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"atremble" poems
drowned the Earth suddenly.   underneath honest light,                                   all    submerged. this cataract of feeling — waters pursue beginnings. cradling them to unknown ends, washed by the shore.         gluttonously the night swallowed all — parliament of birds warble no longer.              midnight, the   Moon claws the supple skin of organized stone   displaced                where all the edges bloom forth torrid froth of dappled light which kills no less than a brief life of matchflame. tenuous spar of wind on the unserious twilight; bulge of death in the stream — a body haul, rafting   in compost; stench of all topple like resins held loose in vats. rat **** becomes            as inviting as moulding bread; tantric music for no instrument, hoarse cries unbeheld —             until the flesh no longer flounders pressed against sleep-shaped youngness hewn lissome in the hours of no succor,        modeling silence in the thrill of this enthusiastic space,            hands scouring muddied   obscure, atremble,       shadowless hours fill stomachs with the plump word of rescue yet none   of these fingers unwished the ingenuity of dull gods — this twilight   nor twinight could ever grive in forethought, striking bells to signal birds          to arrive again so we could feast in  silver  fish, with bare hands scaled to callouses,            looking at it twice-over, this battered yolk of whiteness, with deeds of the viridian    now atrill in new fragile woodworks        lurching and          ameliorating as we all     stutter and sing        haunts dabbing open   lips of small wounds that    wish to shut quietly,   almost every threat of gray     or pummel of    wind startles the flyblown ornate,       hurrying us back to cornerless homes where all photographs washed away,     very few hang                swayed by verdure   of the gradual throne of sea         curving perpetually the several stars we have ignored for a while,      where everything quite begins     again to enthrall with a melodic   leitmotif of the most tender of        instances loose             in mouths                  and in endless recall                                                                   breathless—
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Nov 8, 2015
Nov 8, 2015 at 7:55 AM UTC
Rat **** As Inviting As Molding Bread
drowned the Earth suddenly.   underneath honest light,                                   all    submerged. this cataract of feeling — waters pursue beginnings. cradling them to unknown ends, washed by the shore.         gluttonously the night swallowed all — parliament of birds warble no longer.              midnight, the   Moon claws the supple skin of organized stone   displaced                where all the edges bloom forth torrid froth of dappled light which kills no less than a brief life of matchflame. tenuous spar of wind on the unserious twilight; bulge of death in the stream — a body haul, rafting   in compost; stench of all topple like resins held loose in vats. rat **** becomes            as inviting as moulding bread; tantric music for no instrument, hoarse cries unbeheld —             until the flesh no longer flounders pressed against sleep-shaped youngness hewn lissome in the hours of no succor,        modeling silence in the thrill of this enthusiastic space,            hands scouring muddied   obscure, atremble,       shadowless hours fill stomachs with the plump word of rescue yet none   of these fingers unwished the ingenuity of dull gods — this twilight   nor twinight could ever grive in forethought, striking bells to signal birds          to arrive again so we could feast in  silver  fish, with bare hands scaled to callouses,            looking at it twice-over, this battered yolk of whiteness, with deeds of the viridian    now atrill in new fragile woodworks        lurching and          ameliorating as we all     stutter and sing        haunts dabbing open   lips of small wounds that    wish to shut quietly,   almost every threat of gray     or pummel of    wind startles the flyblown ornate,       hurrying us back to cornerless homes where all photographs washed away,     very few hang                swayed by verdure   of the gradual throne of sea         curving perpetually the several stars we have ignored for a while,      where everything quite begins     again to enthrall with a melodic   leitmotif of the most tender of        instances loose             in mouths                  and in endless recall                                                                   breathless—
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60
