Still must I hear?—shall hoarse FITZGERALD bawl
His creaking couplets in a tavern hall,
And I not sing, lest, haply, Scotch Reviews
Should dub me scribbler, and denounce my Muse?
Prepare for rhyme—I’ll publish, right or wrong:
Fools are my theme, let Satire be my song.

  Oh! Nature’s noblest gift—my grey goose-quill!
Slave of my thoughts, obedient to my will,
Torn from thy parent bird to form a pen,
That mighty instrument of little men!
The pen! foredoomed to aid the mental throes
Of brains that labour, big with Verse or Prose;
Though Nymphs forsake, and Critics may deride,
The Lover’s solace, and the Author’s pride.
What Wits! what Poets dost thou daily raise!
How frequent is thy use, how small thy praise!
Condemned at length to be forgotten quite,
With all the pages which ’twas thine to write.
But thou, at least, mine own especial pen!
Once laid aside, but now assumed again,
Our task complete, like Hamet’s shall be free;
Though spurned by others, yet beloved by me:
Then let us soar to-day; no common theme,
No Eastern vision, no distempered dream
Inspires—our path, though full of thorns, is plain;
Smooth be the verse, and easy be the strain.

  When Vice triumphant holds her sov’reign sway,
Obey’d by all who nought beside obey;
When Folly, frequent harbinger of crime,
Bedecks her cap with bells of every Clime;
When knaves and fools combined o’er all prevail,
And weigh their Justice in a Golden Scale;
E’en then the boldest start from public sneers,
Afraid of Shame, unknown to other fears,
More darkly sin, by Satire kept in awe,
And shrink from Ridicule, though not from Law.

  Such is the force of Wit! I but not belong
To me the arrows of satiric song;
The royal vices of our age demand
A keener weapon, and a mightier hand.
Still there are follies, e’en for me to chase,
And yield at least amusement in the race:
Laugh when I laugh, I seek no other fame,
The cry is up, and scribblers are my game:
Speed, Pegasus!—ye strains of great and small,
Ode! Epic! Elegy!—have at you all!
I, too, can scrawl, and once upon a time
I poured along the town a flood of rhyme,
A schoolboy freak, unworthy praise or blame;
I printed—older children do the same.
’Tis pleasant, sure, to see one’s name in print;
A Book’s a Book, altho’ there’s nothing in’t.
Not that a Title’s sounding charm can save
Or scrawl or scribbler from an equal grave:
This LAMB must own, since his patrician name
Failed to preserve the spurious Farce from shame.
No matter, GEORGE continues still to write,
Tho’ now the name is veiled from public sight.
Moved by the great example, I pursue
The self-same road, but make my own review:
Not seek great JEFFREY’S, yet like him will be
Self-constituted Judge of Poesy.

  A man must serve his time to every trade
Save Censure—Critics all are ready made.
Take hackneyed jokes from MILLER, got by rote,
With just enough of learning to misquote;
A man well skilled to find, or forge a fault;
A turn for punning—call it Attic salt;
To JEFFREY go, be silent and discreet,
His pay is just ten sterling pounds per sheet:
Fear not to lie,’twill seem a sharper hit;
Shrink not from blasphemy, ’twill pass for wit;
Care not for feeling—pass your proper jest,
And stand a Critic, hated yet caress’d.

And shall we own such judgment? no—as soon
Seek roses in December—ice in June;
Hope constancy in wind, or corn in chaff,
Believe a woman or an epitaph,
Or any other thing that’s false, before
You trust in Critics, who themselves are sore;
Or yield one single thought to be misled
By JEFFREY’S heart, or LAMB’S Boeotian head.
To these young tyrants, by themselves misplaced,
Combined usurpers on the Throne of Taste;
To these, when Authors bend in humble awe,
And hail their voice as Truth, their word as Law;
While these are Censors, ’twould be sin to spare;
While such are Critics, why should I forbear?
But yet, so near all modern worthies run,
’Tis doubtful whom to seek, or whom to shun;
Nor know we when to spare, or where to strike,
Our Bards and Censors are so much alike.
Then should you ask me, why I venture o’er
The path which POPE and GIFFORD trod before;
If not yet sickened, you can still proceed;
Go on; my rhyme will tell you as you read.
“But hold!” exclaims a friend,—”here’s some neglect:
This—that—and t’other line seem incorrect.”
What then? the self-same blunder Pope has got,
And careless Dryden—”Aye, but Pye has not:”—
Indeed!—’tis granted, faith!—but what care I?
Better to err with POPE, than shine with PYE.

  Time was, ere yet in these degenerate days
Ignoble themes obtained mistaken praise,
When Sense and Wit with Poesy allied,
No fabled Graces, flourished side by side,
From the same fount their inspiration drew,
And, reared by Taste, bloomed fairer as they grew.
Then, in this happy Isle, a POPE’S pure strain
Sought the rapt soul to charm, nor sought in vain;
A polished nation’s praise aspired to claim,
And raised the people’s, as the poet’s fame.
Like him great DRYDEN poured the tide of song,
In stream less smooth, indeed, yet doubly strong.
Then CONGREVE’S scenes could cheer, or OTWAY’S melt;
For Nature then an English audience felt—
But why these names, or greater still, retrace,
When all to feebler Bards resign their place?
Yet to such times our lingering looks are cast,
When taste and reason with those times are past.
Now look around, and turn each trifling page,
Survey the precious works that please the age;
This truth at least let Satire’s self allow,
No dearth of Bards can be complained of now.
The loaded Press beneath her labour groans,
And Printers’ devils shake their weary bones;
While SOUTHEY’S Epics cram the creaking shelves,
And LITTLE’S Lyrics shine in hot-pressed twelves.
Thus saith the Preacher: “Nought beneath the sun
Is new,” yet still from change to change we run.
What varied wonders tempt us as they pass!
The Cow-pox, Tractors, Galvanism, and Gas,
In turns appear, to make the ****** stare,
Till the swoln bubble bursts—and all is air!
Nor less new schools of Poetry arise,
Where dull pretenders grapple for the prize:
O’er Taste awhile these Pseudo-bards prevail;
Each country Book-club bows the knee to Baal,
And, hurling lawful Genius from the throne,
Erects a shrine and idol of its own;
Some leaden calf—but whom it matters not,
From soaring SOUTHEY, down to groveling STOTT.

  Behold! in various throngs the scribbling crew,
For notice eager, pass in long review:
Each spurs his jaded Pegasus apace,
And Rhyme and Blank maintain an equal race;
Sonnets on sonnets crowd, and ode on ode;
And Tales of Terror jostle on the road;
Immeasurable measures move along;
For simpering Folly loves a varied song,
To strange, mysterious Dulness still the friend,
Admires the strain she cannot comprehend.
Thus Lays of Minstrels—may they be the last!—
On half-strung harps whine mournful to the blast.
While mountain spirits prate to river sprites,
That dames may listen to the sound at nights;
And goblin brats, of Gilpin Horner’s brood
Decoy young Border-nobles through the wood,
And skip at every step, Lord knows how high,
And frighten foolish babes, the Lord knows why;
While high-born ladies in their magic cell,
Forbidding Knights to read who cannot spell,
Despatch a courier to a wizard’s grave,
And fight with honest men to shield a knave.

  Next view in state, proud prancing on his roan,
The golden-crested haughty Marmion,
Now forging scrolls, now foremost in the fight,
Not quite a Felon, yet but half a Knight.
The gibbet or the field prepared to grace;
A mighty mixture of the great and base.
And think’st thou, SCOTT! by vain conceit perchance,
On public taste to foist thy stale romance,
Though MURRAY with his MILLER may combine
To yield thy muse just half-a-crown per line?
No! when the sons of song descend to trade,
Their bays are sear, their former laurels fade,
Let such forego the poet’s sacred name,
Who rack their brains for lucre, not for fame:
Still for stern Mammon may they toil in vain!
And sadly gaze on Gold they cannot gain!
Such be their meed, such still the just reward
Of prostituted Muse and hireling bard!
For this we spurn Apollo’s venal son,
And bid a long “good night to Marmion.”

  These are the themes that claim our plaudits now;
These are the Bards to whom the Muse must bow;
While MILTON, DRYDEN, POPE, alike forgot,
Resign their hallowed Bays to WALTER SCOTT.

