Dear Poet Friends, being fond of Art, I wanted to compose on
this topic for a long time in a simplified form! Egyptian Art and
Architecture influenced the Early Greeks, who in turn influenced the Romans and other civilizations! Initially Art and architecture, religion and culture, were all closely inter-related! Real distinction emerged with the Italian Renaissance. Here I have used only a portion of my personal notes. Hope you find this interesting to read! Sorry for the length! Kindly give Comments after you have managed to read the entire portion in your spare time. Thanks, -Raj

INTRODUCTION TO THE STORY
OF WESTERN ART IN VERSE:
          PART ONE
    * BY RAJ NANDY

INTRODUCTION
Art over the centuries has been variously defined,
But an all embracing definition is rather hard to find!
Ayn Rand defined Art as a recreation of reality according to
artist’s values, his view of existence, and choice;
Who recreates by a selective rearrangement of the elements
of reality, and not simply out of a void!
Study of Art History is a study of man’s creative evolution;
A progress of his wakened consciousness, and a restless
striving towards perfection!
The progress of his mind, taste and skill, which has gradually
evolved through past traditions;
Finding ultimate expression in his multi-faceted creations!
I commence this story from its earliest days, and mention those
Ancient Civilizations which influenced Art in many ways.
Art has been greatly influenced by religion, culture and history;
Therefore, knowing these aspects becomes necessary to
fully appreciate this Art Story!

PREHISTORIC STONE AGE ART:
Let us take a ride on the magic carpet of History, down
past millenniums to begin our Art Story;
Right into the ancient Paleolithic, Mesolithic and Neolithic
Eras of the Stone Age,
When early humans left their creative imprints on rock
surfaces and on walls of caves!
Long before the evolution of any proper coherent speech
or communication,
In some 350 caves of France and Spain are seen paintings
of large wild animals like horses, antelopes and bison;
Bearing witness to the story of gradual human evolution!
The cave paintings of Chauvet, Cosquer, and Lascaux, date
between 8000 and 1700 BC,
Drawn by nameless and faceless people who emerged from
an inhospitable Ice Age;
Those nomadic tribes who were hunter-gatherers living in
pre-historic caves!
The Story of Art therefore begins before recorded History,
Pieced together by scholars with the help of science and
archeology!
During the Neolithic Period beginning around 8,000BC,
Ancient man became gradually sedentary, engaging in
agriculture and animal husbandry!
With these nomads settling down in small communities,
Art became mystical and monumental in range;
As seen in the megalithic (large stone) structures of the
famous Stonehenge!
This type of post and lintel structure is also found in ancient
Egyptian architecture, and later in Greece as its special
feature!
Art History spans the entire history of mankind,
Right from the pre-historic days, up to our modern times!
Man’s everlasting quest for immortality lies etched on
rocks and raised stone edifices, defying marauding Time!

MESOPOTAMIAN ART (3500-300BC) :
Let us now travel fast forward on our magic carpet to reach
the Fertile Crescent,
Where the Tigress and the Euphrates Rivers flow, to the
Ancient Civilization of the Sumerians! (3500-2300BC)
The birth of civilization has been traced to Southern
Mesopotamia, where the Sumerians built their first cities,
As the earliest River Valley Civilization around 3500 BC!
It was a period when writing got invented in its earliest
Cuneiform form;  (around 3400 BC)
When Patriarch Abraham established the worship of a Single
God, in a revolutionary religious reform! (Judaism)
Mesopotamian Civilization as the source of our earliest
surviving Art dates back to 3500BC;
When major civilizations like the Sumerian, Akkadian,
Babylonian, Hitties, Assyrian, and the Persians, in this
chronological sequence, contributed to Art History!
Mesopotamian Art in general glorified their powerful rulers
and their connection with divinity;
Reflected on their city gates, palace complexes and ziggurats,
are scenes of both victorious wars and their prosperity!
Art was then highly functional and repetitive; depicting
love of beauty, a sense of order, and power of hierarchy,
- in their sculptures and motifs.
However, no signatures were ever found bearing the name
of the Artist!
It is interesting to note that both the potter’s wheel and the
cart wheel, made their first appearance around 3500 BC
and 3200 BC respectively;
With the Sumerians contributing to art and culture, and the
progress of Human Civilization immensely!
(Ziggurats are semi-pyramid like structures with steps, a temple complex located in the center of all ancient Sumerian cities-states! Saragon the Great of Akkad from the North, defeated the Sumerians in the South, & united entire Mesopotamia around 2300 BC, for the first time in Mesopotamian History, & they ruled for 200 years.)