A very firm intention To tell it as it is Has the audience attention On its toes and all afizz, Though channelled to the circumspect, With a patterned thought awry It chaotically cascades Across the prism of the eye. It chaotically discharges In a scattergun array Of verbal innuendoes Through a thin, saliva spray, And all the passion spent in telling, All the effort of the tale, Sends a barrage of confusion To occipital portrayal. Where the tiny bones of balance All atremble with the sound Have discharged interpretation Through a penny to a pound. There’s a lost extrapolation, There’s a blank look on the face Where the balance of exchange Has frittered nimbly from this place. A calmness in both parties As a sad pretence prevails, Where communication nexus Is ignored to save the whales. Marshalg Incommunicado 30 May 2012 © 2012 Marshal Gebbie
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May 30, 2012
May 30, 2012 at 1:46 AM UTC
Hot Air
I have waited in certain landlocked towns, Near and far, and far from here. And I have sailed and been in low ports found, Their inlets clad in salted air. And I have dreamed on oft spoken of starry nights and on largely unspoken starless nights, Of select places with opportune and tactless new found faces. And I have lain out restless and uncomfortably awake, Hearing human voices shriek and drown, In salt clad harbor towns, And heard those specific siren calls of those particular siren girls, In those inlets, salt clad by the sea. And still awake I have heard, in those waiting-space landlocked towns, Curiously, those curious sounds, Of only human and yet inhumane calls. Dressed in that specific gauze of an agony-tone, For that specific landlocked home, Where drinkers go, That drunkard’s throne, And been sullen at that once and forever shoreless drone. And I have also been, you see, in places left unknown. And in a daydream I would hear and be heard by almost gasping voices, From waking and still somehow sleeping and unbelieving men. Grasping out onto air that has been made thin and further, Been gasping. Searching for woefully inaccurate words, With a woefully inarticulate tongue, And I have danced and been set atremble by the timbre of your breathe And then enamored by the resonance of your gasp, And I have gasped with a tongue set dancing behind lips all aflutter. In those unutterable places with specifically unknown locations, I have listened, Through rock and metal, Between those landlocked towns and those salt clad harbors, For the full sound escaped from your trembled lips. And I have listened, through daydreaming mist veils, And through known and unknown places, For that voice that speaks through space and time and rock and metal, And I have only heard that curious sound of human and inhuman calls, And I have heard those particular siren calls of those specific siren girls, And that cry of human voices that shriek and drown.
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Jan 17, 2013
Jan 17, 2013 at 11:00 PM UTC
Songs for Sirens I
I have waited in certain landlocked towns, Near and far, and far from here. And I have sailed and been in low ports found, Their inlets clad in salted air. And I have dreamed on oft spoken of starry nights and on largely unspoken starless nights, Of select places with opportune and tactless new found faces. And I have lain out restless and uncomfortably awake, Hearing human voices shriek and drown, In salt clad harbor towns, And heard those specific siren calls of those particular siren girls, In those inlets, salt clad by the sea. And still awake I have heard, in those waiting-space landlocked towns, Curiously, those curious sounds, Of only human and yet inhumane calls. Dressed in that specific gauze of an agony-tone, For that specific landlocked home, Where drinkers go, That drunkard’s throne, And been sullen at that once and forever shoreless drone. And I have also been, you see, in places left unknown. And in a daydream I would hear and be heard by almost gasping voices, From waking and still somehow sleeping and unbelieving men. Grasping out onto air that has been made thin and further, Been gasping. Searching for woefully inaccurate words, With a woefully inarticulate tongue, And I have danced and been set atremble by the timbre of your breathe And then enamored by the resonance of your gasp, And I have gasped with a tongue set dancing behind lips all aflutter. In those unutterable places with specifically unknown locations, I have listened, Through rock and metal, Between those landlocked towns and those salt clad harbors, For the full sound escaped from your trembled lips. And I have listened, through daydreaming mist veils, And through known and unknown places, For that voice that speaks through space and time and rock and metal, And I have only heard that curious sound of human and inhuman calls, And I have heard those particular siren calls of those specific siren girls, And that cry of human voices that shriek and drown.
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40
​Anger, the seductress Lips as red as sin A swirl of flames fall to her shoulders In curls of scarlet ribbons Envy, with her scowls And eyes of darkest green Insecure in her olive skin Ever the angsty teen Fear, the wallflower Mousy and so pale Delicate hands atremble Half-hidden under her veil. Joy, her golden locks, Dripping into her eyes A daisy twirling in the meadow Full of sunshine and surprise. Melancholy, with her lovers Countless as the stars An enchantress leaving behind her A trail of broken hearts.