  The time has been, when yet the Muse was young,
When HOMER swept the lyre, and MARO sung,
An Epic scarce ten centuries could claim,
While awe-struck nations hailed the magic name:
The work of each immortal Bard appears
The single wonder of a thousand years.
Empires have mouldered from the face of earth,
Tongues have expired with those who gave them birth,
Without the glory such a strain can give,
As even in ruin bids the language live.
Not so with us, though minor Bards, content,
On one great work a life of labour spent:
With eagle pinion soaring to the skies,
Behold the Ballad-monger SOUTHEY rise!
To him let CAMOËNS, MILTON, TASSO yield,
Whose annual strains, like armies, take the field.
First in the ranks see Joan of Arc advance,
The scourge of England and the boast of France!
Though burnt by wicked BEDFORD for a witch,
Behold her statue placed in Glory’s niche;
Her fetters burst, and just released from prison,
A ****** Phoenix from her ashes risen.
Next see tremendous Thalaba come on,
Arabia’s monstrous, wild, and wond’rous son;
Domdaniel’s dread destroyer, who o’erthrew
More mad magicians than the world e’er knew.
Immortal Hero! all thy foes o’ercome,
For ever reign—the rival of Tom Thumb!
Since startled Metre fled before thy face,
Well wert thou doomed the last of all thy race!
Well might triumphant Genii bear thee hence,
Illustrious conqueror of common sense!
Now, last and greatest, Madoc spreads his sails,
Cacique in Mexico, and Prince in Wales;
Tells us strange tales, as other travellers do,
More old than Mandeville’s, and not so true.
Oh, SOUTHEY! SOUTHEY! cease thy varied song!
A bard may chaunt too often and too long:
As thou art strong in verse, in mercy, spare!
A fourth, alas! were more than we could bear.
But if, in spite of all the world can say,
Thou still wilt verseward plod thy weary way;
If still in Berkeley-Ballads most uncivil,
Thou wilt devote old women to the devil,
The babe unborn thy dread intent may rue:
“God help thee,” SOUTHEY, and thy readers too.

  Next comes the dull disciple of thy school,
That mild apostate from poetic rule,
The simple WORDSWORTH, framer of a lay
As soft as evening in his favourite May,
Who warns his friend “to shake off toil and trouble,
And quit his books, for fear of growing double;”
Who, both by precept and example, shows
That prose is verse, and verse is merely prose;
Convincing all, by demonstration plain,
Poetic souls delight in prose insane;
And Christmas stories tortured into rhyme
Contain the essence of the true sublime.
Thus, when he tells the tale of Betty Foy,
The idiot mother of “an idiot Boy;”
A moon-struck, silly lad, who lost his way,
And, like his bard, confounded night with day
So close on each pathetic part he dwells,
And each adventure so sublimely tells,
That all who view the “idiot in his glory”
Conceive the Bard the hero of the story.

  Shall gentle COLERIDGE pass unnoticed here,
To turgid ode and tumid stanza dear?
Though themes of innocence amuse him best,
Yet still Obscurity’s a welcome guest.
If Inspiration should her aid refuse
To him who takes a Pixy for a muse,
Yet none in lofty numbers can surpass
The bard who soars to elegize an ***:
So well the subject suits his noble mind,
He brays, the Laureate of the long-eared kind.

Oh! wonder-working LEWIS! Monk, or Bard,
Who fain would make Parnassus a church-yard!
Lo! wreaths of yew, not laurel, bind thy brow,
Thy Muse a Sprite, Apollo’s sexton thou!
Whether on ancient tombs thou tak’st thy stand,
By gibb’ring spectres hailed, thy kindred band;
Or tracest chaste descriptions on thy page,
To please the females of our modest age;
All hail, M.P.! from whose infernal brain
Thin-sheeted phantoms glide, a grisly train;
At whose command “grim women” throng in crowds,
And kings of fire, of water, and of clouds,
With “small grey men,”—”wild yagers,” and what not,
To crown with honour thee and WALTER SCOTT:
Again, all hail! if tales like thine may please,
St. Luke alone can vanquish the disease:
Even Satan’s self with thee might dread to dwell,
And in thy skull discern a deeper Hell.

Who in soft guise, surrounded by a choir
Of virgins melting, not to Vesta’s fire,
With sparkling eyes, and cheek by passion flushed
Strikes his wild lyre, whilst listening dames are hushed?
’Tis LITTLE! young Catullus of his day,
As sweet, but as immoral, in his Lay!
Grieved to condemn, the Muse must still be just,
Nor spare melodious advocates of lust.
Pure is the flame which o’er her altar burns;
From grosser incense with disgust she turns
Yet kind to youth, this expiation o’er,
She bids thee “mend thy line, and sin no more.”

For thee, translator of the tinsel song,
To whom such glittering ornaments belong,
Hibernian STRANGFORD! with thine eyes of blue,
And boasted locks of red or auburn hue,
Whose plaintive strain each love-sick Miss admires,
And o’er harmonious fustian half expires,
Learn, if thou canst, to yield thine author’s sense,
Nor vend thy sonnets on a false pretence.
Think’st thou to gain thy verse a higher place,
By dressing Camoëns in a suit of lace?
Mend, STRANGFORD! mend thy morals and thy taste;
Be warm, but pure; be amorous, but be chaste:
Cease to deceive; thy pilfered harp restore,
Nor teach the Lusian Bard to copy MOORE.

Behold—Ye Tarts!—one moment spare the text!—
HAYLEY’S last work, and worst—until his next;
Whether he spin poor couplets into plays,
Or **** the dead with purgatorial praise,
His style in youth or age is still the same,
For ever feeble and for ever tame.
Triumphant first see “Temper’s Triumphs” shine!
At least I’m sure they triumphed over mine.
Of “Music’s Triumphs,” all who read may swear
That luckless Music never triumph’d there.

Moravians, rise! bestow some meet reward
On dull devotion—Lo! the Sabbath Bard,
Sepulchral GRAHAME, pours his notes sublime
In mangled prose, nor e’en aspires to rhyme;
Breaks into blank the Gospel of St. Luke,
And boldly pilfers from the Pentateuch;
And, undisturbed by conscientious qualms,
Perverts the Prophets, and purloins the Psalms.

  Hail, Sympathy! thy soft idea brings”
A thousand visions of a thousand things,
And shows, still whimpering thro’ threescore of years,
The maudlin prince of mournful sonneteers.
And art thou not their prince, harmonious Bowles!
Thou first, great oracle of tender souls?
Whether them sing’st with equal ease, and grief,
The fall of empires, or a yellow leaf;
Whether thy muse most lamentably tells
What merry sounds proceed from Oxford bells,
Or, still in bells delighting, finds a friend
In every chime that jingled from Ostend;
Ah! how much juster were thy Muse’s hap,
If to thy bells thou would’st but add a cap!
Delightful BOWLES! still blessing and still blest,
All love thy strain, but children like it best.
’Tis thine, with gentle LITTLE’S moral song,
To soothe the mania of the amorous throng!
With thee our nursery damsels shed their tears,
Ere Miss as yet completes her infant years:
But in her teens thy whining powers are vain;
She quits poor BOWLES for LITTLE’S purer strain.
Now to soft themes thou scornest to confine
The lofty numbers of a harp like thine;
“Awake a louder and a loftier strain,”
Such as none heard before, or will again!
Where all discoveries jumbled from the flood,
Since first the leaky ark reposed in mud,
By more or less, are sung in every book,
From Captain Noah down to Captain Cook.
Nor this alone—but, pausing on the road,
The Bard sighs forth a gentle episode,
And gravely tells—attend, each beauteous Miss!—
When first Madeira trembled to a kiss.
Bowles! in thy memory let this precept dwell,
Stick to thy Sonnets, Man!—at least they sell.
But if some new-born whim, or larger bribe,
Prompt thy crude brain, and claim thee for a scribe:
If ‘chance some bard, though once by dunces feared,
Now, prone in dust, can only be revered;
If Pope, whose fame and genius, from the first,
Have foiled the best of critics, needs the worst,
Do thou essay: each fault, each failing scan;
The first of poets

Lucy, you brightness of our sphere, who are
Life of the Muses' day, their morning star!
If works, not th' author's, their own grace should look,
Whose poems would not wish to be your book?
But these, desir'd by you, the maker's ends
Crown with their own. Rare poems ask rare friends.
Yet satires, since the most of mankind be
Their unavoided subject, fewest see;
For none e'er took that pleasure in sin's sense
But, when they heard it tax'd, took more offence.
They, then, that living where the matter is bred,
Dare for these poems, yet, both ask and read
And like them too, must needfully, though few,
Be of the best; and 'mongst those best are you,
Lucy, you brightness of our sphere, who are
The Muses' evening, as their morning star.

A slow walk up Centennial
and I still can’t find the place
it's menacing cold, and muted
and the street sweeper and winter breeze
move the Turkish blend and dust pack

A novice mixed duet plays
Brahms on broken strings
the erhu and overcoat
veiling a blue heeler and sphinx

Maggianos is settled in the center block’s
luminance and seasonal drape
it's festive warmth bringing home Bedford Falls;
the flavour and character and social circles

Annie’s playing and the keeper's singing
(his word pool and slander
raising everyone in arms!)
the crowd chants and mayhem breaks
as crawlers and contemporaries
smash their steins

Dark alleys and dripping holes
hold a grim reminder of the pierced underside
paddies flutter and forge their words
with a broad manifesto

Night gardens come alive
(slowly sapping the respite)
hunched figures and ladies in lace
shuffle inside the big orange door

So let us now place monetary value on information.
Let us return to the source,
Mining & prospecting that fertile intel seam.
To wit: WWII and G-2 shenanigans.
Wild Bill and OSS-capades,
Artificial disseminations.
Partial recriminations.
And PSYOPS:
A literary nightmare--
THE CYCLOPS from The Odyssey,
For example,
If you lack your own,
Your own personal Bogey Man.
Or men. For me:
Allen Dulles or Richard Helms.