ANCIENT EGYPTIAN ART :(3000 BC -500BC)
Next we travel to an isolated area of north-east Africa,
Where the White Nile flows down from Lake Victoria.
The Nile enters Upper Egypt traveling through Sudan,
Is joined by the Blue Nile at Khartoum to become one!
Continues its flow north through Egypt Lower, flowing
into the Mediterranean as the World’s longest river!
Historian Herodotus had called Egypt ‘the gift of the Nile’;
Ancient Egypt became a rich treasure trove of art and
architecture for all times!
The Nile valley area was protected by the desert on its
east and the west;
In the north by the Mediterranean, and towards the
south by a rugged mountainous terrain!
Annual flooding of the Nile along with an effective
irrigational network,
Ensured Egypt’s prosperous stability, congenial for her
many innovative architectures and art works!
Egyptian Art got shaped by her geography, mythology
and her polytheistic religion;
Also by their preoccupation with after-life and belief in  
the immortal soul’s continuation;
Thus elaborate funeral rites were performed by priests for  
the body’s preservation by mummification! *
(’KA’= was a real astral twin or stellar double of an Individual, which continued to exist even after death, requiring the same sustenance as the humans, so food offerings were made in the coffins! ‘BA’= shaped like a human-headed bird, composed of non-physical attributes of an Individual. ‘BA’ collected the deceased’s personality after death from the mummified remains & united it with the ‘KA’, making a person complete; thereby making it possible for the person to be reborn as ‘AKH’ (Star), - in its ultimate unchanging form, to join Osiris in the ‘Happy Fields’! Since this journey to the next world was fraught with danger, magical funerary spells & rites were performed by the priests, with incantations from the ‘Book of the Dead’, inside the funeral chamber of the Pyramid!)

Art During Old, Middle, and New Kingdom Period:
Egyptian Art was concerned with ensuring continuity of the
universe, their Gods, the King and the people;
A projection into eternity a version of reality pure and free
from all earthly evil!
Therefore in ancient Egyptian society, conformity over
individuality was always encouraged;
Artists worked in groups with conservative adherence to
rules, order and form,
And all individual artistic initiatives strictly discouraged !
Their earliest pyramids the Mastaba, the Step, and the Bent
Pyramids were all prototypes;
While the Great Pyramid of Giza built for Pharaoh Kufu,
- was the first true pyramid which still survives!
Art comes down to us as ‘funerary art’ designed for the tombs,
Which was to accompany the royalty in their journey to an
afterlife, with its symbolic forms!
This symbolism is seen in their paintings, statues and architecture;
In vibrant color codes of their paintings as a special feature!
Where White was the symbol of purity, Black for death and night;
Green for vegetation or new life, Blue for water and the sky;
Red for life and victory, and Yellow like Gold as the flesh of the
Gods and also the Sun God ruling the sky!
Thanks to Jean-Francois Champollion’s translation of the Rosetta
Stone, (1822)
We are able to decipher many mysteries of the Ancient Egyptian
with the cracking of the Hieroglyphic Code!
Larger than life statues with poise and austere harmony at the
Luxor Temple complex survive;
Symbolic of the individual’s status, while creating zones of
strangeness for imagination to thrive!
(’Matsaba’= Egyptian for ‘bench’, referred to bench shaped pyramids;
“Step Pyramids” = were like benches placed one on top of the other in
a tapering form going up vertically!)

The Old Kingdom Period covers a five hundred years span
of Ancient Egyptian History, (2686-2181BC)
Known as the ‘Age of Pyramids’, with Pharaohs from the
Third to the Sixth Dynasty!
“The World fear Time, but Time fears only the Pyramids”,
- is an Ancient Egyptian Proverb;
Whose ‘heterogeneous structure’ made it earthquake
proof, making Time to reluctantly serve! #
Here we find formalized figures with long slender bodies,
idealized proportions and large staring eyes;
Where Kufu’s Great Pyramid of Giza raises its mighty head
as the highest, on the west bank of the Nile;
And the mighty Sphinx guard the entrance to those ancient
royal tombs, though defaced, still survive!
These pyramids were like Pharaoh’s getaways to eternity,
An insurance to an afterlife of peace and prosperity!
(# Pyramids with stone blocks of different sizes & shapes made them
Earthquake resistant; & use of pink granite in the inner chambers
made them erosion resistant against Time!)

