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Megan Sherman Mar 2017
Albion, thou art my guide
To thy truest words I do abide

Albion, thou art a friend
My care for you has no start or end

Albion, your daughters sweet
Make my life with love replete

Albion, I see thy anguish
And in your sorrow I also languish

Albion, we will transcend
This pain, and make thy spirit mend

Albion, the peoples song
Will be sung, above the evil throng

Albion, this incantation
Is an immaculate creation

Albion, let me stand
On thy shoulders, to shout psalms to the land
Slow sinks, more lovely ere his race be run,
Along Morea’s hills the setting Sun;
Not, as in northern climes, obscurely bright,
But one unclouded blaze of living light;
O’er the hushed deep the yellow beam he throws,
Gilds the green wave that trembles as it glows;
On old ægina’s rock and Hydra’s isle
The God of gladness sheds his parting smile;
O’er his own regions lingering loves to shine,
Though there his altars are no more divine.
Descending fast, the mountain-shadows kiss
Thy glorious Gulf, unconquered Salamis!
Their azure arches through the long expanse,
More deeply purpled, meet his mellowing glance,
And tenderest tints, along their summits driven,
Mark his gay course, and own the hues of Heaven;
Till, darkly shaded from the land and deep,
Behind his Delphian rock he sinks to sleep.

  On such an eve his palest beam he cast
When, Athens! here thy Wisest looked his last.
How watched thy better sons his farewell ray,
That closed their murdered Sage’s latest day!
Not yet—not yet—Sol pauses on the hill,
The precious hour of parting lingers still;
But sad his light to agonizing eyes,
And dark the mountain’s once delightful dyes;
Gloom o’er the lovely land he seemed to pour,
The land where Phoebus never frowned before;
But ere he sunk below Cithaeron’s head,
The cup of Woe was quaffed—the Spirit fled;
The soul of Him that scorned to fear or fly,
Who lived and died as none can live or die.

  But lo! from high Hymettus to the plain
The Queen of Night asserts her silent reign;
No murky vapour, herald of the storm,
Hides her fair face, or girds her glowing form;
With cornice glimmering as the moonbeams play,
There the white column greets her grateful ray,
And bright around, with quivering beams beset,
Her emblem sparkles o’er the Minaret;
The groves of olive scattered dark and wide,
Where meek Cephisus sheds his scanty tide,
The cypress saddening by the sacred mosque,
The gleaming turret of the gay kiosk,
And sad and sombre ’mid the holy calm,
Near Theseus’ fane, yon solitary palm;
All, tinged with varied hues, arrest the eye;
And dull were his that passed them heedless by.
Again the ægean, heard no more afar,
Lulls his chafed breast from elemental war:
Again his waves in milder tints unfold
Their long expanse of sapphire and of gold,
Mixed with the shades of many a distant isle
That frown, where gentler Ocean deigns to smile.

  As thus, within the walls of Pallas’ fane,
I marked the beauties of the land and main,
Alone, and friendless, on the magic shore,
Whose arts and arms but live in poets’ lore;
Oft as the matchless dome I turned to scan,
Sacred to Gods, but not secure from Man,
The Past returned, the Present seemed to cease,
And Glory knew no clime beyond her Greece!

  Hour rolled along, and Dian’******on high
Had gained the centre of her softest sky;
And yet unwearied still my footsteps trod
O’er the vain shrine of many a vanished God:
But chiefly, Pallas! thine, when Hecate’s glare
Checked by thy columns, fell more sadly fair
O’er the chill marble, where the startling tread
Thrills the lone heart like echoes from the dead.
Long had I mused, and treasured every trace
The wreck of Greece recorded of her race,
When, lo! a giant-form before me strode,
And Pallas hailed me in her own Abode!

  Yes,’twas Minerva’s self; but, ah! how changed,
Since o’er the Dardan field in arms she ranged!
Not such as erst, by her divine command,
Her form appeared from Phidias’ plastic hand:
Gone were the terrors of her awful brow,
Her idle ægis bore no Gorgon now;
Her helm was dinted, and the broken lance
Seemed weak and shaftless e’en to mortal glance;
The Olive Branch, which still she deigned to clasp,
Shrunk from her touch, and withered in her grasp;
And, ah! though still the brightest of the sky,
Celestial tears bedimmed her large blue eye;
Round the rent casque her owlet circled slow,
And mourned his mistress with a shriek of woe!

  “Mortal!”—’twas thus she spake—”that blush of shame
Proclaims thee Briton, once a noble name;
First of the mighty, foremost of the free,
Now honoured ‘less’ by all, and ‘least’ by me:
Chief of thy foes shall Pallas still be found.
Seek’st thou the cause of loathing!—look around.
Lo! here, despite of war and wasting fire,
I saw successive Tyrannies expire;
‘Scaped from the ravage of the Turk and Goth,
Thy country sends a spoiler worse than both.
Survey this vacant, violated fane;
Recount the relics torn that yet remain:
‘These’ Cecrops placed, ‘this’ Pericles adorned,
‘That’ Adrian reared when drooping Science mourned.
What more I owe let Gratitude attest—
Know, Alaric and Elgin did the rest.
That all may learn from whence the plunderer came,
The insulted wall sustains his hated name:
For Elgin’s fame thus grateful Pallas pleads,
Below, his name—above, behold his deeds!
Be ever hailed with equal honour here
The Gothic monarch and the Pictish peer:
Arms gave the first his right, the last had none,
But basely stole what less barbarians won.
So when the Lion quits his fell repast,
Next prowls the Wolf, the filthy Jackal last:
Flesh, limbs, and blood the former make their own,
The last poor brute securely gnaws the bone.
Yet still the Gods are just, and crimes are crossed:
See here what Elgin won, and what he lost!
Another name with his pollutes my shrine:
Behold where Dian’s beams disdain to shine!
Some retribution still might Pallas claim,
When Venus half avenged Minerva’s shame.”

  She ceased awhile, and thus I dared reply,
To soothe the vengeance kindling in her eye:
“Daughter of Jove! in Britain’s injured name,
A true-born Briton may the deed disclaim.
Frown not on England; England owns him not:
Athena, no! thy plunderer was a Scot.
Ask’st thou the difference? From fair Phyles’ towers
Survey Boeotia;—Caledonia’s ours.
And well I know within that ******* land
Hath Wisdom’s goddess never held command;
A barren soil, where Nature’s germs, confined
To stern sterility, can stint the mind;
Whose thistle well betrays the niggard earth,
Emblem of all to whom the Land gives birth;
Each genial influence nurtured to resist;
A land of meanness, sophistry, and mist.
Each breeze from foggy mount and marshy plain
Dilutes with drivel every drizzly brain,
Till, burst at length, each wat’ry head o’erflows,
Foul as their soil, and frigid as their snows:
Then thousand schemes of petulance and pride
Despatch her scheming children far and wide;
Some East, some West, some—everywhere but North!
In quest of lawless gain, they issue forth.
And thus—accursed be the day and year!
She sent a Pict to play the felon here.
Yet Caledonia claims some native worth,
As dull Boeotia gave a Pindar birth;
So may her few, the lettered and the brave,
Bound to no clime, and victors of the grave,
Shake off the sordid dust of such a land,
And shine like children of a happier strand;
As once, of yore, in some obnoxious place,
Ten names (if found) had saved a wretched race.”

  “Mortal!” the blue-eyed maid resumed, “once more
Bear back my mandate to thy native shore.
Though fallen, alas! this vengeance yet is mine,
To turn my counsels far from lands like thine.
Hear then in silence Pallas’ stern behest;
Hear and believe, for Time will tell the rest.

  “First on the head of him who did this deed
My curse shall light,—on him and all his seed:
Without one spark of intellectual fire,
Be all the sons as senseless as the sire:
If one with wit the parent brood disgrace,
Believe him ******* of a brighter race:
Still with his hireling artists let him prate,
And Folly’s praise repay for Wisdom’s hate;
Long of their Patron’s gusto let them tell,
Whose noblest, native gusto is—to sell:
To sell, and make—may shame record the day!—
The State—Receiver of his pilfered prey.
Meantime, the flattering, feeble dotard, West,
Europe’s worst dauber, and poor Britain’s best,
With palsied hand shall turn each model o’er,
And own himself an infant of fourscore.
Be all the Bruisers culled from all St. Giles’,
That Art and Nature may compare their styles;
While brawny brutes in stupid wonder stare,
And marvel at his Lordship’s ’stone shop’ there.
Round the thronged gate shall sauntering coxcombs creep
To lounge and lucubrate, to prate and peep;
While many a languid maid, with longing sigh,
On giant statues casts the curious eye;
The room with transient glance appears to skim,
Yet marks the mighty back and length of limb;
Mourns o’er the difference of now and then;
Exclaims, ‘These Greeks indeed were proper men!’
Draws slight comparisons of ‘these’ with ‘those’,
And envies Laïs all her Attic beaux.
When shall a modern maid have swains like these?
Alas! Sir Harry is no Hercules!
And last of all, amidst the gaping crew,
Some calm spectator, as he takes his view,
In silent indignation mixed with grief,
Admires the plunder, but abhors the thief.
Oh, loathed in life, nor pardoned in the dust,
May Hate pursue his sacrilegious lust!
Linked with the fool that fired the Ephesian dome,
Shall vengeance follow far beyond the tomb,
And Eratostratus and Elgin shine
In many a branding page and burning line;
Alike reserved for aye to stand accursed,
Perchance the second blacker than the first.

  “So let him stand, through ages yet unborn,
Fixed statue on the pedestal of Scorn;
Though not for him alone revenge shall wait,
But fits thy country for her coming fate:
Hers were the deeds that taught her lawless son
To do what oft Britannia’s self had done.
Look to the Baltic—blazing from afar,
Your old Ally yet mourns perfidious war.
Not to such deeds did Pallas lend her aid,
Or break the compact which herself had made;
Far from such counsels, from the faithless field
She fled—but left behind her Gorgon shield;
A fatal gift that turned your friends to stone,
And left lost Albion hated and alone.

“Look to the East, where Ganges’ swarthy race
Shall shake your tyrant empire to its base;
Lo! there Rebellion rears her ghastly head,
And glares the Nemesis of native dead;
Till Indus rolls a deep purpureal flood,
And claims his long arrear of northern blood.
So may ye perish!—Pallas, when she gave
Your free-born rights, forbade ye to enslave.

  “Look on your Spain!—she clasps the hand she hates,
But boldly clasps, and thrusts you from her gates.
Bear witness, bright Barossa! thou canst tell
Whose were the sons that bravely fought and fell.
But Lusitania, kind and dear ally,
Can spare a few to fight, and sometimes fly.
Oh glorious field! by Famine fiercely won,
The Gaul retires for once, and all is done!
But when did Pallas teach, that one retreat
Retrieved three long Olympiads of defeat?

  “Look last at home—ye love not to look there
On the grim smile of comfortless despair:
Your city saddens: loud though Revel howls,
Here Famine faints, and yonder Rapine prowls.
See all alike of more or less bereft;
No misers tremble when there’s nothing left.
‘Blest paper credit;’ who shall dare to sing?
It clogs like lead Corruption’s weary wing.
Yet Pallas pluck’d each Premier by the ear,
Who Gods and men alike disdained to hear;
But one, repentant o’er a bankrupt state,
On Pallas calls,—but calls, alas! too late:
Then raves for’——’; to that Mentor bends,
Though he and Pallas never yet were friends.
Him senates hear, whom never yet they heard,
Contemptuous once, and now no less absurd.
So, once of yore, each reasonable frog,
Swore faith and fealty to his sovereign ‘log.’
Thus hailed your rulers their patrician clod,
As Egypt chose an onion for a God.

  “Now fare ye well! enjoy your little hour;
Go, grasp the shadow of your vanished power;
Gloss o’er the failure of each fondest scheme;
Your strength a name, your bloated wealth a dream.
Gone is that Gold, the marvel of mankind.
And Pirates barter all that’s left behind.
No more the hirelings, purchased near and far,
Crowd to the ranks of mercenary war.
The idle merchant on the useless quay
Droops o’er the bales no bark may bear away;
Or, back returning, sees rejected stores
Rot piecemeal on his own encumbered shores:
The starved mechanic breaks his rusting loom,
And desperate mans him ‘gainst the coming doom.
Then in the Senates of your sinking state
Show me the man whose counsels may have weight.
Vain is each voice where tones could once command;
E’en factions cease to charm a factious land:
Yet jarring sects convulse a sister Isle,
And light with maddening hands the mutual pile.