The Intelligence Community:
It was a small tightly knit crew,
Less than battalion strength in 1942;
A few myopic soldiers,
Who, although could barely type,
Were still too cerebral to
Waste as infantry fodder.
It was a huge converted Army-green warehouse,
Space strategically partitioned,
Sectioned off into cubicle-like spaces,
By giant 4-drawer file cabinets
Standing tall like MPs,
Sentinels & Guardians,
Monuments to pre-electronic storage,
Data relatively comprehensive, and an
Archive secretive & intimidating.

Within the Army-green incunabula,
Scattered throughout the intel landscape,
Here and there a few commissioned officers,
A smattering of college psychology majors,
Personalities with predilections,
And penchants for mind games.
These self same WWII vets,
Would morph into Cold War Mad Men.
Stalwart, stouthearted men of Eisenhower,
And J. Walter Thompson,
De-mobbed, as they say in the UK.
Consumptive.
Self-indulgent,
Particularly when it came to the kids;
Children of the peace,
Called Baby-Boomers,
An entire generation enabled & destroyed.
Who would produce little of value
Except medical marijuana and
Coupons, clipped by that sober ruling class—
Fat interest-bearing college-loan portfolios
Held by that neo-Calvinist Elect: The 1%.
Fat cats one and all,
Loaded dice & canasta cronies--
In concert a stacked deck,
“Una mano lava l'altra.”
The words of my namesake--
My grandfather Giuseppe--
His vowels reverberating,
Rattling in my dreams.
Not friends, but
Fiends in high places, like
The Fed and dark liquid pools.
Thank you, Barack, for
Fooling us again.
For giving us
“Belief we can believe in.”

But I digress.
It was when the Government Secrecy Act,
In all its transnational incarnations,
Embraced capitalism in a big way,
Elevating the ideology to whole-Earth saturation,
Systemizing the ethos of Darwin,
Into one global Moby ****,
One solitary leviathan,
A multi-level marketing labyrinth,
Where wealth is the end game--
Greed: pure, unbridled & unrestrained.
Bond--James Bond—
Did his bit, supplying catchy
Slogans & tag-lines:
“For Your Eyes Only.”
“On a need to know basis.”
“Confidential Information.”
“Top & Ultra-Top Secret.”
“Hush, Hush & a Bag of Chips.”

The sealed letter sits in a locked drawer,
In that stout desk,
In the Oval Office
In The White House,
“To be opened by my VP in the event of my death.”
Another staggering work,
Of achy-achy-heart breaking genius,
The culture commoditized,
A disease containing its own cure,
Assayed, graded,
Portioned & packaged.
Priced accordingly,
To a logic that goes something like:
“Anything this tightly controlled,
Anything the government deems to be
This illegitimate and/or & secret
Must be really, really God-awesome,
Must really be Da ******* Bomb.”

Brother Coolidge was right:
“The Business of America is Business.”
And INFORMATION:
“The Most Valuable Commodity on Earth.”
So said Stanford Stuyvesant Whitehead III,
19th Century robber baron, and
Consummate Fat Cat.
Get the picture:
We were smoking cigars and sipping cognac,
Mighty comfortable in leather armchairs,
Muted billiard clicks,
Punctuating the atmosphere
In this spacious lounge,
His East Side
Downtown & private
Manhattan club.
I, his guest, had not the slightest idea
Why I was there.
"By God, man," he went on,
My eyes speared by his laser gaze,
His bushy eyebrows,
His monocle.
His bulbous nose;
His thick wet mustache.
And those EYES:  
Those crazy,
Insane eyes.

"I am talking about a profound change,” he continued.
“Back when the steamship
Gave way to electronic wireless radio."
He puffed smoke,
Removing the cigar from his mouth,
Holding it,
Examining it critically for a moment.
"I'm talking about communication,
Instant communication
With business associates, &
Cronies far away,
Way out there,
Far beyond the places we know well.
Picture it:
You're running a fleet of
Ramshackle Filipino banana boats,
Out of some nameless cove,
Indenting the south coast of Mindanao.
A cyclone comes out of nowhere.
Good God--there’s sixteen banana-packed
Coal burners lying on the bottom of the Celebes Sea.
Think about it:
You've got telegraph radio.
Everyone else has the post office.
Now, I ask you:
‘Who's going long,
Who’s getting rich on the
Caracas Banana Exchange?’
Good Lord, man, it would be
Like being omniscient!"
“This very conversation,” he went on,
“Could well be a verbatim transcription
Of a conversation right here in this very room,
Between people like: J. Pierpont Morgan
And some lesser Gilded Age nabob;
Some Astor, some Rockefeller,
A Gould or Vanderbilt,
Whitney or Duke,
Some Frick or Warburg--
To name just a few, old sport.”
He stopped suddenly.
He looked down at his hands,
As we both realized he had counted these names
Out on his fat curled fingers.
He looked at me and smiled.
I was afraid.
Why had I been invited to this meeting?
I smiled back at him,
Doing my best to mirror his
Carnivorous menace.

I knew it.
He knew it.
He knew I knew it.
Mr. Whitehead’s growling rabid jowls,
His slobbering canine smile held me steady.
“Okay. Touché. ‘Ya got me.”
He shook off the phony smile,
An absence, accentuating
His stare: lethal, carnal & rare.
“I never had much formal schooling.
I’ve been hungry.
Hungry enough to know for sure
That the correct fork,
Don’t mean ***** from shinola.
When I’m dining out, fancy-like,
Me manners is the least of me problems,
Far less important than
The dinner chit they
Hand me after I slake
My thirst & appetite.”
Again, he stopped suddenly,
Recognizing that, perhaps,
He’d revealed too much of his
Bedford-Stuyvesant pedigree.
He turned again and stared at me.
“None of that,” he said.
“None of that means squat to me, Boyo.
What matters now is I’m rich.
I’ve got mine, By God,
And ******* It!
Tough ***** on the rest of you losers;
The rest of you fecking whiners can go
**** yourselves over at Zuccotti Park.”
He pounded the armrest,
The padded armrest of the rich Corinthian leather—
( . . . ***, Ricardo?
Get your Montalbán
Mexicano ***, back in
Random Access Memory Land,
Where you belong.
**** ya’ Fantasy Island
Hospitality, Mr. Roarke,
Go be wrathful Khan Noon Singh,
Somewhere else.
Now is not the time, or,
Let me rephrase that:
This narrative will not allow your meme here . . .)    

Whitehead pounds the armrest again.
“My point is this:  
None of JP Morgan’s decidedly,
un-nattering lesser nabobs of negativity . . .”
BAM!  Again, he pounded the leather . . .

(Back in your ******* hole, Spiro!
Do you realize just how far back,
Just how far back
Maryland’s reputation
Has been set back by your venality?
Not to mention any shot at ethnic assimilation,
The rest of us grease ball non-Wasps
Have in this country?
You ******* Greek!)

I stopped thinking
When I realized Stanford Stuyvesant Whitehead III
Was reading my mind.
“So that’s what it’s really all about,” he said,
Rank smugness in his voice.
“So, I’m just a nouveau riche upstart,
A socially inept parvenu,
Yet they still let me
Join their tony clubs.
It chaps your ***, Boyo, don’t it?
I’m still Scotch-Irish, and
A WASP, Laddie.
Something your skinny
Greaser-Guinea-****-Spaghetti-*** ***,
Ain’t ever gonna be.”
But I digress, again.

So I joined one of Uncle Sam’s
Lesser-known clandestine services,
An assignment appropriate to my ethnic identity,
Namely GLADIO in Italy,
A NATO stay-behind operation &
Cold-War comedy.
I infiltrated the Brigate Rosse.
I drove the Aldo Moro kidnap vehicle.
I cooked minestrone for General Dozier.
I sliced off J. Paul Getty’s ear in Calabria.
Ironically, I lost my hearing during
The Stazione Bologna bombing.
I am consequently pensioned off,
Off both the radar and the payroll.
Years later now,
I live in one of those gated, golf-coursed,
Over-55, sunny southern California
Lunatic asylums.

Most days I am drunk at 9 AM.
I fill Bukowski mornings,
Conjuring up Jane Fonda,
Jazzercised in camo spandex.
She is high atop a Vietcong tank in Hanoi.
Or Daniel Ellsberg
Enjoying a second act in American politics,
Praising Snowden & Assange,
& Bradley Manning,
I summon up the ghosts of
Julius & Ethel,
Benedict Arnold,
Rose of Tokyo & Mata Hari—
And Ezra exiled at Rapallo,
And John Walker Lindh,
A Yankee Doodle Dandy,
Born in Washington,
District of Columbia,
By way of Afghanistan,
Taliban Americano,
Kangaroo-courted,
Presently residing at the
Federal Correctional Institution
At Terre Haute, Indiana.
Spies.
Traitors.
Saboteurs.
And Poets?
No longer capable of keeping secrets.
Desperate now to tell
The truth.

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I get off the Belt Parkway at Rockaway Boulevard and
Jet aloft from Idyllwild.
(I know, now called J.F. ******* K!)
Aboard a TWA 747 to what was then British East Africa,
Then overland by train to Baroness Blixen’s Nairobi farm . . .
You know the one at the foot of the Ngong Hills.
I lease space in Karen’s African dreams,
Caressing her long white giraffe nape,
That exquisite Streep jugular.
I am a ghost in Meryl’s evil petting zoo:
I haunt the hand that feeds me.