The Middle Kingdom Period (2040-1650 BC) :
Following 150 years of civil disorder Theban ruler Mentuhotep
the Second, reunified Egypt and ruled up to Nubia, (Sudan)
And began the Classical Era when Block Statues appear,
indicating political stability;
When artisans worked with bronze and copper alloys, designing
exquisite jewelry!
Kings now preferred to be buried in secret tombs, Pyramids
having lost their appeal,
And work began on the west bank of the Nile, in the Valley of
Kings!
(Inside those rock cut ‘funerary temples’ on the East bank of the
Nile, opposite Ancient Kingdom of Thebes ; Pharaohs from the
Early and Late New Kingdom Periods were buried, including
Tutemkhamen.)

Early New Kingdom Period (1550 -1295 BC):
Between the Middle Kingdom and this Era, Art remained
static for almost a hundred years,
When the Hyksos from the Near East fought the weak Theban
Rulers!
In 1550 BC Theban Prince Ahmose reunited Egypt, and was
succeeded by able rulers, who ushered in the Golden Age!
Art works continued to maintain its basic traditional style,
With successive Kings from the 18th Dynasty consolidating
their kingdom’s wealth and power all the while!
But Egypt witnessed a change with an innovative style in Art,
When Amenhotep IV in 1353 BC became King, initiating a
fresh start!
This king changed his name to ‘Akhenaten’, the spirit of Aten,
-- ‘The disk of the Sun’;
Abandoned the pantheons of Gods with Aten as the ‘sole God’,
and a religious revolution had begun!
His new capital city of Amarna, 200 miles north of Thebes,
Got decorated with a new kind of art work to make it complete!
The statues now appear more realistic displaying emotions,
With fluidity of movement, unlike those rigid earlier creations!
The artistic talent of this Amarna Period gets best exemplified,
In the exquisite bust of Nefertiti, Akhenaten’s Great Royal Wife!
Regarded as ‘icon of international beauty’, a great archeological
find ! **
(Discovered by a German team of Archeologists in 1912 at Amarna! This 19 inch long limestone Nefertiti statue weighs around 20 kg, now housed in Berlin Museum; comparable only to the artistic Golden Mask of Tutankhamen!)

King Tutankhamen (1336-1327 BC):
Akhenaten’s unpopular rule was short-lived, with those humiliated
Theban priests calling him the ‘Heretic King’!
A nine year old boy Tutankhamen (‘The living image of Amun’),
was next to succeed him!
King Tut restored the worship of Amun, in a back-lash against
Akhenaten;
Shifted the royal palace back to Thebes, with the religious center
at Karnak once again!
King Tut’s short ten year’s rule remained buried in 3000 year’s
of Egyptian History,
Till Howard Carter found his richly laden intact tomb, in the
Valley of the Kings! (1922)
King Tut’s priceless and exquisitely carved golden face mask,
reflected the exalted standard of art work;
Weighing ten kilos, inlaid with semi-precious stones, and eyes
made of obsidian and quarts!
With the King’s early death, the 18th Dynasty of Pharaohs came
to an abrupt end,
And the 19th and 20th Dynasties of the Late Kingdom Period
commenced!
The famous rock temple of Abu Simbel now got built, under the
warrior and builder Ramses II, one of Egypt’s greatest Kings!


Pharaoh Ramses-II of the Late Kingdom Period :
Here I sweep across centuries of Egyptian History, to mention
King Ramses-II’s contribution to our Art Story!
In Shelly’s famous poem titled “Ozymandias of Egypt” he is
immortalized; (Greeks called Ramses-II “Ozymandias”!)
And as the Pharaoh associated with Moses in the movie “The
Ten Commandments”, he is popularized!
Egyptian Art is intrinsically bound with its religion, pyramids,
hieroglyphs, and architecture;
With a concentrated focus on ‘afterlife’ as its special feature!
In 1270 BC young Ramses took over from Seti the First,
And his rule for a period of 66 long years did last!
As the third Pharaoh of the 19th Dynasty, he had ruled with a
firm hand;
Recovered lost territories from the Hittites and the Nubians,
- earlier captured Egyptian lands!
He enlarged the territories of Egypt ensuring prosperity and
stability;
Became renowned as the famous Warrior and Builder King
of Ancient Egyptian History!
Ramses-II had expanded most of the temples, as recorded in
the artistic motifs and hieroglyphic symbols;
Here a special mention must be made of the Temples of Luxor,
Karnak, and Abu Simbel !