  “’Tis done, ’tis past—since Pallas warns in vain;
The Furies seize her abdicated reign:
Wide o’er the realm they wave their kindling brands,
And wring her vitals with their fiery hands.
But one convulsive struggle still remains,
And Gaul shall weep ere Albion wear her chains,
The bannered pomp of war, the glittering files,
O’er whose gay trappings stern Bellona smiles;
The brazen trump, the spirit-stirring drum,
That bid the foe defiance ere they come;
The hero bounding at his country’s call,
The glorious death that consecrates his fall,
Swell the young heart with visionary charms.
And bid it antedate the joys of arms.
But know, a lesson you may yet be taught,
With death alone are laurels cheaply bought;
Not in the conflict Havoc seeks delight,
His day of mercy is the day of fight.
But when the field is fought, the battle won,
Though drenched with gore, his woes are but begun:
His deeper deeds as yet ye know by name;
The slaughtered peasant and the ravished dame,
The rifled mansion and the foe-reaped field,
Ill suit with souls at home, untaught to yield.
Say with what eye along the distant down
Would flying burghers mark the blazing town?
How view the column of ascending flames
Shake his red shadow o’er the startled Thames?
Nay, frown not, Albion! for the torch was thine
That lit such pyres from Tagus to the Rhine:
Now should they burst on thy devoted coast,
Go, ask thy ***** who deserves them most?
The law of Heaven and Earth is life for life,
And she who raised, in vain regrets, the strife.”
I found him
Shooting up on ******, and making art with his
Blood-filled needles;
He was beautiful,

I wish I was in the midst of Albion where you roam the streets
With crumbs of rock hiding in the lining of your jacket,
Cigarettes and romance embodies you and I’m too weak to not find you
Alluring, Chains and guitar strings around your neck
Imprisoned as the starved poet you are
Oh, I think I love every fiber of your being

I met him down in Albion
In the black swan where he bought me a drink
And we shared cigarettes whilst reciting,
Old French poetry, I wished I knew
What he was thinking as he stared off into the distance
With his black hat on askew,
Covering his brown, jagged and beautiful hair
He was much taller than most I’d ever met,
And I loved the feeling of his arm over my shoulder
His slim frame surely protecting me,
From the dangers only to be found
Down in Albion
Frederick Noakes Apr 2016
Albion. Our circle. Our home. Our world. Our land of the rose. The land of lime and stone. Our *****. Our Native Land. Our Father Land. Our Mother Land. Our Home. Oh Albion!
Megan Sherman Mar 2017
Daughters of Albion, thy beauty and intelligence is bespoke
But your spirits are encumbered by cynical agendas, by oppressions' yoke
I await the awakening of the revolutionary heroines within
Who cast off the stigma and shame of the doctrine of sin
Against the rubric that sullies and enervates thy strength
I verse and converse at tedious length
Inciting thee to free love, to the wayward path of libertines
I'd love to see thee dwell freely in beautiful, transcendent scenes
Thou art the flux of sultry stunning supernovas
Only faintly seen and understood by men
Peering like voyeurs down elaborate telescopes
Which, for having filtered you, diminishes thy beauty by factor of ten
Your divinely wrought stars beget a radiance
That offers guidance to the straggling soul
I'd love to be enamoured of you in dalliance
The bars between us the mind appalls
Arise ye makers of rebellion and revolution
Commit thy self to the creation of freedom
And live in eternal celebration
Admitted in to passion's kingdom
Together the daughters of Albion shall waltz
Out the spirit's cage
Going traversing through the wilds again
With inspiration for them I rage
Many a green isle needs must be
In the deep wide sea of Misery,
Or the mariner, worn and wan,
Never thus could voyage on—
Day and night, and night and day,
Drifting on his dreary way,
With the solid darkness black
Closing round his vessel’s track:
Whilst above the sunless sky,
Big with clouds, hangs heavily,
And behind the tempest fleet
Hurries on with lightning feet,

He is ever drifted on
O’er the unreposing wave
To the haven of the grave.
What, if there no friends will greet;
What, if there no heart will meet
His with love’s impatient beat;
Wander wheresoe’er he may,
Can he dream before that day
To find refuge from distress
In friendship’s smile, in love’s caress?
Then ’twill wreak him little woe
Whether such there be or no:
Senseless is the breast, and cold,
Which relenting love would fold;
Bloodless are the veins and chill
Which the pulse of pain did fill;
Every little living nerve
That from bitter words did swerve
Round the tortured lips and brow,
Are like sapless leaflets now
Frozen upon December’s bough.

On the beach of a northern sea
Which tempests shake eternally,
As once the wretch there lay to sleep,
Lies a solitary heap,
One white skull and seven dry bones,
On the margin of the stones,
Where a few grey rushes stand,
Boundaries of the sea and land:
Nor is heard one voice of wail
But the sea-mews, as they sail
O’er the billows of the gale;
Or the whirlwind up and down
Howling, like a slaughtered town,
When a king in glory rides
Through the pomp and fratricides:
Those unburied bones around
There is many a mournful sound;
There is no lament for him,
Like a sunless vapour, dim,
Who once clothed with life and thought
What now moves nor murmurs not.

Ay, many flowering islands lie
In the waters of wide Agony:
To such a one this morn was led,
My bark by soft winds piloted:
’Mid the mountains Euganean
I stood listening to the paean
With which the legioned rooks did hail
The sun’s uprise majestical;
Gathering round with wings all ****,
Through the dewy mist they soar
Like gray shades, till the eastern heaven
Bursts, and then, as clouds of even,
Flecked with fire and azure, lie
In the unfathomable sky,
So their plumes of purple grain,
Starred with drops of golden rain,
Gleam above the sunlight woods,
As in silent multitudes
On the morning’s fitful gale
Through the broken mist they sail,
And the vapours cloven and gleaming
Follow, down the dark steep streaming,
Till all is bright, and clear, and still,
Round the solitary hill.

Beneath is spread like a green sea
The waveless plain of Lombardy,
Bounded by the vaporous air,
Islanded by cities fair;
Underneath Day’s azure eyes
Ocean’s nursling, Venice, lies,
A peopled labyrinth of walls,
Amphitrite’s destined halls,
Which her hoary sire now paves
With his blue and beaming waves.
Lo! the sun upsprings behind,
Broad, red, radiant, half-reclined
On the level quivering line
Of the waters crystalline;
And before that chasm of light,
As within a furnace bright,
Column, tower, and dome, and spire,
Shine like obelisks of fire,
Pointing with inconstant motion
From the altar of dark ocean
To the sapphire-tinted skies;
As the flames of sacrifice
From the marble shrines did rise,
As to pierce the dome of gold
Where Apollo spoke of old.

Sea-girt City, thou hast been
Ocean’s child, and then his queen;
Now is come a darker day,
And thou soon must be his prey,
If the power that raised thee here
Hallow so thy watery bier.
A less drear ruin then than now,
With thy conquest-branded brow
Stooping to the slave of slaves
From thy throne, among the waves
Wilt thou be, when the sea-mew
Flies, as once before it flew,
O’er thine isles depopulate,
And all is in its ancient state,
Save where many a palace gate
With green sea-flowers overgrown
Like a rock of Ocean’s own,
Topples o’er the abandoned sea
As the tides change sullenly.
The fisher on his watery way,
Wandering at the close of day,
Will spread his sail and seize his oar
Till he pass the gloomy shore,
Lest thy dead should, from their sleep
Bursting o’er the starlight deep,
Lead a rapid masque of death
O’er the waters of his path.

Those who alone thy towers behold
Quivering through aereal gold,
As I now behold them here,
Would imagine not they were
Sepulchres, where human forms,
Like pollution-nourished worms,
To the corpse of greatness cling,
Murdered, and now mouldering:
But if Freedom should awake
In her omnipotence and shake
From the Celtic Anarch’s hold
All the keys of dungeons cold,
Where a hundred cities lie
Chained like thee, ingloriously,
Thou and all thy sister band
Might adorn this sunny land,
Twining memories of old time
With new virtues more sublime;
If not, perish thou ldering:
But if Freedom should awake
In her omnipotence and shake
From the Celtic Anarch’s hold
All the keys of dungeons cold,
Where a hundred cities lie
Chained like thee, ingloriously,
Thou and all thy sister band
Might adorn this sunny land,
Twining memories of old time
With new virtues more sublime;
If not, perish thou and they!—
Clouds which stain truth’s rising day
By her sun consumed away—
Earth can spare ye; while like flowers,
In the waste of years and hours,
From your dust new nations spring
With more kindly blossoming.

Perish—let there only be
Floating o’er thy heartless sea
As the garment of thy sky
Clothes the world immortally,
One remembrance, more sublime
Than the tattered pall of time,
Which scarce hides thy visage wan;—
That a tempest-cleaving Swan
Of the sons of Albion,
Driven from his ancestral streams
By the might of evil dreams,
Found a nest in thee; and Ocean
Welcomed him with such emotion
That its joy grew his, and sprung
From his lips like music flung
O’er a mighty thunder-fit,
Chastening terror:—what though yet
Poesy’s unfailing River,
Which through Albion winds forever
Lashing with melodious wave
Many a sacred Poet’s grave,
Mourn its latest nursling fled?
What though thou with all thy dead
Scarce can for this fame repay
Aught thine own? oh, rather say
Though thy sins and slaveries foul
Overcloud a sunlike soul?
As the ghost of Homer clings
Round Scamander’s wasting springs;
As divinest Shakespeare’s might
Fills Avon and the world with light
Like omniscient power which he
Imaged ’mid mortality;
As the love from Petrarch’s urn,
Yet amid yon hills doth burn,
A quenchless lamp by which the heart
Sees things unearthly;—so thou art,
Mighty spirit—so shall be
The City that did refuge thee.

Lo, the sun floats up the sky
Like thought-winged Liberty,
Till the universal light
Seems to level plain and height;
From the sea a mist has spread,
And the beams of morn lie dead
On the towers of Venice now,
Like its glory long ago.
By the skirts of that gray cloud
Many-domed Padua proud
Stands, a peopled solitude,
’Mid the harvest-shining plain,
Where the peasant heaps his grain
In the garner of his foe,
And the milk-white oxen slow
With the purple vintage strain,
Heaped upon the creaking wain,
That the brutal Celt may swill
Drunken sleep with savage will;
And the sickle to the sword
Lies unchanged, though many a lord,
Like a **** whose shade is poison,
Overgrows this region’s foison,
Sheaves of whom are ripe to come
To destruction’s harvest-home:
Men must reap the things they sow,
Force from force must ever flow,
Or worse; but ’tis a bitter woe
That love or reason cannot change
The despot’s rage, the slave’s revenge.

Padua, thou within whose walls
Those mute guests at festivals,
Son and Mother, Death and Sin,
Played at dice for Ezzelin,
Till Death cried, “I win, I win!”
And Sin cursed to lose the wager,
But Death promised, to assuage her,
That he would petition for
Her to be made Vice-Emperor,
When the destined years were o’er,
Over all between the Po
And the eastern Alpine snow,
Under the mighty Austrian.
She smiled so as Sin only can,
And since that time, ay, long before,
Both have ruled from shore to shore,—
That incestuous pair, who follow
Tyrants as the sun the swallow,
As Repentance follows Crime,
And as changes follow Time.

In thine halls the lamp of learning,
Padua, now no more is burning;
Like a meteor, whose wild way
Is lost over the grave of day,
It gleams betrayed and to betray:
Once remotest nations came
To adore that sacred flame,
When it lit not many a hearth
On this cold and gloomy earth:
Now new fires from antique light
Spring beneath the wide world’s might;
But their spark lies dead in thee,
Trampled out by Tyranny.
As the Norway woodman quells,
In the depth of piny dells,
One light flame among the brakes,
While the boundless forest shakes,
And its mighty trunks are torn
By the fire thus lowly born:
The spark beneath his feet is dead,
He starts to see the flames it fed
Howling through the darkened sky
With a myriad tongues victoriously,
And sinks down in fear: so thou,
O Tyranny, beholdest now
Light around thee, and thou hearest
The loud flames ascend, and fearest:
Grovel on the earth; ay, hide
In the dust thy purple pride!

Noon descends around me now:
’Tis the noon of autumn’s glow,
When a soft and purple mist
Like a vapourous amethyst,
Or an air-dissolved star
Mingling light and fragrance, far
From the curved horizon’s bound
To the point of Heaven’s profound,
Fills the overflowing sky;
And the plains that silent lie
Underneath the leaves unsodden
Where the infant Frost has trodden
With his morning-winged feet,
Whose bright print is gleaming yet;
And the red and golden vines,
Piercing with their trellised lines
The rough, dark-skirted wilderness;
The dun and bladed grass no less,
Pointing from this hoary tower
In the windless air; the flower
Glimmering at my feet; the line
Of the olive-sandalled Apennine
In the south dimly islanded;
And the Alps, whose snows are spread
High between the clouds and sun;
And of living things each one;
And my spirit which so long
Darkened this swift stream of song,—
Interpenetrated lie
By the glory of the sky:
Be it love, light, harmony,
Odour, or the soul of all
Which from Heaven like dew doth fall,
Or the mind which feeds this verse
Peopling the lone universe.

Noon descends, and after noon
Autumn’s evening meets me soon,
Leading the infantine moon,
And that one star, which to her
Almost seems to minister
Half the crimson light she brings
From the sunset’s radiant springs:
And the soft dreams of the morn
(Which like winged winds had borne
To that silent isle, which lies
Mid remembered agonies,
The frail bark of this lone being)
Pass, to other sufferers fleeing,
And its ancient pilot, Pain,
Sits beside the helm again.