Safely back in Denmark, I receive treatment
For my third bout with syphilis at Copenhagen General.
Cured at last, I return to Kenya and Karen.
In my solitude or sleep, I go with her,
One hundred miles north of the Equator,
Arriving at Julia Child’s marijuana herb garden–
Originally Kikuyu Land, of course—
But mine now by imperial design &
California voter referendum.
(Voiceover) "I had a farm in Africa
At the foot of the Ngong Hills."
My farm lies high above the sea at 6,000 feet.
By daybreak I feel oh, oh so high up,
Near to the sun on early mornings.
Evenings so limpid and restful;
Nights oh, so cold.
Mille Grazie a lei, Signore *******!
Andiamo, Sydney, amico mio.
Let it flow like the water that lives in Mombasa.
Let it flow like Kurt Luedtke’s liquid crystal script.
We zoom in. We go close in. Going close up,
On the face of Isak Dinesen’s household
Servant and general factotum. (Full camera ******)
Karen Blixen’s devoted Muslim manservant,
Farah: “God is happy, msabu. He plays with us…”
He plays with me.  And who shall I be today?
How about Tony Manero for starters?
Good choice. Nicely done!
Geezer Manero:  old and bitter now,
Still working at the hardware store,
Twice-divorced, a chain-smoker,
Severely diabetic, a drunk on dialysis 3 times a week.
Bite me, Pop:  I never thought I was John Travolta.
But, hey, I had my shot:  “I coulda been a contenda.”
Once more, by association only,
I am a great artist again, quickly made
Near great by a simple second look.
Why, oh God? I am kvetching again.
I celebrate myself and sing the
L-on-forehead loser’s lament:
Why implant the desire and then
Withhold from me the talent?
“I wrote 30 ******* operas,”
I hear Salieri’s demented cackle.
“I will speak for you, Wolfie Babaloo;
I speak for all mediocrities.
I am their champion, their patron saint.”

Must I wind up in the same
Viennese loony bin with Antonio?
Note to self:  GTF out of Austria post-haste!
I’ve been called on the Emperor’s carpet again,
My head, my decapitated Prufrock noodle,
Grown slightly bald, brought in upon a platter.
Are peaches in season?
Do I dare eat one?
I am Amadeus, ******, infantile,
An irresistible iconoclast and clown.
Wolfie:   “I am called on the imperial carpet again.
The Emperor may have no clothes but he’s got a
Shitload of ******* carpets."
Hello Girls: ‘Disco Tampons!
Staying inside, staying inside!
Wolfie: "Why have I chosen a ****** farce for my libretto?
Surely there are more elevated themes . . . NO!
I am fed to the teeth with elevated themes,
People so lofty they **** marble!"
Confutatis maledictis,
Flammis acribus addictis.

So, I mix paint in the hardware store by day.
I dance all night, near-great again by locomotion.
Join me in at least one of my verifiable nine lives.
Go with me across the Narrows,
Back to Lenape with the wild red men of Canarsee,
To Vlacke Bos, Boswijk & Nieuw Utrecht,
To Dutch treat Breuckelen, Red Hook & Bensonhurst,
To Bay Ridge and the Sheepshead.
Come with me to Coney Island’s Steeplechase & Luna Park, &
Dreamland (aka Brownsville) East New York, County of Kings.
If I’m lying, I’m dying.
And while we’re on the subject now,
Bwana Finch Hatton (pronounced FINCH HATTON),
Why not turn your focus to the rival for Karen’s heart,
To the guy who nursed her through the syphilis,
That old taciturn ******, Guru Farah?
Righto and Cheerio, Mr. Finch Hatton,
Denys George of that surname—
Why not visualize Imam Farah?
Farah: a Twisted Sister Mary Ignatius,
Explaining it all to your likes-the-dark-meat
Friend and ivory-trading business partner,
Berkeley (pronounced BARK-LEE) Cole.
Can you dig it, Travolta?
I knew that you could!

Oh yeah, Tony Manero, the Bee Gees & me,
A marriage made in Brooklyn.
The Gibbs providing the sound track while
I took care of the local action.
I got more *** than a toilet seat, a Don Juan rep &
THE CLAP on more than one occasion.
Probably from a toilet seat.
Even my big brother–the failed priest,
Celibate too long and desperate now–
Even my defrocked, blue-balled brother,
Frankie, cashing in his chips at the Archdiocese,
Taking soave lessons from yours truly,
Taking notes, copying my slick moves with chicks.
It was the usual story with the usual suspects &
The usual character tests. All of which I flunk.
I choose Fitzgerald's “vast, ****** meretricious beauty,”
My jumpstart to the middle class.
I spurn the neighborhood puttana,
Mary Catherine Delvecchio: the community ****
With the proverbial heart of gold &
A backpack full of self-esteem deficits.
I opt out.  I’m hungry and leaping.
I morph again, grab *** the golden girl.
Now I’m Gatsby in a white suit,
Stalking Daisy Buchanan in East Egg,
Daisy: her voice full of money;
My green light flashing on the disco dance floor.
I, a fool for love; she, my faithless uptown girl,
Golden and delicious like the apple,
Capricious like a blue Persian cat.
My “orgiastic future” eluded me then.
It eludes me still. Time to go home again to the place
****-ant Prufrocks ponder their pathetic dying embers.
Time to assume the position:
Gazing out from some trapezoidal patch of green
At the foot of Roebling’s bridge,
Contemplating an alternative reality for myself,
A new life across the East River,
In the city that never sleeps.
I crave. I lust. I am a guinzo Eva Duarte.
I too must be a part of B.A., Buenos Aires:
THE BIG APPLE.
But I am ashamed of my luggage,
Not to mention my baggage.
It’s like that last thing Holden Caulfield said to me,
Just before he crossed over the Brooklyn Bridge,
Crossed over to Manhattan without me,
Leaving me alone again, searching for our kid sister,
Phoebe, the only one on earth we can relate to:
“It’s really hard to be roommates with people
If your suitcases are much better than theirs.”
Ow! That stung; that was a stinger.
I am smithereened by a self-guided drone,
A smart bomb full of snide antigravity,
Transformational and caustic.
My meager allotment of self-esteem
Metastasizes into something base,
Something heavy and vile.
I drop to earth like lead mozzarella.

I am unworthy, unworthy in the maximum mendicant,
Roman Catholic mea culpa sense of the word.
I am now Umberto Eco’s penitenziagite.
I am Salvatore, a demented hunchback
(Played flawlessly as a demented hunchback by Ron Perlman),
Spewing linguistic gibberish in a variety of vernaculars:
“Lord, I am not worthy to live anywhere west of the Gowanus Canal.”
By East River waters I weep bitter tears,
The promise of a promised land denied.
I am a garlic-eating Chuck Yeager,
Auguring in, burnt beyond recognition,
An ethnic trope, a defiant Private Maggio
From here and for eternity,
Forever a swarthy ethnic stereotype
Trying to escape thru a small but significant
Hole in the ozone layer above South Ozone Park,
New York, zip code 11420.
That’s right, Ozone Park.
If you don’t believe me, look it up.
GO ******* GOOGLE IT!

And I just don’t know when to quit.
So why quit there?
Work with me, fratello mio, mon lecteur.
Like you, I took the LSAT so long ago.
Why am I not a distinguished American jurist
Asking the one question that seems to be on
Everyone’s eugenic lips today:
“Aren’t three generations of imbeciles enough?”
I am Charly from Flowers for Algernon,
A slow learner with a push broom, swept up in
Some dust from Leonard Cohen’s cuff.
Lenny: a grey-beard loon himself now, singing
“Hallelujah” for fish & chips in London’s O2 Arena.
“Suzanne takes you down, Babaloo!”
At last, I am Jesus Quintana—
John Turturro stealing the movie as usual--
This time in a hair net and a jumpsuit,
"Made of a comfortable 65% polyester/35%
Cotton poplin, you can even add your own
Ribbon leg trim and monogramming
For just the right look to be one of
The Big Lebowski’s favorite characters.
Mouse-over the thumbnail below to see our actual style
(Color must be purple). Style #: 98P, Price: $55.95. On sale: $50.36.www.myjumpsuit.com."
Fortunately, I am a savvy marketeer:
I understand the artistic potential, the venal
Possibilities of product placement. Go with me
To that undiscovered country.
The humanities uncorrupted till now by
Crass gimcrack television ads. That’s right:
******* commercials smack dab in the
Middle of a ******* poem. Why not?
Great literature has always been about
Selling something, even if only an idea.
Hey, **** me, Herman Melville!
We both know the publication costs of
Moby **** were underwritten by the tattoo artists &
Harpoon manufacturers of New Bedford,
Matched by a small research grant from some
Proto-Greenpeace, Poseidon adventure in some
Great white whale-watching swinging soiree.
Murray the ******* K, pendejo!
At last, I am The Jesus, a pervert & pederast,
According to Walter Sobjak—another post-traumatic
Post Toasty, like me, still out there in the jungle,
Still in love with the smell of ****** in the morning.
My bowling buddy, Walter, comfortably far to the right of
The Dude, and Attila the *** for that matter,
But who gives a **** if Lenin was The Walrus?
(“Shut the **** up, Buscemi!”)
“Once you hang a right at Hubert Humphrey,”
Said the streets of 1968 Chicago,
"It’s all ******* fascism anyway.”
That creep could roll, though, and as we know so well:
“Nobody ***** with The Jesus.”
Can you dig it, Travolta?
I knew that you could!