Temples of Luxor and Karnak in Ancient Thebes:
Ancient Thebes was located on the eastern bank of the Nile,
where the modern City of Luxor stands;
Thebes was once the capital of the 11th and 18th Dynasties,
And the power and religious center of all Egyptian land!
Gets mentioned in the 9th Book of Homer’s ‘Iliad’ where “heaps
of precious ingots gleam, the hundred-gated Thebes”!
Excavation work began in Thebes during the late 19th century;
And the gradual unearthing of the Temples of Luxor and
Karnak, added a new dimension to Egypt’s Art Story!
It must be remembered always, that the Ancient Egyptians in
those early days,
Structured their temple architecture to the point of ‘Sacred Art’!
With their knowledge of astronomy and geometry, they
aligned their temples so perfectly,
That the light of the rising sun fell on the temple’s innermost
sanctuary! (Temple of Abu Simbel is a great example,)
Where the Egyptian priests, who were also the artists, healers,
mathematicians, astronomers and scribes;
In dimly lit incense-filled sanctuaries performed the sacred rites!
The temples symbolized the cross roads of the cosmos, where
the divine and the mortal met in perpetual harmony!
These divine scenes were integrated into the very fabric of the
Egyptian society through chants and rituals;
With cosmological symbols of magical hieroglyphs, which
priests alone could transcribe in those days!
(Thebes began to decline rapidly after Alexander the Great
established the port-city of Alexandria as Egypt’s new Capital
around 332 BC !)

Luxor Temple built by Amenhotep-III, was dedicated to God
Amun, his wife Mut and son Khonsu, - the Theban Triad;
Tutankhamen and Ramses-II expanding the temple during the
New Kingdom Period!
Creator God Amun became assimilated with the Sun God Re;
Was worshipped in Thebes, and in the cult centers of Luxor and
Karnak, - as Amun-Re!
The walls and columns of these cult temples were decorated
with carved and painted relief,
Depicting the interaction with Gods, and military exploits of
Egyptian Pharaohs and Kings!
The sun temple of Amenhotep-III at Luxor has many columns
resembling papyrus bundles,
Symbolic of the primeval marsh from where Creation was
believed to have unfolded !
A Sphinx Alley excavated between Luxor an

Of immaterial vision birthed in mind.
Of spirit annihilating the selves,
of calling it plan. The one-
a semblance scattered on deck space
refracts on reflections of the reactions of tokens
of the carnivalesque,
of the hunger artists,
of phenomenon-
which may or may not exist depending on reflective surface of the true self,
of the motion of tides,
mocks motion in body,
of obsession.
The tonality of the "be" and the "is" and the "will be" is deafened by the "I am,"
by the Ohm.

Of shuddering and implanting embraces,
of blessing on every ember of cleanliness that is true self,
of the oneself that exists above selective memory,
not draft of time arrow but the material existence of dream,
not disembodied but embodied.
Of breeding,
of circumstance and forking fourth dimension prison terms,
of crowd control,
of she wolves and their feral children,
of forceps interpolating material reality of conception,
of Dreamtime,
of pain,
of pleasure,
where they are relations-
of skin perversely hanging, dually,
gratifying and sullying-
Fraying beautiful disasters that react to invisible ripples

I, the oneself, implore you to awaken in your utility and then outside of it.
Take those boot straps and bend the bars of confinement with them.
Chisel and sculpt light into a fabrication of quantum of action.
Celebrate the ordinary and expose it.

Of stargazed caustics,
of the early universe.
I stand awake as not the expression of design
and no longer connected to Earth by my roots
but awake inside cocoon,
entrapped behind slits,
of alien cage otherness.
The Akh beseeches ownership of the Ba
I want play dice with god and end in draw.
I am Sekhmet-Wadjet who dwells in the west of heaven,
I am Sahyt among the souls of Of.