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Mar 2, 2018
Mar 2, 2018 at 5:44 AM UTC
Fairest Maiden of Them All
I fell in love with a frog, who was sitting alone on the banks of the Nile, mooning over the premature decease of his beautiful wife. He was sobbing his heart out, his lips convulsed with woe, dripping emotion, his chin atremble, the words buried in a raven black but deafening silence. I instantly knew he was the find of my ultimate search for love. A bathos unknown to those seeking earthly pleasures, a poignancy knocking vulgarity off its temporal pedestal. My dear love, dearest of all other loves, my love for this frog, please become a wreath a halo, a redemptive power to soothe all pain
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Mar 8, 2016
Mar 8, 2016 at 4:34 PM UTC
I fell in love with a frog
my fears arise you rip apart with soulful eyes and open heart voice so gentle touch so deep souls atremble joyful sleep
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Jan 21, 2016
Jan 21, 2016 at 3:08 PM UTC
Joyful Sleep
i have already something new and sublime to say about love. as two people on the bench where the birds are unashamedly perching right by, pecking on the cheek of the world soon enough now, the hand of which mad drivel shall tear this photograph in two and with a hand on the knee as a gentle stamp to a reaching-for-and-out epistle, we are far away, and love is as sad as the flower that has grown weary of waiting for the sun to fulminate altogether with its eyes staring in the veranda of hope wide-awake. and love is as short as the sudden jolt of bones, atremble, as though you have fallen completely into, but have only fallen out, partially, one foot first out the yawning door and into the heavy premises of a heart's trying forgetfulness. to have heard once, the call of a tame voice through the wild hand of trouble's immensity, and to have held it once so shortly bold thereafter, with leonine eyes i see only a small distance i cannot seal with one kiss. i need a hundred more of you and a thousand more of this before i can fill your nebulosity with a million star-like kisses traced only by the white hand of time that continues to punctuate our sentences right even before our lips quiver to speak them softly like how i first sank in you and you in me, a flotsam of memories. i have something new to show about love with mine eye's unresting shutters capture moments held loose like a mother's frail child, this photograph with your hand on my knee, cleaved into worlds from the silence of our eyes and only longing speaks so much the straightforward, we are far away.
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Sep 14, 2015
Sep 14, 2015 at 2:24 PM UTC
Something New To Say
i have already something new and sublime to say about love. as two people on the bench where the birds are unashamedly perching right by, pecking on the cheek of the world soon enough now, the hand of which mad drivel shall tear this photograph in two and with a hand on the knee as a gentle stamp to a reaching-for-and-out epistle, we are far away, and love is as sad as the flower that has grown weary of waiting for the sun to fulminate altogether with its eyes staring in the veranda of hope wide-awake. and love is as short as the sudden jolt of bones, atremble, as though you have fallen completely into, but have only fallen out, partially, one foot first out the yawning door and into the heavy premises of a heart's trying forgetfulness. to have heard once, the call of a tame voice through the wild hand of trouble's immensity, and to have held it once so shortly bold thereafter, with leonine eyes i see only a small distance i cannot seal with one kiss. i need a hundred more of you and a thousand more of this before i can fill your nebulosity with a million star-like kisses traced only by the white hand of time that continues to punctuate our sentences right even before our lips quiver to speak them softly like how i first sank in you and you in me, a flotsam of memories. i have something new to show about love with mine eye's unresting shutters capture moments held loose like a mother's frail child, this photograph with your hand on my knee, cleaved into worlds from the silence of our eyes and only longing speaks so much the straightforward, we are far away.
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55
rose alone, cannot grow. my hand on your hand, the twilight of this inner whirlwind. palm brushing off the dust of a dream, your tear on my cheek slenderly needing all of my rivers, is your reflection, my tender night, rose alone cannot grow. i watch the tiny hands of rain fritter back to your breast. i witness everything seek its asylum, in your arms, where no love breaks, only sings, laughs atremble, and i see all the roses, alone yet together in all-consuming silence, needing your transmissible voice to make resonant, the day or the bend on our roads, like saltwater, like complaisant air meaning only one word through all the roses that spring in the field of the ephemera: your too sudden image claiming no sound yet all of my language.
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Sep 14, 2015
Sep 14, 2015 at 10:58 AM UTC
Rose Alone Cannot Grow