INCOMING!
I just heard from an old girlfriend who is miles away,
Teaching school in Navajo Land.
The Big Rez:  a long day’s interstate katzenjammer,
A Route 66 nightmare by car, but by email,
Just down the block and round the corner.
I had previously closed an email to her with a frivolous
“Say hello to my stinky friend.”
It was a total non-sequitur, an iconic-moronic,
Ace Ventura-mutant line from Scarface,
Which may have meant–in my herbal lunch delirium—
That she should say hi to some mutual acquaintance
We mutually loathe, Or, perhaps an acknowledgement that she–
My surrogate Cameron Diaz–has a new **** buddy,
Of whom I am insanely jealous.
Or maybe it was a simple Seinfeld “about nothing.”
Who knows what goes on in that twisted *****’s head?
She spends the next two hours in a flood of funk,
A deluge of insecurity.
A veritable Katrina ****** of self-consciousness,
Interpreting my inane nonsense in terms of vaginal health.

Hey, you want to ruin a woman’s day?
Tell her, her **** smells.

When a woman says: she likes
The man to take the initiative;
What she is really saying is:
“Yes, I will *******, just ask.”
As I write these words,
I rent The Eugene O’Neill Theater,
Located between Broadway &
8th Ave, on West 49th Street,
No shabby venue, I might add.
Then I stage & cast the play,
Choosing for the role of me,
Myself:  Queequeg.
Ishmael’s Crypto-Gay,
New Bedford, Mass bedmate,
A large, well-toned, muscled
Man of much ink & few words,
Just short pigeon-English phrases,
Utterances such as: “I likee.”
That’s right, playing me is
Melville’s freaky, tattooed,
Polynesian harpooner,
Right out of Moby ****.
And should the ****** imagery &
Metaphor of me—yours truly—
Packing a harpoon in my trousers,
Prove a trifle too scrumptiously
Potent for you, consider please the
****** potential of a three-way with
*Chingachgook.

The night charade and other assorted chimes at the Bedford,
sometimes I stare at the moon,
it cannot comprehend what is going on
lost devotions, hedonism, no bulwark,
it stretches as far as the Wandle river
where a
once rusted supermarket trolley spoke as an epiphany,
for the immemorial down trodden.
Maria agreed, hope is transient,
perhaps unaware of the allusion.

and as the western slavs took to roman calibration and the eastern slavs took to reinterpreting greek with cyrillic, both the eastern and the western slavs lost sight of their pagan "ordeal" by forgetting their once fabled fathers in the stately category of gods, so while the eastern slavs continued to cling so desperately to woman kneeling in shawls by the altar of "innocent" sacrifice, the western slavs experienced a pagan revival on calton hill - so within all this being done, roman lettering had to undue the theological plagiarism of turning zeus into jupiter and jesus into jehovah on that mighty trident of poseidon. (oh... is it really that desperate and annoying and childish to use these nouns? i'd like to see you replace zeus et al. with: hydroxypropyl starch phosphate... or sodium lauroamphoacetate, although i admit, there's one rational and scientific concession to this, zeus et al. are all imaginary nouns, a bit like √-1ª.)*

on the shore of loch lomond
i was seduced by zeus to revive
polytheism in earnest with a stern gazing eye,
for zeus heard of the satisfaction of yahweh(ª although
this noun isn't... because why would rabbis
pain over yhwh with ha ha he he hi hi hu hu ** **
disambiguations, while the greeks
didn't ze ze za za is is us us es es os os zi zi zu zu
but instead allowed aristotelian musings?)
at the establishment of the state of israel,
(ah ****... had the pictures once...
but words are better than pictures
since pictures are a blockage of memory’s revival
while words penetrate -
although the damnable thing is,
i don’t remember what i said)
then too i saw hades seal the revival having turned
himself into cerberus in the forest of my resentments
unnamed just above bedford’s forest.

Martin Narrod [Chicago] to Adam Holzrichter [San Francisco, via NYC]*
June 26 2005
Guild Printers Press
122 Bedford
Brooklyn NY, 11211*

I peeled back the polyurethane bandage that wrapped together my two toes where I had dug them into the armoire once again last night. It's a raggedy old mess of green goop like your brother had when he returned from Sicily. Those posters and solipsisms of war, how could we forget, right?

The scene here is really frantic. There's a whole room knotted up with tea heads, loaded up on benzos, looking for green doves or any of the MDMA that came through Fulton Market last week. Mr. Popular is revealing any details, though I expect he'll want more than his own hands throwing around his dining room furniture. I count three days since I heard them through the wall, but I did go out yesterday for a brief walk to buy an 18-pack of ******, just in case I decide to come off the drink for a bit, I do have a blood disease you know that right?

Noon

It was about a month ago, I was at April's house, and I had woken up on the couch, standing up I felt a bit dizzy and realizing I hadn't had a drink of anything for about 12 hours I pulled a Red Stripe from the fridge. I shucked the cap off and put down nearly half of it, it was that cool Jamaica that rocked me man. As I was headed back to the couch I could tell something wasn't right, and that's when it all goes blank- they told me I had suffered a grand mal seizure, sister, brother, and April standing over me with Ouakimbo there too. He gave me those sterile gray straight eyes and a thousand yard stare. Then he popped right up and grabbed my wrist and held it. They put me on a cornucopia of blood thinners and muscle relaxers, it's grand, just ******* grand. I make a fist and my toes wiggle, blink my eyes and my tongue comes out. There is nothing truer than this humanness I now am enjoying. 2 days more they say it'll be before I can go back to the pen and our flat. Geoff just had a baby I read in a post I saw today that Ashley brought in, but i tell you. If you don't bring me a dollar slice from Jack's on Metropolitan you ain't gonna have any of this.

9:00p.m.

First it's cool down the back of the spine, like my bones have unhinged themselves and are resorting their positions to suit a more comfortable order of things. But I repeat, I REPEAT with all SERIOUSNESS. DO NOT TAKE ANY HALLUCINAGINS UNDER ANY CIRCUMSTANCES - Perhaps I have not explained myself too clearly - Guy is at the ice- the onlyu hope now is some morphine. In dealing with these underwear midettttttttttttttttttttttttttttttttttttttttttttttttttttttttttttt­ttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttt­ttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttt­ttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttttt­tttttttiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii­iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii­iiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiiii­iiiiiiiiiiiiiiiiiiiiotttt       vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv­vvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvvv­vcccccccccccccc.

a fistfull
a bucket full
a well full of dollars
take it from a building that is
well full of scholars

indiana curry
is very helpful
i ate it in a hurry
and now im well full

forceful
hateful
liverpool joe
trying to get a story straight for
doctor Foe

rightful
wrongful
bedford simone
you ate your mam on friday
and now youre all alone

getting older
summer vacations
like too much time
to think
overthink
drink and overdrink
my hometown doesn't
fit me anymore
it fills me like
smog
i breathed in too
much air
and it got stuck in
my lungs
like the thought
of you
9-5 days
like a religious experience
white office space and
dry humor
bitter like stained
coffee cups and
blurry childhood
memories
i'm very sad
that you died
all alone
in your office
when you could've
died reffing a basketball
game or
in bed next to your
wife on a
tuesday
how peaceful
would it have been
to die knowing
where you
stood and exactly
how it would
happen

1/5/2015
Carolina, Puerto Rico
"Llegó la adolescencia. Me sorprendió la vida
prendida en lo más ancho de tu viajar eterno;
y fui tuya mil veces, y en un bello romance
me despertaste el alma y me besaste el cuerpo.

¿A dónde te llevaste las aguas que bañaron
mis formas, en espiga de sol recién abierto?" - Julia De Burgos

so i sit here sickly inspecting
the light's gone dim
in a room where the sun shines through all of the slats
in the nestled crook nape of the Canovanas hills.

at the cape
of my head i'm trying to come to
terms with the fact.
the fact of what?

just the
fact.
I think of all the days I

spent sitting in this too sunny
room the too soft bed
my too hard body making prints
all over the caramel sheets.

It is my last day ever in this house
I touch the tiles and hear a Lomas rooster
crow and for what
does it crow?

A cloud moves away from the sun
the light is all over me now
and the only creeks

i've ever felt are the Bedford creek
and the Burnt Hill River of my town
I think of Loiza

and it is with a slight poignancy
and a bit of relief
i remember my plane
leaves in three hours.

i'm way past convincing people -
    children require the demand of
being believed -
   somehow: as you mature -
your ontology changes and a
subtle variant of apathy seeps
in...
     given...
              as someone who sat in a wheat
field under a tree...
no phone... drinking heavily
and listening to the wind rustle
the shafts -
             singing along to a song -
laughing - crying -
    and then spotting a u.f.o.?
like a jelly-fish luminescent -
    not exactly solid...
              well... m'eh...
   that's nothing...
                    doing the same but
on a log throne in a forest...
    and seeing a garmr -
  cŵn annwn - cerberus:
hellhound -
     chasing a rabbit passing meters
away from...
   well... not that's something...
so... either i wasn't real,
the hellhound surely wasn't...
as was the rabbit...
   yeah... the rabbit wasn't real...
u.f.o. what?
      m'eh...
      come the winter chill -
   i'll be walking back through its
shades and shadows -
seemingly blind -
        probably listening some
demdike stare -
     well **** me.... the album tryptych
set me back 30 quid...
   worth every penny.