Other flowering isles must be
In the sea of Life and Agony:
Other spirits float and flee
O’er that gulf: even now, perhaps,
On some rock the wild wave wraps,
With folded wings they waiting sit
For my bark, to pilot it
To some calm and blooming cove,
Where for me, and those I love,
May a windless bower be built,
Far from passion, pain, and guilt,
In a dell mid lawny hills,
Which the wild sea-murmur fills,
And soft sunshine, and the sound
Of old forests echoing round,
And the light and smell divine
Of all flowers that breathe and shine:
We may live so happy there,
That the Spirits of the Air,
Envying us, may even entice
To our healing Paradise
The polluting multitude;
But their rage would be subdued
By that clime divine and calm,
And the winds whose wings rain balm
On the uplifted soul, and leaves
Under which the bright sea heaves;
While each breathless interval
In their whisperings musical
The inspired soul supplies
With its own deep melodies;
And the love which heals all strife
Circling, like the breath of life,
All things in that sweet abode
With its own mild brotherhood:
They, not it, would change; and soon
Every sprite beneath the moon
Would repent its envy vain,
And the earth grow young again.
Lain Ender Oct 2011
Silence
Silence everywhere
A world of myst and trees
A world of no one, nothing, not a solitary dream
A creature walked before me
It’s skin as grey as stone
A creature of no gender
A creature of no home
It was naked as the night was cold
Veiled by an inverse wing
Not metallic nor of feather
A transcendental ethereal thing
I asked it all my questions
And it spoke not a word
I asked it for redemption
And i heard just the sound of birds
It took me by the hand in silence
Warped me in its wing
I finally saw the truth of all
As the Albatross did scream
It was no messiah
No god with beard of white
Just protection of the watcher
The Albion in the night
Muse of the many-twinkling feet! whose charms
Are now extended up from legs to arms;
Terpsichore!—too long misdeemed a maid—
Reproachful term—bestowed but to upbraid—
Henceforth in all the bronze of brightness shine,
The least a Vestal of the ****** Nine.
Far be from thee and thine the name of *****:
Mocked yet triumphant; sneered at, unsubdued;
Thy legs must move to conquer as they fly,
If but thy coats are reasonably high!
Thy breast—if bare enough—requires no shield;
Dance forth—sans armour thou shalt take the field
And own—impregnable to most assaults,
Thy not too lawfully begotten “Waltz.”

  Hail, nimble Nymph! to whom the young hussar,
The whiskered votary of Waltz and War,
His night devotes, despite of spur and boots;
A sight unmatched since Orpheus and his brutes:
Hail, spirit-stirring Waltz!—beneath whose banners
A modern hero fought for modish manners;
On Hounslow’s heath to rival Wellesley’s fame,
Cocked, fired, and missed his man—but gained his aim;
Hail, moving muse! to whom the fair one’s breast
Gives all it can, and bids us take the rest.
Oh! for the flow of Busby, or of Fitz,
The latter’s loyalty, the former’s wits,
To “energise the object I pursue,”
And give both Belial and his Dance their due!

  Imperial Waltz! imported from the Rhine
(Famed for the growth of pedigrees and wine),
Long be thine import from all duty free,
And Hock itself be less esteemed than thee;
In some few qualities alike—for Hock
Improves our cellar—thou our living stock.
The head to Hock belongs—thy subtler art
Intoxicates alone the heedless heart:
Through the full veins thy gentler poison swims,
And wakes to Wantonness the willing limbs.

  Oh, Germany! how much to thee we owe,
As heaven-born Pitt can testify below,
Ere cursed Confederation made thee France’s,
And only left us thy d—d debts and dances!
Of subsidies and Hanover bereft,
We bless thee still—George the Third is left!
Of kings the best—and last, not least in worth,
For graciously begetting George the Fourth.
To Germany, and Highnesses serene,
Who owe us millions—don’t we owe the Queen?
To Germany, what owe we not besides?
So oft bestowing Brunswickers and brides;
Who paid for ******, with her royal blood,
Drawn from the stem of each Teutonic stud:
Who sent us—so be pardoned all her faults—
A dozen dukes, some kings, a Queen—and Waltz.

  But peace to her—her Emperor and Diet,
Though now transferred to Buonapartè’s “fiat!”
Back to my theme—O muse of Motion! say,
How first to Albion found thy Waltz her way?

  Borne on the breath of Hyperborean gales,
From Hamburg’s port (while Hamburg yet had mails),
Ere yet unlucky Fame—compelled to creep
To snowy Gottenburg-was chilled to sleep;
Or, starting from her slumbers, deigned arise,
Heligoland! to stock thy mart with lies;
While unburnt Moscow yet had news to send,
Nor owed her fiery Exit to a friend,
She came—Waltz came—and with her certain sets
Of true despatches, and as true Gazettes;
Then flamed of Austerlitz the blest despatch,
Which Moniteur nor Morning Post can match
And—almost crushed beneath the glorious news—
Ten plays, and forty tales of Kotzebue’s;
One envoy’s letters, six composer’s airs,
And loads from Frankfort and from Leipsic fairs:
Meiners’ four volumes upon Womankind,
Like Lapland witches to ensure a wind;
Brunck’s heaviest tome for ballast, and, to back it,
Of Heynè, such as should not sink the packet.

  Fraught with this cargo—and her fairest freight,
Delightful Waltz, on tiptoe for a Mate,
The welcome vessel reached the genial strand,
And round her flocked the daughters of the land.
Not decent David, when, before the ark,
His grand Pas-seul excited some remark;
Not love-lorn Quixote, when his Sancho thought
The knight’s Fandango friskier than it ought;
Not soft Herodias, when, with winning tread,
Her nimble feet danced off another’s head;
Not Cleopatra on her Galley’s Deck,
Displayed so much of leg or more of neck,
Than Thou, ambrosial Waltz, when first the Moon
Beheld thee twirling to a Saxon tune!

  To You, ye husbands of ten years! whose brows
Ache with the annual tributes of a spouse;
To you of nine years less, who only bear
The budding sprouts of those that you shall wear,
With added ornaments around them rolled
Of native brass, or law-awarded gold;
To You, ye Matrons, ever on the watch
To mar a son’s, or make a daughter’s match;
To You, ye children of—whom chance accords—
Always the Ladies, and sometimes their Lords;
To You, ye single gentlemen, who seek
Torments for life, or pleasures for a week;
As Love or ***** your endeavours guide,
To gain your own, or ****** another’s bride;—
To one and all the lovely Stranger came,
And every Ball-room echoes with her name.

  Endearing Waltz!—to thy more melting tune
Bow Irish Jig, and ancient Rigadoon.
Scotch reels, avaunt! and Country-dance forego
Your future claims to each fantastic toe!
Waltz—Waltz alone—both legs and arms demands,
Liberal of feet, and lavish of her hands;
Hands which may freely range in public sight
Where ne’er before—but—pray “put out the light.”
Methinks the glare of yonder chandelier
Shines much too far—or I am much too near;
And true, though strange—Waltz whispers this remark,
“My slippery steps are safest in the dark!”
But here the Muse with due decorum halts,
And lends her longest petticoat to “Waltz.”

  Observant Travellers of every time!
Ye Quartos published upon every clime!
0 say, shall dull Romaika’s heavy round,
Fandango’s wriggle, or Bolero’s bound;
Can Egypt’s Almas—tantalising group—
Columbia’s caperers to the warlike Whoop—
Can aught from cold Kamschatka to Cape Horn
With Waltz compare, or after Waltz be born?
Ah, no! from Morier’s pages down to Galt’s,
Each tourist pens a paragraph for “Waltz.”

  Shades of those Belles whose reign began of yore,
With George the Third’s—and ended long before!—
Though in your daughters’ daughters yet you thrive,
Burst from your lead, and be yourselves alive!
Back to the Ball-room speed your spectred host,
Fool’s Paradise is dull to that you lost.
No treacherous powder bids Conjecture quake;
No stiff-starched stays make meddling fingers ache;
(Transferred to those ambiguous things that ape
Goats in their visage, women in their shape;)
No damsel faints when rather closely pressed,
But more caressing seems when most caressed;
Superfluous Hartshorn, and reviving Salts,
Both banished by the sovereign cordial “Waltz.”

  Seductive Waltz!—though on thy native shore
Even Werter’s self proclaimed thee half a *****;
Werter—to decent vice though much inclined,
Yet warm, not wanton; dazzled, but not blind—
Though gentle Genlis, in her strife with Staël,
Would even proscribe thee from a Paris ball;
The fashion hails—from Countesses to Queens,
And maids and valets waltz behind the scenes;
Wide and more wide thy witching circle spreads,
And turns—if nothing else—at least our heads;
With thee even clumsy cits attempt to bounce,
And cockney’s practise what they can’t pronounce.
Gods! how the glorious theme my strain exalts,
And Rhyme finds partner Rhyme in praise of “Waltz!”
Blest was the time Waltz chose for her début!
The Court, the Regent, like herself were new;
New face for friends, for foes some new rewards;
New ornaments for black-and royal Guards;
New laws to hang the rogues that roared for bread;
New coins (most new) to follow those that fled;
New victories—nor can we prize them less,
Though Jenky wonders at his own success;
New wars, because the old succeed so well,
That most survivors envy those who fell;
New mistresses—no, old—and yet ’tis true,
Though they be old, the thing is something new;
Each new, quite new—(except some ancient tricks),
New white-sticks—gold-sticks—broom-sticks—all new sticks!
With vests or ribands—decked alike in hue,
New troopers strut, new turncoats blush in blue:
So saith the Muse: my——, what say you?
Such was the time when Waltz might best maintain
Her new preferments in this novel reign;
Such was the time, nor ever yet was such;
Hoops are  more, and petticoats not much;
Morals and Minuets, Virtue and her stays,
And tell-tale powder—all have had their days.
The Ball begins—the honours of the house
First duly done by daughter or by spouse,
Some Potentate—or royal or serene—
With Kent’s gay grace, or sapient Gloster’s mien,
Leads forth the ready dame, whose rising flush
Might once have been mistaken for a blush.
From where the garb just leaves the ***** free,
That spot where hearts were once supposed to be;
Round all the confines of the yielded waist,
The strangest hand may wander undisplaced:
The lady’s in return may grasp as much
As princely paunches offer to her touch.
Pleased round the chalky floor how well they trip
One hand reposing on the royal hip!
The other to the shoulder no less royal
Ascending with affection truly loyal!
Thus front to front the partners move or stand,
The foot may rest, but none withdraw the hand;
And all in turn may follow in their rank,
The Earl of—Asterisk—and Lady—Blank;
Sir—Such-a-one—with those of fashion’s host,
For whose blest surnames—vide “Morning Post.”
(Or if for that impartial print too late,
Search Doctors’ Commons six months from my date)—
Thus all and each, in movement swift or slow,
The genial contact gently undergo;
Till some might marvel, with the modest Turk,
If “nothing follows all this palming work?”
True, honest Mirza!—you may trust my rhyme—
Something does follow at a fitter time;
The breast thus publicly resigned to man,
In private may resist him—if it can.

  O ye who loved our Grandmothers of yore,
Fitzpatrick, Sheridan, and many more!
And thou, my Prince! whose sovereign taste and will
It is to love the lovely beldames still!
Thou Ghost of Queensberry! whose judging Sprite
Satan may spare to peep a single night,
Pronounce—if ever in your days of bliss
Asmodeus struck so bright a stroke as this;
To teach the young ideas how to rise,
Flush in the cheek, and languish in the eyes;
Rush to the heart, and lighten through the frame,
With half-told wish, and ill-dissembled flame,
For prurient Nature still will storm the breast—
Who, tempted thus, can answer for the rest?

  But ye—who never felt a single thought
For what our Morals are to be, or ought;
Who wisely wish the charms you view to reap,
Say—would you make those beauties quite so cheap?
Hot from the hands promiscuously applied,
Round the slight waist, or down the glowing side,
Where were the rapture then to clasp the form
From this lewd grasp and lawless contact warm?
At once Love’s most endearing thought resign,
To press the hand so pressed by none but thine;
To gaze upon that eye which never met
Another’s ardent look without regret;
Approach the lip which all, without restraint,
Come near enough—if not to touch—to taint;
If such thou lovest—love her then no more,
Or give—like her—caresses to a score;
Her Mind with these is gone, and with it go
The little left behind it to bestow.

  Voluptuous Waltz! and dare I thus blaspheme?
Thy bard forgot thy praises were his theme.
Terpsichore forgive!—at every Ball
My wife now waltzes—and my daughters shall;
My son—(or stop—’tis needless to inquire—
These little accidents should ne’er transpire;
Some ages hence our genealogic tree
Will wear as green a bough for him as me)—
Waltzing shall rear, to make our name amends
Grandsons for me—in heirs to all his friends.
Megan Sherman Mar 2017
The world in unison
The world as one
Hearts sink at sight
Of the setting sun
The world in unison
The world as friends
As if one constituency
To each other we tend
All hearts in unison
In grief and sorrow
Knowing that some
Are bereft of Life's tomorrow
All hands in unison
To steep in prayer
Devoting homilies
Filled with perfect care
All life in harmony
Will find it's way
This song is for Albion
And the warrior spirits there
Simon Leake Oct 2016
What I have is a pitch
angled at nothing
and I envy the limber crowd of bees,
and I envy the spider’s easy meal.

The low hum of a wash cycle
competes with, then dislodges my dirge,
gradually builds a golden,
natural looking wan expression.

Diffident? Go out and meander
content to accept the indifference of meaning.
This walk is not a protest.
This work was only ever play.

Suitable for all skin types
our explanations can’t help themselves,
run like British accents on trade
and explain away any need for help.
Non-streaking conceits
you know best how much you are worth.
a poem partly made up from the blurb on a shampoo bottle!
I weep for Adonais—he is dead!
O, weep for Adonais! though our tears
Thaw not the frost which binds so dear a head!
And thou, sad Hour, selected from all years
To mourn our loss, rouse thy obscure compeers,
And teach them thine own sorrow, say: “With me
Died Adonais; till the Future dares
Forget the Past, his fate and fame shall be
An echo and a light unto eternity!”

Where wert thou, mighty Mother, when he lay,
When thy Son lay, pierced by the shaft which flies
In darkness? where was lorn Urania
When Adonais died? With veiled eyes,
Mid listening Echoes, in her Paradise
She sate, while one, with soft enamoured breath,
Rekindled all the fading melodies
With which, like flowers that mock the corse beneath,
He had adorned and hid the coming bulk of death.