Hanju hole hoge bhara lagge hasna,
Loki saare haal puchde,
Ohne puchya ee nahi,
Jihnu asi dasna,

Jaanda siyara saada dil kamzor e,
Mausam taan ohiyo par akh teri hor e,
Sheesha ghurda si..
Sheesha ghurda si chhad ditta takna,
Loki saare haal puchde,
Ohne pucheya ee nahi,
Jihnu asi dasna,

Bina gallon mud gaye on,
Mudke ni takyea,
Maan Maan aakhda sain,
Maan vi ni rakheya,
Koi sikhe saathon..
Koi sikhe saathon bina gallon jachna,
Loki saare haal puchde,
Ohne pucheya ee nahi,
Jihnu asi dasna,
Loki saare haal puchde,

She placed her hand over my scare last night
Kissed me upon my #thirdeye
Told me without speaking she would be here till the end of time

telepathy
You and me, yeah...
We were like this from the beginning
Lets stay like this till the ending of all time
We can read each other's minds... -AKH

Lagya c menu
tenu pyar bada,
menu tere te etbaar bada.

Mileya tenu ik bahana
tu ** *** meri
zindagi cho ravana.

Rokea me v nai
c dil ch narazgi
ruki tu bi nai
jaldi tenu chad ke c jaan di.

rokna ta chaunda c
kyuki dil tenu chaunda c,
par kida rokda tenu
tu sade raste krte alag c.

Jaan magro tere
yaadan teriyan ch kho gya,
bhidh vich lokan di
kala jeha hho gaya,.

Raatan jaag jaag katiyan
te roi meri akh c,
Jidan di tu mere to
hoi wakh c.

Holi holi tere bin
jeena sikh lawan ga
par 26 feb nu kiwe bhulanga?

av woond -  vwash maya

neeth - kh ya dash - shhma kh

t yeh t yeh - mal koo tha kh-

neh kh wayt- zeve yan akh-

ay khannad - vwash maya -
aph var ha


hawv lan - lakh mad -
sun kh yanan - ya omana

vwash vo khlan - khau v yen -
wah kh tah kh yen -
ay khana - daph kh nan -
shh vwo kh yan - l
- kha  av yen -

wela - tah lan -  l nee s yuna

ela - patzan - min - bisha

metol - dila khe - mal khu  tha -
wah hala - watesh vukh tah -

lah lam
al min
am yen

I know ki bada kuj change ** gea he thuhadi life wich
*** mere lai thuhadi life wich koi jagah  nai he

heena ji par is baar kuj alag he
apna breakup pehla bi hoea
kai baar hoea
viah thuhda pehla bi fix hoea c
us time ena nai c feel hoea jina is baar ** reha

fati pai he meri
paralysis da attack tak hoea thuhade viah to agle din
4 din hospital admit reha ha

meri kidney ne kam band kr dita c over drinking krke.
me kade drink ni kiti but is baar kiti
rajj ke drink kiti

heena me lakh bura ha
par pata ni is baar bahut kuj alag he
daily ro reha ha
raat 2 nu waje son reha ha bcz u r coming in my thoughts
te neend nai andi
swere 4 waje akh khu jandi he te bcz u di yaad a jandi

i know ki *** kuj ni ** sakda
bcz me kita bura u naal
par pachta reha ha
mar reha ha
maut bi nai a rahi menu sali

kiwe seh paunga eh dukh sari jindagi
samj ni anda sala

.there were always three songs from the 80s that we, more or less elusive... since i wasn't someone who frequently listened to the radio, i'd hear these songs - on an off perhaps once a year - at a particular time, notably travelling - or there would be some modern revamp to suit the trance-kids... midnight oil's - beds are burning, men at work - down under - well... not so much... the best example would have to be... 1984s... nik kershaw's - the riddle... i mean the lyrics are mind-boggling: near a tree by a river
                  there's a hole in the ground
                  where an old man of Aran
                  goes around and around
                  and his mind is a beacon
                  in the veil of the night
                  for a strange kind of fashion
                  there's a wrong and a right
                  but he'll never, never fight over you...
well the song is primarily about the Irish immigrants that went off to h'America - blessings of Babylon - the arms, the guild of hammers and sickles and all that to boost an honest's man honest's wage for labour... what else? the old man of Aran is a ref. to the 1934  Robert J. Flaherty documentary: Man or Aran... for i see no reason to celebrate this song in a modern fiasco... the tune: if you only like the tune... you might as well tell me... that d.j. Tiesto is going to revamp chris the burgh's - a spaceman came travelling... because that's just gonna happen! although i imagine myself writing the odd scribble about... a young man and his storm petrel - of Tindhólmur...