If we are mark’d to die, we are enow
    To do our country loss; and if to live
    The fewer men, the greater share of honour.
    God’s will! I pray thee, wish not one man more.

    By Jove, I am not covetous for gold,
    Nor care I who doth feed upon my cost;
    It yearns me not if men my garments wear;
    Such outward things dwell not in my desires:

    But if it be a sin to covet honour,
    I am the most offending soul alive.
    No, faith, my coz, wish not a man from England:
    God’s peace! I would not lose so great an honour

    As one man more, methinks, would share from me
    For the best hope I have. O, do not wish one more!
    Rather proclaim it, Westmoreland, through my host,
    That he which hath no stomach to this fight,

    Let him depart; his passport shall be made
    And crowns for convoy put into his purse:
    We would not die in that man’s company
    That fears his fellowship to die with us.

    This day is call’d the feast of Crispian:
    He that outlives this day, and comes safe home,
    Will stand a tip-toe when this day is named,
    And rouse him at the name of Crispian.

    He that shall live this day, and see old age,
    Will yearly on the vigil feast his neighbors,
    And say ‘Tomorrow is Saint Crispian:’
    Then he will strip his sleeve and show his scars,

    And say ‘These wounds I had on Crispin’s day.’
    Old men forget: yet all shall be forgot,
    But he’ll remember with advantages
    What feats he did that day: then shall our names

    Familiar in his mouth as household words:
    Harry the king, Bedford and Exeter,
    Warwick and Talbot, Salisbury and Gloucester,
    Be in their flowing cups freshly remember’d,

    This story shall the good man teach his son;
    And Crispin Crispian shall ne’er go by,
    From this day to the ending of the world,
    But we in it shall be remembered;

    We few, we happy few, we band of brothers;
    For he to-day that sheds his blood with me
    Shall be my brother; be he ne’er so vile,
    This day shall gentle his condition:

    And gentlemen in England now abed
    Shall think themselves accursed they were not here,
    And hold their manhoods cheap whiles any speaks
    That fought with us upon Saint Crispin’s day.

Let's go to England

We can take a 6 am flight and be there by 3 pm

We can see the Tower Of London and share a kiss underneath The London Eye

We can spend two weeks in Bristol crossing bridges, floating in giant balloons, riding boats and bikes and visiting Bansky's art

We can visit Shakespeare's hometown and walk the streets that once fell in love with the feet of the most romantic writer of all time

We can drink coffee and smoke cigarettes at New Forest Park and go swimming at Towans Beach

We can make our own wine in Gloucestershire and have a picnic in Cambridge

We can dance near Princess Street and go clubbing in London

We can shop at the Stratford Centre and drink tea in Oxford

We can stand in the rain in Surrey and go to concerts in Bedford

We can start over and make all of our dreams come true

Let's go to England

I slept wonderfully,
expunged of all sins
actual and imagined,
under a checkered quilt,
I dreamed of an Adonis and forgetting,
His clothing perfectly accentuated
his classically perfect physique,
I don't know what to make of that,
that has  been happening so much lately,
Who do you confide in, when there is just jittery energy?
My body is calling for something but I have not yet formulated an answer,
I have made a deity out of caffeine lately,
and my nails are so far in the distant past,
they bumped into my great granda on Bedford terrace.
People ask me if I'll move back to my land of birth,
But I have never really left.

I REMEMBER BEDFORD, THE RIVER AND ALL,
ROWING AWAY WITH OVERHANGS WAS MAGICAL,
PATCHES OF SHADE, DAPPLED, COVERING THE BLADE,
DUCKS WERE FEARFUL, THOUGHT THERE WAS A RAID;
THEN THERE WAS KEMPSTON, A MILESTONE FOR SURE,
NOT TO BE FORGOTTEN, OCCURRS, HAPPENS TO US ALL,
WHAT WOULD YOU CHANGE IF YOU RE-WROTE THE SCRIPT?
NOTHING, THAT'S THE WAY IT WAS UNDER A CRYSTAL BLUE SKY;
MAYBE MY MUM AND DAD TRAIPSED OVER A BRIDGE,
IT'S A BLUR - CAN'T REMEMBER WHETHER IT HAPPENED OR NOT,
LET'S SAY IT DID - THE SMALL BOY RUNNING FROM BEHIND,
STAY AWAY FROM THE EDGE - THEY WERE THE WORRYING KIND;
NOW MAYBE THRO' THE BLUR AS THOUGH THE RED SEA HAD PARTED,
WE COULD ALL END UP EXACTLY WHERE WE STARTED.

It was 3:00 a.m. in Bowie Maryland in the year of our Lord, 1861.

A drum roll passed by in the night not more than a mile away, and Billy couldn’t tell whether it was coming from the Yanks or the Rebs. Both of Billy’s brothers had left home in the past two months.  His oldest brother Jeb having joined the Army of Northern Virginia, while his next oldest brother Seth was now fighting for the Union with Major General George G. Meade in the Army of the Potomac. Billy’s family was like a lot of other families in Maryland, and the Western Shore of Virginia, with some men choosing to fight for the North while many chose the South.

Billy was just about to turn sixteen and still had not chosen his side.  He had friends and family fighting for both and knew that the time was getting short for him to choose.  He couldn’t imagine fighting against either of his older brothers, but once he decided the possibility would definitely be there.  Billy pulled the bed covers over his head and thought back to a more pleasant time — a day when his two older brothers had taken him fishing in Mayo along the western shore of the Chesapeake Bay.

His brothers couldn’t have been more different.  Jeb was large and domineering with a personality that fit the profile of the typical soldier or warrior.  Seth was more studious and would rather have his nose stuck in a book than behind the sights of a Springfield Rifle Model 1861.  The 1861 was the most widely used rifle on both sides. The south called their version the Fayetteville Rifle, and Billy’s Dad had given his to Jeb just before he died last year.  Billy had never fired the big gun and had only carried it for his father and brother when they went on their weekly hunts for deer and small game.

Billy Finally Drifted Off To Sleep …

The next morning, his mother told him that Union soldiers had passed by in the night under the command of Colonel Elmer E. Ellsworth.  They were on their way to Alexandria Virginia to join with Colonel Orlando B. Wilcox in an attempt to retake Alexandria and drive the confederates out.  It was just too close to Washington D.C. and had to be secured. For several months confederate troops had been infiltrating Maryland and sightings had been reported from Hagerstown to Anne Arundel County. Billy wondered about the fighting that would take place later that week and hoped that wherever his brothers were engaged they were safe and out of harms way.

After breakfast, Billy decided to spend the day fishing along the Patuxent River just southeast of his home.  He rode their old Tennessee Walker George as his blue tick hound Alfie ran along side. It took Billy an hour to get to the river and he used the time to once again try and decide what the right thing was for him to do.  He had sympathies for both sides, and the decision in his mind was neither black nor white.  He wished that it was because then he could get this all over with and leave today. Billy was famous in his area for being able to get across the water. Whether it was a makeshift raft, dugout canoe, or just some drift lumber available, Billy had made it across long open stretches of the Chesapeake Bay — never once having been deterred.

He Was An Early Day Chesapeake Waterman

Billy returned home from fishing that day and found his house burned to the ground.  His mother was standing out front still in tears with her arms wrapped around Billy’s little sister Meg.  A rear-guard unit from Ellsworth’s column had gotten word that Billy’s brother Jeb was fighting for the South and just assumed that the entire family were southern sympathizers. Billy’s mother tried to tell the soldiers that her middle son was fighting with the Army of The Potomac.  No matter how hard she pleaded with the sergeant in charge, he evacuated all in the house (Billy’s Mother, Sister and Aunt Bess) and then covered the front porch in coal oil, lit it with a torch, and then just rode away. He never even turned around to watch it burn.

That Union Sergeant had now made Billy’s decision crystal clear, at least for the moment.  Once he got his mother, sister, and aunt resettled, he would make his way to Virginia and join with his older brother in the confederate cause. He remembered his brother Jeb telling him that the Confederate Soldiers had more respect, and he couldn’t imagine them doing to his family what the Union Army had just done.

It took Billy two weeks to get his Mother resettled with family up in Annapolis.  He then packed the little that remained of his belongings, loaded up old George, and said goodbye to the life he knew.  It would be a week’s ride to get past the Union Camps in Southern Maryland and Northern Virginia, and he knew he would have to stay in the tree line and travel at night.  If caught by the Yanks, his only chance of survival would be to join up with them, and he couldn’t imagine fighting for those who had just destroyed his home. His conviction to get past Fredericksburg was now determined and strong.

All Billy had to arm himself with was an 1860 percussion squirrel rifle that his brothers had bought him before going off to war.  It was only.36 caliber, but still gave Billy some feeling of security as he slowly passed through the trees in the dark. His plan was to hug the western shore of the bay, as far as Charlotte Hall, and then take two short ferry rides. His first would be across the Patuxent River and then one across the Potomac on his way to Fredericksburg.  He prayed and he hoped that the ferry’s he found were not under Union control.