O, weep for Adonais—he is dead!
Wake, melancholy Mother, wake and weep!
Yet wherefore? Quench within their burning bed
Thy fiery tears, and let thy loud heart keep
Like his, a mute and uncomplaining sleep;
For he is gone, where all things wise and fair
Descend;—oh, dream not that the amorous Deep
Will yet restore him to the vital air;
Death feeds on his mute voice, and laughs at our despair.

Most musical of mourners, weep again!
Lament anew, Urania!—He died,
Who was the Sire of an immortal strain,
Blind, old, and lonely, when his country’s pride,
The priest, the slave, and the liberticide
Trampled and mocked with many a loathed rite
Of lust and blood; he went, unterrified,
Into the gulf of death; but his clear Sprite
Yet reigns o’er earth; the third among the sons of light.

Most musical of mourners, weep anew!
Not all to that bright station dared to climb;
And happier they their happiness who knew,
Whose tapers yet burn through that night of time
In which suns perished; others more sublime,
Struck by the envious wrath of man or god,
Have sunk, extinct in their refulgent prime;
And some yet live, treading the thorny road
Which leads, through toil and hate, to Fame’s serene abode.

But now, thy youngest, dearest one, has perished—
The nursling of thy widowhood, who grew,
Like a pale flower by some sad maiden cherished,
And fed with true-love tears, instead of dew;
Most musical of mourners, weep anew!
Thy extreme hope, the loveliest and the last,
The bloom, whose petals nipped before they blew
Died on the promise of the fruit, is waste;
The broken lily lies—the storm is overpast.

To that high Capital, where kingly Death
Keeps his pale court in beauty and decay,
He came; and bought, with price of purest breath,
A grave among the eternal.—Come away!
Haste, while the vault of blue Italian day
Is yet his fitting charnel-roof! while still
He lies, as if in dewy sleep he lay;
Awake him not! surely he takes his fill
Of deep and liquid rest, forgetful of all ill.

He will awake no more, oh, never more!—
Within the twilight chamber spreads apace
The shadow of white Death, and at the door
Invisible Corruption waits to trace
His extreme way to her dim dwelling-place;
The eternal Hunger sits, but pity and awe
Soothe her pale rage, nor dares she to deface
So fair a prey, till darkness, and the law
Of change, shall o’er his sleep the mortal curtain draw.

O, weep for Adonais!—The quick Dreams,
The passion-winged Ministers of thought,
Who were his flocks, whom near the living streams
Of his young spirit he fed, and whom he taught
The love which was its music, wander not,—
Wander no more, from kindling brain to brain,
But droop there, whence they sprung; and mourn their lot
Round the cold heart, where, after their sweet pain,
They ne’er will gather strength, or find a home again.

And one with trembling hands clasps his cold head,
And fans him with her moonlight wings, and cries,
“Our love, our hope, our sorrow, is not dead;
See, on the silken fringe of his faint eyes,
Like dew upon a sleeping flower, there lies
A tear some Dream has loosened from his brain.”
Lost Angel of a ruined Paradise!
She knew not ’twas her own; as with no stain
She faded, like a cloud which had outwept its rain.

One from a lucid urn of starry dew
Washed his light limbs as if embalming them;
Another clipped her profuse locks, and threw
The wreath upon him, like an anadem,
Which frozen tears instead of pearls begem;
Another in her wilful grief would break
Her bow and winged reeds, as if to stem
A greater loss with one which was more weak;
And dull the barbed fire against his frozen cheek.

Another Splendour on his mouth alit,
That mouth, whence it was wont to draw the breath
Which gave it strength to pierce the guarded wit,
And pass into the panting heart beneath
With lightning and with music: the damp death
Quenched its caress upon his icy lips;
And, as a dying meteor stains a wreath
Of moonlight vapour, which the cold night clips,
It flushed through his pale limbs, and passed to its eclipse.

And others came… Desires and Adorations,
Winged Persuasions and veiled Destinies,
Splendours, and Glooms, and glimmering Incarnations
Of hopes and fears, and twilight Phantasies;
And Sorrow, with her family of Sighs,
And Pleasure, blind with tears, led by the gleam
Of her own dying smile instead of eyes,
Came in slow pomp;—the moving pomp might seem
Like pageantry of mist on an autumnal stream.

All he had loved, and moulded into thought,
From shape, and hue, and odour, and sweet sound,
Lamented Adonais. Morning sought
Her eastern watch-tower, and her hair unbound,
Wet with the tears which should adorn the ground,
Dimmed the aereal eyes that kindle day;
Afar the melancholy thunder moaned,
Pale Ocean in unquiet slumber lay,
And the wild Winds flew round, sobbing in their dismay.

Lost Echo sits amid the voiceless mountains,
And feeds her grief with his remembered lay,
And will no more reply to winds or fountains,
Or amorous birds perched on the young green spray,
Or herdsman’s horn, or bell at closing day;
Since she can mimic not his lips, more dear
Than those for whose disdain she pined away
Into a shadow of all sounds:—a drear
Murmur, between their songs, is all the woodmen hear.

Grief made the young Spring wild, and she threw down
Her kindling buds, as if she Autumn were,
Or they dead leaves; since her delight is flown,
For whom should she have waked the sullen year?
To Phoebus was not Hyacinth so dear
Nor to himself Narcissus, as to both
Thou, Adonais: wan they stand and sere
Amid the faint companions of their youth,
With dew all turned to tears; odour, to sighing ruth.

Thy spirit’s sister, the lorn nightingale
Mourns not her mate with such melodious pain;
Not so the eagle, who like thee could scale
Heaven, and could nourish in the sun’s domain
Her mighty youth with morning, doth complain,
Soaring and screaming round her empty nest,
As Albion wails for thee: the curse of Cain
Light on his head who pierced thy innocent breast,
And scared the angel soul that was its earthly guest!

Ah, woe is me! Winter is come and gone,
But grief returns with the revolving year;
The airs and streams renew their joyous tone;
The ants, the bees, the swallows reappear;
Fresh leaves and flowers deck the dead Season’s bier;
The amorous birds now pair in every brake,
And build their mossy homes in field and brere;
And the green lizard, and the golden snake,
Like unimprisoned flames, out of their trance awake.

Through wood and stream and field and hill and Ocean
A quickening life from the Earth’s heart has burst
As it has ever done, with change and motion,
From the great morning of the world when first
God dawned on Chaos; in its stream immersed,
The lamps of Heaven flash with a softer light;
All baser things pant with life’s sacred thirst;
Diffuse themselves; and spend in love’s delight
The beauty and the joy of their renewed might.

The leprous corpse, touched by this spirit tender,
Exhales itself in flowers of gentle breath;
Like incarnations of the stars, when splendour
Is changed to fragrance, they illumine death
And mock the merry worm that wakes beneath;
Nought we know, dies. Shall that alone which knows
Be as a sword consumed before the sheath
By sightless lightning?—the intense atom glows
A moment, then is quenched in a most cold repose.

Alas! that all we loved of him should be,
But for our grief, as if it had not been,
And grief itself be mortal! Woe is me!
Whence are we, and why are we? of what scene
The actors or spectators? Great and mean
Meet massed in death, who lends what life must borrow.
As long as skies are blue, and fields are green,
Evening must usher night, night urge the morrow,
Month follow month with woe, and year wake year to sorrow.

He will awake no more, oh, never more!
“Wake thou,” cried Misery, “childless Mother, rise
Out of thy sleep, and slake, in thy heart’s core,
A wound more fierce than his with tears and sighs.”
And all the Dreams that watched Urania’s eyes,
And all the Echoes whom their sister’s song
Had held in holy silence, cried: “Arise!”
Swift as a Thought by the snake Memory stung,
From her ambrosial rest the fading Splendour sprung.

She rose like an autumnal Night, that springs
Our of the East, and follows wild and drear
The golden Day, which, on eternal wings,
Even as a ghost abandoning a bier,
Had left the Earth a corpse. Sorrow and fear
So struck, so roused, so rapt Urania;
So saddened round her like an atmosphere
Of stormy mist; so swept her on her way
Even to the mournful place where Adonais lay.

Our of her secret Paradise she sped,
Through camps and cities rough with stone, and steel,
And human hearts, which to her aery tread
Yielding not, wounded the invisible
Palms of her tender feet where’er they fell:
And barbed tongues, and thoughts more sharp than they,
Rent the soft Form they never could repel,
Whose sacred blood, like the young tears of May,
Paved with eternal flowers that undeserving way.

In the death-chamber for a moment Death,
Shamed by the presence of that living Might,
Blushed to annihilation, and the breath
Revisited those lips, and Life’s pale light
Flashed through those limbs, so late her dear delight.
“Leave me not wild and drear and comfortless,
As silent lightning leaves the starless night!
Leave me not!” cried Urania: her distress
Roused Death: Death rose and smiled, and met her vain caress.

“‘Stay yet awhile! speak to me once again;
Kiss me, so long but as a kiss may live;
And in my heartless breast and burning brain
That word, that kiss, shall all thoughts else survive,
With food of saddest memory kept alive,
Now thou art dead, as if it were a part
Of thee, my Adonais! I would give
All that I am to be as thou now art!
But I am chained to Time, and cannot thence depart!

“O gentle child, beautiful as thou wert,
Why didst thou leave the trodden paths of men
Too soon, and with weak hands though mighty heart
Dare the unpastured dragon in his den?
Defenceless as thou wert, oh, where was then
Wisdom the mirrored shield, or scorn the spear?
Or hadst thou waited the full cycle, when
Thy spirit should have filled its crescent sphere,
The monsters of life’s waste had fled from thee like deer.

“The herded wolves, bold only to pursue;
The obscene ravens, clamorous o’er the dead;
The vultures to the conqueror’s banner true
Who feed where Desolation first has fed,
And whose wings rain contagion;—how they fled,
When, like Apollo, from his golden bow
The Pythian of the age one arrow sped
And smiled!—The spoilers tempt no second blow,
They fawn on the proud feet that spurn them lying low.

“The sun comes forth, and many reptiles spawn;
He sets, and each ephemeral insect then
Is gathered into death without a dawn,
And the immortal stars awake again;
So is it in the world of living men:
A godlike mind soars forth, in its delight
Making earth bare and veiling heaven, and when
It sinks, the swarms that dimmed or shared its light
Leave to its kindred lamps the spirit’s awful night.”

Thus ceased she: and the mountain shepherds came,
Their garlands sere, their magic mantles rent;
The Pilgrim of Eternity, whose fame
Over his living head like Heaven is bent,
An early but enduring monument,
Came, veiling all the lightnings of his song
In sorrow; from her wilds Irene sent
The sweetest lyrist of her saddest wrong,
And Love taught Grief to fall like music from his tongue.

Midst others of less note, came one frail Form,
A phantom among men; companionless
As the last cloud of an expiring storm
Whose thunder is its knell; he, as I guess,
Had gazed on Nature’s naked loveliness,
Actaeon-like, and now he fled astray
With feeble steps o’er the world’s wilderness,
And his own thoughts, along that rugged way,
Pursued, like raging hounds, their father and their prey.

A pardlike Spirit beautiful and swift—
A Love in desolation masked;—a Power
Girt round with weakness;—it can scarce uplift
The weight of the superincumbent hour;
It is a dying lamp, a falling shower,
A breaking billow;—even whilst we speak
Is it not broken? On the withering flower
The killing sun smiles brightly: on a cheek
The life can burn in blood, even while the heart may break.

His head was bound with pansies overblown,
And faded violets, white, and pied, and blue;
And a light spear topped with a cypress cone,
Round whose rude shaft dark ivy-tresses grew
Yet dripping with the forest’s noonday dew,
Vibrated, as the ever-beating heart
Shook the weak hand that grasped it; of that crew
He came the last, neglected and apart;
A herd-abandoned deer struck by the hunter’s dart.

All stood aloof, and at his partial moan
Smiled through their tears; well knew that gentle band
Who in another’s fate now wept his own,
As in the accents of an unknown land
He sung new sorrow; sad Urania scanned
The Stranger’s mien, and murmured: “Who art thou?”
He answered not, but with a sudden hand
Made bare his branded and ensanguined brow,
Which was like Cain’s or Christ’s—oh! that it should be so!

What softer voice is hushed over the dead?
Athwart what brow is that dark mantle thrown?
What form leans sadly o’er the white death-bed,
In mockery of monumental stone,
The heavy heart heaving without a moan?
If it be He, who, gentlest of the wise,
Taught, soothed, loved, honoured the departed one,
Let me not vex, with inharmonious sighs,
The silence of that heart’s accepted sacrifice.

Our Adonais has drunk poison—oh!
What deaf and viperous murderer could crown
Life’s early cup with such a draught of woe?
The nameless worm would now itself disown:
It felt, yet could escape, the magic tone
Whose prelude held all envy, hate, and wrong,
But what was howling in one breast alone,
Silent with expectation of the song,
Whose master’s hand is cold, whose silver lyre unstrung.

Live thou, whose infamy is not thy fame!
Live! fear no heavier chastisement from me,
Thou noteless blot on a remembered name!
But be thyself, and know thyself to be!
And ever at thy season be thou free
To spill the venom when thy fangs o’erflow:
Remorse and Self-contempt shall cling to thee;
Hot Shame shall burn upon thy secret brow,
And like a beaten hound tremble thou shalt—as now.

Nor let us weep that our delight is fled
Far from these carrion kites that scream below;
He wakes or sleeps with the enduring dead;
Thou canst not soar where he is sitting now—
Dust to the dust! but the pure spirit shall flow
Back to the burning fountain whence it came,
A portion of the Eternal, which must glow
Through time and change, unquenchably the same,
Whilst thy cold embers choke the sordid hearth of shame.