it really has been this sort of day -
to be rudely interrupted by still clinging friends of
the family dropping by, for the hey! surprise
at 8pm on a Monday evening -
staying up till after 10pm...
distorting the plans of me cutting down on drinking...
you don't just drop uninvited -
not scheduled - perhaps in a war torn part
of the world like Iraq...
and you're the U.S.A. pilot of a drone
that killed the son of some wisened Mesopotamian
who offers you tea with tears
and he doesn't understand your words
and then the grandson runs in and wants
to sell you all the eggs...
because the old man just didn't want the money
like that... but that's a cruel situation...
not in England, not in Germany do you
just appear on someone's door at 8pm
with covert blah-blah to reach a ****** of
the real reason for the "happy dropping by"...
it's a Monday... a happy happenstance can
occur in a cafe - on neutral territory -
not when - it's polite to serve coffee and tea
and cakes... it's a Monday!
there are no excuses!

now i see it... how i will ever stop drinking as
much as i have...
there is simply no satisfaction from a good night's
sleep anymore -
it needs to be corrected -
i had to start thinking that my insomnia is
a prerequisite for my brain to explore foreign
lands of... what will become of this verbiage...
until i come to last conclusions...
hardly alcohol widthrawl symptoms -
but you can just imagine -
a sensation of a ghost of my cat that i suspected
was killed by my "neighbour"
jumping onto the bed and making gentle
indentations in the cotton of the bedsheats...
not quiet alseep - somehow sleeping -
more hallucinations of the Mengu
/おもmen頬yoroi/ - i will not even delve
into something i know nothing about...
read: error... had to look for...
the simpler japanese i know exists...
i don't even know whether the stated kun'yomi
looks any better to the on'yomi メン...
and the wikipedia entry for (yoroi) doesn't
even exist!
but that's how the insomnia brain works it seems...
it needs to be somewhere between borderline
sleep deprivation and no sleep at all...
or at least pseudo-sleep and pseudo-dreams:
hallucinations - not visual or auditory as such...
imagine the sensation of a cat jumping
onto your bed and feeling the gentle indentations
of him walking next to your lying body?
you can't exactly find the right sort of amount
of sleep... sometimes stretches of 8 or so hours
leave you... exhausted the next day -
with a sort of vocabulary that should be waiting
in line for a retirement home and pear pulp
and a mash and roast beef milkshake to slurp up!
too much sleep is no good for the brain...
but then too little is no good for the body...
it's a fine balance... if i find it... well...

to take a beer for a walk at night -
the 2nd day of frost -
to see the stars with more lucidity
of them being exfoliated by the endless prism
of frost on the cold and hardening concrete...
paparazzi camera epilepsykrieg of a red-carpet...
under the most visible constellation
of  Scorpio

                            •
                       •
                  •
    

                         •           )צ(
                           •

                                             •                  
                  •

illuminations of the tsade... and ayin (ע)... mah-zahl
akh-ravh - oh i'm sure the hebrews to treat
the H as surd akin to the sacred raj hindu
of sanskrit... what saved them that would have never
saved the "red" indians?
the "blue" indians had sanskrit and...
a culinary arsenal of spices... which was appealing
to some little people of Norwich and Bristol
who became just became bored of rosemary,
thyme - parsley and dill.

words can at best become merely co-ordinates...
you would have to walk these same streets
at these specific times of the year -
the second frost of winter -
a clear sky -
dogs barking in the background -
foxes if... are rather exotic when they start
performing: mate-calling...
the odd crow insomnia that croaks
in flight at night...
this suckling vacuum of air exploring
a near infinite distance of astmophere
coming into a horizon with the nothingness
of space and the celestial mechanics of
the orbs - the traffic of Eastern Ave.
toward Southend in the background -
no wind... the sound of a kosher goat
taking another glug glug from a bottle
of beer - the gentle scortching of smoked
tobacco in a cigarette being dragged (inhaled)...
perhaps a very distsant sound of a train
chuggling along -
the dogs barking at the cold...
the dogs barking at the cold...
the inability to hear one's own footsteps...
a mania for the night and all the seven if not
more delights of taking a walk alone at night.

Sartori-Falcon and Hathor
eternally dreaming
in clear mountain air ,
employ Lotus Flower
and Key of Life
in service of the Pneuma .
☆
KA.       BA.       AKH.       RA.
All lives , translucent
films in space .
Like a waterfall
of magical numbers
and codes of the ancients .
☆
Then , initiation to the
realm of the senses ,
through a rich fabric
of symbols , sound and light .
☆
While souls of the
bright star children
cross the galaxies
to their new green home .
☆
Blending their true selves
with the energy of animal spirits ,
they dance cosmic
telluric currents and solar winds .