Billy spent his first night in Churchton along the western shore. It was quiet and uneventful, and he was actually able to get a good night’s sleep.  He had run out of oats for George though, and in the morning needed to find an understanding farmer to help fortify his mount.  As he approached the town of Sunderland, he saw a farmer off to his right (West) tending to his fields.  Billy approached the farmer cautiously making sure he rode around in front of the farmer and not approaching from the rear.

The farmer said his name was Hawkins, and he told Billy there were oats over in the barn and two water troughs in front of the house.  He also said that if he was hungry there was a woman inside who would fix him something to eat.  He then told him that he could spend the night in his barn but since it was still early in the day, he said he was sure that Billy wanted to move on.

Billy thought it was strange that the man asked no other questions of him.  He seemed to accept Billy for all that he was at the moment — a young man riddled with uncertainty and doubt and on his way to a place he still wasn’t sure was right for him.  The look in the man’s eyes pointed Billy in the direction he now needed to go, and as he turned to thank him for his hospitality the man had already turned back to his plow.

In the barn were three large barrels of oats and five empty stalls. Two of the stalls looked like they had recently been slept in because there were two empty plates and one pair of socks still lying in the stall furthest to the left.  Billy fed George the oats and then walked outside.  Everything looked quiet in the house as he approached the front door.  He knocked twice, and a handsome looking woman about his mother’s age answered before he could knock a third time.  The woman’s name was Martha and as she invited Billy inside, she asked him when was the last time he had eaten?
Yesterday morning Ma’m, Billy said, as Martha prepared him some cold pork and cooked beans.  Billy was so hungry that he thought it was the best thing that he had ever tasted. Martha then told Billy to be careful in the woods because both union and rebel forces had been seen recently and there were stories of atrocities from both sides as they passed on their way.  Martha also said she had heard that Union forces had burned a farm up in Bowie a few weeks ago.  Billy stayed quiet and didn’t utter a word.

Billy Remained Quiet

After he finished his meal, Billy thanked Martha who had packed salt pork for him to take on his way.  Billy walked George to the water trough and waited as George drank.  He looked across the fields and he could sense what was coming.  This tranquil and pastoral scene was soon to be transformed into blood and gore as the epic struggle between North and South finished its first year. It was late fall in 1861 and Billy’s birthday was in two more weeks.  This was never the way he envisioned turning sixteen to be.

Billy thanked Martha, put the salted pork in his pouch, and remounted George. Martha said:  Whichever side you are riding to, may God be with you, young man.  Billy thought it was strange that she knew where he was heading without him telling.  He then also thought that he was probably not the first young traveler to stop at this farm for some kind words and sustenance. He rode back out in the field to thank the farmer, but when he got to the spot where he had met him before, the farmer was not there.  Billy wondered where he could have gone.  As he rode back down the cobbled dirt road, he noticed a sign at the end where it reconnected with the main road — Billett’s Farm. That wasn’t the name the farmer had told him when they were first introduced before.

Hawkins He Had Said

Billy worked his way towards Charlotte Hall.  From there he would head East to Pope’s Creek and try to get on the short ferry that would take him across the Potomac River and over to Virginia. Then Billy was sure he would finally be safe.  Tonight though, he only made it as far as Benedict Maryland, and he again needed to find secluded shelter for the night. Benedict was right along the banks of the Patuxent River where the farming was good, and the fishing was even better.

It was getting dark when Billy spotted what he was looking for.  There was a large farm up ahead with two large barns and three out buildings.  Billy sat inside the trees and waited for dark.  It was inside the outbuilding furthest to the east that he intended to stay the night.  As darkness covered the fields, Billy walked slowly towards the large shack.  He led George behind him by his lead and hoped that he would remain quiet.  George was an older horse, now fifteen, and seemed to always know what was required of him without asking.  Not that you can really ask a horse to do anything, but George did just seem to know.

Billy got to the outbuilding and put his ear to the back wall to see if he could hear anything from inside.  When he was sure it was safe, he walked around front to the door, opened it, and he and George quickly walked inside.  In the very dim moonlight, Billy could see that it was about 20’ X 20’ and had chopped wood stored against the back wall.  There were also two empty stalls and a loft up above about 10’ X 20.’  Billy decided to sleep downstairs in case he had to get away fast, and after tying George to the furthest back stall, he laid down in the stall to its right and fell fast asleep.
Billy doesn’t know how long he had been asleep, but all at once he heard the sound of clicking and could feel the cold hard press of steel against his left temple.  He woke up in a start and could see five men with lanterns standing over him in the stall.  As his eyes started to adjust, he noticed something strange.  Three of these five men were black.

Whatcha doin here boy, and where you headed, the biggest of the three black men asked him?  Billy knew that how he was to answer that question would probably determine whether he lived through the night. I’m headed to Virginia to try and find my older brother. Our farm was burned a few weeks ago and my mother and baby sister are now living with relatives.  I need to let my brother know, so he will know where to find us when the war is over.
I think this here boy’s fixin to join up with the Rebs, another of the black men shouted out.  Tell the truth boy, you’re headed to Richmond to sign up with old Jeff Davis ain’t you?  Billy lied and said he wasn’t sure of which side to fight for and that he had a brother fighting for each.  With that, the biggest of the three sat him on a barrel in the corner and began to talk again …
What you done tonight boy is decide to camp in a rural spot of the Underground Railroad.  You know what that is boy?  We have a real problem now because you knows where it’s at.  We can’t trust that you won’t tell nobody else and ruin other’s chances to get North and be free.  Billy just stared into the man’s face.  He had a strength mixed with kindness behind his eyes and for a reason Billy couldn’t understand, he felt safe in this man’s presence.

Son, we is makin our way over to Preston on the western shore where we catches a train to the North.  We have one more stop before there and that’s at the Hawkins place just thirty miles up the road.  Billy then knew why the stalls back at Martha’s barn had looked slept in.  He still wondered why the sign at the farm entrance had said Billett instead of Hawkins.  The black man then said: My names Lester, and those two men over there are brothers named Rayford and Link.  By now, the two white men were gone and only the four of them were left in the stall.

Since you say you haven’t made your mind up yet about which side to join, let me help you a little with your choosin.  Lester then went on to tell Billy that Rayford and Link had five other brothers and two sisters that were all killed while trying to escape to the North.  Not only were they killed, but they were tortured before being hanged just outside of Columbia South Carolina.  Lester then asked Rayford and Link to remove their shirts.  As they did, Lester took his lantern and shined it over both of their backs.  Both were totally covered with scars from the several lashings they had received on the plantation where they had worked back in South Carolina.  Lester said this was not unusual, and no man should be treated that way.  This was worse treatment than the slave owner would ever do to any of his animals.

Lester then said again: It’ll be a shame to have to **** you boy, but for the better good of all involved, I’ll do what I gots to do. With that, the three men walked outside, and Billy could hear them talking in hushed tones for what seemed like an hour.  Lester walked back inside alone and said: What’s your name son?  We’ve decided we're taking you with us up the road a piece.  You might come in handy if we need a hostage or someone with local knowledge of the area as we make our way t’wards Preston. Go back to sleep and we’ll wake you in an hour when it’s time to go.

Billy couldn’t sleep. It had been a long day of interrogation and darkness was again approaching.  He heard the men talking outside and from what they were saying, he realized they did all of their traveling at night hiding out in small barns and shacks like this during the light of day. He wondered now if he’d ever see home again.  He wondered even more about his previous decision to fight for the South.

In an hour, Lester came in and asked Billy if that was his horse in the stall next to him.  Billy said it was and Lester said: Get him outside, we’re going to load him with the chillens and then be on our way.  When Billy walked outside he saw eight other black people in addition to the three he had previously met.  It was a mother and father and five children all aged between three and eleven.  Lester hoisted the three smallest children up on George’s back, as the other two lined up to walk alongside.  They would make sure that none of the younger ones fell off as they maneuvered their way North through the trees at night.  The mother and father walked quietly behind, as the three large black men led the way with Link scouting up ahead for anything unforeseen.

Just before dawn, Billy recognized where they were.  They were at the end of that farm road he had just come down the day before, but the sign now read in faded letters Hawkins.  Billy looked back at the sign and he could see something written on the back.  As he squinted into the approaching sun, he could see the letters B-I-L-L-E-T-T written of the back of the board.  Billy was now more confused than ever.  Lester told them all to wait in the trees to the left of the farm road, as he took out three small rocks from his pants pocket. The sun was almost up and this was the most dangerous part of their day.

He approached the house slowly and threw the first stone onto the front porch roof — then followed by the second and then the third.  Without any lights being lit, the front door opened and Lester walked inside.  In less than a minute, he was back in the trees and said:  It now OK fo us to makes our way to the barn, where we’s gonna hide for the day.

After they were settled in the five empty stalls, Lester decided who would then take the first watch.  He needed to have two people on watch, one looking outside for approaching strangers and one watching Billy so he wouldn’t try to escape.  What Lester didn’t know was that Billy wasn’t sure he wanted to go anywhere right now and was starting to feel like he was more part of what was going on than any hostage or prisoner.