Peace, peace! he is not dead, he doth not sleep—
He hath awakened from the dream of life—
’Tis we, who lost in stormy visions, keep
With phantoms an unprofitable strife,
And in mad trance, strike with our spirit’s knife
Invulnerable nothings.—We decay
Like corpses in a charnel; fear and grief
Convulse us and consume us day by day,
And cold hopes swarm like worms within our living clay.

He has outsoared the shadow of our night;
Envy and calumny and hate and pain,
And that unrest which men miscall delight,
Can touch him not and torture not again;
From the contagion of the world’s slow stain
He is secure, and now can never mourn
A heart grown cold, a head grown grey in vain;
Nor, when the spirit’s self has ceased to burn,
With sparkless ashes load an unlamented urn.

He lives, he wakes—’tis Death is dead, not he;
Mourn not for Adonais.—Thou young Dawn,
Turn all thy dew to splendour, for from thee
The spirit thou lamentest is not gone;
Ye caverns and ye forests, cease to moan!
Cease, ye faint flowers and fountains, and thou Air
Which like a mourning veil
Megan Sherman Feb 2017
Midst wizened trees the ancient word
Blows through ears that strive to have heard
The magic medley of the land
The stirring Spring gestates her garland
Dribbling music to the bards

We are the bards. Long time ago
We dwelled and swelled in Nature's glow
We lived, felt Love, but now we go
Searching for rainbow, to and fro

Our path takes us high and low
To truth, which raptures us in throe
The torch of truth be ours to hold
In streams of dreams and fires of gold
Sat brooding in desire and woe
Lucy Sep 2017
Transient summers,
Forbidden Bluebell fields,
Tough times symbolise the pouring of ales.


Manicured lawns,
Cider drinking Saturdays,
Routine discussions about the sun and rain.


Hijinx down the watering hole,
The great unwashed congregating on Market Day,
Smog penetrating the lungs,
Forlorn eyes, social decay.


Leaders of austerity,
Riddled with oppressive policies,
The tedious endurement of the morning commute.


Sirens cut across Westminster,
A quintessential rave anthem,
Boxing Day sales,
Sheer pandemonium.


Revelling in satire,
And curtain twitching,
Reading racists newspapers,
Disenfranchised youth.


Icky dance floors with raging hormones,
Breath heavy with hops and acrid tobacco.


**** drops and winding waists,
Ladies bathroom, evil eyes exchanged.


Sundays spent hanging,
And Mondays depressed,
Holy communions,
Cladded in your best dress.


Suppressed thoughts,
And baited breath
An Albion filled with oppression and dread.
She left in the morning with just a burlap sack
She sat upon the bus with the sack upon her lap
She marvelled at the travellers who all looked very sad
And in the service-stop the salesmen, they all seemed very sad
And the teller and the feller selling coffee, they seemed sad
And she prayed that the city was exempt from all this sad

But when she arrived in the city not far after five
All the faces seemed blurred
And only half-way alive
So she sat by a statue, tried to pin down the picture
But her eyes weren’t adjusted, and her brain wouldn’t let her
And a man shouted at her
And another tried to tempt her
And she slept in a doorway till a cop came and kicked her

So she walked by the river where a man tried to trick her…
And as the drunks staggered homeward and the jackals closed their eyes
She began to see the city as the sun began to rise
And in the shadows of the shards and the black brick buildings
The steeples and the courtyards had their moment of revealing:

Amidst the sky-scape of Hawksmoor and the mind-scape of Blake
A landscape of Albion was summoned in its wake
And the God within the River raised his head to shake his hair
And the ancient stone of London sent a signal to her there
And the head of Bryn ascended from a mound near Tower Hill
Whilst the Southwark geese all danced to a mighty jig and reel
She heard the echoes of the anarchy of ancient London fayre’s
Where the rich never lingered, and the power never dared
She glimpsed the ghost of Jack Sheppard upon the rooftops of the Squares
And Leno’s crazy clog-dance whipped a whirlwind in the air

All the heroes of the city filled her aching soul with light
As she pulled her knees to her chest and curled her aching body tight
Cocooned now in sleep, the revelries all ended
And she dreamt the city back to life, as the worker-ants descended
And each and every day thereon she would dream as they descended

Now she sees beyond the blurs and the slate-grey etched-in faces
She sleeps amidst the majesty of all the hidden holy places
She lies outside the fear and lies; the ruckus; riot; and squall
Some say she’s an incarnation of the Holy Hermit in the wall.
But maybe she’s a frequency – outside of space and time
And the spirit of the City, within her now resides

And though the Peace of the city is killed by screaming cars
And the Light of the city extinguishes the stars
And the Heart of the city is banished to the edges
And the Beat of the city is traded by the hedgers  
The Soul of the city is safe within her hold
So pray tonight she’s wrapped up tight against the biting cold.

-And bless her when you see her and thank her for her dreams
For the dreams she weaves are miracles and we are products of those dreams

So bless her
If you see her
And maybe, you could feed her
For though the city is her lifeblood
It often fails to feed her
And if the city shall not feed her, and if she fails to dream
Well – can you truly visualise a world devoid of dreams?

-Can any of us visualise - a world devoid of dreams?
Obscurest night involv'd the sky,
Th' Atlantic billows roar'd,
When such a destin'd wretch as I,
Wash'd headlong from on board,
Of friends, of hope, of all bereft,
His floating home for ever left.

No braver chief could Albion boast
Than he with whom he went,
Nor ever ship left Albion's coast,
With warmer wishes sent.
He lov'd them both, but both in vain,
Nor him beheld, nor her again.

Not long beneath the whelming brine,
Expert to swim, he lay;
Nor soon he felt his strength decline,
Or courage die away;
But wag'd with death a lasting strife,
Supported by despair of life.

He shouted: nor his friends had fail'd
To check the vessel's course,
But so the furious blast prevail'd,
That, pitiless perforce,
They left their outcast mate behind,
And scudded still before the wind.

Some succour yet they could afford;
And, such as storms allow,
The cask, the coop, the floated cord,
Delay'd not to bestow.
But he (they knew) nor ship, nor shore,
Whate'er they gave, should visit more.

Nor, cruel as it seem'd, could he
Their haste himself condemn,
Aware that flight, in such a sea,
Alone could rescue them;
Yet bitter felt it still to die
Deserted, and his friends so nigh.

He long survives, who lives an hour
In ocean, self-upheld;
And so long he, with unspent pow'r,
His destiny repell'd;
And ever, as the minutes flew,
Entreated help, or cried--Adieu!

At length, his transient respite past,
His comrades, who before
Had heard his voice in ev'ry blast,
Could catch the sound no more.
For then, by toil subdued, he drank
The stifling wave, and then he sank.

No poet wept him: but the page
Of narrative sincere;
Is wet with Anson's tear.
And tears by bards or heroes shed
Alike immortalize the dead.

I therefore purpose not, or dream,
Descanting on his fate,
To give the melancholy theme
A more enduring date:
But misery still delights to trace

No voice divine the storm allay'd,
No light propitious shone;
When, ******'d from all effectual aid,
We perish'd, each alone:
But I beneath a rougher sea,
And whelm'd in deeper gulfs than he.
John F McCullagh Mar 2012
The Bells ring out great Peals of joy.
The war is won, Great Albion.
It merely cost a million dead,
a generation lost and done.

To you, fate tendered victory sweet,
to the Germans, a bitter peace.
There, fatherless boys, abed, asleep,
plot revenge for their deceased.

In the Wilfred Owen house;
no alloyed joy to meld with sorrow:
That day they learned their son had died
They’ll dress the house in Black tomorrow.

His mother knew before word came,
she had a sense her son was gone.
That he’d be among the last to fall
for the glory of Great Albion

He fought almost unto the end,
dying in the war’s last week.
When Mortal flesh and bullets meet
Poets are silenced when machine guns speak..

There is a pathos in his fate,
dying in the last week of war
Like the man who sailed the Ocean deep,
only to drown in sight of  shore.
The poet Wilfred Owen, died in an attack on a German Machine gun nest on 11/04/1918, one week before the Germans sued for peace. His parents received word that their only son had died just as the Church bells were rung to celebrate the Armistice. Albion is a archaic name for Great Britain
djr Jun 2012
[Click]

"Welcome back to Story Hour on PBS. Today we have a very special guest, who’s going to read us a very special story. Do you kids know anything about Greek Mythology? No? Well, you’re gonna learn some today. Everyone… say “Hello” to Bill."
“Hiiii Billlll”
“Now, children… he can’t hear you…”
“HIIII BILLL–”



Hear the voice of the Bard!
Who Present, Past, & Future sees;
I am the Dean
of Cosmic Beans
That grow to poetrees

Then every man will ever clime
to he that sits upon
atop this rhyme
this mythic vine
Dwells the giant Albion

The giant of the sees,
his jealousea and fierce
bid him to seize
an Odyssey
assisted by a Circe

Circe, in play, did then, inturn
the shipsmen of his Highness
and with a Feast
did tern to beasts
not one of them a tygress

As Circe distracted with the beasts
Did Albion then turn
He stole the Fleece
from Circe’s niece
and left it to the terns

The terns, in turn, interned at sea
did little to digress
flew fleece of ram
into the hands
of swift and mighty Tigris

From Milton’s tale of sim’lar tree
that of Eve and Adam
With fearful sea
and symmetree
The Tyger ate The Lamb

“The Tiger ate the Lamb?”
(crying)


[Click]
Jon Hillier Dec 2015
Gloom settles on the deck of The Albion.
Long past dusk,
the stars slowly blink themselves out of the growing sky.

Empty bottles and barrels roll and crash with the waves that scratch wearily at her bough

In her cabin, an Englishman dreams of summer mornings and good wine.

Atop her mast, a tattered ***-soaked flag dances limply, splendidly in the black.

Somewhere far behind her, in a forgotten sky, an Arcadian sun lazily rises.

She sails on course, further into the night.
She dreams of a a brighter dawn.
Awake, Æolian lyre, awake,
And give to rapture all thy trembling strings.
From Helicon’s harmonious springs
A thousand rills their mazy progress take:
The laughing flowers that round them blow
Drink life and fragrance as they flow.
Now the rich stream of Music winds along,
Deep, majestic, smooth, and strong,
Thro’ verdant vales, and Ceres’ golden reign;
Now rolling down the steep amain,
Headlong, impetuous, see it pour;
The rocks and nodding groves re-bellow to the roar.

Oh! Sov’reign of the willing soul,
Parent of sweet and solemn-breathing airs,
Enchanting shell! the sullen Cares
And frantic Passions hear thy soft control.
On Thracia’s hills the Lord of War
Has curbed the fury of his car,
And dropt his thirsty lance at thy command.
Perching on the sceptred hand
Of Jove, thy magic lulls the feathered king
With ruffled plumes and flagging wing:
Quenched in dark clouds of slumber lie
The terror of his beak, and lightnings of his eye.

Thee the voice, the dance, obey,
Tempered to thy warbled lay.
O’er Idalia’s velvet-green
The rosy-crowned Loves are seen
On Cytherea’s day,
With antic Sport, and blue-eyed Pleasures,
Frisking light in frolic measures;
Now pursuing, now retreating,
Now in circling troops they meet:
To brisk notes in cadence beating
Glance their many-twinkling feet.
Slow melting strains their Queen’s approach declare:
Where’er she turns the Graces homage pay.
With arms sublime that float upon the air
In gliding state she wins her easy way:
O’er her warm cheek and rising ***** move
The bloom of young Desire and purple light of Love.

Man’s feeble race what ills await!
Labour, and Penury, the racks of Pain,
Disease, and Sorrow’s weeping train,
And Death, sad refuge from the storms of Fate!
The fond complaint, my song, disprove,
And justify the laws of Jove.
Say, has he giv’n in vain the heav’nly Muse?
Night and all her sickly dews,
Her sceptres wan, and birds of boding cry,
He gives to range the dreary sky;
Till down the eastern cliffs afar
Hyperion’s march they spy, and glitt’ring shafts of war.

In climes beyond the solar road,
Where shaggy forms o’er ice-built mountains roam,
The Muse has broke the twilight gloom
To cheer the shivering Native’s dull abode.
And oft, beneath the od’rous shade
Of Chili’s boundless forests laid,
She deigns to hear the savage youth repeat,
In loose numbers wildly sweet,
Their feather-cinctured chiefs, and dusky loves.
Her track, where’er the Goddess roves,
Glory pursue, and gen’rous Shame,
Th’ unconquerable Mind, and Freedom’s holy flame.

Woods, that wave o’er Delphi’s steep,
Isles, that crown th’ Ægean deep,
Fields that cool Ilissus laves,
Or where Mæander’s amber waves
In lingering lab’rinths creep,
How do your tuneful echoes languish,
Mute, but to the voice of anguish!
Where each old poetic mountain
Inspiration breathed around;
Ev’ry shade and hallowed fountain
Murmured deep a solemn sound:
Till the sad Nine, in Greece’s evil hour,
Left their Parnassus for the Latian plains.
Alike they scorn the pomp of tyrant Power,
And coward Vice, that revels in her chains.
When Latium had her lofty spirit lost,
They sought, Oh Albion! next thy sea-encircled coast.

Far from the sun and summer-gale,
In thy green lap was Nature’s Darling laid,
What time, where lucid Avon strayed,
To him the mighty mother did unveil
Her awful face: the dauntless child
Stretched forth his little arms, and smiled.
“This pencil take (she said), whose colours clear
Richly paint the vernal year:
Thine too these golden keys, immortal Boy!
This can unlock the gates of Joy;
Of Horror that, and thrilling Fears,
Or ope the sacred source of sympathetic Tears.”

