Muses’ diadem.

II
The age demanded an image
Of its accelerated grimace,
Something for the modern stage
Not, at any rate, an Attic grace;

Not, certainly, the obscure reveries
Of the inward gaze;
Better mendacities
Than the classics in paraphrase!

The “age demanded” chiefly a mould in plaster,
Made with no loss of time,
A prose kinema, not, not assuredly, alabaster
Or the “sculpture” of rhyme.

III
The tea-rose tea-gown, etc.
Supplants the mousseline of Cos,
The pianola “replaces”
Sappho’s barbitos.

Christ follows Dionysus,
******* and ambrosial
Made way for macerations;
Caliban casts out Ariel.

All things are a flowing
Sage Heracleitus say;
But a ****** cheapness
Shall outlast our days.

Even the Christian beauty
Defects—after Samothrace;
We see to kalon
Decreed in the market place.

Faun’s flesh is not to us,
Nor the saint’s vision.
We have the press for wafer;
Franchise for circumcision.

All men, in law, are equals.
Free of Pisistratus,
We choose a knave or an ******
To rule over us.

O bright Apollo,
Tin andra, tin heroa, tina theon,
What god, man or hero
Shall I place a tin wreath upon!

IV
These fought in any case,
And some believing,
                                pro domo, in any case…

Some quick to arm,
some for adventure,
some from fear of weakness,
some from fear of censure,
some for love of slaughter, in imagination,
learning later…
some in fear, learning love of slaughter;

Died some, pro patria,
                                non “dulce” not “et decor”…
walked eye-deep in hell
believing old men’s lies, then unbelieving
came home, home to a lie,
home to many deceits,
home to old lies and new infamy;
usury age-old and age-thick
and liars in public places.

Daring as never before, wastage as never before.
Young blood and high blood,
fair cheeks, and fine bodies;

fortitude as never before

frankness as never before,
disillusions as never told in the old days,
hysterias, trench confessions,
laughter out of dead bellies.

V
There died a myriad,
And of the best, among them,
For an old ***** gone in the teeth,
For a botched civilization,

Charm, smiling at the good mouth,
Quick eyes gone under earth’s lid,

For two gross of broken statues,
For a few thousand battered books.

— The End —