In another hour, Martha came in with two big baskets of food: Oh I see you have found my young friend Billy, I didn’t know that he worked for the road.  Lester told Martha that he didn’t, and he was still not sure of what to do with him.  Martha just looked down at Billy and smiled. I’m sure you’ll know the right thing to do Lester, and then she walked back outside toward the house. Lester told Billy that Martha was a staple on the Road to Preston and that without her, hundreds, maybe thousands of black slaves would now be dead between Virginia and Delaware.  He then told Billy that Martha was a widow, and both her husband and two sons had been killed recently at the Battle of Bull Run.  They had fought on the Confederate side, but Martha still had never agreed with slavery.  Her husband and sons hadn’t either, but they sympathized with everything else that the South was trying to do.

Billy’s head felt like it wanted to explode.  Here was a woman who had lost everything at the hands of Yankee soldiers and yet was still trying to help runaway slaves achieve freedom as they worked their way through Maryland.  Billy wanted to talk to Martha.  He also wondered who that man was in the field the previous morning when he had stopped to introduce himself.  He was sure at the time it had been Martha’s husband, but now Lester had just said that she was a widow. More than anything though, Billy wanted to talk to Martha!

Billy asked Lester when he returned from his watch if he could go see Martha inside the house.  Lester said: What fer boy, you’s be better off jus sittin quietly in this here barn. Billy told Lester that if he mentioned to Martha that he wanted to see her, he was sure she would know why and then agree to talk with him.  Lester said: I’ll think on it boy, now go get ya some sleep.  Oh by the way, did you get somethin to eat?  Matha’s biscuits are the best you’ll ever taste.  Billy said, Yes, and then tried to lie down and go to sleep.  His mind stayed restless though and he knew deep in his heart, and in a way he couldn’t explain, that Martha held the answer he was desperately in need of.

In about two more hours Martha returned with more food.  She wanted to dispense it among the children first, but three were still sleeping so she wrapped theirs and put it beside them where they lay.  After feeding the adults, she walked over to Billy and said: Would you help me carry the baskets back up to the house? Billy looked at Lester and he just nodded his head.  On the way back to the house Martha said: I understand you want to talk to me. I knew I should have talked with you before, but you were in such a hurry we never got the chance.  Let’s go inside and sit down while I prepare the final meal.

Martha then explained to Billy that she had been raised in Philadelphia.  She had met her husband while on a trip to Baltimore one summer to visit relatives.  Her husband had been working on a fishing boat docked in Londontown just south of Baltimore.  It was love at first sight, and they were married within three weeks.  Martha had only been back to Philadelphia twice since then to attend the funerals of both of her parents.  She then told Billy what a tragedy this new war was on the face of America … with brother fighting brother, and in some cases, fathers fighting their own sons. It not only divides us as a nation, but divides thousands of families, especially those along the Mason-Dixon line where our farm is located now.

She also told Billy her name was Billett, but they used Hawkins at night as the name of her Railway Stop along the Road. Hawkins was Martha’s maiden name and to her knowledge was not well known in these parts. Hawkins was also the name distributed throughout the South to runaway slaves who were trying to make their way North. Martha felt that if they were looking for someone in her area named Hawkins, they would have a hard time tracing it back to her.  The Courthouse that she and her husband had been married in burned down over fifteen years ago and all records of births, deaths, and marriages, had been consumed by that fire.

By reversing the sign at night to Hawkins, it allowed the runaway slaves to find her in the darkness while protecting her identity in the event that they were caught.  Under questioning, they might give up the name Hawkins while having no knowledge of the name Billett which in these parts was well known. Martha also told Billy that she had nothing left to lose now except her dignity and pride.  Her two sons and husband had been taken at Bull Run and now all she wanted was for the war to end and for those living imprisoned in slavery to be set free and released. Her dignity and pride forced her to try and do everything she could to help.

When Billy asked Martha … How did you know the right thing to do? she said: The right thing is already planted there deep inside you.  All that’s required is for you to be totally honest with yourself to know the answer.  Martha then turned back to her cooking.

Lester then walked into the kitchen and said: Martha Ma’m, what’s we gonna do wit dis boy?  Martha only looked at Billy and smiled as she said, Lester, this boy’s gonna do just fine.  Lester then looked at Billy and said: Somethin you wanta say to me son? Billy asked if he could go feed his horse and then come back in a few minutes.  Lester said that he could but not to take too long.

When Billy walked back into the barn, George was tied to a wall cleat in the far left corner.  He walked him out to the water trough in the dark and then back inside where he gave him another half- bucket of oats.  He looked in George’s eyes for that surety that George always had about him.  Just as he started to look away, George ****** up his head and looked to his left.  The youngest of the black children was walking toward George with something in her hand.  She was with her older sister, and she was carrying an apple — an apple for George. George took the apple from her hand as he nudged the side of her face with his nose.  Billy looked at the scene, and, in the moment’s revelation, knew instantly the right thing for him to do.

Billy went back inside where Lester and Martha were drinking coffee by the fire.  Billy told Lester that NOBODY knew these backwaters like he and his brothers. He also told Lester that by joining his cause he would never be faced with the possibility of meeting either of his brothers on the field of battle.  This seemed to strike a nerve with Lester who had a brother of his own fighting for the south somewhere in Louisiana.  In Louisiana, many of the black’s were free men and fought under General Nathan Bedford Forrest where they would comport themselves with honor and bravery throughout the entire war.

Billy then told Lester he had never agreed with slavery, and his father had always refused to own them.  This made the work harder on he and his brothers, and some of their neighbors ostracized them for their choice.  Billy said his father didn’t care and told him many times that … No man should ever own another or Lord over him and be able to tell him what he can or cannot do.

Lester then asked Billy what he knew about these backwaters.  Billy said he knew every creek and tributary along the Patuxent River and all the easiest places to get across and get across safely where no one could see.  Lester said they had a friendly ferry across the bay to Taylors Island, but many times the hardest part was getting across the Patuxent to where they were now.  From here, they would then decide whether to go across the bay to Preston or head further North to other friendly stops along the Road to Delaware. Billy said he would be most helpful along those stops further North and on this Western side of the bay as he knew the terrain so well.

For four more years Billy worked out of Martha’s farm hiding and transporting runaway slaves on their way North.  He would make occasional trips back to Bowie to fortify the barn that the Union soldiers had not burned when they torched his house that day.  His family’s barn would become the main Railroad Stop before taking those last steps to freedom that lay just 100 miles beyond in the free state of Delaware.

After reconstruction, Billy went on to become a lawyer and then a judge in Calvert County Maryland.  Martha had left Billy the farm in her will, and he now used it as a haven for black people who were freely emigrating from the south and needed a place to stay and rest before continuing on to the Industrial cities of the northeast.

When Martha was dying, Billy asked her who that mysterious farmer was that was out tending her field that morning when he first stopped by so many years ago? Martha said:Why don’t you know; that was my father, Ethan Hawkins. He worked that field every day since my husband and two boys were killed.  I’m surprised he let you see him.  I thought I was the only one who ever knew he was there.  But, but, but, your father died many years ago I thought.  Martha looked at Billy with those beautiful and gentle eyes and just smiled …

Seeing him that day had changed Billy and the direction
of his life forever, making what seemed like King
Solomon’s choice — the right and only one for him.


Kurt Philip Behm

We hadn’t seen it for a couple years,
The film being a bit difficult to watch
Without dropping a few bucks
To stream it in all its black-and-white glory,
(A prospect which would have brought a grim smile
To a certain white-haired small-town banker)
Our laser disc scratched, our VCR beyond obsolete,
But there have been enough viewings
That certain tableaus
(Flower petals strewn, the glycerin tears)
Remain as familiar as the views out the front door,
And so on a whim we drove up to the quaint burg
Which espouses its claim to be Capra’s inspiration
With a tenacity which belies the season
(Though one look at the bridge which sits astride
A wan offshoot of the Erie Canal
Is sufficient for a startling bit of déjà vu)
Finding ourselves by ourselves in a restaurant
(The times after all, and it a weeknight to boot)
Surprisingly open, even though the town fathers
Had opted hopefully to decorate, as per usual,
The village streets to be as Bedford Falls-esque as possible,
And as we sipped our soup and munched our salads
We mused on how wonder and anxiety
Could walk hand-in-hand
(As we did on the way in and again on the way out)
And though our laughter was a soft, muted thing,
It tinkled in the manner of such things
Which enabled seraphim to gain their wings.

Does anybody know what the ship “Emily Morgan” is?
Think hard as I might be giving a Quiz
The ship is of a Merchant Vessel
But someone famous you know was part of this ship
However, here’s a tip
It’s a famous store name in Herald Square
The name is advertised regularly on the air
The man’s name is R.H. Macy
But here is the full name Rowland Hussey Macy
Mr. Macy was a Merchant ****** from Nantucket in Cape Cod, MA
If you are or were a Macy’s shopper, I am sure you didn’t know that being part of Macy’s Heritage
But I wanted to share being my privilege
So set sail was how Mr. Macy ventured
But it was the mightier the storm, the wonders of the adventure
Mr. Macy was often guided on the Emily Morgan using his own initiative
He sailed on the seas of Cape Code, but New Bedford, MA being one of his ports
So the Emily Morgan was a ship with a Macy’s Department Store mission
Mr. R.H. Macy was a Merchant ****** that made it happen.