Nor second he, that rode sublime
Upon the seraph-wings of Ecstasy,
The secrets of th’ Abyss to spy.
He passed the flaming bounds of place and time:
The living Throne, the sapphire-blaze,
Where Angels tremble while they gaze,
He saw; but, blasted with excess of light,
Closed his eyes in endless night.
Behold where Dryden’s less presumptuous car
Wide o’er the fields of glory bear
Two coursers of ethereal race,
With necks in thunder clothed, and long-resounding pace.

Hark, his hands the lyre explore!
Bright-eyed Fancy, hovering o’er,
Scatters from her pictured urn
Thoughts that breathe, and words that burn.
But ah! ’tis heard no more—
Oh! Lyre divine, what daring Spirit
Wakes thee now? Though he inherit
Nor the pride, nor ample pinion,
That the Theban eagle bear,
Sailing with supreme dominion
Through the azure deep of air:
Yet oft before his infant eyes would run
Such forms as glitter in the Muse’s ray,
With orient hues, unborrowed of the Sun:
Yet shall he mount, and keep his distant way
Beyond the limits of a ****** fate,
Beneath the Good how far—but far above the Great.
A B Perales May 2019
The strait of California
returned as the Gods ripped
the golden state free
from America.

The Shamans cried for
New Albion as the great
city fell into the sea.

Above the cries, the falling rain
and the crashing sounds of
what can only be called The End
came the voice of certainty.
"There's no stopping this."

The waters above and
the waters below all
moved with the
deep lakes, the crashing falls
and the thawing glaciers.

Thunder clouds were just
to block our view.
The snaking rivers and
the gentle streams
flowed with the winter run off.
Flooded city streets,
washed out state highways.

California will once again
be an island soon.

The Law of reversal rules
people's lives if they say
its "This" it's almost always "That."
2012 or 21.
My Fathers
biggest fear was always
them coming for our guns.
My Remington and my.45,
those ******* in their holes
all waiting on us to die.

The canals and the sand bars
somebody big had to make.
The L.A river and those who live in it.
Sinkholes and hail storms.
All fall into endless wells
that flow on forever
keeping everything clean.

If you look for the signs you
can't help but see them.
Like rain in Los Angeles on
a Memorial day weekend.

So it was and the Gods
kept their promise
and everything was gone.

Standing on top
of an ancient Titan with
every anwser to
every question ever asked.

In this moment amongst
the debris the bodies
and the ever moving rushing waters
the man who knew everything
suddenly felt Small.
Godspeed
shireliiy Nov 2015
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Rob Rutledge Mar 2012
Those feet that once stood tall and proud
Under dark obsidian clouds,
Travel now once more upon
The hallowed grounds of Albion.
Through shrines and shires the Iceni ride
To the seat of ancient power,
Cross moors and mountains
Past marble fountains
To the steps of a Roman tower.
How they shall cower!
As Boudicca comes spear in hand.
They'll soon retreat,
Give up and leave
Back to their promised land.
Oh that those lips had language! Life has pass'd
With me but roughly since I heard thee last.
Those lips are thine--thy own sweet smiles I see,
The same that oft in childhood solaced me;
Voice only fails, else, how distinct they say,
"Grieve not, my child, chase all thy fears away!"
The meek intelligence of those dear eyes
(Blest be the art that can immortalize,
The art that baffles time's tyrannic claim
To quench it) here shines on me still the same.

       Faithful remembrancer of one so dear,
Oh welcome guest, though unexpected, here!
Who bidd'st me honour with an artless song,
Affectionate, a mother lost so long,
I will obey, not willingly alone,
But gladly, as the precept were her own;
And, while that face renews my filial grief,
Fancy shall weave a charm for my relief--
Shall steep me in Elysian reverie,
A momentary dream, that thou art she.

       My mother! when I learn'd that thou wast dead,
Say, wast thou conscious of the tears I shed?
Hover'd thy spirit o'er thy sorrowing son,
Wretch even then, life's journey just begun?
Perhaps thou gav'st me, though unseen, a kiss;
Perhaps a tear, if souls can weep in bliss--
Ah that maternal smile! it answers--Yes.
I heard the bell toll'd on thy burial day,
I saw the hearse that bore thee slow away,
And, turning from my nurs'ry window, drew
A long, long sigh, and wept a last adieu!
But was it such?--It was.--Where thou art gone
Adieus and farewells are a sound unknown.
May I but meet thee on that peaceful shore,
The parting sound shall pass my lips no more!
Thy maidens griev'd themselves at my concern,
Oft gave me promise of a quick return.
What ardently I wish'd, I long believ'd,
And, disappointed still, was still deceiv'd;
By disappointment every day beguil'd,
Dupe of to-morrow even from a child.
Thus many a sad to-morrow came and went,
Till, all my stock of infant sorrow spent,
I learn'd at last submission to my lot;
But, though I less deplor'd thee, ne'er forgot.

       Where once we dwelt our name is heard no more,
Children not thine have trod my nurs'ry floor;
And where the gard'ner Robin, day by day,
Drew me to school along the public way,
Delighted with my bauble coach, and wrapt
In scarlet mantle warm, and velvet capt,
'Tis now become a history little known,
That once we call'd the past'ral house our own.
Short-liv'd possession! but the record fair
That mem'ry keeps of all thy kindness there,
Still outlives many a storm that has effac'd
A thousand other themes less deeply trac'd.
Thy nightly visits to my chamber made,
That thou might'st know me safe and warmly laid;
Thy morning bounties ere I left my home,
The biscuit, or confectionary plum;
The fragrant waters on my cheeks bestow'd
By thy own hand, till fresh they shone and glow'd;
All this, and more endearing still than all,
Thy constant flow of love, that knew no fall,
Ne'er roughen'd by those cataracts and brakes
That humour interpos'd too often makes;
All this still legible in mem'ry's page,
And still to be so, to my latest age,
Adds joy to duty, makes me glad to pay
Such honours to thee as my numbers may;
Perhaps a frail memorial, but sincere,
Not scorn'd in heav'n, though little notic'd here.

       Could time, his flight revers'd, restore the hours,
When, playing with thy vesture's tissued flow'rs,
The violet, the pink, and jessamine,
I *****'d them into paper with a pin,
(And thou wast happier than myself the while,
Would'st softly speak, and stroke my head and smile)
Could those few pleasant hours again appear,
Might one wish bring them, would I wish them here?
I would not trust my heart--the dear delight
Seems so to be desir'd, perhaps I might.--
But no--what here we call our life is such,
So little to be lov'd, and thou so much,
That . I should ill requite thee to constrain
Thy unbound spirit into bonds again.

       Thou, as a gallant bark from Albion's coast
(The storms all weather'd and the ocean cross'd)
Shoots into port at some well-haven'd isle,
Where spices breathe and brighter seasons smile,
There sits quiescent on the floods that show
Her beauteous form reflected clear below,
While airs impregnated with incense play
Around her, fanning light her streamers gay;
So thou, with sails how swift! hast reach'd the shore
"Where tempests never beat nor billows roar,"
And thy lov'd consort on the dang'rous tide
Of life, long since, has anchor'd at thy side.
But me, scarce hoping to attain that rest,
Always from port withheld, always distress'd--
Me howling winds drive devious, tempest toss'd,
Sails ript, seams op'ning wide, and compass lost,
And day by day some current's thwarting force
Sets me more distant from a prosp'rous course.
But oh the thought, that thou art safe, and he!
That thought is joy, arrive what may to me.
My boast is not that I deduce my birth
From ***** enthron'd, and rulers of the earth;
But higher far my proud pretensions rise--
The son of parents pass'd into the skies.
And now, farewell--time, unrevok'd, has run
His wonted course, yet what I wish'd is done.
By contemplation's help, not sought in vain,
I seem t' have liv'd my childhood o'er again;
To have renew'd the joys that once were mine,
Without the sin of violating thine:
And, while the wings of fancy still are free,
And I can view this mimic shew of thee,
Time has but half succeeded in his theft--
Thyself remov'd, thy power to sooth me left.
O golden-tongued Romance with serene lute!
Fair plumed Syren! Queen of far away!
Leave melodizing on this wintry day,
Shut up thine olden pages, and be mute.
Adieu! for once again the fierce dispute
Betwixt damnation and impassioned clay
Must I burn through; once more humbly assay
The bitter-sweet of this Shakespearian fruit.
Chief Poet! and ye clouds of Albion,
Begetters of our deep eternal theme,
When through the old oak Forest I am gone,
Let me not wander in a barren dream,
But when I am consumed in the Fire,
Give me new Phoenix wings to fly at my desire.
Salvador Kent Aug 2021
I was tired and seated next to the window.
Things passed away. Images of Albion.
Ironically I was approaching the Hawthorns
As I sat next to this window, half asleep.

In my right ear a melody played about
Some form of unrequited love.
I was hurting. She’d left recently.
And just like that I was in the jewellery quarter.

Things move so very quickly
Things come and go and never stay
Things are born and die and all we can do
Is watch and watch and watch and watch.

I was tired and sat next to the window
Feeling lost, half asleep and lonely.
In front of me, a woman read a self help book
And I wanted to scream to her

ITS NOT REAL, ITS NOT REAL.
THE ONLY THING THAT THING
HAS OR WILL GIVE YOU IS
A DEBT OF SEVEN NINTY NINE.

As I thought this,
I glimpsed someone pass through the aisle
A blonde in a beret, and she looked
Terribly sad. Like something had happened.

Suddenly, I was in the hawthorns
And she’d left the carriage.
I’ll never see her again.
things pass
I.

Canaris ! Canaris ! pleure ! cent vingt vaisseaux !
Pleure ! Une flotte entière ! - Où donc, démon des eaux,
Où donc était ta main hardie ?
Se peut-il que sans toi l'ottoman succombât ?
Pleure ! comme Crillon exilé d'un combat,
Tu manquais à cet incendie !

Jusqu'ici, quand parfois la vague de tes mers
Soudain s'ensanglantait, comme un lac des enfers,
D'une lueur large et profonde,
Si quelque lourd navire éclatait à nos yeux
Couronné tout à coup d'une aigrette de feux,
Comme un volcan s'ouvrant dans l'onde ;

Si la lame roulait turbans, sabres courbés,
Voiles, tentes, croissants des mâts rompus tombés,
Vestiges de flotte et d'armée,
Pelisses de vizirs, sayons de matelots,
Rebuts stigmatisés de la flamme et des flots,
Blancs d'écume et noirs de fumée ;

Si partait de ces mers d'Egine ou d'Iolchos
Un bruit d'explosion, tonnant dans mille échos
Et roulant au **** dans l'espace,
L'Europe se tournait vers le rougo Orient ;
Et, sur la poupe assis, le nocher souriant
Disait : - C'est Canaris qui passe !

Jusqu'ici quand brûlaient au sein des flots fumants
Les capitans-pachas avec leurs armements,
Leur flotte dans l'ombre engourdie,
On te reconnaissait à ce terrible jeu ;
Ton brûlot expliquant tous ces vaisseaux en feu ;
Ta torche éclairait l'incendie !

Mais pleure aujourd'hui, pleure, on s'est battu sans toi !
Pourquoi, sans Canaris, sur ces flottes, pourquoi
Porter la guerre et ses tempêtes ?
Du Dieu qui garde Hellé n'est-il plus le bras droit ?
On aurait dû l'attendre ! Et n'est-il pas de droit
Convive de toutes ces fêtes ?

II.

Console-toi ! la Grèce est libre.
Entre les bourreaux, les mourants,
L'Europe a remis l'équilibre ;
Console-toi ! plus de tyrans !
La France combat : le sort change.
Souffre que sa main qui vous venge
Du moins te dérobe en échange
Une feuille de ton laurier.
Grèces de Byron et d'Homère,
Toi, notre sœur, toi, notre mère,
Chantez ! si votre voix amère
Ne s'est pas éteinte à crier.

Pauvre Grèce, qu'elle était belle,
Pour être couchée au tombeau !
Chaque vizir de la rebelle
S'arrachait un sacré lambeau.
Où la fable mit ses ménades,
Où l'amour eut ses sérénades,
Grondaient les sombres canonnades
Sapant les temps du vrai Dieu ;
Le ciel de cette terre aimée
N'avait, sous sa voûte embaumée,
De nuages que la fumée
De toutes ses villes en feu.

Voilà six ans qu'ils l'ont choisie !
Six ans qu'on voyait accourir
L'Afrique au secours de l'Asie
Contre un peuple instruit à mourir.
Ibrahim, que rien ne modère,
Vole de l'Isthme au Belvédère,
Comme un faucon qui n'a plus d'aire,
Comme un loup qui règne au bercail ;
Il court où le butin le tente,
Et lorsqu'il retourne à sa tente,
Chaque fois sa main dégouttante
Jette des têtes au sérail !

III.

Enfin ! - C'est Navarin, la ville aux maisons peintes,
La ville aux dômes d'or, la blanche Navarin,
Sur la colline assise entre les térébinthes,
Qui prête son beau golfe aux ardentes étreintes
De deux flottes heurtant leurs carènes d'airain.

Les voilà toutes deux ! - La mer en est chargée,
Prête à noyer leurs feux, prête à boire leur sang.
Chacune par son dieu semble au combat rangée ;
L'une s'étend en croix sur les flots allongée,
L'autre ouvre ses bras lourds et se courbe en croissant.

Ici, l'Europe : enfin ! l'Europe qu'on déchaîne,
Avec ses grands vaisseaux voguant comme des tours.
Là, l'Egypte des Turcs, cette Asie africaine,
Ces vivaces forbans, mal tués par Duquesne,
Qui mit en vain le pied sur ces nids de vautours.

IV.

Ecoutez ! - Le canon gronde.
Il est temps qu'on lui réponde.
Le patient est le fort.
Eclatent donc les bordées !
Sur ces nefs intimidées,
Frégates, jetez la mort !
Et qu'au souffle de vos bouches
Fondent ces vaisseaux farouches,
Broyés aux rochers du port !

La bataille enfin s'allume.
Tout à la fois tonne et fume.
La mort vole où nous frappons.
Là, tout brûle pêle-mêle.
Ici, court le brûlot frêle
Qui jette aux mâts ses crampons
Et, comme un chacal dévore
L'éléphant qui lutte encore,
Ronge un navire à trois ponts.

- L'abordage ! l'abordage ! -
On se suspend au cordage,
On s'élance des haubans.
La poupe heurte la proue.
La mêlée a dans sa roue
Rameurs courbés sur leurs bancs
Fantassins cherchant la terre,
L'épée et le cimeterre,
Les casques et les turbans.

La vergue aux vergues s'attache ;
La torche insulte à la hache ;
Tout s'attaque en même temps.
Sur l'abîme la mort nage.
Epouvantable carnage !
Champs de bataille flottants
Qui, battus de cent volées,
S'écroulent sous les mêlées,
Avec tous les combattants.

V.

Lutte horrible ! Ah ! quand l'homme, à l'étroit sur la terre,
Jusque sur l'Océan précipite la guerre,
Le sol tremble sous lui, tandis qu'il se débat.
La mer, la grande mer joue avec ses batailles.
Vainqueurs, vaincus, à tous elle ouvre ses entrailles.
Le naufrage éteint le combat.

Ô spectacle ! Tandis que l'Afrique grondante
Bat nos puissants vaisseaux de sa flotte imprudente,
Qu'elle épuise à leurs flancs sa rage et ses efforts,
Chacun d'eux, géant fier, sur ces hordes bruyantes,
Ouvrant à temps égaux ses gueules foudroyantes,
***** tranquillement la mort de tous ses bords.

Tout s'embrase : voyez ! l'eau de centre est semée,
Le vent aux mâts en flamme arrache la fumée,
Le feu sur les tillacs s'abat en ponts mouvants.
Déjà brûlent les nefs ; déjà, sourde et profonde,
La flamme en leurs flancs noirs ouvre un passage à l'onde ;
Déjà, sur les ailes des vents,

L'incendie, attaquant la frégate amirale,
Déroule autour des mâts sont ardente spirale,
Prend les marins hurlants dans ses brûlants réseaux,
Couronne de ses jets la poupe inabordable,
Triomphe, et jette au **** un reflet formidable
Qui tremble, élargissant ses cercles sur les eaux.

VI.

Où sont, enfants du Caire,
Ces flottes qui naguère
Emportaient à la guerre
Leurs mille matelots ?
Ces voiles, où sont-elles,
Qu'armaient les infidèles,
Et qui prêtaient leurs ailes
A l'ongle des brûlots ?

Où sont tes mille antennes,
Et tes hunes hautaines,
Et tes fiers capitaines,
Armada du sultan ?
Ta ruine commence,
Toi qui, dans ta démence,
Battais les mers, immense
Comme Léviathan !

Le capitan qui tremble
Voit éclater ensemble
Ces chébecs que rassemble
Alger ou Tetuan.
Le feu vengeur embrasse
Son vaisseau dont la masse
Soulève, quand il passe,
Le fond de l'Océan.

Sur les mers irritées,
Dérivent, démâtées,
Nefs par les nefs heurtées,
Yachts aux mille couleurs,
Galères capitanes,
Caïques et tartanes
Qui portaient aux sultanes
Des têtes et des fleurs.

Adieu, sloops intrépides,
Adieu, jonques rapides,
Qui sur les eaux limpides
Berçaient les icoglans !
Adieu la goëlette
Dont la vague reflète
Le flamboyant squelette,
Noir dans les feux sanglants !

Adieu la barcarolle
Dont l'humble banderole
Autour des vaisseaux vole,
Et qui, peureuse, fuit,
Quand du souffle des brises
Les frégates surprises,
Gonflant leurs voiles grises,
Déferlent à grand bruit !

Adieu la caravelle
Qu'une voile nouvelle
Aux yeux de **** révèle ;
Adieu le dogre ailé,
Le brick dont les amures
Rendent de sourds murmures,
Comme un amas d'armures
Par le vent ébranlé !

Adieu la brigantine,
Dont la voile latine
Du flot qui se mutine
Fend les vallons amers !
Adieu la balancelle
Qui sur l'onde chancelle,
Et, comme une étincelle,
Luit sur l'azur des mers !

Adieu lougres difformes,
Galéaces énormes,
Vaisseaux de toutes formes,
Vaisseaux de tous climats,
L'yole aux triples flammes,
Les mahonnes, les prames,
La felouque à six rames,
La polacre à deux mâts !

Chaloupe canonnières !
Et lanches marinières
Où flottaient les bannières
Du pacha souverain !
Bombardes que la houle,
Sur son front qui s'écroule,
Soulève, emporte et roule
Avec un bruit d'airain !

Adieu, ces nefs bizarres,
Caraques et gabarres,
Qui de leurs cris barbares
Troublaient Chypre et Délos !
Que sont donc devenues
Ces flottes trop connues ?
La mer les jette aux nues,
Le ciel les rend aux flots !

VII.

Silence ! Tout est fait. Tout retombe à l'abîme.
L'écume des hauts mâts a recouvert la cime.
Des vaisseaux du sultan les flots se sont joués.
Quelques-uns, bricks rompus, prames désemparées,
Comme l'algue des eaux qu'apportent les marées,
Sur la grève noircie expirent échoués.

Ah ! c'est une victoire ! - Oui, l'Afrique défaite,
Le vrai Dieu sous ses pieds foulant le faux prophète,
Les tyrans, les bourreaux criant grâce à leur tour,
Ceux qui meurent enfin sauvés par ceux qui règnent,
Hellé lavant ses flancs qui saignent,
Et six ans vengés dans un jour !

Depuis assez longtemps les peuples disaient : « Grèce !
Grèce ! Grèce ! tu meurs. Pauvre peuple en détresse,
A l'horizon en feu chaque jour tu décroîs.
En vain, pour te sauver, patrie illustre et chère,
Nous réveillons le prêtre endormi dans sa chaire,
En vain nous mendions une armée à nos rois.

« Mais les rois restent sourds, les chaires sont muettes.
Ton nom n'échauffe ici que des cœurs de poètes.
A la gloire, à la vie on demande tes droits.
A la croix grecque, Hellé, ta valeur se confie.
C'est un peuple qu'on crucifie !
Qu'importe, hélas ! sur quelle croix !

« Tes dieux s'en vont aussi. Parthénon, Propylées,
Murs de Grèce, ossements des villes mutilées,
Vous devenez une arme aux mains des mécréants.
Pour battre ses vaisseaux du haut des Dardanelles,
Chacun de vos débris, ruines solennelles,
Donne un boulet de marbre à leurs canons géants ! »

Qu'on change cette plainte en joyeuse fanfare !
Une rumeur surgit de l'Isthme jusqu'au Phare.
Regardez ce ciel noir plus beau qu'un ciel serein.
Le vieux colosse turc sur l'Orient retombe,
La Grèce est libre, et dans la tombe
Byron applaudit Navarin.

Salut donc, Albion, vieille reine des ondes !
Salut, aigle des czars qui planes sur deux mondes !
Gloire à nos fleurs de lys, dont l'éclat est si beau !
L'Angleterre aujourd'hui reconnaît sa rivale.
Navarin la lui rend. Notre gloire navale
A cet embrasement rallume son flambeau.

Je te retrouve, Autriche ! - Oui, la voilà, c'est elle !
Non pas ici, mais là, - dans la flotte infidèle.
Parmi les rangs chrétiens en vain on te cherchera.
Nous surprenons, honteuse et la tête penchée,
Ton aigle au double front cachée
Sous les crinières d'un pacha !

C'est bien ta place, Autriche ! - On te voyait naguère
Briller près d'Ibrahim, ce Tamerlan vulgaire ;
Tu dépouillais les morts qu'il foulait en passant ;
Tu l'admirais, mêlée aux eunuques serviles
Promenant au hasard sa torche dans les villes,
Horrible et n'éteignant le feu qu'avec du sang.

Tu préférais ces feux aux clartés de l'aurore.
Aujourd'hui qu'à leur tour la flamme enfin dévore
Ses noirs vaisseaux, vomis des ports égyptiens,
Rouvre les yeux, regarde, Autriche abâtardie !
Que dis-tu de cet incendie ?
Est-il aussi beau que les siens ?

Le 23 novembre 1827.
Away, ye gay landscapes, ye gardens of roses!
In you let the minions of luxury rove:
Restore me the rocks, where the snow-flake reposes,
Though still they are sacred to freedom and love:
Yet, Caledonia, belov’d are thy mountains,
Round their white summits though elements war:
Though cataracts foam ’stead of smooth-flowing fountains,
  I sigh for the valley of dark Loch na Garr.

Ah! there my young footsteps in infancy, wander’d:
  My cap was the bonnet, my cloak was the plaid;
On chieftains, long perish’d, my memory ponder’d,
  As daily I strode through the pine-cover’d glade;
I sought not my home, till the day’s dying glory
  Gave place to the rays of the bright polar star;
For fancy was cheer’d, by traditional story,
  Disclos’d by the natives of dark Loch na Garr.

“Shades of the dead! have I not heard your voices
  Rise on the night-rolling breath of the gale?”
Surely, the soul of the hero rejoices,
  And rides on the wind, o’er his own Highland vale!
Round Loch na Garr, while the stormy mist gathers,
  Winter presides in his cold icy car:
Clouds, there, encircle the forms of my Fathers;
  They dwell in the tempests of dark Loch na Garr.

“Ill starr’d, though brave, did no visions foreboding
  Tell you that fate had forsaken your cause?”
Ah! were you destined to die at Culloden,
  Victory crown’d not your fall with applause:
Still were you happy, in death’s earthy slumber,
  You rest with your clan, in the caves of Braemar;
The Pibroch resounds, to the piper’s loud number,
  Your deeds, on the echoes of dark Loch na Garr.

Years have roll’d on, Loch na Garr, since I left you,
  Years must elapse, ere I tread you again:
Nature of verdure and flowers has bereft you,
  Yet still are you dearer than Albion’s plain:
England! thy beauties are tame and domestic,
  To one who has rov’d on the mountains afar:
Oh! for the crags that are wild and majestic,
  The steep, frowning glories of dark Loch na Garr.
O golden-tongued Romance with serene lute!
    Fair plumed Syren! Queen of far away!
    Leave melodizing on this wintry day,
Shut up thine olden pages, and be mute:
Adieu! for once again the fierce dispute,
    Betwixt damnation and impassion'd clay
    Must I burn through; once more humbly assay
The bitter-sweet of this Shakespearian fruit.
Chief Poet! and ye clouds of Albion,
    Begetters of our deep eternal theme,
When through the old oak forest I am gone,
    Let me not wander in a barren dream,
But when I am consumed in the fire,
Give me new Phoenix wings to fly at my desire.
Nicola Mar 2019
Beyond the seas, there are the Isles
Where the old castle once proudly stood
Nothing but a shadow of its former glory
Its land once divided of mortals and other beings

The mist surrounds the ruins
Secrets buried in the grave of the past
But one,
The echoes from both past and present
That once inhabited the old castle

A legend,
Intertwined strings of two souls
How their fates led by one prophecy

The Ethereal and Brilliant One, the Isles princess who shall become the epitome of a King
The Man with a Thousand Names, the creature of the Old who shall become the embodiment of a Knight

Where it all began,
Magic is forbidden
Those whose learn or unfortunately born with magic
Will meet their fate with one swift blow
The law reached far
To a Golden King who ruled over a distant land
A prosperous mortal Kingdom in Albion
The Golden Queen bore a child before passing

The princess had
Hair as bright as the sunrise
Skin as fair as porcelain
Eyes as blue and green as the ocean

The King’s oldest sister
Klorress, who wish the crown for herself
She dreamt of riches and fame
Studied dark magic in secret
The daughter invoked the rising wrath and jealousy

The same Isles princess, a headstrong youth
Many who vied for her hand sung praises about her ocean eyes
Will soon collide with
The same creature of the Old, a sorcerer
Born in the sea fortress who speaks the language of dragons
With a name cannot be spoken in any other land than his own
He travelled far to the ancient Kingdom
Destined to become the companion of the daughter
who's blood shared
with the destruction of dragons by many Kings

Before Midsummer,
Knowing the prophecy first hand, the sorcerer dreaded
She is the key to uniting the whole Isles
To hold the light for mortals and other beings

Scornful of his destiny to protect the crown princess
The princess’ haughtiness exasperated the sorcerer
While his bumblingness and silliness makes him a favourite of ridicule

Their destiny may
have been written in stone, but their journeys together made their friendship and grudging affection flourished

Two idealists seeking justice and truth
Body of a young woman beneath lies the heart and spirit of a King
And
A man who’s in a quest for knowledge of the new World
In absolute, he strengthened his oath of protection

The Golden Princess is not without enemies
His magic was soon revealed
Klorress made attempt to seize the kingdom
With her magic alone,
The King’s sister actions was undermined by the sorcerer

He stood in front before the princess
“I am magic.” He whispers
The confession led to exile

Without a goodbye
He fled to the forest

The next Midsummer has passed,
Dragonlord, the banished magics have called him
In the middle of the forest of thorns
He was free to use his magic yet it doesn’t soothe the ache

Heavy footsteps came
The sight of the unexpectant princess
Harsh red marks on her skin pierced by the thorns
Her dishevelled appearance with a determined look,
She was a sight, she was glorious

Her father, the King has been slayed
The Kingdom is brought on its knees
Klorress’ invading army have sieged the castle
The False Queen wears the crown and sits on the throne

The princess managed to run with the remaining loyal knights
She carried their will as her pride
She now was a contender for the crown
The sorcerer agreed to accompany
The Golden Queen, she shall be

The princess
Rally the people
Against a common foe
She as the rightful heir
To pull the promised sword from the lake
The task was impossible but for this Isles’ sake
It’s a risk she will take

“Have faith,” The sorcerer said
The miracle she held in her hands
Holds the golden sheath written ‘Worthy thee beholder shall bear the same glory I had vowed for’
The sword bathed in light  
The light of eternity
For the words hope and glory engraved in the sword  
As acceptance of destiny

The war ended with two shared blood exchanging swords
One perished and one gravely wounded
The sorcerer carried the princess to heal her wounds
He tells her to hold on despite on the brink of death
Her usual bravado fades little by little
Painting the floor red along the way
Stumbling, the location is too far
She looks into his eyes with unconcealed devotion
The ocean eyes
She says, “Let’s meet again.” instead of goodbye

Gentle sunrise shyly peaked through the leaves
As soon as the light hits, she closed her eyes
She was soon placed on a boat

The boat sailed away
Swallowed by the sea
Where she sails,
Lays beyond his reach
She will breathe her first air in where she rests
The infinite
land where she lays in the flower fields, the promised sovereign was resting

Her demise spread across the land to the seas
Her name achieved immortality

With the sun fading, the moon soon followed
Chasing for the fading light  
He waits for her on the other side
As she on the other end
Detained in the isle near to the fae
Sharing the same view, the gentle waves of the waters that separates them
Waiting for him

Now, the sorcerer wanders towards the old castle
Shrouded of the faded Golden Age
Last time, he walked in a grand castle, he walked with the Golden Queen
Now he walks with his memories
The land was soon caged with conflict
The Isles is in dire need
He walked out of the entrance

The wind shifts, blowing freshly
Through his path
He stops, craning his head to the forest behind him, and just knows
He knows
This is the day she will be with him again
The Golden Queen
The Golden Queen has returned
This is written in the last few days for my Poetic Documentary.
Tis done—and shivering in the gale
The bark unfurls her snowy sail;
And whistling o’er the bending mast,
Loud sings on high the fresh’ning blast;
And I must from this land be gone,
Because I cannot love but one.

But could I be what I have been,
And could I see what I have seen—
Could I repose upon the breast
Which once my warmest wishes blest—
I should not seek another zone,
Because I cannot love but one.

’Tis long since I beheld that eye
Which gave me bliss or misery;
And I have striven, but in vain,
Never to think of it again:
For though I fly from Albion,
I still can only love but one.

As some lone bird, without a mate,
My weary heart is desolate;
I look around, and cannot trace
One friendly smile or welcome face,
And ev’n in crowds am still alone,
Because I cannot love but one.

And I will cross the whitening foam,
And I will seek a foreign home;
Till I forget a false fair face,
I ne’er shall find a resting-place;
My own dark thoughts I cannot shun,
But ever love, and love but one.

The poorest, veriest wretch on earth
Still finds some hospitable hearth,
Where Friendship’s or Love’s softer glow
May smile in joy or soothe in woe;
But friend or leman I have none,
Because I cannot love but one.

I go—but wheresoe’er I flee
There’s not an eye will weep for me;
There’s not a kind congenial heart,
Where I can claim the meanest part;
Nor thou, who hast my hopes undone,
Wilt sigh, although I love but one.

To think of every early scene,
Of what we are, and what we’ve been,
Would whelm some softer hearts with woe—
But mine, alas! has stood the blow;
Yet still beats on as it begun,
And never truly loves but one.

And who that dear lov’d one may be,
Is not for ****** eyes to see;
And why that early love was cross’d,
Thou know’st the best, I feel the most;
But few that dwell beneath the sun
Have loved so long, and loved but one.

I’ve tried another’s fetters too,
With charms perchance as fair to view;
And I would fain have loved as well,
But some unconquerable spell
Forbade my bleeding breast to own
A kindred care for aught but one.

’Twould soothe to take one lingering view,
And bless thee in my last adieu;
Yet wish I not those eyes to weep
For him that wanders o’er the deep;
His home, his hope, his youth are gone,
Yet still he loves, and loves but one.
Michael R Burch Aug 2020
The Song of Amergin: Modern English Translations

The Song of Amergin
loose translation/interpretation by Michael R. Burch

I am the sea breeze
I am the ocean wave
I am the surf's thunder
I am the stag of the seven tines
I am the cliff hawk
I am the sunlit dewdrop
I am the fairest flower
I am the rampaging boar
I am the swift-swimming salmon
I am the placid lake
I am the excellence of art
I am the vale echoing voices
I am the battle-hardened spearhead
I am the God who gave you fire
Who knows the secrets of the unhewn dolmen
Who understands the cycles of the moon
Who knows where the sunset settles ...



The Song of Amergin
an original poem by Michael R. Burch

He was our first bard
and we feel in his dim-remembered words
the moment when Time blurs . . .

and he and the Sons of Mil
heave oars as the breakers mill
till at last Ierne―green, brooding―nears,

while Some implore seas cold, fell, dark
to climb and swamp their flimsy bark
. . . and Time here also spumes, careers . . .

while the Ban Shee shriek in awed dismay
to see him still the sea, this day,
then seek the dolmen and the gloam.



The Song of Amergin II
a more imaginative translation by Michael R. Burch

after Robert Bridges

I am the stag of the seven tines;
I am the bull of the seven battles;
I am the boar of the seven bristles;

I am the wide flood cresting plains;
I am the wind sweeping deep waters;
I am the salmon swimming in the shallow pool;

I am the dewdrop lit by the sun;
I am the fairest of flowers;
I am the crystalline fountain;

I am the hawk shrieking after its prey;
I am the demon ablaze in the campfire ashes;
I am the battle-waging spearhead;

I am the vale echoing voices;
I am the sea's roar;
I am the rising sea wave;

I am the meaning of poetry;
I am the God who inspires your prayers;
I am the hope of heaven;

Who else knows the ages of the moon?
Who else knows where the sunset settles?
Who else knows the secrets of the unhewn dolmen?

Translator's Notes:

The "Song of Amergin" and its origins remain mysteries for the ages. The ancient poem, perhaps the oldest extant poem to originate from the British Isles, or perhaps not, was written by an unknown poet at an unknown time at an unknown location. The unlikely date 1268 BC was furnished by Robert Graves, who translated the "Song of Amergin" in his influential book The White Goddess (1948). Graves remarked that "English poetic education should, really, begin not with Canterbury Tales, not with the Odyssey, not even with Genesis, but with the Song of Amergin." The poem has been described as an invocation and a mystical chant.

I did not attempt to fully translate the ending of the poem. I have read several other translations and it seems none of them agree. I went with my "gut" impression of the poem, which is that the "I am" lines refer to God and his "all in all" nature, a belief which is common to the mystics of many religions. I stopped with the last line that I felt I understood and will leave the remainder of the poem to others. The poem reminds me of the Biblical god Yahweh/Jehovah revealing himself to Moses as "I am that I am" and to Job as a mystery beyond human comprehension. If that's what the author intended, I tip my hat to him, because despite all the intervening centuries and the evolution of the language, the message still comes through quite well. If I'm wrong, I have no idea what the poem is about, but I still like it.

Who wrote the poem? That's a very good question and the answers seem speculative to me. Amergin has been said to be a Milesian, or one of the sons of Mil who allegedly invaded and conquered Ireland sometime in the island's deep, dark past. The Milesians were (at least theoretically) Spanish Gaels. According to the Wikipedia page:

Amergin Glúingel ("white knees"), also spelled Amhairghin Glúngheal or Glúnmar ("big knee"), was a bard, druid and judge for the Milesians in the Irish Mythological Cycle. He was appointed Chief Ollam of Ireland by his two brothers the kings of Ireland. A number of poems attributed to Amergin are part of the Milesian mythology. One of the seven sons of Míl Espáine, he took part in the Milesian conquest of Ireland from the Tuatha Dé Danann, in revenge for their great-uncle Íth, who had been treacherously killed by the three kings of the Tuatha Dé Danann, Mac Cuill, Mac Cecht and Mac Gréine. They landed at the estuary of Inber Scéne, named after Amergin's wife Scéne, who had died at sea. The three queens of the Tuatha Dé Danann, (Banba, Ériu and Fódla), gave, in turn, permission for Amergin and his people to settle in Ireland. Each of the sisters required Amergin to name the island after each of them, which he did: Ériu is the origin of the modern name Éire, while Banba and Fódla are used as poetic names for Ireland, much as Albion is for Great Britain. The Milesians had to win the island by engaging in battle with the three kings, their druids and warriors. Amergin acted as an impartial judge for the parties, setting the rules of engagement. The Milesians agreed to leave the island and retreat a short distance back into the ocean beyond the ninth wave, a magical boundary. Upon a signal, they moved toward the beach, but the druids of the Tuatha Dé Danann raised a magical storm to keep them from reaching land. However, Amergin sang an invocation calling upon the spirit of Ireland that has come to be known as The Song of Amergin, and he was able to part the storm and bring the ship safely to land. There were heavy losses on all sides, with more than one major battle, but the Milesians carried the day. The three kings of the Tuatha Dé Danann were each killed in single combat by three of the surviving sons of Míl, Eber Finn, Érimón and Amergin.

It has been suggested that the poem may have been "adapted" by Christian copyists of the poem, perhaps monks. An analogy might be the ancient Celtic myths that were "christianized" into tales of King Arthur, Lancelot, Galahad and the Holy Grail.

Keywords/Tags: Amergin, song, translation, Ireland, Irish, Celtic, Gaelic, Gaels, Milesian, Druid, Banshee
Charis V Mar 2014
All good things be for naught as the dark closes in,
Burying the stars in the sky.
Everything dies.
The nations brought together
Will splinter like wood
And be scattered among the grains of oppression,
The shore spanning for eternity the sea of time.

In Albion's greatest need
Her king shall rise from the depths,
Avalon's secret for so long kept.
Awakened will be the age of chivalry from its slumber;
The sword drawn from the stone sharpened anew.

The empress of shadow walketh in the night,
Awaiting the crowning glory of her reign.
Tombs will be opened
And caskets shattered like glass,
The dead slaves to her will.
The war of the ancients will
A-surface once more,
And the power of the earth felt.

Serpent's strength and man's quill,
The pen of the dragon
Hath the right to draft the future.
Wrong shall be set right
And the golden firedrake
Upon the red field shall fly once again;
Darkness cannot linger before it.

From the distress of her station
The shining kingdoms will summon
The knights of the table round,
And they will rise to the threat
To defend Albion
When cometh the Once and Future King.
I wrote this Arthurian Legend poem for a story I was writing, and felt that it should be the first of many to be published on my account here. It holds a special place in my heart, and will forevermore be my favourite of all the ones I have- and will- write.
Raj Arumugam Oct 2010
let’s love the lawn
sweetheart
let’s trim the lawn;
let’s get it cut
and neat and fine;
let’s do the groovy lawn dance
baby
so the neighbors will be
green as nourished grass


let’s feed the lawn
sweetheart
all chemicals and fertilizers;
let’s read the warnings first
baby:
keep away from eyes
wear a face mask
and spread generously
on lawn



let’s keep the lawn beautiful
and pleasant
like the ancient fields of Albion,
sweetheart;
it’s time for the ****-killer sprays
and conscientious as we are
we use only enviro-friendly
so let’s read the instructions
baby:
Keep spray away from drains
and eyes and skin
and do not spray before rain



Ah, come on
ladies and gentlemen
of our distinguished
blue ribbon suburbs;
out all with your chemicals
and all our pesticides
to **** the grubs and such pests



come all, Old Ken
and newly-weds Lily and Peter
and new-arrivals Tan and Goh
we’ll show you how;
come sweethearts
come let’s dance in the fields of cherished suburbs
and let the earth yield a great big burb


this is the way
we spray chemicals
this is the way we **** our weeds;
this is the way we fertilize our lawns
this is the way we spray pesticides
early morning
every Spring and Summer
this is the way we do it
early morning
every Spring and Summer

so let’s love the lawn
sweetheart
let’s trim the lawn;
let’s get it cut
and neat and fine;
let’s do the groovy lawn dance
baby
so the neighbors will be
green as nourished grass
Frederick Noakes Apr 2016
The spirit of Jacksonia lies in the tides. But sometimes we never see what the moon hides. The spirit of Albion lies everywhere at all times.
J. W. Jan 2010
Through dreams I learnt to live
And in waking how to die
The golden hand of the morning sun
Would pull, tear and rive
Culling my verve, plucking life away
Time spent nether the burning sun
Never seems worth staying awake

I have seen the land of roses
Whilst skimming the blue tract
I know how Albion looks
Two hundred metres up

Towers that sink into the soil
Transposing themselves as trees  
All wonderful things i have seen
Through nightly visions and dreams

— The End —